#Since CN has its own fucken issues and history of practices.
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I've said it before and I'll say it again - Disney TVA isn't a good avenue for story-based shows because it doesn't care about good storytelling. Telling a quality story isn't the network's goal, so they clash with this genre of show way more often than not.
Like, there's a reason why episodic, slice-of-life shows tend to last so long on their channels and also usually exist with much less controversy - when you're working with the smallest snippets of story that executives can demand you drop if they're not "safe" or "consistent with the brand", all without really impacting an over-arching plot, you gain a lot more staying power than a show where leaking a single episode, or "accidentally" airing episodes out of order, or rushing the ending due to sudden cancelation can actually ruin the viewing experience.
When you get a company that offers you a "choice" between a season 3 or a movie, a company that carelessly leaks information, a company that cancels you when you need more screen time to wrap up certain plot points properly, you suffocate your showrunner and your crew when they're just trying to make it all work. Gravity Falls, Ducktales, Amphibia, and The Owl House were ALL victims of this network's shitty practices (Star VS was its own can of worms, that I don't feel escaped these practices but also had other problems that affected it more, especially since it very miraculously got more screen time than any of the other shows mentioned) and their stories suffered for it at various points of the shows' airing.
I have said this - SO MANY TIMES to the Ducktales fandom specifically lol - but when you decide to engage with a story-based DTVA series, you're very, VERY likely going to have to meter your expectations just solely due to it being produced by Disney. Because Disney has now a long history of mistreating and mishandling its story-based shows. Now that The Owl House has ended and people are talking about this again, I want to spread that reminder around, again:
It's okay to criticize these shows and their ability to tell a story properly, but PLEASE try to understand the context and working conditions the crew was under when they were making it, when you're drafting your criticism. A lot, and I mean a LOT, of the problems people complain about the most (and often blame the crew for) are issues that none of them had control over, or were simply doing their best to work around whenever Disney steps in to fuck things up. If you're going to engage with public criticism, or, more worryingly, engage with the crew on social media, I cannot emphasize enough how important it is to understand how the behind-the-scenes of the show operated.
It just genuinely boggles my mind sometimes - we live in an era where people working in the Television Animation Industry have more of a voice than they EVER had, to detail the issues and constraints networks have dealt to them. Social media has allowed so much mistreatment and mishandling of crews and shows to come to light. And yet!!! So many people are given this avenue of understanding!! And they don't!!!!! Listen!!!!!!! And instead they use it to yell at showrunners and crewmembers.
I'm begging y'alls to at least develop some pattern recognition with this godforsaken network. Please do that at least.
#Long post#Rant#Vent#I'm not even sure if I should tag this as any show lol#Disney#There I'll do that lol#It's so frustrating when a story-based animated show gets popular#And then the story or general quality suffers because of REALLY TEXTBOOK NETWORK MISTREATMENT#But like because no one bothers to learn about the industry they just blame the crew#I'm so tired of it#SU was also 100% a victim of this. Just not in the same way.#Since CN has its own fucken issues and history of practices.#It's a mess. It's a mess. Why was I cursed with a brain hard-wired for animation.#I could have had a brain hard-wired for a better industry.
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