#Sir Arthur Thompson
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From a GP's on the High Street to hosting dinner for the King
SUNDAY SUPPLEMENT: An eminent and pioneering surgeon of the Victorian age, who performed operations on European monarchs and could command fees equivalent to £10m in modern-day values, began his medical career as a GP in Croydon. DAVID MORGAN traces the remarkable career of polymath Sir Henry Thompson Portrait of a polymath: Sir Henry Thompson, as painted by Milais in 1881 Discovering that…
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#Cambridge University#Charles Dickens#David Morgan#Edward VII#H Rider Haggard#Joseph Lister#Kate Loder#Queen Victoria#Sir Arthur Conan Doyle#Sir Henry Thompson#Sir Herbert Thompson#University College Hospital#Wimpole Street
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Hi! I was wondering if you have any recommendations for some pre-Chrétien Kay appearances? From what I understand the versions differ a lot, and the guy intrigues me even more
Thank you in advance!
Hi anon!
There aren't a ton of pre-Chrétien Kay appearances, mostly Welsh stuff, plus Geoffrey of Monmouth. But I recommend them, they're fun!
The Black Book of Carmarthen
The Mabinogion translated by Lady Charlotte Guest
The Welsh Triads translated by Rachel Bromwich
The History of the Kings of Britain by Geoffrey of Monmouth translated by Aaron Thompson
The Quest for Olwen by Gwyn Thomas & Kevin Crossley-Holland
The last one is a picture book I scanned myself. It's beautifully illustrated by Margaret Jones. Cai and Bedwyr are even on the cover! Lastly, I'll give you a handful of "academic" or informational resources which will undoubtedly give you some more to chew on.
Warriors of Arthur by John Matthews, Bob Stewart, & illustrated by Richard Hook
Cei & The Arthurian Legend by Linda Gowens
Sir Kay, Seneschal of King Arthur's Court by Harold J. Herman
The Arthurian Handbook by Norris J. Lacy & Geoffrey Ashe
The Arthurian Companion by Phyllis Ann Karr
The New Arthurian Encyclopedia by Norris J. Lacy
You'll see several of these author names popping up repeatedly (just look at all the people Harold J. Herman cites!). These fellow Arthurian enthusiasts reference each other and collaborate frequently. All to provide us with this Kay content! Enjoy!
#arthurian legend#arthuriana#arthurian mythology#arthurian literature#welsh mythology#the mabinogion#sir kay#sir kai#sir cei#sir cai#ask#anonymous
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On gods, 'werewolves are always blue-collar, poor, and poc' is not the fucking totality of werewolf fiction, and doesn't even touch on folklore and older works.
Here's some works off the top of my head with middle-class, upper-middle-class, rich werewolves, and or werewolf nobility:
Wolves of Wall Street (2002)
Little Women and Werewolves by Porter Grand, Louisa May Alcott
Mercy Thompson and Alpha & Omega series books by Patricia Briggs (there's rape, incest, and a boatload of misogynistic werewolf tropes be aware if you wish to read these)
The Wolf Man and it's remake
Werewolf of London (1935)
Blood & Chocolate (film 2007)
The Boy Who Cried Werewolf (2010 film)
Bisclavret
Lay of Melion
Le Morte d'Arthur
Sir Marrok: A Tale of the Days of King Arthur by Allen French
The Wolf Leader by Alexandre Dumas
Cursed (2005 film)
Full Eclipse (1993)
Howling II: Your Sister Is a Werewolf
The Howling (film 1981)
Ladyhawke (1985)
Moon of the Wolf (1972)
Silver Bullet (film 1985)
Cycle of the Werewolf by Stephen King
Teen Wolf (1985) and sequel
Trick 'r Treat (2007)
The Werewolf of Washington (1973)
Wolf (1994)
100% Wolf (2020)
Alvin and the Chipmunks Meet the Wolfman (2000)
Scooby-Doo! and the Reluctant Werewolf (1988) (we don't forget that Shaggy has inherited Confederate plantation owner wealth in this house)
The Beast Must Die (1974)
Bad Moon (1996)
Thor by Wayne Smith
And as always pls fucking read some folklore instead of just basing yer knowledge on monsters on watered-down memes based on pop-culture movies and paranormal romance novels.
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"the new moon is in three days, and with every infinitesimally slimmer sliver of the moon at night ramsey feels himself become an animal-- one so filled with despair that he could be pushed to desperate measures."
