#Talibam!

[allthatchernobyl]

Talibam!- Endgame Of The Anthropocene (2017)

Buen día, humanos. Os presento la música del futuro: El cuarto y último disco editado en 2017 de Talibam! Ya empezamos a acostumbrarnos a los artistas prolíficos. La facilidad para producir, los medios al alcance y muchas ganas de laburar son un caldo de cultivo perfecto para la abundancia de lanzamientos que solemos encontrar hoy día. Por supuesto, no todo es blanco y negro. Hay matices. Hay cuestiones que hacen al asunto que dan para debatir largo y tendido. Pero acá no estoy para eso. No, al menos hoy. Hoy estoy para presentarles uno de los más destacados lanzamientos del año según el criterio de quien suscribe. La música del futuro, como he prometido. Y no se trata solo de sonidos futuristas o de "ciencia ficción". Lo de Talibam! va más allá: Viene a contarnos como será el mundo en el futuro. Viene a encarnar la ciencia ficción desde la raíz y sin pronunciar una palabra. En el primer tema del Lado A del álbum tenemos el primer y más contundente disparador: "Antartica shall be used for peacful purpose only (Article 1)". Lo que Talibam! hace aquí es algo así como una predicción geo psíquica: Después de la expiración en 2048 del Tratado Antártico y con un mundo en ruinas a raíz de guerras de dimensiones apocalípticas, el calentamiento global y la explotación implacable de los recursos menguantes, la humanidad se enredara en una guerra internacional por la soberanía y el control de la Antártida y sus vastos recursos. Endgame of the Anthropocence, editado por el sello ESP, es el primer álbum cinemático de Talibam!. Es decir, se trata de la banda sonora de un futuro nacionalismo despótico y de la desmoronada infraestructura internacional que pone en foco una tragedia eco-comercialista y el saqueo desesperado del último paisaje prístino de la Tierra. Es una declaración de intenciones instrumental basada en el ritmo. El swing cibernético y su impronta electrónica-experimental que lo devora todo. Un viaje alucinatorio por lo que parece ser un futuro irremediable en medio de un paisaje -sonoro- despojado de sus más elementales motivos. Como todos los trabajos de esta banda nacida en 2009, Endgame of the Antrhopocence revela una originalidad única y un talento descabellado para sumergirse en modos aun inexplorados en el territorio musical. Pasen y disfruten de este discazo que se ubica derechito en el Top 10 del año. Una joya.

Genero: Jazz Molecular, Avant-Garde, Electronica Experimental

Año: 2017

País: EEUU

Duración: 38:17

Compresión: 128kbps

Tamaño: 35,6mb

Tracklist:

1- Antartica shall be used for peaceful purpose only 2- Human interference and the failure of ratify 3- Reign of Primordial tenure on the Ice Shelf 4- The Telegenic Annexation of Territorial Expande in the West 5- Obsequious Resources Duly Exploited de Novo 6- Breach of Ecology on the Seabed (Biodiversity in Shambles) 7- Cost-Effective drilling enabled by pioneering technologies and warmer climates in the Southern Ocean 8- Rise of the Defendrs of Antartica

ESCUCHAR 

DESCARGAR 

[kingxfmischief]

[Just trying to keep up with and read about what's happening in Afghanistan and just...TERFs, racists, islamophobes are all using this shit as a chance to push their bullshit beliefs, pretending to care about the people in Afghanistan when they clearly fucking don't. "Ohhh see this is proof trans people bad, because women in Afghanistan are at risk." "Oh all Muslims are evil because the Taliban exists." People that are Christian whining about how this is what Islam is and how it's such an evil, scary religion. All then throwing in some afterthought about "so scary, prayers!!!" Like shut the fuck up and stop using this absolute nightmare to push your bigoted bullshit beliefs. Stop trying to change the narratives so you can blame whatever group you specifically hate rather than actually giving a damn. Christians and edgy atheists speaking over Muslim people to just insist how evil Islam specifically is.

I'm just...I'm so pissed. This isn't the fucking time. There's never a time for that bigoted bullshit, but it's even less time when a tragedy like this is happening.

Even more so when they share words from people in Afghanistan talking about how scared they are, using those peoples words as some bullshit proof.]

