#Small light liveblog
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jan and the "important papers" ;_;
#small light liveblog#i feel like while miep is obviously being portrayed as the outspoken 21 century activist feminist#jan is portrayed as the equally strong minded one who uses his appearance of moderate neutrality to get away with helping others#like he knows as a blonde guy of vague european ancestry certain assumptions are made about him that can keep him and people around him saf
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man porsche is just so incredibly easy to love. i mean. sculpted by the gods, silly and goofy, incredibly earnest, loves with his entire heart....... the list goes on but i'm too choked up to continue 💔
#also when he smiles the whole world lights up. this is a scientific fact#too good for this world but also nuanced enough for a small corruption arc as a treat!#also hi i'm back lol#took a liveblogging Minute but i am prepared to get back into it :D#love to terrorize my mutuals with repetitive brainrot on the dash#kp rewatch
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guys (gn) what are you wearing right now :3?
#im wearing the kitty hat (tm) with the legwarmers i was liveblogging sunday & monday (the legwarmers and hat match btw)#and a light purple shirt i got for chismas with some cute cat-like creatures on it#light pink baggy jeans#and a dark green zip-up hoodie for a summer camp i went to a year or two ago#i also have a small crossbody bag that holds two things and two things only#1) a big pack of watermelon gum#2) a little journal thingy i write in during school so i dont go insane
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Failure in the eye department
#plush liveblogging#the sclera are lighter than the rings but the fabric i found for said rings is too thin and not stiff enough#so i tried fo salvage the eyelids bc i really liked them and decided to use a lighter embroidery thread for the light red#but i made my stitches too small and too close together so it got all cluttered and kinda too visually muddied#it looks better in the picture than it does irl#hhhrhbrhrb man...#i really liked those eyelids but ig ill redo them#status noir#also im shrimping so much rn. tboy slouch had a death grip on my spine#*has
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DRDT CH2 PT2: Full Analysis
While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!
WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.
Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).
(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)
How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.
Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.
The Case
Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.
Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.
If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.
As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.
To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.
We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.
In the series, however, we get:
Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.
You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.
That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.
And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.
Character Analysis
I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.
Mai Akasaki
No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p
Xander Matthews
He got mentioned, but he’ll come up in David’s section so. Skipping him.
Min Jeung
Well, there were a few references. Such as:
Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.
Something something, David-Xander vs Teruko-Min parallels, etc. And also:
I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!
There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.
MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.
Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.
Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?
We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.
But hey! We might get more Min content in the future! I, for one, am very, very excited.
Charles Cuevas
Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-
Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.
-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)
J Rosales/Moreno
Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.
I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).
Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible.
…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways.
Or maybe Mariabella killed a guy. Yeah, sure. Why not?
Veronika Grebenshchikoba
There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea.
We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-
Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?
… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).
The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:
Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.
I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D
But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.
Veronika: Oh my. How tragic.
She is such an awful person, just such a piece of garbage. I adore her.
Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"
Veronika [about Min, 1-12]: Min died in such a cruel manner...
Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.
Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...
So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!
+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.
+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.
+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.
+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.
Whit Young
.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?
Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.
Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person!
That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?
Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…
You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?
Food for thought. Again, not much reason to believe it yet.
Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.
Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...
And, of course.
Whit: ...
Of course.
Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.
You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.
As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.
That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.
Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.
Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?
Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.
This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.
For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.
The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?
Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?
He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?
Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.
And you know when he splits off from Charles?
Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.
My guy will genuinely do anything except investigate the playground.
And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:
Whit [2-9]: Eden has [the note]. Ask her.
He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.
With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.
By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.
This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.
Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.
Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.
Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.
Arturo Giles
I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.
Arturo [2-12]: You shut your whore mouth!
"I thought you were only doing necessary imag-" This one's necessary shut
I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.
The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.
Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:
Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--
Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...
Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.
Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:
Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?
Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.
MonoTV
I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.
Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-
Rose Lacroix
Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol
Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.
Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--
Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.
You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.
The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.
Arei Nageishi
You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.
For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.
But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!
Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.
... Well the context's different but you get the idea.
Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.
Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?
David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.
Ah right because David is a well written character. Carry on then.
I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.
Eden Tobisa
Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)
There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.
Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.
I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).
There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.
Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!
On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!
The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:
Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....
AAAAAAAAAAA-
Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:
Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.
The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v
Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.
Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.
How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.
This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D
To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-
Ehem. The point is I like Eden a lot :D
Speaking of wonderfully human moments, time to switch to the other big Eden character moment!
Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.
You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.
Anyways, here's a few more fun Eden moments this part gave us.
Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.
I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)
Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?
For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(
It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.
Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.
Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-
Ah. Right.
Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!
So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...
Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.
Fuck am I supposed to gather from this.
Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???
Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.
Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-
Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D
Nico Hakobyan
Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.
First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.
Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...
Were they just... lying here? Did they mean something else?
My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:
Nico [2-14]: I tried to kill [Ace] because I don't like [him].
When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v
Second.
Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.
Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:
Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.
I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.
Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.
Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.
Next point:
Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.
... Yeah.
Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.
I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.
Except:
Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]
This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.
Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.
Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.
But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.
Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.
... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.
Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.
So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.
Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.
Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
... We're gonna have to talk about this in the Hu section.
Finally, "I don't expect you to forgive me. Very few people ever do."
Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?
Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.
There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.
Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...
Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.
That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.
Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.
And it's not like anything this chapter erased the FTE:
Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.
So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D
Final highlight:
Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...
Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.
Hu Jing
Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.
Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.
Well that's just sad.
I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:
Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.
And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.
(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)
As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.
Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.
Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.
Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.
Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.
(Obligatory props to VAing ofc)
I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:
Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!
Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.
Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--
Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?
Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.
If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.
So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.
Though, speaking of Hu blaming herself for what happened to an extent:
Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.
This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.
Did any of that make absolutely any sense? Maybe. Hopefully.
And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.
Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.
The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.
But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:
Hu [2-14]: Eden? Please don't cry.
She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.
So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?
Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.
The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.
Veronika-Arturo is funny because, well.
Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!
I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.
Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.
Miscellaneous highlights!
Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.
Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...
Damn she really gets defensive when you question her reliability huh?
Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.
...
Oh. Oh no.
David Chiem
YOU
WHAT THE FUCK IS WRONG WITH YOU?!
Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.
The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.
David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.
While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."
This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.
David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.
You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.
This is where we get to Weird Point #1. David didn't want to lose the first trial.
Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.
If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).
However, something in David shifts upon seeing Min's execution.
David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.
This line is said pretty somberly.
Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.
David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?
Where he seems to imply a wrongful vote will cause 16 deaths.
But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.
David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.
(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)
However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."
David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...
Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.
Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.
So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?
Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.
David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!
(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)
I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...
So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.
So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.
But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.
Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:
Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.
Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.
Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).
Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.
What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.
Especially because David does, in fact, seem to have a very weird fixation on Teruko.
David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...
(Obligatory props to VAing ofc)
... Alright so it's five questions. Because how does he know all that?
Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.
Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.
Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.
Like, that's the face of a man who tried to be slick and failed miserably.
(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)
In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.
Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.
And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.
By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.
That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.
So, let's recap.
David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.
David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.
Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.
David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.
As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.
And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.
David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.
So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.
But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.
So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.
And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.
David [2-8]: Of course. Of course this would happen.
David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.
(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)
Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.
There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.
Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.
Final note, completely unrelated.
Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!
Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.
Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!
Levi Fontana
Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D
Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.
Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.
Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.
Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.
Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.
Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.
Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?
We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.
Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.
One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.
Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.
Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.
Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.
Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.
One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.
Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?
Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.
Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.
This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.
Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.
I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.
Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.
(why is everyone blue you're fucking up my color schemes-)
Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~
I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.
Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.
I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:
Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.
Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.
Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!
Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.
Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.
Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."
However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.
Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-
Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."
-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.
By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.
Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.
So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.
I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."
Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?
So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.
Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.
Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.
Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.
Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.
Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.
Also, "I did everything so I could have a better life," huh?
Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?
Get paralleled, idiot >:D
Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.
But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?
Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.
Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.
Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!
Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.
To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.
They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.
However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.
Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.
Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.
Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.
I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/
Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.
Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?
Nico [to Hu, 2-14]: I never asked you to defend me--
Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.
Okay time to continue with 2-13 because no we're not done with it.
Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.
Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.
We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.
Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.
Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.
The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.
Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.
Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?
Very interested in seeing where Levi's character goes from here!
Teruko Tawaki
You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v
I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.
David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!
She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.
Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?
I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.
2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.
Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.
Yuri stays winning.
Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.
Speaking of that.
Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.
YURI STAYS WINNING!!!
That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.
That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.
Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.
Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.
Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.
Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.
Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.
I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.
Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!
So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-
Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!
The foils ever.
Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.
Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p
Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.
Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.
But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.
Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.
Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...
Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.
Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(
Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.
But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.
Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.
Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.
Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-
Yeah you get the idea. Too much peak for me to write it all out.
Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.
That was the biggest Teruko thing, but there's still more to cover.
Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!
Uh... someone's projecting~
Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O
(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)
Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.
Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!
Ace Markey
Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.
That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.
Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p
Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?
Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.
Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.
We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:
Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!
Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.
So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p
But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.
Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.
So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."
No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:
Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!
Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.
To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.
Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.
Well he sure did take the killing game seriously after this point now didn't he?
Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.
The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.
Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.
Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!
Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.
Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?
This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.
Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.
And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."
Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.
How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.
J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.
My personal opinions on this are probably best saved for when we get the full picture in just a moment.
