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sinceileftyoublog · 5 days ago

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Sophie Jamieson Interview: Driving in a Circle

Photo by Tatjana Rüegsegger

BY JORDAN MAINZER

Love is the perfect fodder for pop songs because, like a catchy melody, it feels good to the core, captivating. To make love last, though, you have to nurture it every single day, and when that stops feeling worthwhile, keeping it alive feels like feeding a parasite. It's those painstaking processes that concern the songs of I still want to share (Bella Union), the sophomore album from London singer-songwriter Sophie Jamieson. Her not-quite-meandering, oft-deliberate collection asks why we keep coming back to the romantic connection that has as strong a capacity to hurt us and divert us as it does to allow us to find a sense of home and belonging.

It was important for Jamieson to find arrangements, instrumentation, and production that kept the bare bones of the songs front and center while emphasizing their strongest ideas. Throughout I still want to share, bass and drums creep, and keys and strings shimmer (along with Jamieson's lower-register vibrato), combining to create an overall sense of standstill even if you can pinpoint individual moments of motion. It's the perfect accompaniment to songs in which partners are stuck in neutral, doing things to piss each other off but nowhere near move the needle one way or the other. On the opening track, the narrator breaks a (presumably expensive) camera while trying to take a picture, ultimately accepting that they can't do anything about the mess they've made. "I'm not here to look at you," Jamieson retorts, her voice descending into the strings as if she's disappearing like the love between two people. On "How do you want to be loved?", the narrator views their relationship as something animalistic and ritualistic, comparing it to birds feeding each other, intimate, but more just necessary for survival. The pace of the album's final song, "Time pulls you over backwards", changes like that of a companionship itself. "Time pulls you over backwards, deep beneath your age / Bends you at bloody angle, every time you play," Jamieson sings, overwhelmed by the inevitability of it all.

This isn't to say that I still want to share is a plodding, doom-and-gloom listen. Jamieson's careful to give space to the highs. "I guess I’m lucky that this is all mine / but I still wanna share sometimes," she sings, layered, on the title track, emphasizing our innate need for socialization. "Vista" is a sparkly ode to the lovestruck--"feed me coffee at the drive-in," Jamieson sings, one of the album's most specifically devotional lines--and "Baby" finds similarities between the parental and the amorous via a sense of specificity, the narrator contrasting the closeness of "I can identify your toes" with the admission that "I can't contain you every day." But that's just the thing: Even in the addictive peaks of romantic love, Jamieson knows there are raw, ugly, weird, and uncomfortable layers to reveal. If Bryan Ferry sang, succinctly, "Love is the drug for me," Jamieson reminds us of the gnarly aftereffects.

I still want to share is out today. I asked Jamieson some questions over email about the album, long drives, playing live, and her songwriting process. Read her responses below, edited for clarity.

Since I Left You: I still want to share is an album about, among other things, love and why we choose to keep loving. Is it easiest for you to communicate such thoughts through songs, either to the general public or with others?

Sophie Jamieson: I guess so, in the sense that I’ve learned what my thoughts are through writing the songs. I don’t think I had a way of thinking about this subject before I wrote this album, and recorded it, and spent time choosing how to group the songs. I don’t think I’ve necessarily had something specific I’ve wanted to communicate. The process of creating has been a mode of communicating with myself, and shaping something that I can use as a touchstone and learn from in the long term.

SILY: The arrangements on the album--and sometimes within the same song--alternate between lush and stark. Was it important to you to achieve a contrast in sound from song to song, or within a song?

SJ: It wasn’t, but as we recorded the album, these different characters of songs began to emerge, and we followed them each down their respective paths. I think I imagined the whole album would be a little lighter and driftier than it turned out [to be]. But that is the beauty of working with a producer who really allows you to play and encourages the true spirit of the songs to make themselves heard. [Co-producer] Guy [Massey] helped me find dimensions that I didn’t realize were there. I also think I do gravitate towards peaks, troughs, and drama when it comes to arranging songs. I don’t know why I thought I’d make something drifty. [laughs]

SILY: "Vista" and "Highway" contain lines about being in the car. Is there something about long drives and road trips that remind you of other transient aspects of life?

SJ: I guess so--I hadn’t thought of that! Both those songs describe an imagined journey, and I guess both journeys are inner ones. "Vista" is probably a path to losing yourself, and "Highway" is about trying to escape but finding you’ve driven in a circle all the way back home. I think I used that imagery because there is something lonely about long car journeys where you’re in a liminal space of nowhere in between destinations. I would say it’s less about transience than about the no-man’s land that is always waiting to receive you when you lose your footing and sense of belonging.

SILY: Why did you pick "Camera" and "I don't know what to save" as the singles for the album? Was there something about them exemplary of the record as a whole?

SJ: To be totally honest, I picked them because I felt they had more immediate impact than most of the other songs. Most of this album is quite a slow-burn, we didn’t record with things like radio or playlists in mind, so when it came to picking singles, I had to pick the best of a slow bunch. These two songs explore similar territory to one another, and I actually would have loved to cover more of the album’s layers with the singles released. But these days, you’ve just got to be a bit pragmatic about these things.

SILY: On the record, did you try to establish a consistent or perhaps contrasting relationship between a specific instrument, e.g., swelling strings, and a specific emotion?

SJ: I did not, but now that I think about it, I guess the strings come in a lot of places where there is intense longing. But there is a lot of longing through this album, so I guess we expressed that in several ways. I think perhaps more consciously, we brought in toy-like sounds like omnichord and glockenspiel in places where we wanted to bring a child-like sense of innocence, play, or purity, which we wanted to always feel slightly eerie and at odds with the rest of the arrangement. This sense of wonder and naivete is really important to the album, I think, for some reason.

