#Sohail Sameer

[moviemosaics]

Joyland

directed by Saim Sadiq, 2022

[mauxpourdesmots]

[dotentertainment7866]

Sohail Sameer Revealed That People Say That He Can Be in Fawad Khan's Place

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"Wakhri (One of a Kind)"

Despite the repetitive nature of thematic bullet points, it's refreshing to see such a spirited female perspective represented in Pakistani cinema.

There’s a powerful effectiveness that flows from director and co-writer Iram Parveen Bilal‘s “Wakhri (One of a Kind),” a story that benefits from its strong female voice on the page and behind the camera. The film expresses the complexities surrounding women’s roles and their treatment in contemporary Pakistani society, wrapped within the harrowing journey of a widowed school teacher thrust into…

[bollywoodirect]

26 Years of #PyaarKiyaToDarna Kya (27/03/1998). Pyaar Kiya To Darna Kya is a romantic comedy film. Written and directed by Sohail Khan, the film stars his real-life brothers #SalmanKhan and Arbaaz Khan, alongside Kajol and Dharmendra Deol in pivotal roles. Sanjeev Duggal wrote the dialogues for the movie, and Sohail Khan came up with the story. Bunty Walia, Sohail Khan, and Vashu Bhagnani produced the movie. Rasool Ellore did the cinematography. Yusuf Khan edited the movie, putting all the pieces together to make it flow well. The music, which is a big part of the movie, was made by Jatin-Lalit, Himesh Reshammiya, and Sajid-Wajid. Sameer wrote the lyrics.

[warningsine]

Joyland (2022), Saim Sadiq’s crushing debut and the first Pakistani film to be shortlisted for the Oscars, is imbued with a crisis of space. There never seems to be enough room. Not in the Rana household, the narrative kernel of the outing, where the intimacy of a married couple is compromised by the presence of a child sleeping with them. Not in the erotic theater, where a transgender dancer struggles to headline her own set. Not even in a close-walled residence, where an expression of female desire is brought to submission by an intrusive pair of eyes. 

This paucity is physical and metaphorical; the urge to fit in within this lack is personal and private. Sadiq frames the story around this admixture of dearth and desire, arguing through his film the world’s tendency to amplify the need to belong while designing it as a cautionary tale of belonging. 

Written by Sadiq and Maggie Briggs, Joyland focuses on a Lahore-based middle-class family. It is helmed by a wheelchair-addled patriarch and includes his two sons, Saleem (Sohail Sameer) and Haider (Ali Junejo). Each is starkly different than the other. The former is an alpha male, eager to extend his lineage with a son. Haider, shouldering responsibilities at home, is diffident. Even their marriages are contrasting. The relationship between Saleem and Nucchi (Sarwat Gilani) brims with inequality, no different from an orthodox union. Haider and Mumtaz (Rasti Farooq) are close. She works at a beauty parlor, he is unemployed. Their alliance, largely asexual in nature, comes across as consensual companionship. It’s why when Haider is hired as a background dancer at an erotic theater and his father decides for Mumtaz to quit her job, she looks to him for support. Haider opposes but gives in. 

Since its premiere at Cannes in 2022, the film has been making waves for its LGBTQ+ themes, the appeal accentuated by the first-ever inclusion of a transgender actor (Alina Khan) in a major Pakistani feature although the country legally recognized the community in 2009. A detail such as this and the narrative shift which enfolds Haider falling for the character, Biba preempts the transgressive love story to hijack the main plot. Love, after all, has traditionally served as the text for conflict and subtext for approval. The filmmaker’s brilliance lies in bypassing tropes to render a critique of the cornering labels of identity. 

Subjected to humiliation, Biba yearns for gender-affirming surgery to approximate her true identity. Joyland acknowledges her desire but also examines the stifling existence of those who already are. Mumtaz becomes the face of oppression. On paper, she’s who Biba wants to be — a woman who enjoys social acceptance. Except, the jagged edges of gender have bruised Mumtaz. Haider is no less wounded from being emasculated for his gentility. Through assured filmmaking and compelling performances, Sadiq highlights the restrictions embedded in the coveted idea of belonging. 

