#So trying to remember all the ones I liked is very hard

[lovelytayforce]

I agree with this comment here so hard, I remember getting blasted for calling readers who don't comment "leeches" on R/Fanfiction and I'm glad people are seeing that for what it is even if it's four years late

So, I'm gonna share my own little story here because discord has actively ruined communities for fanfic (and art too I'm not gonna leave y'all out cause my bestie @zoetiger-1106 is an artist who deserves way more praise than she gets!!) The reason why authors and myself see the "I'm shy" shit as an excuse is because the same people will type long ass tirades on Discord without a single thought. YOU CAN EDIT AO3 COMMENTS PEOPLE! If you make a mistake, read it back over and edit it. I've watched it happen in real-time with one of my favorite commenters on my one-shot where they left a short gushing comment and then came back and wrote more, you have no excuse much less reason to go "Man fandom keeps telling me to not critique and I might make a mistake so I will say nothing and consume like the average TV and Streaming consumer who thinks there doing something!" YOU have a lot of power with comments and even those bookmark tags hell just copy-paste what you put into those bookmark tags as a comment I DON'T CARE AT THIS POINT USE THAT LIL BOX TO VOICE SOMETHING!!!! God this is all over the place idc but I read back at those bookmarks, and saw people call my works the best and super cool and I APPRECIATE THAT but tell me! Stop taking the easy route, I been blasted for misunderstandings over comments multiple times cause people take my "tone" terribly cause it sucks being black and emotive online yay and for some reason people think !!!! Is bad? yes, I've been hit with that but I keep on trucking cause fuck whatever some weirdo thinks about exclamation points! Anyways back to discord and why I hate it now, I was in a small fandom, KFP got invited to a discord cause ONE person commented on my works and saw they talked about my fic, and at first, I was happy and people TALKED about my chapters at length in the fanfic channel. I basically was the ONLY ONE posting consistently in that channel and it was great but also I wanted that on my fic to show I improved so guess what I did? I went all in trying to one-up myself to be noticed, to have the acclaim my peers did so it would evolve outside of discord channels but it never happened. And Imma tell y'all now; it never will. Readers prefer convenience over your hard work, they are not gonna take time for you no matter how much you improve. People told me over and over while I looked for solutions for this; "We can't make commenting look like an obligation." "Add more prose, space these paragraphs better" all this just for no one to take the initiative and say something SINCERE towards a work they love on it. I've had to tell my own ex-friends now to go leave comments on works they called Masterpieces while ignoring me. Despite the fact they wanted Gen content in which I WROTE. Or met people who have very weird "I don't review" rules for themselves despite getting motivated by reviews themselves!! We're in a shitty time for creatives much less community cause we don't see each other as humans much less want to treat each others as we desire to be treated. Fanfic readers want to treat authors like showrunners and I hate it. But then your peers will tell you 'not to worry about engagement" and no I am because why is my hit count going up every day but ain't no one saying shit? Make it make sense!! I sat in that community commenting as much as I could, especially on long fics; it wasn't all perfect but I TRIED. I didn't expect shit back but hey it would have been nice but it never happened and again I learned; it never would. That's the real issue, no one wants to give no more; just take and take and take til you're sucked dry of passion worse than any corpo out right now. It's why I thankfully switched fandoms. I got ONE consistent commenter and they are better than that ENTIRE SMALL CLOSED COMMUNITY!! So, to any discord reactor for fanfic you better skip on to that message you made and copy and paste it in this box right here and never utter "I'm shy" ever again cause we see you, our friends tell us about you. You are not as anonymous as you think! 🫵🏽

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[amastarxoxo]

ㅤ        ㅤ            ⠀ꕀ⠀𝆹⠀⠀ׄ⠀⠀ִ⠀ worthless talking ⠀ּ ּ    ✧

Arguments with various characters

S1! jinx , S2! vi , S2! caitlyn , and ekko x fem! reader

arguing , mention of having a crush ( vi ) , hurt/no comfort , cursing , mentions of marriage ( caitlyn ) , drinking ( vi ) , mention of reader working in the brothel ( not prostitute ( vi ) ) , suspected cheating ( caitlyn ) , injured reader ( ekko )

not proofread or requested

JINX

arguments with her are usually light and can easily be dismissed or solved quickly but this is very different. silco has been pressuring her as of late about her weapon for the hex gemstone; which has been stressing her out and getting more irritated by everything little thing. “jinx baby?” you spoke softly, trying to not make her anymore irritated. “yes toots?” she frantically looking back and forth at her parts and blueprints for her fishbones, “are you doing okay? do you eat?”

she shrugged her shoulders, continuing to screw the screws in. you silently gulped and walked closer to her. “listen baby…can you take a break or something? i don’t remember the last time you slept or even eat and—” “shut up.” you immediately looked her way like you misheard her. “i-im sorry what..?” she kissed her teeth, “ i said shut up! all you ever do is nag and nag around me! do ever shut up? i’m trying to work so i can hurry up and finish this project, but no you just can’t seem to leave me alone while you’re—” she stops mid sentence, looking to see where you were last standing, “y/n?” she asked to absolutely nothing. she rolled her eyes, not bothering to think about you anymore, too focused on the hexgem project.

walking through the streets of Zaun, tears blurring your vision as you do your best to wipe them away but if anything you made your mind clear as day in Piltover; she doesn’t need you there anymore. continuing to walk through the lanes until you reached your home.

VI

pitfights. you hate no—loath them. so imagine your reaction to hearing that your crush becamea pitfighter after that massive fall out with the stupid top side girl. you watched as a friend of hers drag her up the stairs then she starts pushing him off and telling him to fuck off. you watch as the friend just walked away; already tired of her bullshit.

you breathe, mentally preparing yourself and your lecture of what you want to say as you head up the stairs slowly until you reached the door. out of curiosity, you reached for the doorknob, and its unlocked. ‘of course this idiot wouldn’t lock the door.’ you thought, twisting it and slowly pushing the door, seeing vi collapsed on the bed but still awake. you clear your throat loudly, catching her attention as you stand close to the now closed door. “vi.” your voice cautious but fed up. watching her destroy herself over a top side is so pathetic, even jinx powder would laugh in her face. vi groaned tiredly, “can’t seem to catch a fucking break anymore.”

“fuck a break! what do you think you’re doing?!” you wave your hand around, as you often talk with your hands. “what the hell are you talking about…!?” vi retorted back. “look around you vi, and your hair! your outfit! you’re a damn pitfighter.” you pointed at everything you mentioned, “why?! is it because of that fall out you had with that stupid top side girl..?!” vi abruptly gets up and stands in front of you. the smell of strong beer and whiskey clog your nose, in her breath, her clothes, everywhere, “don’t you dare bring her up.” you scoffed, “why not? she treats you like shit but now you’re a floor licking puppy for her..?” you stare at her, raised eyebrow, “at least she was better than you in many ways than one.” “excuse me?” “get the fuck out y/n. go back to being a fucking prostitute or something.” “i’m not a prosti—” she punched the wall next to your head, you flinch, hard. “out.” her voice threatening. your hands and feet quickly move as you open the door and fumble out of the apartment was vi was was.

CAITLYN

a lot has happened in a short amount of time, well, caitlyn proposed to you, then jinx blew up the council and killed her mother, then your fiancée became a damn Dictator and has been worked and training nonstop with Ambessa, and you’re starting to worry. she has been looking burned out a lot more and tired to even notice you sitting next to her on her desk as she stresses over paperwork.

“dear?” you twirled your finger around her loose hair. she jumps a bit, snapping out her thoughts and looking up to see her fiancée, you, “sorry darling, do you need something?” she fidgets with her pen and fingers, you smile at her weakly, “your dinner is cold.” you point to the cold dinner plate, nothing eaten on the side table next to her. caitlyn sighs heavily. “right, i apologize my dear, ill…make sure to eat.” “this is the fourth time dear. you can’t be a commander with zero energy.” you cross your arms over your chest, “i know know i’m just” “i’m starting to think ambessa was a bad idea again. i worried about all this pressure and process. like especially after your mother died, this isn’t good..” caitlyn’s fist banged against the desk, stopping you mid sentence.

“i don’t need your pity or concerns right now.” you stare at her, confused. “what are you talking about right now dear?” “i’m saying you talk too damn much.” she stood up, the chair scratches against the floor and walks away from the desk, “where are you going?” you asked while sliding off the desk, “out. i need some fresh air.” you tilt your head to the side and keep your arms crossed, “fresh air? or maddie?” the blued hair commander stopped dead in her tracks, “what…what did you just say?” you scoffed, as you walked past her, bumping her shoulder. you open the door, revealing maddie with paper works in her hands, “i’ll take my leave.”

EKKO

patrolling the area around the safe area, but your mind consumed with the thoughts of your boyfriend, he’s starting to overworking again. and that’s pissing you off. months of you guys dating and he still doesn’t get the memo. you sat on top of the tunnel entrance towards the hideout. staring up at the stars, wishing ekko was here with you.

suddenly, you feel a long cold metal jabbed into your side. you immediately clutch it to stop it from entering further until the culprit kicked you in the back, causing you to roll off the top and your body thudding against the cold concrete then you saw black. you wake up, the knife removed and you’re wrapped in bandages around your stomach and your arm is in a cast. your eyes adjust to the light shining down upon you, you wince as a headache rises and you hear muffled sounds of someone screaming your name. once your mind finally adjusts to everything, you hear ekko,

“hey hey hey! firebug! what happened?” his hands placing everywhere patting you down. you wince again, “ekko…that hurts..” you fully open your eyes. “what happened? why did someone find you outside of the base, bleeding out?” he raised his voice, not scary but scared. “i…i was patrolling around the entrance and—” “patrolling? didn’t i say you’re not allowed to patrol unless i’m there?” his voice switch to low. “i can take care of myself ekko.” he gritted his teeth, “well clearly you can not! look at you now! you don’t ever listen huh?” he started pacing back and forth, “it’s like you’re deaf or something, i said no! and you do the entire fucking opposite!” he grabs his mask and hoverboard, stops to say something but rejected that idea and just left.

ekko was so hard to do ngl cause what has he done for to cause an argument🧍‍♀️and you notice how short-ish jinx is? yea cause i can never actually be mad at jinx.

©︎ A M A T E R A S U. all rights reserved. please don't plazarize, copy, or steal any of my works without my permission, thank you !

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[leclarifies]

THE NUMBER YOU HAVE DIALED IS CURRENTLY UNAVAILABLE (LN4)

✰ lando norris x ex!reader ✰

summary → in which lando keeps dialing your number even after you've changed it.

genre → angst (im not sorry)

word count → 2.1k

author's note → remember how i broke ur hearts with carlos sainz angst for my first fic about him? YEAH HERE'S THE LANDO VERSION!!!!!!!! i know yall love it either way so, enjoy reading! very short btw, i just wanted to put something out for today

"where did we go wrong? i know we started out all right. where did we go wrong? i swear i knew we'd last this time." - lany, "13"

it takes three rings.

then he hears that stupid automated voice again, "the number you have dialed is currently unavailable or disconnected, please try—"

"for fuck's sake."

after he ends the attempted call, the furious typing is apparent in the empty, dark room. the artificial keyboard clicking fills the room as he tries his best to reach her. it's futile really, with every text he sends, the more agitated he becomes.

he knew that he shouldn't do this, that she was probably trying her best to move on, but he couldn't. he couldn't let her slip away from his grasp so easily.

"i just want you here for my races, is that so hard to ask for?" lando sounded desperate, he was desperate. he was a guy who needed his girlfriend and it didn't help that his girlfriend couldn't be there with him when he needed it the most, especially at times like these.

she was tired, he could tell, he didn't want to turn this into an argument but he was going to base it off of how she was going to respond, "lando, i can't. you know this. i have family here that i need to support, i can't just quit—"

"i'm not asking you to quit, i'm asking you to come just when you can," lando ruffled his hair so hard that it hurt, "the races are on weekends— for fuck's sake! why can't you just listen to me and actually hear what i'm saying?"

"i am listening! you're not listening to me!" she had tears in her eyes now, he hated it. he hated when he got riled up like this. it wasn't her fault, he knew it but he wanted her around him at least every few races, he hadn't been able to see her on the paddock at all this year and it pained him.

an exasperated sigh leaves his lips and he tries calling again, he knows she's not gonna pick up. he knows that he's probably blocked everywhere, but he wants to try. he wants to talk. he just wanted to fix things.

"the number you have dialed is—"

the next thing he heard was his phone shattering against the wall after he threw it across the room.

it was only two days later when he got a new phone and tried again, it wasn't going to go through. he knew it, but he just wanted to try. he wanted to show her that he was willing to make a compromise with her, just to make sure that she was there for him.

he didn't understand why he raised his voice so easily when it came to her, maybe because emotions ran high and he didn't know what else to do to express himself. he didn't know. all he knew was that he was a selfish prick and he deserved all of this.

he tried again.

"the number you have dialed is cu—"

he wanted to smash that brand new phone into the wall like its predecessor but he held himself back, he knew that the money that was needed to buy him a new phone was priceless to him, he was a formula one driver. it was pennies to him. all that money and he couldn't keep the most priceless thing to him, her.

he didn't care how selfish it sounded, or how convoluted their issues were. he just wanted her here, to hug, to kiss, to just comfort him. he had so many things on his mind right now and it could've been solved just by a simple touch and kiss to the forehead.

he was losing his mind and he knew it.

something akin to a sob bubbles from his throat when he hears the automated voice again.

"the number you have dialed is currently unavailable or disconnected, please try again later."

he fucked up, he knows now. she didn't have to rub it in his face like this, by changing her number and disappearing off of the face of the earth.

he just wanted to be home.

gentle knocking wakes her up from her slumber, it's unusual to get guests at this hour and on top of that, she wasn't expecting anyone. a huff escapes her lips as she gently takes the covers off of her and sits up on the bed. the knocks become more persistent as she begrudgingly gets up from her comfortable bed.

at first, she contemplates whether she should open the door or not but she opens it against her better judgement, her eyes widening when she realizes who it was.

"lando, what are you doing here? aren't you supposed to be in aus—"

she gets engulfed in a hug before she could even utter another word.

inhaling her scent after so long had been a breath of a fresh air for lando, he missed her. she's confused on how lando even knows where she lived. she had moved out of her last flat to avoid him on purpose, and now he's here, when he's supposed to be all the way in australia getting ready for a race.

his hug wasn't reciprocated, unfortunately for him.

"lando—" she was cut off by her ex standing in front of her, his eyes were glassy, puffy, like he had been crying all the way from australia to here.

"i just wanted to see you, that's all."

"we broke up two months ago, you can't just show up in front of my flat like this."

"i know but—"

"there aren't any buts lando, didn't me changing my number make it clear to you?" she folded her arms in front of her chest, her hair was still a mess from sleep and she was in pajamas, but her eyes were nowhere near his, not wanting to have any type of eye contact.

lando could only look down on the ground in embarrassment, he knew it was wrong. he knew he shouldn't have asked her friends where she lived, all of them had turned down his questions, telling him that she wanted nothing to do with him anymore but it wasn't anything a little persistence couldn't solve.