And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?
Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]
Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.
Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...
Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.
Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]
I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.
The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.
You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.
And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.
Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?
At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.
In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.
Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.
Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.
But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.
Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!
There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.
You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!
Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.
It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.
I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.
As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.
---
I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.
I'm being silly, of course. Thanks for reading, hope you enjoyed!
#drdt#danganronpa despair time#drdt spoilers#david chiem#teruko tawaki#eden tobisa#ace markey#levi fontana#min jeung#arturo giles#veronika grebenshchikova#j rosales#nico hakobyan#whit young#charles cuevas#monotv#drdt analysis#arei nageishi#rose lacroix#hu jing
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An analysis of That One Moment from Wakfu OVA - Book 2, Ush
Technically, this post is a part 4 of my liveblog, but still...
Today we will be talking about the interaction that I am most mentally ill about in the entirety of Wakfu.
Before I go completely off the rails: I think it's cute that despite everything, Keke still cares a lot about Ecaflip and Ecaflipus, and Atcham still cares about killing people for wronging him.
Things have changed after six centuries, but they're still just themselves. Anyway.
There is so much happening here. SO much. Let me break it down point by point:
The most obvious one: by addressing them as kids, he pulls his "I am roleplaying as your father for these strangers who don't know anything about our weird familial situation, and you will obey me" card. This is important because:
Kerubim and Atcham know how much Joris cares about the Brotherhood of Tofu and their opinions of him, to the point of going a little bit crazy at the thought of offending Yugo and Adamai.
So, even if him pulling the "I'm your dad" card is a bit egocentric, they can't say anything about that openly — because Joris would be so, so sad if everyone in this room knew he lives with his dad for 600 years now. He'd be so mad too, because "papychaaa, chaaaoncle stop embarrassing me in front of my friends!"
We KNOW Kerubim cares about not embarrassing Joris — because in the Dofus MMO he won't shut the hell up about his 20-30 dead loved ones from 200 years ago, says a Singular Thing about Atcham, and absolutely nothing about his very much alive son/fake dad, at best managing a little "we all want someone small in our lives..."
In my opinion, while some families are built on mutual roasting, the Crepin-Jurgen household houses three people with very fragile senses of self-esteem, so anything resembling roasting is usually light, exclusive to when they're all alone, and never about things that they actually hate about themselves ("short, weird, ugly, hypocrite, weak, overthinker"; "ugly" (some bald jokes allowed, but it depends on the mood); and "narcissist who kept his son in a hazardous environment for the first 7 years of his life and gave him 30 mental illnesses").
Besides the fact that Keke and Atch care about Joris making friends, — for the three of them (but especially Joris and Atcham), feeling belittled is the easiest way to ruin a relationship irreparably. If you insult them, it's just over. And I don't mean it in a funny-haha cutesy way. Sometimes, people actually dislike when they are insulted repeatedly about something they legitimately hate about themselves, and, y'know, hate everyone who hurts them this way? And you will not believe it, but people who actually care about them know and respect that. Because they love them.
So yeah, the three of them are all creatures of pride, and they respect that about each other, — which is why would never put each other in a position where they might get laughed at. (like suddenly revealing the Dad Roleplay and "600 years of living with his dad" sort of interpersonal lore)
However, being creatures of pride, I don't think Kerubim and Atcham are happy about Joris doing this. Especially because of the next point: Joris uses his position as their roleplay-dad and Asocial Son/Nephew Who Needs To Impress His Friends to essentially force them to let him go into a battle alone. Essentially, this line is translated as "you have glass bones and paper skin. you can't follow me because I said so, and you can't protest without looking weird." into Normal Human Tongue.
Joris does this for a very simple reason: they are weak (though so is he), and he's scared — he loves them! It's normal that he doesn't want to see them be hurt! Even if they have multiple lives, but they're not infinite lives, and it doesn't make every time they die NOT scary and traumatizing! He wants Kerubim and Atcham to go and rest, and he's also excited that they're finally meeting his friends.
However, unlike them, he only has one life — and they hate to see him hurt just as much, if not more, considering how much more danger he's always in:
They would really rather not leave their p'tit Jojo Joris alone with things they know are dangerous, — like Ush, — while Joris is weakened. No matter how much he wants to fight Ush one-on-one.
So, they refuse and even joke about him in the most subtle and funny way: using his own little game to make fun of him, and completely refuse his offer of leaving to rest in Sadida Kingdom, — coupled with an overexaggerated little shrug, and rubbing their statuses as so-called "sons" and "father" in his face.
These three come up with very elaborate rituals to communicate things that take normal people like ten seconds.
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qslime lore recap (the ending bit of his 08/12/23 stream)
so slime was in his basement.. turned around and saw that chest. it was was not there previously when he entered the basement. then the lights in the room began to all turn off. inside the chest there was an unnamed book….. so as the book says he follows the light. he ends up outside. this light led down his mine which had an area covered up (which is usually not) after breaking through the stone…
he finds a railroad and a train.. none of which is built by him. he rides the train down passing a mesmerizing view of a glow berry lush cave! what a beautiful moment that won’t be ruined! surely!
after reaching the end of the track he sees this small cottage. inside theres a cake and a chest. the chest had this book inside (as well as 3 dirt & 4 toast) and as charlie turns the corner he sees something.
its. juanaflippa. she appears to be cracked. interesting. now immediately this cracked juanaflippa begins telling qslime how much she loves and misses him.
so important to note the signs seem to not be written normally and very similar to the code entity’s attempt of speaking but simply more evolved. hm. the cracked flippa then says to keep her reappearance a secret. qslime agrees.
then the cracked flippa places the final sign telling qslime that she’ll see him soon and she promptly runs off leaving a severely distressed qslime. as he finally got what appears to be his daughter back and she is immediately leaving. wonderful!
now the next 5 minutes that follow is only qslimes reaction to this version of flippa leaving and words cannot describe how heart wrenching it is so if you’re reading this liveblog to catch up on what happened i really recommend watching the last 5 minutes of charlie’s vod to get an idea of what state his character is currently in. as i think we’re in for a long long disastrous and emotionally charged journey. i also don’t think a silly tumblr post can do that level of voice acting and talent justice.
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god, it's been one of the most chaotic weeks of the year thus far, and it's not even thursday
but today, for the first time in a long time we had a good storm, a proper good storm. it bought along with it loud crashes of thunder, echo rumbling through the trees, lightning lighting up the sky, and kilos and kilos of hail
and god, it's not even late and i'm already half asleep
but i had a bath for the first time in what must be years, and i'm greatfull for it. it's probably the best thing i've done for my body all week
and god, sometimes i am loosing my mind
but on days like today the small things (like the group of young boys who came to watch their freind try a hard climb at the climbing center before their game, all cheering and clapping despite barely knowing the sport, or the messages from the group chat of people liveblogging the storm, because they're fascinated, in love with it, or the reading of a play, out loud, slightly rushed, stumbling over the lines and laughing at the typos)
the small things are the reason i continue to have hope
I think that's the foundation of a hopepunk practice. Finding hope in the small everyday things. That'll always be much more sustainable than looking for the miraculous.
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I got bored asf and dandelion husbands flooded my brain @life-winners-liveblog
Would you believe me if I said I made this on traditional? As well as many of the previous ones I did-
I’ve been told many a times that my coloured drawings look printed LMAO- but yes most of my drawings come from my art book :3 The only digital ones were the kingdom dance inspired drawing & the little doodles of small SL!Jimmy & DL!Scott- Anyways I’m sure it’s obvious but I like yapping so I’ll yap
*update* here’s a Better lighting photo but you can see more of the background
#traffic life series#trafficblr#life series#the life series#secret life#double life#jimmy solidarity#scott smajor#dandelion duo#dandelion husbands#trafficshipping?#song/lyrics is from ( Easier - The crane wives ) <3#my art <3#it’s a sign that there needs to be more dandelion husbands 👀
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of course charlie wants to talk to it and of course condi does not wanna deal with the bitch/enemy
oh god they have gillion level intelligence
NEW THING TO LIVE BLOG
honestly i find liveblogs so fun and silly and new slimecicle video new slimecicle video new slimecicle video new sli
im like 2 minutes in, hes keeping up the humor like always, and each character is so so cool! love the jrwi boys playing not jrwi dnd lol
the new vid is 2 hours long btw so expect this to be long
#chilling in solar lights#liveblogging#slimecicle#charlie slimecicle#the animations look sick as fuck btw no matter how silly they are!#to encourage more watchers of the new main channel vid ill be putting 0 to no context#OH CHARACTERS THOSE ARE NICE\#grizzly plays a farm boy named tal who has the beast in him (sorta rightous seeming guy)#<- he also doesnt have mommy issues wow new for dnd characters (joking)#bebo plays rai whos an orphan (shocker) with only very powerful magic left and likes books#<- honestly he feels like a mix of connor and chip AND IM LIVING FOR IT#charlie plays a gremlin (big surprise) with daddy issues evil tendencies and magic which often has mishaps#<- name is xiv btw almost forgot lol#condi is klip a small flute-wielding man who blows people and himself up accidentally and loves his wife#<- he also has a big heart and he is absolutely my favorite#IM SORRY THE WIFE HAVERS TAKE YM HEART ALWAYS#okay now that ive clarified character names ill be using those solely through this lol#rip to those who dont read tags l for you ig
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"this is why i stay out of politics"
"well i cant do that when there's people suffering"
this is the sort of dialogue i mean - miep uses words and phrases that sound distinctly 2020 rather than 1940 and makes her seem above everybody else in the show. it mitigates the 'average woman helping her perfectly average family friends who were in danger, so YOU can do this too if it becomes necessary, no matter how scary it might seem' narrative that the real miep tried to get across in her interviews/etc. like miep did interviews and stuff with the goal that should something similar to this happen, people would have heard the message - always stand up to injustice, its not heroic it is Necessary - since childhood and hopefully would do the right thing. but this fictional miep sounds posturing and 21 century holier than thou at times - which is often how a lot of social media 'activism' feels to me. and seems to miss the point entirely.
