#Takin' Over the Asylum: Fly Like an Eagle
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I’ll Stand by You (Sweet Jane Part Two) — Campbell Bain x Reader
Sweet Jane Episode One: Hey Jude
Warning: One gif shows mild self harm. (The digging nails into palm from Riverdale)
“You were a risk, a mystery, and the most certain thing I’d ever known.”
Campbell finished playing a song and he spoke into the microphone, “That was Money (That's What I Want)—"
“Cannae hear ye, Campbell.
“From way back in 1959—” Campbell continued, now louder
“They still cannae hear ye.
“AND THIS IS CAMPBELL BAIN, THE BANE OF YOUR LIFE!” Campbell all but shouted.
“Campbell—” Eddie started.
Campbell turned and snapped, irritably at Eddie, “Eddie, I'm a mentally ill person. If I shout any louder I'll be restrained and sedated!”
He felt Y/N take his hand and brought it to the fader as Eddie pointed this out, “The fader, Campbell.”
He paused. “...Oh, I knew that!” He lied.
“Okay, Campbell, we'll try it again.”
Campbell started to jingle again, making it let out a screechy staticky whistling as it played, making Y/N jump up, suddenly, clamping her hands over her ears, making Campbell look at her with deep concern before Fergus reached over Campbell’s turned shoulder and pulled the slider down
“You'll blow the monitors if you push 'em like that.” He told them, “Along with Y/N’s eardrums.”
“Fergus! I nearly got it right that time! What're—” Campbell complained but cut himself off when he saw Fergus wearing a white doctor’s coat and glasses with his pulled back into a ponytail, “Well, well! The poacher's turned gamekeeper, eh? Where did you get the coat?”
Fergus looked down at the nametag to read it, “From, uh, Doctor Brady.”
“You look dead handsome like that, so you do.” Rosalie complimented.
“Get everything you needed?” Eddie asked.
“Almost.” Fergus said as he held up an electronic device, “That only cost 50p. I'll strip it for the power transistors.” Then he gestured to Campbell. “Are you sure you trust him on that desk?”
“Fergus, this desk and I are on intimate terms. This desk and I are practically engaged. We're doing our first show together tomorrow night.”
“Not tomorrow, Campbell.” Eddie told him.
“But I'm standing at the threshold of one the most important moments of my life here!” Campbell whined before saying, fervently, “Give me an audience; give me punters and I will deliver, Eddie!”
“Well! I hadn't expected such a crowd.” A woman said, entering, and Y/N rolled her chair away from her, looking at her suspiciously as she nodded at Fergus, “Doctor.” Then to everyone else, “Which one of you is Eddie McKenna?”
“Um, I am.” Eddie said, standing up.
“I'm Mrs. MacDonald, assistant administrator.” She said
“Mrs. MacDonald.” Eddie said, shaking her hand.
“Call me Evelyn. Just thought I'd pop my head in and say hello, ask if you need anything.” She said and Y/N and Fergus exchanged looks before the silent patient gave her a blank stare.
“Aye, we do.” Fergus said.
“I'm sorry?” Evelyn asked as Y/N handed Fergus a cable.
“We need some shielded three-core flex. This stuff is useless. The doctors' bleeps are coming through on the air.”
“Well, that should be possible.” Evelyn said, having understood very little of that but smiling to pretend that she did.
“And some paint! This place needs redecorating, so it does.” Rosalie interjected.
“Oh, hang on. Just let me make a list.”
Y/N smacked Fergus in the shoulder, lightly and gestured to the mixing desk. “Yes, the main thing is the mixing desk.” Fergus opened said mixing desk, “Now, we've got a lot of crackle coming through on these faders, and these two here have had it, really.” Y/N used a screwdriver to demonstrate which wires, “Now, we could do with a couple of new ones if you can still get them, but what we really need is a new desk. A six-into-two would even do us.”
“My goodness!” Evelyn laughed, “Are you a doctor or an engineer?”
“I'm a patient.” Fergus said as Y/N smiled, cheekily at her before he took his glasses off, laughing as Evelyn’s smile fell but not having the open mind that Eddie had when he mistook a patient for a doctor.
“We're all patients. Except him,” Campbell said, nodding towards Eddie, “who isn't, but should be. But don't worry; we're heavily tranquilized and pose no danger to the public.” Campbell then gave her an adorkable smile.
“No, that's marvelous, involving the patients.” She said but Y/N could tell she wasn’t genuine and was being very fake, not exactly going to be the next Oscar winner, “I'll see what I can do about this list. Uh, there's an endowment trust we can approach. But the hospital board will want to see some figures, I'm afraid.” Her voice was now hesitant. Y/N rolled her eyes, picking up on this at once.
“What kind of figures?” Eddie asked.
“Oh, just a budget proposal, really. Current running costs, projected capital outlay, that sort of thing. If you've got your books up to date and you've got some written estimates of the equipment you propose to purchase, you can—” Evelyn said as Campbell and Y/N started to get very bored and they exchanged very bored, like in Math(s)-class-level-bored looks before Campbell played the jingle.
“That was dedicated to the bored and boring board of Saint Jude's Hospital, that bloated, bilious body of befuddled brains we'd like to befriend. Just give us your dosh, boys!” Campbell said into the microphone cheerfully.
Can’t Buy Me Love by the Beatles played before Eddie scolded, “Campbell!” He slid the fader back down, quieting the music.
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“Well. Pretty impressive! Anyway, Eddie, I'll pop in again in a few days when you have a chance to get some figures together. And... thanks for the wee demonstration, as it were.” Evelyn said, taken aback, confused, and not wanting to be near Campbell as she felt he definitely was mentally unstable and she didn't like the death glare that was being given to her by Y/n.
“Oh, well done, Campbell.” Eddie said, sarcastically.
“I told you I could do it if I had an audience!” Campbell said, the sarcasm going right over his head.
“No that. What's Evelyn gonna think of that?” Eddie nodded at the mixer, having been referring to Campbell’s performance out of boredom.
“She'll think I'm a loony. I am a loony. ...Come on, Eddie. Let me do my own show tomorrow, eh?” Campbell pleaded.
Eddie looked at Fergus and Y/N, the older of the two quiet and gentle patients shook his head ‘no’ while the youngest and most quiet on, nodded her head, enthusiastically, yes. Yes. Yes. Yes!
Eddie sighed, looking at Campbell and conceded, “...Aye, okay.”
Campbell then jumped up from his chair, either really excited or having a mild manic mood swing. “You beau-taay! Tomorrow night! The Campbell Bain Show debuts tomorrow night!” He extended his arms out and leaned his head back to look at the ceiling like, I’M ON TOP OF THE WORLD as Y/N watched with a sparkle in her eyes. “Eat your heart out, Ken Bruce, you bastard, ha!” His smile immediately fell when he spotted his father entering the room, “Oh... Hello.”
“They, uh, told me I'd find you in here.” His dad said, uncomfortably.
“...Aye.” Campbell glanced at his friends, rather nervous about how his father would react to them given his disbelief in his son’s own mental disorder, “Well... here I am." He turned back to his friends, who were uncomfortably waiting for him to introduce this man to them, "...Eh, you lot, this is my dad." Eddie smiled in greeting but like Y/n, his eyes kept darting back to Campbell, noticing his obvious uncharacteristic nervousness and stillness, "Dad, this is that lot and this is Y/N, my best friend…” He said, placing a hand on the back of Y/N’s back as she looked at him, considering they had only met two months ago and she’s never even spoken to him despite the many, many, many times he’s spoken to her, before quickly adding, “but-but not my--not my-my girlfriend…”
He cut himself off as his dad gave them all apart from Campbell a cold look while the one he gave Campbell was just uncomfortable and disappointed, like he thought he had to walk on eggshells around him.
Then his dad just left, intending for the unsettled Campbell to follow. Campbell turned to Y/N and pleaded with her with his eyes to follow in case things went wrong which they most likely would, knowing his father and Y/N got up and walked solemnly after them, glaring at Campbell’s dad the whole time.
The father and son entered the day room as Y/N slowly walked in, glaring at Campbell’s dad still, before sitting down and continuing to glare daggers at Campbell's dad.
“Uh,” Campbell glanced at Y/N with her rather terrifying stare at his father like she was planning on murdering him, “have a seat.” Then he joked to lighten the mood, “I'd get you a cup of tea, but they don't trust us with kettles.”
“No, you might burn yourselves.”
“Aye. Or wear them on our heads. Either way, it requires medical intervention.” The teen chuckled, nervously.
“I've just, uh, had a word with your doctor, by the way.”
“Oh, aye?” Campbell asked with mild curiosity.
“He gave me some good news... I think. He says they'll be letting you out of here soon. Next week, he reckons.” Campbell’s dad said and Y/N’s insides flipped, not sure how she should feel. Her empathetic side was happy for him but her selfish side was sad that she wouldn’t be able to see him as often.
Campbell had defied all her expectations after her trauma. He was everything she had started to lose belief in in men. He was kindness and gentleness and sunshine.
Campbell clearly thought this was great news, “You're joking — next week?” He said, excitedly and then jumped up, excitedly, shouting, “YES! YES! FREE AT LAST, FREE AT LAST!” He walked over to Y/N and kissed her on the head, enthusiastically, “THANK GOD ALMIGHTY, I'LL BE FREE AT LAST!”
He spotted the bittersweet look on Y/N’s face, making him pipe down and look at her with confusion and concern so his dad took this opportunity to talk.
“Aye, well. Just thought I'd come and ask you if you'd, uh, any plans for when you come out.”
Y/N scoffed, knowing what he meant at once. Was that really his only concern? Not welcoming his wonderful son home.
