#Sulochana Rani Novels

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మొత్తం చెప్తారు రాశాక మార్చరు | EMESCO Vijaya Kumar About Yaddanapudi No...

[todaybharatnews]

via Today Bharat nbsp; The grand unveiling of the statue in Hyderabad was done on the occasion of Vijaya Nirmala's 74th birth anniversary. nbsp; Telugu superstar Mahesh Babu, along with his father, veteran actor Krishna, unveiled the statue of his stepmother and well-known actor-filmmaker Vijaya Nirmala on Thursday in Hyderabad. The grand unveiling was done on the occasion of Vijaya Nirmala's 74th birth anniversary. Vijaya Nirmala, who had starred in over 200 films and had directed 44 in her illustrious career of over three decades, passed away in June 2019. She made her acting debut at the age of five in the 1950 Tamil film Machcha Rekkai, and at 11 she made her Telugu debut with the film Panduranga Mahatyam. She rose to stardom opposite Prem Nazir in the 1964 Malayalam film Bhargavi Nilayam, and went on to work with him again in Udhyogastha. Telugu FilmNagar✔@telugufilmnagarPictures from #VijayaNirmala gari statue inauguration!#MaheshBabu #Krishna #KrishnamRaju @ItsActorNaresh View image on TwitterView image on TwitterView image on TwitterView image on Twitter5941:35 PM - Feb 20, 2020Twitter Ads info and privacy126 people are talking about thisAs a leading lady, she made her Telugu debut with Rangula Ratnam alongside Vanisri and Anjali Devi. In 1967, she starred in Telugu film Sakshi and it was on the sets of this film she met actor Krishna with whom she worked in 47 films and eventually ended up marrying. However, it was her second marriage. Vijay Nirmala was one of the very few female filmmakers to really make a mark as a director. Koti Paruchuri@kotiparuchuriRemembering Smt #VijayaNirmala gaaru on her Birth Anniversary 💐 Her contribution as an Actor , Director amp; Producer is impeccable...Respect 🙏🏻 102 people are talking about thisIn 1971, she made her directorial debut via the Telugu film Meena, which was based on the eponymous popular novel written by Eddanapudi Sulochana Rani. Two years later, she directed her first Malayalam film Kavitha. She was the only female director to work with major stars like Sivaji Ganesan and Rajinikanth. She directed the latter in the Telugu remake of Amar Akbar Anthony, which also starred her husband Krishna. Her other popular directorial projects include Rowdy Rangamma, Sirimalle Navvindi, Bezawada Bebbuli and Collector Vijaya among others. With 44 films as director to her credit, she holds a Guinness Record for most number of films directed by a female filmmaker.

[bollywoodpapa]

RIP! Veteran Telugu actor Vijaya Nirmala passes away

New Post has been published on https://www.bollywoodpapa.com/vijaya-nirmala-passes-away/

RIP! Veteran Telugu actor Vijaya Nirmala passes away

Veteran Telugu actor Vijaya Nirmala passes away today in Hyderabad. She breathed her at Continental Hospitals in Gachibowli. She was suffering from age-related illness. She was 75.

Vijaya’s son Naresh, who is also a popular Telugu actor, took to Twitter to announce the death of his mother.

“I regret to inform you that my mother, senior artiste, prominent producer and director Dr.A G Vijaya Nirmala passed away during early hours today, that is, 27.6.2019, at Continental Hospitals, Hyderabad, due to sickness. She was 75,” Naresh tweeted.

Vijaya Nirmala passes away

“Her body will be kept at our residence from 11 a.m. Final rites will be held tomorrow (Friday),” he informed in another tweet.

I regret to inform you that my Mother senior Artiste, prominent Producer & Director, Dr. G Vijayanirmala Garu passed away during early hours today, that is, 27.6.2019, at Continental Hospitals, Hyderabad, due to sickness. She was 75. pic.twitter.com/7D5b5VOXmH

— H.E Dr Naresh VK actor (@ItsActorNaresh) June 27, 2019

Her body will be kept at our residence ( Nanakramguda) today from 11am Her final rites will be held tomorrow, that is, 28.6.2019. Further information will be updated . 🙏🙏🙏🙏🙏 pic.twitter.com/MorRuNOXCM

— H.E Dr Naresh VK actor (@ItsActorNaresh) June 27, 2019

Vijaya Nirmala entered cinema at the age of five as a child artist with a Tamil movie Machcha Rekhai (1950)  and four years later she forayed into Telugu cinema with the film “Panduranga Mahatyam”.

It was through 1964 Malayalam film Bhargavi Nilayam, she rose to stardom and got noticed. She went on to work with Prem Nazir again in Udhyogastha.

As a leading lady, she made her Telugu debut with Rangula Ratnam alongside Vanisri and Anjali Devi. In 1967, she starred in Telugu film Sakshi and it’s on the sets of this film she met actor Krishna with whom she worked in 47 films and eventually ended up marrying. However, it was her second marriage.

