#Sigma 24-70mm DG DN II

[kriegsnet]

Back at it for another year of wallpapers....

January variant of my calendar wallpaper series is now available. Downloads available in Desktop 4K (with and without dates), Ultra widescreen, Tablet and Mobile sizes - https://www.kriegs.net/2024/12/january-2025/

[miya716tienda]

Sony FE 28-70mm F2 GM Review

Sony can’t claim to have the world’s first 28–70mm zoom lens with background-blurring f/2 optics — Canon beat it to the punch by a few years — but that doesn’t detract from the stellar job the company’s optical team has done designing the FE 28–70mm F2 GM ($2,899.99). It matches the Canon RF 28–70mm F2 ($2,999.00) in angle and aperture but is smaller and a whole pound lighter. Its bright optics are ideal for creators who want more background blur and better results in very dim light, so wedding and event photographers may find good reason to prefer it over the stellar FE 24–70mm F2.8 GM II. The FE 28–70mm F2 GM earns our Editors’ Choice award for its ambitious optics and the gorgeous photos they bring to life. If you’re turned off by its price, don’t count out the $1,349 Sigma 28–45mm F1.8 DG DN Art as an alternative — its zoom range isn’t as expansive, but its photos are just as pretty.

Sony’s recent trend has been toward smaller, lighter zooms, and versus those others, the FE 28–70mm F2 GM qualifies. It measures 5.5 by 3.7 inches (HD) at 28mm, weighs a comparatively meager 2.0 pounds, and supports 86mm front filters. The 2.0-pound weight is made possible by Sony’s use of some of its exotic optics in the 20-element/14-group formula, which includes three extreme aspheric (XA), three standard aspheric, three Super ED, and one ED element. The lens extends slightly to zoom but maintains its center of gravity throughout the range, which is good news if you plan to use it with a powered gimbal for video.

It’s up to you to decide if your photo and video work requires an f/2, though I’ll speculate that it’s useful for creators who cover weddings and events, work in concerts or clubs, or are interested in night sky photography. The plusses for low-light work are obvious. When used at maximum aperture, the FE 28–70mm F2 GM gathers twice as much light as the FE 24–70mm F2.8 GM II (4.7 by 3.5 inches, 1.5 pounds) and other f/2.8 options, and four times that of an f/4 zoom like the FE 20–70mm F4 G (3.9 by 3.1 inches, 1.1 pounds).

[schizophrenia]

'24?

'23 gerçekleşme oranı 83,33.

2024 istek listem şöyle:

-rotel ra-1572mkii, rotel ra-1592mkii, rotel rb-1582 mkii, rotel ras-5000, nad c 389 blu os+nad c298, yamaha a-s1200, yamaha r-n1000a, musical fidelity m5si, rega elicit mk5, primare l25, primare a35.2, gold note pa-10, arcam sa45, arcam a25 veya eversolo amp-f2

-eversolo dmp-a6, wiim pro plus, cambridge audio cxn100, cambridge audio mxn10 veya bluesound node x

-sigma 24-70mm f/2.8 dg dn ii art 

+apple watch ultra 2

[capicturestudioes]

What is the best lens for wedding photography?

Wedding pictures are particular in that it encompasses numerous genres of pictures: fashion, portrait, architectural, product, macro, family, and every so often even journey pictures. Few genres call for extra from photographers and their gear. 

Here is a subjective listing of 6 must-have lenses for any given wedding ceremony that the best wedding photographers in Madurai recommend.

1. 70-200mm

This is my preferred lens. It creates lovely bokeh (blur) at f/2.eight, and the compression you get while you’re zoomed in from 150-200mm offers your photo a glance that’s tough to gain with some other lens. It additionally lets you get in near the motion without disrupting the moment.

DSLR Options

Canon 70-200mm f/2.8L IS III USM Lens

Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens

Sigma 70-200mm f/2.eight EX DG APO OS HSM Lens for Canon EF

Tamron SP 70-200mm f/2.eight Di VC USD G2 Lens for Canon EF

Mirrorless Options

Sony FE 70-200mm f/2.eight GM OSS Lens

Canon RF 70-200mm f/2.eight L IS USM Lens

Nikon NIKKOR Z 70-200mm f/2.eight VR S Lens

2. 50mm

This is some other one in all my preferred lenses. The 50mm focal duration is terrific for portraits, and it may store the day while the mild begins off evolved to drop; the broader aperture lets you rely much less on for your flash and it creates a softer, extra herbal search for your subjects.

DSLR Options

Canon EF 50mm f/1.2L USM Lens

Nikon AF-S NIKKOR 50mm f/1.8G Lens

Sigma 50mm f/1.four DG HSM Art Lens for Canon EF

Mirrorless Options

Sony Planar T* FE 50mm f/1.four ZA Lens

Canon RF 50mm f/1.2L USM Lens

Nikon NIKKOR Z 50mm f/1.2 S Lens

Sigma 50mm f/1.four DG HSM Art Lens for Sony E

Rokinon AF 50mm f/1.four FE Lens for Sony E

3. 24-70mm

The versatility of the 24-70mm zoom lens is crucial for smaller spaces. For example, a tea rite at a Vietnamese wedding ceremony is typically held in a dwelling room. The 70-200mm might be too compressed for this situation, and the 50mm might now no longer offer sufficient versatility, as you usually don’t have lots of room for movement.