SILY: What's the inspiration behind the sequencing of the record?

SJ: I initially wanted the record to feel clearly like a cycle of loving, from beginning to end and back again, but it didn’t work out like that. I found myself grouping songs that explored a deep attachment and inability to let go, in the first half, songs of losing yourself. Then “Highway” brings you on the long journey of escape and arriving back at your own front door, where you have to really begin to look at yourself. The second half of the album does this more, I think. It’s a slightly more uncomfortable examination of the contradictions within ourselves and within loving, that can be so painful.

SILY: What's the story behind the cover art?

SJ: I took my dear friend and long-time photographer, Tatjana [Rüegsegger], to Dungeness (her idea) for this shoot. I wanted photos with lots of sky, which was for some reason important, but I didn’t want just nice nature in the background: I wanted an atmosphere of eeriness, odd loneliness, lostness. Dungeness was perfect for this. I think it’s the only certified desert in the UK? I also wanted to be constantly in motion for these pictures. I think it was important to create a sense of ungrounding, constantly in search of landing somewhere that doesn’t exist.

SILY: How are you planning on adapting these songs to a live performance?

SJ: We won’t be trying to re-create the album precisely but are re-arranging and adapting most of these songs for a 5-piece band of drums, bass, 2 guitars, and cello. That’ll mean letting go of some of the finer details and focusing on melody, harmony, emotion, and dynamic. Smaller gigs I’ll play accompanied by solely my dear friend George [Lloyd-Owen] on cello. It’s proving a really joyful, creative process, re-imagining these songs for the stage.

SILY: When performing a song, do you find yourself entering the same headspace you were in when you wrote and/or recorded it?

SJ: I guess I do, and sometimes that is really uncomfortable or even unbearable. I’m very quick to stop playing certain songs live, I think it might make me quite an infuriating person to go and see play. For me, it’s important that I can enter into a song fully on stage, and gig to gig, that means choosing the setlist very carefully. If I’m on tour, the set has to be very different from night to night because I feel so different every day. Having said that, it’s never the same song as it was when you wrote it. The meaning will always change for you over time, and I do find that some songs come around full circle and take on a new lease of life after a time, like old friends come to support you after a long period away. That’s a very special thing.

SILY: What's next for you?

SJ: Next right now? I’m preparing the band for touring in the new year, doing a lot of release-related admin, writing LP3, and trying to find a paying day job. I find I’m constantly trying to find a way to balance all of these things, and thinking I’ve almost cracked it, but I never do. [laughs]

SILY: Are you the type of songwriter who is always writing, or do you need to set aside time to write?

SJ: Until about 1.5 years ago, I was always writing. Something changed last year: I burnt out, my worldview fell to pieces, and I found it wasn’t coming anymore. I just didn’t want to dig into myself. It was too jarring, painful, and exhausting. So I’ve had to change the way I write. Over the past 6 months, I’ve been setting time aside and doing it no matter how much I don’t want to. It’s been very interesting. It’s the first time I’ve really applied discipline to my writing, which I’ve been nervous to do all my life. I’ve gone from losing a lot of confidence in my writing to realizing it doesn’t always have to be such a mysterious and unpredictable thing, that if you put the time in regardless, it’s likely that something good will come.

SILY: Is there anything you've been listening to, reading, or watching that's inspired you or caught your attention?

SJ: I’m currently slightly obsessed with depictions of night in art of all kinds, also space (outer), silence, and stillness. These things will be woven through LP3. I read a book a couple of months ago which absolutely captivated me: When Women Were Birds: Fifty-four Variations on Voice by Terry Tempest Williams. It’s in some ways a meditation on silence, on what women don’t say, and what that means, what silence really is and why it’s so uncomfortable for us humans. Is it a gift or a violence? I read a few pages of this book and immediately went and wrote a song rooted in it. It’s a poetic, wild, transcendent read.

Tour dates

1/21: A Slice of Vinyl, Gosport, UK

1/22: Truck Store, Oxford, UK

1/23: Jumbo Records, Leeds, UK

1/25: Bella Union Vinyl Shop, Brighton, UK

2/7: Low Four, Manchester, UK

2/8: The Duncairn, Belfast, UK

2/11: The Folklore Rooms, Brighton, UK

2/12: The Lexington, London, UK

2/16: Peggy's Skylight, Nottingham, UK

2/20: HydeAway, Frome, UK

5/16: Braziers Park, Wallingford, UK

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extrabeurre · 5 years ago

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IL PLEUVAIT DES OISEAUX en tête des nominations du Gala Québec Cinéma 2020

En direct du salon de Guillaume Lambert, les nominations du Gala Québec Cinéma (qui ne fera pas l’objet d’un rassemblement télévisuel cette année, confinement oblige) ont été dévoilées cet après-midi.

En cette année dominée par les réalisatrices, 6 des meilleurs films sont réalisés par des femmes et 3 femmes sont en lice pour l’Iris de la Meilleure réalisation.

On parle bien sûr d’Antigone de Sophie Deraspe (Meilleur film, Meilleure réalisation, Meilleur scénario), La femme de mon frère de Monia Chokri (Meilleur film, Meilleure réalisation), Kuessipan de Myriam Verreault (Meilleur film, Meilleure réalisation, Meilleur scénario), Jeune Juliette d’Anne Émond (Meilleur film, Meilleur scénario), Il pleuvait des oiseaux et Louise Archambault (Meilleur film, Meilleur scénario, et 13 nominations au total, le record cette année), et du plus inattendu Fabuleuses de Mélanie Charbonneau (Meilleur film).

