#THIS MAKES ABSOLUTELY NO SENSE BUT IT IS HERE AND I DON'T CARE

[mkfshard]

This is such an infuriating problem. Another 30 year old man here, I grew up in nearly the exact same scenario as these people, preloaded with shitty beliefs. I endured the endless tumblr posts that said without nuance 'ew guys' and ragged on white people for their unaddressed racial bias, and it was painful but I endured and listened and heard the message I was supposed to hear because I wanted to be better! And I think I am, compared to the conservative-parent-puppet shitshow I was before! What are you supposed to do with people who don't have that desire? Who run home and cry into the arms of fascists when they're confronted with the barest natural pains of unlearning bigotry? Why must we have empathy for people who refuse to hone their own? When do we demand that they take responsibility for the things they say and do? They have flaws that form barriers between themselves and others; but confronting them on these flaws only makes the barriers thicker. Despite everything I have to believe that redemption is possible for them, because it was for me. But I have no idea what it looks like. Maybe someone who looks and acts 'manly' going on TikTok and making videos with conservative clickbait titles and offering gentle, baby-steps life advice and parasocial companionship for the shittiest people on Earth, but anyone who tries is going to be in the direct line of fire.

In an abstract sense, I do care about them, I do want them to exist. I want everyone in the world to have a happy, fulfilled life, to never be hurt or hurt others, and to never face injustice.

But what love can be offered white guys that we don't already have in spades? We're surrounded by mirrors in every story. We are the Default of bigotry, absolutely untouched by nearly every unfair societal ill the world has to offer, save the expectations of masculinity, a problem solved by embracing feminism. The exact thing these idiots sneer at.

It's been a very, very long time since I've seen a hyperbole-strewn post hating on white guys in aggregate, and I've more often seen pushback on that very idea. The feminists they're getting angry at are an overgeneralized, sans-nuance caricature from a decade ago, and I doubt they've read a single thing from one since.

I'm all ears for ideas, but a spiteful part of me just wants to encourage people to flatly put out a total social embargo on conservatives-- banning them from any communities you have authority over, demanding their bans elsewhere, and leaving any community that doesn't institute a ban. Give them no choice but to hide their ugly soul and listen, or else be left with nowhere and no one. ...Realistically, this would obviously just drive them to conservative communities all the harder, and clearly being stuck in smelly clubhouses with racist manbabies isn't miserable enough for them to rethink their ways and seek other outlets, or else we wouldn't have this problem to begin with. At the very least, I'm not having any in my communities.

I couldn't have said it better myself.

[rey-jake-therapist]

What's the deal with Sauron and children ?

There seems to be something we don't know, about Sauron and children. Among Haladriels we often joke/hc that Sauron wants to have children with Galadriel and that's why it's a recurring theme. But in all seriousness, we may ask : what are the writers not telling us ?

It started in Numenor, where we saw Sauron smile giddily at the sight of little girls running.

I'm sure many still think : "he was putting on a show for Galadriel". Ok but Galadriel herself didn't smile when she watched them, she just looked at them with indifference. And it's not necessarily a human thing to smile at the sight of children, many humans don't care for them.

Then there's a scene where Sauron as Halbrand confronted Adar, who asked him if he had hurt someone he loved, adding, "A woman ? Perhaps, a child ?".

Galadriel may have noticed that Halbrand seemed particularly tense when he asked if it was a child, because she told Adar, "eat your tongue".

Tbf, it's likely that this scene was just a red herring. The audience still had to believe that Halbrand was a man, and that he had a good reason to want Adar dead. Adar firmly believed he had killed Sauron at this point, so there could be only one reason for Halbrand to be so angry at him, aka he took someone he loved away from him. What I mean is that Adar asking him this question made very much sense, at the moment.

But the reference to children came back in season 2, when Sauron had a vision of little girls running in the vision he had first created for Celebrimbor. It could also, again, mean nothing, because this vision was for Celebrimbor, a make believe to hide him the fact that Eregion was under attack. But someone, I don't know who, noticed something interesting when they put the gif of the Numenor girls on top of the gif of the mind palace girls.

Do you see it ? How the kids in the second seem to continue the Numenor kids' running ?

It may mean absolutely *nothing*. And yet I find interesting that the writers chose to associate Sauron with kids not just once, or even twice, but three times.

Could it mean that at some point, when he was in Numenor, Sauron seriously considered the idea of settling down there, of founding a family and liviving as a human being ? He was in a repentance phase and had, in his own words, "given up" any idea of fixing the damages he had done after Adar betrayed him and turned him into powerless goo, so I don't think it's too far-fetched to imagine that he could have genuinely wanted to settle down, to blend with the crowd.

Or could it be, as @apoloadonisandnarcissus suggested to me, that Sauron associates children with the concept of innocence, an innocence he himself lost when Morgoth corrupted him ?

Saurbrand told Galadriel, about Numenor, that it was "a paradise rife with opportunities". The vision of Eregion he showed Celebrimbor had everything of a paradise. Even after Celebrimbor got back to work and was no longer here to see the vision, Sauron remained for a few minutes in his illusion, contemplating it.

