#Subhalakshmi

[umaraheja]

Premier Hotels in Sivaganga for a Memorable Stay

Among the top hotels in Sivaganga, Hotel Subhalakshmi Palace offers modern amenities, spacious rooms, and fine dining. Its strategic location makes it perfect for both business and leisure travelers seeking comfort and convenience.

[rcedutalent]

Entrepreneurial Journey Ms. Subhalakshmi Srikanth: Founder and CEO of “Velocida Private Limited”

Ms. Subhalakshmi Srikanth is the Founder and CEO of “Velocida Private Limited”. From leading HR in IT giants to empowering businesses through Velocida, her 25-year journey has been fueled by a passion for building thriving workplaces.

[muthtamilnews-blog]

தமிழகத்தில் முதல் முறை; முழுமையான முழங்கால் மாற்று அறுவை சிகிச்சையைச் செய்து அப்பல்லோ மருத்துவமனை சாதனை | First time in Tamil Nadu; Apollo Hospital record for performing complete knee replacement surgery

தமிழகத்தில் முதல் முறை; முழுமையான முழங்கால் மாற்று அறுவை சிகிச்சையைச் செய்து அப்பல்லோ மருத்துவமனை சாதனை | First time in Tamil Nadu; Apollo Hospital record for performing complete knee replacement surgery

தமிழ்நாட்டில் முதல் முறையாக விரைவில் பூரண குணமடையும் முழுமையான முழங்கால் மாற்று சிகிச்சையான ‘ஃபாஸ்ட் ட்ராக் ஃபுல் நீ ரீப்ளேஸ்மென்ட்’ அறுவை சிகிச்சையை வெற்றிகரமாகச் செய்து அப்பல்லோ மருத்துவமனை சாதனை படைத்துள்ளது. இதுகுறித்து அப்பல்லோ மருத்துவமனைகள் குழு இன்று வெளியிட்ட செய்திக்குறிப்பு: ”மும்பையைச் சேர்ந்த சுபலக்‌ஷ்மி என்ற 66 வயதான பெண்ணிற்கு முழங்காலில் கடுமையான வலி ஏற்பட்டது. அடுத்த சில…

[cureselecthealthcare]

Women have revolutionized and contributed to every industry and movement in history whether we take the examples of Marie Curie in science , Julia Roberts in film, Rosa Parks for civil rights, Sarojini Naidu for literature and song , MS Subhalakshmi in music, Savitri Bhai Phule in reform movements or Rani Jhansi in the freedom movement our lives have been shaped by millions of women starting from our very own mothers. We at CureSelect take this opportunity to pay homage to the brave, the bold, the brilliant women who have been and will continue to innovate and lead the world to a brighter future.

https://www.instagram.com/cureselecthealth/

[mensrightsff]

Reminder that this happened. 😃 https://t.co/gN8BQp5QNA

— Ananth Krishna Subhalakshmy (@Ananth_Krishna_) Aug 28, 2021

[tunespot]

Mist of Capricorn

Now In my history with music there has to be times where I hear one song and.. and fall in love with it so much so that I forget there is something I can hear or listen outside my headphones.. but then there is this song... Finding out this song was a bit of a High Road and listening to such a rendition of this beauty is probably not how you should be introduced to Carnatic songs but this is how it started. The song Mist of Capricorn. It starts with a smooth guitars riffs with a fine tunes from the keys.. and it escalates....

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Manavyalakinchiradate...

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Manavyalakinchiradate..

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Manavyalakinchiradateeee

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A line of beauty and I was kicked back aghast to a vocal and a opera of the clique...

The song took me to a place of godly existence with light shimmering all over the place.. the beautiful sky up above the sun so bright.. birds chirping away in this magnanimous orchestra of sounds the sweet smell of petrichor you lock away yourself from the chaos

When we dance in the light, All that is real, And all that is mine is right, It's a beautiful dream, A beautiful world, with that refrain

The complete discourse enters my head and I can't forget it.. Hearing and feeling those lines of the saint is a experience I won't forget the mad rush of Dopamine that my brain like Thor belting out on Hulk.. The song is where paradise is for me..