░░░░░░░ DEVIL DOGS ░░░░░░░
GENRE/RATING: horror romance/adult
WARNINGS: explicit sexuality, dubious consent, explicit violence and gore, animal death, child abuse, religious abuse, child injury and death, parent death, alcohol, smoking, tba
SUMMARY: sixteen years ago the town of montage, nebraska was unsettled by a series of violent animal deaths and sightings of strange beasts in the woods. perhaps most unsettled of all was ramsey hollowary, whose best friend hazel ashfort had transformed into a werewolf before his eyes. and ramsey made a mistake when he told his parents, who rallied the rest of the townspeople and killed the ashforts in their home. hazel escaped, and ramsey chased him down, but he couldn't follow through.
now ramsey travels the country with his father, pursuing their divine calling as werewolf hunters. stories of a monster killing livestock lead them to rory, nebraska, where ramsey meets hazel thompson, a man too familiar to be anybody but his childhood friend. in trying to prove his own suspicion wrong, he only further convinces himself that this is his hazel, and that he doesn't want to kill him.
STATUS: outlined, drafting
TAG: #dd
image credits under the cut
paintings used (top left -> bottom right)
el sueño de los caballos azules, jordi garriga
saint jerome writing, caravaggio
where did i put the tickets, albert beck wenzell
wara!, krzysztof powałka
green trio, salman toor
the temptation of sir percival, arthur hacker
the center image surrounding the text is "the werewolf or the cannibal" attributed to lucas cranach the elder
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Sherlock BBC scripts
Someone just asked me for a link to the BBC scripts masterpage. In case anyone else was interested, here ya go:
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4, 11, 28!
4. What is your favourite book this year?
So far, it's definitely The Rosemary Tree by Elizabeth Goudge. It spiritually renewed me. It tore me apart. I literally stopped to weep over how beautiful it was. For whatever reason, the story resonated with me on so many levels and affected me in a way that few books have.
11. Favourite authors?
For varying reasons and in no particular order (and not counting authors that I know personally):
Jane Austen, Elizabeth Gaskell, L.M. Montgomery, G.K. Chesterton, Tolkien, C.S. Lewis, Elizabeth Goudge, Wilkie Collins, P.G. Wodehouse, A.A. Milne, Dorothy L. Sayers, Josephine Tey, Sir Arthur Conan Doyle, Laura Ingalls Wilder, Frances Hodgson Burnett, maybe I'll throw Una Silberrad on here, Wendell Berry, Regina Doman, Kate Stradling, Nina Clare, Amity Thompson, Beth Brower, Amy Lynn Green, Amanda Dykes, a bunch of others I'm probably forgetting
28. The thickest/longest book you've read?
The Bible, if that counts as one book. If it doesn't, The Lord of the Rings. If that isn't one book either, then Goodreads claims that the next longest book I've read by page count is Vanity Fair by William Thackeray, but that does not seem right. It certainly did not feel that long.
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William 'Bendigo' Thompson was a bare-knuckle boxing champ with a city and a creak named after him in Australia, a racehorse named after him and was the subject of a poem by Sir Arthur Conan Doyle.
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@babsies-sherlockblog what were you saying?
Extract from Sherlock Script relased on bbc's website . ASIP page 11. Link below.
And the thing about, “He saved my life but he couldn’t touch me,” is that it absolutely goes both ways. Before they meet, there is the implication that they have both been struggling and lack a personal companionship with emotional commitment and support to see them through. The possibility that they have considered suicide is introduced, even if they aren’t necessarily suicidal in nature.
Meeting each other quite literally saves each other, gives them what they both need for fulfillment, connection, and support. But the one aspect missing is the actualization of deeper affection, something expressed by touch. They saved each other, but can’t touch one another. They both are emotionally committed, very much life partners, and yet can’t touch the person they saved, the person who saved them. Each feels that they are not allowed this; each feels it is not an aspect of their partnership that would be cherished and reciprocated on the same level. “He’s straight,” or “he doesn’t feel things that way.” And neither of them realize they are mirroring each other even in this.
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No Such Thing, Part 3
An evil presence sealed every door and window shut. Nobody waking could hear the screams erupting inside the dilapidated old mansion. Even in the eerie quiet that dominated the streets of Crimsonport at this ungodly hour in the early morning, the nearest folk slept in their beds across the cobblestone-covered streets, oblivious to the fate of the two people trapped inside the Hayes residence.
Pàdair’s agonized cries stopped first. Bobby’s shouts, carrying helpless despair, ceased next. Other strange noises and voices echoed through the mansion, making way to silence once more. A thick bank of fog rolled past the wrought iron fences of the mansion with a painful slowness. A huge shadow cast by sheer nothingness crept by the windows inside the haunted house, with no human eyes to witness it.
The cone of a desolate little light pierced the mist, emanating from a gas-lit lantern in Sir Arthur Thompson’s hand. He approached the mansion, though not as alone as he had been when he had left Pàdair and Bobby alone. Mere steps behind him followed two curious figures: a giant of an officer in a constabulary’s coat, complete with helmet and bobby club dangling from his belt; and a smaller figure huddled in a long coat, with a red scarf and a tricorne hat’s shadows concealing any semblance of a face.
They stopped outside the gated fence to Hayes Mansion. The iron hinges creaked as the gate moved under the pressure of a soft gust of wind. The old structure loomed above them. Menacingly.
Arthur hissed into the air, “Pàdair? Bobby?” His breath condensed in tiny little clouds just outside his mouth each time.
