#Slip and Fall Attorneys New Jersey

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At Kreizer Law, our slip and fall injuries attorney in Monmouth, New Jersey, can help you build your case, understand your rights, & recover compensation. https://kreizerlaw.com/practice-areas/slip-and-falls/

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We have the legal knowledge and experience to navigate the complex system and evaluate your case, setting realistic expectations. We will fight to maximize your compensation, For more information contact our New Jersey Personal Injury lawyers and call us today at 862-229-1685.

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⚠️SLIP, TRIP, OR FALL ACCIDENT❓

Suffered a slip and fall injury❓

The Sheldrick Law Firm Is Here To Help❗️

As a devoted personal injury law firm handling cases across Florida, New Jersey, and New York, attorney Kayla Sheldrick and her team is here to fight for your rights and aim to secure the compensation you deserve. Trust us to navigate the complexities of your case with professional legal guidance at every step.

Understanding Your Rights:

At The Sheldrick Law Firm, we recognize the profound impact a slip, trip, or fall can have on your life, often placing you in the midst of premises liability—a legal concept holding property owners accountable for maintaining safe conditions.

These incidents, whether they unfold on a slick supermarket floor, a cluttered sidewalk, or any hazardous area, underscore the critical need for property owners to prevent potential dangers. Knowing how to handle premises liability claims, we commit to empowering victims with knowledge of their rights, guiding them through the legal process to seek justice and better ensure environments are safeguarded for everyone's well-being. Our effort in identifying negligence and advocating for those harmed due to overlooked safety measures positions us as trusted allies in your journey to recovery and compensation.

Top 5 Common Causes of Slip, Trip, and Fall Accidents: Key Environments at Risk

1. Wet Surfaces and Spillages

Common in:

Grocery stores

Restaurants

Public restrooms

2. Uneven Surfaces

Frequently found in:

Public parks

Shopping malls

Sidewalks around residential areas Cracks, potholes, or uneven paving can catch anyone off-guard.

3. Clutter and Obstructions

Common environments:

Retail stores

Workplaces with open office layouts

Schools and universities Cluttered pathways or poorly managed cords and cables can lead to trips.

4. Loose or Unsecured Mats and Rugs

Often an issue in:

Hotels and restaurants with entrance mats

Big box stores with outdoor mats

Corporate buildings and office entrances Unsecured mats can slide or flip, causing falls.

5. Poor Lighting

Typical problem areas include:

Parking lots

Stairwells in apartment buildings or office complexes

Walkways Insufficient lighting can obscure potential trip hazards.

These environments and conditions represent just a fraction of the places and scenarios where slip, trip, and fall accidents commonly occur. Awareness and caution in these and similar settings can help mitigate risks and foster safer environments for all.

Frequently Asked Questions About Slip and Fall Accidents

Navigating the aftermath of a slip, trip, or fall accident raises many questions about your rights, potential compensation, and the legal process. Our FAQ section is designed to provide clear, concise answers to common queries from those who have experienced such incidents. From understanding the immediate steps to take after an accident, to exploring the types of compensation available, and knowing when to consider legal representation, this section offers valuable insights to guide you through your recovery journey.

What Should I Do After a Slip, Trip, or Fall incident?

In the aftermath of a slip, trip, or fall incident, taking prompt and informed actions is crucial for your health and any potential legal claims. Immediate Medical Attention: Prioritize your health by seeking medical care immediately. Documenting your injuries can be essential for any legal action.

Evidence Collection: If your condition allows, gather evidence at the scene. This includes taking photographs of the exact location and cause of your fall, be it a wet floor, uneven surfaces, or any other hazards. Such visual documentation is invaluable.

Witness Information: Collect contact details of any witnesses and store employees present. Eyewitness accounts can strengthen your case significantly.

Incident Report: Request an incident report from the property management or store personnel. If you're incapacitated, ask someone else to obtain this on your behalf.

Legal Consultation: Contact a knowledgeable slip and fall lawyer promptly. Engaging with a legal expert specialized in premises liability can ensure a thorough investigation and bolster your claim for due compensation.

Implementing these steps not only prioritizes your recovery but also lays a solid foundation for any potential legal claims related to your slip, trip, or fall accident. A strategic approach from the outset can significantly influence the effectiveness of your case and the compensation you may receive.

What Type of Compensation Can I Seek in a Slip and Fall Accident?

In slip, trip, and fall accident claims, the compensation you're eligible for typically encompasses both economic (or tangible) damages and non-economic (or intangible) losses. These are sometimes known as special and general damages respectively. Key areas of compensation can include:

Medical Expenses: This covers immediate medical treatments, rehabilitation costs, and anticipated future medical expenses related to your injury.

Lost Wages: If your injury prevents you from working, compensation for the wages lost during your recovery period can be claimed.

Loss of Earning Capacity:

For long-term or permanent injuries that affect your ability to earn as before, you can seek compensation for this loss.

Pain and Suffering: Compensation for physical pain and emotional distress suffered due to the accident is considered under this category.

Loss of Consortium/Companionship: If the accident impacts your relationships, compensation can be sought for the loss of companionship or consortium.

Loss of Enjoyment: Damages may be claimed for the loss of enjoyment of life and activities you can no longer participate in because of your injury.

In instances of egregious negligence, punitive damages may also be pursued to penalize the wrongdoer and deter similar reckless behavior. Moreover, if a slip and trip accident leads to a fatality, surviving family members might have the right to file a wrongful death lawsuit, seeking damages for their immense loss

Should I hire a slip and fall injury lawyer?

Deciding whether to hire a slip and fall injury lawyer is a crucial step toward protecting your rights and securing the compensation you deserve. While not every fall results in a legal claim, many situations warrant professional legal insight, especially when negligence is involved.

Understanding the Role of a Slip and Fall Lawyer

A slip and fall lawyer specializes in premises liability cases, focusing on accidents that occur due to unsafe conditions on someone else's property. These legal professionals are adept at navigating the complexities of personal injury law, including identifying the responsible parties, proving negligence, and quantifying damages.

How much does a slip and fall lawyer cost?

Understanding the costs associated with hiring a slip and fall lawyer brings good news for those who've experienced such accidents. It's indeed fortunate that personal injury law firms often operate on a contingency fee basis. This means that victims of slip and fall injuries can secure legal representation without any upfront financial commitment. Here's how it works and why it's beneficial for you:

Contingency Fee Agreement: A Win-Win Situation

Under a contingency fee agreement, a slip and fall lawyer will represent you, communicate with property owners, insurance companies, and any involved third parties on your behalf, and cover all case-related expenses upfront. This setup removes the financial burden from your shoulders, allowing you to focus on your recovery without the stress of immediate legal fees.

Financial Settlement or Court Award: The Only Time Fees Are Paid

The most positive aspect of this arrangement is that the law firm's fees and the reimbursement of case expenses are only recovered if your attorney secures a financial settlement or is awarded compensation by the court. This aligns your lawyer's interests with yours, as they are motivated to achieve the best possible outcome for your case.

How Are Fees Calculated?

If your case is successful, the lawyer's fees are typically a percentage of the recovered amount. This percentage is agreed upon when you first engage the lawyer's services. It's transparent, straightforward, and discussed upfront, ensuring there are no surprises.

The Benefits of a Contingency Fee Agreement

No Financial Risk: You don't need to have money saved up to afford a lawyer. This opens the door for anyone injured in a slip and fall accident to seek justice and compensation.

Motivation to Win: Since the lawyer only gets paid if you win, they are highly motivated to secure the best possible outcome for your case.

Access to Quality Representation: This arrangement makes it possible for all victims, regardless of their financial situation, to have access to high-quality legal representation.

Peace of Mind: Knowing that your legal team is working tirelessly on your behalf without requiring payment unless they win provides significant peace of mind during what can be a stressful and challenging time.

In summary, the contingency fee model offers a no-risk, high-reward path to legal representation for slip and fall injury victims. It ensures that your rights are protected and that you have the best possible chance of receiving the compensation you deserve, all without the need for upfront payment. This approach embodies the positive spirit of justice being accessible to all, regardless of financial status.

INJURIES CAUSED DUE TO SLIP AND FALL

Concussions

A brain injury resulting from a blow to the head, often causing headaches, dizziness, and sometimes loss of consciousness.

Broken Bones

Fractures in bones caused by high-force impact or stress; symptoms include pain, swelling, and an inability to move the injured area.

Spinal Cord Injuries

Damage to any part of the spinal cord, potentially leading to permanent changes in strength, sensation, and other body functions below the injury site.

Hip Fractures

A break in the upper part of the femur (thigh bone), common among the elderly, often resulting from a fall.

Knee Injuries

Can involve damage to ligaments, tendons, or fluid-filled sacs within the knee joint, leading to pain and mobility issues.

Sprained Ankles or Wrists

Stretching or tearing of ligaments around these joints, leading to swelling, pain, and difficulty using the affected limb.

Cuts and Abrasions

Breaks in the skin, often requiring medical treatment to prevent infection and ensure proper healing.

Traumatic Brain Injuries (TBI)

A form of acquired brain injury from a sudden trauma causing damage to the brain.

Neck and Back Injuries

Can range from minor muscular strains to more serious injuries like herniated discs, often causing pain and restricting movement.

Shoulder Dislocations

Occur when the upper arm bone pops out of the shoulder socket, causing pain and immobility.