"is that all? you have a race to catch," she didn't even give him the chance to speak before trying to close the door on his face, but he blocked it with his foot, he wanted to talk. to fix things. he knew that things were irreparable but he wanted to try.

lando pushes the door open, despite her insistence of not letting him in, "i want to fix things, love—"

"there's nothing to fix lando, we're done. we've been done. what part of done do you not understand?" she was on the verge of tears, she didn't want to end it with lando, no, not at all but she felt that it was best for the both of them, she couldn't provide him with what he needed and he couldn't with her either, so it was best to just separate because why be in a relationship when you don't feel the love?

her eyes were still on the floor, not even daring to look up at lando's. it hurt for her too of course, just throwing away their year-long relationship out the window when the beginning of their relationship was so lovely, but now all there was is resentment and she didn't want that in her relationship.

lando couldn't utter anything out his mouth, he was stuck in place by her words. he let himself in earlier after he pushed the door open, he gently closed the door behind him before sighing, "we didn't even talk about it, you just decided for yourself that you didn't want to be apart of this anymore, you didn't even wait until my race ended before i could respond. how can i let it go?"

she swallowed the lump in her throat as she looked out the window, still refusing to look at lando, because she knew that if she did, she would start crying, "you just do lando. sometimes break-ups aren't always mutual, sometimes it's one person who doesn't want to be in a relationship anymore. it takes two to tango."

lando tousled with his hair, what could he say to that? she wasn't wrong. she couldn't deny the hurt and sadness that was in his green eyes, she hated that she made him feel that way but they were nothing. they've been broken up. by definition, they didn't have anything to do with eachother anymore, but she still had that care inside of her heart for him. after all, it had only been two months.

"just hear me out, and by the end of tonight, if you don't want to see me anymore, i'm gone. i won't try to contact you anymore," lando gave an ultimatum and she was fine with that, because she knew well that whatever he said, she would still say no.

she sat down on her couch, patting the space next to her to at least give him some sort of hospitality, wanting to hear him out even though she was steadfast in her decision.

"i won't bug you to come to my races anymore, i'll even help you with helping your family—"

"you can't throw money at this problem, lando."

"i'm not throwing money at it, i'm just saying that it's an option and you can take it if you feel like you need it," lando's voice was always pleading— begging for her to hear him out. he wasn't that type of guy, never. all of his exes got the same type of treatment, if they said that they were done, then lando wouldn't even bother.

he was a formula one driver, he didn't have the time.

but for her, he did.

she looks up, her arms still folded in front of her chest, legs curled up beneath her as she tries to find a comfortable position in an uncomfortable situation. glancing at the clock on the coffee table, it read in bright red neon numbers that it at 4:27 am, far too early or late for him to be here.

"we've had a similar conversation before, and i refused. so i'm refusing again," she sighs before meeting lando's eyes for the second time tonight, "i don't understand why you would want to keep this relationship. it doesn't benefit you for dating a poor girl."

"do you really think i care about your financial status?" lando asked, almost if it the thought of him caring about his (ex)girlfriend's financial status was ridiculous. he didn't care, it's the way she made him feel for the entirety of last year. she made him feel whole, like even if the world was against him, she would still be there.

she was used to men coming into her life who could think that they could "save" her and lando was no different to all of those other men. sure, she was definitely struggling trying to pay for her younger siblings education while working and pursuing her degree at the same time but that doesn't mean she was a damsel in distress and she expressed that to lando.

lando closed his eyes in frustration, "no, i didn't mean it like that—"

"well you sure as hell worded it like that," she looks away from him yet again, refusing to meet his eyes again until he had to leave. her eyes were glued to the window that overlooked the city, it was beautiful, calming— peaceful even, "i'm not changing my mind lando, we're worlds apart. i don't need you helping me, i can take care of myself."

with that, lando bit his lip and she ushers him out of her flat.

it had been months since lando's seen her, but he never forgot. he couldn't. the way she smelt, the way she laughed, everything still stuck in his brain as he continued his career.

the world didn't revolve around him, so the show must go on.

calling her old number had also become routine, almost an obsession. every finish, every weekend, anything that had to do with his career, lando would try and call her and tell her how his races were going, as if he wasn't talking to an automated robot on the other end of the line. the automated voice was practically his best friend because he's heard the damn voice so many times.

"the number you have dialed is currently unavailable or disconnected. please try again later."

and try again later he would.

he didn't understand himself, was it an obsession or was it the comfort that it gave him when he dialed her number? he didn't know. but sometimes he would hold up that phone to his ear and talk as if she was on the other end of the line, even though lando knew that there was no one waiting on the other line for him, not anymore.

but, the show must go on, right?

[darkbluekies]

GOLDEN TRIAL PT2: A slippery slope

Part 1

Yandere!mafia x yandere!female!mafia x female!yandere x yandere!king x yandere!doctor x male!detective!reader

Summary: after your adventure on Normandie, you've been dealing with the consequences of the horror. Unfortunately, you start to realize that you might not be the person you think you are. It doesn't help when a certain doctor finds you again.

Warnings: lingering head trauma, identity crisis, kidnapping, mocking, dog collar (lol), syringes/drugs, forced tattooing,

Word count: 9.3k

You get off the subway in silence and push your way through the crowd, walk up the stairs and out onto the sidewalk. Blinking, you try to fix your blurry vision. Sometimes, even though it’s been three months since you were hit on the head with a glass bottle, you’re reminded of the events on board the liner Normandie. You had been running around over two days before going to the hospital about the blow to your head. It seems to have been too late. What could have been brushed off with some bandage and disinfection had now given you minor problems you are dealing with daily. Not enough to hurt or bother, but enough for your agency to hesitate sending you out on missions. 

These last months have been weird, to say the least. Not only have you been forced to take a break from your job, you have been lonely. So very lonely. You haven’t done anything and the only time you’ve went outside the door is when you go to your doctor’s appointments and when buying food. After the ominous note you got, you have been careful about going outside, scared that you will meet them again. How long will your life be forced to be like this? Maybe you should leave New York and start over somewhere new, where you can live a normal life. No more detective work, no more hiding, no more … fear. Perhaps a farm on the west coast? 

You open the door to the private hospital. It’s located in a house no other than any of the other houses on the street. The first time you were here, you thought that you had been given the wrong address and waked into someone’s private house. Quietly you walk into the reception. The young woman behind the desk has always been friendly. Her sparkly blue eyes and chestnut hair remind you of a squirrel.  

“Good morning”, the receptionist smiles at you. “Name?”

“Y/N L/N”, you say. “I’m here for a revisit at eleven am.”

“Ah, yes, I remember you. Your doctor is currently on sick leave, so there will be another doctor taking care of you today. Is that okay?”

“Yeah, it’s fine.”

“Take a seat and the doctor will see you in a moment.”

“Okay, thank you.”

You sit down in one of the wooden chairs. The clock on the wall ticks like a doomsday clock. You can’t help but shiver. 

Your eyes wander in the small room. A mother with her young son, a father with his daughter, an old couple. And you, alone. There’s paintings on the walls, as if to distract one from the horror they might have to partake in when they step through one of the three doors on the right hand side of the room. 

You’re not sure why you’re here. You have been going to this doctor for three months and all he’s done is to confirm that you do, indeed, have head trauma. As if you couldn’t figure that part out for yourself. Sometimes you wonder if you still have shards of glass stuck in your head. 

“The doctor will see you now, Mister Y/N”, the receptionist suddenly says. “It’s the middle door.”

You stand up and walk over to the doors on the other side of the room, opening the middle one. Behind the desk, a man sits. He looks up at you and you can feel your heart stop, and so does the clock. For a second, you wonder if it’s one of the side effects from the glass bottle, but you can still hear your heart pound loudly in your chest. He’s trying to hide a smile, trying so hard to make it look like you’ve never met before. What do you do? Do you close the door behind you and get into his office or do you make a scene and get away? Your hand still holds onto the door handle behind you. 

“Close the door, if you don’t mind”, Doctor Kry says and raises his eyebrows testingly when you flinch back. “Don’t even think about it. Close the door.”

With a frustrated sigh, you close it, but remain by the wall. 

“I figure that you’re not going to sit down”, Doctor Kry says and rises from his chair. 

“Don’t come closer”, you say quickly. “I will make a scene.”

“I’m fine with that. Easier for me to get you into a lunatic asylum.”

You freeze. 

“Your usual doctor is on sick leave, so I’m here today”, Doctor Kry continues as if the prior conversation never happened. “I hope that is fine with you.”

“I am not comfortable with having you anywhere near me”, you spit. “How did you even know that I went here?”

Doctor Kry leans back against his desk with his hands in his pockets. “I can’t take the credit for that, unfortunately. It was my dear friend miss Carter who managed to find you.”

“Hedwig?”

“Yeah. Who knew that a young heiress with a phenomenally large contact net and money would be able to find someone like you. Unbelievable.”

You don’t give in to his joke. 

“Sit down, Y/N”, Doctor Kry says and pulls out the chair for you, “or I will get you dragged out of here in a straightjacket.”

Involuntarily you sit down in his chair. Doctor Kry walks around you and you follow him in the corner of your eye. 

“I read your report”, Doctor Kry says. “Trauma to the head? What happened?”

“You fucking know”, you spit.

“Oh, right.”

You want to slap that smirk off of his face. He continues to smile as he puts on his gloves. 

“Let’s get it under control”, Doctor Kry says and takes your head in his hands. 

You flinch, silently praying that he won’t twist your neck and break it. 

“Don’t touch my neck”, you say. 

“How else am I going to treat you?” Doctor Kry scoffs. 

You start to wonder if he’s messing with you when he’s just touching around. He’s too close to your neck, he could snap it. 

“Can you hurry up?” The words just slip out, before you have the time to shut your mouth. 

To your horror, he chuckles. You freeze in your seat. 

“Why did you go so stiff all of a sudden?” Doctor Kry asks smugly, grabbing your shoulders. “Are you scared that I’m going to hurt you, Golden Boy?”

The familiar pet name sends a wave of nausea through your body. You feel how every hair on your body stands on edge. Terrified to meet his blue eyes, you concentrate on a point on the wall where it looks like a small bug has landed. 

“You threatened me with a tranquilizer”, you breathe out. “You could have helped me with my head that night — you’re a doctor — but you didn’t. You could have prevented me from coming here.”

“I could have”, Doctor Kry says. “But why would I? Remember what I told you? I’ve never said that I was nice.”

You stand up, shaking off his hands. 

“We’re done here”, you decide and start to move towards the door. 

“Alright, I suppose so”, Doctor Kry says. 

You grab the door handle with your shaking hand and open it forcefully. 

“I guess that I will see you soon, Y/N”, you hear his voice say behind you. “Can’t let a patient go before they’re healed, now can I?”

You ignore him. Stumbling on trembling legs, you pass the patients in the waiting room, struggle past the receptionist and out of the house. You throw up in the nearest bush.

For a few moments, the world has gone silent again. You can hear your heart thumping in your ear, feel every nerve in your body beat alongside it and you have to sit down on a nearby bench to collect your spinning head. That eerie feeling you had on board the Normandie returns … as if you’re being watched. You look around in a dizzy, blurry haze. Everyone looked like each other. Anyone could be them. If Kry had found you, what says that the others aren’t around the corner?

Going home feels wrong. What if they follow you and see where you live? Where do you go? What do you do? 

Your numb legs take you to a nearby telephone booth. With shaking fingers you call your boss and tell him about the incident. 

“You told me that I’d be safe!” you shout. “I knew that it would end like this! I knew that this would happen!”

“Y/N-”

“If I die, it’s your fucking fault, okay? You sent me out on that ship alone and now I have to deal with the consequences of your choices!”

You throw the telephone back in its hold and scream in frustration. The sound doesn’t escape the little telephone booth, which is probably for the best. You don't want to go to that mental asylum Doctor Kry threatened with.

You stand still for a few seconds, breathing heavily. You feel like crying.

The coming days can't be described as anything less than torture. You look over your shoulder for every step you take, flinch at every sound. Just as paranoid as on board the ship. Those four days will haunt you for the rest of your life … and the ones who caused it will hunt you until you're in their claws.

To calm your nerves, you've had to drink strong whiskey. Nothing else seems to work. Should you leave the country? You shiver. The thought of stepping aboard another ship again makes your skin crawl. You take another sip of the whiskey. It doesn't burn anymore.

The world started to blend together in blurry waves ages ago. It's starting to shift into black. Finally you're going to fall asleep and not have to worry about anything in this world. You’ll be safe in dreamland. 

A small sound reaches your drowsy ears, but you’re too far off to react in time, almost as if you’re drugged. The door opens slowly and a dark figure enters. Everything is fuzzy. The person says something, but you can’t hear it. A cloudy wall separates you from you and whoever has broken into your apartment. A cloud which quickly turns everything black.

When you wake up again, you feel every muscle in your body pulsating, hurting and a nauseating feeling roars in your body. You’re lying on a couch in what looks like a warehouse … or a basement. 

“He’s awake!” a familiar voice gasps. 

Hedwig jumps up from a chair right by your head and waves for someone to come over. You hear the sound of people move closer. You try to pull yourself up on your elbows. 

“You son of a bitch, Y/N”, you hear Silas say, a clear smirk in his taunting voice. “You thought that you could get away. How naive!”

“I want to put it on”, Jerry says and takes something from Edmund’s hands.

“Fuck sake, Jerry!” he hisses and pulls his hand quickly away. “I've told you to trim those nails!”

Jerry doesn't bother to answer. She walks over to you and slips something around your neck. You're too dizzy to realize what it is before it is too late. A collar and a leash. Like a dog. Just like they had promised.

“What an obedient dog”, she snickers. “Letting me put it on without protests.”

She tugs on the leash, causing your head to rip forward. The air in your throat gets abruptly cut off. Their laughter feels your aching head.

“Golden boy deserves a treat”, Edmund smirks and holds a piece of chocolate to your lips.

You turn your head away.

“Don't touch me!” you cough.

“A little too late for that”, Doctor Kry says and shrugs. “How do you think we got you here?”

You try to get up from the couch. Nausea roars through your body. Jerry pulls the leash towards her. You stumble before falling down on your knees, catching yourself with your hands on the hard cement.

“Just face it”, she says cockily. “You're too hungover to overpower us, and once you're sober enough you will already be broken. Don't bother to try anything. Hm, maybe he should stay on his knees, or what do you all think?”

“Stop fucking around”, Edmund sighs in annoyance and grabs the leash out of her hands, pulling harshly. “Stand up.”

It's on shaking legs that you manage to get on your feet. You're the same height as the king, but feel unbelievably inferior. Is it the collar around your neck, the degrading look in his eyes or the fact that you know what they're capable of that makes you terrified? You can't meet their eyes.

“This is humiliating, can you stop?” you hear Hedwig asks.