Nobody answered. The constable behind him, Todd, cleared his throat and Arthur did not respond to that. Instead, his eyes squinted and his gaze swept over the overgrown garden of the mansion and the darkened, grimy windows of this abandoned home.
“For heaven’s sake, why do they never listen to me?”
The constable and the figure in the tricorne hat exchanged a long stare between them. Eyes, icy enough to make the winter’s own cold shudder, met each other’s gazes.
Behind Arthur’s back, Todd asked the figure in the tricorne hat, “Ghost, you wager?”
Arthur turned and shone his lantern’s light at them. The contrasting shadows revealed a more slender, feminine figure hidden underneath the long coat of the second figure.
“Probably. Though anything is possible,” she replied to the constable in a tired monotone, muted by the red scarf covering the lower half of her face.
Arthur’s brow furrowed and his voice pitched higher when he asked, “Excuse me? Ghosts? I never mentioned—” Darkness overtook his mien as his words cut off. “Please don’t tell me that you, too, believe in such bunk.”
“If they’re inside already, we need to act fast. Iron, salt, any holy crosses will do if you believe in them well enough, I suppose,” mumbled the woman in the tricorne hat, evidently ignoring the knight’s objections.
She walked past him and he stepped into her path, nearly provoking them to bump into each other.
“As my name is Sir Thompson, I am one of the king’s knights and I will not be made a mockery of,” he said, puffing out his chest. “How on earth do you conclude that us following some strange phenomena of this ivory comb here has anything to do with fairy tales such as ghosts?”
With neither a shred of respect nor an ounce of a gentle touch, she pushed past him, prompting him to scoff out loud, and she approached the gate.
“Fairy tales relate to fair folk, which I don’t believe have any business in the city,” she said. “And never forget, sir knight—those stories are supposed to frighten little children and grown men alike because there’s a grain of truth to them.”
“The missus here knows what she is doing,” said Constable Todd to Arthur. “You must forgive her—her, let’s say, criminal—lack of manners.” His lips curled into a sneer as he emphasized the word “criminal” in his speech.
The huntress, Nora Morrissey, gripped one of the rods of wrought iron protruding from the fence in her leather-gloved hands. Then she bent and twisted it until she wrenched a portion of the rod loose. She weighed the object in her hands like a crowbar.
“Right. Move along, Mister Thompson. We’ve got this matter under control,” she muttered.
“Sir Thompson,” Arthur insisted, his cheeks turning red. He then shook the lantern, making Nora’s shadow dance through the untamed garden behind her. “And I will not follow your insipid orders nor will I leave. In the name of king and country, I will not abandon my friends if they are—if they are in there.”
She shrugged and turned, pushing open the gate and wandering through the garden. The constable followed. His hands had been folded behind his back all the way over to Hayes Mansion and now they hung by his side, balled into fists.
Todd patted the bobby club and asked, “Will conventional arms do any good here?”
“I highly doubt it,” Nora replied on the way to the mansion’s front door.
Arthur fumed in silence behind them, flabbergasted and struggling to find the right words to throw at them.
Nora paused just a few steps away from reaching the house’s entrance. Peering over her shoulder back at Arthur and staring him dead in the eyes for the first time, all the heat of anger emerging from his exposed skin turned icy cold.
Unlike her indifferent tone until now, she raised her voice to ask with a sudden spark of fiery determination, “Who sent you that comb?”
Arthur blinked. Realizing he had no answer, he snapped out of it and followed the two people down the meandering narrow path in between the garden’s hedges.
“I do not know, truth be told. It was addressed to Von Brandt. Johnn Von Brandt,” he said after a moment of consideration.
Nora swiveled and took a step into the cone of Arthur’s light, “Come again?”
“Johnn Von Brandt. A man who lived in the house before I acquired it in an auction. Pàdair never mentioned a sender’s name, though.”
The constable asked Nora without turning to face Arthur, “Are you thinking what I’m thinking?”
She turned and continued on towards the front door and the constable followed. Arthur felt an inexplicable rush and onslaught of goosebumps riding down the back of his neck in the uncomfortable silence that ensued. The strange woman and the constable stood in front of the entrance, motionless.
Nora slapped the iron rod against her empty leather-clad palm and finally answered, “Yes. It has to be him.”
Arthur caught up to them and asked, “Him who?”
They ignored his question. Nora pushed the front door open, and together they entered the creepy house with the woman spearheading their advance.
Arthur’s stomach knotted and he took the lantern into his left hand, then drew his holstered flintlock pistol from inside his coat. Constable Todd stopped in his tracks and shot the firearm a disapproving, wordless glance.
“Unless that weapon is loaded with an iron bullet, you might as well put it away, lest you shoot one of us,” the constable growled. “And truly, if you are not ready to open your mind to the possibility of the unnatural, you are of no use to anybody here. Rather a danger.”
