#St. Anthony school franchise

[mlmshipbracket]

Fourth MLM Ship Bracket Propaganda Submissions

Below you will find all of the submitted and approved ships for the Fourth MLM Ship Bracket Tournament along with the form to submit further propaganda at the bottom

This is another opportunity to submit propaganda for your favorite ships. Wether you were unable to submit propaganda for them in the initial form or you spot your favorite ship who has no propaganda submitted. Ships with a strikethrough have propaganda submitted, I will continue to update this post as propaganda is submitted. I will accept further propaganda for ships with already submitted propaganda but please prioritize those with out.

The goal is to have propaganda for all ships but I understand that may not be possible. Therefore I will be leaving the form open for a few weeks to see if we receive propaganda for at least half the ships.

Note: Please reach out to me if you spot any mistakes in character or fandom names, even if it is only formatting or spelling issues.

Monkey D. Luffy/Roronoa Zoro (One Piece)

Kyojuro Rengoku/Akaza (Demon Slayer)

Mikhail”Misha” [Heavy]/Dr. Ludwig [Medic] (Team Fortress 2)

Dave Strider/Karkat Vantas (Homestuck)

Chu Shuzhi/Guo Changcheng (Guardian, 2018)

Oliver Marks/James Farrow (If We Were Villains)

David Starsky/Kenneth "Hutch" Hutchinson (Starsky & Hutch)

Tinn/Gun (My School President)

Loki Odinson/Mobius M. Mobius (Loki)

Jaime Reyes/Bart Allen (DC Comics)

Levi Schmitt/Nico Kim (Grey's Anatomy)

Ren Amamiya or Akira Kurusu/Goro Akechi (Persona 5)

Wallace Price/ Hugo Freeman (Under the Whispering Door)

Daffy Duck/Bugs Bunny (Looney Toons)

Shen Wei/Zhao Yunlan (Guardian, 2018)

Isak Valtersen/Even Bech Næsheim (SKAM)

Henry "Monty" Montague/Percy Newton (Montague Siblings)

Nico di Angelo/Will Solace (Camp Half-Blood Chronicles)

Argos/Mr. Plant (The World of Mr. Plant)

Richard St Vier/Alec Campion (Swordspoint Universe)

Klaus Hargreeves/Dave Katz (The Umbrella Academy)

Woody/Buzz Lightyear (Toy Story)

Victor Lawson/Hap (In the Lives of Puppets

Charlie/Babe (Pit Babe The Series)

Fred/Shaggy (Scooby-Doo)

Simon Snow/Tyrannus Basilton "Baz" Grimm-Pitch (Carry On)

Gaius Octavius/Jedediah Smith (Night at the Museum)

Sound/Win (My School President)

Pat/Pran (Bad Buddy)

Mike Wazowski/James "Sulley" P. Sullivan (Monsters, Inc.)

Nicholas “Nick” Bell/ Seth Gray (The Extraordinaries)

Evan 'Buck' Buckley/Edmundo 'Eddie' Diaz (9-1-1)

Sean/White (Not Me: The Series)

Vegas Theerapanyakun/Pete Saengtham (Kinnporsche: The Series)

Runaan/Ethari (The Dragon Prince)

Larry Daley/Ahkmenrah (Night at the Museum)

Tintin/Captain Archibald Haddock (Tintin comics)

Bai Lang/Jin Xun An (My Tooth Your Love)

Napoleon Solo/Illya Kuryakin (The Man from U.N.C.L.E)

Wario/Waluigi (Mario franchise)

Peter Parker/Miguel O'Hará (Spider-Man: Across the Spider-Verse)

Steve Rogers/Anthony "Tony" Stark (Marvel Comics)

Dave Miller/Jack "Old sport" Kennedy (Dayshift at Freddy's)

Boston/Nick (Only Friends)

Kinn Theerapanyakun/Porsche Kittisawasd (Kinnporsche: The Series)

Satoru Gojo/Suguru Geto (Jujutsu Kaisen)

Craig Cuttlefish/Octavio Takowasa (Splatoon)

Tulio/Miguel (The Road to El Dorado)

Sun Wukong/Neptune Vasilias (RWBY)

Zachary Ezra Rawlins/Dorian (The Starless Sea)

Fox Mulder/Alex Krycek (The X-Files)

Thomas/Newt (The Maze Runner)

Fulgrim/Ferrus Manus (Warhammer 40k)

Kim Theerapanyakun/Porchay Kittisawasd (Kinnporsche: The Series)

Alec Lightwood/Magnus Bane (The Mortal Instruments)

Tan/Bun (Manner of Death)

Qrow Branwen/Clover Ebi (RWBY)

Rhy Maresh/Alucard Emery (Shades of Magic)

Yashiro Isana/Kuroh Yatogami (K Project)

Jaskier/Geralt of Rivia (The Witcher)

Dustfinger/Mortimer "Mo" Folchart (Inkworld series)

Brandon/Sky (Winx Club)

Phineas Taylor “P. T.” Barnum/Phillip Carlyle (The Greatest Showman)

Alfred Hillinghead/Henry Ashe (Bodies TV Show)

Baal/Inanna (The Wicked + the Divine)

Timothy "Tim" Drake/Bernard Dowd (DC Comics)

Vash the Stampede/Nicholas D. Wolfwood (Trigun Stampede)

Anthony Lockwood/Quill Kipps (Lockwood and Co)

Henry Winter/Francis Abernathy (The Secret History)

Crowley/Aziraphale (Good Omens)

Dainix/Falst (Aurora Comic)

Prince Rupert/Prince Amir (The Two Princes)

Finn/Poe Dameron (Star Wars)

Jean Luc Picard/Q (Star Trek: The Next Generation)

Will Stronghold/Warren Peace (Sky High)

Heart/Li Ming (Moonlight Chicken)

Wallace Wells/Todd Ingram (Scott Pilgrim Takes Off)

Sunai/Veyadi Lut (The Archive Undying)

Linus Baker/Arthur Parnassus (The House in the Cerulean Sea)

Aaron Slaughter/Jace Boucher (House of Slaughter)

Hercule Poirot/Captain Arthur Hastings (Hercule Poirot)

Phaya/Tharn (The Sign)

Hercules/Iolaus (Hercules: The Legendary Journeys)

Todd/Black (Not Me: The Series)

Julio "Rictor" Esteban Richter/Shatterstar (Marvel Comics)

Wen Kexing/Zhou Zishu (Word of Honor)

Siffrin/Isabeau (In Stars and time)

Kendall Knight/Logan Mitchell (Big Time Rush TV Show)

Yuichiro Hiyakuya/Mikaela Hyakuya (Owari no Seraph/Seraph of the End)

Palm/Nuengdiao (Never Let Me Go)

Khatha/Dome (Midnight Museum)

Asterix/Obelix (Asterix Comics)

Bowser/Luigi (Mario Franchise)

Lucien "Luc" O'Donnell/Oliver Blackwood (London Calling)

Kazuki Kurusu/Rei Suwa (Buddy Daddies)

Benjamin “Ben” Tennyson/Kevin Ethan Levin (Ben 10: Alien Force)

Lumière/Cogsworth (Beauty and the Beast)

Damian Wayne/Jon Kent (DC Comics)

Spy/Dell Conagher [Engineer] (Team Fortress 2)

Shanks/Buggy (One Piece)

Jesper Fahey/Wylan Van Ecks (Six of Crows)

Harold Finch/John Reese (Person of Interest)

Ulrich Stern/Odd Della Robbia (Code Lyoko)

Vincent Freeman/Jerome Morrow (Gattaca)

Eustass Kid/Killer (One Piece)

Christopher Hitchcock/Jalil Sherman (Everworld)

Frodo Baggins/Samwise Gamgee (Lord of the Rings)

Edgin Darvis/Xenk Yendar (Dungeons & Dragons: Honor Among Thieves)

[theultimatefan]

FAN EXPO New Orleans Adds Seven ‘Back To The Future’ Guests For Franchise’s Largest Reunion Ever

Do you see what happens to slackers? Back to the Future fans know all too well, and today FAN EXPO New Orleans added James Tolkan, who as “Mr. Strickland” in the original 1985 film and sequel and his ancestor in BTTF III made the term famous, Claudia Wells (“Jennifer Parker”), Jeffrey Weissman (“George McFly”), Donald Fullilove (“Goldey Wilson”), Harry Waters Jr. (“Marvin Berry”), Frances Lee McCain (“Stella Baines”) and Charlie Croughwell (Michael J. Fox’s stunt double) to the BTTF reunion, January 10-12 at the Ernest N. Morial Convention Center. Alongside headliners Michael J. Fox, Christopher Lloyd, Lea Thompson and Tom Wilson, the celebration of the 40th anniversary of the first installment in the franchise is the biggest reunion ever of the trilogy’s stars.

Tolkan has appeared in more than 80 films and television shows, playing memorable characters in WarGames, Top Gun, Masters of the Universe and many others. He portrayed “Mr. Strickland” in BTTF and BTTF II, and his grandfather “Marshal James Strickland” a hundred years earlier in III. Wells had numerous spots on TV series and TV movies before gaining wide notice as Marty McFly’s girlfriend in the original film. She had regular runs on comedies “Fast Times” and “Off the Rack” among her 30 credits.

Weissman was cast in both BTTF sequels as Marty’s father “George” as part of an extensive resume that includes more than 80 films and series that spans six decades.

Fullilove has taken turns as a live actor and voice actor ever since portraying Michael Jackson in the animated series “Jackson 5ive” in 1971. He played “Goldie Wilson,” later “Mayor Goldie Wilson” and has appeared in such notable series as “The Fall Guy,” “Hill Street Blues,” “21 Jump Street” and “American Dad.”

Waters Jr. had guest appearances on hits like “Laverne & Shirley” and “Cagney & Lacey” before making his mark as the lead singer “Marvin Berry” at the pivotal “Enchantment Under the Sea” dance in the original. He was a cast member of the 1992 Disney show “Adventures in Wonderland” and is a Faculty Emeritus at Macalester (Minn.) College in the Theater and Dance department.

McCain has had roles in several blockbusters, notably Gremlins, Footloose and Stand By Me as well as appearances on hit shows like “Three’s Company,” “St. Elsewhere,” “Better Call Saul” and 80+ others, spanning more than 50 years. Her portrayal of “Stella Baines,” Marty’s grandmother-to-be in the 1955 scenes in the original BTTF earned laughs and later references to jailed “Uncle Joey.”

Croughwell has performed stunt work in nearly 150 productions, including all three BTTF films, and blockbusters like Who Framed Roger Rabbit, Masters of the Universe, The Sandlot and others. He has done Michael J. Fox’s stunt work on other films, including Light of Day, The Secret of My Success, The Hard Way, Casualties of War and others.

In addition to the BTTF reunion, FAN EXPO New Orleans will feature the “Smallville” trio of Tom Welling, Michael Rosenbaum and Kristin Kreuk; plus "Firefly” standout Alan Tudyk, original Star Wars standout Anthony Daniels, “Superman & Lois” headliners Tyler Hoechlin and Bitsie Tulloch, “The Mandalorian” star Giancarlo Esposito, “Doctor Who” Thirteenth Doctor Jodie Whittaker and “Buffy the Vampire Slayer” star James Marsters, “Resident Alien” standouts Alice Wetterlund and Sara Tomko and teen romance “High School Musical” regulars Corbin Bleu and Lucas Grabeel).

FAN EXPO New Orleans features the biggest and best in pop culture: movies, TV, music, artists, writers, exhibitors, cosplay, with three full days of themed programming to satisfy every fandom.

New Orleans is the first event on the 2025 FAN EXPO HQ calendar; the full schedule is available at fanexpohq.com/home/events/.

[hbhughes]

Eugene P. Gabor

Eugene P. Gabor, of Forty Fort, passed away Friday, April 12th, at Wilkes-Barre General Hospital, surrounded by his family.

Born in Nanticoke on October 25, 1949, he was the son of the late Stephen and Loretta Gabor.

Gene graduated from St. Mary’s – St. Nick's High School and Luzerne County Community College. He served with the 402nd Military Police division, Wilkes-Barre. Later, he began working with his father in the automobile industry, doing business as Gabe’s Motors, on Lower Broadway, Nanticoke, until the Agnes Flood of 1972. They rebuilt the dealership on the Sans Souci Highway and remained in business until selling the Dodge Franchise in 2006. He continued his love of cars by opening a used car lot in Larksville for a few years before retiring.

Gene was not a man to sit at home. He loved talking to customers and remained active working first at Fine Wine & Good Spirits, South Main Street, Wilkes-Barre, and then part time at Market 32, Edwardsville.

Surviving are his wife of 53 years, Joyce, daughters, Michelle (John) Olinyk, Dalton; Kimberly (Rob) Piorkowski, Kingston; Kristen (Joe) Alonzo, Easton; two grandsons and his best buddies, Anthony and Jayson Alonzo, who adored him as their Papa.

Family and friends are asked to call on Thursday, April 18th from 10 to 10:30 AM at St. Elizabeth Ann Seton Parish, 116 Hughes St., Swoyersville, PA 18704.

A Mass of Christian Burial will be held at 10:30 AM on Thursday, April 18th at St. Elizabeth Ann Seton Parish.

In lieu of flowers, memorial donations may be made in his name to St. Jude Children’s Research Hospital, PO Box 50, Memphis, TN 38101-9929.

Arrangements entrust to Hugh B. Hughes & Son, Inc., Funeral Home, 1044 Wyoming Avenue, Forty Fort.