Ces films réalisés par des femmes sont rejoints dans les catégories de pointe par les « films de gars » Mafia Inc de Podz (Meilleur film), Sympathie pour le diable de Guillaume de Fontenay (Meilleure réalisation, Meilleur scénario), et Le vingtième siècle de Matthew Rankin (Meilleur premier film, Meilleure réalisation).

Un grand oublié : Xavier Dolan, qui a lancé deux longs métrages l’an dernier. On ne s’attendait pas à un couronnement du mal-aimé The Death and Life of John F. Donovan, mais l’excellent Matthias & Maxime aurait mérité plus d’honneurs. Il est quand même en nomination dans les catégories Meilleure interprétation féminine dans un rôle de soutien (Micheline Bernard), Meilleure interprétation masculine dans un rôle de soutien (Pier-Luc Funk), Meilleure direction de la photographie (André Turpin), Meilleur montage (Xavier Dolan), Meilleure musique originale (Jean-Michel Blais) et Meilleur maquillage (Erik Gosselin, Edwina Voda).

Du côté des interprètes, je suis soulagé que mon long métrage québécois préféré depuis longtemps, Le rire de Martin Laroche, ait été au moins reconnu pour les brillantes performances de Léane Labrèche-Dor (Premier rôle féminin) et Micheline Lanctôt (Rôle de soutien féminin).

Il faut aussi souligner les deux nominations comme acteur de Robin Aubert, pour Jeune Juliette (Premier rôle masculin) et Merci pour tout (Rôle de soutien masculin).

Et une pensée pour Andrée Lachapelle, qui nous a quittés récemment, nommée comme Meilleure actrice pour Il pleuvait des oiseaux.

Parlant d’Il pleuvait des oiseaux , félicitations à Will Driving West, un de mes groupes préférés, parmi les finalistes de la catégorie Meilleure musique originale.

Aussi, je suis très heureux pour l’extraordinaire Je finirai en prison d’Alexandre Dostie, en nomination pour l’Iris du meilleur court métrage.

LISTE COMPLÈTE DES NOMINATIONS

MEILLEUR FILM

Antigone - ACPAV - Marc Daigle

Fabuleuses - GO Films - Nicole Robert

La femme de mon frère - Metafilms - Sylvain Corbeil, Nancy Grant

Il pleuvait des oiseaux - Les Films Outsiders - Ginette Petit

Jeune Juliette - Metafilms - Sylvain Corbeil

Kuessipan - Max Films Média - Félize Frappier

Mafia Inc - Attraction Images - Antonello Cozzolino | Caramel Films - Valérie D'Auteuil, André Rouleau

MEILLEUR PREMIER FILM

Mad Dog Labine - Jonathan Beaulieu-Cyr, Renaud Lessard - 1er scénario de Jonathan Beaulieu-Cyr, Renaud Lessard

Sympathie pour le diable - Guillaume de Fontenay - 1er scénario de Guillaume de Fontenay, Guillaume Vigneault

Le vingtième siècle - Matthew Rankin - 1er scénario de Matthew Rankin

MEILLEURE RÉALISATION

Monia Chokri - La femme de mon frère

Guillaume de Fontenay - Sympathie pour le diable

Sophie Deraspe - Antigone

Matthew Rankin - Le vingtième siècle

Myriam Verreault - Kuessipan

MEILLEUR SCÉNARIO

Louise Archambault - Il pleuvait des oiseaux

Jean Barbe, Guillaume de Fontenay, Guillaume Vigneault - Sympathie pour le diable

Sophie Deraspe - Antigone

Anne Émond - Jeune Juliette

Naomi Fontaine, Myriam Verreault - Kuessipan

MEILLEURE INTERPRÉTATION FÉMININE | PREMIER RÔLE

Anne-Élisabeth Bossé (Sophia) - La femme de mon frère

Anne Dorval (Isabelle Brodeur) - 14 jours 12 nuits

Léane Labrèche-Dor (Valérie) - Le rire

Andrée Lachapelle (Gertrude | Marie-Desneige) - Il pleuvait des oiseaux

Noémie O'Farrell (Laurie) - Fabuleuses

MEILLEURE INTERPRÉTATION MASCULINE | PREMIER RÔLE

Robin Aubert (Bernard) - Jeune Juliette

Marc-André Grondin (Vincent «Vince »Gamache) - Mafia Inc

Patrick Hivon (Karim) - La femme de mon frère

Niels Schneider (Paul Marchand) - Sympathie pour le diable

Gilbert Sicotte (Charlie) - Il pleuvait des oiseaux

MEILLEURE INTERPRÉTATION FÉMININE | RÔLE DE SOUTIEN

Micheline Bernard (Francine) - Matthias & Maxime

Juliette Gosselin (Clara Diamond) - Fabuleuses

Micheline Lanctôt (Jeanne) - Le rire

Eve Landry (Rafaëlle [Raf]) - Il pleuvait des oiseaux

Geneviève Schmidt (France Gauthier) - Menteur

MEILLEURE INTERPRÉTATION MASCULINE | RÔLE DE SOUTIEN

Robin Aubert (Réjean) - Merci pour tout

Sergio Castellitto (Francesco « Franck » Paternò) - Mafia Inc

Pier-Luc Funk (Rivette) - Matthias & Maxime

Sasson Gabai (Hichem) - La femme de mon frère

Rémy Girard (Tom) - Il pleuvait des oiseaux

RÉVÉLATION DE L'ANNÉE

Catherine Chabot (Chloé Therrien) - Menteur

Sharon Fontaine-Ishpatao (Mikuan Vollant [16-21ans]) - Kuessipan

Alexane Jamieson (Juliette) - Jeune Juliette

Nahéma Ricci (Antigone) - Antigone

Lilou Roy-Lanouette (Yanna) - Jouliks

MEILLEURE DISTRIBUTION DES RÔLES

Jacinthe Beaudet, Tobie Fraser, Geneviève Hébert, Myriam Verreault - Kuessipan

Nathalie Boutrie (Casting NB) - Jeune Juliette

Nathalie Boutrie (Casting NB) | Francis Cantin, Bruno Rosato (Casting Cantin Rosato) - Mafia Inc