“Aye! Loads of them!” Campbell said, enthusiastically, not understanding, “Massive booze-up with all my pals. Holiday in the Seychelles—or Majorca; I'll slum it. And… lose my virginity. I'm nineteen, I think I should lose my virginity, don't you?”
For some reason, Y/N felt even more sad at this, not noticing how Campbell’s brown eyes darted at her before his dad ruined his excitement… as per usual.
“Listen, stop your daft act! You'll make me think you need to stay here.” Campbell’s dad snapped, making Campbell’s mood switch from manic to depressed as he slumped into a seat, seeing his dad hadn’t changed as much as he had as Y/N glared at the ununderstanding father, her nails digging into her skin, something she had done from a young age to keep herself from violently lashing out. The pain grounding her but she had never told anyone this due to it being considered as self-harm.
“I was talking about your future, son. You didn't get your exams, you know. Your mother and I was wondering if you'd thought about going back to do your exams.”
Yes because exams are fair and test all kinds of intelligences equally instead of one or two because that would be massively unfair to those with mental and/or learning disorders by forcing them to conform to the way normal people think. Y/N thought, sarcastically, her nails breaking skin.
“Well... cannae say that was the first thing that crossed my mind.” Campbell admitted.
“Well, think about it, son!” His dad said, like, what else could you possibly be thinking about, “There's a recession on. Nobody gets nothing for nothing. You need qualifications.”
Alistair looked back at them in annoyance before catching the deadly glare Y/N gave him like, say something if you dare.
“Well, it's just... I don't know what I wanna do yet.” Campbell sighed.
“Ah, don't give me your daft talk. We're talking about a job. I mean, what you want has nothing to do with it!” Campbell’s dad snapped as Y/N’s nails pushed harder into her palm.
“Aye, well, I could always be a road sweeper, I suppose.” Campbell snapped, bitterly, getting up and turning his back to his father.
“I am not a road sweeper! I work for the Cleansing Department. And I'm a foreman.” His dad defended and Y/N audibly scoffed.
You sweep the road.” Campbell said, coldly.
“Oh? I never heard you complain about the food it put on the table.” Perhaps because you were too busy criticizing him and refusing to listen to him to hear him. “Do you want to be a waster all your life?” You’re the waster. “'Cause I'm not having it. You've got to pull yourself together, because this thing is killing your mother. It's positively killing her. I mean, the doctor's had to put her on tablets because she's so upset about it.” Then why isn’t she here?
Y/N’s eye started to switch as her nails continued to dig.
Campbell just breathed out a bitter laugh at that, “That makes two loonies in the family.”
“Your mother is not a loony. We've never had a loony in the family before you. Not on my side or your mother's. You've just got to stop this. Put it all behind you. Pull yourself together. You understand me?” His father ordered like it was something Campbell could turn on and off or like it was some act for attention.
Campbell just nodded, not trusting himself to speak without his voice breaking but he still didn’t turn around. His dad went to put his hand on Campbell’s shoulder but stopped himself before he could.
“You just have to think about your future, son.” He told him as Campbell stared solemnly at the floor
Y/N glared at Campbell’s father as he left as he gave her a cold look back, once he was gone Y/N walked towards Campbell and hugged him from behind, he grabbed at her hands before turning around in the hug and pulling her into a stronger hug as he buried his face into the top of her head.
—
The next day, Fergus and Campbell announced “Campbell Bain’s Looney Tunes Show” with Campbell in a wheelchair with balloons and streamed on it… also on Fergus.
Later that night, Campbell, Y/N, Rosalie, and Fergus were in the station and Eddie wasn’t there yet.
Campbell stressfully took out a cigarette out of his pack as Fergus squeezed a yellow balloon, “He should be here by now!” He looked down at Rosalie who was under the desk, spraying Campbell’s boots and Y/N high tops. “Rosalie, what are you doing?”
“Just polishing your shoes, son.” Rosalie said and Campbell felt his cigarette be pulled out of his fingers by Y/N and dropped in a pitcher of water. Campbell looked over at Fergus in disbelief.
Campbell excused Y/N by asking her to get him some water that didn’t have cigarettes in it and then lit a new cigarette.
“We're gonna have to go without him.” Fergus said as Y/N came back with the water and frowned at Campbell who taking a nervous puff of his cigarette.
“Ten... nine... eight... seven... six...” Fergus counted down as Y/N took the cigarette from Campbell and stubbed it out, giving him a disapproving look. “Two... one. You're on.”
Campbell leaned towards the microphone and spoke, “That was I Hear You Knocking, But You Can't Come In, dedicated to all the medical staff here at Saint Jude's Hospital. They hear you knocking, but you cannae get out! And this is Campbell Bain with the first ever Campbell Bain's Looney Tunes Show!” Y/N pushed the button that played the Looney Tunes jungle, “And our next request is for Senga on Ward six, who tells me that she's being controlled by aliens from another planet.” He put on the record, Puppet on a String and then he joked, “Sengaaa, the nursing assistants are only doing their job.”
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He heard Y/N giggle beside him, making his heart do flips. Y/N. She was definitely what he was going the miss most. Even with her never saying a single word to him.
Fergus and Y/N spotted Eddie stopping from a dash when he saw Campbell, sorting through the records. Fergus waved casually at him.
And now, I've been asked to play a "dead smoochy" tune by Alison on Ward 7.” Campbell said in a comedically husky voice, “So here's a song that should cause each of us to experience a wee flutter in the heart, a wee catch in the throat; a tune that we can truly call our song.” He said the last sentence while looking at Y/N.
Campbell put on the song, Goin’ Out of my Head and then he spotted Eddie and he smiled at him, before looking at Y/N who was bopping her head along to the song.
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—
“Cocoa's up. You coming” Campbell asked Eddie as Y/N waited for him, quite proud of the looney.
“No. Gotta get these figures together for Evelyn.” Eddie refused.
Campbell was nervous yet excited as he put his hands in his pockets, “I had fun tonight, guys. I think that's the most fun I've ever had without being manic.” There was a nervous pause. “Was I any good?”
Y/N didn’t even hesitate, she nodded and gave him two thumbs-up. That was as good as he was going to get with her.
Eddie paused, considering before turning to look at him, “Aye.”
This was the kind of support Campbell never got from his father and it excited the young man, “I've never been good at anything before, Eddie. I spent four years of my life learning to play guitar and the only song I can play all the way through is ‘Knock Knock Knockin' on Heaven's Door. And I only did it to try and pull women. I'm no good at that either.” He sighed and Eddie breathed out a laugh, knowing that Y/N was quite infatuated with him, even without her ever saying a word to him… or to anyone in the hospital, “I want to do this. Professional, Eddie, Y/N. D'you think... I could?”
Y/N gave him a smile while Eddie said, “Maybe, aye.”
“But I've got to take it seriously.” He said, starting to pace, “It's got to be taken seriously, this thing. First thing I'm gonna do is get some cans like yours, Eddie.”
“Beyer DT-100s.” Eddie said, flatly.
“Aye. Professional cans, with my name on them in big yellow fluorescent letters. Build up my own record collection; specialize in something. Get some routines together. What else do I need?
“Experience, Campbell?” Eddie suggested.
“Aye, good point! They're no gonna hire somebody who just walks in off the street. They're going to hire somebody who has spent days, if not weeks, developing their show into a creature that's, is totally fresh and fundamentally loony in every way!” He said, excitedly.
“‘Days, if no weeks’?” Eddie repeated his words, considering he had been trying to go professional for eight years.
“They're letting me out of here next week, Eddie. And I wanna come and work for you. Full time. I want you to teach me everything you know. We'll be a double act. We are gonna make this the most outrageous and original hospital broadcasting outfit in the country! This station is gonna take us places, Eddie.” Campbell proposed and Y/N’s heart began to lift.
“‘Us?”
“Well, you're no gonna sell double glazing all your life, are yeh?” Campbell pointed out.
“Uh, no likely, anyway.” Eddie muttered, figuring he was going to be fired in a few days due to his literal workaholic boss’ impossible standards.
“Then go for it! Have you never wanted to go professional, Eddie?” Campbell asked.
“I've sent out the odd tape.” Eddie said as Y/N tilted her head.
“And?”
“Uh, general consensus seemed to be, um, I was shite.” He muttered.
Campbell thought about this for a moment before saying, “Ah, well, that's where you went wrong. You see, you went to them. That's one thing I'm sure of, is you've got to get them to come to you. What's it called...”
“Abduction, Campbell, and it's illegal.” Eddie deadpanned.
“No! No! No!” He spotted Y/N pad which she had written the word on, “Yes! Market strategy. Creating a seller's market. Can you see the potential? We are one of the only loony radio stations in the country! Think of the angle, the publicity!” He mimed a newspaper headline in the air, “‘Loonies Take Over Asylum at Saint Jude's’. All we have to do is be brilliant as well as original, and they'll be coming to us. With your knowledge and experience and my hypomania, how can we lose? Come on, Eddie. You with me?”
Eddie thought about for a moment before nodding, “Aye. Campbell grinned widely at his answer.
“Are you sure you're no manic?” Eddie asked.
“I'm inspired, Eddie.” He corrected.
“What's the difference?”
“Inspired is when you think you can do anything. Manic is when you know it.” Campbell explained and went to get his cocoa. Y/N smiled and followed Campbell to get hers.
--
Later Campbell was reading a book called Careers in Radio when he looked up to see a soaking wet Fergus with a shopping bag.
“Fergus! Did you get them?” He asked, excitedly.
“Aye. Secondhand. Fifty quid.” Fergus said, opening the bag for Campbell.
“This is brilliant! Brilliant! My first professional headphones.” Campbell said, getting his headphones out and putting them on as Fergus got a towel to dry off. “Did you get the paint?” Fergus pointed at the bag and Campbell fumbled with the bag until he got the pain out, “I have to put my name on them. That's how they do it in professional radio.”
