#Summerland is the spiritualist conceptualisation of the afterlife (in this time period anyway)
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Beyond The Veil: A Spiritualist AU based on @gothyringwald‘s prompt for the @gradencetrickortreat challenge “Victorian AU. Credence is a medium/spiritualist. Graves is a sceptic” * November 1899. “My paths are in the fields I know and thine in undiscover'd lands.” From the very beginning it’s clear that Credence is a singular case. The young man is starkly different to all the spirit mediums Graves has exposed as frauds - those thieves who manipulate the desperation of the grief-stricken. It’s an unassuming night and an unassuming setting – a frost touched night in November, the lamp-lit parlor of a wealthy host, the typical gaggle of society ladies and gentlemen that make up the circle. He expects the willowy girl who served the refreshments to take the chair. She seems the typical sort - dainty, bird-like, with large saucer eyes. She has a fitting name too, Chastity, all holiness and light. The kind of name which pleases the hopeful bereaved. And yet, it’s the son who steps forward. He approaches the chair in a slow, resigned way, sits, folds his hands in his lap, and begins. Credence slips into his medium trance without any theatricality – no puff of smoke nor gibbering lip. One second he is lucid, the next suspended between conscious and subconscious states. His head tips loosely to the side, and a dark lock of hair falls into his eyes. “Credence?” asks Chastity firmly, “Are you ready to begin?” “Yes,” Credence replies in a low tone, “She is with me.” “Who is it that guides you?” asks one woman. “It is my little sister, Modesty” Credence offers in a soft voice. A little sister huffs Graves’ thoughts How perfectly chosen to play to human sensitivity. Yet despite his brain’s protestations, a tiny whisper of doubt whistles through his mind, for there’s an earnestness in Credence. His dark feline eyes are arresting when they alight on Graves’ own. There’s a searching curiosity in his gaze which seems to pierce both mind and soul. * January 1900. “Would breathing thro' his lips impart the life that almost dies in me?” A horrible gurgling noise bubbles up from Credence’s throat. He chokes and splutters fitfully.The other attendees gasp and titter. Graves feels Credence’s pain as a pang in his own chest. Credence shakes, his body knocking heavily against the back of the chair over and over and over and over in a creaking, rapping melody. Theseus’s deep voice booms suddenly from Credence’s slack open mouth. “Percival.” Graves feels sick with shock, and shot through with yearning longing. His dear Theseus! That dear voice, last heard more than a decade ago in an army medical tent, weak and failing, is now clear as a bell. Distinct. True. “Percival.” “Thes,” he murmurs softly, half to himself. “Percival,” Theseus’s voice intones, spewing forth from Credence. “Let me go.” “Theseus, please” Graves hears his own voice say, pleading unashamedly, reaching for Credence’s trembling hand. “Let. Me. Go.” Theseus half-shouts. The table rocks violently on its feet, sending a glass of water flying, shattering against the floor. Credence’s body convulses in the chair, cold sweat staining his starched white shirt under his arms. He wheezes hollowly, a horrible dry rasp. With a final shudder he collapses, a mouthpiece discarded. * May 1900. “Sweet soul, do with me as thou wilt.” Italian sun plays across Credence’s face, and his skin is warm when Graves presses a kiss to his temple. Credence sighs a little then, expression tenderly sad as he looks at the rows of marble tombs which inhabit the Cimitero degli Inglesi. “I never asked them to come to me,” Credence says guiltily out of nowhere. “I never wanted it.” “- and yet, you did not shut them out.” Graves replies. They walk in silence through the graveyard, clusters of purple spring flowers around their ankles. Credence trails his fingertips over crucifixes and urns and angels. “I have been thinking lately,” Credence confesses, “that my Summerland will be Florence, with you by my side.” “Will you be able to find me?” Graves finds himself asking, “when we are but spirits? I will surely die before you do, my darling.” “Yes,” Credence answers with absolute certainty, “my soul will recognise its beloved, even beyond the veil.”
#Gradence#Credence Barebone#Percival Graves#LONG POST#I only meant to make a moodboard but then the ficlet haunted me until I wrote it#Poetry quotes by my eternally beloved Main Man Alfred Lord Tennyson <3#Summerland is the spiritualist conceptualisation of the afterlife (in this time period anyway)#My Writing#Favourite sad goth wizards
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