It didn't escape Haladriel shippers' attention that the girl was a sort of Galadriel lookalike, and that his lover, whose face remained unseen, may have expressed Sauron's own doubts regarding his capacity to perfect/heal Middle-Earth without Galadriel and her light.

That said, neither the idea of having a family, nor the association of children with innocence, can be related to what Adar did to him. Adar definitely didn't kill a child of his (and it would be dangerously lore-breaking to claim that Sauron ever had a kid, because Maiars are supposed to be forever bound to their physical form once they conceived), and he isn't the one who stole his innocence either. Adar is the one whose innocence was stolen by both Morgoth and Sauron, actually.

So now it's your turn : do you have any idea about this ? If yes, please share :)

[alex51324]

Now, more than ever, we need to be careful about spreading misinformation and rumors

I can guarantee that over the next few months, we'll be hearing about a lot of alarming things going on here in the US. Some of those things will be true, and some won't. (And some will have both true and false or exaggerated elements.)

It's going to be absolutely vital that important information is not drowned out by misinformation, rumors, and ragebait.

That means, when you see something that would be important if true, before sharing, you check whether it's actually true.

In library world, we use the acronym SIFT:

STOP: Don't spread the information, or get caught up in your emotional reaction to it, before you've checked it out. INVESTIGATE: Who is saying it? How do they know? If there are links or sources in the post, do they actually say what the person is saying they do? FIND other coverage: Do an internet search for key details: quotes, people's names, specific locations. If something major is happening, there will normally be a lot of coverage. TRACE claims, quotes, and media back to their original context.

Usually you don't need to do all four things: just STOP and then pick what makes sense from the other three. If you decide to share the information, you can also say what you did--"This is a firsthand account from XYZ protest; it lines up with what the local TV station is saying, but has a lot more details about what the cops did," or whatever.

The more urgent the information seems, the more important it is to make sure it's reliable.

If we're hearing every other day that this or that vulnerable group is in immediate, life-threatening danger--but 49 times out of 50 it turns out to mean Trump rambled somewhere about something which, if actually implemented, could end up having the described consequences at some point down the line--then people aren't going to know the difference the one time in 50 when the danger really is immediate.

Think, here, things like immigration crackdowns, CPS investigations into parents who affirm a trans child's gender, or demands that health care providers report miscarriages to law enforcement. We all know that these are things Trump World talks about a lot and would like to be able to do, in some form. For the sake of the people affected by these topics, we need different ways of talking about, "Here they are, back on their bullshit," versus, "This is a policy proposal for a real thing that could happen," versus, "Holy shit, grab the kids and run."

We cannot go to "Holy shit, grab the kids and run" every time Trump, or someone in his inner circle, decides to bloviate about something that could disastrously affect people lives. The people who are most in danger can't stay at DefCon 5 every day of their lives, and when they do really have to grab the kids and run, we need that alarm to be heard over the constant background hum of dread.

The same goes for action items--whether protests, ways to help, or little things people can do to stay safe/sane. There's going to be plenty going on, and nobody is going to be able to do everything, so do your part by passing along those things that you can vouch are true and important, and skipping the things you aren't sure about.

I'll leave you with an example. Remember how a few years ago, we were all-in about hand hygiene and disinfecting surfaces? And then it turned out that those were not actually very important in terms of preventing the transmission of COVID-19, and what we really need is better air filtration in public spaces--but, at my work at least, we still have canisters of surface-disinfecting wipes sitting around, and tattered old signs up about hand hygiene, and no air filters.

At the time, early in the pandemic, we were sharing the best information we knew about how to stay safe, but people got a little too fixated on that initial advice--remember how people would wipe down their groceries? And those little sticks for pressing elevator buttons?--and then when the advice changed, they didn't want to hear about it.

Distrust, fatigue, superstitious attachment to the old grocery-wiping ways--there were a lot of reasons, but the key thing to take away is that attention, energy, and goodwill are all finite resources. Try to avoid wasting it with grocery-wiping--or worse, shilling for the guy selling little sticks to press elevator buttons with.

[violetasteracademic]

Velaris Memorial Hospital

A Grey's Anatomy x TTPD inspired Three Brothers and Three Sisters Three Part Fanfiction

Hey. Life is horrible and scary. I want to share a teaser for a project I have been pouring my heart and soul into that I hope some of you might find some joy and reprieve in.

These stories are tightly woven together and designed to be read in order. Fesyand, Nessian, and Elriel's journey's will be posted individually and chronologically, and occur on an overlapping but staggered timeline. However, there are incredibly heavy themes and topics that may not be suitable for all readers. I will do my best to ensure each individual story can be enjoyed on its own if there are topics you would rather avoid. Please read the content warning for all three stories and take care of yourself first. This collection is coming soon if I can pull myself out of this black hole, but here is a synopsis of each story ahead!

Part One:

Feyre Archeron is an art therapist for the children's cancer wing at Velaris Memorial Hospital. After leaving her abusive fiancé and moving back in with her sisters, her plans to heal and move on with peace and privacy go up in flames when women begin to come forward with sexual harassment allegations against her ex, Tamlin Thornwood.