“I will have you know that I served in the war in the north, my good man,” Arthur said with a sneer.
“Took you long enough to see the world behind the world,” Nora muttered over her shoulder at Todd. The constable’s stern face drooped into a frown. “Strength in numbers, constable. And, well, if you’re going to stick around, then call out to your friends,” she then said, motioning at Arthur with the iron rod.
They stood inside the mansion with its moth-eaten carpets, rotting curtains, and dusty cloth draped over the furniture everywhere. The three people stood still within the sprawling entry hall, at the bottom of the stairs leading up to the atrium. Wisps of fog snaked about just outside, almost as if they were alive—and apprehensive. The three people slowly turned, looking around themselves and drinking in every strange detail within their environment.
“Pàdair? Bobby? Stop faffing around,” Arthur said with growing fear.
The air inside the mansion bit even harder into Arthur’s skin than it did outside. As if the temperature dropped by the second in here. His skin crawled with an inexplicable tingle spreading throughout his limbs, the knot in his belly region tightened, and he swallowed.
Something watched them. Something invisible.
His mouth opened to say something, but no words followed.
The front door slammed shut behind them. Arthur darted to it and clutched the handle. He shook and rattled at it, but the door refused to open as if its lock had engaged when the door closed. A huge shadow passed by, just outside the stained glass window adorning the front door; causing the knight to gasp and stumble back a few steps.
He bumped into Nora’s back, who gripped the iron bar in both hands like a weapon.
Turning his back to the other two and with his posture turning militant, ready for a struggle, Todd asked with a stiff tension to his words, “What are we dealing with?”
“Don’t know,” Nora answered. “Keep your eyes peeled.”
Fabric tore somewhere upstairs. Loudly. Groans echoed through the unhallowed halls, followed by a shriek—at first, sounding like the terrified screech of a human being, but transforming into something inhuman, like metal scraping over metal.
Someone cackled behind a door at ground level. Starting high-pitched, then dropping to a deep, baritone. Something hideous; something demonic.
Whispers of unintelligible words erupted all around Arthur, and he met the wide-eyed gazes of both Constable Todd and Nora.
“What in the blazes are you saying,” Todd said with anger resonating in the words.
“That’s not him,” Nora said, taking a step away from Arthur.
Arthur wanted to ask what in the devil they were going on about until he realized that his lips had been moving the entire time—of their own volition. The whispers poured out of his own mouth. He could not fathom what his lungs expelled, but his throat emitted alien noises and the air condensed in front of him, barely visible in the pale moonlight pouring in through the windows from outside.
He nearly dropped the lantern in his hand and covered his mouth with the other hand holding his pistol. His lips chafed against the back of his hand, whipping up and down as the whispers continued spilling out and warm breath struck cold skin.
Todd asked, “How do we stop—how the hell do we exorcise that?”
Nora produced a tiny silvered object—a symbol of the good god—pulling it out from inside her coat, still attached to a fine chain around her neck. She held it out at Arthur and returned whispers, though her words made sense, albeit it being barely audible. Until they transitioned into a furious shout, “Begone, foul beast!”
Arthur fired a shot, prompting both Todd and Nora to flinch and duck despite it missing anybody by far and hitting the atrium overhead. His fingers cramped up and his heart raced, terror itself clawing at the back of his mind as he realized how he now struggled for control over his own body.
The knight flung the discharged pistol away from himself and staggered past the other two, collapsing into the steps of the stairs. He grabbed at his own throat and choked himself. Or was something else doing it to him?
The lantern clattered out of his hands and fell to the floor as the giant constable and the woman grabbed him by his wrists and pushed him down. She threw something into his face that caused his skin and eyes to burn like fire. Just when he blinked to clear his vision, she splashed his eyes with droplets water and caused him to cringe violently, to the point of temporary blindness.
He thrashed against them, but the weight of the constable alone sufficed to pin him down, painfully pressing the edges of the stairs’ steps into his back. Or the thing inside of him thrashed. One of the few things Arthur could make out was Nora pressing the holy symbol against his forehead and chanting words in something he recognized from his college days as a dead language.
A warm red glow spread all around and Arthur thrashed harder.
Todd shouted something abrupt, “Bloody—”
But before he could finish that exclamation, Arthur threw him off of him in an incredible arc, sending him flying back onto the floor and knocking the wind out of his lungs.
Arthur choked and wanted this to stop, but one of his strong hands shot out and clamped down around Nora’s slender neck, triggering her to emit pained gagging sounds. He hoped she could read his dread and helplessness, trapped behind the windows to his soul.
Instead of the fear or surprise he expected to read in her eyes, he saw only a cold-blooded rage. Then he saw stars, registering the pain of something heavy and iron hitting him in the head with a significant delay. His left temple throbbed and he blinked, tumbling down the steps. Something warm and sticky trickled down from his forehead into his left eye.