“Where'd you get all this cash, anyway?” Fergus wondered.
“Sold Mad John all Y/N and my cigarettes. She doesn’t smoke so she was happy to.” He explained.
“For sixty quid?”
“Well, it was nearly eight packs. And he did offer; he was desperate.” Campbell said.
“But what are you gonna do for smokes?” Fergus asked.
“I'm giving it up. I've gotta take care of my voice. And may God strike me dead if I so much as engage in passive smoking.” He said.
“But everybody smokes in here.” Fergus said, “Except your girlfriend.”
Campbell merely glanced at him, slightly irritated at him calling Y/N his girlfriend but decided not to comment on it. “Then I'll stop breathing in. I’ll do whatever Y/N does. C'mon! Let's try these out at the station.”
He went to run out of his room and to the station when he was stopped by his father entering, looking just as lethargic and boring as ever. So, the exact opposite of Campbell in every conceivable way. “Dad! Hello.”
Campbell’s dad looked at Fergus and frowned, “You're wet!”
Fergus pressed his finger against his temple like he just got an idea or was getting a psychic message from someone and then said, sarcastically, “Next time I'll take my clothes off before I get into the bath.” The he gave Campbell’s dad a somewhat loony-esque look as he walked out.
“I thought he was a doctor.” Campbell’s dad said, confused and slow.
“Only part time.” Campbell said with a slight nervous chuckle.
Campbell’s dad then decided to ignore this, not having his son’s acceptance and love for “loonies” as his son put it. “I was wondering if you'd thought about what we were saying.”
Neither noticed Y/N appear at the door, leaning against the door frame, watching the scene with scrutiny but not interrupting.
“Yes. I have. And I've decided that you're absolutely dead on. I'm nineteen years old and it's time I started thinking about my future.” Campbell said with a big smile.
“Oh, aye?” His dad asked.
“You're gonna be proud of me, Dad.” Campbell hoped, but somehow, this was doubtful with what was known about Campbell’s close-minded dad. “Because I've decided that my future, my life's work, my soul's passion is gonna be this.” He pulled his headphones from around his neck to over his ears.
“...You're going to be an airline pilot?” His dad asked.
“Nooo!” Campbell drawled out, making Y/N lips twitch into a smile before her glare settled back onto his dad. “A radio disc jockey! And I can get all the experience I need right here in the hospital station!”
Campbell's dad was not proud in the slightest, just disappointed and exasperated for what he assumed to be his son’s latest “obsession” but was actually more accurately a Bipolar hyperfixation. “Back to that, are we?” He asked, sitting down.
“Back to what?” Campbell frowned, pulling his headphones down.
“Well, six months ago you wanted to be a pop star.” His dad reminded him.
“That was different. I cannae sing.” Campbell told him.
“Two years before, you wanted to be a racing jockey.”
“I'm afraid of horses.”
“Before that, you wanted to be an actor!” His dad complained.
“I cannae remember lines. But this is different! I'm good at it! I know I am! Y/N told me, I mean not so much with words, but she did in her own way!”
“The mute girl?”
“SHE’S NOT MUTE!” Campbell shouted, angrily, gesturing to Y/N at the door who waved sarcastically at Campbell’s dad with a sarcastically sweet smile.
“Ah, well, there's a lot of things are gonna be different from now on. Your mother and me have been talking, and... we've decided it would be a good idea if you went to your auntie Susan's for a bit.” Campbell’s dad told him.
“But she lives in Perth.” Campbell said, shocked.
Y/N’s heart fell at this. Campbell wasn’t just leaving the hospital, he would be even further away. If he meant Perth, Scotland then he’d be sixty miles away, that would be over an hour’s drive. If he meant Perth, Australia, then that was in a whole different time zone.
“Yes, but you can go to adult classes there. You'll get the peace and quiet that you need.”
Y/N scoffed at his dad’s reasoning. It sounded more like if Campbell had another episode, he didn’t want to deal with it and he was using his education as an excuse.
“I cannae go to Perth! I've gotta stay in Glasgow to work in the station! I need the experience!” Campbell freaked out, holding up his headphones at his dad, Y/N eased over to behind Campbell, sensing his anger rising.
Y/N took Campbell’s headphones from his hands and replaced them with her headphones.
“You need to get well!” His dad protested like he was arguing with someone who was actually ill and Perth was actually going to help do that. How exactly?
“BUT I'M NOT ILL!” Campbell screamed and just as Y/N had predicted Campbell threw his headphones at his bed, they bounced and hit the floor, she could hear them break even though Campbell was shouting as she slinked back out of the room, “YOU CANNAE MAKE ME GO TO PERTH! I'M NINETEEN YEARS OLD, AND I'M STAYING IN GLASGOW TO WORK IN THE STATION! I'M GONNA BE A PROFESSIONAL DJ WHETHER YOU LIKE IT OR NOT!”
“You stand there, shouting at the top of your voice, throwing your arms about like some mad scarecrow, and you're telling me you're not ill?” His father scoffed as Y/N glared with him with such hatred. “You're not capable of thinking straight, and some straight thinking needs to be done. Now, your mother and me have done our best to look after you.” Y/N clenched her jaw as her hatred increased, “If that's not good enough for you, then there... there's nothing left but... to have you sectioned, and let the doctors decide.”
Campbell’s anger turned to shock and brokenheartedness as Y/N’s turned from fiery hatred to ice-cold hatred. There was officially one person she hated more than she hated Campbell’s father. She could see that he wanted to love a normal son but he didn’t have that so he tried to shape Campbell into being normal, but he wasn’t but he just didn’t have the capacity to understand that and just blamed Campbell for things that wasn’t his fault.
“...Oh, Jesus. You'd have me sectioned?” Campbell breathed, looking at his father with horror through his floppy light auburn hair.
“I'll come round on Monday to collect you. Your uncle has loaned me his car.”
Great. Y/N thought, Then I could key it with curse words.
Campbell’s father went to turn to leave when his son spoke again in a heartbroken tone, “Have you never been young, Dad? Was there never anything you wanted to do, you wanted to be, more than anything in the world?”
His dad paused and then said, “Oh, aye. Goalkeeper for the Glasgow Rangers. Lot of fucking good it did me.”
Yeah, because you have no talent whatsoever, nor compassion, empathy, or unconditional love for your so. Only if he’s the way you want him to be. Y/N thought with sardonicism.
Campbell looked up to see Y/N blocking his dad’s way, glaring daggers at him before he shuffled past, muttering about loonies.
Campbell looked at her with tears in his eyes, “WHAT!? YOU THINK I’M JUST AS BROKEN AS HE DOES! THAT’S WHY YOU FOLLOW ME AROUND BUT NEVER SPEAK TO ME!” He lashed out but Y/N showed no emotion on her face, she just took it like she was used to being screamed at… she was. Campbell got up and ran past her and she ran after him.
--
Evelyn was showing her true colors to Eddie, to her the only normal who worked at the station.
“Eddie, nobody could admire you more than I do for involving the patients. But I think the intention when we decided to fund the station was that there would be a regular staff of outside volunteers. Reliable people.” She voiced her opinion. Which was wrong in every way imaginable because in her mind, they were dangerous, unstable, and every stereotype their mental illnesses and/or disorders presented via said stereotype or movies or discrimination in general when in actuality people with mental illnesses which was over one third of the Earth’s population were eleven times more likely to be the victims of crime and/or violence than the general public.
“I've never been let down.” Eddie frowned.
“Eddie, some of these patients have horrendous problems. It's not fair to expect too much.” Evelyn explained to him like she was explaining what a surplus was to an eight and then to a five-year-old. Even though each “patient with horrendous problems” had done just as much if not more than Eddie had.
“They keep telling me how much they enjoy it.” Eddie said, shocked and confused. Wasn’t this woman supposed to be the Assistant Administrator of mental health? It was becoming more clear why she was Miss Evelyn MacDonald and not Mrs. Evelyn MacDonald or Doctor Evelyn MacDonald.
“You can't always listen to them.” Evelyn said, even though that’s what people already did that and when it should be the opposite with less screaming at them that their view of the world was wrong and the normals’ view of the world was right.
Then she left as Eddie looked after her, not understanding why she would think that, he had spent ten minutes in this hospital before realizing that his initial assumptions towards the patients had been wrong, thanks to the contrast between Stuart and Campbell.
Then he noticed that Francine had been eavesdropping on the quite upsetting conversation and she ran off.
“Francine!” He cried after her.
Campbell visibly upset and trying to light a cigarette with his lighter stalked past behind Eddie.
“Campbell? Campbell!” Eddie called as Y/N ran past him after Campbell with his new headphones around her neck.
Eddie had never seen Campbell so upset before, given Campbell was either always happy, manic, or overwhelmed, so he followed Campbell and Y/N. Campbell stormed into the studio, sulked over to the chair next to Fergus and flung himself into it, dejectedly before Y/N opened the door and knelt by Campbell’s side but he twisted his torso so the swivel chair turned him away from her, refusing to look at her, feeling guilty for what he said and not wanting to look her in the eyes.
“I thought you said you were gonna give up cigarettes.” Fergus told him.
“Aye, well, I also said I was gonna become a DJ.” Campbell said, bitterly and depressedly.
Eddie came around the corner and traded looks with Fergus. Eddie nodded at Campbell like, do you know what’s wrong?
Fergus shrugged like, No idea and I have no idea how to help him.
Y/N held up her hand, reassuringly like, I got this, boys.
Y/N grabbed Campbell’s arm and pulled him but refused to get up so the chair rolled until Fergus grabbed the back of the chair, making Campbell reluctantly stumble after Y/N who pulled him to his room, closing the door behind them and sat him on his bed and sat next to him so he could vent.