If she doesn't come forward with her own story of abuse and testify against the man who harmed her and so many other women, he stands a chance at winning his countersuit for defamation and wrongful termination. Terrified of what her patient's families will think of her if they find out the truth, struggling to forgive herself, and suprised to be falling for the absolute wrong man, Feyre has to dig deeper than she ever has before to find her strength.

Rhysand Noctis is the owner and CEO of Eventide Enterprises. After losing his mother to cancer, he has felt adrift. No amount of money and acclaim has been able to give him the sense of home and belonging he has lost.

When an old family rival, Tamlin Thornwood, is tangled up in a scandal and lawsuits, Rhysand learns that Velaris Memorial Hospital is in trouble. The only non-profit hospital in Velaris and the place that cared for his mother has lost all of their donors and board members. Rhys decides to purchase the hospital and dedicate his time to restoring its reputation and making it a safe place for women and the community of Velaris to work and receive affordable care.

A chance encounter sends Feyre and Rhys colliding towards each other before they realize how inextricably their personal and professional lives are already intertwined.

CW: Domestic violence, sexual assault, sexual harassment, child death, trauma, mental health, explicit sexual content.

*Additional note: I don't typically like to use the term "anti" in this fandom, but it is best to be exceptionally clear that this is an abundantly anti-Tamlin piece. If seeing this character portrayed as a serial abuser makes you feel upset or uncomfortable in any way, please protect yourself (and me) by skipping this one.

Part Two:

Nesta Archeron doesn't need anyone to take care of her. After losing both her parents at age eighteen and becoming legal guardian to her two younger sisters, she gave up her dreams of going to law school and worked her way up from from an assistant with nothing more than a high school diploma and unmatched grit to become the head of public relations at Velaris Memorial Hospital.

When her younger sisters ex-fiancé scandalizes the hospital and leaves them without funding or a board of directors, she has to work closely with the new ownership, Eventide Enterprises, to save the hospital and prevent it from becoming for-profit like SkyView, their rival hospital in the financial district. She has full confidence in herself and her plan. However, Eris Vanserra, the head of PR and legacy staff at SkyView, is out for blood after Nesta won over the youngest Vanserra to Velaris Memorial and got an op ed published on the negative outcomes associated with for-profit care. That, and she now has to answer to Cassian- a man she has already sworn to hate before learning who he was, and is making her job- and life- an absolute pain in the ass.

Cassian is the lead financial strategist and project manager after Eventide Enterprises purchased Velaris Memorial Hospital. After having to drop out of college before sophomore year to deal with the death of his mother, he struggles to overcome the chip on his shoulder being in an industry where name, money, and education is everything. Restoring the reputation and the financial security of Velaris Memorial Hospital is not only personal, but professionally the largest responsibility he has had in his career thus far. Everything is on the line.

Complicating matters is his reliance on Nesta Archeron, the steely and fiery PR director working side by side with him to ensure the Starfall Ball is a massive success and wins back the hospitals donors. There is no denying that the difficulty maintaining their professional lines is fueled by both hate and attraction. But as they continue to work closely together, the layers peel back and they learn that they have more in common than they thought. Family secrets, generational trauma, and their deepest shames are somehow safe in each other's hands. However, lines are crossed that might be impossible to come back from.

CW: Extortion, blackmail, discussions of suicide, trauma, mental health, explicit sexual content.

Part Three:

Elain Archeron has always strived for perfection. After competing in pageants her entire childhood and teen years, she shocked everyone by using her scholarship to relentlessly pursue a career in the medical field as a labor and delivery nurse instead of fulfilling her mothers dream to go on to compete in the Miss Universe pageant.

She spent her early twenties working instead of dating, but her plan to get married and start a family is back on track now that has the "perfect" fiancé, Graysen Nolan.

However- the grueling hours, cracks in her relationship, and anxiety over what her life will look like when she becomes a Nolan begins to sink in. It's not easy for Elain to change her plans or take a leap, but when a tragic accident sends her life into a tailspin, she is forced to pick apart the shattered pieces of her soul and learn what unrealized dreams are truly hers and what belongs to the ghosts of her past.

Azriel Singer is an award winning photojournalist who has spent his life travelling the world. He has lived for the thrill of never knowing what comes next, being on the front lines of danger and history in the making. He is used to going to sleep in one city and waking up with a contract on the other side of the world, not knowing if he'll be headed into a war zone or march for justice.

When his brother Rhysand hires him for a six month corporate contract as the photographer on retainer for Velaris Memorial Hospital as they rebuild their image, his path crosses with Elain Archeron. In so many ways, she is his opposite. She has always wanted to travel, but has never left Velaris. She has always wanted to start a family, a thought that has only ever given Azriel night sweats. And she is engaged.

Azriel and Elain wind up forming a deep friendship, creating bets with each other to help push them outside of their respective comfort zones. The more they get to know each other more deeply than anyone has before, the more they question who they are. No amount of planning and on-paper perfection could have prepared them for a connection that pushes them both beyond the narratives they've written for themselves before meeting someone who can challenge them in all the most terrifying and most fulfilling ways.