Sophie Deraspe, Isabelle Couture | Pierre Pageau, Daniel Poisson (Gros Plan) - Antigone

Karel Quinn (Casting Karel Quinn) | Lucie Robitaille (Casting Lucie Robitaille) - Il pleuvait des oiseaux

MEILLEURE DIRECTION ARTISTIQUE

Éric Barbeau - La femme de mon frère

Dany Boivin - Le vingtième siècle

Marie-Claude Gosselin, Jean Lebourdais - Il pleuvait des oiseaux

Sylvain Lemaitre - Jeune Juliette

David Pelletier - Mafia Inc

MEILLEURE DIRECTION DE LA PHOTOGRAPHIE

Yves Bélanger - 14 jours 12 nuits

Nicolas Canniccioni - Kuessipan

Josée Deshaies - La femme de mon frère

Mathieu Laverdière - Il pleuvait des oiseaux

André Turpin - Matthias & Maxime

MEILLEUR SON

Claude Beaugrand, Michel B. Bordeleau, Bernard Gariépy Strobl, Claude La Haye, Raymond Legault - The Song of Names

Sylvain Bellemare, Jocelyn Caron, Bernard Gariépy Strobl - Sympathie pour le diable

Serge Boivin, Olivier Calvert, Samuel Gagnon-Thibodeau - Ville Neuve

Luc Boudrias, Sylvain Brassard, Jean Camden - Mafia Inc

Bernard Gariépy Strobl, Sacha Ratcliffe, Lynne Trépanier - Le vingtième siècle

MEILLEUR MONTAGE

Geoffrey Boulangé, Sophie Deraspe - Antigone

Monia Chokri, Justine Gauthier - La femme de mon frère

Xavier Dolan - Matthias & Maxime

Myriam Poirier - 14 jours 12 nuits

Matthew Rankin - Le vingtième siècle

MEILLEURS EFFETS VISUELS

Alchimie 24 - Alain Lachance, Jean-Pierre Riverin - The Song of Names

Mikros - Véronique Dessard, Philippe Frère - The Hummingbird Project

Oblique FX - Benoit Brière, Louis-Philippe Clavet, Kinga Sabela - Sympathie pour le diable

MEILLEURE MUSIQUE ORIGINALE

Andréa Bélanger, David Ratté (Will Driving West) - Il pleuvait des oiseaux

Jean-Michel Blais - Matthias & Maxime

Jean Massicotte, Jad Orphée Chami - Antigone

Howard Shore - The Song of Names

Peter Venne - Le vingtième siècle

MEILLEURS COSTUMES

Valérie Lévesque - Mafia Inc

Ginette Magny - Jouliks

Patricia McNeil - La femme de mon frère

Patricia McNeil - Le vingtième siècle

Caroline Poirier - Il pleuvait des oiseaux

MEILLEUR MAQUILLAGE

Jeanne Lafond - Jouliks

Léonie Lévesque-Robert - Fabuleuses

Marlène Rouleau - Mafia Inc

Adriana Verbert - Le vingtième siècle

Erik Gosselin, Edwina Voda - Matthias & Maxime

MEILLEURE COIFFURE

Michelle Côté - The Song of Names

Stéphanie Deflandre - Mafia Inc

Nermin Grbic - Le vingtième siècle

Daniel Jacob - Fabuleuses

Martin Lapointe - Il pleuvait des oiseaux

MEILLEUR FILM DOCUMENTAIRE

Alexandre le fou - Pedro Pires | Pedro Pires

Mad Dog & The Butcher - Les derniers vilains - Thomas Rinfret | Divertissement Breakout - Vito Balenzano, Bruno Rosato | Vélocité International - Valérie Bissonnette

Soleils noirs - Julien Elie | Cinéma Belmopán - Julien Elie

Xalko - Hind Benchekroun, Sami Mermer | Les films de la tortue - Hind Benchekroun | Sami Mermer

Ziva Postec. La monteuse derrière le film Shoah - Catherine Hébert | Les Films Camera Oscura - Christine Falco

MEILLEURE DIRECTION DE LA PHOTOGRAPHIE | FILM DOCUMENTAIRE

Dominic Dorval, Vincent Masse, Thomas Rinfret, Richard Tremblay - Mad Dog & The Butcher - Les derniers vilains

Sami Mermer - Xalko

François Messier-Rheault, Ernesto Pardo - Soleils noirs

Pedro Pires - Alexandre le fou

Pedro Ruiz - Sur les toits Havane

MEILLEUR MONTAGE | FILM DOCUMENTAIRE

Benoit Côté, Thomas Rinfret - Mad Dog & The Butcher - Les derniers vilains

Sylvia De Angelis, Sophie Leblond, Pedro Pires - Alexandre le fou

Aube Foglia - Soleils noirs

Annie Jean - Ziva Postec. La monteuse derrière le film Shoah

Natalie Lamoureux - Une femme, ma mère

MEILLEUR SON | FILM DOCUMENTAIRE

Wolfgang Beck, Mustafa Bölükbasi, Kerem Çakir, Huseyin Can Erol, Sonat Hançer, Eric Lebœuf, Bruno Pucella, Ibrahim Tarhan, Yener Yalçin, Tolga Yelekçi - Échos d'Istanbul

