#TAKUMI

[gzeidraws]

Awakening Fates (Remake) #9 Sibling Spam

As a belated tribute for FE Fate's anniversary, I'm redrawing some of the old comics from 2016! If you haven't seen these I hope you enjoy them!

[Original version] [Link to previous]

[jordydrawsmerch]

i wish feh would have them talk to each other

[geminid]

ive been trying the method where you use the lasso tool to make random shapes and paint backgrounds like that. its a lot of fun. will definitely keep it in mind when i paint sometimes

[brinaanana]

I flipping love fire emblem fates

[sibmakesart]

no wonder this man hasnt had a thought in 5 years, waking up at 4 everyday and then school and then work....

ANYWAY

initial D fanat in 2024 bc i started watching it with a friend and its SO GOOD AND NOSTALGIC omg

[anime-fan-05]

im in love with your account 😭🫶🏻 can i ask nana's boys when they are in love/have a crush but you're not dating yet? :3

Nana ~With their crush~

Manga/anime: Nana

Warnings: nothing

(Y/N): your name

T. Nobuo (Nobu)

He's definitely the one who shows his crush on you the most

Indeed, every time he's in your company, he blushes a lot and tries to make you notice him, although he often ends up making a fool of himself

Plus, he always goes out of his way to make you smile, even if it means getting hurt or humiliated

For example, one day you were sad due to a harsh insult on your social profile; he started making jokes, but, after seeing you weren't feeling better, he softened his tone and sweetly listed everything he loved about you

In short, it's truly clear he's totally in love with you; the point is he doesn't realize it and, when he confesses to you, he'll be amazed you already knew his feelings!

O. Shin'ichi (Shin)

It's more likely others will notice before you he has a crush on you

In fact, he doesn't openly demonstrate he has feelings for you: he apparently doesn't talk to you and treat you differently from everyone else, he doesn't give you more time than he gives to his band members, he doesn't give you gifts except for your birthday...

In short, his feelings are almost unrecognizable to you

However, to outside eyes it's more than obvious what he feels

Indeed, his eyes soften as he looks at you, he's always ready to catch you if you should fall and he makes very small gestures for you which pass off as friendship gestures, such as serving you the dish first during lunch or dinner or, when he cooks (at BLAST's retreats or at dinners or lunches with friends), avoiding everything you don't like

T. Yasushi (Yasu)

Like Shin, it's very likely you don't notice his crush on you

He also doesn't behave differently towards you than towards others, but his signals, although still imperceptible, are less notables than those of Shin

For example, if you need help, even if this happens in the middle of the night, he'll rush to you, masking his apprehension thanks to his responsible nature

Another gesture, which he's capable of disguising, is taking care of you when you're sick

One day, in fact, he stayed with you all day, since you had a fever, and he refused to leave your house until you were better ("Yasu, what about your work?" "Don't worry about that, just think about getting well.")

H. Ren

Do you know the typical story of the popular boy who, in love with a girl, courts her by making fun of her so much she thinks he hates her, but in the end he proves to be the sweetest person in the world with her?

Well, that's how Ren is

He's truly a mystery to you: he's a mix between a tease and a very sweet boy

For example, one day he had teased you quite cruelly, almost making you burst into tears; the next day, having noticed how you avoided him like the plague, he came to you and consoled you sweetly

In the end, he's just a shy and insecure guy trying in his own way to get you to notice him

I. Takumi

You'll never know what he feels: he behaves with you totally as he does with everyone he knows

No one was, is and will be able to notice his feelings in any way, least of all you

However, there's only one event, since he's had a crush on you, where he demonstrated those: one evening, while you were at a dinner with Trapnest, a boy had tried to flirt with you; Takumi had gotten so jealous he almost fought with him, if it hadn't been for you, who hugged him tightly, begging him to stop

By the way, when you remind him of that event, he ignores you and walks away (so you can't see his red face for showing you his feelings)

It'll truly be a wonderful surprise for you when he confesses to you!

💮 Rules 💮 Masterlist 💮

[niidsch]

NANA DVD covers

[atticmichaelangelo]

Junko: How patriarchy, time, and perception influence ( female ) friendships:

Junko is without a doubt a rather polarising figure within the Nana fandom. While some are inclined to view her as the epitome of a terrible friend, others find that there are aspects of her character that are not completely unreasonable. Some even argue that she is fully justified in her actions, interpreting them as a weary response to Nana Komatsu (Hachi’s) dependent and at times childish behaviour. 

I personally find her to be an extremely intriguing case study on female friendships - it is rare to find a depiction of female friendships that deviates from the endlessly supportive, forgiving, and nurturing portrayals of female relationships. Often times women are not as forgiving and sweet to each other as is often idealised in popular media, with dynamics often being fraught with internalised misogyny, societal perceptions, past experiences, and unhealthy attachment - so it is refreshing to see such a realistic, unorthodox, and complex portrayal of relationships dynamics between women—an topic that is often underrepresented and undervalued, yet crucial in order for people of any age to reflect on their own friendships and the factors that shape their beliefs and behaviours within them.