CW: Fertility issues, child abuse, infant death, parent death, medical trauma associated with car accidents, birth, and premature birth, explicit sexual content.

This is my first time writing modern AU and contemporary romance. Thank you so much to @nikachansstuff and @rosanna-writer for offering to beta!

I truly hope I do it justice. I also want to reiterate that these are dark and very emotionally heavy stories. The characters will be dealing with issues that are deeply personal to me. They will sometimes be hard to understand and harder to love.

While I am not a mental health professional, I am a huge mental health advocate and that will come through in a blend of my own personal experiences and research, but mental health is extremely personal and not one size fits all. Nothing should be taken as mental health advice. Please reach out for professional help if you need, and don't give up.

This is by far the most terrifying but meaningful work I have done, and I am scared shitless and deeply excited to share it with you. This will not be for everyone, but I hope it will find where it is meant to go.

[rebloggingoriginalcontent]

Oh, yeah, when I was a minor I 100% lied about being an adult all the time. I don't regret it and I don't think it was a bad decision.

Do you know what I DIDN'T do?

Make romantic overtures to people online - ever

Read or watch anything that was marked "adults only" unless I knew it was safe for me (and stopped if I realized I'd been wrong)

Search words that might return results that made me upset (and hit the back button immediately if I saw something weird)

Talk to anyone who said they didn't want to talk to minors (because that would be rude!)

Talk to people in private messages unless I'd been talking to them for a long time in public forums, and even then we'd only talk about familiar things

Here's why I lied about my age, even though I didn't like lying in general:

I was taught internet safety, including the fact that some people target minors differently from adults (so I didn't admit I was minor)

I was at no point ever in a situation where it was anyone else's business. If it became someone else's business that usually meant I didn't want to be in the situation.

Many websites I liked were age-locked - even though I wasn't using them for anything inappropriate for children

And, most importantly:

I absolutely did not care what STRANGERS thought I should do on the internet. What are you, my mom? I'm not your responsibility.

Please. Please. PLEASE. Note that I was taking care of myself. I was being safe. I was obeying my parents. I never once had a poor experience with a stranger, except in the sense that I met rude people.

I was a good kid. A scrupulous one, even!

I was good according to the rules I cared about - not arbitrary internet rules.

There's something that I find equal parts hilarious and terrifying.

On one hand it is so funny watching the generation previous to mine (I was born in 84) absolutely say the most unhinged shit online, doxx themselves, and get fired, after spending my entire childhood teaching me online opsec because every stranger was a potential murderer. Social media done rotted their brains.

But on the other I'm seeing kids coming up, seeing them spew all their personals online, and using that to model their unsafe behavior and put themselves at incredible risk because the internet actually got way more dangerous than it was, ironically, when I was coming up being told I had to basically outsmart the fuckin CIA. Now the actual CIA and other bad actors (government, private, and individual) really are out there and these kids are watching fucking meemaw post a photo of the front of her house practically captioned with her fucking SSN and thinking, "yeah, sure, the adults know what's safe."

I gotta be a fuckin millennial about this and beg younger folx to listen to the VCR generation: hide yourself online. Nothing should go there you wouldn't want in the hands of the person who hates you the most.

Be safe, be smart, be a fucking ghost.

[homerforsure]

TL;DR: it's not my ship, but they were done dirty

I always always always come back to that weird little reveal that when they were first floating the idea to bring Tommy back, they said it was to do a storyline with Eddie and it got switched to Buck because it was too weird or tricky to have them both break up with their LIs offscreen but only one actress could come back.

Because a stepping stone relationship makes perfect sense for Eddie. Something short and intense with angst and softness for him to get to this moment of letting himself feel joy and to taste how truly good it can be. He didn't need an endgame relationship right now. He did need to have his "first."

Buck didn't need that. Buck is absolutely ready for his forever and he has been for a while and giving him the "inviting Natalia to move in and then catching his own bad habit for once and backing out" would have been great.

But that didn't happen. Instead Eddie had to sit like a hot dog on one of those rolling warmers for a season while Buck started the queer dominos falling (and I admit this is a little bit from a Buddie endgame perspective because it doesn't feel to me like the show was deciding to explore the a character's sexuality just for exploratory purposes and I'm willing to admit I have a blind spot here.)

And honestly I think the fact that Oliver cares so much about Buck and telling this story well both for the character and everyone who sees himself in him and that Lou met that energy turned the storyline and the relationship into a more beautiful beginning than it would have been in the hands of other actors.

Which gave the show it's next problem. Because we can all see that Buck is ready for his forever love and you introduced a new love interest and then instead of sticking to a few episodes of awakening and moving on, I think they saw that people were starving for it and latched onto it and Tommy harder than they expected. So it's an easy thing to do to milk that for a little bit longer, but it was absolutely the wrong choice because people got invested in a way they wouldn't have if this had ended after the original number of episodes we expected.

And Buck and Tommy worked! I think you can nitpick relationship things if you weren't that into it and write a breakup narrative using those seeds, but their puzzle pieces absolutely fit together. So much so that they definitely had forever after potential that everyone could see and a lot of people were excited about and investing in and oops wait that wasn't the plan.