[schoolfranchise001]

Schools franchise can give you immense opportunities in a school franchise business with CBSE and ICSE Education, High Schools across the whole India.

[blackkudos]

Tony Dorsett

Anthony Drew Dorsett (born April 7, 1954) is a former American football running back who played professionally in the National Football League (NFL) for the Dallas Cowboys and Denver Broncos.

From Western Pennsylvania, Dorsett attended the nearby University of Pittsburgh, where he led the Panthers to the national title as a senior in 1976 and won the Heisman Trophy. He was the first-round draft choice of the Cowboys in 1977, the second overall selection (from Seattle). Dorsett was the NFL Offensive Rookie of the Year and played for the team for 11 seasons, through 1987. He played for Denver the following year, then retired because of injuries. He is a member of the Pro Football Hall of Fame (1994) and the College Football Hall of Fame (1994).

Early years

The son of Wes and Myrtle, Dorsett grew up in Aliquippa, Pennsylvania, northwest of Pittsburgh. He attended Hopewell High School, where he played football and basketball.

As a high school sophomore in 1970, Dorsett started at cornerback, as his coaches did not believe the 147-pound Dorsett was big enough to play running back, the position he played in junior high school. In 1971, a competition between Dorsett and sophomore Michael Kimbrough for the starting running back position ended after Dorsett took a screen pass 75 yards for a touchdown against Ambridge during the season opener.

Dorsett ended the year as an All-State selection after rushing for 1,034 yards and scoring 19 touchdowns, while leading the Vikings to a 9–1 season. He also remained a starting cornerback on the defensive side. In basketball Dorsett helped his team reach the WPIAL quarterfinals.

In 1972, Dorsett was again an All-state Selection, after setting a single game rushing record with 247 yards against Sharon, a single season rushing record with 1,238 yards and the career rushing record with 2,272 yards, while leading the Vikings to a 9–1 season. Dorsett was also a key player on the defensive side as one of the starting linebackers.

For all the ability he had, Dorsett could never lead his team to the WPIAL Class AA playoffs, because in those days the teams had to have an undefeated record. The team's only loss in 1971 came against Sharon after Dorsett suffered a concussion and played less than a quarter, and the only loss in 1972 came against Butler while playing on a muddy field.

At the end of his senior season, he played at the Big 33 Football Classic. This was the first time that his future coach Johnny Majors saw him play live.

As a tribute to him, the school retired his 33 jersey and in 2001, Hopewell's Stadium was renamed Tony Dorsett Stadium.

College career

At the University of Pittsburgh, Dorsett became the first freshman in 29 years to be named All-American (Doc Blanchard of Army was the previous one in 1944). He finished second in the nation in rushing with 1,586 yards in 11 games and led the Pittsburgh Panthers to its first winning season in 10 years. He was Pittsburgh's first All-American selection since the 1963 season, when both Paul Martha and Ernie Borghetti were named to the first team. His 1,586 rushing yards at the time was the most ever recorded by a freshman, breaking the record set by New Mexico State's Ron "Po" James record in 1968. By coincidence, James, like Dorsett, hailed from Beaver County, Pennsylvania, specifically New Brighton. Although he was known as Anthony, the school's athletic department convinced him to go by Tony, to use the marketable initials TD as in touchdown.

At the beginning of Dorsett's freshman year at Pitt, his son Anthony Dorsett was born on September 14, 1973. Later in the 1973 season, Dorsett faced some criticism when it became known that his son was born out of wedlock, with some observers contending that he should drop out of school and marry his son's mother and financially support his family. Dorsett believed that the best way to care for his son was to continue to pursue his football career, a tactic that succeeded due to his successful professional career.

Three games into his sophomore season, he became Pitt's all-time leader in career rushing yards, surpassing the old record of 1,957 yards set by Marshall Goldberg, who helped Pitt to a national championship in 1937.

Against Notre Dame in his junior year, Dorsett had 303 yards rushing to break his own school single game rushing record. As a senior in 1976, he had a total of 290 yards against Notre Dame. He darted 61 yards on his first run of the season and tacked on 120 more by the end of the 31–10 Pitt win.

As a senior in 1976, he helped lead his school to a national title, picking up the Heisman Trophy, the Maxwell Award, the Walter Camp Award for player of the year, and the United Press International (UPI) Player of the Year award along the way as he led the nation in rushing with 2,150 yards. He was a three-time first-team All-American (1973, 1975, 1976) and a second-team All-American in 1974 by UPI and Newspaper Enterprise Association (NEA). Dorsett finished his college career with 6,082 total rushing yards, then an NCAA record. This would stand as the record until it was surpassed by Ricky Williams in 1998.

Dorsett was the first Pitt player to have his jersey retired, after being a four-time 1,000-yard rusher and four-time All-American. He is considered one of the greatest running backs in college football history. In 2007, he was ranked #7 on ESPN's Top 25 Players in College Football History list. In 1994, he was inducted into the College Football Hall of Fame.

Professional career

Dallas Cowboys

Entering the 1977 NFL Draft, Dorsett wasn't seen as a sure thing, with many scouts considering that his small size would be a liability in the long term and affect his durability. He had also informed the expansion Seattle Seahawks that he didn't want to play for them.

The Dallas Cowboys selected him with the second overall choice, after trading their first pick (#14-Steve August) and three second-round choices (#30-Tom Lynch, #41-Terry Beeson, #54-Glenn Carano) to the Seahawks, in order to move up in the first round. Dorsett signed a five-year contract for a reported $1.1 million, becoming the first player in franchise history to reach this amount, although it was the second largest contract signed for a rookie, with Ricky Bell beating Dorsett with a $1.2 million contract.

From the beginning, Dorsett and head coach Tom Landry had differing opinions on how he should run the ball. Landry initially designed precise running plays, but was eventually convinced that Dorsett was a different type of running back and instructed the offensive line to block and hold their man, while Dorsett chose the running lane with his gifted vision and instincts.

In 1977, Dorsett's rookie year, he provided an instant impact, rushing for 1,007 yards (including a 206-yard rushing effort against the Philadelphia Eagles), scoring 12 touchdowns and earning rookie of the year honors. He set a new Cowboys rookie record and was also the only Cowboy to rush for more than 1,000 yards in his rookie season. He held the record for 39 years, until 2016, when Ezekiel Elliott surpassed 1,000 yards in his 9th game and broke Dorsett's record in game 10 with 1,102 yards.

He was named the starter in the tenth game of the season, and became the first player to win the college football championship, then win the Super Bowl the next year, when the Cowboys beat the Denver Broncos 27–10 in Super Bowl XII. In his second season, Dorsett recorded 1,325 yards and 9 touchdowns, with the Cowboys once again reaching the Super Bowl, although they lost 35–31 to the Pittsburgh Steelers in Super Bowl XIII.

In 1980 he had one of his best runs. With the ball on the four-yard line against the St. Louis Cardinals, the right defensive end and linebacker had penetration, while the two cornerbacks were blitzing. Dorsett suddenly pivoted on his right foot, turned 360 degrees and ran wide around the left side, beating the safety and eluding a total of five defenders for a touchdown without being touched.

His most productive season was in 1981, when he recorded 1,646 yards, breaking the Cowboys franchise record.

In 1982, his streak of 5 straight years with at least 1,000 rushing yards was interrupted by the strike-shortened season. Dallas only played 9 games, with Dorsett registering 745 yards and 5 touchdowns. In the final regular season game against the Minnesota Vikings, he set a record that can only be tied, with a 99-yard touchdown run. Derrick Henry tied his record with a 99-yard touchdown run in 2018.

Prior to the 1985 season, he held out, demanding that his contract be renegotiated. Defensive tackle Randy White had been given a larger contract by the Cowboys.

In 1986, running back Herschel Walker was signed by the Cowboys and moved to fullback, so he could share backfield duties with Dorsett, becoming the second Heisman backfield tandem in NFL history, after George Rogers and Earl Campbell were teammates on the 1984 New Orleans Saints. This move created tension, as it would limit Dorsett's playing time, and because Walker's $5 million five-year contract exceeded his $4.5 million five-year contract. Although Dorsett was slowed by ankle and knee injuries that caused him to miss 3 games, he still led the Cowboys in rushing for the 10th consecutive season with 748 yards.

In 1987, Walker complained with Cowboys management that he was being moved around between three different positions (running back, fullback, wide receiver) and that Dorsett had more carries. He took over as the team's main running back, with Dorsett playing in 12 games (6 starts) and rushing for 456 yards on 130 carries. Dorsett was not played in two games despite being healthy, which made him demand a trade.

On June 2, 1988, Dorsett was traded to the Denver Broncos in exchange for a conditional fifth-round draft choice. He left as the franchise's rushing leader (12,036 yards) and second in league history in postseason rushing yards (1,383).

Denver Broncos

The Denver Broncos acquired Dorsett because they were desperate to improve their running game. He reunited with former Cowboys offensive coordinator Dan Reeves and it was reported that at the age of 34, he could still run 40 yards in 4.3 seconds. With the retirement of Walter Payton the previous year, he was the career leader in rushing yards among active players. He also had a positive impact on the offense until being limited with injuries late in the season, appearing in 16 games (13 starts), while leading the team with 703 rushing yards and 5 rushing touchdowns.

On September 26, 1988, Dorsett moved into second place of the all-time rushing list with 12,306 yards, and would finish his career with 12,739 yards, trailing only Walter Payton. He retired after suffering torn left knee ligaments during training camp the following season.

Legacy

Dorsett rushed for 12,739 yards and 77 touchdowns in his 12-year career. Dorsett also had 13 receiving scores and even a fumble recovery for a touchdown. On January 3, 1983, during a Monday Night Football game in Minnesota, Dorsett broke a 99-yard touchdown run against the Vikings, which is the longest run from scrimmage in NFL history (Derrick Henry of the Tennessee Titans would tie this record in 2018). Dorsett broke the previous record of 97 yards, set by Andy Uram in 1939 and Bob Gage in 1949. The Cowboys only had 10 men on the field at the time, as fullback Ron Springs was unaware of the play being called. Despite the feat, the Cowboys lost the game 27–31.

Dorsett made the Pro Bowl 4 times during his career (1978, 1981–1983) and rushed for over 1,000 yards in 8 of his first 9 seasons. Of his 12 NFL seasons, he surpassed 1,000 yards eight times. During the strike-shortened, 9-game season of 1982, he led the NFC in rushing with 745 yards. He was a First-team All-Pro in 1981 and a Second-team All-Pro in 1982 and 1983.

Dorsett was elected to both the Pro Football Hall of Fame and the College Football Hall of Fame in 1994 and was enshrined in the Texas Stadium Ring of Honor the same year. In 1999, he was ranked number 53 on The Sporting News' list of the 100 Greatest Football Players. He is the first of only two players in history (along with former running back Marcus Allen) who has won the Heisman Trophy, won the Super Bowl, won the College National Championship, been enshrined in the College Hall of Fame, and been enshrined in the Pro Football Hall Of Fame.

The football stadium at Hopewell High School in Aliquippa, Pennsylvania, is named after Dorsett and a street near Heinz Field, the home stadium of the University of Pittsburgh, is named after him.

Personal life

Dorsett has four children: Anthony, Jazmyn, Madison, and Mia (with current wife Janet). His son, Anthony, also played football at the University of Pittsburgh and played defensive back in the NFL from 1996 to 2003, making Super Bowl appearances with the Tennessee Titans (Super Bowl XXXIV) and Oakland Raiders (Super Bowl XXXVII).

Dorsett hosts the Tony Dorsett Celebrity Golf Classic for McGuire Memorial. This event has raised nearly $5 million in support of McGuire Memorial's mission.

Dorsett has helped improve the health of current and former professional athletes through promoting awareness of sleep apnea across the United States. He has teamed up with prize-winning orthodontic technician David Gergen and the Pro Player Health Alliance to hold free public awareness events in local communities all over the nation. Dorsett has helped get over 150 former players successfully treated for sleep apnea.

Health issues

In November 2013, Dorsett announced he had signs of chronic traumatic encephalopathy (CTE), a brain disease found in many former football players, boxers, and hockey players. Specifically, Dorsett referred to memory loss as the major symptom affecting him in retirement.

[suburbanmetaldad]

What can I do for you?

Here, friends, is my super power:

I can create an entire book — a good one — quickly, with very little help.

You want a book with your name on it. I can make that happen.

Maybe you typed up a draft, and you’re not sure where to go next.

I can take it from here.

And anything smaller than that will be cheaper and faster.

Get on the schedule while you can.

Following are more details about me and my work.

Follow are links to different things D.X. Ferris makes & does. 

I am D.X. Ferris.

I grew up obsessed with music and reading. I went to school for writing. At the time, I thought I couldn’t create things. I didn’t know it yet, but I was wrong. I tried to quit. Writing wouldn’t let me. It kept pulling me back in. 

Once I figured out how to do what I wanted to do, I made up for lost time. Now I’ve covered a Rock & Roll Hall of Fame induction for Rolling Stone. I endured a career-ending injury. I’ve been to the Pentagon on business. I’ve written books with & about some of my iconic heroes. Communication is my business, and business is good.

I do a lot of different things. 

I am an award-winning writer, editor, manager, publisher, teacher, speaker, cartoonist, maker, co-author, ghost writer, and overall communications professional. To me, those various & sundry processes are all part of the same sphere — and here’s the common thread: Communication is the art of organizing information. That, friend, is what I do. I can do it for you. And we can make some money together.

I have written/co-written nine books. My personal record is four new books in 16 months.