Luc Boudrias, Patrice LeBlanc - Une femme, ma mère

Sylvain Brassard, Benoit Leduc, Gaël Poisson Lemay - Alexandre le fou

Shelley Craig, Marie-Pierre Grenier, Luc Léger, Geoffrey Mitchell - La fin des terres

René Portillo - Sur les toits Havane

MEILLEUR COURT MÉTRAGE | FICTION

Je finirai en prison - Alexandre Dostie | Art & Essai - Hany Ouichou

Jojo - Guillaume Laurin | Couronne Nord - Fanny Forest, Julie Groleau, Guillaume Laurin

Juste moi et toi - Sandrine Brodeur-Desrosiers | Les Films Camera Oscura - Johannie Deschambault

SDR - Alexa-Jeanne Dubé | À Deux - Emili Mercier

Une bombe au cœur - Rémi St-Michel | Christal Films Productions - Christian Larouche | Panache Films - Sébastien Létourneau

MEILLEUR COURT MÉTRAGE | ANIMATION

Le cortège - Pascal Blanchet, Rodolphe Saint-Gelais | Office national du film du Canada - Julie Roy

Le mal du siècle - Catherine Lepage | Office national du film du Canada - Marc Bertrand

Organic - Steven Woloshen | Steven Woloshen

Physique de la tristesse - Theodore Ushev | Office national du film du Canada - Marc Bertrand

Les vêtements - Caroline Blais | Caroline Blais

FILM S'ÉTANT LE PLUS ILLUSTRÉ À L'EXTÉRIEUR DU QUÉBEC

Antigone - Sophie Deraspe | ACPAV - Marc Daigle | Maison 4:3

La femme de mon frère - Monia Chokri | Metafilms - Sylvain Corbeil, Nancy Grant | Les Films Séville

Genèse - Philippe Lesage | Unité centrale - Galilé Marion-Gauvin | FunFilm Distribution

Kuessipan - Myriam Verreault | Max Films Média - Félize Frappier | Filmoption International

Répertoire des villes disparues - Denis Côté | Couzin Films - Ziad Touma | Maison 4:3

PRIX DU PUBLIC

La femme de mon frère - Monia Chokri | Les Films Séville | Metafilms - Sylvain Corbeil, Nancy Grant

Il pleuvait des oiseaux - Louise Archambault | MK2 | Mile End | Les Films Outsiders - Ginette Petit

Mafia Inc - Daniel Grou (Podz) | Les Films Séville | Attraction Images - Antonello Cozzolino | Caramel Films - Valérie D'Auteuil, André Rouleau

Menteur - Émile Gaudreault | Les Films Séville | Les Films du Lac - Émile Gaudreault | Cinémaginaire - Denise Robert

Merci pour tout - Louise Archambault | Les Films Séville | Amalga - André Dupuy

IRIS HOMMAGE

Alanis Obomsawin

#gala québec cinéma #il pleuvait des oiseaux #andrée lachapelle

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healthcaretipsblog · 7 years ago