Just like that, he regained control over his body. Everything tingled and everything hurt—just like the phantom pains that regularly came back to haunt him about his days back on the misty battlefields, following a stint with crippling injuries. With that, he remembered his long conversations with Pàdair about the war in the north, and then realized that he had come here to rescue his friends.
Rescue? Yes. From something unnatural—from a ghost, no less. Not a single doubt remained in his mind or heart now.
And then he realized that the world around him burned. The carpets had caught fire from the lantern he had dropped; of which the glass had shattered nearby. The flames had spread and grown. As if just seeing this caught him up to reality, he coughed from the smoke, as did Todd. The other two people helped him back up onto his feet.
“We need to put out the fire,” Todd shouted.
“Forget it,” Nora responded with volume to match. “Find the other victims. We let this damned place burned down to the ground.”
Arthur need not be told twice and he charged into the nearest door. It splintered and broke open as he barreled through its frame.
“No,” Nora shouted after him. “Nobody goes separate ways. Stick together.”
Something shattered, a bright and piercing sound. Shards of a vase flew through the air like tiny knives, slicing into the walls like lightning-fast projectiles and cutting into any exposed flesh of the three people, eliciting them to shout in pain.
Todd cried out, “Move!” He pushed from behind them, shoving them down a corridor and out of a room in which all the furniture hovered inches off the ground and slammed into the door just before Todd kicked it shut behind him.
Though her scarf should have helped against the billowing and growing clouds of smoke, Nora coughed multiple times, remarking in between, “Definitely ghosts.”
Arthur seized the initiative and burst through one door after another, ignoring the urge to identify the rooms and their previous purpose, from before the house had been abandoned by the people who once lived in it. He ducked back out from a room just in time for a fireplace poker to ram into the wall near his head—and it burst out the other side, sticking there like a menacing reminder of what could have killed him. It wriggled, as if a ghostly hand tried to pry it loose and lance another attack at him.
They stumbled through the mansion and the cackling returned. Louder, more sinister than ever before.
A woman’s voice—not Nora's—shrieked in what sounded like agony, at first. But as Arthur’s mind processed it, it carried more rage than anything else. The walls trembled with it, thrummed. They throbbed, like pulsating flesh, and seemingly swelled.
“You stabbed her with your pecker all these years, so she should be fine with me stabbing her with these knives,” said the woman in a sudden singing tone, dripping with insanity. The voice dropped several octaves, devolving into monstrous snarls and growls, “Isn’t her skin so pretty as it peels back, layer by layer?”
Todd slapped Arthur in the face, leaving a burning sensation on his cheek. This helped the knight realize that the horrid woman’s voice had escaped his own throat.
The ceiling in the hallway burst apart, raining dust and splinters down on them. Arthur ducked underneath the jagged edge of a wooden board as it shot towards him, then fell to his knees, making the pain from an old injury flare up. When he turned to look behind him and grimaced, his face fell back into the familiar shock he always suffered whenever he saw a compatriot injured on the battlefield—he saw that the wooden board had impaled Constable Todd, pinning the lawman against the wall.
Nora tried to help him get free, but he shouted in agony as the piece of wood had lodged itself deeply into the man’s belly region. Nora turned to Arthur and grabbed him by his shoulders, pulling him in so close that their foreheads nearly touched. A fury still burned in her eyes as she told him with ceaseless conviction, “Find your friends, quickly. I’ve never seen anything like this. We need to get out of here.”
Arthur looked past her at Todd, who gurgled and spat out some blood. He broke the wooden board apart and coughed as he fell onto a knee, gripping his side.
Nora shook Arthur’s shoulders and shouted at him, “Now!”
He shot one more glance at Todd as Nora knelt beside him to help the constable back up. Arthur ran on through the mansion. The cackling and laughter coalesced into a chorus, echoing all around him once he rounded a corner, charging through room after room of this labyrinthine house. If he had not known better, the knight would have begun to think that the place was reshaping itself around them, trapping them inside.
Despite a sheet of smoke spreading along the ceilings throughout the place, the cold never parted. The atmosphere grew more oppressive with each step as he climbed the spiraling staircase of an empty library. He coughed and ghostly piano music resounded from the depths of the mansion, causing the blood to curdle in his veins. Melancholic, sad, and punctuated by screams and wet sounds. Like raw meat slapping against a kitchen counter, and blood invisibly splattering all about.
The growling voice called out to Arthur, “If you like her so much, why don’t you try on her skin for a change, my love?” He heard Nora shouting something down below, a million miles away.
In the hall he arrived in upstairs, a lump formed underneath the carpet a few steps in front of him, like a cancerous tumor growing from the floor. Thick black smoke billowed out from the carpet’s edges.
Arthur shouted in furious anger, stomping on it with a boot and stamping it out, leaving nothing of substance behind. The thing had vanished, as if it had never been there.