Lacerations Requiring Stitches

Deep cuts that penetrate through the skin, requiring medical intervention to close the wound and promote healing.

Crush Injuries

Occur when a body part is subjected to a high degree of force or pressure, often leading to serious tissue damage.

Tailbone or Coccyx Injuries

Injuries to the small bone at the spine's base, causing discomfort and pain, especially when sitting.

Deep Contusions

Severe bruising with bleeding under the skin, resulting from a strong impact to the muscle or soft tissue.

Stress Fractures

Small cracks in a bone caused by repetitive force, often from overuse, leading to pain and swelling.

INJURIES CAUSED DUE TO SLIP AND FALL ACCIDENTS

Slip, Trip, and Fall Accidents can lead to a wide range of injuries, from minor cuts and bruises to severe, life-altering conditions such as traumatic brain injuries, spinal cord damage, and broken bones. These incidents, which can occur in various settings like workplaces, public spaces, and commercial properties, underscore the importance of safety and the potential consequences of negligence. Understanding the common types of injuries associated with these accidents is crucial for victims seeking legal advice and compensation for their suffering and losses.

INJURED IN A SLIP & FALL ACCIDENT?

GIVE US A CALL (561) 440-7775

⚖️ The Sheldrick Law Firm

🤝 Free Consultation

📞 (561) 440-7775

📍 Florida, New Jersey, New York

[the-grey-hunt]

The quote is from this article:

TL;DR Entangled Press (best known for their Red Tower imprint, which publishes the Fourth Wing books) is being sued on the allegation that an agent used a former client's manuscript to help Tracy Wolff write the "Crave" books (or at least the first one).

article copied in full below the cut for people who get paywalled:

In the autumn of 2010, Lynne Freeman, a family-law attorney and an unpublished author, put the final touches on her first novel, “Blue Moon Rising.” The story revolved around a teen-age girl named Anna who falls in love with a werewolf and learns that she has magical powers. It was a fantasy, but it drew on Freeman’s own experiences growing up in Alaska. For years, Freeman had been fiddling with the material, imagining and reimagining characters, revisiting childhood memories. She even dreamed about the idea, and kept notes on it in a shoebox in her bedroom. In 2002, after becoming pregnant with twins, Freeman lost one of the babies and gave birth prematurely. Long nights lay ahead. She spent them caring for her son and working on her book.

A few months after she’d finished, in December, 2010, Freeman signed with an agent, Emily Sylvan Kim, the founder of Prospect Agency, a small firm based out of Kim’s home, in New Jersey. Kim, a slight woman with a youthful aura and a bright, clenched smile, struck Freeman as a kindred spirit—she’d launched her own business, just as Freeman had, and she’d even briefly attended law school. For the next three years, Freeman and Kim worked together to expand and refine the manuscript.

Kim sent pitches of “Blue Moon Rising” to more than a dozen publishers. The results were discouraging. “I thought the writing, the storytelling, in this manuscript was simply wonderful,” one e-mail read, but “we are . . . looking for things that fall into a newer territory.” Another editor wrote,“While the writing is really great and Anna was a very likable heroine, I worry that there are not enough new and different elements to the story here that would set it apart from the rest of the novels in the competitive paranormal/romance/YA market.” By March, 2014, all but one of the publishers had rejected the book, and Kim and Freeman parted ways. Freeman withdrew her outstanding submission from the final publisher, a press called Entangled.

In 2021, Freeman and her son, now a senior in high school, stopped at a bookstore in Santa Barbara on the way to receive their COVID vaccinations. Freeman, lingering in the young-adult section, picked out a book called “Crave,” by the author Tracy Wolff. She liked the cover: black with a large, bloodstained white flower in the center. It reminded her of “Twilight.” By the time she got home, she was already noticing muscle pain and fever from the vaccine. She began reading the novel, which was published by Entangled, and experienced a panic attack, the first she’d had in five years.

Freeman immediately spotted similarities to her own unpublished book. The main character was named Grace, not Anna, and her love interest was a vampire, not a werewolf, but in both stories the heroine moves from San Diego to Alaska after members of her family are killed in an accident. She lives with the only two relatives she believes she has left, both of whom are witches. A female rival slips her drugs. There’s an intimate moment under the northern lights. In a climactic scene, an evil vampire kidnaps her, and she ends up accidentally freeing a different vampire, whose return is said to herald the end of the world. (In Freeman’s planned sequel and Wolff’s actual ones, this vampire replaces the previous hero as the main character’s primary love interest.)

In addition to what Freeman felt to be the books’ obvious similarities, “Crave,” to her mind, contained details that could only have come from her, from her life. The novel’s opening scene describes flying in a puddle jumper above the Alaskan landscape. Freeman’s grandfather had been a bush pilot: she recalls reminiscing to Kim about what it had been like to go up in his tiny plane. A fantastical chessboard figures early on in “Crave”; a wall-size painting of a fantastical chessboard hangs in Freeman’s office. Wolff’s heroine is revealed to be a gargoyle. Freeman collects gargoyles—they guarded the path to the front door of her former home.

A Google search revealed that Tracy Wolff was a nom de plume for Tracy Deebs, a star client of Freeman’s former agent, Emily Sylvan Kim. Kim had introduced Freeman and Deebs at a Romance Writers of America conference in 2012. (Wolff and Kim claim to have no recollection of this meeting.) The name Stacy Abrams, which appeared in the acknowledgments section of Wolff’s book, was another pinprick. Abrams was the editor who had fielded Freeman’s book submission at Entangled. Freeman grew convinced that Kim and Liz Pelletier, the publisher and C.E.O. of Entangled, had shared the manuscript of “Blue Moon Rising” with Wolff and used it as the basis for the “Crave” series.

On February 7, 2022, Freeman, who had hired a lawyer, sent a letter threatening legal action to Kim, Wolff, Entangled, the company’s distributor Macmillan, and Universal Studios, which had optioned a film project based on the “Crave” books. “I really assumed that they would just apologize and fix it,” Freeman said. But, two days later, the Entangled counsel issued an icy response stating that “neither Pelletier nor Wolff ever heard of Freeman, read her ten-year old manuscript nor were aware of any details concerning the Freeman work.” The attorney added, “The agent, Kim, recalls nothing of this manuscript.” Freeman’s allegations were “speculative, unfounded, and easily rebutted as fanciful.” A month later, Freeman filed a copyright-infringement lawsuit. The litigation, which is ongoing, has cost Freeman several hundred thousand dollars and the defendants more than a million dollars.

The “Crave” series belongs to a powerhouse genre known as “romantasy”—romance plus fantasy. Stories have mingled love and magic for centuries, but the portmanteau crystallized as a market category during the pandemic. Works such as Sarah J. Maas’s novel “A Court of Thorns and Roses,” about a nineteen-year-old girl who falls in love with a fae high lord, surged in popularity, offering escape to readers stuck at home, often with company that was harder to view as enchanting under the circumstances. “The genre really caters to this perspective of, ‘If your life were going to be different, if you were plucked out of this reality, what would your dream reality be?,’ ” Emily Forney, an agent who works with young-adult and fantasy authors, told me. Romantasy sells a lightly transgressive form of wish fulfillment that holds out the enthralling promise of sex with vampires, manticores, werewolves, and other types of monsters and shape-shifters. (There’s even a “cheese-shifter” paranormal romance, by the author Ellen Mint, in which characters can turn into different types of cheese.)

In the past several years, the genre has attained a remarkable fandom. Print sales of romance novels more than doubled between 2020 and 2023. Meanwhile, the number of romance-focussed bookstores in the United States, with whimsical names such as the Ripped Bodice and Beauty and the Book, has swelled from two to more than twenty. Romantasy is helping to drive that boom. Publishers Weekly reported in October that five of the ten top-selling adult books of 2024 were written either by Maas or by her fellow romantasy icon Rebecca Yarros: the authors, combined, had sold more than 3.65 million copies of their novels in the first nine months of the year. A National Endowment for the Arts survey found that the number of Americans who reported finishing a single book in a year declined about six per cent between 2012 and 2022, but romantasy’s mostly female readers seem exempt from that downturn. They gather at midnight release parties and ardently break down their favorite titles on BookTok, a literary alcove of TikTok, where the hashtag for Maas’s series, #ACOTAR, has earned more than a billion views.

Many of these readers are millennials who grew up on “Harry Potter” and “Twilight” and expected more of the same once adulthood struck. Maas was among the first to acknowledge the sexual maturation of her audience. Although “A Court of Thorns and Roses,” published in 2015, featured mild erotic content by romance standards, it was far steamier than most Y.A. (“We moved together, unending and wild and burning, and when I went over the edge the next time, he roared and went with me.”) Love scenes in the later books went further, often adding anatomical specificity. In 2020, Maas’s publishers changed up their marketing strategy, causing the series to be rehomed in the adult section. “It birthed this genre of romantasy,” Cassandra Clare, the author of the best-selling fantasy series “The Mortal Instruments,” told me, “which to me is books that contain a lot of the tropes that make Y.A. popular but also have explicit sex in them.”

In some respects, romantasy has the feel of young people’s literature. The themes are Pixar-coded—forgiveness, compassion, overcoming adversity, celebrating difference—with a swoosh of black eyeliner. Cat Clyne, an editor at the Harlequin imprint Canary Street Press, described the genre as more welcoming than twentieth-century fantasy, which many readers now see as sexist. Romantasy “is emotion-positive—it’s about communication and falling in love,” she told me. “There’s less emphasis on world-building” and more on representing “strong female characters.”