So what do you do? You either abandon the plan and embrace the accidental beauty that you discovered and let it ride or you write your way out of it. Give them some hurdles, some angst. Give them a tear-jerking breakup that respects what you built and the viewers who are invested in it and slowly work your way back to where you wanted to be.

They didn't write their way out of it.

And I so don't want to believe that after the work the actors put in and the viewer feedback that they were still viewing the relationship as a placeholder ready to be yeeted once Eddie's arc got back in position again, but I'm not sure what the alternatives are?

Either it's being talked about that this is the last season and so if they're really doing buddie then it's now or never? Or actually the internet is not a valid reflection of the viewership as a whole and someone from on high said the plug should be pulled?

Or the storyline was stumbled into and fumbled around from the beginning and never treated with as much care by the people in charge of it as it was by the people who loved it.

IDK it's just messy messy storytelling and I say that as someone who is not a multishipper but who does value a good story and a good narrative. They let the relationship go on for too long to end it so abruptly. If there was going to be a breakup, there was a better one to be had and it doesn't make me feel good that my preferred happy ending could come from one that breaks the heart of so many of my friends. And if it isn't in the service of a bigger, already in motion endgame, literally what the fuck?

[thelunarfairy]

TYSM FOR ANSWERING MY LAST QUESTION EEEEEEEE

Sorry to be back so soon- but I had another question I was curious about. Again, if this one happens to be stupid you don't have to answer it heh.

But anyways, my question revolves around Hanako's names and how he's referred to. Like, I guess it's hard to consolidate into one specific question, but I've always wondered why Hanako lets Tsukasa call him Amane, and why Tsukasa calls him that. Well, then again, Tsukasa does whatever the hell he wants, but Hanako doesnt correct him either.

Similarly, Tsuchigomori only calls him Number 7, despite knowing his real name. Doesn't even call him Hanako. And that struck me as odd because since he cares so much about him, why keep it so professional? Is he just trying to distance himself? Or did Hanako get angry in the past and pull rank or something, telling Tsuchigomori to refer to him that way?

Nene is a whole nother story. She knows Hanako's name is Amane. You'd think she'd bring it up or call him that, right? Even once? And on top of that, in the fictional world, Hanako used his real name. Like he KNEW Yashiro already knew it too. He had to have known, because otherwise I don't think he'd use his real name if Yashiro didn't know it. Especially since he doesn't want to share his past with her. And to avoid confusing her further in the pp world, bc he wanted her to know it was him- well, alive version of him. Since the whole point he stayed was to see what it was like to be alive with her.

I wonder, if anyone else tried to call him Amane, how would he react? (Outside the pp world of course) Would he get flustered if Nene did it? Would it piss him off or make him uncomfortable? And what would happen if Tsuchigomori referred to him as Yugi again? Ugh so many questions I don't have answers to.

I'm probably reading way too much into this. I know it's likely that Tsukasa refers to him as Hanako because he knew him as Amane, and Tsuchigomori refers to him as Number Seven to be respectful. And Nene calls him Hanako-kun still because, well, "Toilet Bound Hanako-kun". But idk, thought it could be interesting to think about!!

Thanks again for answering my other question btw!! I loved your take on it

hahahahaha yeeeeeeeeeeeeeey!!! happy to see you happy!!!!! XDDDDDDDDDDDDDDDDDD.

Don't worry, don't worry 😉

So, in JSHK we have a meaning for names, not just the literal meaning of the thing, but the sentimental meaning.

If you notice, Hanako is the only one who calls Nene "Yashiro", and she said so herself.

In addition to including the fact that she likes the way he calls her. There is a sentimental meaning here, only he calls her that.

In Hanako's case, Tsukasa never called him that way because Amane is his brother and he always calls him that, maybe because he doesn't see the point in calling him by any other name than his real one or because he doesn't agree with hiding the truth.

Tsukasa has always been very truthful about everything, including about their past. And Tsukasa was willing to tell Nene the whole truth about Amane, so it simply doesn't make sense for him to call his older brother Hanako.

Tsuchigomori apparently made a deal with Amane that he wouldn't talk about absolutely anything about his past to anyone, including his real name.

Tsuchi used to call him Yugi, as a sign of respect, he followed Hanako's wishes, not calling him by his false name, but by the title he now has, leader of the seven.

Hanako wasn't surprised to see that Nene knew his name because Tsukasa called Hanako "Amane" in front of her, so he probably deduced that Nene knew his name because Tsukasa mentioned it several times.

So, he did know that she knew his real name.

He wanted to show Nene his "true" side in the PP arc, even though Nene called him Amane-kun a few times, it's like she doesn't associate that name with the boy she knows.

She wants Hanako, that fun and "happy" Hanako that she lived with for so long, Amane is like a version of him that died, that refers to sadness, that refers to something that she doesn't recognize as the person she likes.

Nene associated the name with the past, she discovered his name when she saw that he was suffering in the past. She was the one who was curious about him, and the first thing she discovered was his name and the short story of how he gave up on his own life.

So, the name Amane has this weight for her.

No matter what reality she is in, or what version of Amane she meets, she will call him Hanako.