DSLR Options

Canon EF 24-70mm f/2.8L II USM Lens

Nikon AF-S Nikkor 24-70mm f/2.8E ED VR Lens

Sigma 24-70mm f/2.eight DG OS HSM Art Lens for Canon EF

Tamron SP 24.-70mm f/2.eight Di VC USD G2 Lens for Canon EF

Mirrorless Options

Sony FE 24-70mm f/2.eight GM Lens

Canon RF 24-70mm f/2.8L IS USM Lens

Nikon NIKKOR Z 24-70mm f/2.eight S Lens

Sigma 24-70mm f/2.eight DG DN Art Lens for Sony E

Tamron 28-75mm f/2.eight Di III RXD Lens for Sony E

4. 100mm Macro

If your bride and groom are spending hundreds of bucks at the info of a wedding ceremony, they may be positive to comprehend you taking pictures of the occasion in element. With the 100mm Macro, you may seize distinctive pictures with the equal best element as product classified ads in magazines. Add your contact of lighting fixtures and creativity, and also you get ring pictures just like the one below. Contact Capicture for best wedding photography in Madurai 

DSLR Options

Canon EF 100mm f/2.8L Macro IS USM Lens

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Lens

Sigma 105mm f/2.eight EX DG OS HSM Macro Lens for Canon EOS

Tamron SP 90mm f/2.eight Di Macro 1:1 VC USD Lens for Canon EF

Mirrorless Options

Sony FE 90mm f/2.eight Macro G OSS Lens

Tokina FiRIN 100mm f/2.eight FE Macro Lens for Sony E

5. 16-35mm

Sometimes the 24-70mm lens simply isn’t extensive sufficient to seize the whole lot you want. The extremely extensive perspective facilitates you to seize the environment. Venue and panorama pictures additionally offer a terrific addition for your wedding ceremony day coverage, as they set the scene for the day and let you take complete benefit of the scenery, in particular at lovely venues.

DSLR Options

Canon EF 16-35mm f/2.8L III USM Lens

Nikon AF-S Nikkor 16-35mm f/4G ED VR Lens

Sigma 18-35mm f/1.eight DC HSM Art Lens for Canon EF

Mirrorless Options

Sony FE 16-35mm f/2.eight GM Lens

Canon RF 15-35mm f/2.8L IS USM Lens

Nikon NIKKOR Z 14-24mm f/2.eight S Lens

6. 85mm

When this newsletter turned into first posted in 2009, the 85mm f/1.2 turned into in our honourable point-out category, however, we’ve fallen in love with this focal duration. The 85mm lens is a real portrait lens that doesn’t distort the photo the manner that a few wider-perspective lenses do (together with the 24mm or 35mm), in particular alongside the rims of the frame. This lens additionally gives terrific compression and historical past bokeh at wider apertures.

DSLR Options

Canon EF 85mm f/1.4L IS USM Lens

Nikon AF-S Nikkor 85mm f/1.8G Lens

Sigma 85mm f/1.four DG HSM Art Lens for Canon EF

Tamron SP 85mm f/1.eight Di VC USD Lens for Canon EF

Mirrorless Options

Sony FE 85mm f/1.eight Lens

Canon RF 85mm f/1.2L USM DS Lens

Nikon NIKKOR Z 85mm f/1.eight S Lens

The authentic article additionally covered the 15mm f/2.eight Fisheye lens which we now no longer use. Funny how speedy developments can change!

What do you think? What are your must-have lenses? If you haven’t executed so already, test out our Lens Wars series, the closing visible manual to actual international variations among an entire host of Canon expert zoom lenses and primes. In total, we examined 25 Canon lenses worth over $40,000 greenbacks beginning from 17mm to 300mm focal duration. For more information visit Capicture and contact us for wedding photography in Madurai

[digital-cameras-singapore]

Who Makes the Best 24-70mm f/2.8 Lens?

Who Makes the Best 24-70mm f/2.8 Lens?

24-70mm f/2.8 lenses are the workhorse of choice for a variety of genres, offering a versatile focal length range in tandem with a wide aperture that allows them to tackle a lot of needs with ease. Which one is right for you, though? This great video comparison takes a look at the Sony 24-70mm f/2.8 GM, Sony FE 24-70mm f/2.8 GM II, Sigma 24-70mm f/2.8 DG DN Art, and Tamron 28-75mm f/2.8 Di III…

[picaboostudio88]

Backcountry Ski Photography - Outdoor Photographer

Backcountry Ski Photography – Outdoor Photographer

Skiers Aaron Carlson and Adam Karch breaking path within the Ten Mile Vary close to Frisco, Colorado. Security is our first precedence, and having companions that you just belief—and who belief you—is essential to having an incredible day within the mountains. Sony a9 II, Sigma 24-70mm F2.Eight DG DN | A at 24mm. Publicity: 1/4000 sec., ƒ/5, ISO 160. It’s 5:30 a.m., and my alarm stirs me from a…