I cut my teeth as a rock & roll journalist. Then I successfully transitioned to hard news. Lately, I’ve been creating motivational literature and self-help books. I write very effective press releases & promo material. I write & storyboard short videos. I’m writer for a documentary I can’t talk about yet.

I get around. I teach college. My CV includes work for dozens of publications, including Rolling Stone and Alternative Press (America’s two top rock & culture magazines). I’ve also written for leading outlets such as The A.V. Club and Decibel. I write and stage communication seminars. 

I have been to the Pentagon and National Air & Space Museum on business. I have been backstage at the Vans Warped Tour on business. My body of work includes book-length oral histories. 

I have collaborated with certified Grand Masters, civilians, and high-profile musical & Hollywood creative types. I have had Almost Famous moments on the side of the stage at European festivals. I wake up so early it hurts. I make money for my partners.

I am a 33 1/3 author. An Ohio Society of Professional Journalists Reporter of the Year. And a third-degree black belt (in Taekwondo). Also a 32° two-time WM/PM.

Let’s do some good work — and then let’s do some good with what comes from it.

Click the following links for my...

Good Professional Wrestling: Full Contact Life Lessons From the Pinnacle Performance Art The Good Advice From... series is now officially a franchise. Volume II features a foreword by Diamond Dallas Page, motivational icon, founder of health & wellness movement DDP Yoga, and WWE Hall of Famer. Professional wrestling is the toughest business. It is a form of competition built on collaboration and cooperation. Every successful wrestler has a diverse skill set that can help you get over too, no matter what your business or lifestyle. Filled with short chapters and useful advice, this browsable motivational manual features inspirational quotes from dozens of wrestling icons. Each is followed by easy-to-read analysis and actionable tips that can turn a life around.

I collaborated with Darren Paltrowitz on this one-of-a-kind positivity handbook. It breaks down the habits, skills, and strategies that your favorite superstars practice — and you can too, starting today.

Good Advice From Goodfellas: Positive Life Lessons from the Best Mob Movie It’s the last — or maybe first —  motivational manual and self-help guide you’ll ever need. 320 pages, paperback; Kindle ebook also available, cheap. At 145 short chapters, it’s the perfect airport/travel book. This unique meditation & reading finds teachable moments in all your favorite and quotes and scenes from this beloved, seminal movie. If you know what to look for, Goodfellas covers all the same evergreen topics as your favorite business podcasts and startup seminars... but it’s a lot more fun. No, seriously.

Co-author of motivational/how-to Masonic leadership manual

Co-author of parents’ motivational guide to kids’ martial arts

I am the most prominent, prolific non-marquee contributor the music-writing/music journalism textbook How to Write About Music, from the brain trust running Bloomsbury/Continuum’s 33 1/3 series. TECHNICALLY, I AM ON THE SAME LABEL AS NEIL GAIMAN. This is one of two or three books on this topic. Note to self: Write your own.

Wrote the official book with Donnie Iris and the Cruisers For my money, Donnie Iris & the Cruisers are the best-kept secret from 80s rock radio. That had not one, but seven hot 100 hits. The bandleader/songer penned an enduring disco hit. AND he worked with three Rock Hall of Fame artists. The band have a continuous near-40-year run. During this epic tale, they work with a young Trent Reznor, Kiss, Breathless, Cinderella, Sam Kinison, Gamble & Huff, the Jaggerz, Wolfman Jack, and bunch of others. The book is a painstakingly researched oral history that plays like a mix of the four-hour Tom Petty documentary, the movie That Thing You Do!, and the American Hardcore book. Coffee-table book, 464 pages, 102 images, 308 endnotes, 8.5x11″.

Wrote two books about thrash-metal icons Slayer

One is part of 33 1/3, the vanguard series of music-related writing.

One is an exhaustively researched full-length biography featuring 33 images and over 400 endnotes.

Publisher of 6623 Press, home to creator-owned, useful, reasonably priced, unconventional books about popular culture, success, and other cool stuff. People like them.

Full-service, full-contact indie publishing. I write, co-write, ghost-write, edit, and publish books. Quickly.

Do you have book in you? We’ll get it out.

Worked for Rolling Stone, the no. 1 music & culture magazine ever.

I’ve been writing for Alternative Press — America’s no. 2 music magazine — off & on since 2002. More recent pieces are here. Older material is here.

Wrote for alternative newsweekly Cleveland Scene, in various capacities, for 8 years. Won numerous awards for news reporting, business reporting, arts reporting, commentary, feature writing, personality profiling, and sports reporting. Click here for profiles, business features, columns, reviews, and more.

I think this piece about Cleveland’s LeBron James banner won me the Ohio Society of Professional Journalists’ Best Reporter award: Literally the entire city was looking at an iconic, massive piece of public art/advertising — and I was the one person who looked behind the scenes. For alt-weekly Cleveland Scene.

https://www.clevescene.com/64-and-counting/archives/2010/08/05/goodbye-lebron-banner-hello-sunshine-workers-behind-the-banner-speak

For Rolling Stone, I interviewed a band and created unofficial liner notes for a classic album:

https://www.rollingstone.com/music/music-news/they-might-be-giants-flood-track-by-track-guide-to-the-geek-chic-breakthrough-82345/

This kind of piece is a specialty. For Alternative Press, I interviewed an infamous punk musician about his friendship with the late, great Anthony Bourdain. I supplied many conversation prompts, transcribed it, then edited his answers into one continuous narrative, while I remained invisible in the piece. If it looks like I didn’t do much, then that was the entire point.

https://www.altpress.com/features/anthony-bourdain-harley-flanagan-cro-mags-tribute/

I visit a business, describe the experience, and research how a controversial industry works. For Cleveland Scene.

https://www.clevescene.com/cleveland/game-of-chance/Content?oid=2183398

While the rest of the rock-journalism world were writing SOPA stories (Summarizing Other People’s Articles) about a developing story, I dug deep, excavated some court records, and wrote an informed summary. For Metal Sucks — for my money, the best metal news & views site.

https://www.metalsucks.net/2019/06/11/how-many-more-misfits-reunion-shows-will-there-be-according-to-legal-documents-probably-just-one/

A friendly multi-person Q&A and sidebar, stitched together from three different interviews from different media. For Alt Press.

https://www.altpress.com/features/punk-goes-fearless-records-interview/

Cover story/feature profile of the president of a local university — and how his work has helped shape the city. It’s pretty whitebread and dry, but I can work in that style when I’m not writing about raging hellions. For Cleveland Magazine, the city’s upstanding guide to what’s happening and who’s doing it.

https://clevelandmagazine.com/in-the-cle/the-read/articles/city-mission

News interview with Dan Gilbert, owner of the Cavaliers and Quicken Loans. For Scene.

https://www.clevescene.com/cleveland/enhanced-interrogation-dan-gilbert/Content?oid=1678536

Excerpt from Good Advice From Goodfellas, my self-improvement book that draws positive life lessons from the greatest gangster movie:

https://6623press.tumblr.com/post/181078213342/the-new-self-helpmotivational-manual-good-help

Christmas Sevenfold: Metal Dad, Compendium Two  My second comic-strip compilation collects seven years of Christmas & fall holiday stripes, with new art, a foreword, and an essay about why the kind of guy who wrote two books about Slayer still loves Xmas. 180 pages, oversized 8.5 x 11″ paperback.

Suburban Metal Dad, Compendium One: Raging Bullshit. The first compilation book for my webcomic. It collects Years III and IV of the comic, with 172 strips, 8 previously unreleased demo strips, an updated FAQ, and a true-life, all-text real-life metal dad story (so there’s something to really read). 180 pages, oversized 8.5 x 11″ paperback.

Individual strips of Suburban Metal Dad, an online comic that has run twice weekly since 2010.

I am totally into the Misfits/Danzig/Samhain, and wrote a bunch of stuff about this record-setting continuum of ground-breaking musicians

I wrote things for Metal Sucks

Guest on heavy metal podcasts, and bloggage about it all

Guest on assorted TV and superhero-show podcasts

Guest host on rock podcast Lost Together

Annotated both versions of “Once Bitten, Twice Shy” at Genius

Random bloggage about stuff that isn’t necessarily metal... mostly movies and holiday stuff like a survey of Christmas imagery in True Detective season 1

Tweet too much, but it’s healthier than taking cigarette breaks.

The Pentagrammarian: I take note of writing, grammar, usage, and the business thereof. I am one of very few professional writers who can list the four parts of a well-rounded profile or break down the constituent parts of a sentence, in correct technical grammar terms.

The goat had it comin’. I swear.  

[bongaboi]

Beneath the bling: Lakers championship rings feature many special surprises

Beneath the bling: Lakers championship rings feature many special surprises

By DAVID WHARTON STAFF WRITER JAN. 15, 20215 AM

Coiled snakes and small etchings, like hieroglyphics. Jewels whose exact carat weight holds a secret meaning. You can spot all the clues, if you look closely enough.

The ring that each Lakers player received for winning the 2020 NBA championship is mostly gold and diamonds, glitz and audacity, but there is something subtle lurking beneath the gleam.

The jeweler responsible for the design wanted to document a basketball season unlike any other, a year marked by more than wins and losses. In the space of one — albeit very large — ring, Jason Arasheben has concealed visual references to the death of Kobe Bryant, a global pandemic and social unrest. He calls them his “Easter eggs.”

“We had a lot going on last year,” says Arasheben, who owns the tony Jason of Beverly Hills. “It’s not just how many diamonds you use, it’s how you tell a story.”

Professional sports bling has been a tradition since the early 1920s, when the New York Giants baseball team handed out rings as an alternative to the pocket watch chains, cuff links and engraved tie clips that previously had been given to players.

Simple and stylish was the rule for many years until the New York Yankees went big and brash in the 1970s, igniting an arms race that now has teams in various sports trying to outdo each other — more gold, more gemstones — season after season.

The Lakers will not disclose how much they spent on this latest salvo. With 180 grams of yellow gold and 804 jewels in each, the rings could be worth more than $20,000, setting a new benchmark in extravagance.

If this raises some eyebrows at a time of hardship, team executives believe the players deserve a special gift for persevering through the season. Arasheben wanted to give them a sort of time capsule, an effort not lost on star forward LeBron James.

“It was just a culmination of what we’ve been through,” James told reporters after getting his ring. “So many ups and downs, a lot of adversity.”

And a lot of story to tell.

The helicopter crash that killed Bryant, his 13-year-old daughter Gianna and seven others on Jan. 26, 2020 had the team reeling, struggling to comprehend the loss of an icon who had retired only a few seasons earlier. Before the shock wore off, the coronavirus shutdown brought the NBA to a lurching halt.

By the time games resumed and the Lakers defeated the Miami Heat to win it all in mid-October, there wasn’t much time to make rings for the start of a new season. Team executives called Arasheben. Though best known for such celebrity clients as Drake, Jennifer Lopez and the late Michael Jackson, the 44-year-old jeweler had worked with the Lakers before.

“It made sense because he gets the pulse of this team,” says Linda Rambis, executive director of special projects and confidante to co-owner Jeanie Buss.

A flurry of discussions ensued, ideas flying back and forth.

Some design elements were entirely conventional, starting with a purple-and-gold logo on the face, framed by block letters spelling “World Champions.” The right side, or shank, featured each player’s name and jersey number. The left shank listed the Lakers’ playoff opponents and results of each series. This boilerplate information out of the way, Arasheben set to work on smaller touches with larger meanings.

The purple “L” in the logo was fashioned from 17 amethysts, one for each of the 17 championships in franchise history. They weighed .95 carats, a nod to the 95 days that players had spent inside the “bubble,” a Florida complex where all NBA teams lived and competed when the season resumed. Yellow diamonds in the basketball-shaped background totaled .52 carats, equaling the number of regular-season victories.

“It was like a puzzle,” Arasheben says. “We had to be creative in how we built things in.”

There was room to coil two snakes — an homage to Bryant and his “Black Mamba” nickname — behind the jersey numbers. The shanks, shaped vaguely like basketball hoops, got a mesh background. With each addition, it seemed Arasheben or the team would think of something else.

“How do you recognize all of the challenges we went through last year, and then all the bright spots?” Rambis asks. “It was just us wanting to have all of those elements in the ring.”

The work suited Arasheben, a man with a backstory of his own.

The boy loved to draw, doodling portraits, copying the blueprints his architect father brought home. His parents had a different sort of future in mind, telling him: You’re a good talker. You should be a lawyer.

Pre-law classes at UCLA failed to satisfy Arasheben’s artistic bent; they also put him in debt. A friend told him about wholesale stores in the fashion district, so he pooled his money and drove downtown to buy silver trinkets and brightly colored, plastic butterfly hair clips, cheap stuff he could get for $8 a dozen. Back on campus, fellow students stopped by his table and paid well over cost.

“The very first day,” he recalls, “I did $100 in sales.”

These profits paid off tuition with enough left over to hang out at nightclubs where, as an avid NBA fan, Arasheben recognized players among the regulars. They all seemed to be wearing what he recalls as “over-the-top, monstrous” jewelry, which gave him another idea.

Despite an utter lack of experience in the business, he began sketching ornate chains and bracelets, incorporating names and personal details of certain players. Slipping into the club’s VIP section, he approached them, straining to speak over the pounding music: “I’d love to design jewelry for you. In fact, I happen to have a drawing right here.”

They almost always shooed him off, waving away the paper he held in their face. But in 2002, the late New York Knicks star Anthony Mason took a look and liked what he saw. It was both a defining moment and a problem because Arasheben had no idea what to do next.