#small light liveblog#like staying out of politics is absolutely not a new idea this existed in 1940#but the way they discussed this idea and the wording of it was different#and its a significant detail that i dont think should be interchanged lightly
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Marika & Messmer are fascists but not the hornsent who chop people to small pieces and put them inside jars to achieve divinity because they believe they're "chosen" people and therefore superior to other races? Have you considered the possibility that sometimes both sides of a war can suck? This is why frenzied flame is the way🙏
Anon, I am going to scold you before I get to the topic because "have you considered [thing]" here should be reserved for a problem when someone is ignorant and in a bad, poor-taste way! Which I was not because obviously I "considered" this! You are referring to a silly post of me liveblogging how I got to Messmer, and so of course I addressed Messmer! I should not add long disclaimer about every other lore-relevant thing when I make a basically liveblog-ish remark to "demonstrate" that I do not let other culprits in the story "get away" either! 😣 For example recently I've been focusing on Fire Knights to express my hatred for religious purism, but later in another post about story of Abyssal Woods I've instead focused my vitriol on Hornsent Inquisitors! There is its own post and time for everything!
Okay back to the LORE with light heart now!! This is true of course that both sides are atrocious; the Hornsent basically pulled a mad cult crusade on the shamans, and very ironically long time after their folks were victims of also a religion-driven crusade! This is basically playing extermination ping-pong for generations and regardless of who "started it", none of the innocent people (children, those who disagree and simply belong to [race], distant descendants that did not DO anything etc) deserved to be exterminated by association.
To get more elaborate, one has to take into consideration just how long the conflict has been going on for, and everything else Marika has done besides the Crusade. The people being killed by Messmer's army are most likely generations apart from the people who hurt Marika's! I've mentioned that earlier where I questioned how Grandam and Hornsent (NPC) seem to not even know why Marika/Messmer went with war at them at ALL. Like, both are/were barbaric in their own way, but there's clearly a side that has suffered enough now. Like, this was such a disgusting conflict that even Marika, who was the one who had it ordered in the first place, felt the need to distance herself from it because it WAS the battle without glory or honor. There were the Hornsent, likely a cult or something, who murdered and mutilated the Shamans back in their time, but Marika was the one who started the war and kept it going even after it was clear that the Hornsent had lost, and ruined the lives of many people that weren't even part of the war in resistance like the Hornsent NPC! (One more nitpick about it is that her/Messmer's war was that of exterminating of all who have no Grace, as opposed to some insane idea on how to force them to be reborn to "join" her type of people hfhhhbhf)
Correct me here if I am wrong, but so far we can't know if ALL Hornsent accepted the practices of Bonny Village and their higher religious institution. The Greater Potentate Cookbooks that we find relating to hefty pots describe the author as having been "haunted by the grotesque practice of his village of birth". This guy didn't sound like he was very proud of what his people were doing, and it's coming from someone who was raised there! There's likely a lot of other Hornsent who found the practice just as disgusting, especially amongst those that didn't do it themselves, but we don't know that because most of them are dead and the ones who remain are understandably upset and distrustful of "our" kind!
🤔 It is also because of this why it's more reasonable to call the two leading figures of a cleansing war fascists than an entire race, because we can't just assume that ALL Hornsent are fascists just because their religious order and justice system is fucked up. We just don't have a key leader figure to redirect such sentiments towards, unlike with the Golden Order! Basically confirmed fascists are Marika, Messmer + Fire Knights + Black Knights + troops, various warriors and perfumers and what not who agreed to participate @ the Hornsent who are doing the potting, the Hornsent who did slaughter Marika's village, and remaining corrupt clerics leaders of the religion!
(On a side note, Frenzied Flame is definitely the answer but y'all shouldn't tell Melina on me hfjjchjgdh)
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UPDATE 1 from July 4th that I wanted to add in the OG post instead:
I have nothing to add here, all of these are rather fair points! I am a little late with adding these screenshots but you've probably seen some more speculation on the Hornsent Inquisitors these couple of days by me and @val-of-the-north in my blog! Here if you missed these: ( x ) ( x ) The gist of it is that seems like Inquisitors are hunting their fellow Hornsent as heretics for serving the "impure" nobles, but regardless of whether it happened before Marika's mentioned "betrayal" or after, it is STILL horrible to harm people for association with those that didn't even do anything wrong :^)
Still applies that calling the whole race fascist doesn't work (heck, the Hornsent who choose to stand with Midra and Nanaya are confirmation of strong exceptions!), but the sentiment is certainly very strongly rooted culturally.
Sigh.. I am pretty sure there are people somewhere in the fandom that would fall into "hornsent deserved it" pit over this, too. Like "hey, even currently Hornsent culture is a rich soil for Shaman Villages 2.0 and 3.0 and 4.0 and so on to happen, so why not preventively exterminate an inherently dangerous culture?" (..if anyone here really thinks along these lines, please know that this is a dangerous line of thinking and you'll get ideologically groomed into excusing genocides before you know if you don't question what you're implying here) What they needed was more communication with other cultures and adopting more tolerant and humane principles. Seeing that various horn-ness species are just like them rather than sitting in the "we divine they filth" bubble if it is THAT bad. Maybe Marika even HAD the power to provide such change and bridge the gap while she was still a trusted figure to them during her "infiltration", and yet instead of putting and end to terrible traditions with careful planning and diplomacy, she chose the path of revenge..
Genuinely a depressing point to think about. And yes, absolutely doesn't do her a honor to choose ruin and hate.
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UPDATE 2 from July 11th:
I also completely forgot to back it up that the fellow Hornsent were also facing execution through being stuffed in jars!
Yeah nah, definitely their people in power were so dangerous that should someone protest against the murder of Shamans and alike, they'd meet the same fate.. Having to swallow what your insane authorities do, with your own life in the line, is also something very real. This situation obscures the number of people who are against it from the superficial look.
I myself live in the country where people can't protest against the government unless they want to go to prison or face other dire consequences, so having to sit quietly for the sake of yourself and your own families for the outside world LOOKS like we don't care and ""'"agree""". :)))) Fun stuff. :') Here, anyone who would ask why Hornsent that disagree with their leaders don't express it would technically be in their right to do so, but most people will protect their own life first, especially if sacrificing it won't really avail anything. Again, Elden Ring is incredibly real with these topics. :')
#ask replies#elden ring#elden ring dlc#elden ring observation#sorry for lack of memes or images I am on 2 hours of sleep and hungry and not home ghygb#but as for the second part it hits close tl home..#like.... i live in a country with VERY interesting kind of political and religious leaders :')#many of us abhor all of this harmful propaganda but can't simply leave the country#I feel like the Hornsent might have had a similar problem#those who loathe their religious leaders have to be quiet or else they might suffer like heretics too#and many might not be fully aware for other reasons#I know from experience how much belonging to a certain nation/place can feel horrible#because of what mad shit people in power do#okay we gotten EMOTIONAL didnt we gfhhggjhhg#and yeah sorry for the first paragraph but it was either addressing that or not answering ask at all#since it put me on the spot to excuse to not seem dumb and I did#but yeah for the future this isn't the best choice of words
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Floating Castle Liveblog (third read)
In 2020, I read the first king's quest adaptation novel. Again. Because 2020 was awful.