[burlveneer-music]

Potsa Lotsa XL - Silk Songs for Space Dogs - saxophonist Silke Eberhard’s 10-piece band for performing her own compositions

Silke Eberhard (altosax, composition) Jürgen Kupke (clarinet) Patrick Braun (tenorsax, clarinet) Nikolaus Neuser (trumpet) Gerhard Gschlößl (trombone) Johannes Fink (cello) Taiko Saito (vibraphon) Antonis Anissegos (piano) Igor Spallati (bass) Kay Lübke (drums)

Silke Eberhard is a saxophonist, clarinetist and composer based in Berlin.

Since the mid-90s she has dedicated herself to the freer variations of jazz and improvised music. Her collaboration with Jan Roder and Kay Lübke, which began then and eventually resulted in the Silke Eberhard Trio, moves in this tradition in search of new challenges, that recently led to “The Being Inn” (the 3rd trio album, awarded the German Record Critics’ Prize, a concept album) – a cozy inn.

Her intensive occupation with the music of Eric Dolphy led to the project Potsa Lotsa, initially a wind quartet, interpreting the complete works of Dolphy. The project expanded to the Septet Potsa Lotsa Plus (plays Love Suite by Eric Dolphy) and ultimately to the tentet Potsa Lotsa XL, which so far performs solely Eberhard’s compositions.

She composes for small and large ensembles, contemporary music and jazz. In her wide-ranging work as a performer she also focuses on improvised encounters in dance, theatre and visual arts.

She works with many collective ensembles, including the duo with Ulrich Gumpert, the duo with Uwe Oberg ( + trio with Gerry Hemingway), Matsch & Schnee, I am Three …. she performs / recorded with numerous musicians of the international jazz scene such as Aki Takase, Nikolaus Neuser, David Liebman, Sandy Evans, Hannes Zerbe, Wayne Horvitz, Dave Burrell, Michael Zerang, Maggie Nicols, Joe Morris, Michael Formanek, Talibam! amo… and travelled with her music all continents except Antarctica.

[chihiroitoperformanceart]

Matt + ITO + Steve / 1st gig(New York City) informations: 2018/12/28(Fri) 19:00〜19:40 Muchmore's 2 Havemeyer St, Brooklyn, NY USA 11211 

Mail: info@muchmoresnyc.com Steve Dalachinsky(voice), Matt Mottel(synthesizer), Chihiro ITO(Guitar). Steve Dalachinsky: Born in New York, 1946. I have friendship with artists of beat generation. Began performance as a poet since 1980. Matt Mottel: Born in 1981. Artist grow up in New York. He have plan to visit Japan in April as His band, Talibam!. and he do to band Ernie Brooks and Steve Shelley(sonic youth). Chihiro Ito: Born in 1980. Contemporary artist and painter grow up in Tokyo. Stay in New York. Writer. Fluxus researcher. He has a strong interest in revel music. He also get to fellowship from Japanese Government to stay NYC. Although we are races and races of all ages, such diversity can be said to be New York. This will embody the present progressive New York in the present age. 

Matt + ITO + Steve: Steve Dalachinsky (voice), Matt Mottel(synthesizer), Chihiro ITO(Guitar)によるパフォーマンスを行います。 Steve Dalachinsky: 1946年ニューヨーク生まれ。ビートジェネレーションのアーティストたちと親交を持つ。1980年から詩人としてパフォーマンスを始める。Brooklyn Railでも執筆活動を行っている。 Matt Mottel: 1981年生まれ。ニューヨーク育ちのミュージシャン/アーティスト。自身のバンド、Talibam!で4月に日本に来日予定。（Folestlimitなど）フリージャスのミュージシャン、ジョン・ジョーンを敬愛している Chihiro ITO: 1980年生まれ。東京育ちの現代美術家、画家。文筆家。フルクサス研究者。Revel musicに強い関心がある。朝日新聞などでも執筆活動も行っている。日本政府の助成を受けてニューヨークに滞在中。 過去に現代美術家や画家がバンドを行ったケースは珍しくない。 あのバスキアはGrayというパンクバンドをおこなっていた（No New Waveというアルバムで数名のアーティストと共に発表されている。）オノ・ヨーコ、CRASSのペニー・リンボー、大竹伸朗らは何枚もアルバムを発表する程だ。 ニューヨークでは芸術に詩がとても強く関連している。ジャック・ケアルックやパティ・スミス、ジョナス・メカスなど数え切れないが、彼らの表現は詩に強く結びついている。 今回はそ��なニューヨークのダウンタウンを中心��活動するベテランの詩人Steve Dalachinskyとニューヨークのアンダーグラウンドシーンのホープの1人Matt Mottelとバンドを行います。今行っているフルクサスなどの実証実験として伊藤はギターで参加。 僕たちは人種も年齢も超えたバンドだが、そんな多様性がニューヨーク的とも言えるだろう。 これらは現代における現在進行形のニューヨークを体現するだろう。