Firstly, I think that there is no point in disputing that Junko, in her own, often unconventional way, cares about Hachi. Throughout the early episodes and chapters of Nana, Junko frequently steps in to protect and comfort Hachi when she thinks the situation calls for it. This can be seen when she immediately leaps into action when Hachi breaks down in tears, drunk and distraught over memories of Asano in Episode 2, calming her down. This concern is seen again when Junko berates Shoji for hurting Hachi’s feelings and leaving Hachi alone in an unfamiliar place before rushing out to go find her. When Junko learns that Hachi plans to move in with Nana Osaki, who was practically a stranger at the time, she tries to convince (scare) Hachi into reconsidering the decision, concerned with how Hachi would manage and what kind of person Nana would turn out to be. Accepting defeat when Hachi stayed steadfast in her decision, she challenged (Hachi’s words) Yasu, trying to support Hachi by passive aggressively asserting Hachi’s right to the apartment when Hachi failed to do so to her standards.

Infantilisation and stifling growth

However, Junko’s protectiveness often crosses the line into infantilisation, an action which is a mixture of both care for Hachi and an unconscious subscription to societal perceptions of ‘femininity’, which ends up doing more harm than good.

Ai Yazawa makes a point of emphasising that Junko has known Hachi for a long time - she is familiar with her romantic struggles and emotionally dependent tendencies. But Yazawa also shows us from the start as well that Junko is immalleable. She is a character that does not bend to displays of emotion or whims - a foil to Hachi’s very passionate and dreamy personality. It becomes apparent from their interactions that Junko, after having been around Hachi a long time, internalised how Hachi behaves and acts to the point where she sees these traits as innate to Hachi as opposed to behaviours that have developed and formed over time. This strongly held perception of Hachi becomes a problem, as instead of encouraging growth ( which is what every healthy friendship accepts and promotes), Junko reinforces these observed traits, often treating Hachi as if she were a younger sibling or even a child. She seems “relieved” when someone else is there to “take care” of Hachi and even makes decisions on her behalf, such as revealing Hachi’s crush on Shoji despite Hachi making a conscious decision to not be romantically involved in anyone, assuming that Hachi does not have the scope to actually achieve the emotional goals she sets for herself.  

This dynamic consequently stifles and hinders Hachi’s ability to grow as an independent person throughout the anime, as Junko continues to see her through the lens of their shared past rather than as a peer. Even when Junko chastises Hachi for her lack of independence, she paradoxically expresses relief when someone else can ‘step in’ to care for her. This cycle of infantilisation keeps Hachi trapped in a dependent role within her friendships, and Junko’s inability to adjust her perception only reinforces these traits in Hachi. How people around you perceive and treat you influence how you subconsciously view yourself, and in Hachi’s case, she would see herself through Junko’s eyes as exasperating and hopelessly dependent. While Junko could very well believe her treatment stems from a deep and intimate understanding of Hachi, she in fact implies, most likely unintentionally, that Hachi is not capable of better. Junko's habit of infantilising Hachi repeatedly yet chastising her for the very thing Junko validates puts her in an endless pattern of being enabled, but not giving the genuine support when she does attempt to break the cycle. 

Internalised misogyny and and complicity to the status quo

At the root of Junko’s behaviour there is a subtle form of internalised misogyny that permeates throughout her interactions with Hachi. Hachi’s personality is characterised by dreaminess, emotionality, and dependence, and aligns with traditionally "feminine" traits that patriarchal societies often devalue. She is romantic, frivolous and dependent, and Junko, in contrast, is portrayed to be and see herself as more pragmatic and career-oriented, which she is shown to be aware of and even proud of in the anime and manga. She firmly corrects Hachi when Hachi hopes she will give up on her dreams of art school in Tokyo, and pursues her passions and career with dedication throughout the anime. Her more modern lifestyle ( living unmarried with her boyfriend and striving for her dream career) contrast heavily with her more conservative mindset with gender - through interactions between Hachi and Junko, we can see that she seems to have adopted a more ‘masculine’ role between the two of them, acting as the voice of reason and logic, traits which are stereotypically associated with masculinity ( haha). You can see that this patriarchal compartmentalisation of personality traits is something that Junko had internalised growing up through her interactions with Hachi, perceiving Hachi as hopeless and in need due to her personality, when in actuality we find out later that Hachi is perfectly capable of making decisions herself, and managing difficulty by herself (with more resilience that others can muster). While she surely does not always make the best options, she is able to adapt and persevere - not exactly the actions of a hopelessly dependent person.