I still imagine that this will change at some point, her calling him Amane would be like a symbolic way of saying that she has accepted him completely, that Hanako is Amane, that they are the same person and that she has to understand that there is not only the "happy Hanako" but also the "sad and lonely Amane".

They are both the same person, but ever since she found out about Amane's existence she seems to want to run away from it, so I imagine that's why she always calls him Hanako.

About how he would react if someone else called him that, he would probably try to understand how they found out, but only if it was someone important. He doesn't seem to care much about that.

🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡 Thank you!!!!! I'm glad you liked it!!!

[qurbanjaan]

Polish (white) woman here. I must admit something really uncomfortable to speak loudly of (at least on the English speaking Internet, I told that to several people irl): I feel like travelling made me more "racist". Are men in Poland misogynistic? Absolutely. But they are also brought up with some fear of consequences that stops them from some actions. Most of them won't dare to touch you, follow you, catcall you in public (especially sober). That includes the biggest migrant minorities in my area too (Ukrainian and Belarusian). Obviously, in neither of those three nationalities, that fear stops men from domestic abuse and rape.

But I remember travelling to London and staying in a district where basically no women spent their time outside. I remember my relative's coworker and the way he punishes his daughter for his son's misbehaviour. I remember travelling in the heights of migrant crisis, and having to move in large groups, because the migrant men would try to intimidate the teenage girls. I'll always support women from everywhere. But men? Sorry, but being more careful around men from countries and cultures where violence against women is public and unpunished? That's just common sense. All animals can bite us, yet we are more scared of big animals we don't know that small animals we don't know, right?

Exactly what I try to make people understand! You will never see an afghan woman, for example, creating trouble in other countries. But you will see afghan men doing it because they don’t know in some places they have limitations to what they can do to us.

As you said, European men will do the same if given the chance, but they’re a little more restricted than men from other countries because of laws and better conditions and trying to convince women from developed countries that they’re being racist by being wary of those men is just telling them to put themselves in danger otherwise they’re monsters.

People who support this talk are siding with the males instead of the women who suffer in developing countries and the risk men from those countries may represent. When women from developed countries say that you are racist for being wary they’re just being white saviors instead of siding with their sisters. Go ask a woman from Afghanistan how much she trusts afghan men, they will say the same as me.

Thank you so much for interacting with my blog and feeling like this is a safe space to expose your ideas. I’d love to visit Poland one day!

[the-acid-pear]

Alright so that was There Will Be Blood. Truly not a movie for me.

It is kind of like Fargo in that sense to me where it's like ... Undeniably a good movie. A very interesting movie. But a very fucking slow one. So, like I said, something you'd catch on cable TV! Which isn't inherently bad but it's not a movie I enjoy alone as much as I would with company.

I will be honest too I don't think the movie earns those 2 hours of runtime. Two and a half. A lot of this movie is genuinely nothing fucking happening and I don't care ✋ what excuse you have for it I do not have the eyes to watch at a white sky and white sand. You'll kill me. Like if at least we'd see my man do SOMETHING other that drag his feet and pussy around (/ref) I'd not mind. But this just feels like fluff because they don't add anything other than runtime there's nothing to get from these other than man. Bet it's fucking hot there innit.

But whatever. As for Daniel. I like him well enough. It's kind of hard to say anything about him that the movie doesn't spell out already. It's just a journey thru him getting more and more corrupted. The snake eating system that is capitalism. The hopeless endeavour. And you got everything and you got nothing. Even the tie between capitalism and religion...

Eli was way more compelling to me. Mostly bc he did Something. And expressed some sort of Emotion and Idea. Like I get I praised the way Daniel was handled but it was just boring after a while. I'm just watching some guy. Meanwhile ☝️ Eli my man who def sucked cock I know that but Eli my maaan. Something wrong with him 🫵

Like I don't know I struggle to connect with the movie in a way that matters. All I can do is analyze it from outside. And when I do I see it's a story only held together by these parallels. But they make me feel nothing. Because the characters behind these parallels we never got to connect with them. And I understand on paper how that matters but that doesn't change this feeling like a movie that'd have been a book instead. Because when I sit here in silence looking at these men just move around like a playhouse I just feel a little numb.

Like every message feels relatively straight forward. And what isn't feels unexplored. And the rest feels like fluff. It's a movie that carries it's weight it's not bad by any means but it just did absolutely nothing for me.

Anyway. Is this movie good? Yes, in its own way, it is. Do I recommend this movie? I mean ... I hardly do. Least you enjoy a western with all the slowness of a western then this won't be for you.