Vijay Nirmala, who has directed 44 films, was a visionary filmmaker and she made her directorial debut via 1971 Telugu film Meena, which was based on the eponymous popular novel written by Eddanapudi Sulochana Rani. Two year later, she directed her first Malayalam film Kavitha.

In 2002, she entered the Guinness Book of Records as the female director of the most number of films. In 2008, she received the Raghupathi Venkaiah Award for her contribution to Telugu cinema.

Vijaya is survived by husband Krishna, (who is also Mahesh Babu’s father) and son Naresh. 

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Tumhari Sulu Review – Bollywood Hungama

Five years ago, Gauri Shinde in her directorial debut ENGLISH VINGLISH told a wonderful story of an enterprising housewife. What’s surprising is that there are millions of such women in India but very few films have been made on them. Suresh Triveni now takes up the challenge to talk about a housewife in TUMHARI SULU. But unlike ENGLISH VINGLISH, this one is more light-hearted and funny. So does it manage to touch audiences and make them smile or does it disappoint? Let’s analyse.

TUMHARI SULU is the story of an enterprising housewife who turns RJ with a late-night semi-adult radio show. Sulochana (Vidya Balan) is a homemaker in Mumbai and is happily married to Ashok (Manav Kaul) and also has a son, Pranav (Abhishek Sharrma). Sulochana has a strong desire to do something in life and not waste her time just serving her family. One day, she wins a pressure cooker on a radio show hosted by the popular RJ Albeli Anjali (Malishka Mendonsa). Sulochana goes to collect the cooker and happens to find out that the radio channel is looking for RJs. She approaches Maria (Neha Dhupia) who runs the radio station and tells her that she is interested. Maria gives her the late night slot and Sulochana is asked to run a semi-adult show. Sulochana starts working as an RJ and her show becomes a hit. How it leads to problems and madness in her life forms the rest of the film.

TUMHARI SULU commences beautifully and instantly sets the mood. The film is in the space of Hrishikesh Mukherjee and Basu Chatterjee cinema and that’s a plus point. However after the introduction of the principle characters, the pace and the interest levels drop. The first half is devoid of meat. It’s only when Sulu decides to turn RJ and auditions for it is when the film becomes interesting. The second half is better as Sulu successfully runs the late night show. The manner in which Sulu balances her home as well as her job is nicely depicted. Also the way Sulu gets judged and taunted by her sisters comes across as very real. However, the pace of the film is very slow and that really affects the impact. Moreover the sudden success of Sulu’s show looks a bit unreal. The 140 minute long film should have been 15-20 minutes shorter. The climax is ambiguous and should have been a bit simpler. However the final scene makes up for it.

Suresh Triveni’s story is simple and extremely relatable. Suresh Triveni’s screenplay is impressive in most scenes but gets a bit dragging in few sequences. Suresh Triveni’s dialogues are realistic and witty at places. Special mention should also go to Vijay Maurya’s additional screenplay and dialogues. Suresh Triveni’s direction is uncomplicated and that works a lot for the film. The setting, the characters and their problems are as real as it gets and hence majority of the moviegoers would be able to connect with the goings on. But on the flipside, he takes his own sweet time to build up the story in the initial hour. The same happens in the middle of the second half too.

Vidya Balan is the soul of the film and she takes the film to another level altogether. This is her most accomplished work after KAHAANI and is bound to impress one and all. As the happy go lucky housewife, she gets into the skin of her character and performs with perfection. Manav Kaul looks dashing and compliments Vidya very well. He gets to play an interesting character and comes out with flying colours. Neha Dhupia looks glamorous and performs very well. Vijay Maurya (Pankaj) is hilarious in the first hour. Though he doesn’t have much to do in the second half, he leaves a mark. Abhishek Sharrma is decent. Malishka Mendonsa is confident in a cameo. Ayushmann Khurrana appears in a scene and is endearing. Seema Taneja (Sulu’s sister Aradhana) and Sindhu Shekharan (Sulu’s sister Kalpabna) are very good. Sonel Singh (receptionist Girija) leaves a mark especially in her first scene. Santanu Ghatak (Sachin, Ashok’s new pace) gives a convincing performance. Bhumika Dube (Gym receptionist) is fair while Trupti Khamkar (Ola driver) gets to essay a wonderful character and is memorable.

Talking of songs, ‘Hawa Hawai 2.0’ stands out and is well picturised. The next best is ‘Ban Ja Rani’ which has a realistic and endearing feel. ‘Farrata’ looks a bit out of place especially the shots of guys B-boying. ‘Rafu’ is soulful but gets a bit lost.

Karan Kulkarni’s background score is novel and enhances the interest. Saurabh Goswami’s cinematography is neat and satisfactory. Dhara Jain’s production design is straight out of life and highly convincing. Shivkumar Panicker’s editing should have been slicker. Rick Roy’s costumes are very authentic, especially the sarees worn by Vidya Balan.

On the whole, TUMHARI SULU is a lovely, endearing tale though the long length and the slow pace of the film might play spoilsport.

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EMESCO Vijaya Kumar About Yaddanapudi Sulochana Rani || Popular Writer |...

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