Stalking the jewelry district, walking from shop to shop, asking questions, he found someone to make the monogrammed bracelet for $50,000. Not only was the profit margin healthy — he says Mason paid $60,000 — the work was creative. Arasheben networked at the NBA draft and All-Star game, meeting other players.

Forget law school, he thought. I want to get into jewelry.

Most teams rely on such established jewelers as Tiffany or Jostens for their rings, so there was no reason to think Arasheben could break into the business. But while selling custom pieces, he made friends with the Buss family that owned the Lakers. Wrangling a meeting with the late Jerry Buss, he told of starting from nothing, a story that seemed to click with Buss, who had built a fortune in real estate.

“I really had no business making their rings,” Arasheben says. “He gave me a chance.”

Things went smoothly at first; the team liked his design of 14 diamonds and white gold in 2009, evoking the white uniforms that players wore on Sundays to honor broadcaster Chick Hearn. Arasheben satisfied Bryant and guard Derek Fisher, who asked to have each player’s face etched on the shank.

But after years of making a few pieces at a time, it was tough producing a batch of 200 or so for players, staff and others. With sleeping bags strewn across the factory floor, Arasheben and his crew worked around the clock.

“We were taking shifts,” he says. “I think we delivered the last ring 30 minutes before the ceremony.”

The team rehired him in 2010, which led to orders from European soccer teams and the Dodgers when they won the 2017 National League pennant. Arasheben made rings for the Golden State Warriors as they captured three NBA titles in four seasons.

“We knew what we did like and we knew what we didn’t like,” Warriors forward Andre Iguodala says in a team video. “From there, we said ‘Use your imagination.’ ”

After the 2018 championship, some Warriors players wanted a blue face, some preferred white. Arasheben engineered a reversible face with diamonds on one side and sapphires on the other. At the team’s ring ceremony, video shows Iguodala demonstrating the switch to others on the bench, telling them to give the face a twist.

“You’re supposed to?” teammate David West asks.

Coach Steve Kerr tries it and blurts: “Oh my god.”

The 2020 Lakers ring posed a different problem as Arasheben kept adding features. Around the rim, he put tiny etchings of the Larry O’Brien Trophy and jersey numbers for every player on the roster that season, even those waived or assigned to the G League before the playoffs.

The left shank had room for a small NBA logo, featuring the silhouette of former Lakers great Jerry West. On the right, Arasheben fit the team’s mantra that season, “Leave A Legacy,” along with the player name and number and snakes.

Still, he needed more space.

The first championship rings, the ones handed out by the New York Giants in 1922, were relatively simple. Brushed gold, a single diamond, nothing to set the world on fire but the timing was right.

“Pocket watches were going out of fashion,” says John Odell, a curator at the National Baseball Hall of Fame and Museum. There was no need for jeweled fobs or watch chains because “no longer was it stylish to show off a little bling across your belly.”

The new trend began with relatively tame signet rings, then graduated to something in the neighborhood of a high school class ring. More size translated into more detail; legendary football coach Vince Lombardi took charge of the design for his Green Bay Packers in the late 1960s and made sure to include a crown from his family crest.

There have been a few small quirks in recent years. After a squirrel bounded across home plate during the 2011 playoffs, the champion St. Louis Cardinals included a tiny image of the rodent. Two years later, the Boston Red Sox — known for their unshaven appearance — stamped a beard on the inside of their rings.

But glitz and bulk have dominated since New York Yankees owner George Steinbrenner splashed ��NY” in diamonds across the face of a large ring in 1977 and an even bigger one in 1996. The Lakers noted the trend in 2000, engraving “Bling Bling” on their shank. Three years later, the Florida Marlins spent a reported $20,000 each for a design encrusted with hundreds of diamonds.

“Overtly ostentatious,” Odell calls it.

Team owners were spending far more than the modest allowances the NFL and Major League Baseball afforded its winning teams. As weights topped three ounces, the rings had become so large that Jostens suggested wearing them “on your middle finger may be more comfortable in terms of balance.”

Arasheben acknowledges the trend is “getting a little ridiculous. It’s getting to the point where you’re just going to give the players a diamond plate.” But that didn’t slow him down with the Lakers this winter.

“Other manufacturers have tried to outdo us,” he says. “This year, we tried to outdo them one more time.”

::

There were 71 days between the title-winning game against the Heat and the ceremony the Lakers wanted to hold at their season opener in December. Most of that time was spent on design.

When Arasheben finally ran out of space, he reached back to an old trick with the detachable face. Same solution for a different problem.

“This time,” he says, “we needed to create more real estate.”

A 45-degree twist reveals a secondary face underneath, bearing images of the 12 retired jerseys that hang in Staples Center, including the one with a microphone instead of a number for Hearn. Bryant’s two jerseys — he wore No. 8 and No. 24 during his career — are accentuated in a darker color. As further tribute, a snakeskin texture serves as the background.

This gimmick also left space to reference last spring, when Americans took to the streets, protesting the death of George Floyd.

Pro athletes in basketball, baseball and other sports staged walkouts. James helped form More Than a Vote, an organization that has fought voter suppression and drew more than 42,000 volunteers to work at polling stations for the November election. Arasheben used the underside of the face to etch the word “Unity.”

“We wanted something the players could show their grandchildren,” he says. “Something to remember.”

The rings were handed out at an unusual ceremony last month, the stands empty because of coronavirus restrictions. Players stepped up, one by one, to podiums at midcourt while family members spoke from the videoboard above. “I know this has been a very difficult year for everyone here,” NBA Commissioner Adam Silver said.

Still, James called it a “pretty cool feeling” to celebrate with teammates, a chance to look back on all they had been through. “So many story lines,” he said.

And only one ring to tell them.

===

David Wharton is a feature sportswriter for the Los Angeles Times.

[the-blue-closett]

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I don’t know what it is a Laying Pipe As Big As You Want As Deep As You Need T Shirt wide why their minds function that way but they just have to be miserable so they have a good man is doing what he needs to do is try to keep the family together she’ll get pregnant have the baby and break up with and act like he’s the one that left her just so they can play victim and get attention and get sent and is fucked up because even though that hurts the man ultimately is to children who suffer because like I said again if I wasn’t there to pick up the phone when DCF call to try to take my kid away are trying to try to take her downtown to God knows who in stripper naked in ice cold room will my daughter God knows what I have another mother got notes and women in a women to stop doing that shit stop having babies amended you don’t want to be and if you do have a baby with the Manning you don’t want to be with the man allow that man to be in his child because no way to protect the child like that me no other man is going to jump in front is going to take a bullet for that child like Batman. Some are from holly for the day she had paid off as the big times of america’s most wanted was a classic studio biggie be called the ig video buffy video as though by then you know this is in the bodywork is 30 as nasty as you know I haven’t done play would emergeand see everything is most amazing is that we all eyes on me I should call about you put a person is not project was slow to resolve video like this is azariah awkward song to listen to all one business must to remix russia phone number is likely to see how people make all that that so freaking about ready’s hold of us outside all birds like that I do stuff you go on to show the reinsand I talk with him about his community is to apply to know what is what is now miceli cinema give you all a song I was straight so whatever we want toand you are you get a lot of love back to the mailbox like a 40 4j known to down no talk of elementary side when we do that I can’t always be in the backand may decide to go side by side with no loud enough he safely so I sent them a claim based on what they know easily is laszlo who did not grant the right man you’re me before they represent the bag so we see all of his geography week has been to visit his weekly debate we have what they know about lifestyle list stuff so we clicked to dissolve a j los altos s nasa profits at my place homeand send lettersand i’ll just get back to rosas fabiano i’m infiltrating on his own god is my god listen to talk to pot know mike is in the beginning of our conversation on the commend you on your composition not only that the fact that you had all these obstacles in the message that the deal with for some reason you been blessed enough to prevail no matter which I believe what you hear from the media that his head togetherand have no doubt in my mind that he’s always come out timeand I appreciate youand is come down to is that they represent all the mall we ask whatever questions you asked everyone as real as the say so I was always just like you story I sent to you because you are out for is now in jail. Doesn’t me which would mean that the public is much more more aware of who’s making these films the United States loving people are super aware of like James wine I am speaking in a very witty and how they appear I now you did notand will ally the system that really shock I still shock that Justice league was like such a spotter at the box office visit just like with so many heavy hitters but I guess it’s a it’s not surprisingly easy like Black Panther become like the biggest marble movie in this countryand its Black Panther was pretty much a minor character cannot say this is Jeff in the design I’m notand Anthony but I might have if it John member let me now that is a casual superhero than on a huge film lover friend like with the ensemble moviesand are exhausted before I goand I would have to do homework ways when it Aquaman like a quasi scholastics dish movie with Jason the malign edges is a little less like I’m arty overwhelmed by the world sometimes when it’s even after I need to know because anyone I will examine Nati yeah well if you wanted to talk about the connected universe to me that that is one thing that that Marvel Studios did exceptionally welland they seem more more like the only studio to be able to pull that offand other franchises are kind of lessening their connectivity but that you really successful O’Brien to do great here the latest projections are but really I love you now didn’t really like I want to a lot of time in the world is just going to watch did you see that as of the DDC probably went to that school like an ideal situation for me any she’s into the theater this by a person I said I was incredibleand you think that will affect by the automated box office intolerant about the things in the box office Mobile as I think is it before I will also affect the says right about half the things the yes Jennifer shall be Aquaman being the one that I think while the most intimateand Boniface between efficientand be mucous at bonehead sees a living you just need to set I drive element before for bumblebee to it’s a lot I really really really well received they do is for the best Transformers movie badly is also getting a response is a great thing I want to be like I like all these films I wanted to Transformers film for yearsand never had one that I liked so I’m excited about all the things doing well because I need you Transformers for families to play with the toys as a kid on the big model phantom of being DC fan actually bombed after Spira saying I goddamn I guess so he can make it Spiderman movies like they did not morning feeling to yet on I just love that movie you are writing here thing to you think wholesale like appearance anymore just to see Aquaman with a slightly older children or something like that because like there is still listing of all it made it felt like I was I saw Spiderman from the old animated film smart into the spider yet everything is referring to the American girl despite it was and or 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happening we should started to slowly people that we love maybe we do the creamy maybe we pictureand I don’t particularly people down now if anything else youand then there’s a lot of very diverse films down the pipeline on which we’ll talk about but you mention not doing Henry is still soups according to himand he called his boy Henry is our last video answering the cell yes Jeffrey were were playing in real time the fans are seeing it with you all great D that is technology technologically back that he looks more comfortable doing this than on S L I would say you click as I had to go on on onand they were moments I mean some people may for that kind of thing to me by writing he was underserved by the writing it was like one of my favorite bits was like very much later in the shell is one of the last ones he was the father yeah we actually the only time actually laughed out loudand me maybe one of the prerecorded pieces yes S L in general it’s been backloaded which is so weird I used 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[whatstruthgottodowithit]

I Got The Boy

Fandom: RPF

Pairing: Sebastian Stan x Reader, Sebastian Stan x Original Female Character

Word Count: 643 // Rating: Gen

Warnings: none, ex-boyfriend, past relationships nothing really, song fic, weddings, angst, 

Summary:  Reader spots Seb’s picture in the paper with his new wife.

Note:Been listening to this on repeat and i wanted to do a fic w/ it. Seb seemed right. y’know me i love a good song fic [updated 9/22]

Y/N didn’t often read celebrity magazines, they were not her kind of reading. If anything, she found the use of celebrity’s private lives to fuel propaganda on gullible readers abhorrent and unbecoming. But let’s be real, they’re a must-have on a long plane journey. So, that’s how she came to be sitting on a plane across the country, trashy mags in hand waiting for take-off. Flicking idly through them, she looked at the pictures of celebrities being ridiculed for their weight, both over and under, and the articles of real-life stories that were too farfetched not to be true. Near the end of the magazine, there was an article, there was a whole page dedicated to a bunch of celebs who had just wed. Y/N’s eyes scanned over the page, looking at a handful of well-known celebrities she had no idea were even couples. Eventually, her eyes came to land on a picture, of an old familiar face and a woman she didn’t recognise. Seb.

‘Congratulations!! Marvel star Sebastian Stan, 35, and his long-term partner Lauren married last weekend in a small intimate ceremony. Amongst those in attendance were co-stars of Stan’s upcoming Marvel Film Avengers: Infinity war, including Chris Evans and Anthony Mackie. Stan’s now-wife Lauren, 33, posted on Instagram a photo of the two in Jamaica on honeymoon with the caption: Relaxing with my husband, at the beautiful St James’ resort.’

Her eyes raked over the picture of him and his bride on their wedding day. He looked so different, he was older now, the age bringing out a rugged handsomeness differing from the soft features she once knew. His hair was shorter than she remembered and he had a beard now, she also noticed he was more tanned as the bright white shirt of his tux was a stark contrast against his skin tone.

This was not her Seb. No, her Seb had been vastly different, as they had just been teenagers, kids really. Yet she had really loved him and seeing him now made her feel weird, Y/N couldn’t believe how grown up he looked. Sure, she knew about him, he’d made quite a name for himself being in a big franchise. Yet, Y/N hadn’t tried to follow anything about him though she was immensely proud. They’d always been big dreamers. Sitting on the plane Y/N thought back to all the times they’d drove around in his car on a Friday night and just talked. He was a dreamer, determined to be an actor come whatever and she had been working hard to get a scholarship to go to a top college.

Thinking back made her smile. They’d spent almost every minute together. High school sweethearts, a solace for each other in an unaccepting crowd. So many memories. They’d been each other’s first kiss, first everything. He’d held her hair back when they’d gone out to parties, underage and she’d got too wasted. He was the most comfortable with her, telling her stories all about his home which was something he hadn’t done with anyone before. He was the first person she ever loved. They’d promised to be together forever, unknowing of the difficulties the real world would pose out of the safety of the wall of high school. Yet, it was something she’d cherish forever.