[heykav]

Backcountry Ski Photography - Outdoor Photographer

Backcountry Ski Photography – Outdoor Photographer

Skiers Aaron Carlson and Adam Karch breaking trail in the Ten Mile Range near Frisco, Colorado. Safety is our first priority, and having partners that you trust—and who trust you—is critical to having a great day in the mountains. Sony a9 II, Sigma 24-70mm F2.8 DG DN | A at 24mm. Exposure: 1/4000 sec., ƒ/5, ISO 160. It’s 5:30 a.m., and my alarm stirs me from a restful night of sleep. I crawl out…

[tuta-mblr]

カレーを撮る最適なカメラ��関する一考察（2020年4月16日版）

カメラ初心者が食べ物を最も簡単に（なんも考えずなんかいい感じに仕上げてくれる）撮れる最強の組み合わせは……iPhone(背景ボカシが出来るスマホ系ならなんでも)+googleフォトの自動調整です！！！以上！！！異論は認める。

でそれを踏まえた上でのカメラのいい所は自分好みの写真にできるって所ですかね。

提案される色味が気に食わないとかぼかし方が気持ち悪いとか好みが出てきたら自分でいじれる方が断然良いと思います。

さて食べ物を綺麗に撮影するにあたってざっくり

・構図

・明るさ（シズル感）

・立体感(ボケ��)

・色味

の検討が必要って一般的に言われます。

この内、

・構図に関連するカメラ性能が焦点距離

・明るさ/立体感で関係するカメラ性能がF値の小ささです。

焦点距離は人間の肉眼に近いとされる35-50mmが良いと思います。F値は小さいほど明るく、ボケみのある写真が撮れると思ってください。

と言う訳で以下では焦点距離35-50mm程度で適度に小さくF値の低いデジカメを紹介していきます。

コンデジ編

CANON　PowerShot G7 X Mark II

ぶっちゃけ俺が持ってる。F値は1.8-2.8  光学ズームも4.2倍と広くポートレイトから風景写真まで幅広く使える優等生ちゃん。お値段6万円位。お金持ちなら最新版のMark IIIを買っても良い。

SONY サイバーショット DSC-RX100M3

G7 X Mark IIより5千円お安い分、光学ズームは2.9倍。ツアイスレンズが付いているのでかっちょいい写真が撮れる気がする。電子ファインダーが付いているので写真を撮りやすいと言う人もいる。ただタッチパネルが付いていないので操作性に劣る。お金持ちはDSC-RX100M5Aを買うと良い。

Panasonic LUMIX DMC-LX9

F値1.4-2.8。光学ズーム3倍。カメラ性能比較するとこれが一番良さそうだが最短撮影距離が標準で30cmなのが使いづらそう。マクロ3cmなので切り替えれば良いだけと言う話もある。ライカレンズを名乗っているのでいい写真が撮れる気がする。

あとはRICOH GR IIIとかSIGMA dp2 QuattroとかAPS−Cサイズで特色ある単焦点機種もあるけど割愛。

メーカーごとに画像エンジンの色味とか違うのでちゃんとHPとか販売店に行って写真を見て決めてください。

価格.comの比較表はこちら

一眼編

前章で焦点距離とF値はカメラ性能と言ったな。あれは嘘だ。正しくはレンズ性能だ。一眼（レフ/ミラーレス）はセンサー部とレンズ部が分かれるので訂正しました。ただ求めるレンズ性能は一緒で、焦点距離35-50mm程度でF値の低いレンズが対象になります。

あと撮影素子サイズ（撮影するセンサーサイズ）もボケみに効いてきます。ぶっちゃけサイズが大きいほどボケやすく立体感が出易いがお値段も高い。

一般的な一眼撮影素子サイズは大きい順にフルサイズ＞ＡＰＳ－Ｃ＞マイクロフォーサーズ＞１型（高級コンデジライン）です。

どのサイズを買うかはお財布と相談ですが、どうせ沼につかるんだったら最初からいいのを買ったほうがトータルダメージは少ないぞ。というわけで各メーカ毎のご紹介です。

キヤノン

安い、良い、純正レンズというレンズ沼の温床メーカー。カメラ本体に手振れ補正がついていないのが玉に瑕だが真のカメラマンはそんな軟弱なものに頼らないのだ。嘘です、レンズ側に手振れ補正機能をつけています、というわけで手振れ補正付きレンズを紹介。

