#Sid Haig death cause

[missysmadhouse]

Clowns: Causing Laughter and Terror Through the Ages

Photo: Wikipedia

Traditionally viewed as a benevolent figure, the clown has instilled both joy and fear in audiences for ages.The appearance of the clown, with it's exaggerated features and bizarre, colorful costumes could be viewed as comical or horrifying, depending of course on the eye of the beholder. There's even a term for an extreme fear or phobia of clowns, coulrophobia.

The image of the “killer” or “creepy” clown has entered public consciousness, especially in the form of Pennywise from horror writer Stephen King's "It." Demonic child-killer Pennywise has gone on to frighten audiences in two film versions of King's novel, a 1990 made for TV movie and on the big screen in 2017.

Portrayals of Pennywise: Top: Tim Curry (1990) and Bill Skarsgard (2017). Photo: Wikipedia

A strange phenomenon began in the United States in South Carolina around mid-August 2016. Police were receiving reports and sightings of people dressed as clowns engaging in a variety of bizarre and even criminal behaviors: attempting to lure children with candy, chasing people with weapons or threatening students and faculty of various schools and universities throughout the country.

There were reports of encounters with "creepy clowns" in 20 different states, from mid-August 2016 to October 2016. Some of the reports are harmless and suspected to be hoaxes or pranks. One incident, in Green Bay, Wisconsin, was part of a publicity stunt to promote a horror movie.

The rash of bizarre sightings began with reports from an apartment complex in Greenville, South Carolina. Children reported that a group of clowns were hanging around the complex, trying to talk to them. The children described the clowns as carrying "flashing green laser lights" and said that the clowns lived in a dilapidated house in a secluded, wooded area by a small lake. When police investigated, they found an area matching the description but there was no evidence or a trace of any clowns living there.

Clown sighting in Wasco, California. Photo: The Denver Channel/turnto23.com

A South Carolina woman also reported that a clown had been standing in her backyard, but ran away when she tried to take a picture. Children also reported that a clown was trying to lure them into the woods with money and candy.

Attacks and sightings were reported across the United States, many of which were reported around schools and universities. Some teenagers were arrested for creating social media accounts as clowns threatening to harm students and faculty at schools and universities.

The attacks did not stop in America, but also began to be reported Canada, the United Kingdom and many other countries.

Art depicting clowns in Ancient Greece. Photo: Clown Bluey

Clowns are traditionally thought of as positive figures that are supposed to make us laugh. But throughout history, the clown was not always a benevolent figure.

Clowns appear in history dating back to as early as 2500 BCE., entertaining royalty from Ancient Egypt to Ancient Rome to Medieval Europe. Originally, clowns were seen as a reflection of society's more hedonistic side, of that part of humanity that over-indulges in food, drink, sex and "manic behavior."

Clowns were employed at circuses during the mid-19th century as comic relief from the death-defying stunts of trapeze artists and other performers.

Bozo, portrayed by many actors over the years, was a beloved character who entertained children. Photo: Chicago Reader

The figure of the clown still had a dark side.

French literary critic, Edmond de Garcourt, is quoted as saying, in 1876, that, "The clown's art is now rather terrifying and full of anxiety and apprehension, their suicidal feats, their monstrous gesticulations and frenzied mimicry - reminds one of a courtyard of a lunatic asylum."

Serial killer John Wayne Gacy entertained children at birthday parties as Pogo the Clown. Photo: Medium

Pagliacci (Clowns), an Italian opera written during the late 19th century, tells the story of a man who kills his domineering wife on stage during a performance.

Clowns gained a more benevolent reputation on American TV during the 1960's with the popular character "Bozo" and when the McDonald's fast food franchise introduced its non-iconic character Ronald McDonald in 1963.

The figure of the "Killer Clown," emerged after the arrest and conviction of serial killer John Wayne Gacy, who worked entering children as “Pogo the Clown” at birthday parties. Gacy was convicted of killing 33 young men in Chicago, Illinois during the 1970's. He is quoted as telling investigators that "...clowns can get away with murder." Some of the paintings he did in prison were self portraits of him as Pogo.