When he turned, he stared into Bobby’s eyes and relief overtook him. He had never been so happy to see her. His heart dropped from his chest into his feet from one moment to the next, though. All blood drained from his face when he saw the maggots writhing underneath her pallid, corpse-like skin; and he stared into the cold dead of glazed, dull eyes, all milky-white and devoid of color. Her mouth opened to reveal rotten teeth and a foul breath hit his face, making Arthur flinch.
The very sight paralyzed him. If mere fear, or something far more evil had seized him, he could not tell. Her shambling arms stretched out and clawed at him with feeble strength until deathly fingers curled into the fabric on his shoulders, pulling him closer.
With a voice not her own, Bobby hissed, “You dare kiss your wife with the lips that kissed a whore?” She pulled Arthur in closer and his skin burnt like fire.
Something sliced through this false Bobby, diagonally swiping through her—from a knife that swished through the air. She dissipated like an ephemeral cloud of smoke and in her place stood Pàdair, bleeding from a gash on his forehead, bathed in a sheen of cold sweat, and panting in exhaustion. Despair, disbelief, and fear marked his visage.
He gripped his fierce-looking hunting knife which he had used to cut through the ghostly apparition and stared Arthur in the eyes.
“Arthur? Is that really you?”
The knight blinked and gripped his head, embracing his ability to control his own body once more. He saw Bobby hiding behind the northerner, peering past the tall man’s arm at Arthur. A palpable fear—that must have matched Arthur’s own—contorted her facial features. Pàdair grabbed Arthur by the shoulders and shook him a few times. The warmth from the man’s hands—Arthur could feel it through his coat. He was definitely real. This helped him snap out of any lingering confusion and paralysis.
Arthur breathed, “Yes. Pàdair, Bobby, come! We need to escape this dreadful place!”
Wasting no more words, they did. They fled through the hall—Arthur stepping out of it last, just before it twisted like a kaleidoscope, turning and folding in on itself with a cacophony of cracking and splintering wood. As if the house itself tried to swallow them. The hallway behind them collapsed—or compressed.
From the top of the atrium in the entry hall, Arthur glimpsed Nora helping Constable Todd near the entrance below. She braced him as they limped towards the exit. Fire raged all around them and distorted everything; thick smoke obscured the periphery of what the knight could see, and burned in his lungs.
The demonic laughter gathered in a crescendo all around them, culminating in a strangely human cry, “If I cannot have what I want, then so shall all others suffer like I!” The ceiling above the entrance hall groaned and bent inwards, as if a giant hand pushed down against it, creeping down closer and closer as if to prevent them from using the stairs.
With Bobby at the front, pushed and ushered along by Pàdair’s meaty hand, they stumbled and tripped their way down the stairs from the atrium, just in the nick of time before the ceiling crushed into the uppermost portion of the stairwell. This mansion had turned into the spitting image of hell itself, with its walls ablaze all around them—and brought to life by some unholy, vengeful entity. Carpets peeled themselves off the ground and whipped at them like angry, monstrous tongues.
Near the bottom, the railing Arthur gripped as he followed the others split apart and cut into his hand, slicing his flesh down the length of his forearm and ripping his sleeve open.
To the best of his knowledge, Arthur could not explain any of this way. He perceived not a single clue that could help rationalize anything with scientific explanations.
Ahead of them, catching up to Todd and Nora, he watched the constable collapse onto the floor, reeling and heaving as small pools of blood formed underneath him. Nora threw a small table at the front door, shattering the stained glass window and then beating the door with the table. The door refused to give way and the window was too small for anybody but Bobby’s small frame to fit through. Pàdair joined Nora at the door, and they combined their strength to smash it down, hurling the table together at it one last time before the door cracked apart and exploded outwards.
The fires roared around them. Something followed them.
Arthur screamed in terror as he saw something—simultaneously nothing—an evil presence, like the devil and a host of demons descending upon them. It followed them down the stairs. Walking gingerly, with no worry in the world, for it did not belong in this world. The carpets exploded into fire underneath this invisible entity where black soot took the shape of dainty foot prints. Silhouettes formed in the hot air above them with vaguely humanoid shapes. Embers flitted past where eyes should be.
Millions of hateful eyes.
“You will taste my wrath,” said the woman’s voice through Arthur, prompting him to scream in anger, his only attempt to resist this possession. Arthur knew it to be Ellen Hayes. The ghostly mistress of this mansion, seeking to kill anybody who had stepped foot inside. A chorus of agonized shrieks filled the air and froze the knight into remaining standing still on the spot, despite every fiber in his body screaming at him to move and step outside into safety.
Not even coughing from the suffocating smoke could tear him out of this unnatural trance. What made the difference was a set of strong hands, ripping him away, dragging him outside into the cold wintry air.
Burning bright, every window of the mansion glowed with the fires inside of it. Pàdair pulled Arthur a few steps farther and knight’s life and senses returned. His knees buckled and wobbled, but then obeyed him. He followed right after Pàdair, whose iron grip clutched Arthur’s wrist, and they fled with the others onto the street.