“Maybe, my dad’s right. Maybe following your dreams only exits in television.” Campbell sighed and tried to take another puff of the cigarette but Y/N took it from him and put it out on his ashtray. He looked at her and took out another cigarette which she took from him. He tried three more times in which she did the same.
He finally looked her in the eyes, “Well, that’s the least fun game ever, Y/N,” He deadpanned and she gave him a smile as she tilted her head and a sparkle twinkled in her eyes like, come on. Come on, buddy. Interact with me. He let out a half-scoff, half-chuckle and said, “Look, I’m sorry that I shouted at you, Y/N. I really am and I know you don’t think I’m broken and I don’t think you’re broken—I know I didn’t say that but I know you think you are because I know that look in your eyes. I’ve been here a while and I’ve had that look in my eyes for a long time.”
He stopped his rambling when Y/N placed her hand on his, sending waves of warmth through his body like hot cocoa on a cold day, “Maybe I need to be more like Eddie, a realist. Get a job to get by. Maybe, I’m just not that good. Maybe idealism is for suckers and I’m not as talented as I thought I was.”
“No.” Y/N spoke.
Campbell shook his head in disbelief and looked at Y/N with wide eyes, “Did you just…”
“Don’t give up, Campbell.” She said, softly, her voice was soft and bit hoarse from going ten months without speaking and so her vocal chords had atrophied a little but nothing too bad.
Campbell let out a laugh and cupped her cheek, “you’re talking. You’re really talking.”
“Your dad is close-minded arse who’s just miserable with his life and takes it out on you. I wanted to attack him and I wanted to key his car but he took the bus here… I checked. I wanted to scream at him and make him go crazy so he’d know what being loony is like.”
“You’re a really dark person, aren’t you?” Campbell chuckled, not at all worried or upset with her for wanting to commit physical and psychological damage upon his father.
“Manic-Depressive disorder is eighty percent genetic and most likely passed down from the father’s side of the family, just because there’s no known family members of your family doesn’t mean there weren’t any. Until seven years ago, they called attention deficit hyperactivity disorder or ADHD, ‘hyperkinetic reaction to childhood” despite the disorder being known since either the late seventeen-hundreds or the early nineteen-hundreds. Stress, emotional abuse, neglect, being bullied, loneliness, isolation, pressure, etcetera, etcetera.”
Campbell studied her as she spoke, seeing she was rather intelligent though he had expected that from her engineering skills but this was knowledge of mental health that even some of the therapists he saw didn’t seem to know as they just insisted that he needed to calm down or he wouldn’t be able to function in society or lazy or over enthusiastic or a slacker or pointed out whether he seemed happy or sad that day like he needed it gauged and vocalized or that he was faking his episodes before they finally diagnosed him with manic-depressive disorder. She had a Y/A (Your accent) accent that sent his heart a-fluttering.
“You are not mentally incompetent or unwell. You are not acting out or putting on a daft act.” His eyes became misty with happy tears, “You are perfect just the way you are. You’re so much stronger than all the white noise in the world,” She gestured out the window, referring to the normals as white noise, “You’re stronger than your father, you’re stronger than Stuart, you’re stronger than Evelyn MacDonald. You’re so much stronger than anyone I know. You are holding the station together, you are holding the show together, so please, please, don’t let go.”
He nodded and cupped her cheek, stroking her soft skin with the pad of his thumb, “Why’d you wait until now to talk? You’ve been here for weeks and according to Stuart, you haven’t spoken in eight months and that was nearly two months ago, so ten.”
“You.” She said, “You were going to give up. Don’t. Please, don’t.”
“You’re talking… because of me. To encourage me?” He asked, touched and surprised that she cared for him that much.
She nodded and touched her forehead against his as she spoke softly, “You are more brilliant and talented than your dad ever could imagine. He doesn’t understand your disorder, he doesn’t see how brilliant it is. You know creative people are twenty times more likely to be manic-depressives? Creative people are more likely to be loonies.” Campbell chuckled softly, loving the sound of her voice and the passion twinkling in her E/C-colored eyes as she placed his headphones around his neck. “You have ambition, genius, loyalty, and compassion that doesn’t even rival your father’s by a long shot. Your disorder reminds you to relate to others and know when they’re struggling. You saw me. My parents only sent me here because I refused to talk but you knew there was more than that. They never did. And I see you and I understand you and I accept you.”
Campbell had tears of joy in his eyes and he pulled her towards him, hugging her, making her straddle him so not to be in an awkward angle, she stiffened before relaxing, hugging him back.
She turned her head to whisper into his ear, “And I have a plan.” She pulled away and looked into his brown eyes, “How’s your acting?”
Campbell raised an eyebrow at her before getting distracted, “I thought I broke the headphones, I threw but these aren’t broken.”
“Oh, yeah, that’s…” She nodded to the floor where he spotted her headphones now broken.
“Oh, shit! I broke your headphones, don’t-don’t worry, I’ll replace them.”
"Campbell... the plan." She reminded him.
"Oh, right, right... what's your plan?" He asked.
Y/n leaned in closer and whispered in his ear, however he didn't get a single word from being too distracted by their closeness.
"Could you say all that again? I didn't get any of that."
--
Campbell started the show the next day with Y/N as Eddie was a bit late but anyways, it was his show today—his last show.
As This Ole House by Rosemary Clooney played, the patients danced outside the station and Campbell, looking more restrained and calmer than usual. He also seemed deeper and more lost in thought than his usual spur-of-the-moment, impulsive, didn’t-think-this-through self. They sorted through the records and looked at the ones that Y/N handed him as she spoke softly with her back to the others so they couldn’t see and take her away now that they knew for certain she could talk because then she’d miss this and she didn’t want to miss this.
“What about Tears for Fears’ Mad World? It’s one of my favorites.” She suggested, holding up the 1983 song. “It can explain a looney’s tiredness of the world around us. To everyone else, we’re the ones that are mad but to us it’s the everyone else in the whole world that’s mad.
“Mmm. Great choice but I think some people are going to be a little bit depressed already with what I’m going to do.”
“Or I could play it after you leave.” She shrugged.
“Oh, you trying to take over my show, L/N.” He teased, spinning his swivel chair to her.
“Maybe, I am, Bain. What are you going to do about it?” She teased back.
The song ended and Campbell took over as Eddie entered, “This is Campbell Bain's Looney Tunes show, and I hope everyone in this old house is tuned in and ready to rock and roll.” Y/N pushed the button and the Looney Tunes jingle played as Eddie gave Campbell a proud smile, being far more supportive to him than his dad ever was, “That's right, because it's time for the Looney Tunes show, and I want you dancing, loonies, I want you singing along, I want you clapping your hands and stamping your feet! If there's a strange voice in your head, get it to sing along! If there's a catatonic sitting next to you, WAKE ‘EM UP!” Y/N giggled at his antics, making him give her a grin, “This is for all of you having ECT tomorrow; I hope you get some good vibrations.”
He started playing Good Vibrations by the Beach Boys and grinned at Y/N as that was one of her suggestions which he rather liked as it resonated with his feelings for her.
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Outside the stations as per usual, Hector sang along to the lyrics of the song into a spoon while as per usual Alastair was annoyed that they were interrupting his TV time
Campbell put the fader on, so the song faded out and he spoke into the microphone again, “Well, I suppose you're all wondering why I asked you here tonight. As you may know, this is the fourth and last Campbell Bain's Looney Tunes show. The good news is that it's because I'm being discharged. The bad news is, I'm gonna be living in Perth. And our first competition tonight was to find a special dedication to the town of Perth. And the winner is Margaret on Ward eleven, and she dedicated this song to the town of Perth.”
He started playing We Gotta Get Out of This Place by the Animals. He looked at Y/N and winked, giving her the signal while forcing himself not to look happy or manipulative. She smiled, then she leaned forwards and kissed him on the cheek before leaving to join Fergus and Eddie and actually spoke to them, “He's hot the night.”
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They did a double take at her but she wouldn’t say anything else when she was questioned about it as she closed the door, watching Campbell with amusement at what was going to happen and because his cheeks were now bright red.
Campbell waited a minute so that her leaving right before wouldn’t seem planned before taking his headphones off and looked at the studio door, as he pieced together what he was going to do. He walked over to the studio door and locked the door, locking eyes with Y/N.
Fergus and Eddie exchanged looked before Campbell walked over to the record player and pulled the tonearm off the record with a scratch and he sat back down, placing his headphones back over his ears and spoke in a manic pace of voice, “Ach, that's no dance music, is it? We're supposed to be rockin' an' rollin'! Because we are loonies and we are proud! I'm a manic-depressive and I'm proud, my friends. Some of the greatest geniuses in history have been manic-depressives on a manic roll! Vincent van Gogh, Handel, Schumann—”
Outside the station, Isabel the only good nurse apparently opened the medicine cabinet to see that Campbell hadn’t taken his pills and then looked over towards the studio door, concerned, given how severe his episodes could become if untreated.
“Virginia Woolf, Sylvia Plath, Spike Milligan, Vivien Leigh—” Campbell continued, “that is one hundred percent true, folks—and this is for all you manic-depressives out there; we are loonies and we are proud!” Then he let out a sort of shout/howl, “AAAOOOOW!”
Then he put on Your Love Keeps Lifting Me Higher by Jackie Wilson and the patients continued dancing while Alastair yanked the spoon from Hector’s hand and then sat back down, grinning triumphally as Hector frowned.