Despite the genre’s egalitarian spirit, the most prominent romantasy authors are white. A reductive but not entirely spurious industry archetype has emerged, of temperamentally if not politically conservative women, often mothers, who find in their writing a means to success outside a traditional career path. “Twilight,” the precursor to today’s paranormal-romance novels, transformed Stephenie Meyer, a Mormon stay-at-home mother of three, into a millionaire. Yarros is a mother of six and a military spouse who began writing when her husband was deployed to Afghanistan. Like Freeman, Wolff first attempted commercial fiction after her son was born prematurely. Between 2007 and 2018, she published more than sixty romance, urban-fantasy, and young-adult novels, but it was not until she wrote a vampire-gargoyle love story that she shot to the top of the New York Times best-seller list. In April of 2024, Publishers Weekly reported that the six-volume “Crave” series had sold more than three and a half million copies worldwide.

All genre fiction (and arguably all fiction) is patterned on tropes, or received bits of narrative. But tropes have assumed a new importance in the creation and marketing of romantasy. On BookTok, users sort and tag titles by trope (#morallygreymen, #reverseharem, #daggertothethroat), allowing authors to tune their creative process to the story elements that are getting the most attention online. Entangled, “Crave” ’s publisher, gives visitors to its Web site the option to browse its selection by tropes such as “enemies-to-lovers” and “marriage of convenience.” Entangled editors fill out a form for every work they acquire; on the version of the form I viewed, there were fields in which to specify “tropes,” “paranormal elements,” “authors similar to,” “Heat level” (on a five-point scale from “mild” to “scorcher”), and the ratio of romance to suspense (from a maximum of 100/0 to a minimum of 20/80).

Romantasy’s reliance on tropes poses a challenge for questions of copyright. Traditionally, the law protects the original expression of ideas, not the ideas themselves. A doctrine named for the French phrase scènes à faire, or “scenes that must be done,” holds that the standard elements of a genre (such as a showdown between the hero and the villain) are not legally protectable, although their selection and arrangement might be. The wild proliferation of intensely derivative romantasies has complicated this picture. The worlds of romance and fantasy have been so thoroughly balkanized, the production of content so accelerated, that what one might assume to be tropes—falling in love with a werewolf or vampire, say—are actually subgenres. Tropes operate at an even more granular level (bounty-hunter werewolves, space vampires). And the more specific the trope, the harder it is to argue that such a thing as an original detail exists. For example, the “dark paranormal romance” subgenre mandates physical injury and a brooding, inhuman male lead. In 2018, the author Addison Cain filed a takedown notice against the author Zoey Ellis, accusing her of ripping off Cain’s lupine society of aggressive Alphas and submissive Omegas. Ellis sued Cain and her then publisher Blushing Books, arguing that she and Cain were both practicing the subgenre of “wolf-kink erotica,” which is based on open-source fan fiction. (Blushing Books settled out of court; a second suit Ellis filed against Cain was dismissed.)

Freeman’s suit rests on hundreds of similarities, compiled by Freeman and her lawyers, between her own manuscripts and notes and the “Crave” series. Taken one by one, few examples seem to rise to the level of infringement. The Alaskan setting, which Freeman saw as her intellectual property, is surprisingly common: Pelletier estimates that about ninety-five per cent of vampire novels take place in Alaska, New Orleans, or Las Vegas. Gargoyles have joined the menagerie of trendy paranormals, owing to the “Dark Elements” series, by Jennifer L. Armentrout. Small-plane pilots are standard issue for romance, a genre that loves a man in uniform, and it goes without saying that trysts under the aurora borealis are de rigueur. (One novel memorably features a hunky physician’s assistant who pleasures the heroine as “a brigade of ghostly rainbows jostled in the northern sky.”)

Other similarities are harder to explain away. In both books, the heroine’s parents bind her powers with tea; the male lead is guilty and grief-stricken over his older brother’s murder. I scoffed when I saw that Freeman’s side had listed “shining white courts” as a similarity, referring to the fact that, in both works, the heroine is brought to a marble building with white columns. But the court scenes have more than architecture in common. In each, the main character is transported to a timeless place presided over by a green-eyed woman. The heroine feels a sense of belonging; she is told that this is the home of her ancestors. In Wolff’s version of the scene, there are “thick white candles burning in gold candelabras.” In Freeman’s, there are “candles flickering to life in all of the wall sconces.” You can’t copyright candles any more than you can copyright marble, or ancestors, or green-eyed women. But the composition of these details, the totality of how the obvious or ordinary beats are strung together in each, is startling.

To show copyright infringement, Freeman will have to demonstrate that “actual copying” occurred and that the two texts are “substantially similar.” Because plaintiffs can rarely provide direct evidence of copying, the law allows them to prove it circumstantially, by establishing that the defendant had “access” to the allegedly infringed-upon work, either firsthand or through an intermediary. A problem for Freeman is that none of the 41,569 documents that the defendants were compelled to hand over make any mention of “Blue Moon Rising.” And Pelletier and Wolff both assert that they never saw Freeman’s novel or discussed it with anyone. Without direct proof of access, Freeman will have to take the weaker position that Wolff had a “reasonable possibility” of viewing the manuscripts, given her relationship with Kim. Another problem for Freeman is “substantial similarity” itself, a notoriously slippery standard located somewhere between works that raise suspicions of copying (probative similarity) and works that are almost identical to other works (striking similarity). The defendants argue that the two books feel extraordinarily different in tone, pacing, voice, and style. And “if they feel different,” Pelletier told me, “then they are.”

In romance, the heroine’s H.E.A., or happily ever after, often depends on how smoothly she can adapt to a new situation. The same might be said for publishers of romantasy, who have had to adjust to an unruly landscape of self-publishing that is adjacent to, and increasingly competitive with, mainstream publishing. The reigning principles of this indie world are “more” and “faster.” Because Amazon’s search algorithm appears to favor writers with larger backlists, there’s an incentive to flood the platform with titles—and to pad those titles with as many pages as possible, as Kindle Unlimited distributes royalties to the creators with the highest number of pages read. (This has spawned an epidemic of “page-stuffing,” in which authors load their novels with bonus material; authors have also been accused of using bots to artificially inflate their reader tally.)

Although many of the romantasy agents, writers, and editors I spoke to were not concerned about the field’s frenetic pace, a few felt that it could be overwhelming. “I think it puts authors in an impossible position,” the award-winning fantasy novelist Holly Black told me. “No one wants to cut corners on quality, and so you have to do this kind of heroic thing to get your book to be how you want it in a time frame that’s pretty much impossible.” The same conditions that promote speed can also foster “a pressure toward clickbait,” she added. Authors identify the most irresistible tropes and reproduce them as efficiently as possible. The book blogger and author Jenny Trout told me that, “in romantasy, copycats are commonplace. Authors are giving the people what they want, but it’s also like you’re reading the same book over and over again.”

To stand out, Entangled combines a careful attention to the physical look and feel of its novels—its deluxe editions, with adornments such as foil and stencilled edges, pop on Bookstagram—with a strategic, at times unconventional production process. The house accepts manuscripts from authors with a clear concept of what they want to write, but it also works collaboratively on special projects, in which “we are invited into the author’s process from day zero and continue in that spirit throughout editing,” Pelletier told Publishers Weekly. Entangled’s biggest romantasy titles, including Yarros’s “Empyrean” series, now come from its Red Tower imprint, whose model falls somewhere between that of a book packager and that of a traditional publisher. Book packagers assign teams of writers and editors to create content for an outside client, who can request specific elements, such as “the fae” or “hockey-themed romance.” Often, the writers receive a flat fee for their work (“work for hire”), sign over their I.P. rights, and are not entitled to royalties. Packaged titles are relatively safe bets for publishers, offering agility and responsiveness to subtle changes in market demand. Still, many houses want to avoid the perception of either working with packagers or packaging themselves, so as to attract prestigious authors and dodge accusations of predatory contracts.

Pelletier denies engaging in book packaging, but acknowledged, through her attorney, that, “unlike some other traditional publishers, Entangled tends to work more with its authors at the ideation stage to try to organically bake in a high concept.” “Crave,” according to the defense counsel, was “a collaborative project with Pelletier providing to Wolff in writing the main plot, location, characters, and scenes, and actively participating in the editing and writing process.” On the phone, Pelletier, a former software engineer, insisted that her approach isn’t particularly different from those of “publishers in New York.” (Entangled has no physical office; Pelletier operates out of Austin.) “They do the same thing,” she told me. “I’ve just been very successful at it.”

Opinion on Pelletier in the industry is divided. Publishers Weekly named her its 2024 Person of the Year, citing her “out-of-the-box” thinking. The agent Beth Davey called her “a visionary, brilliant marketer.” Trout, the author and blogger, described Pelletier as “shady” and characterized Entangled as “a Mickey Mouse operation” pushing “nice, nonpolitical white ladies who are good at being pretty in photos and building parasocial relationships online.” One of the more than fifteen writers I spoke to for this piece told me that she’d met with Pelletier to discuss her finished book, but that Pelletier had urged her to develop an entirely different, as yet unwritten, story idea, complaining that “the problem with traditional publishing is that they just let writers write whatever they want, and they don’t even think about what the TikTok hashtag is going to be.” (Through her attorney, Pelletier said she didn’t recall any such conversation and that “Entangled doesn’t rely heavily on hashtags when marketing books on TikTok.”)