But she couldn’t help but wonder if she would trade places for Lauren. I mean Seb was an amazing man, and he’d only grown better with age from what she could assume. But would she rather have him now or the Seb that she knew back then?

It was no question.

I got the first kiss and she’ll get the last We each got something, the other will never have I got the long hair, hot head She got the cool and steady hand I got the boy and she got the man

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Joel Schumacher, Director of Batman Films and ‘Lost Boys,’ Dies at 80

Joel Schumacher, costume designer-turned-director of films including “St. Elmo’s Fire,” “The Lost Boys” and “Falling Down,” as well as two “Batman” films, died in New York City on Monday morning after a year-long battle with cancer. He was 80. Schumacher brought his fashion background to directing a run of stylish films throughout the 1980s and 1990s that were not always critically acclaimed, but continue to be well-loved by audiences for capturing the feel of the era. Schumacher was handed the reins of the “Batman” franchise when Tim Burton exited Warner Bros.’ Caped Crusader series after two enormously successful films. The first movie by Schumacher, “Batman Forever,” starring Val Kilmer, Tommy Lee Jones, Jim Carrey and Nicole Kidman, grossed more than $300 million worldwide. Schumacher’s second and last film in the franchise was 1997’s “Batman and Robin,” with George Clooney as Batman and Arnold Schwarzenegger as villain Mr. Freeze. For “Batman Forever,” the openly gay Schumacher introduced nipples to the costumes worn by Batman and Robin, leaning into the longstanding latent homoeroticism between the two characters. (In 2006, Clooney told Barbara Walters that he had played Batman as gay.) Several years after the Batman debacle, Schumacher directed the feature adaptation of Andrew Lloyd Webber’s musical “The Phantom of the Opera.” Despite tepid reviews, it received three Oscar noms. In 1985 Schumacher struck gold with his third feature film, “St. Elmo’s Fire,” which he directed and co-wrote. Brat Packers including Rob Lowe, Emilio Estevez and Ally Sheedy as well as a young Demi Moore starred in the story of a bunch of Georgetown grads making their way through life and love. Even the theme song was a hit and is still played to evoke the era. The film offered a pretty smart take on the complexities of post-college life. His next film was a big hit as well: horror comedy “The Lost Boys,” about a group of young vampires who dominate a small California town, starred Jason Patric, Kiefer Sutherland, Corey Feldman and Corey Haim. It became a cult favorite, and a TV series adaptation has long been in the works. Schumacher had a high-concept screenplay by Peter Filardi and an A-list cast — Julia Roberts, Kiefer Sutherland, Kevin Bacon, William Baldwin — for the 1990 horror thriller “Flatliners,” about arrogant medical students experimenting with life and death, and the director hit it fairly big again, with a domestic cume of $61 million. While those hits captured the era well, others during that period were misfires, such as the 1989 remake of the French hit “Cousin/Cousine” called “Cousins” and starring Ted Danson and Isabella Rossellini and the sentimental “Dying Young,” starring Roberts and Campbell Scott. But in 1993 he showed what he was capable of with the critically hailed “Falling Down,” starring Michael Douglas as a defense worker who’s lost it all and decides to take it out on whomever he comes across. The film played in competition at the Cannes Film Festival. The New York Times said the film “exemplifies a quintessentially American kind of pop movie making that, with skill and wit, sends up stereotypical attitudes while also exploiting them with insidious effect. ‘Falling Down’ is glitzy, casually cruel, hip and grim. It’s sometimes very funny, and often nasty in the way it manipulates one’s darkest feelings.” Schumacher’s next film was also a solid hit. “The Client,” based on a John Grisham novel, was a highly effective legal thriller that also boasted terrific rapport between Susan Sarandon’s lawyer and her 11-year-old client, a boy played by Brad Renfro who has witnessed a murder. Between the two “Batman” films, Schumacher directed another Grisham adaptation, “A Time to Kill,” which sported a terrific cast (including Samuel L. Jackson, Kevin Spacey, Sandra Bullock, Ashley Judd and a career jump-starting turn by a young Matthew McConaughey) and, while not without its own weaknesses, asked important questions about race. After the second “Batman” he made the much darker, smaller-scale thriller “8MM,” which followed a miscast Nicolas Cage as a family-man private detective in pursuit of those who made what appears to be a snuff film. His next film, 1999’s “Flawless,” about a homophobic cop who’s suffered a stroke, played by Robert De Niro, and a drag-wearing Philip Seymour Hoffman, was formulaic — the odd couple who couldn’t be more different find out they have a lot in common — but it sported excellent performances by the leads and certainly had heart. Switching gears dramatically, Schumacher made “Tigerland,” starring a young Colin Farrell in the story of young recruits preparing to go off to Vietnam. It had a gritty look, but while some critics saw an earnest quality, others saw cynicism. Schumacher’s 2002 thriller “Phone Booth,” which reunited the director with Colin Farrell and Kiefer Sutherland — and intriguingly trapped Farrell’s antihero in the title New York City phone booth for almost all of the film’s running time — had critics and audiences alike talking, even if the ending was a cop-out. His other films included actioner “Bad Company,” starring Anthony Hopkins and Chris Rock; “Veronica Guerin,” starring Cate Blanchett as a journalist crusading rather recklessly against the Irish drug trade; and Jim Carrey thriller “The Number 23” and “Trespass,” starring Nicolas Cage and Nicole Kidman. Schumacher started out in showbiz as a costume designer, earning credits on 1972’s “Play It as It Lays,” Herbert Ross’ “The Last of Sheila” (1973), Paul Mazursky’s “Blume in Love (1973), Woody Allen’s “Sleeper” (1973) and “Interiors” (1978) and 1975 Neil Simon adaptation “The Prisoner of Second Avenue.” He was also credited as the production designer on the 1974 TV horror film “Killer Bees.” He also started to write screenplays, including 1976’s “Sparkle,” 1978 hit “Car Wash” and the adaptation for 1978 musical “The Wiz.” Schumacher’s first directing assignments came in television: the 1974 telepic “Virginia Hill,” which he also co-wrote and starred Dyan Cannon, and the 1979 telepic “Amateur Night at the Dixie Bar and Grill,” which he also penned. He stepped into the feature arena with the 1981 sci-fi comedy “The Incredible Shrinking Woman,” starring Lily Tomlin, followed in 1983 by “D.C. Cab,” an action-comedy vehicle for Mr. T that Schumacher also wrote. Born in New York City, he studied at Parsons the New School for Design and the Fashion Institute of Technology in New York. He worked in the fashion industry, but decided to instead pursue a career in filmmaking. After moving to Los Angeles, he applied his fashion background to working first as a costume designer and worked in TV while earning an MFA from UCLA. Schumacher directed a couple of episodes of “House of Cards” in 2013, and in 2015 he exec produced the series “Do Not Disturb: Hotel Horrors.” Camerimage, the International Film Festival of the Art of Cinematography, awarded Schumacher a special award in 2010. He also received the Distinguished Collaborator Award at the Costume Designers Guild Awards in 2011. Click here to view original web page at variety.com Read the full article

[junker-town]

24 great books for quarantined sports fans

From ‘Ball Four’ to ‘Out of Sight’, here are a few books you can come back to over and over again

I love my books. They have traveled with me across the country and back again, prominently displayed in cheap bookcases throughout dozens of apartments around the Northeast. Currently, they are stretched out behind me in my home office where they will stay until the time comes to move off the grid. They will follow me there, as well.

I have read all of them at least once and several of them dozens of times. During periods of my life when I was without human companionship they were literally my only friends. That’s not said for sympathy. The life of a newspaper sportswriter in the 90s and early 2000s involved shitty hours and weekends, which pretty much negated any hopes of having a social life.

Through it all, my books were there for me. They demanded nothing but my time and gave me hours of entertainment.

I’m not particularly proud of my collection. There is very little literature to be found and only a handful of what one might refer to as great works. It mainly comprises sports books, rock star biographies, and a nearly complete set of Elmore Leonard novels.

Most of them are several decades old because I had to stop buying books at some point when I began to run out of room. I’m not linking to them because you can hopefully find an independent bookstore near you that would be thrilled for the business. Do them and humanity a favor.

Here are some of my favorites.

BASKETBALL

The Breaks of the Game: David Halberstam

This is the monster of all sports books, the one against which every basketball book is competing with in one way or another. If you know nothing of the NBA pre-LeBron James, this is where you should start. It’s a window into what feels like another universe, when pro basketball was a cult sport struggling for survival.

Loose Balls: Terry Pluto

I wrote about this one at length and won’t belabor the points I made back before the world came to a screeching halt. If you can’t get into the stories contained within these pages, I frankly don’t want to know you.

The Macrophenomenal Pro Basketball Almanac: The FreeDarko collective

It’s an exaggeration to say every person who heard the first Velvet Underground album went out and formed a band, just as it is to suggest that every writer who consumed FreeDarko wound up writing about basketball on the internet. But almost everyone who did was influenced by them.

The Miracle of St. Anthony: Adrian Wojnarowski

Long before he was the great and powerful Woj, the author spent an entire season with Bob Hurley’s St. Anthony Friars. It’s a masterful bit of storytelling that for my money is the absolute best of the surprisingly robust sub-genre of books about high school basketball.

Other contenders include The Last Shot by Darcy Frey, Fall River Dreams by Bill Reynolds and In These Girls, Hope is a Muscle by Madeleine Blais.

The Jordan Rules: Sam Smith

Judging from the early reactions to the gigantic Bulls documentary, it’s quite clear a lot of you should get familiar with the source material. Smith’s book was shocking upon its release because it dared show Michael Jordan as he really was, without the buffed out Nike shine. It holds up, clearly.

Halbertsam’s Playing for Keeps picks up the story in 1998 and provided much of the narrative structure of the first two episodes.

Heaven is a Playground: Rick Telander

An all-time classic set on the courts of mid-1970s Harlem during a long, hot summer. There are a lot of books that tried to get at the soul of basketball, but this is the standard bearer. I’d really like to know whatever became of Sgt. Rock.

Others in this vein include The City Game by Pete Axthelm, Pacific Rims by Rafe Bartholomew and Big Game, Small World by Alexander Wolff.

Second Wind: Bill Russell

The best athlete autobiography of all time.

BASEBALL

Lords of the Realm: John Heylar

The inside story of how baseball owners conspired for almost a century to suppress salaries while refusing to integrate. It’s shocking how buffoonish management acted during the glory days of the national pastime. Required reading.

Marvin Miller’s A Whole New Ballgame is a worthy companion piece, as is Bill Veeck’s delightful, Veeck as in Wreck.

Ball Four: Jim Bouton

Scandalous upon its release in 1970, Ball Four contains the best line ever written in any sport book: “You see, you spend a good piece of your life gripping a baseball and in the end it turns out that it was the other way around all the time.”

I read Ball Four for the first time in fifth grade and immediately taught my classmates the words to “Proud to be an Astro”:

Now, Harry Walker is the one who manages this crew

He doesn’t like it when we drink and fight and smoke and screw

But when we win our game each day,

Then what the fuck can Harry say?

It makes a fellow proud to be an Astro

Seasons in Hell: Mike Shropshire

There is nothing more soul-crushing than spending an entire season with a bad team. Shropshire covers three hilariously inept campaigns with the Texas Rangers, who as then-manager Whitey Herzog noted: “Defensively, these guys are really sub-standard, but with our pitching it really doesn’t matter.”

Ladies and Gentlemen, the Bronx is Burning: Jonathan Mahler

An underrated late addition to the pantheon that tells the story of the 1977 Yankees amid the backdrop of a city gone to hell.

You will notice there are few books in my collection about modern baseball. There’s a reason for that. The vast majority of them are peans to the wonders of middle management and therefore boring as hell.

FOOTBALL

Playing For Keeps: Chris Mortsensen

The incredibly bizarre — and largely forgotten — story of how the mob tried to gain influence in pro football via a pair of shady agents named Norby Walters and Lloyd Bloom. Good luck finding it.

Bringing the Heat: Mark Bowden

You may recognize Bowden from such masterworks as Black Hawk Down and Killing Pablo. You probably don’t remember that he spent a year with the Eagles after the death of Jerome Brown. As honest and unflinching a look at pro football as you will ever find.

North Dallas Forty: Peter Gent

The only piece of sports fiction on my list is not so fictional at all. Gent’s thinly-veiled account of his own life as a receiver for Tom Landry’s Cowboys is shocking and brutal and sad and poignant. I make time to read it every year.

I used to have more football books, back when I cared about the sport.

MEDIA

Fear and Loathing on the Campaign Trail: Hunter S. Thompson

The Vegas one is more popular and Hell’s Angels is a stronger work of reportage, but for a dose of pure Gonzo insanity, this is the book I come back to more often than not.

The Boys on the Bus: Timothy Crouse

The companion piece to Thompson’s lurid account, Crouse plays it straight and lays bare the bullshit facade of campaign reporting. Almost 50 years later, we have still learned nothing.

The Franchise: Michael McCambridge

Details the glory days of Sports Illustrated, reading it now feels like an obituary. It was fun once, this business of writing about sports.

MUSIC

Heads, a Biography of Psychedelic America: Jesse Jarnow

My favorite book of the last few years, Jarnow takes us on a bizarre trip through the byzantine world of psychedelic drug networks connecting it through the career of the Grateful Dead and into modern-day Silicon Valley. I’m waiting for the followup on Dealer McDope.