She's standing on the far end of their little line, a few steps away from them, with her arms hugging herself. Disgust covers her face.

“I feel nauseous just watching it”, she mutters. 

“Don't worry, Hedwig, we're just playing with him”, Silas smiles and ruffles your hair with his hand. “We're not hurting him.”

“Hedwig shouldn't take him”, Edmund says. “I don't trust him.”

“What do you want?” you ask, trying your best not to sound like a pathetic little puppy.

“What did you do with the list of names?” Silas asks. “The one behind the painting.”

“And where is my fucking painting?” Edmund asks.

“The painting, I don't know”, you say and meet Silas black eyes. “Your list was hidden on board the ship, but my contacts have found it. They're on the way to arrest everyone on your list.”

“Oh, are they now?” he asks deadly calmly. “And I suppose that you are still their shining Golden Boy thanks to that?”

You lower your eyes.

“Or did someone get put on an indefinite hiatus because they're a security risk?” Silas continues, moving closer, tugging ever so carefully on the leash. “Are you sure that you're their favorite? You never seem to have much protection, despite the threat against you. Don't worry, Golden Boy, we will make sure nothing ever reaches you. We will make sure you stay hidden.”

“If they don't want to give us our note, we won't give them their darling dearest”, Jerry says, shrugging.

You feel a lump in your stomach. Your contacts will never give over the note … and in that case they'll never give you. Wonderful.

A tug on the leash brings you back to reality. 

“It's healing quite nicely, don't you think?” Jerry asks, tilting her head to get a better view of the back of your neck.

“It's still fresh, it's nowhere near healing”, Doctor Kry says with his monotone voice, arms crossed over his chest.

Their eyes turn to your neck and you gulp, realizing that part of the pain isn't coming from your head, but from the back of your neck, easily mistaken as the brainstem. You lift your hand and try to touch whatever is hurting you. Hedwig picks up a pocket mirror from her pocket and hand it to you. You’re in disbelief when you see black marks on your skin, drawn in a strange symbol you have never seen before. The skin is swollen and tender to the touch. 

“What is this?” you question in pure fear. 

“We told you that you would be tattooed, didn’t we?” Silas smiles. “That tattoo is the symbol of my group. It’s somewhat of a trademark. Everyone who sees you will know that you belong to me.”

“I hate that you are the only one getting associated”, Edmund mutters. 

“Well, I am the only one with a symbol, aren’t I?”

“You are so self centered.” Edmund puts his hand on Hedwig’s shoulder. “As if we haven’t got one?”

“‘Self centered’, you absolute hypocrite”, Jerry scoffs. 

“I did not consent to this!” you shout angrily. “How could you just tattoo me when I wasn’t even conscious?!”

“It was pretty easy since you were, as you said, ‘not even conscious’”, Silas smiles teasingly. 

“Enough of this foolishness”, Doctor Kry cuts in. “We have things to do. The train leaves tomorrow morning and we still have things to do.”

Train? 

“Give the poor boy some food and make sure he sleeps”, Silas says. “It’ll be a long day for him tomorrow.”

They start to move towards the stairs of the basement, all but Hedwig who have went upstairs to get you a plate and Edmund — the man who’s holding the leash. 

“You don’t have to be here”, she says. “I can take care of him myself.”

“I don’t trust him”, Edmund mutters angrily and wraps more of the leash around his hand. “He knocked Jerry over when she was guarding him and — fuck it — she is tougher than you. I am not letting him anywhere near you alone.”

“Can you at least let go of the leash?” Hedwig asks. 

Edmund lets it go with great dramatic effect. You sit down on the couch with a thumping heartbeat. Hedwig sits down beside you, turning towards you. Edmund stands behind her, towering over the young woman like a giant, glaring at you. It reminds you of a lioness behind their cub. 

“Are you hungry?” Hedwig asks and looks down at the plate. “I’ve watched my maid cook ever since I was a little child but I don’t have much experience with it myself so I apologize if it isn’t the best.”

“I’m nauseous.”

“Then some sleep will do you good.”

“What train did he talk about? I’m not going on some train!”

“You are”, Edmund says, “and you’re doing it tomorrow morning. In a box.”

You look at him, baffled. “What?”

He looks at you with mockery in his icy blue eyes. “Nobody told you? You’re getting a first class ticket. I heard that they make those wooden boxes are quite comfortable nowadays.”

“I’m not going in some fucking box!”

You stand up in a swift, aggressive motion. Not only will they bring you onto a train going to who-knows-where, but they’re also stuffing you in a trunk? No shame. 

“Where are you taking me?”

“My father has a house on the coast, by the beach”, Hedwig replies. “You’ll like it. Hey, If you’re not going to eat, then will you please go to sleep?” 

“I will not be able to sleep. If I have to drink myself to black out, do you really think I will be able to fall asleep here?”

Maybe you shouldn’t have said that. You don’t want to see a sympathetic look from her. It’s their fault, after all. They took everything from you … and now she’s looking at you as if she’s pitying you. 

You refuse to sleep, refuse to even sit on the couch. It doesn't take long before the door to the basement stairs open and the sound of footsteps fill the air. You look up, seeing Doctor Kry walk down. In his hand, he holds a transparent syringe.

“I suppose that you are familiar with this”, he says and looks at the needle. “I thought that it was finally time for you to get acquainted with it.”

“Don't come close”, you warn him.

He's quicker than you've anticipated. Before you know it, you're tackled onto the hard floor. It knocks the air out of your lungs. Doctor Kry is stronger than you could have imagined. He doesn't look muscular underneath his clothes, and he probably isn't as muscular as Silas, but he is strong with firm grips. You try your best to fight against the needle coming closer to your neck.

“Goodnight, Golden Boy”, Doctor Kry says and finally punctures your neck with the sharp end of the needle.

He gets off of you immediately and you try to get up and run. You manage to get a few steps forward before your legs give up and you fall down on your knees. You start to lose your hearing, and your sight start to darken. Doctor Kry grabs your shoulders and pull you over to the couch. The last thing you see before it all turns back is his blue eyes staring down at you.

You’re not sure if you have opened your eyes. You try to shut them tight, then open them again. It’s just as dark. Your knees are pressed to your chin, arms folded over your chest. Panic rises in your body, suddenly feeling every single cell of your body and what it touches. Painfully aware that you’re squashed together in a wooden box. 

“Let me out!” you shout and try to bang on the walls, floor and ceiling. 

A harsh slap on the side of the box makes you flinch. 

“Shut the fuck up”, Silas voice hisses through gritted teeth, shocking you for being too close. “Do not make a single sound, whatever you do.”

You breathe heavily and crawl together. For these past months, you’ve felt scared … but never like this. The only thing you can compare it to is that morning when you ran around the Normandie with the painting tucked under your arm. Your heart has never beaten that quickly before. And here you are now, in a wooden box with a dog collar around your throat and a tattoo in the back of your neck. The leash is gone.

They won’t kill you before they have gotten the list, right?

You hear men's voices and suddenly the box jerks. Your head slams against the side and you groan, quickly biting your lip to avoid making sound. Silas will probably punch you if you disobey his command. You form fists. 

Whoever is handling the box does not care for it. It seems to go back and forth, up and down, with you hitting your head with every jerking motion. 

Finally, finally, it stops. The moving, the sound, everything stops. You breathe out, listening. Where are you? Can you get out of the box? You try to push the top of the box, but it won’t budge. Neither will the walls. With a frustrated yell, you kick and then, in defeat, sink down again. 

Silence keeps you company for what feels like ages. Suddenly, the ground under you start to shake and move. You gasp. The train!

It takes a while before the top of the box is moved. Bright light hits your eyes and you squint. 

“Good morning”, Silas smiles and pulls you up from the box. 

Your muscles are stiff and aching, popping when you try to move. Your legs threaten to give out. 

“Ouch …”, you moan. 

“Did you have a nice time?” Jerry smiles and claps your back. 

You look around, blurry eyes being met by a cargo hold. Silas and Jerry are the only ones here. 

“What are you doing?” you ask, stressed. 

“What do you mean?” Jerry wonders.

“What do you want? Why am I out?”

“Did you think that you were going to spend the entire trip in the box?” Silas asks. 

“Edmund said-”

“And you believe a single word that stuck up manchild says?” Jerry scoffs and grabs your arm. “Come now.”

They take you out of the cargo hold and into a thin corridor. Running along your left are cabins and to your right are windows. Silas opens a door and directs you inside the cabin. It’s a suite, and a gorgeous one a that. A king sized bed, couches, big windows, drapes and your own bathroom. Hedwig and Edmund sits on the couch doctor Kry is leaning against the window. Behind him, America swooshes past. 

“Here he is”, Jerry says.

“What’s going on?” you stutter. “What do you want?”

“We are not going to let you be alone in cargo hold”, Silas says. “We are not monsters.”

I have other opinions.

“We’ve decided that you are going to be by our sides so that we can keep an eye on you”, Hedwig says and smiles. “If you are in the cargo hold you could die.”

“You’re not going to wear the leash because that will cause people to be suspicious”, Doctor Kry says. “Yes, we are not the only ones on this train.”

“You will not talk to any of them”, Jerry says. 

“You will stay here in my cabin”, Silas says. “My second in command will be in Jerry’s cabin, so don’t think that you can do anything towards me. He’ll be just on the other side of the wall.”

Why does he have to be here too? 

Everyone leaves the suite but Silas. You sink down on the bed with your head in your hands. 

“Why do you do this?” you groan.

Silas sits down beside you. “You did this to yourself”, he says, voice weirdly calm. “You put your nose into the wrong business, knowing that it could put your life in danger.”

“It was my job.”

Was. 

“I still don’t understand why they sent you on that ship without backup … or any kind of protection at all besides that pitiful gun. Almost like they wanted you to get caught.” Silas furrows his dark brows and looks at you, unreadable hint in his black eyes. “Are you even sure if they liked you at all?”

This has to be some kind of scare-tactic. Don’t fall for it.

“Of course they did”, you mumble. “I had a high position, a good salary … they liked me. They did.”

“Are you saying that to reassure me or you?”

Silas stands up and breathes out. 

“Let’s go eat lunch, I’m starving”, he says. “You must be hungry too, I heard from Hedwig that you didn’t eat dinner last night. Come now.”

Silas walks out of the room, holding the door open out to the corridor. His words ring in your mind. Who are you trying to reassure?

“I’m not waiting all day”, Silas calls out. “You’re not getting lunch if you stay in there.”

You hurry to stand up and follow him out to the corridor, having to pass him on the way. The thin corridor is big enough for one of you. He walks closely behind you, peering over your shoulder. You’re led into a restaurant car with tables of four, each having seats instead of tables. The carriage is divided in two with a with a glass wall with open space where a door normally sits. Silas chooses one of these seats. 

“Sit down”, he says. “Now. By the window.”

You give him a questionable look before sitting down in the seat closest to the window. Silas sits down beside you, blocking your escape to the middle aisle. His second in command is already sitting by the table in the seat in front of you. Silas holds three menus laying on the set table in front of you, giving you one. 

“Choose what you want”, he says. “I have money.”

“I don’t doubt that”, you mumble. “With your dirty businesses you must make a lot of money?”

Silas scoffs, but there’s a small smile tugging on his lips. “More than you can imagine, Golden Boy.”

You start to look through the menu for things you like. You are, indeed, starving and head for a grilled salmon while Silas chooses a medium rare steak. When a servant is taking your orders, you look out the big window at the blurry obstacles whooshing by. Where are they taking you? You’re not leaving much, but you can’t bring yourself to start over. New York is not for you, not anymore, but you don’t want them to force you to leave your home. What will they do to you? You can’t give them the painting, you don’t know where it is anymore, and you don’t have the list of criminal names. You’re not sure that you will be able to be switched with it. You don’t have anything to offer them, but yourself … but why would they want you? 

“Pretty quiet today, huh?” Silas says. “You usually quite quick-witted.”

You pull your eyes away from the window and look at him. It’s almost comical, how a secret agent is having lunch with a mafia leader and his second in command. You have done it before, but under much different circumstances. 

“I don't have much to say”, you answer shortly. 

Everything in your body is hurting, which isn’t weird since you’ve spent the night crammed into a wooden box. Your broken head is not a help.

Silas converses with his second in command — a man you haven’t heard talk more than necessary. 

The food is served by a servant in a spotless tuxedo and slicked back hair. You thank him. It'd be so easy to let the words slip out of your mouth. A simple ‘help me’. The words are soft and rounded, it wouldn't be hard to pronounce them, but the fact that Silas and his second in command are sitting right here makes it impossible. The words are so simple. But as soon as he arrives, he disappears. 

“I've heard that the food on board is tasty, it better be”, Silas jokes and his second in command chuckles quietly.

He has gotten beef with grilled asparagus. You pick up your knife and fork and start to eat in silence. Silas is right, it’s delicious. Better than any of the food you have aten these last few months. It makes you guilty for enjoying it. 

“I have some rules, Golden Boy”, Silas says from beside you. 

You look at him. You are not a Golden Boy. He said that himself. Silas meets your eyes. 

“If you disobey us”, Silas starts, “by either trying to talk to someone, or come up with some stupid idea to get off the train, I will handcuff you to me, got that?”

Imagining being handcuffed to him, forced to join his every step, not have a single second to yourself is enough to make you shiver. 

“Yeah”, you reply shortly. “I understand.”

You let your eyes wander through the restaurant car, at the other passengers sitting and enjoying their meals. An older man is reading the newspaper while enjoying a bowl of soup, a mother and daughter pair are eating cheeses while chatting. How many on this train belong to Silas? He wouldn’t travel with only one man.

“I’m thinking about getting another car”, Silas smiles at his second in command and shoots a fork full of steak to his lips. “Any tips of a model?”

“One of those Ford models”, he replies. “It was good enough for Bonnie and Clyde.”

The news of the infamous couple’s death broke out in May last year. Some colleagues had been working on that case, from what you remember. For years. 

“I’m not Bonnie and Clyde”, Silas says and smiles. “But I’m a bit jealous of them. Imagine having a partner in crime like that. I mean, more than just a brother in arms, a love partner. Or what do you say, Golden Boy?”

You look up from your plate. Your vision has started to blur again. 

“Don’t you want a love partner, hm?” Silas asks, a teasing smile playing on his lips. “Someone to back you up when needed?”

“I don’t want to answer personal questions.”

He exchanges a look with his second in command before smiling into his plate. “You’re shy, I see. Didn’t know that you were so cute.”

You ignore him. 

When lunch is done, Silas decides that it’s time for you to get back to the cabin. You get up, from your seat and scootch out into the middle aisle. You’re not sure if it is the moving of the carriage or your balance that causes you to stumble. Silas catches you by the arm. 

“That wine you had with lunch didn’t make you drunk, did it?” he asks. 

“No”, you reply and gulp. “It’s my head.”

“I see.”

You’re sure that it isn’t meant for you, but you can see how Silas gives his second in command a murderous look. Doctor Kry had told you that it had been Jerry and Silas’s second in command who had hit you with that glass bottle that night. 