August 22, 2020 –
page 0
I'm not going to read this aga--oh wait no who am I kidding I'm trapped at work for another four hours and it's *not* a good day and I just want my tea drinking wizard tree and frog prince and mcguffin king and headless ghosts and the soft delights of smarmy sassy villains. (also the kq series is the only series i have easy access to rn so shhh)
page 3
"Castles do not fly." The title of the book says otherwise, sir.
page 10
Gotta admit, Telgrin's perpetual single thundercloud over his castle still gives me ridiculous amounts of joy. I'm sitting here grinning honestly for the first time all day. I love my melodramatic sassmaster.
page 14
I comment on it every single time I read this (yes this IS the third time I've read this in three years, leave me alone), but I seriously love watching Graham being an actual king. I love adventures, and I love royals, and I love adventuring royals, but I also really like the sturdy basis of kindness and clarity Graham just has as a leader. It's really pleasant.
page 20
IT HIM. Heeeeeeere's Telgrin! Do you think Telgrin spent hours shuffling around trying to perfect that gliding walk? Stars, I hope he did. I mean in any other villain it would just be natural but with my emo goth drama king who tries too hard, everything is carefully plotted for maximum visual aesthetic.
page 22
Totally seriously, though, the contrast between Graham's tightly contained fury and balance of how he's been treating the assembly and Telgin's wide swept theatrics and overblown personality is SO good. This sort of subtle contrast really does raise this book from generic game adaptation to surprisingly pleasant fantasy. It's still genre light, but it has confidence and solid bone work.
page 23
"The news reached me that you were gathering all your knights here today, Graham, so it seemed a convenient time." Because Telgrin won't do anything without an audience to oooh and ahhh over his antics.
page 30
"Everything seemed muted, vague, unreal." Oh, did you mean my life right now? No? Close enough.
page 33
"and a small pear." Yes, a crucial thing to make sure you pack on your voyage. Good call.
page 38
TREE WIZARD oh stars my whole heart is happyyyyy. What a mood improvement.
page 40
"So, that castle belongs to this guy named Telgrin." "Oh yeah, Telgrin. He's evil. Don't mess with him." "You know him?" "I know his reputation." Stars, Telgrin would be SO PLEASED to know his reputation precedes him now. I hope he started some of those rumors himself.
page 40
I still can't handle the density of this conversation. "Telgrin is a stealer of souls." "A stealer of souls? What's that?" Alexander. Alexander, pleaaaase think about what you just said. Please. I love you, but seriously.
page 45
Even when you are a tree wizard, that is, a wizard slowly and literally turning into a tree, it's still important that you get your morning cup of tea. Morowyn knows it. So should you.
page 47
In other words, Alexander, you're just a glorified babysitter. You could have asked Big Knight Brian Blessed to be your partner in crime on this heist and gotten a better result. (i'm kidding of course I love Cyril to absolute pieces, look at this farmboy wizard lad he's so squishy and blond and round and I love him.)
page 54
heist heist heist heIST let's plan a HEIST.
page 58
The moat monsters also have a taste for the finer things in life. Like feather-capped adventurers. Castle Daventry is literally the most perfect fantasy castle there is. It even has a hoard of moat monsters. Like, you can't get more Fantasy Castle than this place. Telgrin only wishes his castle was that cool. He just has to make do with personal thunderclouds.
page 63
A small thing, but I super love Mills's emphasis on color. From the rain slanting golden in the yellow torchlight, to the hills here slowly changing from an angry maroon to a deep indigo with a band of yellow slowly disappearing as the sun sets...it's heavily visual, like he's literally painting a screen from the games, and I find it rather peaceful, somehow.
page 64
Literally just the ringwraith scene from Fellowship of the Ring, but with King's Quest protagonists instead of Frodo and friends. The audacity of this book. I love it.
page 69
Mills was absolutely just rereading Fellowship of the Ring when he was asked to write this book. It's not even subtle at this point. .........and I super love every single reference with all my silly fantasy heart.
page 89
I can't think of a single other fantasy in which the protagonist lassos a kelpie and attempts to ride it. I can't imagine why not. It's a flawless plan.
page 96
I feel like that's just magic homemade whiskey. Getting the prince drunk might not be in everyone's best interest.
page 97
Alexander, you gotta stop calling people "ho." You're gonna offend someone. (I'm kidding, of course. "Ho there" is as traditionally delightful as "Who goes there," and highly welcome to behold.)
page 99
platform boots
page 100
I'm sorry, I know I commented on this when I read this last year, but...again. Telgrin has One Single Lone Stupid Thundercloud, which "hovered over a high central tower. From time to time, this cloud would light with an internal fire, and a low, menacing rumble would break across the land." It's like the Winnie the Pooh raincloud, with ambient sound effects. The audacious aesthetic of this guy is a DELIGHT to behold.
page 107
Aaah yes the Road to El Dorado sequence. Truly, this book is nothing but the best hits of adventure tropes crammed into a book 300 pages long.
page 108
Does this mean that Telgrin has also been to Narnia? Oh dear.
page 112
Again. "The cloud." Not many clouds. Just the one. A single, lone, silly, thundercloud.
August 24, 2020 –
page 114
Wait, what came first, this book or the Muppet Christmas Carol movie? Because all I can picture is Scrooge's Statler-shaped Muppet door knocker, but with extra teeth, shrieking.
page 117
Is Alexander is the only person in the series to ever have a proper sword fight? I mean, not counting....uhhhh is it Owen in KQ8? (Super didn't play KQ8, everyone said it wasn't worth the effort.)
page 123
Like, I gotta say: binding souls to armor, cool. Great scheme, very evil. Making it so that just knocking the helmet off releases the soul into the night forever? ...nooooot the most ideal.
page 126
You know in Princess Bride, when Westley tries to wrestle Fezzik, and just kinda runs at him and squeezes him and absolutely nothing happens? Alexander, right here, vs the black knight.
page 131
A barikar is not a real fantasy monster--the only google result that comes up is that, yes, Telgrin owns one. But it's a huge rabbit with a rat nose, dog fangs, fish scales instead of fur, and human like hands with claws. It sees about as well as a human, but it can hear well, thanks to the rabbit ears. It's absolutely ridiculous. I love it. I wonder if I can convince my dm to make it a fight in our campaign.
page 133
My sweet babiiiiies. Alexander making Cyril stand behind him to protect him and Cyril absolutely refusing and taking the front anyway. I love these kids. I say, fully recognizing that they're semi-close to my age and know how to handle swords and magic.
page 133
Oh, no, excuse me, the Bariker doesn't have rabbit ears--it has bat ears. Which just kind of further emphasizes how much I want this thing in a campaign. It's so ridiculous.
page 139
Where was he? Yes. Who was this beside him? Yes. How long had he been asleep? No way of knowing. Alexander, those are not answers to questions, except maybe the last one. You've answered nothing. Alexander, please.
page 141
headless ghost headless ghost headless ghoooost i can't stop smiling he's holding it like a football it's amazing
August 25, 2020 –
page 142
Lydia's mom caught Anime Mom Protagonist Disease. It's a tragic illness. No hope of recovery.
page 142
"Owen took a brief pause, while Alexander reflected on the fact that he was getting used to carrying on a conversation with a beheaded man. It was starting to seem almost normal. Almost." How is this a real book. I love this book.
page 143
tragic telgrin backsto--oh wait it's not tragic at all he's just always been a brat.
page 144
"Somehow a beheaded man on his feet was infinitely more alarming than a beheaded man quietly seated." o rly?
page 145
Look, it is a *little* creepy that he would install magic mirrors of spying in his daughter's bedroom without her knowledge, but considering Owen admitted to teaching Telgrin everything he knows, including presumably soul torturing magic, we can kind of assume Owen isn't actually that good a guy after all.
page 149
Glowing moss in fantasy must be the most useful plant ever cultivated.
page 155
Obviously, there's nothing wrong with describing Alexander's haunches, but it's also just a little weird. It's not...a word I hear often, especially in reference to humans.
page 156
I like a good wizard who knows that a cup of tea soothes most ills. A man after my own heart.
page 156
"After allowing himself to wallow in depression for a short while, he pushed his mood aside with a firm effort, squared, his shoulders, and said, 'Well, the sooner we get going, the sooner you'll get your bath and your tea.'" Ah, yes, of course, just push aside your wallowing. Why didn't I realize it was that easy?
page 158
"A few wary, rather mincing steps, brought him to the vestibule." Alexander, your author is making fun of you. Just a bit.
page 161
The book is very, very clear that it's just Graham's face floating in the soul-capture orb. The book is very, very wrong. It's a tiny Graham floating around in there. Like, full body, but like two inches high. This is fact, and better than a disembodied Wizard of Oz-style face. I'm just letting you all know that the book is misprinted. Every copy. It's a full body'd Graham. Just smol.
page 162
YEAH BOI PUNCH AN UNDEAD KNIGHT...oh no, your arm, why did you just literally punch a suit of armor, you donut, you know better than that
August 26, 2020 –
page 167
To be fair, the door is now open. As is the floor, and the wall, and...well, the room, to the sky. Definitely very open.
August 27, 2020 –
page 169
It's turned into Dragon's Lair instead of King's Quest, for this scene. Super into it. Wouldn't want to play it as a video game, though--the amounts of game overs....