ＡＰＳ-Ｃ

CANON　EF-S35mm F2.8 マクロ IS STM　3.4万円

マクロレンズなので被写体に近づいて大きく撮影することが可能

シグマ　17-50mm F2.8 EX DC OS HSM [キヤノン用]　2.8万円

ズームレンズなので旅行などにも使えて便利。

フルサイズ

TAMRON　SP 45mm F/1.8 Di VC USD (Model F013) [キヤノン用]　3.6万円

CANON　EF35mm F2 IS USM　5.8万円

ボケみを最大限に楽しむならこの辺から。

カメラ

ＡＰＳ-Ｃとフルサイズから一機種ずつチョイス

ＡＰＳ-Ｃ　ＥＯＳ　ＫＩＳＳ　Ｍ　6.4万円＋変換マウント1万円

将来を見据えるとミラーレスのほうが良いのでは。

フルサイズ　EOS 6D ボディ　中古5万円～

フルサイズにこだわるなら中古もあり。

Ｎｉｋｏｎ

調べたけどいまいちおすすめできる感じがしない

ごめんZ50忘れてたわ

カメラ

ミラーレスじゃないのが個人的にNG。キヤノンよりシステムが古い…

フルサイズ　Ｄ610　中古　4.9万円～

ＡＰＳ-Ｃ　Ｄ3500　3.9万円

Z50レンズキット 10.8万だけどキャンペーンとかで2万円引きになった所を狙うのだ

レンズ

ＡＰＳ-Ｃ

シグマ　17-50mm F2.8 EX DC OS HSM [ニコン用]　2.8万円

キヤノンと一緒ですね。

フルサイズ

ニコン　AF-S NIKKOR 24-120mm f/4G ED VR　中古4.2万円

F4だけどこれはお買い得品

富士フイルム

緑が特徴的な絵作りを得意とする。好きな人はめっちゃ好きなイメージ。カレ��向きかは知らない。

フジはミラーレスＡＰＳ-Ｃか中判しか選べない漢気メーカなので実質ＡＰＳ－Ｃから選ぶ。手振れ補正は最近の上位機種のみ採用。

FUJIFILM X-E3 レンズキット（XF18-55mmF2.8-4 R LM OIS）か単焦点レンズキット（XF23mmF2 R WR）がおすすめ。8.5万円位。

マイクロフォーサーズ系

強力な手振れ補正機能を有する。もはやぶれる写真を撮るほうが難しいのではないか。半面撮影素子が一眼系でもっとも小さいのでボケ味は不利。

カメラ

OM-D E-M1 Mark II　中古　6.2万円～　

ほぼ三脚要らずの最強機　さらなる高みを目指すのならMarkIIIがおすすめ。

OM-D E-M10 Mark III　4.8万円

入門機なれどちゃんと手振れ補正がついている。

レンズ

オリンパス　M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO　中古9.8万円

これがあればもう何も怖くない。沼にはまる必要もない。

オリンパス　M.ZUIKO DIGITAL 25mm F1.8 [ブラック]　3.2万円

単焦点ならこれからスタートがよいのでは。

LEICA DG SUMMILUX 25mm/F1.4 ASPH. H-X025　4.0万円

パナライカもあるでと言う情報戴きました。ライカ様やで！

ソニー

元祖ミラーレスメーカ。いち早く本体側に手振れ補正を付けた先進的なメーカ。レンズバリエーションがキヤノン、ニコンに劣るのが欠点だが変換マウントを使えば他社レンズも使えるようになるぞ！（ＡＦが使えるかは知らない）オールドレンズをつけて悦に浸るのも吉。

カメラ

ＡＰＳ-Ｃ　α6500 ILCE-6500 中古6.5万円～

フルサイズ　α7 II ILCE-7M2　中古7.0万円～

手振れ補正付きだとこのラインナップ。なしでよいならもう少しお安いが初心者には手振れ補正ありがおすすめ。カメラ性能としてはα6500のほうが連射、タッチパネルの点でおすすめ。

レンズ

ＡＰＳ-Ｃ　

E PZ 18-105mm F4 G OSS SELP18105G　4.3万円

旅行にも使える万能レンズ。

シグマ　30mm F1.4 DC DN [ソニー用]　3.1万円

ボケ感を追うならこれか。

カールツァイス　Touit 1.8/32　中古　4.5万円

ＡＦの効くツァイス様は貴重。撮った空気感が違う。これつけてたらかなり玄人の目でみられるのでは。

フルサイズ

Vario-Tessar T* FE 24-70mm F4 ZA OSS SEL2470Z　中古5.0万円

値段とパフォーマンスを両立するならこのラインから。

TAMRON　35mm F/2.8 Di III OSD M1：2 (Model F053)　3.3万円

お値段を抑えつつ最高のパフォーマンスを期待するならこれ。

FE 50mm F2.8 Macro SEL50M28　5.0万円

マクロを使ってカレーを大きく、細部まで撮りたいならこれ。

あとはペンタックスとかシグマとか気になったら調べてください。

まとめ

最安構成をまとめると

・マイクロフォーサーズ

オリンパス　OM-D E-M10 Mark III＋M.ZUIKO DIGITAL 25mm F1.8　8万円

・ＡＰＳ-Ｃミラーレス

富士　Ｘ－Ｅ3　＋XF18-55mmF2.8-4 R LM OIS　8.3万円

ソニー　α6500 ILCE-6500＋シグマ　30mm F1.4 DC DN　9.6万円

キヤノン　KISS M + 変換マウント＋シグマ　17-50mm F2.8 EX DC OS HSM＝10.2万円

・ＡＰＳ-Ｃ一眼レフ

D3500　＋　17-50　F2.8　6.7万円

・フルサイズミラーレス

ソニー　α7 II ILCE-7M2＋TAMRON　35mm F/2.8 Di III OSD M1：2 (Model F053)　10.3万円

・フルサイズ一眼レフ

キヤノン　EOS 6D　＋　SP45ｍｍF1.8　8.6万円

ニコン　D610　＋　24-120　F4　9.1万円

価格.comのまとめ表はこちら

個人的なおすすめは将来性も考えてソニーのフルサイズミラーレスです！

いかがでしたか？

まずは自分で触ってみて、感触を確かめてからご検討ください。

そしてカメラ沼、レンズ沼にはまることを心よりお待ち申し上げております。

補足：��メラ、レンズの撮影例はヨドバシフォトとかを見るとよいです。

選択肢が多すぎるとの声を聞きましたのでフローチャート作りました、ご活用下さい

[anycontentposter]