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He's made his list, he's checked it twice, he already knows who's been naughty and nice. That's right: Santa Claus is coming to town – and you can follow him as he makes his way around the world. Every year, the boffins at Norad (the North American Aerospace Defense Command) kindly dedicate December 24th to tracking Father Christmas as he darts from chimney to chimney, country to country, and continent to continent, delivering gifts while voraciously consuming sweetmeats. Their service began by happenstance in 1955, when a Sears ad in a local paper offering the chance to speak to Santa mistakenly printed the top secret phone number of Conad – Norad’s predecessor. US Air Force Col. Harry Shoup took the first call from a young boy wanting to talk to Santa in good humour, and so a Christmas tradition was born. Now, every year, thousands of volunteers staff telephones and computers to answer calls and e-mails from children (and adults) around the world. As of 2007, search engine Google has also provided an online tracker, in partnership with Norad. Join us below to follow Santa's snow-flecked footsteps around the world. And keep your fingers crossed that when he arrives at your house, he'll find your name on the good side of that list ... 12:07AM Santa visits UK! Father Christmas has visited the UK and delivered his gifts - have you got what you wished for? For all you Santa Trackers in the UK, it looks like #Santa is on his way to your house! How do you like to prepare for Santa’s arrival? Milk and cookies? A hand-written letter? Let us know in the comments! #NORADTracksSantahttps://t.co/gSvRD6ezKo— NORAD Tracks Santa (@NoradSanta) December 24, 2017 9:48PM Melania Trump: As soon as you go to sleep, Santa will be there More from the White House press pool: First Lady Melania Trump, wearing a red dress and white heels with floral print, spoke quietly into the phone, smiling and nodding as she listened to children on the other line. “How are you? Merry Christmas. Are you tracking Santa? Do you know where he is right now?” she asked. She asked them if they made their lists and assured them that Santa is en route: “As soon as you go to sleep, Santa will be there.” She wished the kids and their parents a merry Christmas. US President Donald J. Trump and the First Lady Melania Trump participate in NORAD Santa Tracker phone calls at the Mar-a-Lago resort in Palm Beach, Florida Credit: AFP 9:43PM Trump: Wishing for a relative to get out of hospital better than asking for some toy According to the White House press pool, the US president engaged with a couple of children: The president was receiving calls both before and after we left. He told Casper from Virginia (not sure if Casper is a girl or boy): “What would you like more than anything?” [kid responds. Press can’t hear.] Trump: “Building blocks, that’s what I’ve always liked too. I always loved building blocks...well I predict Santa will bring you building blocks, so many you won’t be able to use them all.” He talked to another kid, Brian (unsure of spelling), 5 years old. “So you want your grandma to get out of the hospital? That’s what your wish is? That’s great. That’s better than asking for some toy or something, that’s much better, right?” “So your grandma’s gonna be good,okay, she’s gonna be good.” Donald and Melania Trump Credit: Getty 9:41PM The Trumps help out Donald and Melania Trump have been manning the phones for NORAD: #NORADTracksSanta’s mission has reached the highest level of government. President Trump and the First Lady are working with NORAD to answer your calls. Call 1-877-HI-NORAD.— NORAD Tracks Santa (@NoradSanta) December 24, 2017 9:01PM The things we miss about Christmas TV This year’s Christmas programming is all very well but we can’t help hankering for the ghosts of telly past. Michael Hogan details his favourites from Morecambe & Wise specials to a Bond film on ITV - read the full article. Morecambe & Wise 8:44PM How old is Santa? #Santa last seen in Beira, Mozambique. Did you know that NORAD intelligence indicates Santa is AT LEAST 16 centuries old?? #NORADTracksSanta— NORAD Tracks Santa (@NoradSanta) December 24, 2017 8:25PM The Acropolis Santa has just done a fly-by of another of the new wonders of the world - the Acropolis in Athens: 7:56PM Santa is on schedule #NORAD confirms #Santa has arrived over Chisinau, Moldova. #Santa reported the weather is clear and his is on schedule— NORAD Tracks Santa (@NoradSanta) December 24, 2017 7:43PM Santa is in Europe! The Big Man was last spotted in Vilnius, Lithuania. #NORAD confirms #Santa has arrived over Vilnius, Lithuania— NORAD Tracks Santa (@NoradSanta) December 24, 2017 7:33PM The 'Nanny State' Christmas lunch: Everything you should be eating, according to official advice With a measly portion of turkey, pallid boiled potatoes and just a quarter of a glass of champagne, this is what Christmas dinner might look like if public health guidelines were followed to the letter, Sophie Jamieson writes. Dubbed the "nanny state approved Christmas lunch", the menu to keep you below Public Health England (PHE) recommended calorie intake allows for only a quarter of a pig in blanket, a tenth of a serving of Christmas pudding and a twentieth of a mince pie. Taxpayers Alliance handout showing a visual representation of a Christmas lunch as approved by the National Health Service's nutritional guidelines PHE guidelines say the average man should keep below 2,500 calories per day. The figure is 2,000 calories for women. The bleak festive spread was created by the pressure group the TaxPayers' Alliance, who say PHE spend £40 million a year telling people how to live healthy lives. Read the full story. 6:57PM The best Christmas TV When you're taking a break from following Santa's journey around the world, here are the best TV offerings this year, including All Star Musicals and Mary, Mel and Sue's Big Chistmas Thank You. Dr Who Credit: BBC 6:25PM How does the Santa tracker work? People always ask how #NORAD tracks #Santa on Dec 24th! We use infrared sensors from Rudolph’s nose to determine Santa’s exact location throughout the night! To talk to a NORAD Santa Tracker, call 1-877-HI-NORAD. http://ift.tt/2kT4Z6P (Desktop browsers only)— NORAD Tracks Santa (@NoradSanta) December 24, 2017 5:44PM Children in Russia - it's time to go to bed! #NORAD Just spotted #Santa over Russia! Children in Russia, it's time to go to bed. #NORADTracksSanta— NORAD Tracks Santa (@NoradSanta) December 24, 2017 5:43PM How to host a family Christmas... without having a breakdown Do you remember waking up on Christmas day, filled with excitement and joy? Did you jump out of bed and rush downstairs to see if Father Christmas had successfully navigated the chimney/central heating system and delivered that all-important toy on your wish list? Good times. The chances are your first waking moments of Christmas Day are sprinkled with slightly different thoughts these days. Has the turkey finished defrosting? Will the kids like their presents? Is there still time to barricade the house to prevent the in-laws gaining access? Well, worry no longer. Read our guide that answers all you anxiety-ridden prayers. How to have the perfect Christmas 5:16PM Taj Mahal Santa has just visited India - cameras picked him up flying over one of the modern wonders of the world: 4:53PM The Christmas crystal ball Christmas Day is a bit like Groundhog. You wake up, stick the turkey in the oven, placate yourself with an odd concoction of coffee and Bucks Fizz, watch the kids tear open their presents, slave away in the kitchen some more, and finally pass out on the sofa. Tick, there goes another year. Here are the 24 things bound to happen at your big family Christmas tomorrow. 