Buried within Pelletier’s deposition testimony is an origin story for “Crave.” Toward the end of the twenty-tens, she decided that the time had come for a vampire renaissance. A decade had passed since the “Twilight” movies, and she’d read that fads take about ten years to cycle back around. She’d also heard that teen-age readers weren’t finding the current wave of paranormal heroines relatable enough: the characters were too sure of themselves, too perfect. Pelletier, whose colleagues describe her as a gifted trendspotter, wanted a “fish out of water” story, one that thrust an ordinary girl into a rarefied world.

Early in 2019, an Entangled author was unable to deliver her book as planned, leaving a gap in the schedule. Wolff and Kim both recalled Pelletier needing a writer who could produce good work at a sprint. Wolff is “one of the fastest, but not the fastest writer I’ve ever worked with,” Pelletier said to me. Abrams reached out to Wolff, who responded with five pitches, the second of which featured a sexy, degenerate teen-age monster and a straitlaced scholarship student. With Abrams as an occasional intermediary, Pelletier and Wolff hammered out a basic story shape.

At the time, Wolff was regaining her footing after a difficult period. Her twenty-year marriage had fallen apart a few years earlier, and divorce was not ideal for an author trying to convert fantasies of romantic bliss into rent and groceries. Wolff had written paranormal fiction before, but love stories were her O.T.P., her one true pairing. She was nervous about jumping into the vampire tradition. “I didn’t think I had anything new to bring to the table,” she told the podcaster Hank Garner in 2020. But her doubts lifted when the series’ heroine, Grace, popped into her head and started talking. “She was funnier than I expected,” Wolff told Garner—witty, spirited, a bit sarcastic. In a Q. & A. with the Nerd Daily, Wolff said, “I actually identify a lot with the heroine, Grace. There’s a lot of me in her, including the snarky sense of humor—especially when things get bad.”

The process of putting out “Crave” was chaotic. Wolff wrote a rough draft in two months, from May to June of 2019, but Pelletier didn’t start editing in earnest until December, several weeks before the book was scheduled to go to press. “My editor had a couple of other projects that she was working on,” Wolff recalled on Garner’s podcast, “and then when she came back, she was, like, ‘This is good, but’ ”—Wolff’s voice sped up as if to simulate a torrent of feedback—“ ‘you need to change this, you need to change this . . . you need to add that.’ ” The pair of them revised the manuscript, adding about fifty thousand words in a week and a half. Wolff said, “We were so exhausted . . . the two of us by the end were blithering idiots.” The novel came out in April, 2020. A sequel, “Crush,” followed in September, 2020, and two more, “Covet” and “Court,” appeared in March, 2021, and February, 2022. (During her deposition, Wolff explained that she wanted each title to evoke love, a statement that confused the lawyer, who asked, “What does court have to do with love?”)

Entangled was motivated to push the sequels out swiftly because COVID was catalyzing book sales. Correspondence among Kim, Pelletier, Abrams, and Wolff suggests that, in the hectic days and hours before a book deadline, an already collaborative creative process could become an all-out emergency. It was sometimes hard to tell who added what. “Love ‘our tree of trust is just a twig’ did you write that?” Kim texted Pelletier, about a line in “Crush.” Referring to a different line, Pelletier said, “I wrote that sentence, but I was using Tracy’s voice.” And: “I came up with every header but the first chapter lol.” While closing “Court,” which was on a particularly tight schedule, author, editor, and agent supplied sentences and ideas, all of which swirled together in the various documents being updated in tandem on each of their laptops. Pelletier asked Kim, “Tracy wrote that moonstone description?” Kim texted Abrams, “Tracy and I are team speed writing new scenes,” and “I’ve stopped copy editing because I helped write all this.” (The defense said that Kim’s contribution “was extremely limited and was entirely technical.”)

Wolff seems to find value in a more coöperative workflow. She described herself to Garner as “one of those weird . . . very rare extrovert authors” who “loves to go on writers’ retreats and loves to meet up at, you know, Barnes & Noble and write with their friends.” Like Wolff, Grace is a team player, the center of a big ensemble cast. There are also nurturing Macy, the “cheerleader” of the crew, and tough-as-nails Eden. Wolff told me that she wanted to use her novel to “talk about feminine strength in all its forms.” Her female characters “build the life that they want, not on the shoulders of others, but with others.”

Wolff is an only child. Her father died unexpectedly when she was twenty-two; a few months later, she suffered her first panic attack. Grace, the “Crave” heroine, is also an only child who has panic attacks stemming from the loss of her parents. “I was absolutely channelling some of my own past,” Wolff told me. Her present was impinging, too. She was falling in love with her current partner while she was writing “Crave”; she suspects that some of her elation soaked into the story.

In the “Crave” series, Grace speaks in a knowing, casual, Avengers-inflected tone. Referring to her gargoyle nature, she says, “I sleep like a stone—pun totally intended.” Facing down an abominable beast: “Yep, we’re all going to die.” The series renders the potentially odd and inward aspects of fantasy salable—paranormals are just like contemporary humans, with familiar psychologies, politics, and value systems. They even like the same Top Forty pop songs. World-building details, such as the logistics of being a vampire, are left unexplained. Dénouements can feel duct-taped together, with jarring omissions and convoluted exposition. In the course of the series, characters learn never to underestimate themselves; they grasp the importance of empathy, forgiveness, and friendship; they manifest prolific and appealing forms of feminine power. Most vivid by far are the sex scenes. “Tracy is a romance writer at heart,” Pelletier told me.

Freeman’s manuscript is quieter, more internal. Unlike Wolff, she always knew that fantasy was her genre. She’d immersed herself in Tolkien growing up, and she used to imagine that the people walking around Anchorage were deer shifters or veela, long-haired maidens who called down storms from the sky. She wanted her novel to be as awash in mysterious possibility as her adolescence had been. Her book’s posture toward the natural world is one of respectful awe; reading it, you sense a deeply ingrained isolation.

In “Blue Moon Rising,” Anna is reeling from the sudden loss of her father and his parents. This struggle is drawn from Freeman’s life. When she was four and a half, she and her mother returned from a trip out of state to a completely bare apartment. Her father had left, forcing a split between Freeman and the paternal side of her family. “I wanted to write about a heroine who has tremendous courage because she has panic attacks from loss,” Freeman told me. “She thinks about loss all the time. It’s a thorn in her heart.” Shadowy father figures loom over the story. In one version of the manuscript, Anna’s father is a wise werewolf. In another, he is a cruel vampire prince.

The female characters are foils and antagonists to the heroine. Anna feels judged by her childhood friends: they’ve been “acting moody and unpredictable,” she narrates in one draft. “I felt constantly on edge with them.” At home, the most dramatic conflicts unfold between Anna and her mother, Marcheline, who can be warm and loving but also “controlling,” “obsessive,” “crazed,” and occasionally violent. “It’s like M is schizophrenic with her,” Freeman wrote in one e-mail to Kim, after they had already been going back and forth about the manuscript for six months. “Nice one moment and shredding her ego to bits in the next.”

Part of the reason Freeman was drawn to Kim as an agent, at least initially, was that she seemed to respect the uniqueness of Freeman’s vision. According to Freeman, Kim praised her unusual writing voice, which blended dreamlike imagery with wry humor. (“The moon is full overhead, pregnant with possibilities and none of them good.”) Kim loved the dramatic setting. They spoke on the phone for hours, Freeman says, with Freeman explaining her inspirations, her family and personal life, and her plans for a larger series based on “Blue Moon Rising.” In Freeman’s recollection, Kim would often say that she didn’t have such lengthy or intimate conversations with her other clients. (Kim denies saying this and does not recall any extensive conversations about Freeman’s personal life.)

Freeman was eager to respond to Kim’s suggestions. Kim wanted to see more strength and agency in Anna, the heroine, and Freeman revised the manuscript so that Anna went to greater and greater lengths to rescue her werewolf mate. She produced copious notes, chapter synopses, and character descriptions for Kim; she wrote pitches and taglines and letters for Kim to send to editors. Throughout, she says, Kim insisted that the manuscript was close to being ready. In one e-mail, from June, 2011, Kim wrote, “You’ve been a real pro throughout this revision process so I’d figure you’d want to really wade in those final slogging steps and be rewarded with true greatness!”

But, as the months dragged on, Freeman’s hopes began to wilt. No matter how many times she renovated the main arc, developed a subplot here, updated the lore there, she couldn’t bring the book to where Kim said it needed to be. She believes that she sent her agent at least forty meaningfully different versions of her manuscript. She started to refer to Kim’s edits as “the hydra,” an allusion to the many-headed monster that sprouted two new heads every time one was chopped off.

In September of 2013, Freeman sent Kim a fresh synopsis of her novel. The agent replied in a tone she hadn’t previously used. “My comments don’t always seem to lead your book to the next level,” she wrote. “I really think you owe it to yourself to be really certain you are putting the best book out there.” At the end of the message, she wrote, “I know this email is long and perhaps long overdue. You deserve honesty from me above all else. . . . But the bottom line is you need to move forward and I need to move forward too.”