During its runtime, Joyland unfolds as a reiteration of patriarchy that necessitates performing gender, and, thus, robs joy of inhabiting it. The film emerges as distinctly South Asian with a universal core, espousing a cogent commentary: When the world is attuned to defining identity in boxes, there will never be enough space. In such a case, Sadiq insists, the desire to belong is fated to remain as a longing to be. 

[cristalconnors]

ENSEMBLE

Shortlisted: All Dirt Roads Taste of Salt / Earth Mama / May December / Poor Things / War Pony

THE NOMINEES ARE:

BEAU IS AFRAID

Casting by: Julie Breton and Jim Carnahan, Starring: Joaquin Phoenix, Patti LuPone, Amy Ryan, Nathan Lane, Stephen McKinley Henderson, Parker Posey, Zoe-Lister Jones, Kylie Rogers, Richard Kind, Hayley Squires, Denis Ménochet, Armen Nahapetian, Julia Antonelli

JOYLAND

Casting by: Uncredited, Starring: Ali Junejo, Rasti Farooq, Alina Khan, Sarwat Gilani, Salmaan Peerzada, Sohail Sameer, Ramiz Law, Honey Albela, Priya Usman Khan

KILLERS OF THE FLOWER MOON

Casting by: Ellen Lewis, Starring: Leonardo DiCaprio, Robert DeNiro, Lily Gladstone, Jesse Plemons, Tantoo Cardinal, John Lithgow, Brendan Fraser, Cara Jade Myers, JaNae Collins, Jillian Dion, Jason Isbell, William Belleau, Louis Cancelmi, Scott Shepherd, Brent Langdon, Everett Waller, Talee Redcorn, Yancey Red Corn, Tatanka Means, Tommy Schultz, Sturgill Simpson, Ty Mitchell, Gary Basaraba, Charlie Musselwhite, Pat Healy, Steve Witting, Steve Routman, Gene Jones, Jack White, Barry Corbin, Randy Houser, Pete Yorn, Katherine Willis

TRENQUE LAUQUEN

Casting by: Uncredited, Starring: Laura Paredes, Ezequiel Pierri, Rafael Spregelburd, Elisa Carricajo, Verónica Llinás, Juliana Muras, Cecilia Rainero

AND THE CRISTAL GOES TO...

TÓTEM

Casting by: Lila Avilés and Gabriela Cartol, Starring: Naíma Sentíes, Montserrat Marañón, Marisol Gasé, Saori Gurza, Teresita Sánchez, Mateo García Elizondo, Juan Francisco Maldonado, Iazua Larios, Alberto Amador

[detournementsmineurs]

"Joyland" de Saim Sadiq avec Ali Junejo, Alina Khan, Rasti Farooq, Sarwat Gilan, Sohail Sameer, Salmaan Peerzada et Sania Saeed, janvier 2023.

[musicverse11]

Behind the Scenes: Sohail Sen’s Creative Process

Sohail Sen, a name synonymous with soulful melodies and versatile compositions, is a prominent figure in Bollywood’s music industry. Born into a family deeply rooted in music, Sohail’s journey from a young enthusiast to an acclaimed music director is nothing short of inspirational. His story is a testament to the power of passion, dedication, and relentless effort. This article delves into the formative years of Sohail Sen, shedding light on his musical lineage, early influences, and the challenges he overcame to carve his niche in the Bollywood music scene.

The Gift of Legacy: A Musical Family

Sohail Sen’s musical journey began long before he was born. He hails from a lineage of celebrated musicians. His father, Sameer Sen, was one half of the renowned music director duo Dilip Sen-Sameer Sen, known for crafting memorable Bollywood tracks in the 1990s. Adding to this legacy, Sohail’s grandfather, Shambhu Sen, was a distinguished classical musician and singer. Growing up in an environment filled with the rhythms of tabla and the melodies of classical ragas, Sohail was immersed in music from an early age.