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He exited the day room, only to run into Y/N who handed him a new spoon. He grinned and started to sing along into it. She walked into Alastair’s view who was frowning in disbelief at her as she gave him a sarcastic smile and then gave him the middle finger before taking Hector’s arm and leading him out of the day room and to the hall so Hector wouldn’t take the second spoon away from him too.
“Have you ever noticed how much mental illness imagery there is in popular music? Tonight our guest on the Looney Tunes show is professor of musicology, Doctor Boogie!” Then Campbell started to speak in bad German accent… or Romania given how he was pronouncing some words… somewhere near Transylvania where Dracula lived, “Aye, aye, in the popular music we find much imagery of ze mental illness, indicating an underlying fear and faskination vith madness. For example…” He started to play A World Without Love by Peter and Gordon.
“He's away.” Fergus said, a bit concerned.
He stopped the song with another record scratch, Campbell’s voice seemed to be increasing speed, “And this expresses the deep anxiety about going a little bit crazy, huh? Another example is…”
The needle scratched on the record and Great Balls of Fire by Jerry Lee Lewis. “This expresses the deep anxiety about going a lotcrazier with a,” His eyes were bugging out of his head and waggling his fingers, manically and Y/N had to force herself not to giggle at how he looked, “pyromaniac overtones. And then again in a song like—"
A less prominent record scratch before Paint it Black by the Rolling Stones played,“—We see a fascination with obsessive behavior. And some songs provoke the greatest fears of all, in this case—”
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He took the needle off without a scratch this time and then he played Sugar, Sugar by the Archies.
“—the tvin fears of abject mediocrity and of writing crap songs. Ah ja! But zen of course—” Campbell said, still speaking in the odd Central to Eastern European accent as Eddie finally tried the door, only to find it locked., “—there is, uh—"
He started playing Da Doo Ron Ron by the Crystals as Isabel and two assistants (thankfully not Stuart) hurried down the corridor. He dropped the accent, “—which has got nothing to do with loonies, but it's a great song!”
He glanced at Y/N with the silent message of: should I up the mania? She subtly nodded, he flashed her a grin as he tore off his headphones, “Whoa! I'm sweating! I'm just going to open a window.” He went to the window and opened it as Margaret from Ward eleven bit her thumbnail with concern, Campbell stuck his head out of the window and looked around, “Whoa! It's a long way down from this window, but I'm so high I'll bet I could fly.”
Eddie growing more and more concerned now that Campbell seemed to be threatening suicide or at least several shattered bones, banged his open palm on the studio door window glass.
“Oh, cue the song, cue the song!” Campbell shouted as he put on Fly Like an Eagle by Steve Miller Band.
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“Jesus, Campbell!” Eddie shouted.
Campbell leapt on the windowsill and Y/N shifted as this was getting a bit too close for her but surprisingly she trusted Campbell and saw that he was clutching onto the bottom of window sash frame as he shouted enthusiastically and manically into the microphone
“What do you think, boys and girls? Do you think if we close our eyes and say ‘I do believe in magic’ that Peter Pan will really be able to fly?” Everyone was concern by now, realizing how serious Campbell’s episode was by now as he pushed the window sash up a little more and Y/N smacked the window, making him look over as she gave him a message like, don’t be so manic that you kill yourself because then I will kill you! “Let's try it, eh!?” He turned away from the window, locking eyes with Y/N through the floppy bangs in his brown eyes,“I do believe in magic.” Then he shouted, loudly, stepping away from the window thankfully, “COME ON! I DO BELIEVE IN MAGIC!”
Isabel pushed her way through the concern crowd to the door, Y/N refused to move out of the way.
“Oh, they're coming to get me, folks! They're coming to get your very own Campbell Bain! BUT WAIT!” He shouted, throwing his hand out, “Wait, I've got the perfect song!” He ran to the record player and scratched the record off as Isabel pounded on the door with her palm, finding it locked as he scratched on They're Coming to Take Me Away Ha-Ha by Jerry Samuels.
“Oh, yes, we're really seeing some action now, Brian!” Campbell shouted, his voice getting even faster, Y/N was sure that not even the Doctor from Doctor Who could talk that fast, he put his fingertips to the top of the shell of his ear, like a sports commentary, speaking into an earpiece, commentating what was happening as he saw it to those who were only listening, “Oh, the nursing staff have been at a temporary disadvantage, but I think they're beginning to get the upper hand now! YES! They found the spare key! It may be all over soon, and,” The key couldn’t turn due to the first key being in on the other side of the lock, “Oh, nooo!” He dramatically fell to his knees, “the key's in the lock from the inside and there's not a thing they can do about it!” Then he spotted Stuart approaching, “Oh, wait! Oh, it’s wee Stuart's got something, and he's not happy. If he can't break through the doors then I don't think anyone can.” Stuart aggressively pushed Y/N to the side which made her scream and fight back, suddenly, punching Staurt and clawing his skin off, “He tried to manhandle Y/N and she’s not happy; he’s made her angry! He’s pressed her trauma button!” Isabel then pulled her away and she immediately calmed down, “Ah, Isabel to the rescue.” Stuart then smashed the studio door window with a fire extinguisher, making Y/N flinch violently.
“YES! He's done it! He's broken the glass! And he's in! Wait, I haven't told you my loonies joke yet!” He shouted as Stuart and another assistant grabbed a hold of Campbell, picking him up as he continued to tell his joke at full speed, “This loony walks into a pub with his dog. The barman says, ‘Can't be any dogs in here, bud.’ But the loony tells him ‘it's a talking dog’, and he says to him ‘Look, if he can answer three questions, can he stay in the bar?’ ‘Let's see it.’ So the guy says to the dog, says, ‘What's the texture of sandpaper?’ And the dog says, ‘Rough.’ And then the loony guy asks, ‘Who was Scotland's goalkeeper in the 1978 World Cup?’ And the dog says, ‘Rough’.” The crowd followed them as Stuart carried Campbell, even Alistair had gotten up from the TV to watch with concern, “And then, ‘Who was the greatest American baseball player of all time?’ And the dog says, ‘Ruth.’ The barman's definitely not impressed. He grabs the guy by the collar and throws him into the street.” They brought Campbell into the treatment room with Isabel stopping Eddie and Y/N from following them in.
They slammed Campbell against a wall roughly, making Y/N flinch as Campbell, now slightly disorientated from the impact done to his head, repeated the last sentence he said, “Then he grabs the dog by the collar—” They pulled his jeans down, leaving him in his underwear, making Y/N flinch, violently as he continued to tell the joke, “—and throws him into the street. They slammed him aggressively against the treatment table, making Y/N flinch again, “And as they're lying in the gutter the wee dog looks up with tears in his eyeee—!” He cried out in brief pain as Isabela jabbed the needle into his buttock cheek with the sedative, making Y/N flinch. He was quiet for a few moments as the sedative took effect, making him drowsy and relaxed and then he spoke in a much more slower speech to finish his joke, “The wee dog looks up with tears in his eyes and he says... ‘DiMaggio...?"
He chuckled at the joke before succumbing to the sedative as Eddie watched ruefully and Y/N guiltily through the window before walking back to the station. She stepped through the glass and sat down, “Hello, this is Y/N, sorry for the craziness but our Campbell Bain has suffered a violent mania attack thanks to his father’s closed-mind, judgmental, disappointment in his DJ career, neglect, and general awfulness about him. So, I fucking hope you’re happy, Mister Bain, you think your son is the only looney in the family, you likely made him that way. This next song is Mad World.”
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She played the song as Eddie looked at her through the window. A little bit later, she spoke again, “The last song of the day will be Bang and Blame, dedicated to all pathetic waste of spaces that are abusive parents, once again Mister Bain, thank you for making your son ‘unwell’ as you put it and putting pressure on him to find a job like you have such high standards, you road sweeper.” She played song as she looked through the window to see Stuart and Isabel waiting for the song to be over so they could deal with her and the fact that she’s talking.
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--
The next day, Eddie walked in to see Campbell still groggy from the sedative with Y/N by his bed in the same clothes as yesterday, holding his hand. He was awake and they were just looking at each other in a comfortable silence.
Campbell groggily looked at Eddie to see him in a suit and in a slow yet facetious tone said, “What's this? Did somebody die?”
Y/N fetched a glass of water and made him drink it, he resisted at first more just to be a nuisance than anything but gave in and complied as Eddie chuckled and said, “I came from work. Big day today.”
“Ooh, did your boss get fired for overworking his employees? Or drop dead from exhaustion because he’s working seven days a week?” Y/N asked, sardonically yet with a cheerful tone.
Eddie chuckled again yet not sure if he liked it better when she didn’t speak, considering he was finding out she was a very sarcastic and sardonic person. to vastly contrast Campbell's personification of sunshine-ness. He pointed to his tie tack, “Salesman of the Month.”
“Salesman of the Month, eh?” Campbell asked in disbelief.
“What were the other salesmen like?” Y/N teased.
“How are you?” Eddie asked Campbell.
“Great. Y/N slept with me last night, yet I still remain a virgin. He teased and Y/N slapped his shoulder, playfully as he smirked, cheekily, “Saw my shrink this morning. He says I'm definitely not stable yet.” Y/N grinned and leaned down, pressing it against Campbell’s hand to hide it while pressing a kiss to it. “They're, uh, going to keep me in another six to ten weeks.” He briefly got distracted from the hand kiss, “Do you realize how much we could make of that station in six to ten weeks? Anything's possible now. And Y/N could be my protégé, now that she speaks again.” He wanted to ruffle her hair but his limbs felt like lead, so he just let out a half-hearted noise of not-really exertion.
“Aye, well. If you think you're up to it. Both of you.” Eddie told them.
Campbell looked at Y/N like, can I tell him. And she nodded, enthusiastically.
“Great acting, eh?” Campbell grinned as Y/N giggled.