Not music, but as a companion piece, Nicholas Schou’s Orange Sunshine tells the even-crazier tale of The Brotherhood of Eternal Love, who took over the LSD trade and invented hash smuggling by stuffing surfboards with primo Afghani hash and shipping them back to California.

The True Adventures of the Rolling Stones: Stanley Booth

Reported while on tour with the Stones at the height of their powers circa Let it Bleed, Booth took 15 years to write the damn thing. By then the Stones were already an anachronism. It’s all there, though. Sex, drugs, more drugs, and unbelievable access to the biggest rock ‘n roll band in the world.

This Wheel’s on Fire: Levon Helm with Stephen Davis

In which Brother Levon disembowels Robbie Robertson and exposes the lie at the heart of The Band. Robbie took the songwriting credit and all the money.

Satan is Real: Charlie Louvin

Astonishingly good read that is best consumed with Charlie and his brother Ira playing low in the background.

Mainlines, Blood Feasts, and Bad Taste: A Lester Bangs Reader

Lester is an acquired taste and not all of his ramblings hold up. I will always love him for despising Jim Morrison and completely nailing what made Black Sabbath important. Spoiler: They were moralists like William S. Burroughs.

Please Kill Me: Legs McNeil and Gillian Welch

The definitive oral history of punk rock, an essential document of a scene that launched a thousand mediocre bands and the Ramones, who ruled.

Shakey: Jimmy McDonough

A tour-de-force biography of Neil Young that loses steam toward the end when McDonough makes himself the subject. The stuff about Neil’s bizarre 80s period and his relationship with his son is heartbreaking.

Our Band Could Be Your Life: Michael Azerrad

Pretty much everything you need to know about bands like Mudhoney, Black Flag and Mission of Burma who wove together the musical underground through a patchwork collection of local scenes back when something like that was still possible.

ELMORE LEONARD

You can’t go wrong with anything Leonard writes, but Out of Sight is as good a place to start as any.

[uniquequotesonlife]

10 Best Movies of 2019 (So Far)

With the summer movie season winding down, we look back at the top 10 films cinema has had to offer this far into 2019.

The summer movie season of 2019 is over. While the heat continues to swelter, and school by and large remains out, the final weekend of new Hollywood blockbuster extravaganzas has sped off the scene like a getaway car. And given the box office receipts for most of the studio tentpoles this year, we imagine the whole industry is ready to put the summer behind them. Be that as it may, cinema remains strong, hence why we think is the perfect time to look back on the year so far. While many others like to take stock of the movie calendar at the literal halfway mark that occurs at the end of June, we prefer letting the biggest moviegoing season to wrap up and only start reflecting during the deep breath before film festivals like TIFF and Telluride kick off the awards season. Indeed, you’ll see below that this July and August have been unusually fruitful. Looking back at the first seven-plus months of 2019 reveals that, for whatever box office hand-wringing, it’s already been a promising time for new voices making an impact and legendary auteurs communicating with the changing filmmaking landscape. So without further ado, please join us in celebrating the top 10 movies of 2019. So far.

10. The Peanut Butter Falcon

Tall tales and the myths they build can be stronger than any river current in the American South. Many of the best works of fiction from that part of the country embrace such grandiosity, and The Peanut Butter Falcon is no exception. An infinitely sweet film populated with outsized personalities, directors Tyler Nilson and Mike Schwartz’s transcendentalist adventure was one of the biggest surprises out of SXSW earlier this year, and months later it still radiates an authentic breezy charm. Very much a modern day Huckleberry Finn for those labeled as disabled or special needs, the film crafts its own legend around Zak (Zack Gottsagen), a young man with Down Syndrome that society wishes to forget. Save for Eleanor (Dakota Johnson), his concerned doctor at the retirement home the state abandoned him in, no one really cares when Zak escapes to chase his dream of becoming a professional wrestler. Yet a dispiriting prologue gives way to the loveliest journey as Zak befriends Tyler (Shia LaBeouf) and hitches a ride with the good ol’ boy on a raft floating down the North Carolina Outer Banks. It’s a movie happily supplied with homespun love and wonderfully textured characters, including all three leads, among whom LaBeouf proves nigh unrecognizable as the reluctant Good Samaritan by way of Mark Twain’s St. Petersburg.

9. Luce

The best movies provoke discussion, and few this year will be as challenging as the conversations borne by director Julius Onah and screenwriter J.C. Lee’s Luce. A film based on Lee’s own play, the movie interrogates the idea of the American Dream and wonders if even when it comes true, how much of that is a manipulation by those who espouse skepticism of it. The film is about a star athlete and valedictorian named Luce (Kelvin Harrison Jr.). Actually, Luce was just what his parents (Naomi Watts and Tim Roth) made up after they adopted him from a war-torn African nation, unable to pronounce his birth name. Even so, he very much is their son and not only the apple of their eye, but that of his whole school. Perhaps this is why his teacher, Ms. Harriet Wilson (Octavia Spencer), holds him to a different standard than his other African American peers. It’s a story about a school-sized tinderbox of good intentions that threatens to ignite after Harriet finds illegal fireworks in Luce’s locker, all of which bubbles with the tension of a thriller even as it plays like a truth-searching drama. Luce is a Rorschach Test for both the characters and audiences to examine their own racial biases, and the hypocrisy of expectations. Nevertheless, the film exceeds ours.

8. Avengers: Endgame

It would be easy in more cynical circles to shrug off Avengers: Endgame as the ultimate fan service movie, and in fact it is. But after 11 years of world-building, and the even more impressive franchise-building occurring outside of its continuity, Marvel Studios’ 22nd installment is the grandest of commercial and long-form narrative achievements. By making a series finale to all the movies that came before it, including the cliffhanger in Avengers: Infinity War, Marvel Studios President Kevin Feige and his legion of collaborators, most notably directors Joe and Anthony Russo, and Iron Man star Robert Downey Jr., find the rare quality that most eludes traditional television storytellers: a fully satisfying ending. At three hours, Avengers: Endgame rises above almost anything else Marvel has ever produced and acts as a pseudo-manifesto for the studio. While many of the parts are lesser than the whole, the tight storytelling and tonal consistency over nearly two dozen films pays off with the kind of multi-tiered catharsis and spectacle that drives global moviegoers into theaters by the tens of millions. Not since the days of Cecil B. DeMille has there been an epic so brimming with familiar faces, but unlike the overstuffed Infinity War, this showmanship is wrapped in a bow of gracefulness. This is the ultimate Marvel Studios movie. With a renewal of the charisma and humanity Downey first brought to this enterprise, there is a creative spark shining bright here… and that leaves open the question of how Marvel can possibly repeat this high-note, both in terms of heart and gross, ever again.

7. Toy Story 4

Toy Story 4 didn't need to be made. The ending of 2010’s Toy Story 3 was the perfect conclusion to a saga that began the day a child named Andy first played with a cowboy doll called Woody. Yet we’re so glad that Toy Story 4 exists, as Pixar discovered a soulful epilogue to the characters who first made the studio the preeminent animation house of the 21st century. Essentially a coda to an already finished yarn, Pixar’s elegant solution to being required to return to the childhood daydream of Woody and Buzz Lightyear is to permanently wrap-up their shared journey in the most adult of ways. On the surface, this is another story about Woody (Tom Hanks) trying to teach a wayward toy its purpose, in this case a do-it-yourself Frankenstein’s Monster named Forky (Tony Hale). But Toy Story 4 raises a much more interesting question about what would make Woody want to move on with his life as a lost toy? Experiencing something akin to a midlife crisis when he crosses paths with old flame Bo Peep (Annie Potts), Woody is asked to change his perspective of what life is meant to be after reaching a certain age, just as a post-John Lasseter Pixar discovers a new and hopefully more inclusive identity. This movie does, after all, finally give Bo Peep depth and a humanity as heart-rending as anything to do with the cowboy that has a snake in his boot. Not bad for characters made of cloth and porcelain.

6. Midsommar

If you ever wanted a movie to burn down your toxic relationship, Midsommar is gasoline that comes with already lit flames. As Ari Aster’s heartfelt explanation of why some people do not belong together, this Swedish set film turns cult-based horror on its head and reverses everything you might expect from the director of Hereditary. Bringing horror out into the sunshine, Midsommar presents a world that is as shadowless as it is pitiless. Taking place almost entirely during the July rituals of an obscure (and fictional) Pagan commune, the film provides a set of antagonists who might kill you with kindness while displaying an egalitarian empathy as foreign to modern (and selfish) American traditions as their deadlier customs. This creates a striking backdrop to a potent allegory about why Florence Pugh’s Dani and Jack Reynor’s Christian really should have broken up long ago. Pugh is especially haunting as a young woman who’s in a state of perpetual trauma after hanging on to a worn-out band aid in need of tearing for six months. Her harrowing epiphany adds an insidious persuasiveness to cruel machinations that turn cooing Millennial intellectuals into horror’s new dumb American red meat. And the fumes produced by their roasting are quite beautiful, indeed.

5. The Farewell

Another film about the shock incurred by contrasting cultures, The Farewell is also a gorgeously realized portrait of a woman who feels drawn yet alienated by both sides of her identity. But whatever confusion she might experience is supplanted by an absolute love for her grandmother and the connection that elder represents to an ever-fading past. Writer-director Lulu Wang’s incredibly personal drama is equal parts hilarious and heartbreaking, all while never once making a single false step in its unusual path through grief—one that must be made in total silence. The Farewell centers on Awkwafina’s Billi, a 30-year-old New Yorker who was born in China and was only six when her parents moved to the States, leaving a vague impression of an idyllic childhood with her grandmother Nai Nai (Shuzhen Zhou). However, what exactly this feeling of severed identity means to Billi comes to the surface when Nai Nai is diagnosed with lung cancer… something that her family will not tell her of because in China, it is the family’s emotional burden to carry the knowledge of a seeming death sentence. Believing she only is suffering from a cold, Nai Nai is thrilled that her adult children from America and Japan are returning home for a wedding that is in reality a pretense for everyone to say goodbye—although not Billi. Her parents think she’ll crack and admit this pantomime. Thus she must crash her grandmother’s own living wake. Billi’s saddened homecoming is constantly juxtaposed by her grandmother’s glowing delight to have a full house again. Occupying the space between tragedy and joy, Billi’s Western apprehension to Chinese custom and her longing to reconnect with it, Wang finds a canvas to paint every shade of anguish and exhilaration offered by nostalgia and an unfamiliar heritage. Awkwafina also confirms she is a star on the rise by carrying this intimate tragi-comedy with a role that requires her to speak in English, in Chinese, and most impressively not at all, while still saying everything.

4. Us

Jordan Peele follows up his directorial debut with another horror movie that will be dissected and debated for a long time to come. More ambitious than Get Out, and arguably the most vividly photographed chiller in ages, Us is bigger but still razor-focused on its subject. A massive allegory about class warfare turning storybook supernatural, Peele imagines a conflict between the haves and have-nots in American society while noting that, at the heart of the matter, they’re the same exact type of people. With a deft touch and sense of humor that is as refreshing as it was in Get Out, Peele introduces audiences to the Wilson family, who have seemingly everything but are still envious of keeping up with the proverbial (white) Joneses. For patriarch Gabe (Winston Duke), this can be accepted as a point of obliviousness, but Lupita Nyong’o’s Adelaide cannot feign such innocence as she has seen the face of want and hunger—it was her own—and she left it to rot. Yet it rises for her again when “Red,” her doppelganger she once spied in a funhouse mirror, comes home with equally twisted doubles of her family. It is a tour de force showcase for Nyong’o, who gives an Oscar-worthy turn as both Adelaide and Red. Us provides a juicy parable as rich as the best Twilight Zone storytelling by Rod Serling that inspired it. The end might overreach, but the breadth of its vision and arm remains an inspiration.

3. The Last Black Man in San Francisco

You cannot hate a place unless you love it. This is a paradox that Joe Talbot and Jimmie Fails’ The Last Black Man in San Francisco posits with illuminating insight. An epic poem for the modern age of gentrification, this is a movie that focuses on a Bay City whose skyrocketing real estate has pushed the faces and hands that built its skyline to the fringes. It’s a fact of life encapsulated by an opening image of a young black girl going to school by the edge of saltwater so poisonous that city employees will only venture there in hazmat suits. Pushed literally to the edge of society, Jimmie Fails—a character played by the man who has lived this life and wrote the story down—dreams of reclaiming what was once his family’s birthright: a Victorian home in the Golden Gate area that his grandfather claims to have built with his own hands. It is now owned by a privileged middle aged white couple, yet when they enter into an inheritance dispute with relatives, an opportunity opens up for Jimmie and his best friend Montgomery (Jonathan Majors) to move in as squatters. This is a lyrical love letter to cities that no longer exist, and landscapes that once allowed dignity for those who toiled in them. Obviously it is Jimmie’s personal life story, but it is the insights of Montgomery, Emile Mosseri’s mournful score, and Adam Newport-Berra’s surreal camera setups that elevate Last Man’s song and verse into a celestial elegy. One which provides as much hope as it does despair.