From l. : Cesar Romero, Jack Nicholson, Heath Ledger, Jared Leto and Joaquin Phoenix as The Joker, The Clown Prince of Crime. Photo: Daily Movies

Sid Haig as homicidal clown Captain Spaulding. Photo: Wikipedia

Besides Pennywise, other clown-like images have appeared in horror movies. "Poltergeist" (1982) features a scene in which a clown doll drags a young boy under his bed. A clown-faced puppet appears in the "Saw" franchise. Batman's nemesis, the unrepentant anarchist, the Joker, has been portrayed in many films over the years. Rob Zombie's "House of 1,000 Corpses," "The Devil's Rejects," and "3 from Hell," feature homicidal clown Captain Spaulding.

From Ancient Egypt to modern film, whether frightening or benevolent, the image of the clown has survived throughout the ages and will last many more to come.

- Missy Dawn

Sources:

Smithsonian.com: "The History and Psychology of Clowns Being Scary," by Linda Rodriguez McRobbie

USA Today: "Serious or Just a Sick Joke? What We Know About Creepy Clown Reports," Ashley May, Sept. 28, 2016

[ashleylikeshorror]

3 from Hell | Review

“Hello, America. Did you miss me?”

When I first heard that Rob Zombie was getting the gang back together for a third chapter in the Firefly family’s journey, some pretty bittersweet emotions were experienced. It wasn’t just myself that felt a confusing mixture of “but, why?” and “FUCK YES.” It seemed as though a lot of Firefly following online didn’t think this needed to happen, but welcomed it anyway with an anticipation so unsure you could feel the tension a mile away. 

The day of its release, 3 from Hell answered all of our questions we didn’t have about Otis, Baby, and Spaulding until its conception. Was the answer we needed satisfying? Was the film as good as we were hoping to be? Were the Firefly family truly back again to cause just as much havoc as we’ve seen them cause before? 

This review could potentially be my shortest yet, as one could easily sum this movie up with two words: “womp womp.” How unfortunate 3 from Hell didn’t live up to expectations; especially when the expectations across the net weren’t that high to begin with. I’ll go ahead and get my few compliments for it out of the way, and then we’ll sit here and drown in the negativity, because I’m dead serious when I say this one was a stinker. 

1.) Otis is more palatable, less over-the-top. (This could also be a negative)  2.) Richard Brake knocked it out of the park as Wolfman. Literally the only saving grace of the movie.  3.) Stellar soundtrack typical of Zombie’s films  

There. Now that those two bits are out of the way, let’s dig in. 

If you look at the description above that I screenshot from just a simple “3 from Hell” Google search, you can see that the description states “Crazed killers Baby Firefly, Captain Spaulding and Otis Driftwood unleash blood mayhem after escaping from prison.”  That’s two-thirds of the way correct. Due to his health, it was understandable that Sid Haig couldn’t be a big part of the Firefly reunion. In the film, Captain Spaulding is understandably sentenced to death, and while we thought he was killed in the car scene from Rejects, this was an OK way for him to go as well, imo. So, no, Google, Spaulding doesn’t escape from prison. 

One of the immediate questions that sparked for everyone as soon as 3 from Hell was announced was: “they’re not dead?” The last time we saw the three, they were headed full speed ahead into a hail of bullets, not backing down from a fight, and as a result - being pumped full of lead. Shockingly, they survived. I have so many unorganized thoughts on this alone that when I go to speak on it, all that comes out is a deep, clearly audible sigh. Before 3 From Hell, the Fireflys had the death they deserved, and one that fans were happy with even. Now they’re suddenly alive? It doesn’t make sense, but there wouldn’t be a 3 from Hell if it didn’t happen that way, I guess. 

We don’t see too much of Otis in prison, but we do see quite a bit of Baby in prison, and she isn’t doing so good. She’s got a number of violations, not applicable for parole, and what’s left of her sanity is swirling down the drain as we see her firsthand experiencing hallucinations while in segregation. Moon’s acting is what you’d expect, but this time around it doesn’t feel like Baby is... Baby. Yeah, we’re obviously looking right at Baby Firefly on screen, but something is off. It’s not because she’s behind bars, but it’s because her character’s portrayal is so forced to the point I just don’t care anymore. I get it, you’re mentally unstable, but unfortunately now, you’re just not interesting or half as compelling as you were once before.  