In Kim’s recollection, Freeman took up less time than some of her other authors—she remembers that Freeman was juggling work and other commitments—but Kim did try to make Freeman feel valued. “Looking back, I feel very proud of the work that I did with her,” Kim told me. “So having that thrown back in my face is very sad,” she said. When we spoke, she stressed that she values “each and every one of my authors so much that it’s just so painful to think that anyone would think that I would do this to them.”

Wolff and Kim were close. Kim’s daughter, Eden, was one of “Crave” ’s first readers, and Wolff named a character Eden in gratitude. Kim’s contributions to the “Crave” series sometimes extended beyond the traditional work of even a very hands-on agent. She helped to create the project’s “bible,” a compilation of names, backstories, and details that Wolff used to keep tabs on Grace’s expansive universe. She proposed plot points: What if two witch characters “are just texting”? What if the magical portals malfunctioned? When Wolff was on deadline for “Court,” Kim sat in a Google Doc with her for nineteen hours, allegedly to provide moral support. “I want to help you rage finish the rest of this book,” she texted on October 24, 2021. Then she suggested that they get coffee “and crash it out.”

Kim didn’t always evince this level of enthusiasm for Freeman. On October 10, 2013, Kim pitched “Blue Moon Rising” to Liz Pelletier, addressing the Entangled publisher as “Lynne.” The language feels boilerplate and impersonal. “If you are looking for something unique in young adult paranormal romance,” Kim wrote, “this is something I think would be a perfect fit for you!” Pelletier forwarded the pitch—without reading it, she claims—to Stacy Abrams, who requested the full manuscript on October 18th. Kim replied on October 23rd. “Hi Stacy,” she wrote. “Sorry for the delay. Here you go! And aren’t you happy about Tracy? I am!” Abrams agreed that she was happy about Tracy, whose new Entangled book was doing well. She also gently noted that Kim had forgotten to attach Freeman’s novel to her e-mail.

An effective romantasy novel conveys the experience of falling in love, but it also touches on themes of talent and purpose, of becoming who you were meant to be. A girl is ordinary and then she is chosen. Her destiny is to wield power beyond imagination. A cold, hard man turns malleable in her hands. Those who dislike her are jealous, those who disagree with her are evil, and those who try to stop her are vanquished—righteously.

A decade or so ago, Y.A. readers telegraphed their fandom by affiliating with types. They picked a Hogwarts house or a Divergent faction to identify with; they declared for Team Edward (the vampire in “Twilight”) or Team Jacob (the werewolf). But romantasy novels are more character-driven, and readers approach them more individualistically. They come to the genre concerned about their own place in the world. “A really good writer makes you feel like a book is about you,” Kim told me. She suggested that maybe Wolff had performed her job too well: Freeman looked into the “Crave” series and encountered her own reflection.

A paradox of romantasy novels is that they express the longing to be unique, but they pour that desire into imitative forms. Many of the genre’s tropes are clichés about specialness. When the heroine is discovered to be secret royalty or the chosen one, readers feel singular, like they are the main character. Both Wolff and Freeman emphasized to me the deeply intimate experiences that fed into their books—falling in love, becoming a mother, struggling to accept the loss of a parent. They lived their tropes. Wolff, a contemporary romance writer who dove gamely into vamps-and-shifter lore, was the normal girl in an alien new world. Freeman was the lost child with an attunement to nature who comes into her power. Maybe these experiences were universal, but they were also personal. If it happened to you, how could it not be yours?

But life isn’t a romantasy novel. For every Sarah J. Maas, there are thousands of first-time or self-published writers toiling away in obscurity. The promise of the genre is transformation—reality into fiction, vulnerability into strength, humans into animals, ordinariness into distinction—but the labor of producing romantasy rarely changes your life. Some authors get picked, and many more do not. The outcomes can feel especially arbitrary when everyone is telling more or less the same story.

The defendants fear that the suit may embolden bad actors to weaponize copyright law against talented and successful authors. Pelletier cautioned that she could see why I might be drawn to a salacious tale of betrayal, but that the real story of the lawsuit was the threat posed by fencing off the creative commons, discouraging writers from crafting their own narratives of alluring monsters or forbidden love. She spoke about a “well” of shared ideas, imagery, and language that irrigates our cultural life and enables our traditions to morph and evolve. “You can’t claim ownership to the well,” she said. “It will stifle everyone’s creativity.” Referring to Freeman, Pelletier added, “She doesn’t own heroes in black jeans, as much as she would like to.”

Black told me, “It’s just true that there are enough things being written, when you’re working with tropes and tradition and folklore, that sometimes you hit some of the same things.” But she dismissed Pelletier’s anxieties about repercussions from the coming verdict, saying, “I don’t think it’s going to create some kind of new standard.” Trout likewise warned against extrapolating too much from a sui-generis situation. “The case with ‘Crave’ and ‘Blue Moon Rising’ is not simply about tropes,” she said. “The books are too similar.”

The defense is right that no one could mistake the experience of reading “Crave” for the experience of reading “Blue Moon Rising.” Wolff’s story is sassy, fun, commercial, and hot. Freeman’s is raw, ruminative, interior, and possibly unsalable, given the murky volatility of the family dynamics and the protagonist’s wariness, bordering on hostility, toward other women. What is strange and spiky in one is palatable and familiar in the other. Freeman strews esoteric asides about Egyptian mythology, Captain Cook, and the passage of Celtic artifacts from New Zealand to Alaska, which have no counterpart in the “Crave” series. (Instead, there are the singer-songwriter Niall Horan, Restoration Hardware catalogues, “Final Destination.”) The mysticism that pervades “Blue Moon Rising” is muted in Wolff’s novels. The sense of phantasmagoria and unreality is gone. Many of the details that overlap are tropes, or close enough. Many more are trivial: the color of a character’s eyes, the title—such as “Bloodletter”—by which she is known.

But the preponderance of commonalities and the sum of how they unfold is harder to discount. Wolff said that she’d been “completely blindsided” and “devastated” by Freeman’s accusations, and that she “hurt for everybody involved in this case.” “I didn’t do what I’m accused of,” she said. Freeman, who has sold her home in Alaska to pay her legal costs, told me that she was fighting in part because she no longer saw herself as unique. “If this can happen to me,” she said, “it could happen to somebody else.” ♦

I admit I always find it funny when people whose entire business is media give on-the-record quotes that sound this much like the villain of a movie about hosting a charity talent show to save the beloved local library.

[lawleonard]

𝐖𝐢𝐧𝐭𝐞𝐫 𝐃𝐫𝐢𝐯𝐢𝐧𝐠 𝐒𝐚𝐟𝐞𝐭𝐲 𝐓𝐢𝐩𝐬 𝐢𝐧 𝐍𝐞𝐰 𝐉𝐞𝐫𝐬𝐞𝐲

Wintertime driving in New Jersey often involves hazardous, slippery road conditions. Defensive driving and staying alert are critical, as the other cars and trucks are also trying to maintain control and traction when the roads are unsafe. You should always maintain enough stopping distance between your car and the vehicles ahead and drive at a reasonable speed at all times. Often wet roads are in fact black ice, which makes driving treacherous.

Unfortunately, car accidents and truck accidents frequently occur, especially during winter driving and can involve serious, lifelong injuries and sadly, loss of life. Additionally, workers on the job may be injured in a motor vehicle accident, after being crashed into by another (third-party) vehicle. Therefore, in addition to your potential workers’ compensation claim, you will want to speak with an injury lawyer to discuss the possibility of a third-party personal injury claim.

It is very important that your vehicle is properly maintained, which includes making sure your tires have enough tread to grip the road, and are properly inflated. Worn tires will significantly increase your chances of losing control and possibly getting into an accident. Make sure your battery is properly charged, have a full-tank of gas, and keep an emergency road kit in your trunk (jumper cables, flashlight/extra batteries, flares and/or reflectors, first aid kit, blanket, shovel, bag of sand, and a toolkit). You should also make sure, if possible, that you remove all snow and ice from your car.

New Jersey has a two-year statute of limitations time limit, whereby a person can bring an injury lawsuit, so it is important to contact us now. Also, if your claim involves an improperly designed or maintained roadway there is a strict 90 days notice requirement to place all responsible governmental entities on notice of your intention to file a claim. For example, this can include improper drainage creating pooling of water that freezes resulting in a serious car crash.

𝐄𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞𝐝 𝐚𝐧𝐝 𝐑𝐞𝐥𝐞𝐧𝐭𝐥𝐞𝐬𝐬 𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥 𝐈𝐧𝐣𝐮𝐫𝐲 𝐋𝐚𝐰𝐲𝐞𝐫𝐬

If you are seriously injured in a car accident, or lost a loved one, our team of experienced personal injury attorneys can offer the advice you can trust and need during this uncertain and difficult time. Todd and his team have over 35 years of experience handling all types of serious accidents, including truck and car accidents, motorcycle accidents, slip and fall accidents, pedestrian accidents, Uber accidents, Lyft accidents, wrongful death, and workers' compensation claims. Our firm will fight to make sure your rights are fully protected, and you obtain the maximum compensation you deserve. Todd has been privileged to represent thousands of seriously injured clients and their families throughout New Jersey, and has successfully recovered over $100 Million on their behalf. Please call us now for a FREE, confidential consultation at our Headquarters in Denville, NJ at (973) 920-7900. To read more about our law firm's results, please visit https://www.lawleonard.com/results/. 𝐎𝐔𝐑 𝐂𝐋𝐈𝐄𝐍𝐓𝐒 𝐂𝐎𝐌𝐄 𝐅𝐈𝐑𝐒𝐓!!