From the age of six, Sohail displayed an innate talent for music. His father introduced him to the tabla, an instrument he quickly mastered. Over the years, his musical repertoire expanded to include the piano, percussion, and a host of other instruments. This early exposure to various instruments laid the foundation for his future as a versatile composer.

The Early Years: Learning and Experimenting

Under the tutelage of his grandfather, Sohail delved into the intricacies of classical music. These lessons not only honed his skills but also instilled in him a deep respect for India’s rich musical heritage. However, Sohail’s curiosity extended beyond classical music. He was equally fascinated by contemporary genres, often experimenting with blending traditional Indian sounds with modern elements.

Sohail’s early experiments in music weren’t limited to practice sessions. At the tender age of 13, he composed music for a telefilm titled Roshni. Featuring playback by the legendary singer Kavita Krishnamurthy, this project was a significant milestone in his young career. It showcased his ability to compose professionally and hinted at the brilliance he would later bring to Bollywood.

Challenges and Early Struggles

Like many budding artists, Sohail’s journey to success was not without hurdles. Breaking into the highly competitive Bollywood music industry required not just talent but also perseverance and adaptability. His debut as a music director for the film Sirf (2008) was a modest beginning. Despite the film failing to make a mark at the box office, it served as a valuable learning experience for Sohail. He realized the importance of aligning his music with the narrative of a film while retaining his unique touch.

The Turning Point: What’s Your Raashee?

Sohail’s big break came when acclaimed director Ashutosh Gowariker recognized his potential and entrusted him with the music for What’s Your Raashee? (2009). This project was a monumental challenge — it required Sohail to compose 13 distinct tracks, each representing a zodiac sign. The task demanded immense creativity and effort, but Sohail rose to the occasion.

The soundtrack of What’s Your Raashee? was met with critical acclaim. Critics and audiences alike praised Sohail for his ability to capture the essence of each zodiac sign through music. This project not only established him as a talented composer but also opened doors to more significant opportunities in Bollywood.

Lessons from Sohail’s Early Journey

Sohail Sen’s early career offers invaluable lessons for aspiring musicians. One of the key takeaways is the importance of embracing one’s roots. By blending classical influences with contemporary trends, Sohail created a style that resonated with a diverse audience. Additionally, his willingness to take on challenging projects early in his career demonstrated his confidence and commitment to growth.

Another crucial aspect of his journey is his adaptability. Whether composing for a small-budget film like Sirf or a high-profile project like What’s Your Raashee?, Sohail tailored his music to suit the requirements of each project. This ability to adapt, while staying true to his artistic identity, set him apart in the competitive industry.

Conclusion

Sohail Sen early life and career illustrate that success in the arts often stems from a combination of talent, hard work, and the ability to overcome challenges. From learning the tabla as a child to composing critically acclaimed soundtracks, his journey is a source of inspiration for anyone passionate about music. His story reminds us that while the path to success may be filled with obstacles, a strong foundation, and unwavering dedication can help navigate the toughest of challenges.

What’s your favorite track by Sohail Sen? Share your thoughts in the comments below! Let’s celebrate the musical genius of this Bollywood maestro together.

Are you curious about Sohail Sen’s breakthrough projects and his most iconic tracks? Don’t miss our next article, where we’ll explore the hits that made him a household name in Bollywood. Subscribe now to stay updated!

[byneddiedingo]

Ali Junejo in Joyland (Saim Sadiq, 2022)

Cast: Ali Junejo, Rasti Farooq, Alina Khan, Sarwat Gilani, Salmaan Peerzada, Sohail Sameer, Sania Saeed, Ramiz Law. Screenplay: Saim Sadiq, Maggie Briggs. Cinematography: Joe Saade. Film editing: Saim Sadiq, Jasmin Tenucci. Music: Abdullah Siddiqui. 