Otis on the other hand, a character that shouldn’t under any circumstances be allowed to see the light of day, nor have his cunning taken for granted, has (you guessed it!) his cunning taken for granted (SHOCKER) as he’s given a chance to see the light of day and uses this to his advantage to escape - all of which is caught on camera. Predictable, right? Why would any prison think that a murderer and psychopath to the extent of which Otis Driftwood is, is safe to be taken out from behind prison walls? Fuck whatever good behavior he might, or might not have displayed while inside the prison. Why would ANYONE with at least one functioning brain cell think that taking this man out of the prison anywhere is a good idea? Rant aside, this scene gives us a brief shot of Danny Trejo before he takes a laughably shoddy, beyond rotten CGI effect of a bullet to the head. With the help of his half-brother (portrayed by Richard Brake) we’ve never heard of til now, Otis makes his escape. Where does he go? Straight to the Warden’s house to work on getting Baby freed. 

I hated the scenes at the Warden’s house. Despite the fantastic performance of everyone involved, these scenes just felt empty. The terror was visible as those held hostage are being hurt with no remorse by one of America’s most wanted, but other than the purpose of getting Baby back into the world, these scenes seemingly had no point. We already know what Otis is capable of, and Wolfman being a relative of Otis and Baby, we get that he’s liable to be one bad mother fucker himself. That being said, why did these scenes have to drag on so fucking long? It would have been much more appropriate, and less of a bore, to show Otis going in the home, and coming out with a body trail behind him. Our imagination alone of what could’ve happened would have been more entertaining than what was shown. 

With Baby now out of prison, Otis makes the comment to his brother that prison did a lot of damage to Baby as what was left of her sanity is beyond fucked now. Baby, not too long after Otis’ sentiment being expressed, suggests going to Mexico as there’s no one looking for them there. The one individual who’s probably the most not sound of mind, that they didn’t even want to let go to the soda machine alone, comes up with the idea that can potentially secure their freedom. Seems a little out of place, but whatever. 

Once in Mexico, surprise, surprise, trouble follows. A place they’d stated no one was looking for them had people that were - you guessed it - looking for them.  Remember when Trejo was killed? His son, the leader of The Black Satans, wants vengeance for Otis having killed his father. Aquarius is tipped off where the three are staying and sends The Black Satans over to handle the job. This would have more than likely ended how Aquarius was hoping if Baby’s plot armor didn’t kick in by noticing the Satans pointing at her window, giving her a chance to notify her brothers resulting in a head start at surviving the situation. 

The Black Satans come in and kill pretty much anyone that stands between them and who they’re after. After a bunch of innocents die, Baby and Coltrane (Wolfman) are taken hostage themselves while Aquarius offers Otis a chance at saving them via a one on one machete fight, not with Aquarius, but Creep, a very large member of The Black Satans. Otis abides and while we’re sitting here wondering what the fuck is going on, why the Firefly group is fucking going up against a gang, a cartel, whatever the fucking Satans are, plot armor kicks in again to save the day as a friend Baby has made cuts her and her half-brother free. Shit goes down and the movie ends not too long after with the three of them free to do as they please.  

Even Richard Brake’s stellar performance wasn’t enough to save this Zombie film, just as it wasn’t enough to save 31, leaving him as one of the few highlights of the film. I’m not sure if I had more questions before seeing it or afterwards. They get out of prison that easily? Why are we just now hearing about Coltrane even though he’s apparently a notorious murder himself? How is Baby going to be batshit insane behind bars noticeable enough to where her brother - the nut job he is - makes a comment about it, then the second and third act come and she’s seemingly sound of mind? Why the fuck are we expected to believe that three killers, one of which is completely mentally insane to the point of creating her own reality behind bars, is able to defeat an entire fucking gang in what seems to be less than an hour? This film went off the rails in a way it truly didn’t have to. It is understood the Firefly family can get up to some crazy shit. It’s well known they’re dangerous individuals that you do not under any circumstances want to fuck with. It’s like Rob Zombie decided to construct a cash grab with some of his well known characters, yet had nowhere to go with it, so he decided to write the script as a failed ode to badassery.  

All in all, this film had all the elements you’d expect from a Firefly movie and followed the same formula (if you will) as its two predecessors before it. There was blood (oh, lord, was there blood), plenty of violence, shitty acting on Moon’s part, tension, and plenty of memorable lines. We’re introduced to the gang again, shown how vicious they are, how insane they are, how ruthless, smart, and evil they are. We got what we knew we were going to get, but this time around it fell flat. Why? Because it was unneeded. The Firefly gang should have been left for dead at the end of Rejects. That Freebird backed ending was was the ending they needed. That was the ending the viewers needed. Instead, what we got was them miraculously surviving a hail of gunfire only to escape from prison and have loads of plot armor they didn’t really need. 