Something powerful gripped at him, nearly made Arthur stop. Like a hand the size of his chest, it held him, pulled back the way they came—towards the blazing fire within the entrance, that all-consuming inferno inside. There and not there at the same time, a figure stood within the door’s frame, glaring at Arthur. Or glaring at all of them, he could not discern the difference. All he knew was that the hatred was as tangible as the heat from the fire.
The five people had crossed the threshold of the fence’s gate, just beyond the overgrown garden. The mansion burned, and something watched them. Something furious. Something deadly.
They had escaped with their lives. Even Todd would recover from his grievous injury—Arthur saw to it that he got the best medical attention he could afford.
After asking Pàdair who had sent that cursed ivory comb and him being unable to answer it because the parcel featured no named sender, Nora disappeared into the night.
The lawman remained rather tight-lipped about the whole affair in the days that followed—though in confidence, he had the three witnesses swear an oath of secrecy, and revealed the existence of a conspiracy that involved black magicks. He urged them to never speak to anybody else about this and said he might call upon them for help again in the near future.
Other authorities never visited Arthur’s residence to question him. Arthur and Bobby eventually visited the strange site where Hayes Mansion had burned down that fateful night.
Staring past the warped iron fence and the scorched earth that used to be the garden, now surrounding the pile of rubble, Bobby wanted to say, “I just don't—there is no such a thing as gh—”
Arthur raised a weary hand to silence her. She never again insisted on denying the existence of ghosts and both of them had an unspoken agreement to curb their skepticism from there on out.
When Arthur met Todd again a few months later, the constable told him in private that an exorcist had cleansed the ruined mansion grounds, ensuring that the angry ghost could never again harm anybody else.
But the vision of that silhouette, standing out against the flames, watching them as they retreated from it—it haunted Arthur’s nightmares ever since. He woke up almost every night, covered in a sheen of cold sweat. The room always felt colder than it should. The whispers from those nightmares, the voices—he could have sworn they came from his lips upon rousing from his restless slumber.
That, however, was not what disturbed him the most.
Whenever he awoke thus, he coughed up a puff of thick black smoke.
—Submitted by Wratts
#spoospasu#spookyspaghettisundae#horror#short story#writing#my writing#literature#spooky#fiction#submission#Crimsonport#Nora Morrissey#Constable Todd#Sir Arthur Thompson#Bobby Simmons#Pàdair Bhodhsa#haunted#ghost#wraith#demonic#evil#possession#haunting#exorcism#mist#Red Coast#gothic#gaslight romance
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This is historical not etymological but Scotclans and clan.com are incredible boredom killers so I wanted to join in.
Nathan MacKinnon is from Clan MacKinnon (originally in gaelic it's MacFhionghuin) which claims to be descended from the royal family of Kenneth MacAlpine. The clan slogan of “Cumnich Bas Alpin” or “Remember the death of Alpin” refers to the great-grandson of Kenneth, who was slain by Bruch, King of the Picts, in 837. His son Fingon, or “fair-born” is hailed as the progenitor of the clan. The 2 most important parts of clan history are that they fucking hate the MacLeans (neighbouring clan) and they supported the Stewart dynasty, having provided shelter to a 70 year Charles Edward Stewart.
Mason McTavish is a part of clan MacTavish; the Mc instead of Mac usually signifies having settled/been pushed into the Ulster region of Ireland and is common to find amongst highland clans and the MacTavish's are from the west Highlands since the 12th century. The name MacTavish is derived from the phoenetic pronunciation of MacTamhais which means “Son of Tammais” (Son of Thomas). It is likely that this changed in the 17th century as Gaelic was forcibly removed, this would be when Thompson became used as a variation. There's some claim that it's an offshoot of clan Campbell and for some reason some associate it with the moniker "The Children of the Mist" which is from clan MacGregor but anyways the motto is "Non Oblitus" which means forget not.
The Scottish clan websites that I've checked are confident that (Kurtis) MacDermid is a part of Clan Campbell (in Gaelic Caimbeul) and the list of associated names is so fucking long I don't understand it but they have been super influential since the mid 1400s onward. The first occurrence of the name Cambel (how it was originally spelt) found in surviving records owned land near Stirling in 1263. For a Cambel in Argyll the first records date from 1293 for Duncan Dubh, a landowner from Kintyre. Written records for Cambels in Lochawe date from 1296 where it is documented that Sir Cailein was killed after being attacked by Clan Dougall. The clan mythology is that in the 11th or 12th century either Smevie or Mervvn, son of Arthur (yes, that Arthur), became known as "the Wildman of the Woods" used a variation of the name OR that the first of the Campbell's who came to Argyll and married the heiress of the O’Duibne tribe, a lady called Eva, daughter of Paul an Sporran and that they lived near Lochawe. It was under King David (son of Robert the Bruce) introducing more efficient administration that it changed from Cambel to Campbell, the originally most likely came from Sir Cailein Mor Campbell’s grandfather Dugald on Lochawe who was nicknamed "Cam Beul" (curved mouth in Gaelic). I don't know why it got so many variations, like MacDermid, Gibson, Ure, Burns, Loudoun, Kissack, and Malcolm (and more!) all seem so unrelated but whatever.