Eddie looked confused as both teenaged patients looked up at him, then they both winked out of sync and it dawned unto Eddie that there was no manic episode. That’s why Y/N had left the room just before the “episode” started, why she remained calm up until Campbell was fake-threatening-implying to jump out of the window, why Campbell kept looking at her during the episode, why Y/N had looked so guilty and then blamed Campbell’s father like she had rehearsed it.
“It was Y/N’s idea. She’s an evil genius.” He smiled at Y/N before looking back at Eddie, “We’ve beat them, guys. I'll beat the bastards.”
After Eddie left, Campbell looked at Y/N as she climbed back in the bed with him just like she had last night and cuddled next to him letting the blanket act as a barrier of platonic intimacy between them, she rested her head on his shoulder and wrapped a loose arm around his covered waist.
It was silent for a little bit before she moved her hand so it went to Campbell’s hand, resting on top of it and she stroked Campbell’s hand with her thumb.
“How long have you been here?” He asked.
“As long as I could. They wouldn’t let me in at first but I kept finding ways in. I needed to be by your side.” She said, “They kept pulling me out, especially when I started shouting… well, it was more like whisper-shouting due to my likely atrophied vocal chord and they tried to take me away to some shrink but I wouldn’t let them. Eventually, they gave up and let me stay with you.” She whispered, “as you know, I slept next to you. I’m sorry if my plan hurt you.”
“It worked, didn’t it?” He asked and he managed to shift so his arm was on the other side of her and able to just barley touch her waist and to her surprise she didn’t flinch. She felt him move his head and press a kiss to the top of her head and again, she surprised herself by not flinching.
She was surprised herself on how this little, hyperactive, persistent kid had somehow gotten past her guarded defense walls, gotten under the wire, despite all her efforts to forevermore keep another heart from touching hers, the one she tried so hard to hide in the past ten months. She had been successful until Campbell Bain had crashed into her two months ago.
But the last time, she had trusted someone to be their best friend, she got hurt and was violated and therefore traumatized into a nearly year-long muteness.
There is a couple Doctor Who references. One straight out states it and the other is a reference to a quote from the Tenth Doctor in Fear Her.
There's also a reference to a line from Queer as Folk, but I've never seen this show but I have heard the audio clips of this scene in fan videos.
Personal Mental Heath Rant (Skip if you don't care)
Sorry for being tough on Campbell's dad but I have severe ADHD (since I was three and getting worse with ever presistent pessmisstic criticism I'm given), Anxiety, Depression, and possibly two ambigious and debatable types dylexia and if complexes count an inferiority and guilt complex and I have spent my whole life being shouted at for seeing things differently, for seeing that there is no metaphoric box to think in, for focusing on so many things at once that it's just as useful as not focusing on anythingat all and so people think that I', not even trying, for being overwhelmed with tasks that are so simple to everyone else yet near impossible for me (due to being yelled at my entire life for everything I did. I was once shouted at for about or over thirty minutes because I didn't put something down right after I was told to do so becuase I was so terrified of the person who shouted at me, I was convinced they were one meltdown from turning verbal abuse to physical abuse though then I would be able to call the cops of them, I tried to see the silver lining in my own dark and twisted way of thinking). People expect me to act like I don't have a disorder or they treat me like I'm stupid because apparently I'm the one with the issue rather than them googling the symtoms (IT'S FOUR LETTERS) and try putting themselves in my shoes. (My mom once told me that ADHD was not a learning disorder; techinically she's right because IT'S SO MUCH MORE THAN JUST A LEARNING DISORDER! It can affect your entire life and shouting at me is just making it worst! But I have to be the calm one and force my temper down. Somehow I'm the most patient persn in the house in terms of temper. How!?
I have been forced to try and learn and study to only two type of intelligence rather than the one I understand best I have been forced to try and think socieity's way of thinking when my mind just doesn't work like that. I'm literally wired differently.
(About the "ambiguous and debateable types of dyslexia, I was tested for Bipolar when I was young and somehow they got I was dylexia because I kept drawing lines in the opposite directions that they told me and if you were to give me directions, it would be like in a cartoon when a character spins an arrow sign and it points in like every direction at once just indicates "Directional Dyslexia" or "Left-Right Confusion" but I don't like that term as it sounds like I have the intellect and common sense of a first grader who can't tell the difference from right and left.
A few years ago, I went to the therapist and I was diagnosed with a math learning disorder but wasn't told what kind so I went to my most knowledgeable ally: Google! And the only one I can find is Dyscalculia which is basically math dyslexia. In my head, it's like some astronauts in a kid's game or show is placing number down in outer space but the moment I let go of them, they float away and I can't place more than two down, I can barely think about numbers without getting a headache as if I'm trying to understand time travel.
These two types of dyslexia I suspect I have, have been debated on whether or not they're an actual form of dyslexia
So I haven't been "officially" diagnosed with these but I'm not just saying, "hey, I have trouble with (insert dyslexia-induced trouble), maybe I'm dyslexic too", I hate that (Like don't say "I get distracted too, maybe I'm ADHD"), I have sufficient reason to believe this.
#The Eccedentiast#Young David Tennant#Takin' Over the Asylum#Selective Muteness#Selective Mutism#David Tennant#Campbell Bain#Takin' Over the Asylum Episode Two#Takin' Over the Asylum: Fly Like an Eagle#Campbell bain x Reader#Manic Depressant Campbell Bain#Bipolar Campbell Bain#Implied Non-Scottish Reader#PTSD Reader#Traumatized Reader#Reader is wary of men#Schizophrenic Furgus#Psychogenic Mute Reader#Loving Campbell Bain#David Tennant's Expressive Eyes#David Tennant Characters#We are loonies and we are proud#Pre-Doctor Who David Tennant#Auburn David Tennant#Sweet Jane#OCD Rosalie#I'll Stand By You#Abusive Parent#Campbell's abusive father#Verbal Abuse
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David Tennant's monologue in Takin' Over the Asylum | 1x02 Fly Like An Eagle
Bonus:
#long post#my gifs#taking over the asylum#david tennant#campbell bain#tota#dt#i went to Great Lengths to try to get the best image quality I could here#but theres only so much to be done about something that was shot in 1994
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Takin' Over The Asylum Episode 2: Fly Like An Eagle
#takin' over the asylum#takin over the asylum#campbell bain#david tennant#dtedit#dtennantedit#tota#📻#candy.gif#no watermarks for these im so tired#100#*tota
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David Tennant as Campbell Bain in Takin’ Over the Asylum (1994)
Clips from episode 2: Fly Like an Eagle
#david tennant#campbell bain#takin' over the asylum#baby tennant#i saw a variation of the talking dog joke#and campbell's manic episode immediately came to mind#adorable loony
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The chart page, puntastically called Vinyl Score. Arf arf.
Page 6 SOUNDS April 10, 1976
VINYL SCORE
British Albums