4:42PM Conquering Everest Santa is going to have to tug hard on those reins and get the reindeer flying high. He's coming into Nepal, home to eight of the 10 world's highest peaks, including the tallest Mount Everest. Nepal guess who is coming soon...that’s right��.Time for good boys and girls to get to �� and catch some ��.�� http://pic.twitter.com/7EQUPdofev— NORAD Tracks Santa (@NoradSanta) 24 December 2017 4:36PM Getting through Russia Santa is back working his way through Russia. It's a long, hard slog - Russia takes up an eighth of the Earth's land area - but Santa misses no one out on Christmas Eve. 4:12PM Christmas code-words Are you expecting to welcome friends and relatives tomorrow? Christmas day can be a bit of a war-zone, but everyone just tries to dust their resentment under the carpet because hey it's Christmas, and in the spirit of said holiday, thou shalt lie and deceive rather that tell the truth. If you do actually want to find out what everyone round the dinner table is actually thinking than read this: What people say at Christmas... and what they really mean 4:00PM No holiday on Christmas day in Thailand Santa is now dropping off presents in Thailand. 85 percent of the population in Thailand is Buddhist, and 14 percent practice Islam. As such, Christmas day is not taken as a holiday in Thailand but many lights and decorations still adorn the streets of Thailand's capital Bangkok during the month to celebrate the King's birthday on 5 December. Since the previous king passed away last year though, the celebrated holiday has moved to 28 July. 3:28PM From Saint Nick to Saint Graham Credit: Christopher Baines/BBC From one jolly bearded fellow to another - read Graham Norton's Christmas special agony uncle column here while you wait for the other one to hurry up with your presents already. 3:19PM The Las Vegas of Asia Santa is about to go over Macau, an autonomous region on the South coast of China dubbed the 'Las Vegas of Asia' because of it's bounty of casinos, and the bustling nightlife. You might want to turn down the light on Rudolph's nose Santa - you're not going to need it to light the way over here. The Venetian Macao Resort Hotel Credit: Kin Cheung/AP 2:52PM What to do after unwrapping the presents? After the presents, there is the turkey, but then how about a winter walk or maybe a film (and none of those slushy romantic ones please)? You could even book yourself into a mindfulness retreat if it's all become too much. We've wracked our brains for a range of activities to try out once Santa has done his job and all the presents have been ripped open. How to keep the family entertained over Christmas 2:37PM Great wall of China Santa has just crossed over the Great Wall of China, which was built by the Qin dynasty to keep northern invaders out of their territories. No such problems for Santa - nothing can get in the way of him and his reindeer tonight, they've got presents to deliver. Santa has a great view of the Great Wall #NORADTracksSanta thanks to @verizon for boosting our signal! http://pic.twitter.com/rEpRMxwkZW— NORAD Tracks Santa (@NoradSanta) 24 December 2017 2:20PM 1 billion presents delivered! A congratulations are in order for a certain Mr Claus, who has just dropped off one billion presents this evening. However with 6.6 billion more people still waiting for their pressies, Santa still has a long night ahead of him. 2:16PM Valentine's Day on Christmas Eve Santa is in Japan. Christmas Eve is a big deal for young Japanese couples, who treat the evening as we would do Valentines Day. No one is quite sure why the evening became an event for couples, but pop-star Tatsuro Yamashita’s 1988 song, “Christmas Eve” about the sadness of spending Christmas alone, popularised the romantic ideals of being close to that special someone on Christmas Eve. Meanwhile over here we're just thinking about all the pressies Santa is about to drop off. 2:02PM There's the Sydney Opera House It's flashback time. Here is Santa doing some sightseeing as he flys over some of Sydney's most famous landmarks. #NORAD spotted #Santa flying through Sydney, Australia! See the video! http://ift.tt/2BuqvW2 NORAD Tracks Santa (@NoradSanta) 24 December 2017 1:54PM Have yourself a very smug Christmas Are you watching Santa scoot around the world safe in the knowledge that all your Christmas day plans are sorted? I bet you're feeling pleased with yourself, and so you should be. However, if you're still flying around frantically trying to tie up all the loose Christmas ends then have a read of our guide to having a smug Christmas, and catch a glimpse of how the other (more organised) half live? How to have a smug Christmas, in ten supremely self-satisfied steps 1:35PM White Christmas? Not in Australia Santa has touched down in Australia. No dreaming of a white Christmas here as it's the height of summer in Australia, with average temperatures of 30C However in 2010 the ssemingly impossible happened as 11 inches of snow fell in New South Wales just a few days before Christmas day. No such luck this year mind. 1:27PM Have you got Christmas dinner covered? While Santa is busy going around the world sorting out the presents, who is sorting out the turkey covered on the big day? We recommend you start your prep for the big Christmas day meal today and save yourself any extra stress on the day. You can prep the vegetables, make the stocks for the gravy and roll up your stuffing balls. Still feeling nervous about cooking Christmas dinner? Take a gander at our ultimate guide to cooking the perfect Christmas dinner. How to cook the perfect Christmas dinner 1:10PM We hope Santa has wrapped up warm Santa is currently flying over the Eastern tip of Russia with the temperature at -17°C. Chilly stuff - so make sure you put some warmed mince pies out on the side for when he eventually comes round to you. 1:02PM Change of Telegraph Christmas Elf That's me done for the year. Over to Richard Jones for more Santa tracking tracking... 12:41PM A peaceful place Santa is currently on his way to the Federated States of Micronesia, population 104,937, which we've previously listed as one of 16 countries that do not have an army. Can you guess the 15 others? 12:13PM The rise of the Christmas Eve box In case you haven't already heard, there's a new Christmas trend in town – and today is the day when it comes to fruition. The Christmas Eve box is a package full of small gifts that kids get to open the night before Christmas. Think of as an early bird's stocking, only without the connotations of mouldy feet. You can find out more about what to put in these boxes (there's still time to cook one up at home – though you'll need to get creative) by reading our useful guide. Ho ho ho, merry Christmas Eve. 11:41AM Q: Why is Rudolph's nose red? A: Because it's hotter than the sun. Here's some science from Norad, on how they use the heat from Rudolph's nose to follow their man... Santa spotted on DSP satellite from the heat off Rudolph's nose! http://ift.tt/2C3iyKJ NORAD Tracks Santa (@NoradSanta) December 24, 2017 11:31AM Eyes to the skies He's off! We have our first Santa spotting of Christmas Eve 2017, with Norad reporting that his red sleigh is currently zooming over Russia, en route to New Zealand and Australia. Now that they've got Santa locked on their radar, you can follow his progress in the video at the top of this article. Godspeed, Santa Claus. 