Now having seen it, my only course of action for this movie is to just pretend it doesn’t exist. Rob, I’m not mad, I’m just disappointed. Really, really disappointed. 

3 out of 10. 

[imran16829]

Horror Movie 1,000 Corpses Star Dies: Sid Haig Biography, Wiki, Age, Family, Net Worth, Twitter, Instagram, Facebook, Fast Facts You Need to Know

Horror Movie 1,000 Corpses Star Dies: Sid Haig Biography, Wiki, Age, Family, Net Worth, Twitter, Instagram, Facebook, Fast Facts You Need to Know

Sid Haig Biography

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Sid Haig is from Fresno, California, U.S. He is best known as Captain Spaulding in Rob Zombie’s House of 1000 Corpses trilogy.  He is an American actor, film producer, musician and best known to horror fans for his roles in “3 From Hell” and “The Devil’s Rejects.”

Sid Haig Age

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How old is Sid Haig?was born on July 14,…

[itsbiography]

Sid Haig Bio, Wiki, Age, Death Cause, Wife, Net Worth

Sid Haig Bio, Wiki, Age, Death Cause, Wife, Net Worth

Sid Haig Bio

Sid Haig was the legendary horror American actor. Haig is best known to horror fans for his roles in “3 From Hell” and “The Devil’s Rejects.”

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There will be fuckin' ice cream in your fuckin' future! Announcement coming Monday or Tuesday. Time to head out to the airport for @daysofthedeadhorrorcon.

A post shared by Sid Haig

[scareaffair-blog]

Bon Voyage, Captain

Horror actor and icon Sid Haig passed away after weeks of being hospitalized on September 21. Sidney Eddie Mosesian, known professionally as Sid Haig was hospitalized after falling in his home, and during his recovery developed a lung infection that caused him to pass at age 80. Haig is well known for his appearances in horror films, most famously his role as Captain Spaulding in Rob Zombie’s films “House of 1000 Corpses and “The Devils Rejects”. Shortly before his death, he completed filming of a third Rob Zombie film titled “3 from Hell”, which was his last project. In a recent interview with Kerrang! magazine, Rob Zombie told interviewers that Haig knew that this would probably be his last performance. “Sid knew that this was going to be his last thing. I mean we talked about it, how ill he was. He put on a brave face, but he knew that was probably, you never know for sure, but he was pretty sure that would be his last appearance in a movie.” Haig and his character Captain Spaulding are considered icons in the horror community, and he will be missed by thousands of fans all over the world. One of my favorite and also one of his most notable lines comes from “The Devils Rejects”, when Captain Spaulding gets into a vehicle with a reasonably scared child in the back. He turns to him and smiles with his worn out clown makeup and dirty teeth and asks the kid “Whats the matter kid, don’t you like clowns? Don’t we make you laugh? Aren’t we f***ing funny?”, and I wanted to take a moment to say yes, I do love clowns, and you just may have been my favorite. 

(Pictured above: Sid Haig both as himself and as his Captain Spaulding character)

[mst3kproject]

Spider Baby, or the Maddest Story Ever Told

You will find this movie under many titles, including Cannibal Orgy and The Liver Eaters, but Spider Baby is probably the most appropriate for both the content and the tone.  You'll also find it dated to both 1964, when it was shot, and 1967, when it was released (after being auctioned off when the producer went backrupt shortly after the film was finished).  For our purposes, what matters is that it stars Lon Chaney Jr from The Indestructible Man and Sid Haig from Wizards of the Lost Kingdom II, and the cinematographer was Alfred Taylor, who did the same job on The Atomic Brain. The latter explains a lot.

The Merrye family suffers from an incurable genetic disease that causes progressive degeneration of the brain starting at around the age of ten or twelve.  Sufferers regress into a childlike state before finally being reduced to drooling, mindless cannibals! Despite this, the family seems to have been living quite happily in isolation, looked after by Bruno the chauffeur, until one day some cousins turn up looking for the family fortune.  Realizing they could be taken away and separated, the family tries to convince them to leave, then to scare them away – and finally decide they're just going to have to kill them.