1 – ROCK FOLLIES, Rock Follies, Island 2 2 THEIR GREATEST HITS 1971-1975, The Eagles, Asylum 3 1 BLUE FOR YOU, Status Quo, Vertigo 4 4 DIANA ROSS, Diana Ross, Tamla Motown 5 8 THE VERY BEST OF SLIM WHITMAN, Slim Whitman, United Artists 6 – JUKE BOX JIVE, Various, K-Tel 7 19 HOW DARE YOU, 10cc, Mercury 8 6 CARNIVAL, Manuel And The Music Of The Mountains, EMI 9 3 DESIRE, Bob Dylan, CBS 10 13 REBEL, John Miles, Decca 11 10 WALK RIGHT BACK WITH THE EVERLYS, Everly Brothers, Warner Bros. 12 12 BREAKAWAY, Gallagher and Lyle, A & M 13 15 THE BEST OF HELEN REDDY, Helen Reddy, Capitol 14 7 THE BEST OF JOHN DENVER, John Denver, RCA 15 5 A TRICK OF THE TAIL, Genesis, Charisma 16 18 THE BEST OF ROY ORBISON, Roy Orbison, Arcade 17 32 BY INVITATION ONLY, Various, Atlantic 18 9 BRASS CONSTRUCTION, Brass Construction, United Artists 19 21 24 ORIGINAL HITS, Drifters, Atlantic 20 – PENTHOUSE TAPES, Sensational Alex Harvey Band, Vertigo 21 26 A NIGHT AT THE OPERA, Queen, EMI 22 11 THE BEST OF GLADYS KNIGHT AND THE PIPS, Gladys Knight and the Pips, Buddah 23 – AMIGOS, Santana, CBS 24 33 = LET THE MUSIC PLAY, Barry White, 20th Century 25 14 WINDSONG, John Denver, RCA 26 45 FAVOURITES, Peter and Lee, Philips 27 20 RODRIGO CONCIRGO DE AIANJUEZ BILLA LOBOS, John Williams, CBS 28 – DOUBLY DEVINE, Sydney Devine, Philips 29 23 TUBULAR BELLS, Mike Oldfield, Virgin 30 25 NOBODY’S FOOLS, Slade, Polydor 31 16 SHEER HEART ATTACK, Queen, EMI 32 37 THE VERY BEST OF ROGER WHITTAKER, Roger Whittaker, Columbia 33 35 MOTOWN GOLD, Various, Tamla Motown 34 42 40 GREATEST HITS, Perry Como, K-Tel 35 17 RUN WITH THE PACK, Bad Company, Island 36 48 SOME OF MY POEMS AND SONGS, Pam Ayers, Galaxy 37 82 PATRICK MORAZ, Patrick Moraz, Charisma 38 – GREATEST HITS, Abba, Epic 39 44 WISH YOU WERE HERE, Pink Floyd, Harvest 40 – ELVIS PRESLEY’S 40 GREATEST HITS, Elvis Presley, Arcade 41 39 THE DARK SIDE OF THE MOON, Pink Floyd, Harvest 42 46 ROLLED GOLD, Rolling Stones, Decca 43 49 GREATEST HITS, Barry White, 20th Century 44 28 SUNBURST FINISH, Be-Bop Deluxe, Harvest 45 38 THE FOUR SEASONS STORY, Four Seasons, Private Stock 46 22 LIVE!, Robin Trower, Chrysalis 47 31 ONE OF THESE NIGHTS, Eagles, Asylum 48 36 LOCKED IN, Wishbone Ash, MCA 49 47 GLENN MILLER – A MEMORIAL 1944-1969 50 55 SIMON AND GARFUNKEL’S GREATEST HITS, Simon and Garfunkel, CBS 51 53 STILL CRAZY AFTER ALL THESE YEARS, Paul Simon, CBS 52 = 27 ELITE HOTEL, Emmylou Harris, Reprise 52 = 24 SCOTCH ON THE ROCKS, Bank Of The Black Watch, Spark 54 56 = THE SINGLES 1969-1973, Carpenters, A & M 55 62 THE BEATLES 1962-1966, Beatles, Apple 56 30 OMMADAWN, Mike Oldfield, Virgin 57 41 GARY GLITTERS GREATEST HITS, Gary Glitter, Bell 58 – TAKIN IT TO THE STREETS, Doobie Brothers, Warner Bros 59 51 QUEEN 2, Queen, EMI 60 – JAIL BREAK, Thin Lizzy, Vertigo 61 84 FUN ROCK, Various, Ronco 62 92 = FOREVER AND EVER, Demis Roussos, Philips 63 96 = GREATEST HITS, Mott the Hoople, CBS 64 43 LIVE AT TREORCHY, Max Boyce, One Up 65 58 ATLANTIC CROSSING, Rod Stewart, Warner Bros. 66 67 STATION TO STATION, David Bowie, RCA 67 50 WHO LOVES YOU, Four Seasons, Warner Bros. 68 33 = RAISING HELL, The Fatback Band, Polydor 69 59 THE BEATLES 1967-1970, Beatles, Apple 70 – GET RIGHT INTAE HIM, Billy Connolly, Polydor 71 89 HOME IS WHERE THE HEART IS, David Cassidy, RCA 72 59 MUSIC EXPRESS, Various, K-Tel 73 56 = THE BEST OF THE STYLISTICS, Stylistics, Avco 74 64 MAKE THE PARTY LAST, James Last, Polydor 75 86 = BAND ON THE RUN, Paul McCartney and Wings 76 – FOUR SYMBOLS, Led Zeppelin, Atlantic 77 54 QUEEN, Queen, EMI 78 – FEELINGS, Johnny Mathis, CBS 79 = – BREAKAWAY, Art Garfunkel, CBS 79 = 81 40 GOLDEN GREATS, Jim Reeves, Arcade 81 – ROMANTIC WARRIOR, Return To Forever, CBS 82 80 TROUBLE, Sailor, Epic 83 – CRY TOUGH, Nils Lofgren, Warner Bros. 84 29 WE ALL HAD DOCTORS PAPERS, Max Boyce, EMI 85 – HISTORY OF THE HOLLIES, Hollies, EMI 86 – YOU ARE BEAUTIFUL, Stylistics, Avco 87 = 65 LED ZEPPELIN II, Led Zeppelin, Atlantic 87 = 74 STRAIGHT SHOOTER, Bad Company, Island 89 = 63 DESPERADO, Eagles, Asylum 89 = 85 SHAMAL, Gong, Virgin 91 40 ABBA, Abba, Epic 92 = – GLEN CAMPBELL’S GREATEST HITS, Glen Campbell, Capitol 92 = 61 LOVE TO LOVE YOU BABY, Donna Summer, GTO 94 70 THE ORIGINAL SOUNDTRACK, 10cc, Mercury 95 – REACH FOR THE SKY, Sutherland Brothers and Quiver, CBS 96 94 THE BEST OF BREAD, Bread, Elektra 97 – GOODBYE YELLOW BRICK ROAD, Elton John, DJM 98 99 GOLDEN HOUR OF GLENN MILLER, Glen Miller, Golden Hour 99 – SILLY SISTERS, Maddy Prior and June Tabor, Chrysalis 100 = – VENUS AND MARS, Wings, Apple 100 = 60 RAMSHACKLED, Alan White, Atlantic
Supplied by: British Market Research Bureau/Music Week.
British Singles
1 1 SAVE YOUR KISSES FOR ME, Brotherhood of Man, Pye 2 4 YOU SEE THE TROUBLE WITH ME, Barry White, 20th Century 3 2 LOVE REALLY HURTS WITHOUT YOU, Billy Ocean, GTO 4 13 MUSIC, John Miles, Decca 5 3 I LOVE TO LOVE, Tina Charles, CBS 6 7 I WANNA STAY WITH YOU, Gallagher & Lyle, A&M 7 21 PINBALL WIZARD, Elton John, DJM 8 10 YESTERDAY, Beatles, EMI 9 9 FALLING APART AT THE SEAMS, Marmalade, Target 10 5 PEOPLE LIKE YOU PEOPLE LIKE ME, Glitter Band, Bell 11 18 I’M MANDY FLY ME, 10cc, Mercury 12 19 HELLO HAPPINESS, Drifters, Bell 13 12 TAKE IT TO THE LIMIT, Eagles, Ayslum 14 – FERNANDO, Abba, Epic 15 6 YOU DON’T HAVE TO SAY YOU LOVE ME, Guys ‘N’ Dolls, Magnet 16 22 HEY MR. MUSIC MAN, Peters & Lee, Philips 17 11 CONCRETE AND CLAY, Randy Edelman, 20th Century 18 27 JUNGLE ROCK; Hank Mizell, Charley 19 8 CONVOY, C. W. McCall, MGM 20 30 DON’T STOP IT NOW, Hot Chocolate, Rak 21 – GIRLS GIRLS GIRLS, Sailor, Epic 22 – HEY JUDE, Beatles, Apple 23 29 WAKE UP EVERYBODY, Harold Melvin & The Blue Notes, Philadelphia 24 15 MISS YOU NIGHTS, Cliff Richard, EMI 25 – DO YOU KNOW WHERE YOU’RE GOING TO, Diana Ross, Tamla Motown 26 23 SHIPS IN THE NIGHT, Be-Bop Deluxe, Harvest 27 – PAPERBACK WRITER, Beatles, Apple 28 – THERE’S A KIND OF HUSH, Carpenters, A&M 29 17 DECEMBER ’63, Four Seasons, Warner Bros. 30 24 CITY LIGHTS, David Essex, CBS
Supplied by: British Market Research Bureau/Music Week
US Singles
1 5 DISCO LADY, Johnnie Taylor, Columbia 2 2 DREAM WEAVER, Gary Wright, Warner Bros. 3 3 LONELY NIGHT (Angel Face), Captain & Tenille, A&M 4 8 LET YOUR LOVE FLOW, Bellamy Brothers, Warner Bros. 5 6 SWEET THING, Rufus Featuring Chaka Khan, ABC 6 9 RIGHT BACK WHERE WE STARTED FROM, Maxine Nightingale, United Artists 7 7 DREAM ON, Aerosmith, Columbia 8 1 DECEMBER 1963 (Oh What A Night), Four seasons, Warner Bros. 9 10 MONEY HONEY, Bay City Rollers, Arista 10 11 GOLDEN YEARS, David Bowie, RCA 11 13 ONLY SIXTEEN, Dr Hook, Capitol 12 15 SWEET LOVE, Commodores, Motown 13 18 SHOW ME THE WAY, Peter Frampton, A&M 14 14 DEEP PURPLE, Donny & Mare Osmond, MGM 15 17 BOHEMIAN RHAPSODY, Queen, Electra 16 25 BOOGIE FEVER, Sylvers, Capitol 17 24 THERE’S A KIND OF HUSH (All Over The World), Carpenters, A&M 18 19 TANGERINE, Salsoul Orchestra, 19 4 ALL BY MYSELF, Eric Carmen, Arista 20 16 TAKE IT TO THE LIMIT, Eagles, Asylum 21 23 ACTION, Sweet, Capitol 22 21 LOVE MACHINE Pt 1, Miracles, Tamla 23 12 FANNY (Be Tender With My Love), Bee Gees, RSO 24 20 JUNK FOOD JUNKIE, Larry Groce, Warner Bros. 25 26 GOOD HEARTED WOMAN, Waylon & Willie, RCA 26 – I DO, I DO, I DO, I DO, I DO, Abba, Atlantic 27 – FOOLED AROUND AND FELL IN LOVE, Elvin Bishop, Capricorn 28 30 ONLY LOVE IS REAL, Carole King, Ode 29 – LOOKING FOR SPACE, John Denver, RCA 30 – LOVE FIRE, Jigsaw, Chelsea
Supplied by: Billboard
US Albums
1 1 THEIR GREATEST HITS 1971-1975, Eagles, Asylum 2 2 FRAMPTON COMES ALIVE, Peter Frampton, A&M 3 3 THOROUGHBRED, Carole King, 4 4 STILL CRAZY AFTER ALL THESE YEARS, Paul Simon, Columbia 5 5 DESIRE, Bob Dylan, Columbia 6 7 RUN WITH THE PACK, Bad Company, Swan Song 7 8 A NIGHT AT THE OPERA, Queen, Elektra 8 9 THE DREAM WEAVER, Gary Wright, Warner Bros. 9 6 STATION TO STATION, David Bowie, RCA 10 11 THE OUTLAWS, Waylon Jennings, Willie Nelson, Jessi Colter, Tompall Glaser, RCA 11 12 RUFUS FEATURING CHAKA KHAN, ABC 12 10 FLEETWOOD MAC, Warner Bros. 13 13 SECOND CHILDHOOD, Phoebe Snow, Columbia 14 14 ONE OF THESE NIGHTS, The Eagles, Asylum 15 22 SONG OF JOY, The Captain & Tennille, A&M 16 18 THE SALSOUL ORCHESTRA, Salsoul 17 17 HAIR OF THE DOG, Nazareth, A&M 18 – EARGASM, Johnnie Taylor, Columbia 19 – LIVE, Robin Trower, Chrysalis 20 20 GIMME BACK MY BULLETS, Lynyrd Skynyrd, MCA 21 23 AEROSMITH, Columbia 22 26 BRASS CONSTRUCTION, United Artists 23 25 FOOL FOR THE CITY, Foghat, Bearsville 24 24 BETTER DAYS & HAPPY ENDINGS, Melissa Manchester, Arista 25 15 HISTORY – AMERICA’S GREATEST HITS, America, Warner Bros. 26 16 GRATITUDE, Earth, Wind & Fire, Columbia 27 – COME ON OVER, Olivia Newton-John, MCA 28 29 FACE THE MUSIC, Electric Light Orchestra, United Artists 29 – TED NUGENT, Epic 30 30 CHICAGO IX CHICAGO’S GREATEST HITS, Columbia
Supplied by: Billboard
Alternative 30 Oldies but goldies supplied by Broad Green Records, 226 London Road, Croydon.