Glad to be able to RB fanart Knowing now tho 👍

Watching there will be blood. This guy's arms are so sexy

[billdenbrough]

fundamentally disinterested in the recurring discourse about kevin's drinking that aims to a) make it his Specific Problem To Focus On And Overcome when it is a crutch and coping mechanism to get him through a Much Bigger Problem (emotional fallout he can't square with by himself, culture shock, trauma, loss of his extremely wildly co-dependent relationship w riko, losing the structure of the nest, mourning a future he was meant to have, processing a grave injustice, anger and fear and desperate grief, all of which is his Actual Specific Fox Problem) while he builds himself back up, and b) thinks that even if it is a problem (more on that later), it's the foxes' problem to deal with.

like. it's just not.

yeah, he doesn't drink until he meets them. they gave him that habit, and in traditional terms, they're (the monsters specifically) a 'bad influence'. but these are the foxes. this is kevin day, son of exy, whose meteor is crashing spectacularly through no fault of his own. there are no traditional terms to be found here. the framework for it literally doesn't exist. neil comes into the foxes with more conventional expectations—appalled at the athletes' substance use, his horror at matt's trip to columbia, his steadfast and early repeated stance that none of the foxes should let andrew treat them the way he does, and certainly not nicky—and tends to engage with them less as the series goes on and he folds himself into the foxes. the thing about the foxes is that they've all been in pits deeper than they are tall. and some of them got a helping hand on the way—erik, andrew's extreme intervention methods, stephanie walker—and wymack was always waiting for them on the other side, ready to throw down a rope, but all the foxes dragged themselves out of their own holes. often not alone, often not without assistance, but at the end of the day, they have to do it.

there's that line neil has about aaron in that scene that got deleted when the timeline shifted around, when he thinks about how aaron got this far in life on his own, surviving on willpower and sheer desperation. that applies to aaron in a way that's a little more acute than some of the rest of them—boy who doesn't let the foxes in bc of andrew, boy who doesn't let nicky in bc he doesn't know how, boy made of flinching and seeking an escape and grieving the one who hurt him—but is broadly true for the foxes en masse.

this isn't to say the foxes can't help each other, but it's not their job. it just isn't. they'll keep kevin alive, keep him safe, keep him flanked and contained within their ranks. they'll fight tooth and nail in this battle with him, fight to get him to that championship game, fight to get that trophy in his hands. but that's all they've agreed to. that's all they're responsible for, in this covenant they've made with him. he says they can make this happen, and they're going to get him to that final game, but it's up to him what state he's in when he gets there.

like. they're foxes. they've been triaging their whole lives. they hate each other and they hate everyone else more. they're the kids with their backs up against the wall. half of them are addicts. i don't think kevin is comparable, personally; he's getting through a horrific situation with a coping mechanism. that's not the same thing as battling yourself to stop using. but that's not really the point of this. what i'm getting at here is that to the foxes, it's easy math: kevin who can lean on vodka and andrew and wymack and the foxes to stay upright when he's not ready to stand on his own two feet is still a kevin who is standing. a kevin with one less piece of scaffolding to lean on is a kevin who falls over, a kevin at risk of complete collapse, a kevin one phone call away from running back to the master, a kevin one crucial loss away from not ever making it back to himself at all. they're triaging. this is low on the totem pole of things they have the room to care about. they very much have bigger problems, both individually and even just kevin-related. if alcohol makes seeing the boy he knew best in the world and moved in tandem with his whole life and who destroyed their entire legacy and his entire life in one move — if alcohol makes facing that boy easier to stomach, then, fuck, why would they take that away? they're foxes. they've all got their demons. this is what kevin needs this year and a half to let him face his, that's all. they can understand that. it doesn't have to be pretty, as long as it keeps him in the fight. that's the priority.

i think there's absolutely space to explore this in fic and art and fandom in a way that maybe does explore it as a Problem, both that it's an active problem for kevin & that it's something to explore other foxes helping him with (there's a t&n fic that i've been gnawing at the bit to read for months that seems poised to explore this premise, and that's super up my alley)! i just think we're in different territory when we're talking about the series—and its characters and dynamics—in a conversational rather than transformational way, and end up talking about this like the foxes are responsible for kevin's choices. i love kevin day. i read these back at the start of 2015 & he's so dear to me that loving him was the blueprint for how i feel abt kageyama. but it's been pretty weird to see how the conversation has been translating Loving Kevin Day into... thinking the foxes are doing wrong by him with respect to this in actual canon. like that's just not how it operates there

[hearthmistress]

the argument from corset defenders that they're just trying to say corsets "weren't universal torture devices" and/or "people didn't typically tightlace" is rendered automatically null by the fact that this is fundamentally a straw man argument - one that is made more so because they're purposefully ignoring valid critiques of corsetry - ones that actually take historical context into consideration (i.e. the role of the patriarchy, white women's bodies as tools of colonialism, fashion interlinked with industrialization and capitalism, real women's testimonies and feelings towards it, dress reform and medical history) when discussing clothing and fashion history - to repeat this rhetoric.

most critiques I've seen have encompassed discussions of gender, labour, and colonial history. It's a shame that people keep insisting on seeing the corset as (at best) a neutral item and devoid of social/racial/gendered context, and rather than as something that directly interacts with those topics, and therefore cannot be simply rendered as neutral item of clothing.

[tanddiscord]

I dunno.

I absolutely do think we need to make leftist spaces more friendly towards cishet men in general. It can be tough, in a lot of circles, to not become hostile towards people I generally agree with, because they always make me the boogie man.

For people less reflected, I can absolutely see that pushing people away. It's pushed me away from several spaces, and there are still spaces I frequent where I often feel excluded and uncomfortable.