𝐖𝐄 𝐀𝐑𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒!!

[postsify]

What Qualities Should You Look for When Hiring a Personal Injury Lawyer in New Jersey?

Hiring the right personal injury lawyer in New Jersey can make all the difference when you or a loved one has been injured because of someone else's negligence. But how do you find a trustworthy legal advocate to guide you through the process, protect your rights, and secure fair compensation?

Whether you're dealing with a car accident, workplace injury, medical malpractice, or another type of personal injury, you'll learn how to evaluate top New Jersey personal injury lawyers and what questions to ask before deciding.

1. Why Choosing the Right Lawyer Matters

Filing a personal injury claim can be overwhelming. Between insurance companies pressuring you to settle quickly and the complexities of New Jersey's legal processes, having a skilled personal injury attorney on your side is crucial.

An experienced NJ personal injury lawyer will:

Handle communication with insurance providers and opposing attorneys.

Gather evidence to build a strong case.

Help you understand your rights and compensation options

Develop strategies to maximize your settlement.

Now that you understand the importance of choosing the right lawyer let's explore the key qualities that set the best personal injury lawyers in New Jersey apart.

2. Top Qualities to Look for in a NJ Personal Injury Lawyer

Experience in Personal Injury Law

When your health and financial well-being are on the line, you want someone specializing in personal injury law. A general lawyer may not have the expertise to handle your case. Look for a personal injury lawyer in New Jersey who has dealt with cases similar to yours.

Ask questions like:

How many personal injury cases have you handled?

Do you have experience with my type of injury (e.g., car accidents, slip and falls, workplace accidents)?

What were the outcomes of those cases?

For example, if you were in a car accident, choosing an attorney with a history of success in motor vehicle injury claims gives you confidence that they know how to handle the complexities of your case.

Willingness to discuss your concerns and address any uncertainties. You deserve a partner who listens to your worries and supports you every step of the way.

3. How to Start Your Search for a Personal Injury Attorney in NJ

Now that you know which qualities to look for, here are some tips to kick off your search for top personal injury lawyers in New Jersey:

Start with Recommendations

Ask friends, family, or colleagues if they can recommend a trusted NJ personal injury lawyer.

Schedule Free Consultations

Most New Jersey personal injury lawyers offer free initial consultations. Use this opportunity to ask questions, evaluate their expertise, and see if they are a good fit.

4. Get the Legal Support You Deserve

Hiring the right personal injury lawyer in New Jersey could be one of the most important decisions you make after an accident. Look for someone with experience, empathy, and a proven track record of success. Taking the time to find the best attorney ensures your case is in capable hands, giving you peace of mind and the best chance at securing the compensation you deserve.

If you're ready to take the first step, why not start by scheduling a consultation with one of New Jersey's top personal injury lawyers? Whether you're dealing with medical expenses, lost wages, or emotional distress, the right lawyer can make all the difference in your recovery.

[fnblegal]

Trusted Injury Attorney in New York & New Jersey | Law Office of Peter Briskin

When life takes an unexpected turn, and you find yourself dealing with the aftermath of an injury, having a trusted attorney by your side can make all the difference. The Law Office of Peter Briskin has built a solid reputation in New York and New Jersey for providing compassionate, results-driven legal representation in personal injury cases.

Why Choose Peter Briskin, P.C.?

Peter Briskin is not just an attorney; he’s an advocate dedicated to securing justice and fair compensation for his clients. With years of experience handling personal injury cases, he has the skills and knowledge to navigate complex legal processes, ensuring that his clients receive the support they need during challenging times.

Expertise in a Wide Range of Injury Cases

At the Law Office of Peter Briskin, the team specializes in various types of personal injury cases, including:

Car Accidents: From rear-end collisions to multi-vehicle accidents, the firm works diligently to secure compensation for medical bills, lost wages, and emotional distress.

Slip and Fall Accidents: Property owners have a duty to maintain safe premises. If you’ve been injured due to negligence, Peter Briskin will fight for your rights.

Workplace Injuries: Whether it’s a construction accident or an injury at a corporate office, the firm ensures that injured workers receive the benefits and compensation they deserve.

Medical Malpractice: When healthcare providers fail to meet their standard of care, resulting in injury, Peter Briskin steps in to hold them accountable.

Wrongful Death Claims: Losing a loved one due to someone else’s negligence is devastating. The Law Office of Peter Briskin offers compassionate legal support to grieving families.

Proven Track Record

Peter Briskin’s success in obtaining favorable outcomes for his clients speaks volumes about his dedication and expertise. From negotiating fair settlements to winning cases in court, he goes above and beyond to achieve justice for those he represents.

Personalized Legal Support

Every injury case is unique, and Peter Briskin understands that. He takes the time to listen to your story, understand your needs, and tailor his legal strategy to your specific circumstances. This personalized approach has earned him the trust and respect of clients throughout New York and New Jersey.

Accessible and Transparent Legal Services

Navigating the legal system can be intimidating, but Peter Briskin ensures that his clients are informed and empowered every step of the way. He offers clear communication, honest advice, and a commitment to transparency, so you always know where your case stands.

Get the Representation You Deserve

If you’re searching for a trusted injury attorney in New York and New Jersey, look no further than the Law Office of Peter Briskin. Don’t face the challenges of a personal injury case alone—contact the firm today for a free consultation and take the first step toward justice.

[sabbaghthapar]

Sabbagh Thapar: Your Trusted Ally as the Best Accident Attorney in NJ

When life takes an unexpected turn due to an accident, the aftermath can be overwhelming. From medical bills to insurance claims, the challenges can feel insurmountable. In New Jersey, one name stands out in the realm of personal injury law: Sabbagh Thapar. Renowned as the best accident attorney in NJ, Sabbagh Thapar has built a reputation for providing exceptional legal representation to those who have suffered due to the negligence of others.

A Commitment to Justice

Sabbagh Thapar’s journey in law is driven by a deep commitment to justice. With a focus on personal injury cases, he understands the physical, emotional, and financial toll that accidents can take on victims and their families. His approach is not just about winning cases; it’s about ensuring that clients receive the support and compensation they deserve to rebuild their lives.

Expertise in Personal Injury Law

What sets Sabbagh Thapar apart as the best accident attorney in NJ is his extensive knowledge and experience in personal injury law. He has successfully handled a wide range of cases, including car accidents, slip and fall incidents, and workplace injuries. His expertise allows him to navigate the complexities of the legal system with ease, ensuring that his clients’ rights are protected every step of the way.

Personalized Attention

One of the hallmarks of Sabbagh Thapar’s practice is his dedication to personalized attention. He understands that every case is unique, and he takes the time to listen to his clients’ stories, concerns, and goals. This individualized approach not only helps build trust but also allows him to craft tailored legal strategies that align with each client’s specific needs.

Proven Track Record

Sabbagh Thapar’s success as a car accident attorney in Clifton, NJ, is evidenced by his impressive track record. He has secured substantial settlements and verdicts for his clients, helping them recover compensation for medical expenses, lost wages, pain and suffering, and more. His ability to negotiate effectively with insurance companies and litigate when necessary has earned him the respect of both clients and peers alike.

Compassionate Support

In addition to his legal expertise, Sabbagh Thapar is known for his compassionate approach. He understands that accidents can leave victims feeling vulnerable and anxious about the future. By providing not only legal guidance but also emotional support, he helps clients navigate the often-stressful process of recovery. His team is always available to answer questions and provide updates, ensuring that clients feel informed and empowered throughout their journey.

Community Involvement

Sabbagh Thapar’s commitment to justice extends beyond the courtroom. He is actively involved in community initiatives aimed at promoting safety and awareness. By participating in local events and educational programs, he strives to prevent accidents and advocate for the rights of individuals in New Jersey. This dedication to the community further solidifies his reputation as a trusted attorney who genuinely cares about the well-being of others.

Why Choose Sabbagh Thapar?

Choosing the right attorney can make all the difference in the outcome of your case. When you select Sabbagh Thapar as your legal representative, you are choosing a passionate advocate who will fight tirelessly on your behalf. His combination of legal expertise, personalized attention, and compassionate support makes him the best accident attorney in NJ.

If you or a loved one has been involved in an accident, don’t navigate the complexities of the legal system alone. Contact Sabbagh Thapar today for a free consultation. Let him help you take the first step toward recovery and justice. With his guidance, you can focus on healing while he handles the legal intricacies of your case.

In conclusion, when it comes to finding a car accident attorney in Clifton, NJ, look no further than Sabbagh Thapar. His unwavering commitment to his clients and proven success in personal injury law make him the ideal choice for anyone seeking justice after an accident. Don’t hesitate to reach out—your path to recovery starts here.

[peterdavislaw]

Personal Injury Attorneys in New Jersey

At The Law Offices of Peter N. Davis & Associates, LLC, we are committed to helping injured individuals and their families navigate the legal system. Since 1989, attorney Peter N. Davis and our dedicated team have been fighting for justice and compensation for accident victims in Lodi, New Jersey, and surrounding communities.

Our team has recovered millions of dollars in settlements and verdicts, providing essential support to countless clients during some of the most challenging times of their lives. We are passionate about protecting the rights of those injured by the negligence of others and ensuring they receive the compensation they deserve.