Spider Baby has a reputation for being a cult classic, which puts it in the odd position of appearing on several lists of The Worst Movies Ever Made while also having a one hundred percent rating on Rotten Tomatoes!  I have to say, the movie is pretty bad, but at the same time, it's also mesmerizing. There are bits that I think you're supposed to laugh at, bits you're not supposed to laugh at but do anyway, bits that fail spectacular to be scary, and bits that are creepy as shit.

At a glance, Spider Baby comes across as an embryonic form of the 'crazy family in an isolated house' movie, a precursor to The Hills Have Eyes or The Texas Chainsaw Massacre. It probably is, but there's one important difference: while movies like that see the fucked-up world of the family through the eyes of an outsider, in Spider Baby the Merryes themselves are our point-of-view characters!  We meet them when a delivery man arrives at the house, only to be stabbed to death by a young woman who tells him that he's a bug caught in her spiderweb!  With the 'straight man' out of the way, we have to meet the family on their own terms.

The youngest is Elizabeth, a spiteful but mostly normal girl of indeterminate age (it's really hard to tell how old the 'children' are supposed to be, partly because they're supposed to be mentally regressed but also partly because we're all used to actors in their twenties and thirties playing teenagers – actress Beverly Washburn was twenty-four).  Middle child Virginia dotes on her two pet tarantulas, Barney and Winnifred, when she's not murdering the guests or kissing skeletons goodnight (Jill Banner was twenty-one).  The Eldest, Ralph, is a non-verbal sexual predator who enjoys raw meat (Sid Haig was twenty-eight).  Three more, who have degenerated into sub-human monsters, are kept locked up in the basement.

This menagerie of weirdos is cared for by Bruno, the family chauffeur, who swore an oath to their dying father that he would look after them for as long as is necessary.  Lon Chaney Jr. actually gives a really good performance in this role.  We can feel that he loves the children and really believes it's better to keep the family together at any cost, and is very much afraid of what might happen when Emily and Peter meet them.  When he and the family clean up and try to look a little more normal for their visitors, our sympathies are with them. We are right with them in resenting the intrusion, and anticipate the fates of Emily and the lawyer with thoroughly nasty glee.

Besides Lon Chaney Jr., the movie has one other really effective actor, Sid Haig.  If his performance doesn't make your skin crawl, especially when he's creeping down the wall to look through Emily's window, then you should probably see a dermatologist.  The movie amps up the creep factor in other ways, too – the music is pretty good, referencing The Itsy Bitsy Spider in a way that's both chilling and funny.  The unbelievably awkward dinner scene has no music at all, which makes for a sense of claustrophobia.  The house is decorated with taxidermied birds, which I found pretty creepy in themselves, although this may just be my personal dislike of taxidermy. Naturally, one of them turns out to be a real bird and scares the bejeezus out of the lawyer.  Too bad it's so obvious, which ruins the jump scare when the animal moves.

The movie's theme is fairly well-developed, too – it's about humanity's fear of our own inner monsters.  For as long as we have recognized that we are qualitatively unlike the rest of the animal kindom, we have worried about what might happen if whatever causes that difference were to cease to function.  Might we really all be just one head injury away from savagery?  The family members of different ages represent stages in the disintegration of an individual's humanity: first, like Elizabeth, they become mean. Then, like Virginia, they become murderers.  Third, like Ralph, they are torturers and rapists.  Finally, like the creatures in the cellar, they are cannibals.  One by one, all taboos are broken, and the thin verneer of humanity is stripped away to reveal the monster underneath.

The final taboo is incest, which we are told has occurred in the Merrye family and has made the syndrome worse.  It is notable, however, that there is no hint of it among the characters we actually meet – Ralph never tries to molest his sisters, and they show no fear of him doing so.  For all her love of knives, Virginia never tries to hurt Elizabeth or Ralph, either, and none of them ever tries to harm their surrogate father, Bruno.  Demented as they are, this little family is a loving one, and they save their violence for outsiders. This is a big part of why the three children remain endearing characters even as they commit unspeakable crimes.  Their familial love is the one nugget of humanity they have not yet lost.