Our favorite gear, rewarded: DPReview Awards 2019

DPReview Awards 2019

If 2018 was the year that full-frame mirrorless went mainstream, 2019 was the year when all of the major manufacturers really doubled-down on their mirrorless strategies. Canon pumped out a series of very high quality RF lenses, alongside the world's cheapest full-frame mirrorless camera. Nikon went all-in on its range of affordable F1.8 primes, and Sony pulled out all the stops - yet again - in the a7R IV.

Meanwhile, Olympus threw all of its technological know-how into the sports-oriented OM-D E-M1 X, Fujifilm reinvented medium-format with the GFX 100 and Ricoh's GR III and Leica's Q2 offered a welcome refresh for fans of fixed-focal length compacts.

That's a lot, and it's only a small taste of what happened this year. At the end of every year we get together as a team to recognize the standout products of the past 12 months in our annual DPReview Awards. Take a look through the slides above to find out which products made our list of the best gear of 2019!

Best accessory Shortlist: DJI Osmo pocket DJI Ronin SC Gnarbox 2.0 SSD Peak Design Travel Tripod Runner up: Peak Design Travel Tripod

The role of photography accessories is to play support to your creative endeavors. That can mean support in the traditional sense, like a well-designed travel tripod or 3-axis gimbal rig. Or it can mean support in the form of peace of mind, like a rugged file back-up device.

Our runner-up for best photography accessory, the Peak Design Travel Tripod, falls into the former category. Travel tripods aren't new, but Peak Design has managed to radically rethink the concept to create a package that's significantly more compact than the competition and just as stable, if not more so. Its Arca Swiss-compatible, dual-locking ball head in particular is worth calling out for its clever low-profile design. Available in both aluminum and carbon fiber, this is the travel tripod we'll likely be reaching for in 2020, whenever space is tight.

Read more about the Peak Design Travel Tripod

Winner: GNARBOX 2.0 SSD

The Gnarbox 2.0 brings calm to the often chaotic world of photography. It's the friend in the field you always wanted: a rugged (weather, dust and impact-resistant) SSD (available in 256GB, 512GB and 1TB) with built-in SD reader and super-fast transfer speeds (up to 350MB/s). It's there to protect all your precious data until you get it home for a full backup.

One-touch copying and an info LCD make it effortless to start transferring and confirm files have been properly duplicated. And for those eager to get ahead on their edits, Gnarbox will pair with a smart device so that you can sort and tag (using Photo Mechanic's image engine). But that's not all: Gnarbox also has swappable batteries and can even be used to charge other devices via a Micro-USB port. It'll also play nice with Apple's iPad Pro, with support for programs like Adobe Lightroom and Affinity Photo, when connected via its USB-C port. What more could you ask for?

Read more about the GNARBOX 2.0 SSD

Best smartphone camera Shortlist: Apple iPhone 11 Pro Google Pixel 4 Huawei P30 Pro Samsung Galaxy S10 5G Runner up: Apple iPhone 11 Pro

The iPhone 11 Pro is a significant step forward for Apple, and from a pure experience standpoint, is the nicest smartphone camera to use today. Its bright screen combined with HDR playback of photos makes the on-device experience of shooting and enjoying photos industry-leading. And unlike any other smartphone camera to-date, iPhones since the iPhone X utilize the wide P3 color space, meaning more life-like color capture and rendition.

A new ultra-wide lens allows for dramatic perspectives, and wide angle portrait mode - utilizing the main camera module - makes it easy to shoot more intimate perspectives of your loved ones and pets, with better image quality than the standard portrait mode offers. Editing photos, depth effects, and video is pleasing thanks to the Photos app updates, and clever features like 'capture outside the frame' offer creative uses of the phone's three lenses. Video quality is superb, with HDR capture up to 4K/60p.

We have some reservations over the warm and green-shifted colors, overly-processed faces from semantic rendering choices, significant lag in portrait mode, and image quality artifacts including banding, aggressive noise reduction and over-sharpening, but as an all-rounder, the iPhone 11 Pro is hard to beat.

Read more about the Apple iPhone 11 Pro

Winner: Google Pixel 4

The Pixel 4 offers compelling still image quality. If you shoot Night Sight - even during daylight hours - you'll be rewarded with some of the best detail retention and balanced noise reduction we've seen from a smartphone. It only gets better in Raw, since the DNGs produced by the Pixel 4 are the result of aligning and merging multiple frames. A new astrophotography mode is not just cool but inspiring, and also benefits any nighttime scene where longer exposures can be used. The combination of super-res zoom and a new telephoto module make 'zoomed in' photos better than many peers. And unlike the iPhone, you can continue to use the telephoto module in dim light.