Our Practice Areas

We offer a broad range of personal injury legal services, including:

Personal Injury

Car Accidents

Slip & Fall Accidents

Workers’ Compensation

Truck Accidents

Motorcycle Accidents

Wrongful Death

Bicycle Accidents

Rideshare Accidents

Pedestrian Accidents

Dog Bite Injury

Back & Spinal Cord Injury

Brain Injury

Why Choose The Law Offices of Peter N. Davis & Associates, LLC?

For over 30 years, we have been fierce advocates for accident victims throughout Lodi, Paterson, and New Jersey. Our team is deeply familiar with personal injury law and provides compassionate, results-driven legal representation. From rideshare accidents to wrongful death claims, we have the knowledge and experience to stand by your side every step of the way.

If you’ve been injured, we’re available 24/7 to take your call. Contact The Law Offices of Peter N. Davis & Associates, LLC for a free case review and let us help you get the compensation you deserve.

The Law Offices of Peter N. Davis & Associates, LLC 72 Essex Street, Suite 2, Lodi, New Jersey 07644 (973) 279-7246 https://peterdavislaw.com/

[daglawteam]

https://daglawteam.com

[sheldricklawfirm]

INJURED IN AN ACCIDENT‼️

💥 Have you been injured in an accident that was NOT your fault❓

- Head-On Collisions

- T-Bone Accidents

- Rear-Ended

- Multi-Vehicle Accident

- Fender Bender

- Slip & Fall

If you answered “YES”.

Call (561) 440-7775 and ask to speak with an attorney here at The Sheldrick Law Firm for a free consultation.

Available 24 Hours a Day, 7 Days a Week!

💥 Any Accident At All, Give Us A Call!

⚖️ The SHELDRICK Law Firm

📞 Phone (561) 440-7775

📍 Florida - New Jersey - New York

🖥 www.TheSheldrickLawFirm.com

#caraccidents #caraccident #lawyerforaccidents #crash #lawyerforinjury #personalinjurylawyer #carcrash #accidentattorney #lawyer #injuryattorney #freeconsultation

[lawleonard]

𝐓𝐨𝐝𝐝 𝐋𝐞𝐨𝐧𝐚𝐫𝐝 𝐀𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐬 𝐎𝐯𝐞𝐫 $𝟏𝟓,𝟎𝟎𝟎,𝟎𝟎𝟎 𝐢𝐧 𝟐𝟎𝟐𝟒 𝐈𝐧𝐣𝐮𝐫𝐲 𝐒𝐞𝐭𝐭𝐥𝐞𝐦𝐞𝐧𝐭𝐬

The Todd J. Leonard Law Firm is extremely proud to help our clients when they need us the most! Founding Partner Todd Leonard and his team of experienced personal injury attorneys, Paul Paravati, Esq. and Matthew Sheffield, Esq., resolved numerous personal injury cases for their clients in 2024. Some of those settlements included:

$4,750,000 – Motor Vehicle Accident Settlement – New Jersey

$1,800,000 – Car Accident Settlement – Multiple Surgeries – Morris County

$1,500,000 – Car Accident Settlement – Husband/Wife – Morris County

$1,200,000 – Car Accident Settlement – Spinal Fusion – Essex County

$945,000 – Car Accident Settlement – Spinal Fusion – Morris County

$825,000 – Car Accident Settlement – Multiple Surgeries – Morris County

$800,000 – Premises Liability Settlement – Multiple Surgeries – Morris County

$750,000 – Car Accident Settlement – Multiple Surgeries – Sussex County

$550,000 – Pedestrian Accident Settlement –Head and leg injuries – Essex County

$525,000 – Car Accident Settlement – Spinal Surgery– Sussex County

$340,000 – Premises Liability Accident Settlement – Hand Surgery – Morris County

$325,000 – Car Accident Settlement – Orthopedic Injuries – New Jersey

$268,000 – Car Accident Settlement – Orthopedic Surgery – Morris County

$250,000 – Car Accident Settlement / Drunk Driver – Facial Injuries – Morris County

$240,000 – Motorcycle Accident Settlement – Orthopedic Injuries – Morris County

$230,000 – Bicycle Accident Settlement – Facial Surgery – Morris County

𝐄𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞𝐝 𝐚𝐧𝐝 𝐑𝐞𝐥𝐞𝐧𝐭𝐥𝐞𝐬𝐬 𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥 𝐈𝐧𝐣𝐮𝐫𝐲 𝐋𝐚𝐰𝐲𝐞𝐫𝐬

If you are seriously injured in a car accident, or lost a loved one, our team of experienced personal injury attorneys can offer the advice you can trust and need during this uncertain and difficult time. Todd and his team have over 35 years of experience handling all types of serious accidents, including truck and car accidents, motorcycle accidents, slip and fall accidents, pedestrian accidents, Uber accidents, Lyft accidents, wrongful death, and workers' compensation claims. Our firm will fight to make sure your rights are fully protected and you obtain the maximum compensation you deserve. Todd has been privileged to represent thousands of seriously injured clients and their families throughout New Jersey, and has successfully recovered over $100 Million on their behalf. Please call us now for a FREE, confidential consultation at our Headquarters in Denville, NJ at (973) 920-7900. To read more about our law firm's results, please visit https://www.lawleonard.com/results. 𝐎𝐔𝐑 𝐂𝐋𝐈𝐄𝐍𝐓𝐒 𝐂𝐎𝐌𝐄 𝐅𝐈𝐑𝐒𝐓!!

𝐖𝐄 𝐀𝐑𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒!!

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Choosing Personal Injury Lawyers in New Jersey

When accidents happen, they can turn your life upside down in an instant. Whether you've been injured in a car crash, a workplace accident, or a slip and fall, dealing with medical bills, emotional stress, and an uncertain future can feel overwhelming. That's where New Jersey personal injury lawyers come in.

Hiring the right lawyer can make all the difference in getting the compensation you deserve for your injuries. But with so many options, how do you find the best NJ personal injury lawyer for your case? This guide will walk you through everything you need about hiring a personal injury attorney in NJ, what they can do for you, and how to ensure you're in the best possible hands.

1. What Does a Personal Injury Lawyer Do?

At its core, a personal injury lawyer advocates for people who have suffered harm due to someone else's negligence. Their job? To ensure you get fair compensation for your medical expenses, lost wages, and pain and suffering.

Here's a quick breakdown of what a personal injury attorney in NJ typically handles for their clients:

Negotiating with insurance companies to secure a fair settlement.

Filing personal injury claims and representing you if your case goes to trial.

Gathering and analyzing evidence such as accident reports, witness statements, and medical records.

Calculating damages to include current and future expenses related to your injury.

Advising you on your legal rights and available options every step of the way.

A personal injury lawyers in new jersey is your guide and support system while ensuring you're not shortchanged.

2. Why Do You Need a Personal Injury Lawyer in New Jersey?

If you've been injured in an accident, you may wonder if hiring a lawyer is necessary. After all, can't you just deal with the insurance company yourself?

While you technically could, taking on a claim without professional help can put you at a disadvantage. Here's why so many New Jersey residents turn to personal injury lawyers:

Complex legal processes: Filing claims, meeting deadlines, collecting evidence—making errors without legal expertise is easy.

Dealing with insurance companies can be challenging, as they often aim to minimize payouts to maximize their profits.

Accurate compensation evaluation is crucial to ensuring you receive the damages you deserve, such as future medical costs or lost earning potential.

If you're dealing with serious injuries that could affect your quality of life, hiring an experienced NJ personal injury lawyer is almost always your best bet for a favorable outcome.

3. The Qualities of Top New Jersey Personal Injury Lawyers

Not all personal injury attorneys are created equal. To ensure you're selecting the best New Jersey for your needs, look out for these key qualities:

Proven Experience

When it comes to personal injury cases and experience matters, look for a lawyer who specializes in personal injury law and has successfully handled cases similar to yours. Ask about their track record for securing settlements or wins in court.

Client-Centered Approach

Navigating a personal injury claim can be stressful. You want a lawyer who listens, communicates clearly, and makes you feel comfortable throughout the legal process. A seasoned attorney prioritizes your needs and will ensure you feel supported every step of the way.

Strong Reputation

Word of mouth and online reviews can provide valuable insight. Check testimonials from previous clients, look into online ratings, and ask for recommendations to gauge a lawyer's reputation within the New Jersey legal community.

4. Common Types of Personal Injury Cases in New Jersey

Wondering if your situation qualifies as a personal injury case? Here are some of the most common accident types handled by personal injury attorneys in NJ:

Car Accidents

New Jersey's bustling roads make car crashes a frequent case type. A skilled lawyer can help uncover liability, negotiate with tough insurance adjusters, and recover damages for property loss and medical expenses.

Workplace Injuries

Workplace accidents, from construction injuries to repetitive strain issues, often qualify for workers' compensation. However, if third-party negligence was involved, you may also have grounds for a personal injury lawsuit.

Slip-and-Falls

Property owners have a duty to maintain safe premises. If you've taken a spill on someone else's property due to hazards like wet floors or icy sidewalks, a personal injury lawyer can help you hold them accountable.

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How to Choose the Right Slip and Fall Lawyer in Elizabeth

Accidents happen when we least expect them, and slip and fall incidents are among the most common. Whether you're rushing through a grocery store or navigating a slippery sidewalk, a simple misstep can lead to significant injuries. For those who find themselves in such situations, understanding the legal landscape is crucial.