[ongoing-pesterfest]

Tagged by @progamuffin​ to list six albums that I have been listening to lately:

Clinic - Internal Wrangler (no full album, sorry) 

Ścianka - Dni wiatru

Fantômas - The Director's Cut

Talibam! - Ordination of the Globetrotting Conscripts

The Chemical Brothers - Dig Your Own Hole

UNKLE - Psyence Fiction

Tagging... idk, whoever of you are into music, I wouldn’t want to bring you into this and be like “wtf did this guy summon me for?” :P

[fuckyeahmotorik]

#1647

Talibam! & Alan Wilkinson - Double Indemnity

“Malice Afterthought”, 2019

embrace the c h a o s

[brainpussyfication]

another collection of highly unstable music taste

Speed!! Noise!! Hell!! split with MIR (Cz) by Speed!! Noise!! Hell!

2-song preview by monkey

Crevasse by Crevasse

Infection And Decline by The Flying Luttenbachers

Torture Chamber Fantasies (Promo 2016) by Kindstod

Billy Joel Cover Band (2017) by Colin L. & TALIBAM!

S/T by scum

[voguingtodanzig]

ALBUMS 2018

1. Stephen Malkmus and The Jicks, Sparkle Hard

2. Vanessa Rossetto, Fashion Tape

3. Sarah Davachi, Let Night Come On Bells End the Day

4. Mike Shiflet, Tetracosa

5. Travis Johnson and Friends, Dubious Reservoir

6. Mark Morgan, Department of Heraldry

7. Autechre, NTS Sessions

8. The Voidz, Virtue

 9. Earl Sweatshirt, Some Rap Songs 

10. Body/Head, The Switch

11. Gerritt Wittmer, I Believe

12. Elizabeth Veldon, I'm Not Afraid Anymore  

13. Universal Eyes, Four Variations on "Artificial Society"

14. Nedelle Torrisi, Only For You     

15. Black Thought, Streams of Thought Vol. 1 

16. Makaya McCraven, Where We Come From

17. Talibam!, Marimba Files Launch Pad Extraction 2 

18. Nine Inch Nails, Bad Witch

19. Superchunk, What a Time To Be Alive

20. TONGUE DEPRESSOR, NULL SET

21. Gang Gang Dance, Kazuashita

22. Mariah Carey, Caution

23. YNICORNS, Intervals

24. Thom Yorke, Suspiria

25. Christina Kubisch/Annea Lockwood, The Secret Life of the Inaudible

[tinymixtapes]

Matt Mottel of Talibam! releases new solo album, out now on Chant Records

Aaaaaaaarg! Sort of a bummer to report that an artist you admire has already released a new album on cassette and that the flippin’ tape is already sold-out… Oh, who are we kidding? We can’t stay mad at Talibam!’s Matt Mottel! After all, it’s not his fault! And besides; we would be seriously remiss not to mention that his new solo album, entitled Slid City, is OUT NOW DIGITALLY on Chant Records! Like Talibam!, Mottel’s solo stuff is a funky truck with the tire chocks thrown well clear. Full of psychotic episodes and addictive instrumentals, Slid City is a rare mutant breed of idiosyncrasy and invention. Listen below to the joyous opener “Clunk Rok” and tell me you really miss tha hiss. Besides, let’s face it: when an album is as good as Mottel’s is, you’d buy the thing on wax cylinder if that was the only option. So, don’t fret because the Slid City cassette is sold out, get the digital version and enjoy it over and over…and over and over…and over…with no fear of that pesky analog degradation! Slid City by Matt Mottel Slid City tracklisting: 01. Clunk Rok 02. Uniq RoK 03. Untal Cloc 04. Slide Ways 05. Hiegh Weis 06. Schizno Res 07. Resona Moan 08. Bo Dome http://j.mp/2K8st35