1). JUNGLE ROCK, Hank Mizell, Charly 2). BLUEBERRY HILL, Fats Domino, UA 3). SEE YA LATER ALLIGATOR, Bill Haley, MCA 4). BRAND NEW CADILLAC, Vince Taylor, Chiswick 5). HEY JUDE, Beatles, Apple 6). TRIBUTE TO BUDDY HOLLY, Mike Berry, Polydor 7). ROCKIN’ MOOD, The Killer, BRP 8). CHANTILLY LACE, Big Bopper, Mercury 9). HOT ROD LINCOLN, Johnny Bond, Star Day 10). JUMPING JACK FLASH, Rolling Stones, Decca 11). AT THE HOP, Danny & The Juniors, ABC 12). JAILHOUSE ROCK, Elvis Presley, RCA 13). SPEED BALL (EP), The Count Bishops, Chiswick 14). SHAKIN’ ALL OVER, Johnny Kidd, EMI 15). WILD THING, Troggs, Fontana 16). SUMMERTIME BLUES, Eddie Cochran, UA 17). CAROLINE, The Fortunes, Decca 18). CHOO CHOO CHOO BOOGIE, Louis Jordan, MCA 19). FICKLE CHICKEN, Atmospheres, RM 20). HIM OR ME, Flamin’ Groovies, Bomp 21). RUNAROUND SUE, Dion, Laurie 22). CHARLIE BROWN, Coasters, Atlantic 23). 99 CHICKS, Ron Haydock, Cha Cha 24). YOU’LL NEVER WALK ALONE, Gerry & Pacemakers, EMI 25). REVILLE ROCK, Johnny & Hurricanes, Contempo 26). PEGGY SUE, Buddy Holly, MCA 27). THEME FOR A FALLEN IDOL, Jet Harris, SRT 28). RED CADILLAC & A BLACK MOUSTACHE, Warren Smith, Charly 29). WHOLE LOTTA LOVE, Led Zeppelin, Atlantic 30). APACHE, The Shadows, Columbia
Sounds Playlist
Geoff Barton DESTROYER, Kiss, Casablanca (Import) SAD WINGS OF DESTINY, Judas Priest, Gull SLICK, Earl Slick Band, Capitol (Import)
Barbara Charone ZUMA, Neil Young, Warner Bros CRY TOUGH, Nils Lofgren, A & M EVERYBODY KNOWS THIS IS NOWHERE, Neil Young, Warner Bros
Hugh Fielder CRY TOUGH, Nils Lofgren, A & M GUITARS, Philip Catherine, Atlantic COMMONERS CROWN, Steeleye Span, Chrysalis
Dave Fudger HONKY CHATEAU, Elton John, DJM HOME PLATE, Bonnie Raitt, Warner Bros LADY MADONNA, Beatles, Apple/EMI
Susanne Garrett I TAUT I TAW A PUDDY-TAT, Mel Blanc, Capitol (single) ONE OF THESE NIGHTS, Eagles, Asylum ON THE BORDER, Eagles, Asylum
Vivien Goldman A QUIET STORM, Smokey Robinson, Tamla Motown ANTHOLOGY, Temptations, Tamla Motown I DON’T WANT TO BE ALONE, STRANGER, Johnny Guitar Watson, Fantasy (Import)
Jonh Ingham NIGHT FOOD, Heptones, Island CRY TOUGH, Nils Lofgren, A&M HOME IS WHERE THE HEART IS, David Cassidy, RCA
Alan Lewis SOUL BALLADS, Otis Redding, Volt CRY TOUGH, Nils Lofgren, A and M BIG SIXTEEN, Impressions, ABC
Alf Martin ZUMA, Neil Young, Warner Bros PRESENCE, Led Zeppelin, Swan Song CRY TOUGH, Nils Lofgren, A & M
Tony Mitchell SPRING FEVER, Rich Derringer, Blue Sky CAPTURED LIVE, Johnny Winter, Blue Sky WAITRESS IN A DONUT SHOP, Maria Muldaur, Reprise
Phil Sutcliffe ROCK FOLLIES, Little Ladies, Island CRY TOUGH, Nils Lofgren, A & M FIRST FLIGHT, Chanter Sisters, Polydor
THE HEAVY METAL HOPEFULS ARE COMING
THEY’RE IN SOUNDS NEXT WEEK
Next time: page seven
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Sweet Jane -- Campbell Bain x Reader Masterlist
Warning: Mental Health, Traumatized Reader, Suicide, Mention of Sexual Assault, Parent Abuse, Neglectful Parents, Verbally Abusive Parents, Stalking, Unhealthy Past Relationships, In-Universe Misconceptions of Mental Heath by Neurotypicals/Normals, Judgy Neurotypicals/Normals
Campbell Bain x Reader from 1994's BBC Mini-Series "Takin' Over the Asylum", can be considered David Tennant's first breakout role at 22 years old.
Notes: Fan Fic Written by a Neurodivergent (ADHD, Depression, Anxiety, Ambiguous Dyslexia and possibly more) and therefore, a looney. 😉😁
Below is the YouTube Playlist to Takin' Over the Asylum I'm watching when I'm editing the chapters I had done for Wattpad, I prefer ones with subtitles because Scottish accents are, as beautiful as I find them and I'm usually indifferent to accents, rather thick and hard to understand especially because Campbell Bain speaks very fast, it's helpful for there to be subtitles.
Sweet Jane: Hey Jude
I'll Stand By You - Sweet Jane: Fly Like an Eagle
The Man Who Sold the World - Sweet Jane: You Always Hurt the One You Love
Every Breathe You Take - Sweet Jane: Fool on the Hill -- (Warning: Suicide, Major Character Death, Manipulative Therapist, Manipulative Ex, Sociopathic Ex, Stalking)
Creep - Sweet Jane: Rainy Night in Georgia -- (Warning: Mature — Mentions and Descriptions of underaged rape (mid to late teens) and descriptions of stalking. but I’m not sure if this counts as explicit.)
True Colors - Sweet Jane: Let It Be
Drunk In Love (Six Months After the Events of Sweet Jane)
Winter Sounds (Seven/Eight Months after the Events of Sweet Jane)
Jetlagged (Eight Months after the Events of Sweet Jane)
Hyperactive Little Rascal – Campbell Bain
(To be Continued)
More Notes: Campbell and the Reader are in my head, similar to Andy Dwyer and April Ludgate's relationship. The older man (though in this case by one year) is basically a hyperactive ball of sunshine and optimism and the younger woman is all dark and cynical, doesn't speak often yet when she does it's rarely helpful and usually sarcastic and deadpan--Black Cat, if you will (Meaning, "a human who acts like a real black cat--moody, mysterious, usually introverted/reserved/antisocial but knows how to fight" and possibly may give off the vibe that they would kill anyone who messes with the people they love..
#Takin' Over the Asylum#Takin' Over the Asylum: Hey Jude#Takin' Over the Asylum Episode One#The Eccedentiast#Campbell Bain x Reader#Campbell Bain#Youung David Tennant#Auburn David Tennant#Manic Depressant Campbell Bain#Bipolar Campbell Bain#Manic Depression#Pre-Doctor Who David Tennant#Sweet Jane#Implied Non-Scottish Reader#Selective Mutism#PTSD Reader#Traumatized Reader#Reader is wary of men#Schizophrenic Furgus#Psychogenic Mute Reader#Loving Campbell Bain#David Tennant's Expressive Eyes#David Tennant Characters#We are loonies and we are proud#OCD Rosalie#Takin' Over the Asylum Episode Two#Takin' Over the Asylum: Fly Like an Eagle#I'll Stand By You#Abusive Parent#Campbell''s Abusive Father
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Campbell Bain 📻 Takin' Over The Asylum Episode 2: Fly Like An Eagle
#why are you so FUCKING CUTE *breaks something*#colour block hoodie is up next >:)#takin' over the asylum#takin over the asylum#campbell bain#dtedit#dtennantedit#candy.gif#📻
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Campbell Bain 🌈 Takin' Over The Asylum Episode 2: Fly Like An Eagle
#gay. gay as hell. little gay boy#takin' over the asylum#takin over the asylum#campbell bain#dtedit#dtennantedit#candy.gif#tota#📻#*tota
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