2. Once Upon a Time in Hollywood

The arrival of a new Quentin Tarantino movie always comes with debate and some degree of controversy. But when the smoke clears, Once Upon a Time… in Hollywood will be remembered as one of his very best. A film that demands multiple viewings, Once Upon a Time is the rare major studio movie that requires you to meet it on its own terms, a sad fact Tarantino is aware of and deconstructs with a surprising degree of wistful melancholy. An obvious love letter to the long-gone Hollywood of the 1960s, which by ’69 saw the studio system in its death throes, the movie is also a commentary of our own cultural moment where auteurs pursuing massive original ideas, like Tarantino, and movie stars not defined by what cape they’ve worn on screen, like Leonardo DiCaprio and Brad Pitt, are almost a thing of the past. Tarantino’s elegiac meditation is as much about his and movie stars’ own setting sun as it is the Hollywood movies he grew up on, but it is also an unimaginably ambitious and celebratory film that dismisses plot and audience expectations that have been flattened by a decade of formula. Here is a film that revels in just chilling out with morally ambiguous characters while also offering a vessel that connects the past and present via giddy historical revisionist madness. Starring DiCaprio and Pitt as fading TV star Rick Dalton and his stuntman Cliff Booth, the film champions the intangible alchemy between charisma and cinema, providing both with their best material in years. Pitt may, in fact, have never been better than as the smiling cowboy whose high noon is with a counterculture that is burying his and Rick’s livelihoods. Their journeys, meanwhile, are paralleled by the rise of a new star named Sharon Tate (Margot Robbie) and the youthful change she represents. The importance of Sharon, and her subtly interconnected world, is determined by how much you know of her going in. For those who do, she is more than just the idol of her age; she is the soul of Tarantino’s sweetest movie, both in terms of its ‘60s setting and its desire to divorce a lifetime of light from the specter of Charles Manson’s half-century of darkness. Unlike Tarantino’s last three pictures, this isn’t about revenge; it’s a bedtime yarn dreaming of salvation for Hollywood, for culture, and for a legacy that can live on past 26 years.

1. Booksmart

Despite her celebrity, Olivia Wilde has always seemed a little underrated as an actor. That should change going forward as Wilde also announces herself as a major directorial talent with Booksmart. A pitch-perfect comedy that writes a teen anthem for the next generation, Booksmart proves that the cinematic R-rated comedy is not dead, and further it can only get better as it invites new diverse voices to reconfigure the form. Among those voices accompanying Wilde are screenwriters like Susanna Fogel and Katie Silberman, and a fresh-faced cast that is more than game to refocus the coming-of-age narrative on the type of nerdy young women who previously might’ve been lucky to be in the fuzzy background, if included at all. Kaitlyn Dever and Beanie Feldstein make a banquet out of protagonists Amy and Molly, two Type A’s who are Ivy League-bound and think the perfect night before graduation is watching Ken Burns documentaries. But upon realizing that all the supposed flakes they wrote off in their senior class are also headed toward bright futures after four years of partying, Molly will make up for missing out by dragging Amy on an odyssey toward the perfect Gen-Z high school party. So there you have it, the 10 best movies of the year so far. Agree? Disagree? Did we leave something off? Let us know in the comment section below! Sourcehttps://www.denofgeek.com/us/movies/282640/best-movies-2019 Read the full article

[creepykingdom]

Disney+ Announces New Titles at the D23 Expo

 Disney+ made its D23 Expo debut with its first-ever showcase presentation, announcing six new series in development and revealing key details about the highly anticipated streaming service to an enthusiastic audience at the Anaheim Convention Center in Anaheim. The event showcased the sweeping array of talent with in-person and video appearances from the stars of Disney+’s slate of originals from Disney, Pixar, Marvel, Star Wars, and National Geographic and included sneak peeks, trailer premieres, and exclusive news about the service and its upcoming projects. Actress Yvette Nicole Brown, who stars in the Disney+ original film “Lady and the Tramp,” hosted the lively presentation, welcoming Kevin Mayer, chairman, Direct-to-Consumer & International, to the stage to kick off the show. “With less than three months until launch, Disney+ will soon entertain and inspire audiences of all ages for generations to come, and we’re excited to preview some of the amazing original content being created for the service exclusively from our world-class brands today at the D23 Expo,” said Mayer. “Storytelling is the cornerstone of The Walt Disney Company and we’re thrilled to unveil a new slate of original shows from the Star Wars and Marvel cinematic universes, along with popular television franchises set to return with all-new series streaming only on Disney+.”

New Series Revealed As part of the presentation, some of the creative minds behind Disney+’s content slate including Sean Bailey, president, Walt Disney Studios Motion Picture Production; Kevin Feige, president, Marvel Studios; Kathleen Kennedy, president, Lucasfilm; and Gary Marsh, president and chief creative officer, Disney Channel Worldwide, gave fans a first look at the service’s upcoming originals and announced exciting new titles: ● Ewan McGregor made a surprise appearance to announce his return as Obi-Wan Kenobi in a new untitled series from Lucasfilm. ● Kevin Feige announced that Marvel Studios is developing three new live-action series: “Ms. Marvel,” “Moon Knight” and “She-Hulk,” all derived from Marvel comics. ● Hilary Duff surprised the audience when it was announced she will reprise the role she made famous in an all-new Lizzie McGuire series from Terri Minsky. ● Forty years after leaving the swamp in his big screen debut in “The Muppet Movie,” Kermit the Frog is heading upstream with Miss Piggy, and the gang, bringing a new kind of mayhem and laughter to Disney+ with their first-ever unscripted short-form series, “Muppets Now.” World Premiere Launch Content Previews During the 90-minute presentation, a parade of celebrities, filmmakers, and creatives treated the 6,800-person audience to the first public preview of Disney+’s original movies and shows set to stream when the service launches on November 12: ● For Lucasfilm’s “The Mandalorian,” executive producers Jon Favreau and Dave Filoni joined series stars Pedro Pascal, Gina Carano, Carl Weathers and Giancarlo Esposito, along with Taika Waititi, who brings the droid IG-11 to life, to premiere the teaser trailer for the first Star Wars live-action series. Earlier in the day at the Disney Legends Awards Ceremony, Robert A. Iger, chairman and chief executive officer, The Walt Disney Company, announced that new Disney Legend Ming-Na Wen will join the cast of the series. Set after the fall of the Empire and before the emergence of the First Order, “The Mandalorian” follows the travails of a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic. Watch the trailer here. ● The talented up-and-coming cast of “High School Musical: The Musical: The Series” brought down the house with a live performance of the multi-platinum hit song, “We’re All In This Together.” Immediately following the presentation, cast members Joshua Bassett, Olivia Rodrigo, Matt Cornett, Sofia Wylie, Julia Lester, Larry Saperstein, Dara Reneé, Frankie A. Rodriguez, Kate Reinders, Mark St. Cyr, and Showrunner Tim Federle invited 3,600 fans to watch the first episode in the D23 Expo Arena and revealed the series’ teaser trailer. The 10-episode scripted series, set at the real-life East High, where the original movie was filmed, follows a group of students as they countdown to opening night of their school's first-ever production of “High School Musical.” Watch the trailer here. ● Host Yvette Nicole Brown joined fellow “Lady and the Tramp” cast members Rose (“Lady”) and Monty (“Tramp”)—the canine stars of the film—to premiere the first trailer from the film. In the timeless re-telling of the 1955 animated classic, a pampered house dog and a tough but lovable stray embark on an unexpected adventure and, despite their differences, grow closer and come to understand the value of home. Watch the trailer here. ● “Noelle” stars Anna Kendrick and Billy Eichner joined Sean Bailey to announce their film will premiere on Disney+ on November 12 before sharing a new trailer. In the upcoming holiday comedy, Kris Kringle’s daughter is full of Christmas spirit and holiday fun, but wishes she could do something “important” like her beloved brother Nick, who will take over from their father this Christmas. When Nick is about to crumble like a gingerbread cookie from all the pressure, Noelle suggests he take a break and get away…but when he doesn’t return, Noelle must find her brother and bring him back in time to save Christmas. Watch the trailer here. ● Jeff Goldblum, who stars in and hosts “The World According to Jeff Goldblum” from National Geographic, gave fans a peek inside the series including a new trailer for the show. Through Goldblum’s always inquisitive and highly entertaining mind, nothing is as it seems in this new 12-episode series. Watch the trailer here. ● Executive Producer Kristen Bell shared a first look trailer and a taste of what’s to come in the unscripted series, “Encore!” that brings together former castmates of high school musicals, tasking them with re-creating their original performance years after they last performed it, in a high school reunion like no other. Watch the trailer here. ● Tony Hale, who reprises his craft project turned toy role from “Toy Story 4” in the new collection of Pixar animated shorts “Forky Asks A Question,” premiered the first short (“What is Money?”). In the 10 shorts, Forky explores important questions about how the world works, such as: What is love? What is time? Post-launch Originals Disney+ also rolled out the red carpet for its titles set to premiere after the service launches, inviting stars to share new details for their upcoming projects: ● The audience was treated to a scene from the Disney+ original film “Togo,” an untold true story set in the winter of 1925 across the treacherous terrain of the Alaskan tundra. An exhilarating and uplifting adventure, “Togo” stars four-time Oscar® nominee Willem Dafoe and is directed by Ericson Core. The film also stars Julianne Nicholson, Christopher Heyerdahl, Richard Dormer, Michael Greyeyes, Michael McElhatton and Michael Gaston. Kim Zubick is the producer and Tom Flynn wrote the screenplay. “Togo” will launch on Disney+ in December. ● Executive Producer and recurring guest star Gina Rodriguez joined “Diary of a Female President” lead Tess Romero to announce the series will premiere on Disney+ in January. Told using the narration from her diary, this half-hour single camera comedy follows 12-year-old Cuban-American girl Elena’s journey through the trials of middle school, which set her on the path to ultimately become president of the United States. ● Kathleen Kennedy announced that the highly anticipated new season of “Star Wars: The Clone Wars” will stream on Disney+ in February 2020. The Emmy® award-winning animated series will be returning with twelve all-new episodes and will mark the return of classic characters Anakin Skywalker, Obi-Wan Kenobi and  fan-favorites Ahsoka Tano and Captain Rex. ● Sean Bailey shared a first look at the original film “Timmy Failure: Mistakes Were Made.” Directed by award-winning filmmaker Tom McCarthy with screenplay by McCarthy & Stephan Pastis and based on the best-selling book series by Pastis, the film follows the hilarious exploits of our quirky, deadpan hero, Timmy Failure, who, along with his 1,500-pound polar bear partner Total, operates Total Failure Inc., a Portland detective agency. “Timmy Failure: Mistakes Were Made” will launch on Disney+ in early 2020. ● The stars of “Stargirl,” Grace VanderWaal and Graham Verchere, were welcomed on stage to help introduce the coming-of-age film based on the critically-acclaimed, New York Times’ best-selling young adult novel. “Stargirl” is directed by Julia Hart from a screenplay by Kristin Hahn and Julia Hart & Jordan Horowitz based on the novel by Jerry Spinelli. The film also stars Karan Brar, Maximiliano Hernandez, Darby Stanchfield and Giancarlo Esposito. “Stargirl” is produced by Ellen Goldsmith-Vein, Lee Stollman and Kristin Hahn. “Stargirl” will launch on Disney+ in early 2020. ● Director Kari Skogland introduced Anthony Mackie and Sebastian Stan, the stars of Marvel Studios’ ”The Falcon and The Winter Soldier,” which finds Falcon and the Winter Soldier teaming up after “Avengers: Endgame.” Emily VanCamp came on stage and Feige revealed that she will reprise her role as Sharon Carter. Then, he introduced the crowd to Wyatt Russell who will play John Walker—a character from the comics coming to the screen for the first time. Head writer Malcom Spellman was also on hand to greet the crowd. “The Falcon and The Winter Soldier” will launch on Disney+ in 2020. ●“Monsters At Work” stars Ben Feldman and Aisha Tyler unveiled the latest design of their characters Tylor and Millie. Inspired by Disney and Pixar’s Academy Award®-winning feature film “Monsters, Inc.,” the new series from Disney Television Animation returns to Monstropolis and follows a new cast of monsters with special appearances from Mike and Sulley (voiced by Billy Crystal and John Goodman). ● Stars Paul Bettany and Elizabeth Olsen were on hand for their new series, Marvel Studios’ “WandaVision.” Bettany returns as Vision and Olsen as Wanda Maximoff—two super-powered beings living their ideal suburban lives who begin to suspect that everything is not as it seems.   Kevin Feige surprised the audience by bringing to the stage Kat Dennings and Randall Park who will reprise their roles from “Thor” and “Ant-Man and The Wasp,” and then he introduced Kathryn Hahn who has been cast as a new character in the series. Director Matt Shakman and head writer Jac Schaeffer joined everyone on stage to reveal that the streaming series will blend the style of classic sitcoms with Marvel Cinematic Universe.  “WandaVision” premieres on Disney+ in 2021. ● Kevin Feige welcomed the director, Kate Herron, and head writer, Michael Waldron, of “Loki” to the stage. In Marvel Studios’ new Disney+ series “Loki,” Tom Hiddleston returns as the mercurial Loki, the god of mischief and everyone’s favorite villain in stories that take place after the events of “Avengers: Endgame.” “Loki” debuts on Disney+ in 2021. ● For Marvel Studios’ “What If…?” Hayley Atwell was on hand to greet the audience. Atwell will voice Peggy Carter in Marvel Studios’ first animated series that focuses on different heroes from the Marvel Cinematic Universe and imagines what would happen if the events in the films worked out differently. Kevin Feige also introduced director Bryan Andrews and head writer Ashley Bradley to the crowd.  “What If…?” premieres on Disney+ in 2021. ● Stars Diego Luna and Alan Tudyk joined Kathleen Kennedy to introduce the audience to the second Lucasfilm live-action series for Disney+, which is now in development.  Both actors are reprising their roles from “Rogue One: A Star Wars Story,” and the stories follow Cassian Andor’s adventures as a rebel spy during the formative years of the Rebellion, before the events of “A New Hope.” World-Class Product Experience Additionally, over on the Expo show floor the Disney+ app made its debut, complete with features and functionality confirmed for the global launch dates in November. For a monthly price of $6.99 or an annual rate of $69.99 in the U.S. (pricing varies outside U.S.), Disney+ offers viewers of all ages a compelling price-to-value proposition, with a consumer-friendly experience that’s easy-to-navigate with personalized recommendations, high-quality and commercial-free viewing, up to four concurrent streams, and unlimited downloads with no up-charges. The Disney+ app experience, available to consumers on November 12, will feature: ● Unlimited Downloads: Subscribers have access to unlimited downloads of shows and movies on the Disney+ app to watch offline later on up to 10 mobile or tablet devices, with no constraints on the number of times a title can be downloaded per year. Once downloaded, subscribers can watch on the go and without an internet connection. The number of titles stored at one time on a device is dependent upon the available storage space on a subscriber’s device. ● High-Quality Viewing: Subscribers will enjoy an ultra-high-definition viewing experience with up to 4K Ultra HD video playback in Dolby Vision ultra-vivid imaging, HDR10, and Dolby Atmos immersive audio on supported devices for available programming. ● Commercial-free Viewing: Subscribers can access unlimited viewing of Disney+ content without having to watch a single commercial. ● Profile Customizations: Subscribers can set up to seven different profiles and choose an avatar tailored to their favorite Disney, Pixar, Marvel or Star Wars characters, with over 200 avatars available. ● Concurrent Streaming: Disney+ allows subscribers to concurrently stream video content on up to four registered devices with no up-charges. ●Multiple Languages: At launch, Disney+ will offer support for English, Spanish, French and Dutch languages, including both user interface as well as audio support and/or subtitles for library content, with additional languages available for Disney+ Originals. ● Accessibility: The app offers support for closed captioning, descriptive audio, and navigation assistance to help subscribers with disabilities discover and enjoy their favorite stories.