The Song was written probably the one from the Holy Trifecta of the  guild of Carnatic Music Shree Tyagaraja. The Minstrel calls to the mind  trying to explain the existence and appealing it to listen to all it has to say. The world that is falling due the deeds of the soul and the worldly existence the God himself has embodied himself in the mortal and asking it to listen to the Minstrel as he says.. The song has many beautiful renditions with likes of KJ Yesudas, Chembai,MS Subhalakshmi. But these are the only people to whom I have listened to so there is still time for me to dwell inside this masterpiece of Tunes.. Also I don't have much truck with Carnatic Music so if in anyone feels that what I have written is blatant then I'm sorry. But I couldn't go without writing about the song.. and It's all what I feel and and understand through the tunes.

[castillofab-blog]

Avisha Subhalakshmi Soft Silk Sarees Collection Part 2 Wholesale Sarees Dealer

Price Per Piece :- ₹649 + ₹32 (GST 5%)Minimum Order :- 6 PcsFull Set Price :-₹3,894 + ₹195 (GST 5%)Fabric :- Hand Loom Cotton Soft SilkBlouse :- Hand Loom Cotton Soft Silk

[jobsgamacom-blog]

Subhalakshmi Computers & Mobile Accessories in Chennai, Computer Sales and Services

Subhalakshmi Computers & Mobile Accessories in Chennai, Computer Sales and Services

Adrress , Mount Road, Chennai-600002. Contact Person lA Phone/Mobile Numbers 9677048427 Location Mount Road City Chennai Email Id Lalith_jain1987@yahoo.co.in Website Working Hours Mon – Sat 9.00am to 6.00pm Keywords: Computer Sales and Services Enquire Subhalakshmi Computers & Mobile Accessoriesusing below form: The Business-Organization Subhalakshmi Computers & Mobile Accessories presents at ,…

[todaybharatnews]