New 'dual exposure controls' allow you to fine tune the 'look' of the resulting HDR image in real-time. Portrait mode has been improved to yield bokeh similar to what you'd expect from ILCs, with fewer depth map errors and virtually no shutter lag. As such, the Pixel 4 is truly an enthusiast's smartphone camera. We have reservations over its video quality, display, as well as certain metering and image processing choices, but its strong core competency in stills makes it our winner.

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Best zoom lens Shortlist: Canon RF 70-200mm F2.8L IS USM Canon RF 24-70mm F2.8L IS USM Nikon Z 24-70mm F2.8 S Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH Sony E 16-55mm F2.8 G Runner-up: Nikon Z 24-70mm F2.8 S

Every year we struggle to narrow down the number of lenses released to a shortlist of just four or five. This year saw a lot of action in the lens space, with both Canon and Nikon putting considerable energy into building out their native mirrorless lens lineup, and Sigma, Sony and Tamron doing the same.

One of the zoom lenses that has most impressed us this year is Nikon's Z 24-70mm F2.8 S. Built for use in difficult conditions, the Z 24-70mm is tough and weather-sealed, but more than that, it's optically outstanding. Sharp, virtually aberration-free and extremely flare-resistant, the Z 24-70mm F2.8 really lets Z7 shooters make the most out of their camera's resolution, for anything from landscapes to portraiture.

Read more about the Nikon Z 24-70mm F2.8 S

Winner: Canon RF 70-200mm F2.8L IS USM

We really, really like the Canon RF 70-200mm F2.8L IS USM. It's small (at 70mm), relatively lightweight, autofocus is lightning fast and silent, and its optical image stabilization system is excellent.

The 70-200mm represents the first time we've seen Nano USM technology incorporated in fast L-series glass, and the increase in focus speed is dramatic compared to ring-type USM on EF lenses. But perhaps the most impressive thing about this lens is its optical quality. Contrast and sharpness are class-leading wide open at all focal lengths, bokeh is smooth with no distracting patterns, and both longitudinal and lateral forms of chromatic aberration are very well controlled.

This is the most impressive 70-200mm F2.8 lens we've ever seen, in a surprisingly compact form factor, and a worthy winner of our award for best zoom lens of 2019.

Read more about the Canon RF 70-200mm F2.8L IS USM

Best prime lens Shortlist: Tamron SP 35mm F1.4 Di USD Sigma 35mm F1.2 DG DN | Art Sony FE 135mm F1.8 GM Nikon Nikkor Z 85mm F1.8 S Runner-up: Sony FE 135mm F1.8 GM

There were so many great prime lenses released this year, and inevitably, it's near-impossible to reduce the list to just four. This 'shortlist' could have been at least twice as long and we would still have had to omit some great lenses. But the primes listed above represent our favorites of 2019, not only because of their optical quality, but also their versatility and overall value for money.

Among the most impressive lenses of any type released this year was the Sony FE 135mm F1.8 GM. Designed for portrait fans, the 135mm F1.8 is stunningly sharp and delivers beautiful images at its widest apertures. It's virtually aberration free, and is the fastest-to-focus lens of its kind. Sony's optical science has improved by leaps and bounds in recent years and the FE 135mm F1.8 is an excellent example of the company's current state-of-the-art. While 135mm isn't necessarily an everyday focal length, the Sony FE 135mm F1.8 GM is arguably the best option on the market right now for portrait shooters.

Read more about the Sony FE 135mm F1.8 GM

Winner: Nikon Nikkor Z 85mm F1.8 S

Nikon's S-series prime lenses for the Z system have impressed us this year with their performance, not to mention their versatility and value. All sub-$1000 and all relatively small and lightweight, the best of Nikon's new F1.8 options outperform many faster lenses that cost considerably more.

The Z 85mm F1.8 S is a great example. Sharp, virtually aberration-free and still nicely portable, this portrait prime isn't as fast as some of its competitors, or as polished as (say) the Sony FE 135mm F1.8 which takes the runner-up spot, but it's a supremely practical, useful lens. With its smooth bokeh, the Z 85mm F1.8 S is, of course, a fantastic portrait lens for Z6 and Z7 shooters, and a nifty 135mm equivalent on the APS-C Z50. But its size and weight, plus its superb sharpness make it just as useful for landscape and candid work.

Read more about the Nikon Nikkor Z 85mm F1.8 S

Best compact/fixed lens camera Shortlist: Canon PowerShot G5 X Mark II Leica Q2 Ricoh GR III Sony Cyber-shot RX100 VII Runner-up: Sony Cyber-shot RX100 VII

This is always a tricky category, spanning multiple sensor formats and including both zoom and fixed focal length lenses. This year saw the release of some very impressive - and very different - compact / fixed-lens compact cameras, from the high-end Leica Q2 to the more consumer-friendly Canon PowerShot G5 X Mark II.