“You should go rest, Y/N”, he says and places his hand on your back to guide you. 

He leads you back to your suite. The second in command closes the door behind him. You sit down on the couch, but Silas pulls you up again. 

“What do you think that you are doing?” he asks. “The bed is over there.”

“I’m not sharing a bed with you”, you mumble. 

“You are. Stop being childish and go to sleep.”

You’re pushed towards the bed. He’s quickly after you to pull the neatly fixed covers before you can change your mind. The mattress is softer than anything you’ve ever rested your back upon. 

“Sleep”, Silas orders. “I will get you for dinner.”

He asks his second in command to keep an eye on you. 

The gentle rocking of the train both soothes you to sleep and wakes you softly. You sit up and yawn. The second in command moves his eyes from the window. You can’t help but wonder if he ever does anything for pleasure or if he can turn off his emotions and needs whenever he wants. 

You reach for a glass of water on the bedside table and halt. After everything they’ve done, you wouldn’t be surprised if the water is contaminated. 

“It’s not dinner time”, the man says. “Back to sleep.”

“I’m not tired anymore.”

“Lay down.”

You sigh and lay down again, listen to the gentle rocking of the train against the rail. Last time you spent a night in a cabin with them was when you were tied on the floor. You should never have taken that mission. Your mind involuntarily drift to what Silas had said and feel how your heart squeezes in pain. It can’t be.

Suddenly, the door opens. 

“Time for dinner”, Silas says. “Get up, you need to eat.”

You groan and pull yourself up from the bed. The second in command follows closely to the restaurant cart. One table can only fit four passengers. They have to separate three and three, and then you’ll have to choose whichever combination is the least bad.

Hedwig, Edmund and Doctor Kry … or Silas, Jerry and the second in command. You sit down besides Hedwig. Edmund is quick to have her change seats with you, so that you’re by the window and she’s blocking the exit out to the middle aisle. The girl smiles at you and takes your hand. 

“You look much better without that inhumane leash”, she says. 

“I think he looks better with it”, Edmund mutters and inspect his silver knife. 

She ignores him. “What do you want to eat, sweetheart?”

You shrug, telling her that she can choose for you. You don’t say anything throughout dinner, even though Hedwig tries her best to spark a conversation with you. She talks about the scenery swooshing past outside the window, the beautiful interior, how much she has missed you and how happy she is to have you back. You drown it all out to the point of wondering if her voice is all just a hallucination.

You’re barely active during dinner, only being able to think about your — former — job. Heart feeling unbelievably heavy.

“I have to leave”, you whisper to Hedwig. “I have to be alone.”

“Are you okay?” Hedwig asks worriedly and watches how you stand up. 

“I need to go.”

“I’ll come with you.”

She excuses the both of you from the table. You can feel the others eyes linger on you, burn right through you. You’re sure that Edmund wants to say something, but he keeps his mouth shut for once. Hedwig takes your arm and leads you back to the cabin carriage. 

“I don’t understand why they’re so afraid of me being alone with you”, Hedwig giggles and opens the door to Silas’s suite. “You wouldn’t hurt me.”

At this point you’re not sure what you would and wouldn’t do. 

“Do you want to sleep?” Hedwig asks and walks over to the bed. “I can tuck you in.”

You lay down in bed and Hedwig makes sure that none of your body parts escapes the covers. She looks pleased with herself and lets her hand caress your cheek. Her hazel eyes look down at you with immense love and for the moment that is the only thing you can believe. That kind of look can’t be mistaken. 

“Are you tired?” she asks softly, continuing to caress your cheek. 

You nod, despite not feeling the slightest bit tired. Exhausted, but not tired. 

“I will let you sleep”, she says and kisses your forehead. 

You close your eyes, hoping that she will think that you’re asleep and leave the room. You need to be alone, but Hedwig is making it impossible. As long as she knows that you’re awake, she will cling onto you like a leech. She’s like a dog, a puppy. 

But she doesn’t leave. You can feel her sit on the side of the bed, and without opening your eyes, you know that she is staring at you with that same look of extreme love. As if you are the most important thing in the world. Her sun, her solar system. 

Eventually, she leaves. You wait a few seconds before opening your eyes and letting out a sigh. Lying down makes it hard to breathe. You try sitting up, but the pressure over your chest remains. You pull at your tie to open your airways, but neither that or buttoning up the first buttons on your shirt help. Your fingers claw at the window lock, but it remains in place. God, how badly you need air. You hurry over to the door and open it, exiting out to the corridor. They can get you, you don’t care. You need air and you need it now. 

You walk through the claustrophobic corridor in the opposite direction of the dining hall. You reach a door with a window. The rails run away from the train, towards the horizon. You rip the door open and find yourself on a balcony. Fresh air roams around you and you grab onto the oval railing, breathing in deeply until your lungs can’t take anymore, welcoming the pleasurable feeling of light headiness. You sink down on the floor with your back towards the train’s wall, watching the surroundings disappear further away. The sun is setting in the horizon, like in a painting. 

The thoughts return. Was everything a lie? Were you nothing more than a pawn? Why were you put on that mission? Did they know that you would be taken? Broken? Damaged? They didn’t bother give you any security or backup, and when you weren’t killed or taken, they use the trauma they caused to put you on hiatus and made you look at fault. You have worked for them since you left school, given them your everything. Did they want to get rid of you? Were you worth nothing more? Did they ever care about you?

Suddenly you’re aware of the tears running down your cheeks.

“There you are”, a voice sighs. 

You flinch and look over your shoulder. Jerry is standing in the doorframe, holding her hands on either side.  Out of all the people who could find you, why did it have to be just Jerry?

“Everyone is looking for you”, Jerry says. 

“Didn’t mean to”, you mumble. 

“You better have a good explanation.” 

She sits down on the other side of the door, in arms reach of you. The door closes behind her, leaving the two of you on the balcony platform. It’s first now that she seems to notice that you’re crying. 

“Oh, what’s wrong?” she asks in a sarcastic tone, clearly mocking you. “Feeling homesick?”

“No”, you sigh and look down at your hands. “Just leave me alone.”

“Can’t do, princess. You are not allowed to be alone, you know that very well. But sure, I can leave. I can tell the other that you have attempted to escape.”

Your hand shoots forward to stop her from leaving. “No, don’t say that!”

“Then tell me. Hurry up, princess, I don’t got all night!”

You sigh and rest your head back against the wall. She’s doing it on purpose, you think, riling you up to the breaking point so that she has something to punish you for. 

“Jerry, stop”, you plead and hold your head in your hands. “I’m asking you nicely. Don’t do that.”

“In what position do you think you are to speak to me like that? Do I need to go get the leash to remind you who you are? Hm? Is that what you want, Golden Boy?”

The name breaks something in you. You feel so stupid. Like an absolute fool!

“Don’t call me that!” you shout. “I never was a fucking ‘Golden Boy’! They just used me! And I just let them do it! Like the idiot I am!”

Your head pounds worse than ever. You’re afraid that it is going to rip out of your skull. You can feel how Jerry moves closer. 

“They never fucking cared about me”, you hiss. “No one does!”

“Now, who told you that?” Jerry sighs.

“It’s obvious! Just look at how they’re treating me! They wanted to get rid of me, that’s why they sent me on that ship, wasn’t it …?”

Jerry sighs heavily and runs her hand through her black hair. “Well, fuck … I don’t know what the fuck to say.”

“Be quiet, then.”

You don’t want to hear her ‘I told you so’ mantra. You’ve understood how much of an idiot you are, you don’t need her to remind you. She removes your hands and forces you to look at her. 

“It does not fucking matter what they thought of you, okay?” she says. “I get that they tricked you but you’re never going back there, so drop them. They’re not worthy of your attention. Just look at what a mess you become when you think of them! And I don’t want to hear that shit again, about no one caring about you. We have looked for you day and night since that last night on the ship!”

“That’s different. You know that. You won’t get the list or the painting. If they wanted me gone, they won’t trade me for it. I’m useless to you.”

She sighs frustratedly and runs her hand through her black hair again. 

“Fuck, I am not made for this”, she mutters and looks around for help, but the only thing nearby are the passing landscape. “Listen, Y/N, we could have done things a whole lot differently. We didn’t actually need you, alright? Not for business. Hell, we don’t even want the same things! Me and Silas are the only ones wanting the list. Edmund wants his painting. I don’t even know what the doctor and Hedwig want, but do you know the only reason why the five of us stay together? Because of you, dumbass.”

She grabs your head and holds it to her chest, letting you cry. 

“The term ‘Golden Boy’ isn’t just because of your job, it’s more than that. Don’t take it the wrong way. Now stop talking like that, it is getting on my nerves. Pity yourself to someone else.”

Silence. You listen to the rattling sound, the wind and Jerry's irregular breathing.

“What did I do wrong?” you ask quietly, emotionlessly. “Why did they do that to me?”

“I don’t know, Y/N”, Jerry answers softly. “Some people are horrible. There is a difference between people who's openly bad, and those that pretend to be good but are rotting on the inside. I can’t stand those people. If you’re going to be a bad person, at least stand for it.”

“I feel like a fool.”

“You are a fool, but it isn’t your fault. You did what you had been told, like everyone else.”

“I wish that I knew why they decided to let me go … I mean, that way I could have prevented it … or fixed it.”

“Stop thinking about it. I told you that you’ll never deal with those people again. You’re with us now.”

You sigh. Listening to Jerry’s heart beat makes you want to laugh at how hard it is beating when she has acted like she doesn’t have one. 

“Get up”, she says after a while. “We can’t sit here the entire night. It’s starting to get cold.”

You drag yourself up on your feet. Jerry takes your hand and leads you back inside. Warmth hugs you the second you reenter the thin corridor. She takes you back to Silas’s cabin where you find him arguing with his second in command. You catch something along the lines of ‘you hit him so hard he’s lost his mind’ and don’t have to think twice to know who he is talking about. A new punch in the chest. Does everyone view you that way? As a loser who can’t take care of himself after what happened? As a dog?

“Where have you been?” Silas asks angrily. “Wasn’t I very clear what would happen if you tried to leave?”

“I didn’t fucking try to leave!” you burst out, unable to do anything else beside matching his energy. “How could I when the train is moving at two hundred kilometers per hour?!”

“Yeah? What were you doing then?”

How dense is he?

“I tried to get one second to myself to try to think! My life is falling apart and no one is caring! Everyone is just mocking me!” Tears blur your vision. “Why is no one treating me like an actual human being?! No one respects me!”

Your knees give out. The carpeted floor does nothing when you fall. A few seconds pass where you’re left to sob in silence before a pair of arms wrap around you. They’re too muscular to be Jerry’s and the second in command would never touch you. It has to be Silas. 

“Get up, Y/N”, Silas says. “You need to sleep. We’ll talk about this tomorrow.”

He tells Jerry to get the doctor and she disappears out of the room. Doctor Kry comes in two minutes later. In his hands he holds an identical syringe to the one he injected you with before you got onto the train. Silas holds you down as the sharp needle pricks your arm. You can feel the foreign — yet painfully familiar — substance enters your bloodstream. Damn them, you think before the darkness swallows you, damn all of them.

You wake up with him sitting by the round table. He’s already dressed. You wonder how long that syringe makes you sleep. 

“Good morning”, Silas says. 

“Hi”, you mumble as memories from yesterday wash over you, like an ice cold shower. 

“I thought that you’ll stay here for breakfast. I’ve already ordered room service.”

Your eyes lay upon the silver tray with coffee, toast and waffles on the table, when you sit up. 

“Jerry filled me in about what you talked about”, Silas says. “I don’t want more of that, got it? You don’t get to run around causing havoc like that. You need to tell us instead of getting a melt down. Surprise, we might actually help you.”

You scoff and roll your head against the headboard. “You don't want to help. You just want to hurt me.”

Silas sighs. 

“Is that why I have tattooed my symbol on you?” he asks. “To hurt you?”

You don’t answer. How should you know?

“It never crossed your mind that I tattooed that on you so that you wouldn’t leave?” Silas asks. “Maybe because I want you here?”

“It doesn’t excuse what you have done.”

“Okay, maybe not, but ask yourself something, Y/N: where would you go if not here?”

You try to avoid his dark eyes. They burn right through you, confirming everything you have been thinking. You have nowhere to go, nowhere to stay. Nowhere where you are safe, nowhere where you feel like home. Not anymore. The only thing that kept you in New York was the pride in your job and now, if you go back, the only thing that is associated with that city is shame and hurt. With Silas tattoo on your neck, no one will want to have anything to do with you, for fear of him. 

Silas leaves you be. He doesn’t ask you questions, doesn’t try to get you on better thoughts or distract you. He lets you sit by the table with him, lets you feel your feelings. Lets you try to sort out the fog in your head. 

“How long do we have until we reach Hedwig’s house?” you ask after a while. “I’m getting tired of people.”

“Two days”, Silas answers. “You’ll like it. It’s far away from everyone and everything. You’ll be able to go somewhere quiet, where you can rest for once.”

The thought of resting makes you almost tear up. You can’t recall the last time you actually had a moment of peace. 

“I don’t know what you want, I don’t have anything more to give you”, you mumble. “I don’t have the painting, or the list of names, or any contacts. You can’t trade me for the list, and it’s too late now. They’ve already seen the names.”

“We don’t care about the list anymore”, Silas says. “When are you going to realize that?”

“I don’t know. I can’t seem to … think.”

Silas grabs your neck and pushes your head onto his shoulder. You let him. And there it rests until you’re feeling better. 

You decide to get out of the cabin before it’s going to swallow you whole. You make your way down the carriages until you get to the lounge. People sit chit-chatting in their seats, drinking tea. You wonder how many of them belong to Silas, how many eyes he has on board. You do your best not to stare at any of them. Instead, you walk towards an empty table and sit down by the window, staring out towards the horizon. You’ve never been so … lost before. And yet, you feel better — just a tad bit. One day at a time. Things will be fine. Hopefully. 

“Good afternoon”, you hear a voice. 

You look up to see Edmund carrying a deck of cards. 

“ Have you finished sulking now?” he asks. 

You don’t answer. Not even these kinds of stupid questions deserve stupid answers.

“If you have, why don’t we play a game of cards?” Edmund asks and sits down in front of you. 

“Sure”, you sigh. “What do you want to play?”

“What can you play?”

“A little poker, I suppose.”

“Good. Let’s play.”

Edmund starts to sort the cards. He shuffles them skillfully. 

“What do we play about?” he asks. “What do i get if I win?”

“What do i get if I win?” you conquer. 

A spark ignites in Edmund’s eyes and for once, it gives him a human touch. He leans forward, over the table, and smirks. 

“What do you want, Golden Boy?” he asks. 

You think about it. What do you want? 

“I don’t know”, you reply and when he rolls his eyes, you add: “I actually don’t know. A bit more freedom, maybe.”

“Oh, as in?” Edmund asks. 

“Be able to walk around freely without anyone going insane, like yesterday. I can’t run anywhere on here, now can I? Just being able to go wherever I want on the train whenever I want would be a comfort.”