via Today Bharat Mari Selvaraj-Dhanush's 'Karnan' is the latest attempt to tell the story of the tragic hero on screen. The tragic figure of Karnan, one of the best known characters from the Indian epic Mahabharata, has inspired many songs, books and films. The eldest of the Pandavas but denied his place in the family, born to the same mother but shunned due to the social location of his adoptive parents, the injustice meted out to Karnan would move the coldest of hearts even if he fought on the 'wrong' side. On Tuesday, director Mari Selvaraj released the poster and making video of his upcoming film Karnan with Dhanush in the lead. There's not much known about the film at this stage but it's likely to be a retelling of the story, set in contemporary times. The poster shows a sword upheld by several hands, the image speaking of resistance, while the video has a silhouette of Dhanush raising the sword as the skies turn red. The sun is shown shining through the clouds as Karnan (Dhanush) raises the sword. In the Mahabharata, Karnan is born to Kunti, the daughter of Shurasena, a Yadava chief, and the sun god, Surya. After Kunti receives a boon from sage Durvasa, which enables her to beget a child from any god of her choice, she excitedly invokes it and becomes pregnant through Surya. It's only then that she realises that as an unmarried woman, she will face social ostracism. Kunti therefore abandons the baby - Karnan - who is born with kavacha (armour) and kundala (earrings). She sets him afloat in the Ganges in a basket. Karnan is found and adopted by Radha and Adhiratha, who belong to a caste group for whom the traditional occupation is charioteering. While Karnan's loyalty to Kaurava prince Duryodhanan and their friendship has been traditionally celebrated, later readings of the epic have focused on how he was insulted for his caste and denied opportunities. Like Ekalavya from the same epic, Karnan's story too has found resonance in historically-oppressed caste groups. Sivaji's Karnan Sivaji Ganesan played many memorable roles in his career, but his portrayal of Karnan is widely regarded to be one of his finest. The 1964 mythological film told the Mahabharata from Karnan's perspective, and starred many other stalwarts like NT Rama Rao, Savitri and Muthuraman. The film, produced and directed by BR Panthulu, is closely modelled on episodes from the Mahabharata but makes Karnan the hero of the narrative. He's portrayed as a generous man who does not hesitate to give all that is asked of him and more. The film begins with a distressed Kunti setting baby Karnan afloat in the river. He soon grows up to become warrior Karnan, who challenges Arjunan's (Muthuraman) archery skills. But though he's the famed archery teacher Dronacharya's student too, Karnan is questioned by the gurus, who declare that his 'low birth' means he cannot participate on an equal footing with Arjunan, who is of royal birth (Arjunan, in fact, is born to Kunti and Indra, the lord of the heavens). Duryodhanan (Ashokan) comes to his rescue (in the film, it's because he senses an opportunity to bring his cousins, the Pandavas, down by a notch) and laughs at the logic offered by the gurus. He also makes Karnan the king of Anga, to make him an "equal" to Arjunan, but the assembly is dissolved. While the 1964 film does question casteism and privilege ordained by birth to a certain extent, it is a straightforward retelling of the epic which does not indulge in subversions. For instance, the episode in which an angry Parasuramar finds out that Karnan is not a Brahmin but a Kshatriya because he's able to bear pain and tolerate the sight of blood, is presented as such. The narrative does not question the casteist notions within it. However, there is an interesting little story that's woven into the script. In Karnan's new court, a young boy who has set fire to a patashala (school) rushes in, chased by guards. When Karnan asks him why he did so, the boy reveals that because he's an orphan who does not know who his parents are, people were not willing to accept him in school. "It is wrong for a lowborn to study with those higher than him, it is a sin, get out, they say," the boy tells Karnan. "I did not want this injustice happening in your reign and that's why I burnt the school. Is that a crime?" he further asks. Karnan hails the boy and even apologises to him, taking him along to get him admitted to a school. He also says that it is his duty as the ruler to ensure the welfare of children like him. The episode not only fits with the caste discrimination apparent in the society described by the epic, it would have also been relevant to the audience watching the film at the time. In 1967, the anti-caste and pro-social justice Dravidian movement in the state would go on to form the government for the first time. While the screenplay of the film was written by AS Nagarajan, the dialogues were by Sakthi TK Krishnasamy. The latter, a Gandhian and a playwright, had earlier given Tamil cinema Veerapandiya Kattabomman, and was hailed for his literary flair by Dravidian leaders like Annadurai as well as Karunanidhi. Rajinikanth's Karnan In 1991 came a modern take on the Mahabharata which also had Karnan as the hero. Directed by Mani Ratnam, Karnan was played by none other than superstar Rajinikanth. Named Surya, Karnan here is abandoned by a 14-year-old girl, Kalyani. She gives birth to him and puts him in a goods train. He eventually becomes the henchman of Devaraj (Duryodhanan, played by Mammootty), a don. Shobana plays Draupathi, the wife of the Pandavas - here, she's recast as Subhalakshmi, a Brahmin woman who falls in love with the fiery Surya. Some versions of the Mahabharata have Draupathi stopping Karnan from participating in her swayamvar because he's "lowborn." In some others, she recognises that all the qualities that she wanted in a man are present in Karnan but she cannot marry him because of his social status. In Thalapathi, Subhalakshmi is equal parts drawn towards and repelled by Surya's violent streak. Subhalakshmi's father, a staunch Brahmin, insults Surya because of his origins and Subhalakshmi gives in to the pressure to wed another. She ends up marrying Arjun (Arvind Swamy), the Collector who is determined to put an end to the Devaraj-Surya reign. And Arjun is none other than the son of Surya's mother, Kalyani (Srividya). The question of caste does come up but mainly in the context of marriage; the systemic injustice that is part of the Mahabharata as well as Karnan does not receive much attention in this retelling. The film primarily revolves around three relationships - Surya's friendship with Devaraj, his love for Subhalakshmi but above all, his quest to know his mother. What troubles him the most is why he was abandoned at birth. While the Sivaji film was a mostly faithful adaptation of the epic and ends with Karnan's death, Thalapathi has him reuniting with his mother. In both films, Karnan's sacrifices are glorified as a mark of the hero's generosity although he is constantly subjected to humiliation. Dhanush's Karnan It will be interesting to see Dhanush playing the role of Karnan that Mari Selvaraj has visualised. The director's last film, Pariyerum Perumal, was about a Dalit law student who falls in love with a savarna woman and the violence that this unleashes in his life. Mari Selvaraj is among the new breed of Tamil directors who are vocal about casteism and are invested in changing how stories about the oppressed are told on screen. Dhanush, meanwhile, delivered one of the biggest hits in his career with Vetrimaaran's Asuran, in which he played a Dalit man fighting for justice for his family. From what we have seen so far, Mari Selvaraj's Karnan is likely to be based on the epic but set in contemporary times and in a backdrop that is immediately relevant. In an interview with Vikatan, Mari Selvaraj clarified that the film was not based on 1995 caste riots in Kodiyankulam. “Filmmakers are not required to repeat past real-life incidents, magazines and newspapers are more than enough. Karnan will talk about people from a humble background. It is a fictional film based on stories I have heard in my life. But unlike Pariyerum Perumal, here my protagonist doesn’t shy away from injustice because his upbringing is different. Karnan was supposed to be my first film, but director Ram sir told me that I have to prove myself first to narrate this script to a big star. After Pariyerum Perumal, I got a call from Dhanush sir, and Karnan happened,” he said. "Unlike the mythological Karnan, my protagonist will fight and get back his right," he further added. Perhaps the pain in Karnan's voice, so far romanticised, will finally echo in our ears as the wake-up call that it ought to be.