August 31, 2020 –
page 169
"But this insignificant event raised within him an unexpected fury. He cursed the poor root to withering, black perdition, cursed it deeply and sincerely, cursed it with all his soul." Gods, Alexander, I get it. Man, do I ever get it. I'm so tired.
page 177
"This was it, the nadir. It could not get any worse than this." You sure about that, kid? I think we've got one more scrape at the bottom of the barrel we can squeeze into."
page 181
Alexander is thiiiiiiiis close to snapping. Kid, I understand you. Critically and crucially, I understand.
page 183
FROG PRINCE. I told you there was one more level we could reach. The royal family gets transformed into animals rather frequently. At least this time he's not a snail, poor kid.
page 183
"With a sense of profound shock, he realized that he had been transformed into a frog--a rather large and handsome frog, it's true, but still a frog." You can't make this stuff up. This book is perfect. The ideal. The author is calling Alexander a handsome frog. He's a frog, but a good looking one. I can't handle this.
page 185
"Did you speak, Sir Frog?" "That's Prince Frog, to you." Alexander, be nice. Don't pull rank. I don't think you have rank to pull anymore. Smelly swamp rank, at best.
page 186
I like to think that was just Alexander swearing, but it was masked as a ribbit.
page 187
To be fully fair, Alex, you do kind of need him to reattach Graham's soul, so maybe it's for the best that he doesn't go far.
page 189
If I were a soul-armor, and this frog decided to enter the castle, to be honest, I think I would probably just let it. Because it's a frog.
page 194
There's fanart of this scene too because it's hilarious. She kisses a frog, he becomes a man hanging half over the rim of a fountain, and all she can say is "Goodness! But...you're beautiful." Ridiculous.
page 194
HA and then she tries to recover saying, "I haven't seen that many men in my life. Hardly any, actually. I'm sure that you're really very ordinary." Kid. Please, stop insulting him, you're going to make him sad(der than he already is)
page 198
It's at this point that Alexander just sort of gives in to the sass and the snark and starts leaning into the nonsense. "Creature?" "She's not entirely human." "Uh, in what way is she not human?" "To begin with, she has two heads, no hair, only three fingers on each hand, and is fully seven feet tall." "You're right. That doesn't sound entirely human." Pleeaaaaase this book is a deliiight.
page 200
That twilight area between wakefulness and sleep, with thoughts centered on nothing at all? my brain, today. fully. I've got nothing left to offer anyone, except not-very-funny remarks on this book.
page 202
Nothing Telgrin does is ever common. Overblown and ludicrous, maybe, but never ever common.
September 1, 2020 –
page 209
When the two headed guard calls to the intruding man like a person tempting a kitty cat. "Come here, man, pspspsps. Man, man, maaaan." Instead of catnip, she can bring tacos.
page 211
Again, I just gotta let you all know that the books have been misprinted. It's not a disembodied head floating in the orb, even if it's probably supposed to be an Owen's decapitated head parallel, because that's dumb. It's a tiny two-inch tall Graham floating in the orb, not just his face. I don't know how all the copies got misprinted like that, but they did. It's really a tiny Graham. Cute. Okay? Okay. Onward.
page 212
I love One Stubborn King.
page 216
I can't actually make snide jokes about the text when I'm actually just outright enjoying it. The sheer blissy silly triumph of Telgrin, the stubbornness and sharp agony of my dear sweet Graham, Alexander standing there ruminating on what loyalty means--this is exactly my flavor of fantasy jam.
September 17, 2020 –
page 225
I still kind of sort of love that Telgrin apparently decided that the best way to use the magic staff was to make it respond to wishes. "I wish for a giant fireball." And thus, one appears. It just...speaks to some strange childishness that I find totally hilarious in this big bad villain.
page 230
Again, the book is misprinted. I'm not about these weird Wizard of Oz style floating faces. They're weird. It's a fully bodied apparition of Telgrin yelling at Alexander, hands on hips, just as it's a tiny full bodied shape of Graham in the orb. My version is better.
page 231
"I could kill you now, if I wanted." "I don't think so," Alexander said defiantly. "Is *everyone* in Daventry this obstinate?" Sir. My dude. My man. Palberto. You messed with the wrong royal family, and they come from knight stock, not actually blue blood at all. They're going to *wreck* you.
page 232
"I'll live, I think." Alexander, your ability to comfort others leaves a little bit to be desired.
page 234
I'm not actually kidding. If Mills hadn't read Fellowship of the Ring at least a week or two before writing this, I will eat my whole entire adventuring cap. That's the Watcher in the Water, as there was literally lembas bread earlier and a ringwraith before that. Fantasy tropes or not, this is just sneaking Tolkien references in because Mills is a fanboy (I mean, obviously: he's writing company-approved fanfic).
page 237
Again, Alexander, realize this: Telgrin learned everything he knows from Owen. One might assume, especially knowing how dark those mirrors felt, that Owen himself is *not actually a very good guy.*
page 241
It's kind of like cheerfully presenting Sweeney Todd with his shaving tools. "At last, I am complete again!" Not.....super great, I feel.
page 242
I love that it's not actually magic keeping the castle moored, but a big ol' safety pin. That's not even actually much of an exaggeration. "At the bottom of that well you will find a large golden pin embedded in the paving stone. You are to remove this pin. It may not be easy, but you must do it. It will set the castle free from the moorings of the earth."
page 248
The fact that Telgrin now has to wear an eyepatch is great enough. The fact that he took the time to make sure it perched on "his bald head at a jaunty angle" is almost too much to bear. I hope he stood in front of his cracked and smoking mirror adjusting it just so before coming down for this final confrontation.
page 248
"I'll probably never see out of this eye again, I hope you're happy with yourself." "I mean...you *were* trying to kill me." "Irrelevant." Boys, please, there are serious issues at hand.
page 250
"All I've ever asked in return is that you marry me, and that you not burden me with your opinions." Telgrin, the ultimate flirt. Magnificent.
page 251
Telgrin's snarky sassy meltdown is the greatest. "She's now willing to marry me, merely to save your worthless life! Willingly! Well, I won't have it, I tell you. She shall marry me unwillingly, or not at all!" Telgrin, you are absolutely bonkers and you're my favorite villain in any piece of media ever, full stop. The sheer ridiculousness of *you* with your wish-magic and bloviating and grandiose posturing....divine.
page 253
Telgrin's pasty complexion is enough to "make a marble statue appear dark by comparison." If this were a modern AU, Telgrin would be that emo kid hunched over twitter mansplaining at everyone, while listening to the rainy mood app constantly. He's an absolute delight from start to finish, especially because he *is* a threat and he *could* win if he wasn't so obsessed with the *aesthetic* and the need to show off.
page 255
Ahh one of my favorite lines in the whole book: "It's blame-everything-on-Telgrin time, is it?" What villain talks like this?? Who does this?!! No one but Telgrin, author Craig Mills, and this goofy novelisation of the very sassy, very cliche, very delightful, King's Quest series. Fantasy tropes, sass, snark, and everything. This book is nothing but pure sugared joy for me.
page 266
No more than two feet of earth held the entire castle in place, and now they're floating away again like the house in Up. Delightful.
page 270
Telgrin, you can't behead someone who has already been beheaded. Be sensible.
page 273
"Can you think of any way for us to get down from [this steadily rising floating castle]?" "I could attempt to fly you down!" All in all, Alexander thought he would rather just jump. Boys, please.
page 288
A Valanice story, I think, would have been very welcome. I'm glad for the trilogy we got, but I really would have enjoyed an official novel from her perspective. This lonely image of her standing alone before the throne, with her husband dying in the next room and her son gone for at least a week to face an unknown villain alone, while her kingdom is ravaged by evil knights....it feels worth exploring.
page 291
I absolutely one thousand million percent love this strobing effect of two Grahams floating together, his transparent and delicate soul settling down into his body again. It's delightful.
page 292
Pleaaase Graham, say "A heart is a heavy burden." I know this book came out like a decade before the Howl's Moving Castle (the movie at least, I don't know the book's publication date), but pleaaaase. I know you won't, but I want you to.
page 293
SHRIEKING. I don't ever ship things, but this is my otp for liiiiiife look at these two precious beans together I'm just THRILLED the smile on my face is enormous ahhhh Valanice and Graham have hardly anything going for them in the original games since they hardly ever interact on screen but this book and this scene is just DELIGHTFUL.
September 17, 2020 – Finished Reading
Again, five stars out of five stars
#king's quest novels#king's quest#kings quest#cyril (king's quest)#alexander (king's quest)#theoretically i'm reading it for a 4th time this year but i haven't actually gone past page six so that's it for liveblogs of book one#for now anyway#maybe i'll add book 2 and book 3 too#i haven't read them nearly as many times they've never captured my attention like this one did#but they are still fun and it might be good to have everything contained here anyway
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BARK BARK ITS FINALLY TIME FOR THE STOCKHOLM SYNDROME CAPER
not giving up on my trademark of being late for csweekly even though i vowed i wouldn't be late on this one. i have an excuse. i was doing audition prep/submission for a musical
OKAY ANYWAY
i think if i ever actually visited the belltower i would take damage just from being in the space
notes under the cut as always!