There are absolute problems, and they need to be addressed, but the angle can't just be "some white cishet men are fascists, therefore saying 'kill all men' is okay" which is what happens a lot in some spaces.

But it also can't be "Not all men are bad, so let's do nothing".

We need to approach things with a mindset of "how can we stop and work against the social changes we see happening?"

And some of that boils down to giving people what they find in dangerous rhetorics and systems, without them. Community, a sense of belonging, a sense of safety, and understanding.

I am not saying that individuals need to, when face to face with a fascist, be nice to them.

But I am saying that, if, at the first sign of fascist rhetoric in someone, everyone shuns them, it could be that the result of that is that they'll quickly become more like those that still talk to them: Fascists.

And that holds doubly true when they didn't show those things in the first place.

Ofc it is a balancing act. Its tough, and its never on the individuals on the left to fight the institutions on the right.

But we can't just deal with it with hostility.

Also, it's clearly not just a "white men" problem.

45% of women voted for Trump.

That is less than half, and less than the percentage of men that voted for him.

But 45% is still a lot. A huge amount.

If it had been 0%, like some people online seem to pretend, he would never have won.

We need to hold those woman just as accountable as we hold the men. We need conversations to be balanced, and better than that of our opponents.

Leftism is a humanitarian project, and to work for that, we need to include all of humanity. We're trying to make a better world for everyone here, not inflict vengeance upon the sons for the sins of the fathers. At least that is my approach and goal.

Being nicer to men in a leftist, online setting, IS important. We can't afford to, and should not want to, alienate half the population.

But being nicer to men does not mean "be nice to the specific men that have done you personally wrong" it means "Be nice to the men that haven't done you wrong, do not allow yourself to assume they will hurt you if given a chance" (though ofc, everyone, men, women and otherwise, should take appropriate precautions to keep themselves safe, when meeting men, women, and otherwise. Going on first dates in a public area, while having a friend that has promised to check in on you at 10pm, is not not being nice. It's just being safe, and that is always allowed).

It doesn't mean to not say "My ex was a pig". It does mean to not say "all men are pigs, just look at my ex".

We have to hold ourselves to high standards. Not just because that is the path to victory, though it is, but more importantly, because it's the path to a victory that means anything.

If we do not hold ourselves to high standards, what does a victory mean? If we just replace one harmful society with another, what was won?

Being mindful of language and word choice does not just mean using 'they' when we don't know someone's pronouns. It also means using 'that man' instead of 'men' when talking about a pig.

I get it can be frustrating to cater to the people that make your life hell. But you're not catering to them. You're catering to the rest of them. The men that already hate women, that are already fascists, that are already the enemy, do not care that you do not like them. If anything, they wear it like a badge of honour.

But the others, the ones that want to, strongly, or just barely, to be your ally, or for really, anyone but the worst, to let them know that there is a place for them where they can get love and respect(as human beings), without having to hate and disrespect others.

It's a bit like that comic on body-shaming I can't find right now. Where the person you're trying to be mean to doesn't care, but the people who happen to share that feature get sad.

(but yes, of course, its not like being nice to men will solve everything, there's other work to do too, but we can't ignore it just because its not a magical solve it all)

I get the good intentions behind it, but something feels off about responding to the observation that white cishet men are becoming radicalized towards racism and misogyny with "maybe you should have been nicer to the men"

[musical-chick-13]

The problem is. When I go, "Oh, this system is bullshit" and try to live outside it. My choices are still defined by that system. And that makes me feel really weird.

[saphushia]

been thinking abt motorcity lately- specifically it's fun to think abt motorcity born-and-raised chuck. minus childhood friends muckles, plus more points for mike "i find a wierd guy in the gutter i pick him up. simple as that" chilton bonus- look below the cut to see all the messy sketches i did working out redesign for chuck's arm that're mostly hidden/illegible in the 3rd pic. tbh the redesign isn't so much a motorcitizen!chuck thing i just like fucked up cyborg arms n wanted to channel some vash energy into him a bit

^^^ these aren't in any order btw, good luck linking the different design sketches together lmao

[butts-bouncing-on-the-beltway]

Do you ever read a post where someone is explaining a pokitical thing and from the way they're saying you know with absolute certainty 1) they got their info from a tumblr post and have never actually followed up on how feasible that information actually is to act upon (they may not even have checked if it was CORRECT, but when they do they have clearly not looked into how easy or hard it may be to follow those instructions with a positive outcome), and 2) you know WHICH tumblr post they're quoting because it is basically a copy/paste of it, and 3) it was YOUR goddamn post and the thing they are saying is entirely counter to the point you were making when you said it to the point that you genuinely wonder if they just like. Memory-holed the entire context once they saw that one itty bitty point.

It's like the motherfuckiny dating apps all over again. I do not want people to love my words if they are not actually willing to do the work of understanding them! Didn't your kindergarten ever make you play Telephone to teach you how heresay falls out????

[achingly-shy]

thinking about everyone hating on sabine for giving baylan the map and choosing ezra over the safety of the galaxy....like did we all just forget "EVERYTHING i did was for FAMILY for MANDALORE"