Despite their different shapes, sizes and prices, all of the cameras in this section cater to the same basic need: high quality imaging, in a compact form factor. Our runner-up this year is Sony's best RX100-series camera yet. A small, powerful zoom with a high-quality EVF, great video and formidable autofocus, the RX100 VII is a near-perfect camera for travel and everyday photography and video. Inevitably it's not cheap, but this kind of technology never is.

Read more about the Sony Cyber-shot RX100 VII

Winner: Ricoh GR III

First announced in 2018, the GR III was released this year and quickly became one of our favorite compact cameras. Small and lightweight, but with a stabilized sensor and capable of stunning image quality the GR III is - like the Sony Cyber-shot RX100 VII - a wonderful camera for travel and everyday photography.

Yes, the lens is a fixed 28mm equivalent. No, the video mode isn't great, but this is a pure photography camera, capable of getting you images that larger, heavier or more complicated models simply won't.

Read more about the Ricoh GR III

Best consumer stills / video camera Shortlist: Fujifilm GFX 100 Panasonic Lumix DC-S1 Panasonic Lumix DC-S1H Sony Cyber-shot RX100 VII Runner up: Sony Cyber-shot RX100 VII

While the RX100-series has always been primarily about stills photography, Sony has evolved its range of high-quality 1-inch sensor compacts into powerful video tools, as well. The Mark VII captures oversampled UHD 4K video, Full HD at up to 120 fps and lower resolution video with a top frame rate of almost 1000 fps. Unlike its predecessor, the RX100 VII has a built-in mic input.

In short: the RX100 VII offers excellent 4K video, very good autofocus and a handy built-in finder, making it exceptionally versatile for photographers that need to capture both stills and movie footage.

Read more about the Sony Cyber-shot RX100 VII

Winner: Panasonic Lumix DC-S1

It might seem odd having both the Panasonic Lumix DC-S1 and S1H on the same list, for best stills / video hybrid camera and have the S1 beat its more video-centric stablemate, but this is precisely the point. With the S1H in the pipeline, Panasonic didn't need to make the S1 as good for video as it did, and it certainly didn't need to make it even better with a paid firmware update.

With the paid update, the S1 becomes a formidable camera for video, even to the extent that the costlier S1H may prove unnecessary for many filmmakers. We've done a lot of shooting this year on the S1 and it's an impressive machine from a manufacturer that perhaps more than any other, really knows how to do video right.

Read more about the Panasonic Lumix DC-S1

Best entry-level ILC Shortlist: Canon EOS M200 Fujifilm X-A7 Olympus PEN E-PL10 Sony a6100 Runner-up: Fujifilm X-A7

While a lot of attention gets paid to the high-end and professional market segments, often the most important cameras in a manufacturer's lineup are at the entry-level. The reason they're so important is that these are the products which - it is hoped - will attract new customers into a system.

The Fujifilm X-A7 is a significant camera for Fujifilm, and a great all-round option for beginner photographers in general. Significant for Fujifilm because it's the company's first entry-level offering that has really impressed us, and a great entry-level camera because it does exactly what a camera aimed at first-time buyers and smartphone upgraders should. It's simple, streamlined, reliable and responsive, and can easily transition between stills and high-quality video.

Read more about the Fujifilm X-A7

Winner: Canon EOS M200

If there's one thing Canon knows how to do it's make an attractive, sensibly-designed entry-level ILC. The EOS M200 is the company's latest, and while it doesn't represent a massive upgrade compared to the M100, the changes are very welcome including one change in particular - Eye Detect autofocus. Assuming that a lot of us (and arguably most beginners) will take a lot of pictures of friends and family, the addition of eye detection to the M200's autofocus mode really does make a big difference. Canon has also added 4K video capture and 'CRaw', for Raw format shooting without the massive file sizes.

Overall, the Canon EOS M200 doesn't bring much to the table which is genuinely 'new' but its combination of features, easy to operate design, and reliable image quality make it a great entry-level ILC, and our favorite of 2019.

Read more about the Canon EOS M200

Best midrange ILC Shortlist: Canon EOS M6 Mark II Fujifilm X-T30 Nikon Z50 Sony a6600 Runner-up: Nikon Z50

We define 'midrange' cameras as those transitional models between entry-level and enthusiast / pro which need to be able to work for inexperienced and more seasoned photographers alike.

Nikon's first APS-C format mirrorless camera is also one of its most user-friendly. Intended to be picked up by first-time ILC buyers and smartphone upgraders, the Z50 is designed to be simple and straightforward to use, but isn't 'dumbed down'. Featuring a high-quality electronic viewfinder, twin control dials and photographer-friendly ergonomics, the Z50 is a camera that leaves plenty of room for a beginner to experiment and grow creatively.

Read more about the Nikon Z50

Winner: Canon EOS M6 Mark II

Canon has been making good, solid interchangeable lens cameras for a really long time, and this experience shows in products like the EOS M6 Mark II. A really great camera doesn't need to do everything better than its competitors, it just has to do everything well enough, without getting in the way of your creativity.