OKAY starting thoughts. this is. literally my favorite episode in the entire show. my favorite. im so fucking stoked you don't even know i love watching my blorbos get beat up. me 🤝rueitae
anyways. biting this episode and shaking it violently
i like that the faculty tie actually makes sense and they have solid motivations. it isnt just a plot device for a tie
love this shiot/angle of bellum btw so behold her. she is so amazing
okay hi. immediately stopping to go on a rant about the atmosphere in this caper. its. fucking. incredible. the scenery is so perfect. the right balance of beautiful and desolate, and it changes as the mood does. i could do this later but i will do it now because idk i want to its my post
notice as the episode goes on how as the tone gets darker in carmen's plotline, the scenery and mood around her gets colder and literally darker as well.
ivy's backgrounds, meanwhile, stay pretty light throughout because she has somewhat of a more comedic and hopeful storyline while carmen dies in a ditch somewhere.
also, as soon as carmen calls chief, the snow/light of the hologram/shot composition away from the dark trees shows that there is hope now
just....hope that is tinted with cop fingerprints all over it. i just GOD i fucking LOVE how you can VISUALLY SEE HOW HER LIFE IS GOING its reflected by the very environment around her. compare any shot after she gets acme in to the very last one i put in that set of five.
no moment is darker for carmen than when she gives up, on the brink of death, and calls for help, submitting herself to prison and interrogation in the hopes that even if vile wins today, she can somehow survive to take them down again another day.
man, i am barely a minute into the actual episode and i have a lot to say. that trend will continue. sorry not sorry. back to the actual liveblogging.
fun fact the first time i watched this episode i did not notice the acme agents on top of the building watching "carmen"
i love the little hints dropped to audience members who arent entirely in the know yet (7 year olds) that its ivy, not carmen, and that something is up here. lack of gigantic poofy brown hair, different stature, ivys little smile as she goes past. of course, if you're obsessive like me, youve memorized every characters outline and can tell even with wigs on
OH hey my favorite acme agent hang on
its her. she is drop dead gorgeous and has a nose piercing. she also i think gets all of one line in the s4 opener telling crackle to do whatever (or maybe its her partner but anyway i love her)
I have already earned from her
have you been GAY for twenty years chief? julia has
julia slays so hard in this episode. wish devineaux stayed dead longer because she thrives when she's by herself
episode is literally so gorgeous
i love zari just being like oh my god this bitches gay. bad for them
that soft little "i should have known" smile julia does when carmen puts her hand on her shoulder guts me like an animal
live acme (ants to classify and monitor evildoers) reaction
hey!! next time ivy gets into a frozen adventure with carmen in germany she gets an earbud upgrade :D
zack too!!
that "but powerful" line is literally gay. happy pride month from ivy "muscles" "milady" "i feel powerful dressing in my girlfriend's clothing" lastname
obsessed with zack's little finger wiggles to emulate typing when he imitates player
i love just how. rrgh casual they are. yes carmen is super serious and focused this caper (for good reason. launch codes) but they get in a little. julia notices something small about carmen and that she's cold and the playful tone in the reply from carmen before everything kind of goes to shit. "had to loan my coat once I spotted your reinforcements!" its just a bit of information but its some that she trusts julia with. she asks julia if chief is listening but if she was. carmen would have already blown ivy's cover. i know she stole the pen for good measure but seriously she TRUSTS her
i love how julia pats her jacket and then does not react in the slightest she was just making sure that was HER pen not someone else's
ivy being horrible in snow gag is the best part of this episode
i love julia showing off. she doesnt get to infodump to anyone else but she knows carmen will appreciate it. and shes trying to be coy about knowing what carmen is there to do (sorry jules. you would have been right any other time)
i also like that as julia is infodumping shes absorbing MORE by walking backwards and gazing around the city hall
fun fact: i always wondered how the hell the acme agents got into/hid in the hall without anyone seeing them but there are doors in between all of those pillars!
also
this hallway does in fact exist! i mean considering the cs team probably went there to location scout in person (see below picture of duane and the team in san fran) it makes sense!!
anyway. should i made an "only vaguely related tangents" tally counter for these things at the end of the post lmao
i love how super serious carmen gets here. this episode is so much more mature in its theming than some other episodes. from the launch codes to the fakeout suicide to the continued death before capture thing carmen has going on. man. i cant tell if ivys comic relief section is good for lightheartedness or tonal whiplash lmao
she has for a split second the look of a mother who just heard her child say "i frew up"
ARGH and i also love how literally nothing julia can say in that time will help. she tries- oh, she tries- but "its not what you think" mistakenly sounds like she was still in on it. it looks, for the moment, like julia was trying to distract her or this acme agent missed her cue or something. of course later in the ep carmen has plennnty of time
interestingly cs does away with the doors in between the pillars for a more ethereal and sophisticated look but there are doors in my heart
i love how carmen turns to run sideways. girl even if there weren't acme agents there where were you going
i also just fucking love carmen's completely silent analysis once shit gets really serious. she calculates and recalculates what she needs to do to survive here. and she's RUTHLESS about it. i think this is kind of the one time we really see her vile training come out in comparison to someone other than vile itself. she takes those acme agents OUT
part of me wonders if carmen, in that little pause by the door, thought that maybe her chances were better backtracking but she didn't want to have to hurt jules to get out. maybe im just gay and wistful idk BUT okay here's my reasoning!! hang on! stay with me!! carmen equals BAD in tight spaces. saw it in rio, saw it in nz, saw it in poitiers. its everywhere- she does better with more space. however, she does like her high grounds, so honestly this is pure headcanon but like,,, not wanting to hurt julia. send post
also you can see in the background julia TAKING OFF after the other agents....no gun drawn of course
this fight scene with carmen is so fucking fantastic
she never. NEVER. EVER does full fight scenes where she does a lot of offensive but this situation is so different. she SPRINTS at that bitch she holds him HOSTAGE and while of course she's acting so that she doesn't get caught the fight almost portrays her a little villainously with the trail of bodies she leaves behind her as she goes
ALSO THAT FLIP OFF THE WALL MOVE IS SO DAMN COOL. she tricks the acme agent into gassing herself almost effortlessly and only takes a split second to coldly look behind her to make sure there's no one else coming before she takes off again
and then the other three who didnt get knocked out start going after her again which distracts her just enough to let zari catch her with the shot
the shaky "camera" and blurred vision pov as carmen fades in and out of consciousness while instinct alone keeps her going up the stairs is just ARGH chefs kiss
fun fact zari's "there after her" line gets reused in the series finale
btw carmen falling of the tower scared me so bad when i first watched this at like 13. suicide fakeout <3 scared me so bad
also how the camera keeps moving even when carmen doesnt even seem to be in the picture anymore before her glider catches up with it. top. tier
and then the stockholm music kicks in. hoo mama the music in this episode is fucking unparalleled. that incessant, chilling, repetitive string instrument motif as carmen's situation begins to get really dire. aurgh.
carmen's continued pov as player starts getting really concerned about her and she fades in and out. carmen weaving all over the sky and crashing into shit grggrgrgr its so good
ivy getting tazed. yeah.
ivy can pass as an....argentinian.. right boys
player and zack when two out of four of their active teammates just went mia in the span of a minute: 👁️👄👁️
man do you think they thought it was an ambush or something. like i mean it was but an organized effort by one team. do you think zack was scared he would be next and that player would be left in the dark. anyway
the way moose picks ivy up by the scruff like a cat kills me
the citizens of stockholm on this day watching a foreign police strike happen at city hall and then a tourist get tazed, mugged, and kidnapped by some locals: 👁️👄👁️
IN WITH THE HIGH NOTES ON THE PIANO IN THAT SAME REPETITIVE, INCESSANT, CHILLING STYLE OF MUSIC THIS EPISODE HAS AS CARMNE LIES MOTIONLESS IN THE SNOW ARGEHDHDHGDGSDGSDHD
i really enjoy that they show us this desolate, still shot of carmen, completely motionless, trapped in a ravine, miles and miles away from the city. she doesnt wake up. its just the cold, harsh reality. and its starting to snow a lot harder.
julia just snatching the pen gets me every time
i love the emotion dropping out of chiefs tone once she sees the 5'2" pissed off lesbian on the other end
YES julia GO OFF she should have gotten to do so much more. she should have gotten to kill someone.
julia glancing back at zari when she says "chase her away and squander her trust" and zari turning away and balling her first is such a juicy little character moment
the venom in "we had an agreement." fhrjhgfejsjjd step on me
you know how people want that throwback spinoff series for the owl house with the lost moments. that but cs. shadowsan's malaysia mission, how the team operated and the jobs while carmen was recovering, more of black sheep's time at vile/her holdover year, her and player learning together once she tours around after escaping, the shanghai job (not the tsonts one), the cairo job, the swiss bank job. how julia got into law, how chase chose his name, more on carlotta and dexter, the two years after vile's defeat and before their reappearance, more of evil carmen, player's backstory as told in silver lion. there is. so much i want to see. tangent tally.
god. player's decision here is such a hard one. he's like sixteen, and he's potentially juggling the lives of two of his best friends with that line. the decision seems obvious, but in this case it is completely, entirely wrong. player's choice to save ivy instead of carmen damn near kills her, and there's no way he could have known. player guilt angst, please!
once again the music. thank you.
carmen's cry of pure pain as she moves juuust tickles something in my brain. she has no one to put on a brave face for and that crash landing HURT.
also how hoarse her voice is
the more groans of pain as she forces herself off the ground they are so good.