[dustedmagazine]

Che Chen & Robbie Lee — The Spectrum Does (Audiomer)

Familiarity, novelty and antiquity entwine to make something rare on The Spectrum Does. You have probably already heard Robbie Lee and Che Chen in other settings. Lee co-runs Telegraph Harp records and writes/plays/sings in Creative Automatic; he’s also a utility player who has joined the bands of Baby Dee, Neil Hagerty, Brightblack Morning Light, Cass McCombs and Talibam! Chen, of course, plays guitar in 75 Dollar Bill, but has also made records on his own and with Tetuzi Akiyama and Chie Mukai. And for about five years, Chen and Lee had a partnership that encompassed intense wood shedding, a bit of playing out, one prior LP and a tour and record with Jozef Van Wissem under the banner Heresy of the Free Spirit.

Chen and Lee first got together to play bass clarinet duos. That early practice of playing the same instrument probably has something to do with the ego-less cohesion of their music, but there was no way they’d stick to just one instrument. Lee collects ancient instruments and Chen is also a multi-instrumentalist; no doubt Van Wissem was drawn to them because they not only played portative organ, bass recorder and harmonium, but improvised non-idiomatically with those instruments.  

The Spectrum Does is drawn from two performances that took place in 2011, one at Issue Project Room and the other at Glasslands. On side one Lee comes out swinging, blowing his taragato like Peter Brötzmann (the Eastern European reed instrument’s main contemporary proponent) was looking over his shoulder. Chen responds to his tough, tunneling lines with coarse, choppy fiddle scrapes that sound like Tony Conrad playing the way a traffic cop talks until their abraded timbres fall together and then subside into a machine-like whir. Next, delay-distorted sounds rise and retreat from a carpet of harmonium, turning the vibe both prayerful and apprehensive. Then the violin returns, still Conrad-like, but Lee counters with a slow, pastoral melody played on a great bass recorder.  

Some improvisers might keep duking it out, but Chen switches to bass recorder himself. Whether they relate aggressively or passively, even when you can tell who is playing what, that seems to matter less than the consonance of mood and uncertainty of century that they create together — there are passages where it sounds like some Hungarian goat herder from the 1760s is playing with some turtlenecked freaks in a 1960s NYC art loft via a time portal held open by vibrantly fluttering magnetic tape.  There’s really nothing else around that sounds like this stuff, and it’s a shame that the duo is done, but we have another piece of analog magic to tell you what they sounded like — this fine record.  

Bill Meyer

[burlveneer-music]

My WVUD playlist, 2/24/2018

Nona Hendryx & Gary Lucas "Sure 'Nuff 'N Yes I Do" Nona Hendryx & Soul Clap "Scream (Like You Want It)" Golden Bug "Amazonia" Mamuthones "Show Me" Franz Ferdinand "Always Ascending" New War "Revealer" White "Blush" Sextile "Current Affair (feat. Sienna)" Bush Tetras "Red Heavy" Fire! "The Hands" Morphine "Thursday" Mopo "Riisto" Talibam! "Reign of Primordial Tenure on the Ice Shelf" Thick Syrup "Jennifer" Killing Joke "Eighties" De Lux "Stratosphere Girl (feat. Mark Stewart)" Sons Of Kemet "My Queen Is Harriet Tubman" Black Mantra "Tocaia" T. Rex "20th Century Boy" Muse "Supermassive Black Hole" Power Station "Get It On (Bang A Gong)" The Blow Monkeys "OK! Have It Your Way" Liam Lynch "Try Me" Paul Woznicki "Straight Ahead" Ko Shin Moon "Uber Ciftetelli" Carpenter Brut "Hairspray Hurricane" Goat Girl "The Man"

[showspace]

October 23-29

Monday:

Noise: Stroker, Psychward, Stress Orphan, Legless, and Guitar Problem. 8 pm @ Myspace