“Alright, I can work with that. And if I win?”

“What do you want?”

Edmund leans back in his seat and looks out the window, thinking. 

“You need to call me ‘your majesty’ or ‘your royal highness’ from now on”, he says, looking pleased. 

Any traces of humbleness is gone. 

“Haven’t I been humiliated enough?” slips out of you before you have the time to stop yourself. 

Edmund smiles boyishly. “Nope. Not nearly enough.”

There’s a small tug at your heart, and your first instinct is to feel offended … but you can’t help but feel relieved that, while the others are trying to keep you from breaking down, Edmund is still the same. 

You smile slightly. 

“Alright, let’s start”, you say. 

He’s a skillful player with sharp eyes. You wonder who he has trained with. 

“Oh, you’re an idiot, Y/N.”

Doctor Kry stands by the table, watching the table amusedly with his arms crossed over his chest. Edmund grins up at him. 

“Aren’t I smart?” he asks and nods at you. “This dumbass has to call me by my title — as he should have from the start — from now on.”

“The game isn’t over yet”, you remind him.

“Just throw the towel in and die a hero. That way you’ll have some dignity left.”

“No.”

Edmund shrugs. “Alright.”

You’re not sure how, but you manage to beat him. Doctor Kry laughs behind his hand. Edmund glares at him.

“Beginner's luck”, he insists.

“Good job, your majesty, now you've given him free roam over the entire train”, the doctor says.

“Don't get so fucking happy, doc, I can still have you executed”, Edmund warns him with dark eyes. “I don't care if Silas has you under his protection.”

Doctor Kry doesn’t seem affected. “It’s just a day.”

“This motherfucker did quite much in a day last time.”

“I’d like to see our friend Axel Ainsworth trying to do his stunts here.”

You rise from your chair and bid farewell to the two men, happy to show that you are allowed to walk away. Your last day on board won’t be too bad, you reckon. 

You take the time to sort out your thoughts and think. Sitting in the lounge, looking out the window with a glass of whiskey, listening to the sounds of the train moving and the other guests chitchatting. Your head starts to make sense, for the first time in months. Your heart beats in your chest. You hate them, hate what they did to you. How they played you. How they used you for bait. 

“Can I sit down?”

You’re pulled out of your thoughts. Hedwig stands by the armchair in front of you, wearing a sweet pink dress. You nod. She squeals and sits down, looking giddy. 

“Do you want me to get you anything?” she asks. “Maybe something to dilute the whiskey with? Drinking on an empty stomach isn’t good, you know?”

“What do you know about that?” you ask. “Are you a heavy drinker?”

“No, but Edmund is … and I guess that you can imagine how ha is when he is drunk.”

“I’m not drunk … but yes, i can imagine how he would be. He’s not the politest sober either.”

“He’s nice, in his own way.” She shakes her head, as if she’s shaking herself free from thoughts. “How are you feeling? I heard that you had some troubles. Do you want to share them with me?”

“No, I’m okay, I think I got it now. It’s been nice to sit and think … to deal with it myself.”

“What have you come up with?”

“That I don’t want anything to do with those bastards in New York anymore. If I had the list, I’d give it to Silas and Jerry. I wish I had written down the names.”

“You remember some of them, don’t you?”

She picks up a notebook out of her purse and places it on the table. A golden pen is connected to it. 

“Write them down”, she says. 

You stare at the notebook, questioning if you really should give away the little information you know. You would never have done that before. An old saying pops into your head — my enemie’s enemy is my friend. 

You pick up the pen.

[maxarchive]

Listen to the full interview here.

Now, just as the championship was starting to get to a really tense point around Austin, there was this big controversy about driving ethics between you and Lando. The drivers had a big conversation with the FIA after that race about the guidelines and it felt in some ways that it was a consequence of what had happened in Austin. How did you feel about that? Did you ever feel like they were singling you out?

You know, honestly, I don't, even if they would have done or did, I, first of all, I don't care because I drive to what I think is possible and what is allowed in the rules. And if the rules are written like that, I will use the rules. I'm just not the type of person that I think, if that would have happened to me the other way around, you know. There is then other people commenting on, other drivers commenting on that were not involved in that whatever incident or whatever you call it. I don't think I would have been the person then to complain so hard because I would just think to myself that, okay, if that's the rules, that's how we do it instead of screaming that we need to change the rules. Because the problem is, if you make less rules and then something happens, then they will start screaming for more rules. Now we have the rules, maybe not perfect, but it will never be perfect. Because if we get to a certain rule set, there will be another incident where someone is not happy about and then they start screaming that the rules are not correct again. It's the same in football. If there's a foul and there are some clear rules about certain things, it's not always that the right decision is made on it, or is it a penalty given or not? Or was it offside or not? That's why you can never, at the end of the day, do it right. Do I think that consistency in the penalties can be better? Yes, for sure. But that only comes with, I think, stewards that are paid, you know, professional stewards. Not that I think that the stewards that we have right now, you know, they're doing their very best to what they have, you know, but I do think that, you know, in a sport like this, like you see in other sports as well, that when you have a paid board of stewards, I think it just works way better.

You said something very interesting there about the rules that you were always driving to the rules. And that's the fundamental point. I think no one said in Austin or thought that you'd done anything against the rules. But there was this particular kind of defense, you know, the kind of race to the apex, trying to be ahead and all the rest of it that people are talking about now. Do you think that just taking a step back from that particular incident, do you feel that that's the right way to go racing? Would you choose to do it that way if those weren't the rules? How would you like to do it?

Like I grew up with go-karting, where it's not about who is ahead of the apex or not. I think every driver is anyway a little bit different. I remember from go-karting as well with some, you just knew that if you went around the outside, you could hang it around the outside. And with some others, you couldn't because they would push you off. And I think you need a little bit more freedom on that. Because when... When it's that clear rule that you need to be ahead or alongside fully to the apex, you will create other issues with that, right?

So would you naturally want to give someone room on the outside on the exit if you were racing?

Well, me personally, I don't race like that.

You don't... What, sorry, what do you mean?

Well, it's like when I... So when I race with someone, I would... Well, he will not be able to overtake me around the outside.

Okay. Why?

Because that's how I grew up racing.

Okay. So you always think it's okay to go to the edge of the track and force someone off?

Yes, but I've raced against other people in go-karting that would give me space. You know, it's like, it's just a driver-related thing, that some drivers are just a bit more passive, you know, in racing. And that's just how they are. And some I know that even in F1 I can't hang it around the outside because they will push me off. It's just, it's like a bit more of like a racing, I would say, instinct.

So I think if you were to play the devil's advocate, how would someone ever overtake you? Because you will always go to the inside to defend.

It depends on the track layout. I think the main problem is that when you have so much tarmac on the outside, you, even if you lock up a little bit, you just run a little bit wide. But on old-school tracks, you normally never really have these kind of issues because it just doesn't happen because people are a little bit more tentative on the brakes. Also, the guy that is trying to overtake knows that if he makes a mistake and locks up, he's in the gravel and his race is done. You know, so that's what I think is the problem is the track layout is letting us do these kind of, like, you then have questions with some moves. Where if you go to, like, Suzuka or even Red Bull Ring in turn four, the downhill right-hander, where sometimes, you know, it's very rare that there is any, like, question mark move that has been done there because if you make a mistake and you brake too late, you go off in the gravel and you're penalized anyway. And I think we have to try and go back to these kind of things that when a driver goes off the track, there's a harsher penalty with just natural, like, track limits.

So you would never give someone in the outside room on the exit of the corner if you were racing?

Well, that's just normally the case, yeah.

Yeah, okay, cool.

And, of course, when the track is naturally the limit with the gravel being there, then no one even want to go around the outside because they know that. So you then try to go for a cutback or, you know, set yourself up in a different way.

[crazyvik97rpg]

Honestly, Sebastian didn’t feel too great about this. He didn’t feel dizzy anymore, but the anxiety was there and he felt it deep in all of his bones. William reassured him that he didn’t need to apologize as his body simply wasn’t ready yet – still. Feeling so weak, spontaneously passing out – that wasn’t just nothing.

William pushed him back inside and they went straight to the cafeteria. He was a sweetheart, parked him somewhere at a table and then promised to get him some delicious treats. And well, William really didn’t promise too much. He came back with a whole big range of snacks and treats. Sebastian‘s eyes widened.

„Oh gosh, love…did you get something for yourself too? Take some“, Sebastian urged him, „There, take the wrap and the muffin or something. Thank you…“

But then, oh finally it was time to eat. Sebastian started with one of these sandwiches first, had a few sips of orange juice. He remembered the nurse‘s words, so he did est slowly but still – he felt the energy coming back after just some bites and he sighed deeply. He still felt like this incident just now was a setback.

„I didn’t even notice that I passed out–…it all happened so quickly“, he hummed, munching on his sandwich, „Like how long can this possibly take–…the whole recovery process? Sure, the stitches have to heal but…ugh…I don’t know“, Sebastian sighed, just…in a complain–y mood, really. „I don’t like this…I just want to go back home, to at least have our cats, cuddle with them…“

Sebastian admittedly was taking all of this very hard. He never had to deal with anything like this before. He might already know his body had boundaries, when it came to drugs he learned that. But now? This was different, in his mind anyway, and it was taking way too long. The healing, the fact he was weak and frail and that it wasn’t even fully over yet. Knowing that he was only at the start and he would potentially feel way worse weeks from now was not exactly…uplifting.

„Anyway…sorry, I don’t mean to only complain…there, let’s try this chocolate croissant, do you want half?“

For I have sinned...

The principal cleared his throat, eyes scanning the notes that he had wrote down before this meeting. It already lasted an hour, and the teachers gathered in the faculty room were becoming restless and bored. But indeed there were some things to discuss, with the concert that the senior class was supposed to perform at the end of the semester, and with recent staff changes. 

William glanced down at his watch, sighing softly. His class was starting in 15 minutes, so at least, whether the meeting will be done soon or not, he will get to excuse himself. He looked out of the window, his mind wandering. Principal’s voice turned into white noise in the background. It was a pleasant day, late summer. But William was looking forward to a slightly cooler weather. Wearing all black could really be bothersome at times. 

“And lastly, I am pleased to announce that we have finally found replacement for the violin teacher. Dear Mr Tanaka, may he rest in peace, was with us for so many years that I’ve been concerned we won’t be able to find someone as good as to fill this position.” the principal spoke. “But Mr… Michaelis, was highly recommended to me, and he indeed has impressive references. He will be starting this week, so please welcome him warmly once he will arrive. Ah yes… about that. He will arrive today at noon, I need someone to pick him up from the train station and bring over for the tour around the school. Any volunteers?” 

William was barely listening, and definitely not paying much attention. He glanced at his watch again, and saw that it was time to leave, as his class was about to start. He raised his hand to excuse himself, and little did he know, he just volunteered.

“Father William! Excellent!” the principal exclaimed. “Just don’t be late, the train arrives at noon.”

“Train…?” William questioned, raising his brow. He had a feeling he was missing something…

***

Right after the meeting, William had to run for the class, so he had little time to clarify what exactly he had volunteered for. He was a piano teacher in this Music Academy, but also he served as a priest in local church. Well respected, and rather liked. So when he later found out it was about the new violin teacher, he didn’t refuse. Who, other than himself, would be a better choice to introduce a newcome to their community?

So even though he raised his hand by accident, he accepted this fate.

After classes, at noon, William took a taxi and drove to the train station, to pick up their new teacher. Wearing black trousers, and a black shirt with a thin tie, was absolutely dreadful in this weather, so William quickly found shelter under the roof of the station platform, that provided some shade.

The train had just arrived. William had no idea how Mr Michaelis looked like, but he figured he will just look for someone carrying a violin case with them. 

He was in for a bit surprise.

@crazyvik97

[mkmas]

Jude Jazza - A story about a ruthless and arrogant man and an unfulfilled promise (JP ECB)

as usual I don’t own the story or characters, they belong to cybird. some things might’ve translated not as smoothly but i tried to get close to the original tone + eng isn’t my first language so forgive any mistakes ;-; also beware of some spoilers about his backstory

I wonder when it happened.

When my sister was still alive, she and I had a high fever.

(I was in so much pain l felt like I was dying.)

(I remember her asking me to distract her from the agony of the high fever.)

Jude: “What do you want to do when you’re rich?”

It was a playful way to forget, even for a moment, the pain of the day.

Jude’s younger sister: “Anything?”

Jude: “Sure.”

The pained look on my sister's face breaks into a little smile of joy.

Jude’s younger sister: “If that's the case, let's see… I want to go to the moon!”

My sister's eyes, which are the same amethyst color as mine, look towards the highest point in the sky. There, like a jewel dropped into the deep sea, there was a round moon floating in the jet black.

(...... Ha, the moon.)

Jude: "Idiot, even if I had that kind of money I can’t do that.”

(I've never heard of humans going to the moon.)

Jude’s younger sister: “But the Queen’s got the whole world on her palm, right?”

Jude’s younger sister: "If we can go around the world, can't we go to the moon?"

How much money does the Queen have? As I was thinking about whether it was really possible to go to the moon with that kind of money...

Jude’s younger sister: "Hey, brother, promise me. When you become rich, take me to the moon."

A human being going to the moon is a dream too ridiculous to be true. But my sister, who might die tomorrow, needed hope at this moment.

Jude: "I got it. I'll use money, magic, anything to get you there.”

Jude’s younger sister: “Brother, it's lame to think you can use magic.”

Jude: “Keep quiet.”

Jude’s younger sister: "I'm going to go to the moon. I have to get well soon."

Jude: “That's right. We have to get you better."

Only when I was with my sister, I felt something like the outline of happiness. Every time her small hand grasped mine, a warm feeling spread across my chest. But before the feeling of happiness could develop, I always felt sorry for her. Just when I was thinking that one day I would make my sister happy. She was bought with money, and then she died after.

And then I - I swore revenge.

By the time I started my trading company upon graduating from public school, I had the noblemen who killed my sister completely by the scruff of the neck.

Even though they were already busy dealing with taxes, it piled up even more with debt.

-- After their mansion and land were all seized, I went to meet the people who bought my sister.

Jude: “Thank you very much for your time.”

Nobleman: "W-what are you? W-Wa...!"

I grabbed the hair of the most pompous looking nobleman sitting in the chair as hard as I can.

Jude: “You guys are the ones who buy poor children and make them do bad things."

Jude: “There's no point in trying to make excuses. Everything can be backed up."

The nobleman’s eyes widen as I flung the report that contains numerous misdeeds I’ve already investigated.

I dragged him down and stamped on his head as hard as I can with my shoe.

Jude: "Confess. A few years ago, you bought a kid with asthma from a longshoreman."

Nobleman: “Well that’s… Uh.”

Jude: “Confess…!”

No matter how much I hurt them, the noblemen didn't speak.

Then I realized.

They really don’t remember.

When I threatened the servant, he trembled and spilled everything.