Haider (Ali Junejo) is a milquetoast, serving as factotum to everyone in the large household in Lahore, including his father (Salmaan Peerzada), his older brother, Saleem (Sohail Sameer), his sister-in-law, Nucchi (Sarwat Gilani), and their daughters. While his wife, Mumtaz (Rasti Farooq), works, he stays home, unable to find a job. When we first see Haider he is being pressed into service to take Nucchi to the hospital on his motorbike because she is about to give birth to another daughter. And then things change: Haider finds a job, and it's Mumtaz's turn to stay home -- though she really doesn't want to -- and cater to the family's needs. And so begins Saim Sadiq's prize-winning debut feature, a comic story that turns tragic in its course. Haider's chief problem is with the job he has found: backup dancer to a performer in a musical revue. Her name is Biba (Alina Khan), and she's transgender. At first, Haider tells the family that he's a stage manager, but the truth emerges. Everyone realizes that there's not much they can do about it as long as he's bringing in money, so he's allowed to continue. Haider is no dancer, but under Biba's tutelage he gets by, and soon he becomes a favorite of hers. There the complications really begin. Joyland reminded me of the Italian comedies of the 1960s by directors like Pietro Germi and Mario Monicelli that centered on a traditional society's conflict with contemporary ways of looking at the world. Sadiq's Pakistan is like their Sicily, but Joyland turns serious in ways that those films don't. It's a film that maybe doesn't quite set up its turn from comic to serious well enough, but the splendid performances make up for its flaws. 

[timesworldblog]

Unraveling the IPL Betting Scandal: A Tale of Extortion, Influence, and the Quest for Justice

Amidst the ongoing investigation into the betting case within the Indian Premier League (IPL), a significant turn of events has emerged, pointing towards the imposition of the Maharashtra Control of Organised Crime Act (MCOCA) on Sonu Jalan, famously known as Sonu Malad. The latest FIR filed by Ritesh Hasmukh Shah, a 39-year-old businessman from Thane, accuses Sonu and five other bookies of extortion and menacing him with the threat of murder.

In the FIR, Ritesh has accused Sonu Jalan (alias Sonu Malad), Munir Khan, Junior Kolkata (Surendra Bagri), Kiran Mala, Ketan Tanna (alias Raja) and Ravi Sulayya Pujari of extortion.

In a major development regarding the betting case in the Indian Premier League (IPL), Thane cops are likely to impose Maharashtra Control of Organised Crime Act (MCOCA) on Sonu Jalan alias Sonu Malad. In the latest FIR – Ritesh Hasmukh Shah – a 39-year-old businessman from Thane has accused Sonu and five other bookies of extortion and threatening him with murder.

In the FIR, Ritesh has accused Sonu Jalan (alias Sonu Malad), Munir Khan, Junior Kolkata (Surendra Bagri), Kiran Mala, Ketan Tanna (alias Raja) and Ravi Sulayya Pujari of extortion. Ritesh adds that the accused threatened to kill him and demanded an extortion amount of Rs 3 crore and also showed him a revolver. On 22-1-2018, the accused allegedly took Ritesh by force from Thane to Goregaon West and also forced him to sign a mortgage deal of his flat. Police will move MCOCA against all those mentioned in the FIR.

Sources say that former cop Sohail Buddha and his brother Sameer are also under the scanner in the betting case. According to sources, Sohail allegedly transferred approximately Rs 2 crore to Sonu's account who is said to be using Sameer's car. Both Sohail and Sameer are likely to be summoned soon. Sohail is said to have helped Sonu make contacts with present days police officers after which Sonu used to record conversations with them and use the same for blackmailing purpose.

Sameer and Sohail Buddha's name had also cropped up in the Sheena Bora case. Earlier, Bollywood actor Arbaaz Khan also admitted having placed bets in IPL matches. On being interrogated, Arbaaz said that he had been placing bets for six years now and Sonu was threatening him as he owed him Rs 2.8 crores. Producer Parag Sanghvi, who is also the CEO of Alumbra Entertainment & Lotus Film company, was also summoned towards the end of the interrogation.