Sweaty Eyeballs presents The Girl Without Hands. 7 pm @ The Parkway

Tuesday:

Vein Rays, Modern Nomad, and Talya Tavor. 8 pm, $8 @ Mondo

Everyman at the Parkway: screening of Middle of Nowhere with discussion with resident company member Dawn Ursula. 7 pm @ The Parkway

Karaoke Forever @ The Crown

Wednesday:

Thursday:

Maya Martinez, Russian Tsarlag, Noise Nomads, Amanda Horowitz, Noel Freibert, and Keenon Brice- tarot. 8 pm, $5-10 sliding scale. @ secret location (dm Noel or ask a freak for details)

Everything Will Be Spoooky with Bryan Preston, Nicki Fuchs, Mike Moran, and Jim Meyer. 8 pm, $5 @ The Crown

Trumpets And Basses (cd release) and Ballou/Rigby/Pirog/Dierker. 8 pm @ The Windup Space

Michaela Gran, Conor Brendan and The Wild Hunt, and Matt Pless and his Band of Ghouls. 7 pm, $5-7. @ Baltimore HI Hostel

Thee Lexington Arrows, The Lushpockets, Eze Jackson, Vanishing Hitchhikers, live radio dramas, a séance by David London and more. 8 pm @ WTMD

Friday:

Talibam!, Microkingdom, and Audrey Chen. 9 pm @ Normal’s

Rod Hamilton and Tiff Seal, J$Fur, Furniture Daniel (VA), The Whrd. 8 pm, $5-15 @ The Crown

Opening weekend celebration for Sylvio with Q and A with directors Kentucker Audley and Albert Birney. 7:30 pm @ The Parkway

Saturday:

Closing reception for Miami is Nice and queer performance night. 8 pm, free @ Space Camp (16 W.North Avenue)

Artist Talk with Amy Davies about her exhibition Home Movies. 2 pm @ Gallery CA

Guise, featuring 17 artists @ Maryland Art Place

DJ Dan Deacon, DJ Hellafreckles, DJ Ellen Paul, and DJ Ned Ryerson. 9 pm, $5 @ EMP Collective

Sunday:

Wing Dam, Den-Mate (DC), Leggy (OH), and Sweepstakes. 8 pm, $7 @ The Crown

Noelle Tolbert & Hanna Olivegren and Tashi Dorji with Andrew Bernstein, Owen Gaertner and Hanna Olivegren. 8 pm @ Normal’s

Daniel Levin, Tony Malaby, Randy Peterson and Beephonk. 3 pm @ The Windup Space

Tender FM Cyber Edition: The Remix. 8 pm @ The Crown

[news-digest-zone]

В мире. Трамп: если сообщения о российских вознаграждениях талибам окажутся правдой, ответ будет соответствующим

Президент США Дональд Трамп сказал в среду, что если сообщения американской разведки о предполагаемых российских вознаграждениях талибам за убийство американских военных в Афганистане окажутся правдой, он ответит соответствующим образом. source http://news.digest.zone/v-mire/tramp-esli-soobscheniya-o-rossiiskih-voznagrajdeniyah-talibam-okajutsya-pravdoi-otvet-budet-sootvetstvuyuschim.html

[domicil-dortmund]

Neues Video online: The Dorf & Talibam im #domicil // Zur Einstimmung für den Ummagumma-Abend am Do 17.1. ! #thedorf #domicil #dortmund #jazznrw // https://t.co/CTQjJ3IT8t https://t.co/d5wxenNLhZ https://t.co/Z0YV2lEEMR

Neues Video online: The Dorf & Talibam im #domicil // Zur Einstimmung für den Ummagumma-Abend am Do 17.1. !#thedorf #domicil #dortmund #jazznrw // https://t.co/CTQjJ3IT8t https://t.co/d5wxenNLhZ pic.twitter.com/Z0YV2lEEMR

— domicil Dortmund (@domicildortmund) January 16, 2019

from Twitter https://twitter.com/domicildortmund

[thoregil]

Talibam! - Matt Mottel / Kevin Shea Fri Resonans #friresonans (at Kunsthall Trondheim) https://www.instagram.com/p/BokLWO4gKar/?utm_source=ig_tumblr_share&igshid=1obcr2o5x29qc