[marymosley]

Cyril Amarchand Mangaldas advises Adani Ports and Special Economic Zone (APSEZ) in acquisition of 75% stake in Krishnapatanam Port

Cyril Amarchand Mangaldas  acted as the legal counsel to Adani Ports and Special Economic Zone Limited (APSEZ) in the acquisition of 75% stake in Krishnapatanam Port Company Limited (Krishnapatanam Port) from the promoter family members and other shareholders for an enterprise value of INR 13,572 crores (USD1.89 billion). Krishnapatnam Port is located in southern Andhra Pradesh, and is the second-largest private sector port in India with multi-cargo facility.

This would be the largest acquisition in the port sector in India. This acquisition will add about 64 million metric tonnes (MMT) of annual cargo-handling capacity to APSEZ, increasing its market share by 5 percentage points to 27%. With the acquisition of Krishnapatnam Port, APSEZ has strengthened its position on the east coast of India as it is operating Ennore and Kattupalli (Tamil Nadu), Vizag (Andhra Pradesh), and Dhamra (Odisha) ports and terminals, and will have 12 ports and terminals across the country.

The General Corporate, Projects & Financing, Disputes Resolution, Competition Law, Cyril Amarchand Mangaldas advised APSEZ on the Transaction. This transaction was signed on January 3, 2020, with the transaction team being led by Cyril Shroff, Managing Partner; L Viswanathan, Partner; Ravi Kumar, Partner; Paridhi Adani, Partner; and Subhalakshmi Naskar, Partner; with support from Saurabh Sharma, Senior Associate; Prashant Bakhru, Senior Associate; Devanshi Dalal, Associate; Rual Chudukattil, Associate; Bhakti Madan, Associate; and Naimi Kamdar, Associate.

Subhalakshmi Naskar, Partner; with support from Anand Deshpande, Associate; Kabir Manchanda, Associate; Isha Choudhary, Associate; and Aditi Gupta, Associate; provided assistance on Projects and Financing related aspects of the Transaction.

Ankoosh Mehta, Partner; with support from Maitrayi Jain, Associate; provided assistance on Disputes related aspects of the Transaction.

Avaantika Kakkar, Partner; and Anshuman Sakle, Partner; with support from Kaustav Kundu, Principal Associate; Ruchi Verma, Associate; Sree Ramya Hari, Associate; and Siddhant K, Associate, provided assistance on competition law related aspects of the Transaction.