[currentmediasstuff]

Behind Amazon Manager's Murder, 'Maya Gang' Led By 18-Year-Old

Mohammad Sameer alias Maya recently turned 18. He was involved in at least four murders as a juvenile, police have found.

New Delhi: Four murder cases, a dozen gang members, Insta reels with guns and filmy dialogues — the prime accused in the midnight murder of Amazon manager Harpreet Gill is an 18-year-old like none other.

The bio on his Instagram profile, with over 2,000 followers, reads, “Naam badnaam, pata Kabristan, umra jeene ki, shauk marne ka — roughly meaning, “I am infamous, the graveyard is my address, It’s my age to live, but I wish to die”.

On scrolling down, you find Mohammad Sameer alias Maya posing for photographs in flashy clothes and sporting long hair. The photos suggest his love to be clicked. So far, it’s a profile of a teen who loves to dress up and pose.

But click on the highlights, and you are in for a shocker. One reel captioned “jail” captures several youngsters behind bars, another shows Maya posing with and firing guns. There is one which is captioned “Maya Gang” and shows about a dozen teenagers. This is not a random group of teenagers wanting to show off, but a gang that has terrorised Northeast Delhi, according to police.

The gang calls its self “Maya Gang” after its leader. Maya and his 18-year-old associate Bilal Gani have been arrested in connection with the murder of Gill and police are looking for the other accused.

Maya, who recently turned 18, was involved in at least four murders as a juvenile, police have found. His associate, Gani, turned 18 this Sunday and was involved in a murder and a robbery case last year. Gani was sent to a Children’s Observation home, but he managed to come out and had been working at a welding shop.

While Harpreet died on the spot, his uncle Govind, 32, is fighting for his life after Maya allegedly shot them in the head.

The shooting, police have found, was the fallout of a road rage incident.

Around 10.30 pm on Tuesday, Harpreet and Govind were passing through a narrow lane on a bike, police have found. Accused Maya, Gani and their associates Sohail (23), Mohammad Junaid (23) and Adnan (19) were returning from a party on two scooters. The two-wheelers faced off in the narrow lane. An altercation began on who would give way. The argument snowballed into a fight that ended in Maya allegedly shooting Harpreet and Govind.

The arrests were made after police scanned footage from a CCTV camera in the lane. The visuals show two accused, their faces covered, on a scooter.

Police said efforts are being made to catch the other accused and further probe is on.

[fanofreading]

Featured: A Review of the Pakistani Drama "Kala Doriya"

Drama Background Saima Akram Chaudhry and Danish Nawaz have produced “Kaala Doriya,” with combined efforts with its ensemble cast and lighthearted story.  The drama, which features Osman Khalid Butt and Sana Javed in the lead roles, also features Farhan Ali Agha, Zainab Qayyum, Sohail Sameer, Nadia Afgan, Samina Ahmed, Khalid Anam, Ali Safina, and others. Trailer Story Mahnoor and Asfand, who…

[genevieveetguy]

Joyland, Saim Sadiq (2022)

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2004 Khuda aur Mohabbat Season - 3 Episode - 13 PK Drama Info

#PKDramaInfo SubScribe Our Channel for More PK Drama Info Videos: Click Here: https://bit.ly/3kearAg Waseem Abbas As Taufeeq Ahmed Sunita Marshal As Sahiba Tooba Siddique As Romana Sohail Sameer As Nazim Meherbano As Rida Shameen Khan As Sajjal Momina Iqbal as Naheed Noor ul Hassan #PKDramaInfo #KhudaAurMohabbatEP34Teaser #HARPALGEO #Entertainment #Teaser ----------------------------------- Yaar Na Bichray Episode 7 Mistakes Funny Mistakes Yaar Na Bichray Episode 8 Promo https://www.youtube.com/watch?v=qExi7...