This is a greatly nuanced decision on Yazawa’s front, as she perfectly depicts how growing up in a patriarchal society does not only influence male and female relations, but all - due to Junko growing up in a patriarchal society where women with ‘feminine’ traits are simultaneously taken care of and condescended, she too mimics and appropriates such beliefs and actions. The status quo in such societies ( like Japan in the time the manga is set)  are rigidly upheld yet at the same time result in the mocking and contempt of women who adhere to or fit the mould shaped and maintained by the same people who patronise them - and often times women are complicit in upholding harmful patriarchal ideals.  I think this is a refreshing (and depressingly realistic) depiction of relationships between women, as it perfectly captures the delicate and painful cognitive dissonance between caring for someone and not doing what is in their best interest due to internalised misogyny. 

A large aspect of internalised misogyny is putting male approval and attention on a pedestal, and Junko depicts such influences as well when she compares her love life to Hachi’s. She flaunts her alleged ability to form platonic male friendships without becoming romantically involved, ironically right before quickly entering into a relationship with Kyosuke. Junko then feels the need to justify her own quick decision of sleeping with and getting with Kyosuke to Hachi, showing a unconscious adherence to the notion that as a woman, getting with or attached to a relatively unknown man simply because of a desire to is a disdainful trait, and one that Junko makes a conscious effort to differentiate herself from - and not for Hachi. Hachi did not judge or even understand why Junko made such a fuss explaining; Junko’s attempts were more a form of self reassurance that she is not like the ‘others’ who are deemed undesirable and whorish ( a belief she holds due to her close interaction with patriarchy growing up). Junko is in fact not so different from Hachi, from what we can see from her actions in the anime and manga. We are told by her she does not attach herself romantically to men quickly, yet in the first instance possible we see otherwise. We see her look down on Hachi’s air-headed desire for a stereotypical, domestic relationship with a reliable man, while staying with Kyosuke throughout all the anime and manga, using him as a mode of support and guidance as well as a romantic and seemingly life partner. Her contempt of Hachi at times seems to be a reflection of her own insecurities with the aspects of her personality that do not fit the mould she wants - the aspects of her personality she was raised to see as less valuable and worthy and therefore grew up and internalised.

Junko’s internalised misogyny is also apparent in her loyalty to the men in her life, particularly in her defence of Shoji after he cheats on Hachi. Instead of holding Shoji accountable, Junko places the blame on Hachi, telling her that it was her fault for being too dependent, too self absorbed - too absent ( the very traits she was telling Hachi to adopt). This reaction reflects Junko’s struggle to justify her friendship with Shoji through her own internalised belief that women are responsible for men’s behaviour ( a common belief in patriarchal societies to take accountability away from men, instead vindicating and blaming the women involved). This scene serves to reveal Junko’s desire to preserve her own relationships and avoid conflict with male peers - by justifying Shoji’s actions, she maintains the comfort and security of her social circle, which includes her boyfriend Kyosuke, who is also Shoji’s best friend ( again rather similar to Hachi and her want of companionship) - she puts her male centred relationships on a pedestal at the expense of her female friendships and Hachi’s wellbeing.

Junko’s character serves as a window into the nuanced ways internalised misogyny, perception, and shared history can influence female friendships. Her dynamic with Hachi is shaped by her rigid perception of Hachi’s weaknesses and her own internalised biases about what traits are "acceptable" in women. While Junko is portrayed as a capable, independent woman—someone Hachi and other women can in some ways even looks up to—her patronising attitude ultimately undermines the potential of their relationship. Junko’s failure to see Hachi as an evolving, autonomous person perpetuates a cycle of dependence, preventing both women from growing as individuals and as friends, with Junko feeling equally responsible and burdened by Hachi but not allowing the relationship to develop beyond how it was in the past.

By portraying Junko, one of Hachi’s closest friends, as such a complex, multidimensional character, Ai Yazawa offers a compelling critique of the ways in which societal norms and internalised beliefs can distort relationships between women, and bring attention to topic that is often neglected yet experienced and lived by women universally. Junko’s story illustrates that it is not only overt sexism that influences women’s lives but also the more subtle, internalised forms of misogyny that shape how women perceive themselves and each other, and the pitfalls of relationships that remain stagnant in the past instead of allowing both parties to grow and flourish. 

[ianime0]

Honkai Star Rail | "Taking It Easy" | Jing Yuan and Feixiao + Delicious Food

[lowcountry-gothic]

Badge art for Star Wars: Celebration Japan, by TAKUMI.

[maple-rose]

Happy 9th anniversary Fire Emblem Fates!

[gzeidraws]

🍫 Valentine's date with Leo and Takumi! A comm for @geminid (thank you!!)

[jordydrawsmerch]

inheritance (2020)

[geminid]

hoshido side

nohr is here

[ruiiplume]

As promised, the modern Hoshidan fam 🌸🤍❤️

Bluesky | Cara | VGen | Ko-fi

[brinaanana]

Leosaku 🌸🍅 having a blast drawing them!!