11:31AM Urgent: Presents needed Are you just waking up to the realisation that it's Christmas Eve? Have you hitherto buried your head in the snow, unwilling to even countenance the idea that you might need to buy a semi-random assortment of objects for your friends and loved ones? Does the thought of a last-minute trip to the heaving High Street make you want to heave in an entirely different manner? Then fear not, because we've rounded up some gift subscription ideas that a) will make great presents, and b) can be bought from the comfort of your front room, without so much as the need to put on a pair of pants. Take a look at the below, and heave a sigh of relief. Last-minute Christmas gift guide: how to do all your shopping ... without going to the shops 11:30AM The wait is nearly over Well boys and girls, we're getting close. It seems that Santa is currently doing some last minute quality control. Here's a leaked image from his HQ in Greenland... 11:30AM Santa's journey in numbers Santa will travel an estimated 510,000,000km on Christmas Eve, which means he'll average 10,703,437.5km/hr, or about 1,800 miles per second. According to calculations in 2014, there are roughly 1.85bn children who can hope to receive presents. With an average of 2.5 children per household, that means Santa has to slide down 740m chimneys. To hit those numbers, Santa needs to visit 390,000 homes per minute – or 6,424 per second. And what of the big guy's expanding waist line? Well, if each house places a 200ml glass of semi-skimmed milk and a mince pie by the fireplace, Santa will make his way throughy 148m litres of milk – enough to fill around 60 Olympic-size swimming pools – and chomp on 740m mince pies. As there are around 250 calories in a mince pie and 100 calories in the glass of milk, that means Santa will consume 259bn calories on Christmas Eve alone. Let's hope his trousers are elasticated. 11:30AM Fake news? A quick word on sources. This time last year, the Santa tracking world was split asunder by an apparent disagreement between the two main tracking organisations. While's Google's tracker reported its first sighting of Santa at 10am GMT, Norad's tracker lagged about 30 minutes behind. And it remained thus for the rest of the day: where one would see Santa arrive in, say, Madrid at 11pm GMT, the other would spot Santa in the same location half an hour later. Little has been said publicly about the confusion since then. The two organisations have apparently closed ranks after the division – leaving online conspiracy theorists to run amok. Are there two Father Christmases, sharing the burden of delivering gifts to every (good) child in the land? Was one tracker detecting an echo in time, the logical consequence of the vertiginous speeds at which Santa must travel? Had Google picked up a genuine unidentified flying object? No one has the answers to these questions – but suffice to say that if the same happens again this year, we at The Telegraph will treat Norad's tracker as the official timekeeper. No disrespect, Google, but those guys have got the nukes... 11:29AM Why does NORAD track Santa? While we wait for Santa to file all the obligatory flight plans and put the finishing touches on his sleigh packing (we imagine he's much like any father on Christmas Eve right now, desperately pushing another bag of presents into a car boot that's already jammed full), let's take the opportunity to look back on how this Santa tracking business started. The year was 1955, and an advert promoting Santa's Toyland at the Sears department store had been published in the Colorado Springs newspaper, offering excited children the chance to speak to big man himself. The only problem? Rather than listing a dedicated Sears phoneline, the advert referenced a top secret hotline at Conad – Norad’s predecessor. The Sears advert that started it all Over at CONAD, all was calm and well, when US Air Force Col. Harry Shoup, director of operations at the nuclear missile base, noticed the red phone on his desk ringing. Col. Shoup had two phones, and you can imagine what the red one was for. "Only a four-star general at the Pentagon and my dad had the number," recalled his daughter Pam. Presumably fearing the worst, Col. Shoup picked up the receiver. Pam continues: "And then there was a small voice that just asked, 'Is this Santa Claus?'" Shoup was a straight-laced and disciplined man – much as you would expect for the director of operations at the US's nuclear HQ – and he reacted with due annoyance, suspecting he was the victim of a practical joke. But then the little voice started crying. "And Dad realised that it wasn't a joke," says Shoup's daughter. "So he talked to him, ho-ho-ho'd and asked if he had been a good boy and, 'May I talk to your mother?' And the mother got on and said, 'You haven't seen the paper yet? "'There's a phone number to call Santa. It's in the Sears ad.'" Shoup took the reins and ran with them. Soon, he was on local radio every hour, updating listeners on the whereabouts of an unidentified flying object that had the unmistakable look of a sleigh. From one small mistake, a tradition was born. Every year hence, the nuclear has run a Christmas Eve hotline for children, updating them on the whereabouts of the Great Benefactor In The Sky. The Norad Santa Tracking Operation HQ, in 2014 Over the years, Conad/Norad and Santa have proved to be a perfect fit. After all, who better to spot where Santa's sleigh is flying than a major operation dedicated to monitoring the skies? And what better way for the joint US-Canadian military division – men and women who routinely spent their time checking radar screens for signs of impending nuclear apocalypse – to spend their down time than talking to children about what they wanted for Christmas? In 2007, Norad partnered with Google to put the Santa tracking ritual online, and now children around the world can follow Santa's snow-flecked footsteps as he delivers presents during the night before Christmas. With the help of our live blog, of course. 11:29AM Good morning... ... and welcome to The Telegraph's Christmas Eve live blog, where we'll be tracking the movements of good ol' Santa (that's Father Christmas or even St. Nick to you and I) as he dashes around the world, delivering gifts and joy to all those children who have been well behaved over the course of the last 12 months. According to (un)official estimates, there's a while to go before Santa starts doing his thing. So, put the kettle on, get some breakfast inside you, fish out those dusty binoculars from wherever you left them this time last year, and get ready to join us for the ride.

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