Servant: “I buried so many people in the garden that I can't remember who's who…”

When I headed for the garden of the beautiful mansion, I found that only one corner had been dug up in an unnatural manner.

Jude: “…….”

-- So so many. I sit in front of one of the piles and gently touched it with my fingertips.

Jude: “Brother is here... Answer me.”

I didn’t hear anything.

I didn’t even know if she was here.

All I know is that it was already too late.

So then I introduced the nobles to my father and brother, who were still working at the port, sipping muddy water.

(Isn't it great to do hard physical labor with the person you sold your daughter to?)

I had my subordinates watch over as they were weakened by the humiliation of the harsh labor.

I did nothing, I just watched.

Soon after, the nobles, my father, and my brother were all dead.

I killed them all.

-……De.

-……Jude.

Ellis: “Jude.”

(Ellis….?)

(……Ah, I fell asleep.)

It seems that because I didn't get enough sleep, I passed out while sitting.

(--- Even if it's)

Ellis: “What kind of dream was it?”

Jude: “Hah?”

Ellis: “You sounded like you had a nightmare.”**

Jude: “It was a shitty dream.”

Ellis: “I see. Jude is unhappy even in his dreams.”

Jude: “Shut up dumbass.”

Ellis smiles and looks somewhere else.

When I followed Ellis' line of sight, I saw a full moon floating there.

Ellis: "I guess Jude won't be happy until he gets to that moon."

(I know the truth. Even if I went to that moon, I wouldn't be happy.)

My sister whom I promised to is dead.

I can't take her to the moon.

The crazy dream I have is a promise that will never come true.

Ellis: "Hey, Jude. Can you breathe on the moon?"

Jude: “Ah?”

Ellis: "I'm just worried if Jude dies there before I can kill him."

Jude: “You really are fucking crazy. It can’t be helped.”

Still, I only have this promise.

That's why—.

(Someday I'll go to the moon.)

**Just in case this small detail matters (not really but) he was making sounds like people usually having nightmares do. i bet he gets these nightmares often;-;**

*If anything got deleted and i didn’t notice it’s probably tumblr being weird on my ipad bc of storage ahajaj)

TN: OK wow after reading his backstories… my crack theory about jude and the moon some time ago turned out to be at least 70% right? also jude has always been pretty snarky/sarcastic haha even to his younger sister (a little) i have a loooot of thoughts on his backstory but ill dump it after finishing his route. it really is dark and horrible how the rich people bought children and just…. did all that…. i support jude torturing crazy nobles 🙂‍↕️

[nickfowlerrr]

let’s not.

pairing: mickey henry x curvy!reader

warnings: 18+ only. smut. feelings. happy ending. not edited. maybe a little ooc- i haven’t watched monday in a minute and i am currently heavy in my feelings so apologies if he is.

words: 1.7k

notes: just a drabble of another fic idea i can’t commit to fully fleshing out and writing. enjoy 🩵

You hiss as your hips slam against the edge of the table. Hard. Over and over again.

The only thing keeping you from dropping to the ground is his hold on you. His large hands gripping your soft waist so tightly you can feel the bruises no doubt forming already.

You let your head hang as you remain pliant to him, low breathy sighs leaving you in between your soft moans every time he hits that one specific spot.

Oh, this was so not how tonight was supposed to go…but it feels too good to care about that right now.

You’re on that very delicate edge, overwhelmed by the pain and pleasure of the way he completely controls you; the way he touches you, the filthy words and sickly sweet praises he groans in your ear as he pushes you both closer and closer to your ends.

Your walls squeeze his cock as your voice peaks. His hand flexes on your waist as he feels your imminent release.

“That’s it,” he breathes heavily against your skin as he leans further into you, his thrusts hitting harder as he chases his high. “Feels good, doesn’t it. Ah, fuck. Come for me, baby. Come on my cock,” he growls. “Let me feel you.”

You wouldn’t be able to hold on any longer if you’d wanted to as your orgasm hits you hard; your muscles tensing, your hand gripping his arm and your eyes scrunching shut as you feel entirely electric before wave after wave of pleasure rolls over you as you succumb to the feeling. To him.

It takes only a moment to realize your eyes are stinging with tears, but it’s not until you slowly start to come down that you realize why.

More like remember why.

He grunts and moans as he reaches his own peak, coming inside you but making sure to keep his hold on you as he works himself through his release.

God, here you are again. Different night, same fucking story. Over and over again.

You feel like a fucking idiot.

You are a fucking idiot.

He slowly pulls out of you, backs up for a second and then keeping his hand on your waist, he pulls your body back into him, hugging you from behind as you frown at the apparent show of affection.

You push his hand off of you and escape his hold before you can allow yourself sink into it, walking gingerly around the table to bend and grab your sweater off the floor - the unflattering one that you had chosen specifically to avoid ending up in this situation again.

That worked well.

You pull it on as he follows behind you, watching you with an intensity you don't want to notice, brows slightly furrowed and his icy blue eyes set on you.

“What, one and done tonight? You alright, sweetheart?” He asks, making a move closer to you, reaching out before you stop him with your response.

“God, can you just stop with the pet names,” you snap, turning to face him, “please.”

It’s like he doesn’t remember the fifteen minutes of conversation you had before he got your clothes off - easy as ever. You don’t think he means to, but the second you start to show your emotions, the second you start to cry, it’s like he can’t help but to try and comfort you. Unfortunately, his idea of comfort always seems to be this.

And even more unfortunate, you always let it happen.

It’s pathetic.

It helps for the time it lasts and then everything hits all over again.

“This is exactly what I was talking about, Mickey,” you’re exasperated already, “you act like you care and y-you give me hope that this might actually be…something more, but,” you shake your head, “all it is to you is sex.” He doesn't move from where he stands, but he drops his hand that was outstretched to you.

You can’t hold his eye for very long, it’s already hurting too much. You drop your gaze but it’s only for a moment before you force yourself to look back up at him. You have to ask the question you really don’t want to know the answer to…

“Isn’t it?”

It’s two simple words, a very simple question, but as your eyes are stinging, pleading for the truth, you know it’s anything but.

He blinks, opens his mouth to speak as he shakes his head, but ultimately says nothing before he takes a deep breath, looking away from you and down to the floor. He licks his lips, nervous habit, before he frames his hips with his hands.

“Should put pants on,” he mutters before walking away, down the hall to his bedroom.

You stand there in a perpetual limbo, listening as he opens a dresser drawer and riffles through the clothes for a second before you hear the drawer close again. It’s not long after that he emerges from his room, pulling a pair of sweats the rest of the way up his legs.

He comes back to stand before you as you lean lightly on the table, desperate not to fall and embarrass yourself any further. You know what comes next.

The inevitable.

The end.

You know how this started, and you’ve known from the beginning how it would end. You just weren’t expecting to get so caught up in him. You weren’t expecting to feel so much with him. For him

It’s your own fault. You couldn’t blame him if you wanted to. It just hurts so much more knowing it was all so one sided, that he didn’t - doesn’t - feel the same way… when you let yourself think too much about it, it doesn’t seem possible actually. As hard as you tried to ignore your feelings for him when they first started growing, it just wasn’t possible. Whatever it is - was - between you two…how could it have been so one sided? How could he not have noticed what you noticed, felt what you felt?

Maybe he just doesn’t want all that with you. Maybe he’s just not ready? Whatever it is, you know you can’t keep waiting for something to give.

You’ve finally come out with it, told him in no uncertain terms how you feel about him, about this…arrangement? relationship that’s not really a relationship?… and so, now he knows. Having sex with you after you confessed your feelings for him, well that was a choice, but you don’t think you’re all too upset about it actually. If this is it, it’s a memorable goodbye.

You’re conscious of your lack of bottoms as you stare at his clothed legs, waiting for the words you’re sure he’s gathering in his mind. He’ll let you down gently, you bet. He’s sweet, and he hates to see you cry. At least you know he’ll be nice about it.

He takes a cautious step closer to you and reaches out a hand to yours, finding your eye to make sure it’s okay first.

When you don’t object or look away, he gingerly takes your hand in his and pulls you closer to him. You swallow the lump in your throat as a tear spills over the edge and slips down your cheek, turning your head to avoid his concerned gaze.

His hand finds your cheek and he turns your face back to him, taking a step closer into you. His hand holds yours as his other holds your face, his thumb gently swiping away at the tear. He takes another step closer, and you’re so close you could just collapse into him completely, chest to chest.

“No,” he whispers, his voice low, sounding deeper than you’ve ever heard it as he looks into your eyes. Your brows furrow as you hear him.

One simple word. A very simple answer. But it’s really anything but. Because what the hell does that mean?

He sees the question in your eyes before you can voice it.

“It was supposed to be. For both of us, I thought,” he adds, reminding you again of how this whole thing started. Just sex. It was supposed to be just sex. He still holds your cheek as you look down, your free hand reaching up to touch his forearm. “But no. It’s not.”

He makes you meet his eye again as he walks into you, your bottom against the table at your back as he lets go of your hand and slips it under the hem of your sweater. His warm palm gliding up and smoothing over your skin, almost tickling you up and down, feeling you, caressing you gently before once again he settles it on his favorite spot, holding your waist delicately. He leans in, his nose brushing yours.

“It’s so much more than that,” his soft lips brush lightly against yours as you take a shaky breath, your body searching for him without you even realizing it before he kisses you again. Firmer, deeper, and with a fervency you’ve never felt before from him; like he’s been holding himself back all this time. Your free hand reaches up to frame his head, your fingers splaying in his hair as you kiss him back just as desperately. You almost feel like you’re in a dream as you lose yourself to him.

He moves you both as you continue your kissing, you following his lead until he turns you and you find yourself falling onto his couch. You catch your breath as you look up at him before he follows you down, pushing you to relax as he lays down next to you. He maneuvers you both so he’s holding you again. You tilt your head up to him, and he readily accepts the invitation, kissing you softly before speaking against your lips. “You don’t know how relieved I was the second you said something,” he titters, like you were the one who was missing the obvious this entire time. He takes your face softly in his hands.

“You’re so much more than that.”

You smile softly back, trying to hold back a sniffle at the clear sincerity in his eyes that has your nose tingling.

“So, you…” you trail off, hands idly ghosting along his chest as you try to think of how you want to ask him.

“Feel the same way,” he finishes for you in affirmation. “There’s something here. And it’s definitely not just sex. ‘D be crazy to try to ignore that. So let’s not.”

You nod, holding his bright blue gaze, a small smile tugging on both of your lips as you look into each other’s eyes; unconsciously leaning closer to one another.

“Let’s not.”

[wolftarotcrafts]

Hope you enjoy this short tarot reading.❤️

Pile One

TW: Family issues and abuse (I'm not getting anything too serious, but I just wanted people to be warned and not blindsided if something in a way resonates with those topics.)

Hello, pile one, your spirit guides want you to know that it's okay to speak up and use your voice. Communication is important, and it is your key to success. I see you are at war with yourselves and others. I see that some of you are struggling to speak up about something revolving around your past. This could be something revolving around your childhood, or if you have kids, this could be talking about them. I think you are the one holding yourself back talking about a situation or something that's been bothering you. I think this has to do with your home life, like past grievances with family that have never been resolved, but people just pretend like it isn't happening or happened; possibly you are not proud of your actions when you were younger, someone hurt you in some kind of way, or you could be dealing with a custody battle. You could be struggling with a person. Whatever it may be, your guides want you to speak up and use your voice, because you shouldn't have to keep quiet to make others happy because this will only keep you trapped, and others' happiness should not always be put on you, nor should it matter more than your happiness. You should have to make people's lives easier and, in turn, make yours harder. You need to have courage and remember that your guides and the people that love you will be there to support you every step of the way. So, whatever has been weighing on your heart and mind, it's time to let it out and speak. The truth will set you free.

Extra: She Used To Be Mine by Sara Bareilles, 4, 9, 15, 16, 40, 444, 777, "Everything will be okay," pain, trapped, chained up, worried, anxiety, clarity and truth, family, children, August, February, Gemini, Taurus, Aries, B, I, P, R, snakes, purse or bag, scorpion, claws, therapy, crying, Cinderella.

Pile Two

Hello, Pile two. I think that your guides want you to know that you are going to level up. What I mean by that is, some of you may start taking your spiritual and religious practices to the next phase. You are getting more serious about your practice. An example being you may stop just reading books on deities and may try to start communicating with one in particular. For others of you, I see you leveling up in your career or studies. I see some of you may be in law school, and you specifically are going to level up in your studies, but there is also an importance of leveling up in your self-care. I see many of you getting a promotion and getting in a higher position at work, like a supervisor or manager, something with authority. They want you to know that all these good things are going to happen to you because you deserve it and because of the hard work you put in. You should be proud of yourself. 

Extra: Put Your Records On by Ritt Momney, 2, 4, 16, 18, 33, 42, 888, Libra, Aries, Sagittarius, Taurus, Capricorn, earth signs, D, C, Level up, spiritual, religion, win, promotion, money, law school, hardworking, fighter, "keep going.".

Pile Three

Hi pile three. I see that you have been struggling with your finances and career. You have been fighting this battle, and don't worry because the end of the battle is near. I see you are going to come out on top, and, very clearly, your guides are cheering you on and encouraging you not to give up since you are on your last stretch. You are heading for a calmer state of mind. Your hard work is going to be paying off very soon. They just want you to know to keep going and don't give up because they got your back. 

Extra: Wishbone, smiley face, anchor, K, A, R, The caduceus, medical field, snake, love life might start improving too. War is over. I might have picked pile two as well. 

I also have paid readings available here. ❤️

[prouc]

Smut without story

If you managed to fuck Art (which we can all admit it would be not so probable to begin with), he would absolutely kill you after, before or in between doing it. I think this man is not a necrophiliac entirely, and actually prefers a warm cunt than a cold and dry one, but I don’t think he would be against fucking a corpse.

But if you surprisingly managed to pull this bastard between your legs, I’d say it would go this way.

—>

Your pussy clenched tightly around his cock, almost as if had a mind of her own and wanted to suck his soul out of the very hole that managed to kiss your cervix each time the clown thrusted forward.

Your hands trying to maintain yourself up while grabbing the sink in front of you, your legs right now demonstrating how wobbly they were and useless to support your weight. You didn’t even remember how, when or where…

But it all happened so fast, your pussy almost releasing a damn waterfall when you saw the characteristic clown costume that made your panties wet.

You “knew” him, you couldn’t help yourself, each time you saw a photo of him in the news, you were always making sure to close your legs together as much as you could while biting your lower lip painfully hard, hand already creeping down your shorts.

You had “met” him in an alley, you were too drunk to care for your well-being, or the fact that the County Miles clown was in front of you, bag on his back and the menacing grin all his victims got to see before killed. Your fucked up brain (for liking this killer clown and being drunk) decided it was a good idea to go running towards him in a drunken stumble, almost yelling how hot he was and how wet he always made you. The clown stopped smiling, almost as if it was thinking how down bad you had to be to not fear him right now or maybe he was just confused. It didn’t matter in that moment, your core had throbbed upon seeing him and you were already pleading for him to fuck you little needy hole. You had the luck to find him in a good mood, deciding to humor you before turning your brain into mush.