Special inputs on certain aspects of the Transaction were provided by Bharat Vasani, Partner; and Gauri Rasgotra, Partner (Deputy Head – Delhi) with support from Sumit Attri, Director – Disputes; Vikash Kumar Jha, Principal Associate; Nikitha Shenoy, Associate; and Siddhant Sharma, Associate.

The Due Diligence Team was led by Ravi Kumar, Partner; Ankoosh Mehta, Partner; Subhalakshmi Naskar, Partner; and Paridhi Adani, Partner; with support from Saurabh Sharma, Senior Associate; Prashant Bakhru, Senior Associate; Anand Deshpande, Associate; Kabir Manchanda, Associate; Devanshi Dalal, Associate; Aditi Gupta, Associate; Isha Choudhary, Associate; Rual Chudukattil, Associate; Bhakti Madan, Associate; Simran Aggarwal, Associate; and Rohan Jhaveri, Associate.

Manik Makwana, Senior Executive – Corporate Secretarial Services; Rasika Bharadkar, Executive – Corporate Secretarial Services; Charmi Sanghvi, Executive – Corporate Secretarial Services; and Mihir Sangani, Executive – Corporate Secretarial Services; assisted with the ROC Searches.

Other parties and advisors involved in the transaction included SBI Capital Markets who acted as the advisors to the Sellers.

The Transaction was signed on January 3, 2020 and is expected to close by April 30, 2020, subject to receipt of requisite regulatory approvals.

The post Cyril Amarchand Mangaldas advises Adani Ports and Special Economic Zone (APSEZ) in acquisition of 75% stake in Krishnapatanam Port appeared first on Legal Desire.

Cyril Amarchand Mangaldas advises Adani Ports and Special Economic Zone (APSEZ) in acquisition of 75% stake in Krishnapatanam Port published first on https://immigrationlawyerto.tumblr.com/

[cakandivali]

Auditors to face the music for IL&FS mess

Latest Updates - CA Mitesh MUMBAI: The NCLT has given a go-ahead to government to prosecute Deloitte and BSR Associates for their failure to detect and report the scams that took place across the now bankrupt IL&FS group and 21 other entities, when they were the auditors of IL&FS Financial Services.The NCLT in an order posted on its website on Thursday said the corporate affairs ministry can go ahead with prosecution based on the findings of the probe conducted by the Serious Fraud Investigation Office (SFIO).But the posting does not mention its views on the government demand to ban these two auditors for five years from business, though.The tribunal also allowed to the government plea to implead Udayan Sen, a partners of Deloitte, and BSR Associates partners Kalpesh Mehta and Sampath Ganesh.Both these auditing companies any longer work with the group of the company, though.The tribunal allowed prosecution of C Sivasankaran and his group as the probe has revealed that management of IFIN abused their position by giving loans to the Siva group as some group companies failed to repay the earlier loans granted to them by IFIN.Investigation also revealed Sivasankaran had personal relationship with Ravi Parthsarthy and Hari Sankran, the former chairman and the former vice-chairman of IL&FS Group.Further, the tribunal also asked the corporate affairs ministry to implead Surinder Singh Kohli and Subhalakshmi Panse who were independent directors of IFIN and were part of the audit committee, but asked the government not to prosecute them the SFIO probe did not name them."Therefore, their prosecution is not justified at this stage but both Kohil and Panse, can be impleded as they were independent directors and were thus part of the audit committee," the tribunal said.According to the SFIO complaint it was alleged that the auditors were aware that IFIN was lending to defaulting borrowers through group companies hence suppressing its non- performing assets and not provide for the bad debt.Moreover, SFIO report said, auditors failed to verify the end-use of bank loans and money raised via NCDs despite it being a regulatory mandate for verifying such things.The SFIO report has found that the audit committee members colluded with the management and overlooked many impairment indicators in contravention of the accounting standards and principles of prudence.In case of Panse and Kohli, the investigations revealed they were aware of the NPAs of the company and also knew that loans were being granted to group companies of existing defaulting borrowers in order to prevent them being classified as NPA. Chartered Accountant For consultng. Contact Us: http://bit.ly/bombay-ca