i love this episode for its look into carmen's psyche. so much of her is playing off of others, but in this one she is utterly alone. we see her thought processes in the worst of times with no one to fight but the weather and herself. fantastic shit. never forgiving sarcastic chorus for skimming over this episode and saying nothing happens did you watch it
the puff of breath when carmen says "player"!!!
carmen's tone when she goes "oookay." just is so good. gina did not skimp out on this performance and part of me wonders if she could have done better if she wasnt always trying to play the emotionless, suave hero figure and she let carmen be more human, like in this episode. carmen is seeing that she is injured, acme is trying to reach her, her glider is broken, she has no protection from the cold, and that player and any other help is completely out of range and she is not happy about it
carmen crying out when she slips even more when she's trying to climb its so tangible and delicious
FUN ANECODTE because i havent gone on enough tangents for this post already but the first time i ever saw this episode my dad came to pick me up for his half of the week right here. i had to leave the episode right here, with ivy kidnapped and mia and carmen alone in the frozen ravine, the acme pen blinking. i didnt have access to netflix to finish the episode. for. four. days. let me tell you. um. this episode literally did not let me sleep. that first night i was lying in bed i stayed up until like 3am just staring at the ceiling replaying the scenes and making theories. i was dry in the mouth. when i fell asleep i dreamed about it and kept waking up in the middle of the night. i cornered my dad and recounted the entire episode to him and then reeled off my theories to him. i reeled off my theories to my friends. i was literally consumed by the ending of this episode that i could not see. it was Not Healthy and it impacted me VERY HEAVILY as you can see.
but anyway my one theory was that carmen was going to be forced to call acme for help and be arrested because they kept doing closeups on the pen. good job, thirteen year old me. the foreshadowing worked.
back to the episode
ivys literally so cute in this episode
look at her.
ottoman has chihuahua vibes
the ice lodge staff watching two guys drag some poor red haired white bitch into the hotel like a sack of potatos: im sure shes fine they probably told them she was drunk lmao
im goosebumping something wicked here is one of the phrases of all time
DUMSKALLE
that raw, desperate "no" and scream from carmen is so good. that fall hurt five thousand times more because it was a failure. and also she probably just broke all the ribs that weren't broken before
it took me a few watches originally to see that carmen hits her glider on the way down. first time around i was like where tf did she get that wack ass blanket
draw me like one of your moose boys
moose boy unironically seems like a nice guy who got dragged into this by otter
can you imagine if they showed up with ivy and were like HAHA. CARMEN SANDIEGO. what would the faculty do with this poor white girl who is definitely not carmen. probably wipe her memory and boot out otter and moose but can you imagine their reactions
MOOSE BOY IS VOICED BY SONIC THE HEDGEHOG?? SCREAMING
or maybe it was right here that i got cut off with the panning shot of the pen and carmen sitting away from it staring at it. whatever it was but anyway yeah
the sadness and defeat as carmen shivers and tells this imaginary chief that vile is winning today either way just kills me i love it so much. carmen's death before capture ideology (almost. capture wins but it almost doesnt)
LAUNCH CODES? AS IN NUCYULAH?
also team red. didnt know what was on the data crystal!! they didnt know what the handoff was!!! they just knew it was fucking serious and that makes this all the more scary. had ivy not gotten kidnapped they would have missed it. i mean carmen would have probably tried to drag her foot on deaths doorstep ass over to the ice lodge to try anyway but she would have gotten triple pulverized
someone swinging (insert wieldy object) at a gigantic villain and it doing nothing is my favorite battle trope
more ivy appreciation
she said NOPE
ivy is literally so cool in this episode. she's still herself but she's trying to channel carmen and fill her gigantic shoes by making her proud. but she isnt carmen, and thats okay. she ends up doing it with a mix of carmen's help and her own goofy, clumsy style
AND IVYS TWANGY LITTLE VERSION OF CARMENS THEME AS SHE SUITS UP. ITS AWESOME
again. ivy being terrible on ice gag is the best. winters in boston must have been torture
man it doesnt even show all of it but you can see the agonizing that went into carmen's decision to call acme. once she makes it she doesnt hesitate in grabbing and clicking it. she does it seamlessly and with resignation. shes already fought with herself enough in her own head.
carmen: literally in the middle of the woods, shaking like a travelling fair rollercoaster ride, and bleeding from a thousand cuts chief: oh hey! sorry about that
MAN CARMEN THREW THAT PEN A LONG WAY
i also like that carmen has to heave herself up from sitting, and that she's only standing as a last display of control when every other ounce of it has been ripped from her. she has to lean on the tree, still, even to manage it. as soon as she pushes off of that tree and starts walking towards chief she collapses.
chief those business negotiations. can you wait
i do appreciate that chief doesnt play dumb or think carmen is dumb. she's been calling that pen for as long as carmens been staring at it. she knows carmen knows what calling her means and doesnt try to hide that theyre coming for her.
haha. where in the world is carmen sandiego reference. get it
MAN AND THEN EVERYTHING GETS SOO BAD. you realize just how serious this is when carmen drops the tough act and just reaches out. she does a quip, but her face is just hopeless and she drops like a STONE. she was barely hanging on. already dumped this onto rueitae's post but i think that as soon as she knew she'd done everything she could do and had exhausted every single option except dying on the spot. well. she didnt have a reason to hang on anymore. she gave up every single ounce of control to chief when she clicked that pen and her body needed to shut down to save her. so so so good
i really really like chief running over and hesitating before she puts her "hand" on carmens shoulder. she knows she cant do anything, but she can pretend and she can hope
i really do think she was concerned about carmen here, not just about the intel she was potentially losing. this scene mirrors her past with wolfe nearly perfectly, and it NEVER gets talked about. once again a call chief made on a person who turned out to have innocent intentions (gun was really car keys, julia going off the grid was really just her and carmen talking it out) gets them killed- or, in carmen's case, almost. chief, this time, has the power to save her and fix this mistake. parallels are also fun because obviously carmen is wolfe's daughter so double angst.
ivy immediately switching to suspicious spy face after she slams into the bar is so funny
YOU HAVE NO IDEA HOW OFTEN I USED TO JUST RANDOMLY SAY "hello, im shady mcshade from some sleazy rogue nation, check out my briefcase full of untraceable cash!" to just RANDOM PEOPLE IN MY LIFE with NO CONTEXT
the bartender is not paid enough for this
I LOVE THE LADY WHO JUST GETS TF OUTTA THERE WHEN IVY CRASHES INTO HER CHAIR
the little trill of carmens triumph theme when ivy looks at the grappling hook is so good
girl. ivy. you missed that REALLY BADLY for someone who threw an anchor up three stories with pinpoint accuracy like a couple years ago
poor ivy she was doing so well with the quips and the competence until she announced it to the entire ice lodge
warrior cats girls on the playground
ivys unhinged scream as she barells towards otter is so fantastic
it would really have super sucked if zack had run ivy over
again. this episode is so beautiful
i love that otter and moose would normally have never even been glanced at for an episode because they suck so bad but because it was untrained baby ivy (who still kicked their asses) they could be there also who assigned them the nuclear fucking launch codes. who did that
oh man you can see the smile drop off ivys face when zack asks where they can find carmen. she doesnt even think that carmen is still missing. she probably thinks carmens back on track by now, not that it would be HOURS later and shes still missing.
zack getting to ivy on the other side of stockholm: 🐌🐌🐌 zack getting to carmen twice as far away in the middle of the woods: 🦔 (too lazy to find sonic meme. sonic meme.)
julia just giving zari the most disappointed look when zari kicks carmen when shes down
FUN FACT OF THE DAY! in the original storyboards, julia and zari were supposed to get a SHOOKETH reaction shot when chief offers carmen a way out with z and i. they cut it. rude.
the pen lowering down to reveal julia behind it has always felt like such an important shot and i dont know why. like theres some symbolism im majorly missing out on there
ahh, the heartbroken look between friends
AGAIN this episode punches you like an elephant on steroids with that quiet "is she going to make it?" CARMEN IS ON THE BRINK. OF DEATH. AND HER FRIENDS ARENT EVEN CERTAIN SHES GOING TO MAKE IT THROUGH THE NIGHT. MAN. it raises the stakes up so high like obviously she wont die but in a tvy7 kids cartoon this is so fucking serious
carmen, delirious with the cold and pain, wondering if someone made a clone of her:
addressing all groups of people from now on as "student body most vile"
hey vile has a sick waterfall wall
it is really interesting that they do in fact shut down the academy. no one is allowed at the castle anymore once they move there. its also cool that in s4 because bellum doesnt have to be there teaching she can go to the himalayas and tinker full time!
wow. zuko and luz are in that crowd <3
okay. so. best episode ever. i love it so much and ive already gushed about it way too much so i wont keep you much longer.
tangent tally final count: like at least five it depends how specific you are
sorry about how long this is take it up with a brick wall it will be remorseful than me
#csweekly#cs weekly#carmen sandiego weekly#carmen sandiego 2019#carmen sandiego#rejoice! four thousand word stockholm post be upon ye
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Behold! Friend Art, drawn by @danspectorboy! We have successfully given them brain worms for this game through our evil liveblogging. And also brain worms for our liveblogging itself.