The EOS M6 Mark II reaffirms Canon’s commitment to its compact, mirrorless EF-M system. After years of competent but usually beginner-focused models, the M6 II comes out swinging as a convincing option for more advanced users. Its new 32.5MP sensor has impressive resolution and dynamic range, the 14 fps maximum burst speed with autofocus is competitive, and its 4K video uses the full width of the sensor.

It doesn’t hands-down beat any of its competitors in any specific area, but as an all-around package, the M6 Mark II easily won us over for best midrange ILC of 2019.

Read more about Canon's EOS M6 Mark II

Best high-end ILC Shortlist: Fujifilm GFX 100 Olympus OM-D E-M1X Panasonic Lumix DC-S1R Sony a7R IV Runner-up: Panasonic Lumix DC-S1R

The Lumix DC-S1R will tick a ton of boxes for a ton of photographers, which is all the more impressive given that it’s Panasonic’s first full-frame offering (alongside the lower-resolution DC-S1). It’s built like a tank and all of the buttons and dials feel like they’re in just the right place.

The 47MP sensor at the heart of the S1R isn’t class-leading at this point, but it’s still capable of producing excellent image quality in almost any situation. Unfortunately, the DC-S1R falls somewhat short in terms of autofocus and tracking. While it can drive focus very quickly using Panasonic’s DFD technology, it just can’t quite keep up with competitors’ on-sensor phase detection systems for accuracy when photographing moving subjects.

Read more about the Panasonic Lumix DC-S1R

Winner: Sony a7R IV

The fourth iteration of Sony’s high-resolution mirrorless full-frame camera is the most capable, well-rounded interchangeable lens camera on the market today. It shoots 60.2MP files, offers industry-leading autofocus tracking, is capable of 10fps continuous bursts and shoots the best 4K video of any high-resolution camera you can buy. Plus, Sony claims weather-sealing has been improved, battery life is well above average and ergonomic tweaks have made it more comfortable and enjoyable to use than previous models.

The a7R IV is a camera that you really can shoot just about anything with, from action sports to billboard-ready landscapes, and because of that, it earns the distinction of being our high-end ILC of the year.

Read more about the Sony a7R IV

DPReview innovation award Shortlist: Canon RF 70-200mm F2.8L IS USM Fujifilm GFX 100 Olympus OM-D E-M1X Peak Design Travel Tripod Runner-up: Canon RF 70-200mm F2.8L IS USM

Optically the RF 70-200mm F2.8L IS USM is stunning, but it's also a marvel of engineering. At its short end, it collapses down to a barrel size not much longer than that of the RF 24-70mm F2.8L IS USM. At 1070g, it's 26% lighter than its EF equivalent, and feels surprisingly light in one's hands, and well-balanced on an EOS R body. Optical image stabilization offers an impressive CIPA rating of 5 stops. Combined with dual-sensing IS on EOS R bodies, you can expect tack sharp handheld shots on the long end at shutter speeds as low as 1/13s.

If that's not innovative, we don't know what is.

Read more about the Canon RF 70-200mm F2.8L IS USM

Winner: Fujifilm GFX 100

While very little about the GFX 100 is new or unique to this model, what counts is how all the ingredients are mixed together. The addition of in-camera stabilization, impressive video capture and hybrid on-sensor PDAF to the medium format world makes the Fujifilm GFX 100 among the most capable and most innovative cameras out there.

Fujifilm has been working hard to democratize digital medium format for a couple of years, but with the 100 megapixel GFX 100, the company completely changed our understanding of what a medium format camera could be.

Read more about the Fujifilm GFX 100

DPReview product of the year, 2019 Shortlist: Apple iPhone 11 Pro Canon RF 70-200mm F2.8L IS USM Fujifilm GFX 100 Sony a7R IV Runner-up: Fujifilm GFX 100

As we wrote in the previous slide, the GFX 100 really did turn our idea of what a medium format camera could do on its head. While the MSRP of almost ten grand puts it out of reach to most non-professional photographers, there is an audience out there for cameras like this, and Fujifilm has done a great job of catering to them.

Pro wedding and event photographers, portrait and lifestyle shooters, and even a certain type of videographer have kept the GFX 100 on more or less continuous backorder since it was released. You may not need 100MP, but some people do. And the GFX 100, with Fujifilm's range of excellent GF lenses, makes 100MP shooting practical and enjoyable.

Read more about the Fujifilm GFX 100

Winner: Sony Alpha a7R IV

Sony is one of the more divisive brands on our site, partly because of a perception that it gets more attention than other manufacturers. This perception stems from two factors: firstly, Sony has released an astonishing number of high-end products in the past handful of years. Secondly, they have tended to be very good.

Taken as a whole, the a7R IV is Sony's best mirrorless camera yet. The enthusiast-focused a7 III continues to top the best-seller lists but if you want the highest resolution, the best autofocus system and some of the best video features on the market (not just in Sony's own product lineup) the a7R IV is where it's at. A true 'flagship', the a7R IV has undoubtedly benefited this year from no direct competition from Canon or Nikon, but it will take an unusually good product from either manufacturer to make the a7R IV look uncompetitive in 2020.

Read more about the Sony a7R IV

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