[buzz-london]

A child prodigy, Akkarai Subhalakshmi hails from a musical family; her grandfather Suchindram Shri S P Sivasubramanian was a prolific musician and composer, and her grandmother Smt R Sornambal a harikatha exponent and music teacher. Subhalakshmi is the disciple of her father, Akkarai Shri S Swamynathan, a veteran violinist and founder of the Swara Raga Sudha school of music, and his intensive training enabled her to debut as a performing violinist and vocalist at the age of eight. She also trained under Shri V Janakiraman, Shri O V Subramanian and his daughter Smt Padma Natesan of New Delhi, and later on, Padmabhushan Shri P S Narayanaswamy and particularly Chitravina Shri N Ravikiran, who had her in many of his concerts and provided her with valuable musical guidance and experience.

One of the leading Carnatic violinists today, Subhalakshmi’s playing is characterized by a rich tone and artful bowing, as well as sensitive and precise fingering, capable of reproducing the finest nuances of the human voice. Thus, she has developed a style of her own, featuring the richness of Indian vocal music, combined with the versatility of the violin. As an accompanist, she has played for many legendary artistes, such as Dr M Balamuralikrishna, Chitravina N Ravikiran, T V Gopalakrishnan, Dr N Ramani, and R K Srikanthan, and has become known for her unique acumen in blending seamlessly with the music, while enlivening and enhancing it skillfully.

[cinemathagaval-blog]

Jyothika's first reply to Nachiyaar criticism!

Jyothika’s first reply to Nachiyaar criticism!

By subhalakshmi [ November 30, 2017 ] Jyothika was spotted in Nivin Pauly’s shooting spot recently along with her husband Suriya and the duo had a great time with the unit. Yesterday, Jyothika visited alone for the store launch of Amortela along with Dulquer Salman, Vikram Prabhu and Prabhu. Bindu Madhavi was also present at the event. After inaugurating the store, Jyothika shared a few words…

[sofascouch-blog]

Beautiful Decoration

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5 Easy Paper Decorations | Ganpanti Decoration Ideas | Ganesh Chaturthi Special   

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[firozdinjuma]

The youngest son of sarod player : Hafiz Ali Khan, Amjad Ali Khan has continued to expand on his father's legacy. Performing as a soloist and in collaboration with the Hong Kong Philharmonic Orchestra, Charlie Byrd, Igor Frolav, Glenda Simpson, and Barry Mason, Khan has brought a global view to the sarod, a 25-stringed, violin-like, Indian instrument. While The Gulf Weekly claimed, "(Khan) is in a class by himself, born with rhythm in his soul and fingers," The Lincoln Journal Star wrote, "(Khan is) famous for his elegant style and technique. After a lifetime of work on the instrument, he has breathed a new life to an ancient form." In a review of a concert by Khan, The New York Times proclaimed, "(Khan) casts a kind of charm on audiences, sending out ripples of excitement." Tracing his family's roots to Mian Tansen, a 16th-century musician in the court of the Emperor Khan, Khan began playing the sarod at the age of ten. With his father as his guru, under the strict discipline of Guru Shisya Parampara, he advanced quickly. Performing his first concert at the age of 12, he was a nationally known celebrity in India within three years. Khan's wife, Subhalakshmi, a well-known Indian classical dancer, retired from performing following their marriage. In addition to recording many award-winning albums, including Raga Bhairav, which ranked among the Top 50 classical albums of 1995 by BBC Magazine, Khan has been featured in several documentary videos including the Canadian-produced Amjat Ali Khan in 1971, and Live Concert In Tokyo in 1989. 

Source: https://itunes.apple.com/us/artist/ustad-amjad-ali-khan/id19098307

Album: https://itunes.apple.com/us/album/sarod-euphony-ustad-amjad-ali-khan/id1218423595