So there you were, being finally fucked by the clown that twisted your panties in such a good way. The clown waved at you mockingly as he saw you look up to him, eyes glassy and hazy, lips slightly puffy from biting them constantly and black lipstick all over them in a messy sign that you had made out with the him moments earlier.

The clown laughed silently and dramatically at the sight of your face, a trail of saliva smudging the black lipstick in its way down, Art grabbed your throat, his palm on the front of your throat, forcing you to look up at him while he fucked your brains out, arching your back as far as he could. Hard, sharp and wet slaps decorating your moans and gasps in the tiny restroom of the gas station you guys were in.

It was a specific throb of your pussy that made the ever dramatic and playful clown drop his act immediately, as if someone had punched him in the gut with pleasure with the way your pussy uncontrollably clenched around his cock.

His expressions turned into a hard glare that sent a shiver down your spine, now uncomfortably bent by the way he was grabbing you. You would have thought he was mad if it wasn’t for the way his eyes softened just a little hint, not of “adoration” but of pleasure, you saw him clench his jaw as he looked down into your eyes, he was absolutely fucking you until you cried.

—>

You couldn’t breathe, your legs had went numb minutes ago, he was the only one making sure you didn’t buckle and fell to the floor. The repetition of the harsh slaps of his balls against your puffy clit made your clench your eyes shut, droll falling to the floor as he continued pounding into you, his face harsh, serious and just focused on your face and expressions. You had came just by his thrusts at least four times and you couldn’t speak, breath or even think coherently at this point, and yet this fucking clown hadn’t came once, as if he was purposely just edging himself again and again, as if he didn’t want this to stop.

He had you in his arms, legs wrapped around his hips as your head rested on the crook of his neck, arms limps around his neck as he never stopped pounding into you. You were absolutely subbing at this point, not knowing if it was from pleasure or how sensitive you had become. He grabbed the back of your head as your back touched the damp and dirty wall of the restroom, his other hand grabbing your ass so you wouldn’t fall down.

He surely wasn’t normal, or human to that matter, you had taken notice of this in the bad way, he was restless and had inhumane force by the way he had manhandled you, his slender figure doing no justice to how fucking strong he was.

After a few stuttering snaps of his hips, he rested the head of his cock deep inside of you, almost tenderly letting it kiss the entrance of your cervix, white long streaks of cum coating your walls as you shivered in his arms, eyes not being able to open anymore, your body not responding.

—>

He looked at your limp figure resting against the wall, sat up in the floor while breathing heavily and shakily. You were tired? How cute, but now he was going to take his prize for humoring your cunt. He booped your nose, cooing mockingly at your figure before dressing himself up again, not even tired. His hands grabbed the axe of his ever present bag, slinging it over his shoulder before plunging it into your tired cockdrunk skull.

Thanking you silently for the fun.

——————————————————————————

Disclaimer: I’m not a good writer, I’m sorry if it’s bad, English is really not my first language 😭

I’m just a Spanish girl obsessed by Art the Clown…🫶🏻

Literally the song I was listening to when writing this —>

[greenwitchfromthewoods]

a house in the middle of nowhere l Joel Miller

Summary: you and Joel went on patrol together, nothing went your way

Warnings:  angst, guns, switchblade, killing people, allusions to sexual abuse, blood

A/N: your feedback is very important to me and I thank you for all the reblogs, comments and likes. 🖤 sorry for all the mistakes

short stories from life. [masterlist]

# 1/2

"We should be reaching that building in a few minutes."

You nodded and didn't slow down when you heard Joel's footsteps behind you. The leaves crunched under your shoes and the air in the forest was pleasantly cool. It was as if you had done this before.

The flu that had been sweeping through Jackson for a few weeks now had also reached the people patrolling the area. Soon, Tommy had no choice but to ask you and Joel to start working together again. 

Despite his concerns, he was pleasantly surprised - you were a great team. That's why he recommended you check out one of the buildings, which was a bit further from your trail.

"Looks good." You said, stopping in front of a small house standing near the end of the forest.

"Yeah. Too good." Joel mumbled. "Do you remember that..."

"I remember." You interrupted him, because your thoughts immediately drifted to a certain house you had found on your way to Jackson. "I saved your ass that time." You smiled, noticing the grimace on Joel's face.

"Keep telling yourself that, darling." he mumbled, heading towards the entrance.

But this time it was safe. The house was small and it took you a few minutes to check all the rooms. Apart from a few canned goods, a few old blankets and a dead bat in the bedroom, everything seemed long forgotten.

"This will be a good base for further patrols." Joel noted as you spread your things in the living room with the intention of spending the night there. "Once we check the area and make sure everything is safe."

You sat down on the dusty couch. The feeling that all this seemed strangely familiar to you filled you since your first joint patrol with Joel.

He didn't press you, he wasn't pushy. The safe distance you wanted to maintain was perceived by him, although you felt his gaze on you many times. You weren't without blame either. Your eyes often lingered on his broad shoulders for a few seconds longer than necessary. You missed him.

"We'll eat something and you can lie down." Joel announced, pulling sandwiches out of his backpack. "I'll take the first watch."

"There's water in the bathroom. Cold, but it's there." You noticed, doing the same as he did.

"Maybe the house is connected to a well. It's hard to tell right now." You handed him a cup of coffee. "Are you going to the party on Saturday?"

You looked at Joel, surprised. "Since when are you interested in parties in Jackson?"

He shrugged and chewed a bite of sandwich. "Ellie asked."

"Oh, did she say anything else?"

"That this new guy, Walsh, asked her about you."

Warmth crept up the back of your neck and you hoped Joel didn't notice your confusion. You weren't dating anyone, you didn't want to. But you knew what Miller was talking about. You and Walsh had been on a few patrols together, and you'd been seen together in the city too.

"Your coffee's getting cold, Joel." you replied, cutting off the discussion.

The room was filled with Joel's quiet snoring. You had been sitting by the window for almost two hours, observing the area. The first rays of sunlight were breaking through the treetops, and you only noticed a few squirrels and a hare.

Your spine was slowly starting to hurt, so you got up quietly and, trying not to wake Joel, you went to the door. Maybe you should have let him know you were leaving, but you saw how much he needed sleep. The lack of people meant that you were almost always outside Jackson, so that those who had families could rest or recover.

You quietly closed the door behind you and inhaled the fresh air. With your finger still near the trigger, you moved forward. The area was quiet, the fog was rising here and there between the trees, and even the birds were just waking up from their sleep.

An unexpected rustling behind you gave you goosebumps. You turned around sharply and saw a pair of rabbits disappearing behind the bushes.

"You scared me." You mumbled to yourself smiling "Don't do that again."

Then you heard a completely unfamiliar voice "I promise I won't do that again, doll."

You turned around sharply and saw the man behind you, then you felt something hit you and darkness engulfed you.

Something was tugging at you. You felt your wrists being tied. Some pushy hands searched all over you, and then someone patted your cheek.

"Doll, wake up!" the same voice, unfamiliar to you "Mike, you hit her too hard."

More steps and someone crouched down next to you. He brushed your hair away from your face.

"Such a pretty face, and look what you did." the first voice hissed "I hope you didn't break her nose."

"Do you need her nose for something?" Mike sneered and patted you on the cheek a few times "Hey! Get up!"

You moaned quietly and opened your eyelids. You almost immediately wanted to back away, but there was a tree behind you, and two men in front of you, who were staring at you with interest.

"Morning, doll." one of them greeted you with a smile "I'm Patrick, and you?"

You pressed your hands together violently, trying to get as far away from them as you could. It was impossible, you knew that. 

Fuck! How could you be so careless? You had been with someone last time, but now... 

You thought about the sleeping Joel. Maybe you had at least managed to get far enough away from the house that they wouldn't find him so quickly. Hopefully.

"Hey, bitch!" Mike nudged you in the shoulder, and your gaze immediately went to him. "Can you talk? I didn't knock your teeth out, did I?" he cackled as if he had told a good joke.

"No." You replied quietly.

"Good start." Patrick nodded, his eyes lazily moving over your face. There was something strange about him, something slippery and indecent. "Will you tell us what you're doing here, doll?"

"I was walking."

"You were walking." Patrick repeated after you, reaching out and pulling a blade of grass from your hair, there was something in his gesture that gave you shivers "Pretty girls like you shouldn't walk alone. Is anyone with you?" 

You shook your head and Mike immediately spat in the grass.

 “She's lying!” he growled, standing up. “I'm sure someone's nearby.”

Patrick frowned. 'Come on, I'll help you.' He grabbed you by the arm and pulled you to your feet, then pinned you against a tree. 'Who's with you?' he hissed. 

'I'm alone.' you repeated. 

'Wrong answer.'

You flinched nervously as a knife blade flashed before your eyes. It was the same switchblade that Joel had given you. You carried it with you, they had to find it when they searched you. 

“Listen to me carefully, doll.' Patrick moved the blade to your chest and soon you saw the first button on your shirt pop off, then the second. 'You'll tell us what we want, okay? Be a good girl. Maybe then I'll be gentle with you, huh? I wouldn't want to hurt you...' he made a sad face as if he was really sorry, two more buttons popped off. 'But I haven't had a warm pussy in a while, I might be too hard for you. Unless you like that? Do you like it, doll?"

"I'm alone." You managed to choke out, trying to keep your voice from shaking. "I swear. I... I got away from the group."

"That bitch is lying, I can feel it!" Mike growled, looking around the area. "Do what you have to and let's get out of here."

Patrick watched you closely. His gaze slid down to your chest, which was rising rapidly with every breath. Your bra peeked out from under your shirt, the outline of your breasts must have been clearly visible to him.

"You could have been good, doll..." he whispered. "We could have been something great."

"Please..." you groaned.

At that moment you heard a shot. You didn't know where it came from, but you saw Mike stagger and fall hard to the ground. In an instant Patrick looked up, then looked at you.

"Who is it?!" he growled angrily, pressing you against the trunk so hard that you felt something stab you painfully in the back.

"Your Death." you gasped.

Another shot and warm blood splattered on your face. You slid to the ground gasping for air. Patrick's body lay beneath your legs. Strong hands grabbed your arms and then your face.

"Are you okay?"

Joel!

You nodded your head violently. He noticed the bonds on your wrists and when he looked around he saw the switchblade lying in the grass. He quickly cut the rope. In a second your arms were wrapped around his neck and a quiet cry escaped your throat.

"It's okay, I've got you." he whispered, stroking your hair and back "You're safe."

☆☆☆☆

Thank you for your time.

[lovelyshu]

han jisung and yn being absolutely in love with each other for 5 minutes — [1.3m views]

description. Cute moments caught on camera between han and yn

tags. f!reader, gidle!reader, maknae!reader, use of yn, gidle has a video with skz of competition, reader calls him oppa like once

comments. I have nothing to say, these are just some random scenarios I thought about and wrote. Please enjoy! <3

✰ first clip

During an award event, yn was yet again lost in the crowd. And the other members were trying to find her, even if discreetly.

But then, one of the cameras caught yn bumping into someone. Well, that someone being han jisung.

It was clear even from a distant that both of them got embarrassed by it, quickly bowing and apologizing.

Both of them stayed there awkwardly smiling, until han grabbed his phone to show yn something. To which she excitedly typed something in, before seeing Shuhua running in her direction.

Saying a quick goodbye, she ran off to shuhua's arms, having to listen to a scold and a teasing about always being lost.

What the camera did not caught was their conversation.

“You got his number?!”

“Yess!! I'm literally dying right now!”

“If he says anything bad to you I'm hunting him down all over Korea!”

✰ second clip

As the chk chk boom challenge went viral, a lot of idols were quick to do them. That meant that yn was also doing it.

In the clip, yn is seen trying to hold back her laughter, standing right next to han who was with the same expression waiting for the chorus to begin.

Yn did the challenge with han smoothly, until she messed up at the very end, making both of them burst out in laugh.

Laughing, yn lost the strength to keep standing on her legs, now almost falling to the floor.

Well, until han almost ran (even if they were already pretty close) to her and caught yn on his arms, still laughing.

It's very hard to see due to the camera, but if you squint your eyes hard enough you'll notice a tint of blush on jisung's face, and yn slowly getting more flustered if not for the video ending.

✰ third clip

During han's one kid's room, one of the topics were about people he really cared about.

As the conversation went on with mentioning all of the members and his family as well, until jeongin remembered of someone.

“Isn't there yn too? He's always talking about her.”

“Oh yeah you're right, han never shut ups about her.” - Hyunjin continued, all of them now laughing at some inside joke.

When it was jisung's turn to talk, he said almost the same thing, until he looked down for a moment smiling, suddenly feeling shy.

“There's also yn. We talk a lot and she's probably the closest person I have outside the group and my family. She's very special.”

✰ fourth clip

Gidle was in an interview, answering fans questions about their songs, life, future comebacks and the usual.

Some of the questions were directed to specific members. And one of them being "Does yn have someone she really loves apart from her group?"

Thinking for a moment, yn smiled without even noticing, excited to answer the question.

“Yeah! I really love han from stray kids. His very friendly and kind, I enjoy his company a lot.”

The other members looked at her with widen eyes, a surprised smiled on all of their faces, making yn confused. Until she understood what it might have sounded like.

“I-I mean that in a friend way! I love him as my friend!”

And that was all it took for them to start laughing at her, soyeon even holding on her shoulder lightly.

✰ fifth clip

Felix was recording a vlog, filming the backstage before one of their shows. Everything was chaotic as usual, as he talked about the show.

Suddenly, han came out of a room, not noticing the camera. Felix went silent as he pointed the camera to the man, now hearing what he was talking about.

“Have yn called to any of you? My phone is almost dead so turned it off. She said she would call me before the show begun.”

He continued to talk about the idol, until noticing the camera, making him freeze for a moment before slowly waving at it, an awkward and shy smile on his face.

Jisung was already walking away, regretting his life decisions, and wanting to disappear even more as Minho shouted to him.

“No, she haven't called yet!”

✰ sixth clip

Miyeon was filming a vlog of how their day was going. Yuqi and shuhua were talking on the couch, while soyeon and yn were no where to be seen.

Searching for them, miyeon caught the sight of yn sitting on the corner of the room, hugging a little quokka plushie, a photocard and cellphone in hands.

Giggling to herself, she approached the girl, who quickly noticed the camera and was desperately trying to hide the objects.

“Hi miyeon unnie! Do you need anything?”

“I'm just filming our daily life. What are you doing?”

Yn stared at her with a dumbfounded smile, pressing a few times on the screen before showing it to her unnie.

“I'm listening to our songs.”

Miyeon knew she wasn't, but not wanting to make the poor maknae die on camera, she just nods, walking away to continue the filming.

✰ seventh clip

The first time gidle had managed to record something with stray kids, it was a competition between the members.

They formed seven teams with two people, han and yn being paired up together.