We are, of course, taking this opportunity to elaborate on some previously unestablished lore - or, rather, established lore not yet written on the blog, because we've been DEARLY enjoying tossing our sona mechanics at the wall while doing brainstorm-with-friends chatter. To host a god isn't a light thing, you see. Even if it's only partial. Anyways Discord screenshots, some minor chatter, and slightly more art below cut.
NECESSARY CONTEXT: The Mantis God may possess any mantis it pleases, provided that they are a mantis. This notion may be a bit "loose" - as hosts who are purely mantises, by the modern standard, may be less than ideal. The small must always struggle with being small. Ambush predators, well-developed claws and carnivorous diets, taur-like body schemes, the sorts of predators who can lay in wait for ages before striking, may be viable - being an insect will aid the chance of viability, but not ensure it. With sapient hosts, more abstract features may be key.
The Mantis God's possession will favor the cunning, the keen, the level-headed. Patience is a virtue, as well as ruthlessness - if a character can be reasonably anthromorphized as a mantis, they are likely to be viable for possession. In order to be possessable, a host must retain some resemblance of dignity, reservation, poise - though they need not keep this face at all times, "most of the time" is enough.
As such, Siffrin is not necessarily a viable host. They can be "piggybacked" on, certainly, but not fully controlled - they will remember everything that is done under possession, they may resist or refuse actions, they are fully present in their own body and simply dealing with a backseat driver rather than dealing with a "full" possession.
A partial possession, though not a full possession, does cause some physical effects - a gold tint, in the iris, or a line of gold around the edges of the pupil - but it does not cause full effects. The claws that generally indicate a host, rather than sprouting from the host's shoulderblades, will instead originate from somewhere behind them, sprouting from some unknown point outside of the field of view of the viewer. These will always end just "behind" the host, from the point of view of an observer, regardless of angle viewed, and may appear at multiple different angles with multiple observers - though whether they can be viewed at all largely depends on if an observer is the sort of person likely to be capable of viewing what's functionally just an abstraction of the possession process.
#we speak#not liveblog#art#in stars and time#interludes#this is part 1 of two of Discord Related Chatter Transcribing With Dan btw#writing#anyways after this we post the actual like. theorizing. we love to torment random video game characters its very fun#10/10 would recommend
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Live-read: "Julith et Jahash" - Part 1
In the past, I said that I would wait for a translation that is currently in the making in the russian fandom. However, because I am weak, and want to keep this blog going asap, I lied. (This liveblog will be very slow due to this, so be warned.)
This comic will let us understand Joris better... while literally all of his personality, morals, body language, and tastes, are a product of Kerubim, — this might shed light on A. family history, that might dictate his physiology (what if Julith randomly says she has an allergy? This isn't real, but it would be big for Joris lore), and the things he went through after the movie: what experience he would have with the huppermage culture, which he was cut off from for his entire life thus far.
Question: is there a single member of this family who DOESN'T fish??
Kramdam is a part of Rok Island, the name of which will be familiar to you if you're A. a player of the MMOs, B. batshit insane about Joris lore.
It might be silly, for me to point this out, but listen: the movie, the series, they all happen hundreds of years before the Dofus MMO, — so to have confirmation that Rok Island is that old, is very interesting.
I had previously said that huppermages aren't very fond of cultures outside their own, and I want to elaborate, so that my words aren't misconstrued: Huppermages culture is, in a lot of ways, a mixture of different classes, — because a lot of huppermages aren't born huppermages, but instead, people who convert to this class, and a lot of their spells are inspired or taken from other classes. However, not assimilating fully is... very unwelcome.
Having a history of oppression and at least one genocide in the years after the movie, made huppermages very understandably conservative and closed-off. But this culture, as we'll see from this comic, had some pretty toxic traits even before those scars.
HOLY FUCKING SHIT. Like I already knew about this, but I want you to understand: the stupid fucking log thing is a family trait.
Do you think Joris told Bakara "I hate magic, I hate magic, I hate magic. I HATE WANDS. I HATE STAFFS. I KEEP BREAKING THEM. LET ME OUT. LET ME OUT OF THE ACADEMY. STOP HAVING ME BE ENROLLED!!!!" and the next day she brought him a fucking log. Do you think this is what happened.
So small, and already sure that she'll never be as good as her brother... man.
Also... Bakara and Joris looked very similar as kids. At least that's my opinion.
I didn't think this comic would make me emotional, but the Jurgen family having a thing for logs is making me violently ill.
It probably was Bakara who gave him that bright idea. And Kerubim was probably like "ok son, I am someone who also uses blunt weapons, I can teach you how to do this."
There isn't some "i like to use logs" gene, it was all just Joris preferring to use melee, Bakara's memories of Jahash's melee skills, and Kerubim's skill in melee fighting.
It is just... insane to me, how Joris ends up doing this one thing that his biological father liked to do, despite how different they are as people. Despite Joris likely feeling absolutely nothing towards the man.
Well, that, or he fucking hates Jahash, though probably not as much as Julith.
Think about it this way, — Jahash and Julith ruined his childhood by their reappearance. They ruined his life for the next few decades too, probably. And after? They would always be a shadow over his life, for as long as they are remembered. It's always either "you're evil and we don't trust you because you're Julith's son" (even though he knows that Julith was framed,) or "you're not good enough, even though you're Jahash's son. How come?" (even though he knows from Bakara that... Jahash was just a man. Even if it is hard for him to put together the almost-holy image of his father as seen on the stained-glass in a temple, and the image of him that Bakara talks about, — a human person, who had fears and dreams.)
The only way for Joris to live his own life, without any judgement or comparison, without being reminded of how shit his childhood was, is to wait for the World of Twelve to forget who the fuck a Julith and Jahash even are. It's logical for him to have some irrational resentment.
And yet he brings a log to a nuke fight in season 4. Jahash would never do this, because he got good at magic, but he WOULD approve.
His parents would have loved him a lot, if they had the chance.
List of things that Joris and Bakara share:
Neurotic perfectionist who struggles with self-hatred about their skills and their body.
Cute ass behaviours and expressions as children.
Alcoholism (this is my fanon for Joris. It came to me in a vision. He's just like Kerubim and Bakara, — needs to get shitfaced to cope.)
Haunted by Jahash's success in life, even though Jahash would NEVER have wanted either of them to be haunted.
Thin grabbable waist and twinkish/waifish looks as adults. (Joris is already a twink, despite his 3ft stature, but NEVER forget the official concept art of how Joris would look if he wasn't possessed by a dragon as an infant. He would be a tall, blonde, anime twink instead.)
Whisperers have, historically, been used as servants by Bontarians and Huppermages.
Though by Waven times, they are enemies of the state (at least dissenting ones), and Joris wants you to beat the shit out of them, for the sake of his beautiful nation. (because they're dissenting)
Jahash and Bakara grew up with their dad, Juvence Jurgen.
By huppermage standards, they lived in very unusual conditions.
"All huppermage towers are super-protected, we WILL die if we don't take precautions, so I will go ahead, and deliver the message myself."
Yeah, no, they're not typical huppermages. I guess Joris has a lot in common with Bakara and Jahash. (I keep making myself sad, thinking about this.)
He thinks that Jahash and Bakara are some local hicks/rednecks that the huppermage has been experimenting on, which raises many red flags. Like the fact that apparently, human experimentation is a thing that some huppermages do. Then he thinks that the huppermage is experimenting on his own kids.
The headcanon that Jahash might have had some learning disabilities that he gave to Joris as one last "sayonara you weaboo shit" genetical move, and that it was REALLY hard for him to learn magic and impossible for Joris, stays winning.
By the way, I guess this is a good time to give you the next, very funny piece of trivia:
Joris's name literally means "George George the Farmer Farmer".
I think it's likely that, historically, before Jahash's success in life, their family were just some random poverty-stricken farmers, who happened to be huppermages.
I'M SO FUCKING SAD ABOUT THEM.
Grandpa Jurgen is literally so fucking real.
THE HEADCANON THAT JAHASH MIGHT HAD LEARNING DISABILITIES THAT HE GAVE TO JORIS AS ONE LAST "SAYONARA YOU WEABOO SHIT" GENETICAL MOVE, AND THAT IT WAS REALLY HARD FOR HIM TO LEARN MAGIC AND IMPOSSIBLE FOR JORIS, STAYS WINNING.
Juvence really cares about his kids.
"If you don't do as master says, he will kill you and all your loved ones."
Guys I'm starting to think, that between this, the political intrigues, the bullying, the "using Bakara for PR while she becomes a teenage alcoholic and not giving a shit about her" thing, — that the huppermage academy and temple, are um.... not actually Good, as an institution.
To most this is "an honour," and yet, this random selection process chose a teenage huppermage who, by all accounts, can't do magic and doesn't know a single spell.
I'm so fucking sad.
You know what else these two quotes can apply to? Haha. well. I ask you to imagine Jahash's funeral, and—— [i collapse on the floor weeping]
"He was always more like a father to her, than an older brother."
I am going to crash my car into the sea. And I don't even have a car.
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