This blog explores the role of a slip and fall attorney in Elizabeth, offering insights and guidance for those in need.

Understanding Slip and Fall Accidents

Slip and fall accidents can occur anywhere, from icy pavements to wet floors in retail stores. Common causes include poor lighting, uneven surfaces, and unmarked hazards. These incidents are not only dangerous but also quite frequent. Knowing the typical locations and causes helps individuals stay vigilant and informed.

Legally, slip and fall cases revolve around the concept of negligence. Property owners have a duty to maintain safe environments.

When they fail to do so, and someone gets injured, they may be held liable. Understanding negligence is key to navigating slip and fall claims.

It involves proving that the property owner knew or should have known about the hazard and did nothing to rectify it.

The Role of a Slip and Fall Attorney

For those entangled in slip and fall cases, the legal process can be daunting. This is where a slip and fall attorney becomes invaluable.

Their expertise helps victims understand their rights and the intricacies of their cases.

Attorneys guide clients through the legal maze, ensuring they receive the compensation they deserve.

Gathering evidence is a fundamental part of building a strong case. From photographs of the accident scene to medical records, documentation is vital.

A skilled attorney knows what evidence is necessary and assists clients in compiling it effectively, strengthening their case.

Steps to Take After a Slip and Fall Accident

If you're involved in a slip and fall accident, your immediate actions are crucial. First and foremost, seek medical attention. Even minor injuries can develop into serious issues if left untreated. Prioritizing your health ensures you have a clear understanding of your injuries, which is essential for legal proceedings.

Once your health is secured, documenting the scene is the next critical step. Take photos of the area where the accident occurred, noting any hazards that caused the fall. Report the incident to the property owner or manager, ensuring there is an official record. This documentation can be pivotal in supporting your claim.

Legal Considerations and FAQs

Understanding the legal timeline is vital for any slip and fall claim. The statute of limitations dictates how long you have to file a lawsuit. In New Jersey, this period is typically two years from the date of the accident. Missing this deadline can forfeit your right to seek compensation.

Many questions arise during slip and fall cases. Who is liable? What kind of compensation can you expect? An experienced attorney can demystify these concerns, providing clarity on liability issues and potential settlements. Their expertise ensures that clients have a realistic understanding of the legal process and their chances of success.

Slip and Fall Attorney Newark

Those in the Newark area face similar challenges with slip and fall incidents. A local slip and fall attorney Newark familiar with Newark's legal landscape can provide tailored advice and representation. Whether the accident occurs in Newark or Elizabeth, seeking experienced legal counsel is paramount.

Conclusion

Slip and fall accidents can have profound effects on your life. Seeking legal advice is not just advisable—it's essential. For residents of Elizabeth, having a dedicated attorney by your side can make all the difference.

Don't let a slip and fall accident dictate your future. Reach out to an experienced slip and fall attorney Elizabeth today and take the first step toward recovery and justice.

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Personal Injury Lawyers in NJ | Peter Briskin P.C Law Office

If you’ve suffered an injury due to an accident or someone else’s negligence, securing the right legal representation is crucial. Personal injury cases can be complex, and navigating the legal system on your own can be overwhelming. At Peter Briskin P.C Law Office, our team of experienced personal injury lawyers in New Jersey is dedicated to protecting your rights and helping you recover the compensation you deserve.

Why Choose Peter Briskin P.C for Your Personal Injury Case?

When it comes to personal injury cases, having a seasoned attorney in your corner can make all the difference. Peter Briskin P.C is known for its expertise, client-centered approach, and proven success in helping New Jersey residents fight for their rights. Here’s why you should consider working with us:

1. Deep Expertise in Personal Injury Law Personal injury cases often involve complicated legal and medical issues. With years of experience handling a wide range of personal injury claims, Peter Briskin P.C has the knowledge and skills necessary to manage your case effectively. Whether your injury was caused by a car accident, slip and fall, workplace accident, or medical malpractice, our attorneys understand the intricacies of New Jersey’s personal injury laws and will guide you through every step of the legal process.

2. Personalized, Compassionate Legal Support At Peter Briskin P.C, we treat each client with the care and attention they deserve. We know that being injured in an accident is a difficult and stressful experience, and we strive to make the legal process as smooth as possible for our clients. From the initial consultation to the resolution of your case, our team is there to provide support, answer your questions, and keep you informed.

3. Proven Track Record of Success Our firm has a long history of securing favorable outcomes for our clients. Whether through negotiations with insurance companies or representing clients in court, we have consistently helped injured individuals recover substantial compensation. We are committed to achieving the best possible results for each of our clients, fighting tirelessly to ensure they receive fair compensation for medical expenses, lost wages, pain and suffering, and more.

Types of Personal Injury Cases Peter Briskin P.C Handles

Peter Briskin P.C Law Office specializes in a variety of personal injury cases, including:

1. Car Accidents Car accidents are one of the leading causes of personal injury claims in New Jersey. If you’ve been involved in a car accident due to another driver’s negligence, our attorneys can help you pursue compensation for medical expenses, vehicle repairs, lost wages, and other damages.

2. Slip and Fall Injuries Unsafe conditions on someone else’s property, such as wet floors, uneven surfaces, or poorly maintained areas, can lead to serious injuries. Our firm helps victims of slip and fall accidents hold negligent property owners accountable and secure compensation for their injuries.

3. Workplace Injuries Workplace accidents can result in serious injuries that prevent you from working and earning a living. In addition to helping clients file workers' compensation claims, we also explore third-party liability claims if negligence from another party contributed to the injury.

4. Medical Malpractice When healthcare professionals fail to provide an acceptable standard of care, the consequences can be devastating. Our firm handles medical malpractice cases, helping victims of surgical errors, misdiagnoses, and other forms of medical negligence obtain justice and compensation.

5. Wrongful Death Losing a loved one due to someone else’s negligence is a heartbreaking experience. Our firm helps families file wrongful death claims, seeking compensation for funeral expenses, lost income, and the emotional pain of losing a loved one.

The Process: How Peter Briskin P.C Handles Your Case

At Peter Briskin P.C Law Office, we approach every case with diligence and care. Here’s what you can expect when you work with us:

1. Free Consultation Your journey with us begins with a free consultation, where we evaluate the details of your case and determine the best legal strategy for your situation. We will explain your rights, answer your questions, and outline the legal steps you need to take to move forward.

2. Full Investigation Once we take on your case, we conduct a thorough investigation to gather all the necessary evidence. This includes reviewing medical records, obtaining police reports, interviewing witnesses, and consulting with expert witnesses if necessary. This in-depth investigation helps build a strong foundation for your case.

3. Aggressive Negotiation Insurance companies often offer low settlements to accident victims in an attempt to minimize their payouts. Our attorneys are skilled negotiators who understand how to deal with insurance companies. We fight to ensure that you receive the full and fair compensation you deserve, pushing back against unfair settlement offers.

4. Trial-Ready Representation While many personal injury cases settle out of court, we are always prepared to take your case to trial if necessary. Our experienced litigators are ready to present your case in front of a judge and jury, fighting tirelessly for your rights in the courtroom.

No-Win, No-Fee Representation

At Peter Briskin P.C, we believe that everyone deserves access to quality legal representation, regardless of their financial situation. That’s why we work on a contingency fee basis, meaning you don’t pay any legal fees unless we win your case. This ensures that our clients can focus on their recovery without worrying about upfront costs or legal fees.

Real Client Success Stories

Our firm has successfully represented numerous personal injury victims across New Jersey, helping them recover the compensation they deserve. Here are a few examples of our client success stories:

Car Accident Settlement: After a serious car accident left a client with significant injuries, we were able to secure a substantial settlement that covered medical expenses, lost wages, and pain and suffering.

Slip and Fall Victory: A client who was injured in a slip and fall accident at a local business received a fair settlement after we proved that the property owner was negligent in maintaining a safe environment.

Medical Malpractice Success: After a botched surgery resulted in long-term complications, we helped a client file a medical malpractice claim and recover compensation for their ongoing medical treatment and suffering.

Contact Peter Briskin P.C Law Office Today

If you’ve been injured in an accident in New Jersey, don’t wait to seek legal help. The sooner you contact an experienced attorney, the stronger your case will be. At Peter Briskin P.C Law Office, we are ready to fight for your rights and help you secure the compensation you deserve. Contact us today for a free consultation, and take the first step toward justice and financial recovery.

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Smith & Williams Law Firm LLC

Smith & Williams Law Firm LLC is a full-service personal injury law firm in Westfield, New Jersey. We are a leading Westfield personal injury attorneys firm. When confronted with personal injury due to the negligence of others, Harrell, Smith & Williams Law Firm LLC offers the best legal representation to allow you to put your life back together. We each specialize in personal injury trials. We will help you from start to finish. We will guide you through the complex system of insurance coverage, disability, and recovery. Each of our attorneys has worked with larger firms and knows what it takes to prepare and try every type of case. Whether you were injured in a car crash, motorcycle accident, slip and fall, or dog attack, we will not allow you to get lost in the system. Have you been injured in an accident and are looking for a personal injury attorney in Westfield, New Jersey? Call our New Jersey personal injury lawyers today to solve all your injury and accident law matters. Our Westfield accident attorneys are available 24/7 to assist you.