After some games and a lot of chaos, the next game they had to play was one in which, two teams will compete, trying to pull the tail from one of the members.

The one who manages to pull the tail out of their clothes first wins. And the final teams to play were han + yn and shuhua + jeongin.

It was the final round, and yn was the one with the tail, while han was mostly trying to protect her and avoid the other two to get too close.

After around thirty seconds in running around, yn managed to pull the tail from jeongin, making both of them cheer in excitement.

Without thinking twice, jisung and yn ran to each other for a hug, staying there for a long moment before pulling away, a slightly timid expression on both of their faces.

✰ eighth clip

At the music bank program, yn had the opportunity to be one of the mcs for a short period of time.

During this time, stray kids went to the program. Yn was doing an amazing job at being the mc, to which jisung complimented.

Feeling shy from his compliment, yn thanked him, clapping her hands together to avoid looking too timid as she smiled.

“Thank you jisung oppa!”

He mirrored her smile, as the other members laughed a bit.

After a few seconds of talking, seungmin bumped into han's shoulder, not saying anything, but a smirk forming on his face.

Han only looked away, embarrassed by the tease, without saying anything as well to not get the attention of anyone else.

[sagesturns]

Snowy Affections

Summary: You build a snowman in the snow while Matt watches, then the two of you share a playful snowball fight, laughing in the winter chill.

contains: fluffy fluff fluff!

Soft and densely packed, snowflakes fall from the sky blanketing the entire earth in white color. The atmosphere is comforting and refreshing; the kind that makes one on someone’s breath foggy and even turns the end of their nose red. You are all smiles and excitement, almost jumping in the snow, your hands in the air scooping newly fallen snow and packing it into a ball with remarkable precision that is hard to ignore. 

“Matt!” you exclaim cheerily, like a kid who has just found a hidden treasure “Come help me with the snowman!” A few steps back, Matt regards you, quite amused, his smile dancing on his lips. He is wearing a heavy coat, his hair wind-swept, his hands deep in his pockets, looking at your artistry.

Determined and focused you are, presenting the best snowman possible. Grasping the last cylindrical piece of snow rolled across the backyard. 

The thing is already taking shape—lopsided but full of personality, with twigs for arms, a scarf wrapped haphazardly around the middle, and your trademark grin plastered on its round, snowy face.

You catch Matt staring, a soft, fond look in his eyes as he observes you, watching the way your hands move as you build. The snowman may not be perfect, but you are—at least in Matt’s eyes.

There is a short break where he gets rid of the thought of helping you at all. He loses himself in the picture of you, beaming with a glow on your red cheeks that he could only imagine thanks to the winter and your messy hair strands which are settled around your face. He appreciates the way your nose wrinkles each time you laugh, and how very handsome his smile is, whilst quite a cold winter surrounds them and yet it is so warm within the bubble that is surrounding the cold. 

“Matt?” you call out again after a small pause though this time a tad more desperately. “What the hell are you doing over there? Come and help me lift my snowball’s head!”

He came back to his senses, blinking, thankful that he was forced to take in the sight for not that long.

“Right! Head,” he says, shaking himself from his thoughts. He takes a few hurried steps toward you, scooping up some snow and quickly starting to form the snowman’s head.

But before he gets all that far, he pauses again, watching you in that quiet way that makes your heart flutter. You're so free, your laughter ringing out like the jingle of bells, and he can't look away.

His movements slow down, and before he realizes it, Matt walks over to you where you're kneeling by the snowman. In complete silence, he slides his hands around your waist, pulling you toward him. You freeze for a moment, in pure surprise, but then the warmth of his touch makes any hesitation melt away, and you find yourself pressed against his chest, face slightly tilted upwards to meet his gaze.

Your breath catches in your throat, and you feel the soft blush creeping up your cheeks as his eyes soften, a small smile tugging at the corners of his lips.

“Hey,” he murmurs, his voice low and warm, “you look really cute when you’re all wrapped up in snowman-building mode.”

Your heart flutters at the compliment, and you blink up at him, feeling your cheeks warm even more. “I—uh, I’m not that cute,” you stammer, suddenly self-conscious.

Matt just smiles, his thumb gently brushing across your cheek, wiping away a stray snowflake. “You are,” he says softly, “more than you even know.”

And before you can respond, before you can even gather your thoughts, he leans down, his lips brushing softly against yours. The kiss is tender and delicate; it stays on for a brief while like someone is trying to remember the moment, remember you. He concludes the kiss, and pressing both foreheads together, you both try to catch a breath. In the outside world, all is still, the soft and airy flakes of snow falling down, but at that instance, all that can be heard is the warmth of his hands on your lower body, the gentleness of his hands and the hidden love in his eyes. 

You part your lips most probably to tease him, or to let him know exactly how sweet that was, but just before you speak, he grins most unexpectedly. “Let’s have a snow fight!” he exclaims with a mischievous grin and without wasting any time, fills his palms with snow and aims it at you with a quick movement. “Matt!” you shout with laughter as the ball of snow collides with your clothed shoulder. 

You step backward struggling to keep from falling in the snow, your eyes round in playful anger. “You—!” But Matt is already retreating, laughing and putting his hands up in defeat. “Aww, you look so adorable when you’re angry!” he said looking teasingly. You can't stop yourself from laughing more, looking at him with a very derogatory look. “Im gonna get back revenge I swear to you Matthew Sturniolo!,” yelling as he runs further away while you're softly giggling, already preparing the snow for the counterattack.

But Matt, ever the playful troublemaker, is already a step ahead. He takes off running, dodging your next snowball with a laugh that fills the air like music. You chase him again and the crunching sound of the snow beneath your feet makes you run around, jesting and dodging snowballs in a blissful white mess. 

While you both carry on with the snow play, an realization strikes you: It really doesn’t matter how high the snow is around you and how many snowballs are being thrown at you, there are such moments — eager, warm and filled with Matt’s love — that are going to stay with you forever.

word count: 1k (1,099)

tags: @sweetshuga

a/n: first Matt fic and it's a fluff! Lowkey it's ass LMAO. Im gonna try to write a couple more stories before making my masterlist! Thank you soso much for all the love on my recent fic. I aprecciate and love you all!

@sagesturns

[couldnt-think-of-a-funny-name]

okay disjointed thoughts about the wicked movie 1 day after watching it lets go

-first of all, my movie theater put speakers outside and was just blasting the entire soundtrack on repeat. we could hear it down the street as we were driving up. that's just simply insane

-the opening establishing shots of the land were great but honestly. the very clearly animated dorothy and gang really annoyed me lmfao like I'm sorry it cannot have possibly been too hard to get a few extras to stand in front of a screen for point 5 seconds lol. it was so fast that I Know I'm being dramatic about it but they looked more cartoon than the flying monkey's did

-baby elphie and baby nessa are the cutest things I've ever seen in my life...

-I kinda...like the more human/animal hybrids that the stage show and the original movie had. sorry. like I Get they were only like that bc you can't make a real life goat sing and dance but they're just more interesting to look at than normal-looking animals who happen to talk!

-jeff goldblum's face being hidden every time he had a dance number...I have a sneaking suspicion that he wasn't really dancing lmfao

-whoever decided to bleach ariana's eyebrows deserves jail time

-when jonathan bailey first showed up on screen my mother leaned over to me and whispered 'he's HANDSOME...'

-when cynthia finished the 'wizard and I' I had to actually stop myself from applauding. it felt so weird and rude for there to be dead silence after that performance my GOD.

-also omg the part where she's singing about the wizard de-green-ifying her and the colors in the suncatchers were canceling out the green so she looked normal....inspired!

-madame morrible had these HUGE crystal ball looking rings and I just want them so much lmao

-glinda's friends were really funny the bit were she was like 'I need to lie down' and they immediately picked her up like a plank of wood and carried her off while the one was screaming 'WE NEED A PASTRY!!! IT'S AN EMERGENCY WE NEED A PASTRY!!!' had me cackling

-I wish there was more time between them moving in and 'what is this feeling' starting? like I wanted more time to see them bickering and then also more time seeing them getting along after the ball??

-'dancing through life' was BEAUTIFUL however two complaints 1) why would they cut the line 'what's the most swankified place around?' I Quote That Often and 2) at the end when glinda and elphie dance together like...it's beautiful and everything but from what I remember after their solo moment fieryo joins them?? and they have a cute three way dance moment??? and I'm very pro "they're all in love with each other" so I missed that lol

-also just in general would of liked to see more of fieryo with the girls! like it felt like ball->lion cub->emerald city, in the course of a couple days, and idk I just feel like they could have slowed it down a bit?? especially since they broke it into two movies?? like I don't think that Actually all happened in the span of a week, but they didn't do a good enough job establishing how much time was passing so it Felt like it. which is dumb bc then it just doesn't seem realistic that elphie and glinda are THAT attached to each other by defying gravity like it feels like not enough time has passed for them to really know each other

-boq felt very mild tbh I know ethan can be more unhinged than that

-would've liked to see glinda in magic class!!

-I was a little underwhelmed by elphaba's costumes? like there were clearly patterns on the material but it was all the same shade of black so you couldn't make anything out. it felt a bit flat. and I love the idea behind the freckles I agree with freckles I am pro freckles HOWEVER her's looked very obviously drawn on. like, I have seen way more realistic fake freckles before. so that was a bit annoying

-other than the lunchmeat dress glinda's costumes were good! especially loved the flower shaped one she wore to the ball

-the whole trying to escape in the hot air ballon scene was cool as hell but as the flaming remains of it fell to the ground I couldn't help but be like wow...she really just killed all those guards huh!

-also lmfao the bit in the woods with the lion club and fieryo has like a scratch on his temple. genuinely thought to myself 'is that his lobotomy scar' lmfao

-still trying to get over the part in dancing through life where people were dancing on the spinning gears in the clock tower...bitch

-the flying monkeys were correctly horrifying

-when I saw the broomstick I was like 'won't that be really uncomfortable between your legs' but then she just held it next to her like they do in the stage show and I was like....okay I guess you win that one? lmfao like I don't mind it for when she's hovering but when they had her like supersonic zooming on the broom it was weird that she wasn't actually riding it

-overall I just don't understand how it's an adaptation of act 1 but it's the length of the entire stage show?? lmao like I wish they took advantage of the split and added so much more but really really it was still just such a solid great movie. 5 stars. I can't keep talking about it right now I'm gonna start screaming.

[dunmeshistash]

Greetings, Mr. Meshi!

This is perhaps a bit of an unorthodox question, but one that has been bothering me for an unreasonable amount of time.

Now, here's the thing: I OBSESS over Marcille outliving everyone she holds dear. It's a theme very close to me, but even beyond that I just find it to be one of the most interesting elements of Dungeon Meshi's story for me personally. I've written an embarrassing amount of lengthy essays on it that will never see the light of day - that's how obsessed I am over this specific element of her character. But, there's something that bothers me...

A lot of poignant stories and artworks that tackle this topic get comments on 'em whenever Falin is the subject of aging, each one some variation of "Everything points to Falin having an extended lifespan after her revival!" which... Seems weird to me?

I don't know why this bothers me so much, but setting aside my personal annoyances, I don't remember anything pointing to this at all. At least, nothing concrete.

I don't know if this is a question you'd want to answer or not, but since your blog is a hub for all sorts of opinions and headcanons, I'd love to know where this line of thought could originate from.

I really wouldn't blame you if you didn't answer this question, though. Part of me feels I'm just asking this because I want to see if others share in my confusion or not.

Rrrregardless, though! Lemme take the opportunity to say that your blog is delighful. Love it! Also, that mushroom man with the funny face that sometimes responds to you with lengthy essays is also really cool. Everyone is cool. At least here on the northern hemisphere! It is smack dab in the middle of fall, after all! Coolness all around! Stay frosty! Or don't! Maybe warm up at a fireplace. I don't know!

Hi there! Thank you for the kind words, I love reading other's opinions on what I post so I also love the additions by the mushroom <3

It's quite hot over here in northeast Brazil, send some coolness my way please I'm dying.

Your question isn't strange at all! And I don't mind answering anything (unless it's rude or sounds like shipping war bait) so don't worry.

(Decided to put the rest under a readmore, TLDR: Kui said "maybe so, right?" about Falin having a longer lifespan but I have arguments why I don't think this actually confirms it. Anyway if you're someone who likes the headcanon you might want to skip this post)

To be honest those type of comments bother me too because I also LOVE Marcille's struggle with mortality and sometimes "Falin will live much longer!" feels undermining of the lesson she had to learn. I don't mind it in the headcanon sphere where everything is allowed and happy endings grow on trees but when it becomes intertwined with canon it starts to make me a little disappointed.

Just a reminder of the lesson she has to learn

She has to come to terms with the cycle of life and death, that something she wants (everyone to live longer) shouldn't be forced upon others just because it causes her grief. So, to me at least, Falin being made into something that will end up outliving other tallmen would undermine the message? In a canon sense ofc, if you're writing a wish fulfillment story then her living longer would have a different meaning, I just wanna be clear I have nothing against it in that sense, it all depends on what story you're trying to tell.

Anyway, actually answering your question that idea comes from the fact she was fused to a Red Dragon, and the fact her body has been affected by it, her sight was fixed and she grows feathers for example, so people theorize maybe her lifespan has been affected too. But we don't really know how long dragon's live so it's hard to say how much it would have been affected if at all.

It also comes from this answer Kui gave in a QnA

Q: Would Falin have an extended lifespan after the whole chimera thing? A: Maybe so, right?

To me this reads as the usual non-answers Kui gives, like, "I'll leave it up to your imagination" but for other people this read as a confirmation of the headcanon, in another questions she answers "I hope so" about Thistle leading a happy life after having his desires eaten and it's even debatable if Thistle survived at all so I don't think those comments indicate much of canon (I'm that way about most QnA answers tbh, unless it's something inconsequential like confirming Mithrun's Brother's name or stuff about very minor characters)

Another argument I have against her having a different lifespan is Izutsumi, Izu has been mixed with a monster but continues to age at the same rate a Tallmen would, even tho she also has different biology because of the Great Cat she's fused with (ears, reflexes, eyes etc etc) she is still a tallman

Falin isn't really the same thing as Izutsumi tho, I understand, but it's the closest example we have, if we believe the AB descriptions and demi-humans are really mixes between humans and monsters that's also another argument about it not affecting lifespan, since all of them are short lived and have an average lifespan of 55.

All of this *can* be dissmissed tho, the other demi-humans and beastmen are all mixed with mammal monsters and nothing nearly as powerful as a Dragon, so there is arguments to be made that Falin is different and that she *might* have an extended lifespan, all I'm saying is that there's no solid confirmation of it, it's fine to believe it but going around "correcting" other people saying it's a fact wouldn't be right I don't think, especially if you're saying that in a conversation about Marcille journey of death acceptance.

Death is a touchy subject and everyone is at different stages of their own journeys with it so I really don't want to judge those who would rather have Falin or even Laios live longer. I'm not really sure how to talk about this in the proper way, but I hope I didn't make anyone upset!