For the latest from Disney+ and its upcoming originals, follow @DisneyPlus on Facebook, Twitter, and Instagram, @TheMandalorian on Twitter, and Instagram, @HighSchoolMusical on Facebook and Instagram, @LadyandtheTramp on Facebook and Instagram, @DisneysNoelle on Instagram, or register your email at DisneyPlus.com. About Disney+ Launching on November 12, 2019, Disney+ will be the dedicated streaming home for movies and shows from Disney, Pixar, Marvel, Star Wars, National Geographic, and more, together, for the first time. From The Walt Disney Company’s Direct-to-Consumer and International segment, Disney+ will offer ad-free programming with a variety of original feature-length films, documentaries, live-action and animated series and short-form content.  Alongside unprecedented access to Disney’s incredible library of film and television entertainment, and 30 seasons of “The Simpsons” in the U.S., the service will also be the exclusive streaming home for films released by The Walt Disney Studios in 2019 and beyond, including “Captain Marvel,” “Avengers: Endgame,” “Aladdin,” “Toy Story 4,” “The Lion King,” “Maleficent: Mistress of Evil,” “Frozen 2,”and “Star Wars: The Rise of Skywalker.” The service will launch in select geographic territories, including U.S., Canada, and The Netherlands, followed shortly by Australia and New Zealand, with the expectation to be available in all major markets within the first two-years. Visit DisneyPlus.com to learn more.

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CANTLON: WOLF PACK OFF SEASON VOLUME 15

BY: Gerry Cantlon, Howlings HARTFORD, CT - Another week closer to the start of the 2019-20 hockey season. While the bulk of the hockey news has already happened with the draft, free-agent signings, and buy-outs, there's still plenty of news to share. The Hartford Wolf Pack are bringing back Greg Chase for the upcoming season after signing him to a one-year AHL deal. Chase enters his fifth professional season, after skating in five games with the Wolf Pack in 2018-19. He went scoreless with four penalty minutes and two shots on goal. The 6-0, 190-pound Edmonton, Alberta native also logged a total of 64 ECHL games with three different teams last season.  In 41 contests with the Wolf Pack’s ECHL affiliate, the Maine Mariners, the 24-year-old Chase notched 21 goals and 21 assists for 42 points, as well as 72 penalty minutes.  He also suited up for ten games with the Wichita Thunder (1-5-6, 12 PIM) and 13 games with the Allen Americans (1-2-3, 19 PIM). Chase was taken in the seventh-round draft pick (188th overall) by the Edmonton Oilers in 2013 and has seen action in 102 AHL games in his career. He's played with the Wolf Pack, the Oklahoma City Barons, Bakersfield Condors and Springfield Thunderbirds and has tallied seven goals and 20 assists (27 points) and amassed 55 penalty minutes. In 124 career ECHL contests with the Mariners, Thunder, Americans and Norfolk Admirals, he has totaled 48 goals and 57 assists for 105 points, as well as 159 PIM. Prior to turning pro, Chase played five seasons junior hockey action in the WHL with the Calgary Hitmen and Victoria Royals.  In 265 career WHL games, he registered 78 goals and 143 assists for 221 points, along with 247 penalty minutes. Chase is the nephew of former Hartford Whalers forward Kelly Chase. Kris Knoblauch and Gord Murphy start their first full week as the Hartford coaching tandem as they prepare for the Traverse City Prospects tournament. Looking at the WJSS in Plymouth, Michigan, two defensemen for the US squad really stood out. They are two Ranger draft picks, K’Andre Miller (University Wisconsin - Big10) and Zac Jones (Tri-City - USHL). Ex-Pack Layne Ulmer is not done yet. He left Cardiff Devils (Wales-EIHL) and signed with Manchester Storm (England-EIHL) for next season. Nice update on ex-Pack/CT Whale goalie Cam Talbot now in Calgary now on the other side of the Battle of Alberta, by Luke Fox of Rogers Sportsnet. Read it HERE Ex-Pack Shane McColgan was named Head coach and GM of the Valencia Flyers (WSHL) an AAU Tier III junior level league. The San Antonio Rampage announced Jim Johnson was let go in Edmonton. Johnson has a long NHL background with Tampa Bay, San Jose, and Washington as a head coach and assistant. He is the Rampage's new assistant coach to replace former Wolf Pack assistant coach JJ Daigneault, Daigneault took a head coaching job with Halifax (QMJHL). The other Rampage assistant is ex-Sound Tiger Daniel Thaczuk and the head coach is ex-Wolf Pack Drew Bannister. Great piece from the Sunday Toronto Sun column from long-time hockey writer columnist Steve Simmons and a great line from Ray Ferraro. A WHALE OF A STAFF The 1984-85 Hartford Whalers were not a very good team, finishing with 69 points, last in what was then the Adams Division, 14th in a 21-team NHL with a load of lousy teams. But here we are, 35 years later and the Whalers leading scorer, Ron Francis, was recently hired as the general manager of the expansion Seattle franchise, a week before, former teammate Paul Fenton was fired surprisingly as GM in Minnesota. From that forgettable Whalers team, there are coaches such as Joel Quenneville (Florida-NHL), Dave Tippett (Edmonton-NHL), Mark Johnson (University Wisconsin Big 10-W) and Kevin Dineen (San Diego-AHL), who have done quite well for themselves. There are broadcasters such as Ray Ferraro (TSN), the best in the game, and the long-serving Hockey Night in Canada color man, Greg Millen. There’s even career assistant coaches or minor league coaches like Ulf Samuelsson (presently not in coaching), Dean Evason (Minnesota-NHL) and Kurt Kleinendorst (Nuremberg Germany-DEL) from that team and a prominent player agent in former goalie, Mike Liut. Pretty amazing that ordinary NHL team could produce so many hockey lifers in prominent positions. “When I look back, we had Joel, Kevin Dineen, Dave Tippett, Doug Jarvis (Vancouver-NHL), John Anderson (Retired), Dean Evason — a lot of guys who became coaches on that team,” Ferraro said. “Maybe that was our problem with the Whalers. We had too many coaches, not enough players !!” Kevin Shattenkirk (Greenwich/Brunswick Prep) after just being bought out of his deal with the New York Rangers last Wednesday, officially signed a one year $1.75 million deal with Tampa Bay Monday. Another AHL'er leaves North America for Europe. Jonathan Dahlen, the son of former Ranger, Ulf Dahlen, gets loaned to Timra IK (Sweden-Allsvenskan) by the San Jose Sharks. Dahlen had been playing for the Sharks affiliate, the Utica Comets That makes 64 AHL’ers have signed in Europe and Asia and now 25 of 31 teams have lost at least one player. Former UConn Husky, Derek Pratt, the son of former New Haven Nighthawk, Tom Pratt, was involved in a two-for-one trade. He and Garrett Cecere were sent by the Maine Mariners to the Kansas City Mavericks (ECHL) for Jordan Klimek. Ex-Sound Tiger, Josh Holmstrom, signs with Norfolk (ECHL). Evan Wiscocky transfers out of UConn (HE) after two years to attend and play at Sacred Heart University (AHA). At age 21, he can play immediately this season and not sit out a full year. Wisocky, will meet his former school on opening night of the college hockey season in Bridgeport at the Webster Bank Arena October 5th. Five more collegians sign professional deals. John Marino leaves Harvard (ECACHL) a year early and signs and an entry-level deal with the Pittsburgh Penguins. He will likely start the season with the Wilkes Barre/Scranton Penguins (AHL). Anthony Crosten, of Arizona State, the NCAA Division I independent, signs with Adirondack (ECHL). Brendan Robbins of the University Maine (HE) signs with Reading (ECHL) and Devin Campbell, of Division III SUNY-Oswego (SUNYAC), signs with Wichita (ECHL). C.J. Stubbs departs Morrisville State College (SUNYAC) and signs a one-year deal with Roanoke (SPHL) and a try-out deal with Utah (ECHL) making 191 Division I players to have signed, and 258 overall college players to sign pro deals. Patrick Mullen, the nephew of ex-Nighthawk, Tom Mullen, and the son of former NHL great, Joey Mullen, moves from Vienna (Austria-EBEL) to Belfast (Northern Ireland-EIHL). Ex-Sound Tiger, Kirill Kabanov, goes from Krefeld (Germany-DEL) and heads back to Aalborg (Denmark-DHL). Brian Flynn (Pomfret Prep) goes from EV Zug (Switzerland-LNA) and goes to HC Ambri-Piotta (Switzerland-LNA). Steven Seeger (Stamford/Brunswick Prep/CT Oilers-EHL) leaves EHC Freiburg (Germany DEL-2) and heads to EC Kassel (Germany DEL-2). Matej Baca, the nephew of former Whaler, Jergus Baca, goes from HC Liptovsky (Slovakia-SLEL) to HC Bratislava (Slovakia Division-2) Former Ranger, Josh Green, goes from Winnipeg Blues (MJHL) in Junior A hockey to the just relocated Winnipeg Ice (WHL) in the same role as an assistant coach under ex-Ranger, James Patrick, the team’s heads coach. Ty Pochipinski, the son of former Nighthawk, Trevor Pochipinski, played four games with Colorado College (NCHC) and then the rest of the year with Penticton (BCHL), commits to Air Force (NCAA Independent) next year. David Bell leaves Ontario to take the same position as an assistant coach with Belleville, leaving only Springfield and Hartford without a second assistant coach. On the heels of seven schools announcing they're leaving the WCHA conference to form their own new hockey conference in two years, the University of Alaska's two programs; the Alaska-Fairbanks Nanooks and the Alaska-Anchorage Seawolves may become a combined program in the very near future because of serious state budget cuts. Read a story from the  Anchorage Daily News HERE. The Nutmeg State has another Division III hockey program as the Post University Eagles (Waterbury) have officially joined the Northeast-10 for hockey. Other schools in the program include St. Anselm (Manchester, NH), Assumption College (Worcester, MA), Southern New Hampshire University (Manchester, NH), Franklin Pierce (Rindge, NH), Saint Michael’s College (Colchester, VT), and Stonehill College (Easton, MA). The seven teams now comprise the only Division II college hockey conference in the nation. Presently five Division III level programs exist in the state. The Eagles head coach in his second season is Pete Whitney, who spent 11 years coaching at Gunnery Prep of Washington, CT. He also spent two years at Central Connecticut State University (ACHA Division-2). One of his three assistant coaches enters his third season, Tim Richter (Naugatuck). Richter played junior hockey with the CT Clippers and the Hartford Jr. Wolf Pack. He then spent two years with the Danbury Whalers (FHL) and played six games with the Danbury Titans. The Eagles’ home arena is The Sports Center of Connecticut, formerly known as the Twin Rinks of Shelton. Read more about it HERE. The Carolina Hurricanes dysfunctionality is an open case study of poor ownership and Tom Dundon seems not to care. Cantlon's Corner has not had one pro source spoken with that has a positive word to say about how he is handling the Hurricanes. Read that HERE The Danbury Colonials (N3HL) the newest junior team in the state has added its first four players to its roster. Goalie Shane O’Brien from the Boston Jr. Bruins (NCDC) and CT Chiefs (Newington) (EHL) last season was their first signee. Nate Mastrony (Trumbull) is the first CT signee played last season with Notre Dame - Fairfield.  He was also coached the past two seasons in Spring HS hockey by Howlings Editor-In-Chief, Mitch Beck. Kolby Donovan was just signed from the Boston Jr. Bruins (USPHL - Premier) and Wesley Westendorf, who comes from a very non-traditional hockey market, Little Rock, Arkansas. Read the full article