Anyways you can find this for most Scottish names and Anglicized Irish names (or ones that start with Mc) and it's very fun, some, like the MacCallum's, have stupid (mythological) origin stories.
love name etymology. tkachuk means "weaver." ovechkin means "shepherd" or "sheep." bergeron also means "sheperd." i don't have anywhere to go from here i don't know what the point of this post is. symbolism lives within us all i guess
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!!Read before Interacting!!
This blog is ONLY for male/trans (ftm) or GN/Non-Binary people. Fem readers DNI. You will be blocked.
This post will be used as a sort of “masterlist” of characters/fandoms I write for at the moment so let’s get right to it :) (make sure you stay up-to-date with this if you want to request frequently)
PLEASE DONT BE SCARED TO REQUEST :’’)
^ for that, make sure to specify a scenario you want because I’m uncreative
Fandoms I write for/more specifically the characters:
Resident Evil:
Leon S. Kennedy
Jill Valentine
Albert Wesker
Chris Redfield
Ethan Winters
Karl Heisenberg
Alcina Dimitrescu
Donna Beneviento
Rebecca Chambers
Carlos Oliveira
Nemesis
Lucas Baker
Texas Chainsaw Massacre (1974, 1986, 2003 & 2006):
Bubba Sawyer (both TCM 1974 and 1986)
Thomas Hewitt (both 2003 and 2006)
Chop Top
Nubbins
Friday the 13th (2009, Jason Lives & Jason Takes Manhattan):
Jason Voorhees
Silent Hill:
James Sunderland
Pyramid Head
Dead by Daylight:
Killers:
Danny Johnson (Ghostface)
Caleb Quinn (Deathslinger)
Max Thompson Jr. (Hillbilly)
Frank, Joey, Susie (The Legion)
Anna (The Huntress)
Herman Carter (The Doctor)
Evan MacMillan (The Trapper)
Philip Ojomo (The Wraith)
Kazan Yamaoka (The Oni)
Survivors:
Dwight Fairfield
Meg Thomas
Jake Park
Nea Karlsson
David King
Yui Kimura
Kate Denson
Feng Min
Halloween (1978):
Michael Myers
Laurie Strode
Scream (1996):
Billy Loomis
Stu Macher
Sidney Prescott
Tatum Riley
My Bloody Valentine (1981)
Harry Warden
IT (2017)
Patrick Hockstetter
Henry Bowers
Pennywise
Red Dead Redemption (1 and 2)
Arthur Morgan
John Marston
Javier Escuella
Charles Smith
Sean MacGuire
Josiah Trelawny
Stardew Valley:
Alex
Harvey
Sebastian
Sam
Kent
A Plague Tale: Innocence:
Sir Nicholas
Amicia
Rodric
Arthur
Mélie
Team Fortress 2:
Medic
Scout
Sniper
Soldier
Demoman
Heavy
Pyro
Engineer
Spy
Ultrakill:
V1
Gabriel
#slashers#resident evil#slashers x reader#resident evil x reader#leon kennedy x reader#team fortress 2#team fortress 2 x reader#stardew valley#stardew valley x reader#ultrakill#ultrakill x reader#a plague tale innocence#a plague tale x reader#dead by daylight#dead by daylight x reader#scream#halloween#michael myers x reader#red dead redemption#arthur morgan x reader#ghostface x reader#it 2017#patrick hockstetter x reader#henry bowers x reader
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All scripts from all 4 seasons including the Abominable Bride are available free for everyone. So if you’re interested in the scripts, how they’re written, what found its way into the show and what not - now you have your chance!
#bbc sherlock#sherlock#sherlock holmes#benedict cumberbatch#martin freeman#mark gatiss#steven moffat#script#scripts#bbc#holmes#tv show
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fairy tale meme ❧ [1/1 AUs] king arthur in space
he was one of those people who would be neither a follower nor a leader, but only an aspiring heart, impatient in the failing body which imprisoned it.
idris elba as king arthur
lucy liu as queen guinevere
jake gyllenhaal as lancelot
sir ian mckellen as merlin
blu del barrio as galahad
simu liu as percival
anthony mackie as gawain
tessa thompson as trystan
julia jones as isolde
liam neeson as vortigern
margot robbie as nimue
florence kasumba as morgana
angela bassett as morgause
john boyega as mordred
#merlinedit#king arthur#arthurian legend#fairytaleedit#fantasyedit#litedit#fairytalememe#my graphics#dreamcast#fake movie meme#that's the meme!#that's all folks!#we did it!
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For fans of Steven Moffat and Mark Gatiss’ Sherlock, some interesting news - the BBC Writer’s Room website recently posted the scripts for all 4 seasons to its Script Library.
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All scripts now available!!
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