Another fear that Spider Baby takes advantage of is the fear of what's in our genes.  This, too, is very old.  Long before we understood the basis of it, we knew that some diseases and conditions ran in families.  Hemophilia is a good example, as are things like ectrodactyly ('lobster syndrome'), and like Merrye Syndrome they become more pronounced in small gene pools – witness the prevelance of polydactyly (six fingers) among the Amish.  Until very recently it was impossible to tell if a baby had inherited the flawed genes until it was born, and pregnancy in such families was a roller-coaster of hope and terror.  Spider Baby takes it one step further, positing a syndrome that does not manifest until late childhood.  How much more stressful this must have been for the late Titus Merrye, having to wait until his children were ten or twelve before learning whether they'd inherited the condition that he was lucky enough to escape? No wonder he died young.

Worse still, such conditions can hide in a bloodline for multiple generations without ever manifesting, until somebody finally loses the genetic lottery.  This is addressed at the end of the movie, when we get Cousin Peter's happily-ever-after ending with his wife Anne and daughter Jessica – who is fascinated by spiders.  Is she showing early symptoms of Merrye Syndrome?  The movie certainly wants us to think she is, in which case Peter should not have taken it for granted that he wasn't a carrier.  None of us can.

What about the sufferers themselves?  With conditions like ectrodactyly, it is with a person from birth and he or she will learn to live with it, never knowing anything else.  Among the Merryes, however, a child would grow up seeing aunts and uncles who must be locked away, and perhaps watching older siblings decline, all while knowing that a similar fate may or may not be awaiting them – there's no way to tell until they reach the age of onset.

While Spider Baby gives us a lot to think about, it never really gels. Except for Lon Chaney Jr. and Sid Haig the actors are nothing to write home about, and there's plenty of cheese to go with the ham. The sets always look like sets, the prop knives look like prop knives, and for every honestly uncomfortable thing (like Peter enjoying his dinner of toadstools and roast cat) there's something that falls flat (the ear in the box is no more than an anticlimax). It's still a hell of a lot of fun to watch, though, mostly because of the perfect balance struck by never making the awful characters so awful that we don't like them in spite of it all.  It's full of scenes and lines I would have loved to see the Brains run with, and a great movie to show your friends and munch popcorn while you watch their reactions.

If you're interested, there is a real-world medical condition that is strongly reminiscent of the fictional Merrye Syndrome.  This is Fatal Familial Insomnia, a genetic disease in which a toxic protein, called a prion, slowly accumulates in the brain over the course of decades. Symptoms don't start to show until adulthood, but as the prions build up the sufferer experiences hallucinations, memory loss, convulsions, dementia, and a complete inability to sleep.  It runs in families, but you can also acquire it by random genetic mutation – and once it sets in, you have no more than two years to live.

Sweet dreams!

[johnnyhorshack]

via Alternative Press

[altpress]

‘House Of 1000 Corpses’ star Sid Haig cause of death revealed https://t.co/6csGIh00eN

‘House Of 1000 Corpses’ star Sid Haig cause of death revealed https://t.co/6csGIh00eN

— Alternative Press (@AltPress) October 16, 2019

from Twitter https://twitter.com/AltPress

[leanpick]

'House of 1000 Corpses' Actor Sid Haig Died of Heart and Lung Failure

‘House of 1000 Corpses’ Actor Sid Haig Died of Heart and Lung Failure

Sid Haig — the guy best known as Captain Spaulding in Rob Zombie‘s “House of 1000 Corpses” — died from intense and chronic heart and lung issues … TMZ has learned.

We obtained Sid’s death certificate, issued in Ventura County, CA, and it lists cardiorespiratory arrest as his immediate cause of death. Other contributing factors include respiratory failure, aspiration and aspergillus (mold)…

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'House of 1000 Corpses' Actor Sid Haig Died of Heart and Lung Failure

‘House of 1000 Corpses’ Actor Sid Haig Died of Heart and Lung Failure

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Sid Haig — the guy best known as Captain Spaulding in Rob Zombie‘s “House of 1000 Corpses” — died from intense and chronic heart and lung issues … TMZ has learned.

We obtained Sid’s death certificate, issued in Ventura County, CA, and it lists cardiorespiratory arrest as his immediate cause of death. Other contributing factors include respiratory failure, aspiration and…

[labelleperfumery]

'House of 1000 Corpses' Actor Sid Haig Died of Heart and Lung Failure

‘House of 1000 Corpses’ Actor Sid Haig Died of Heart and Lung Failure

Sid Haig — the guy best known as Captain Spaulding in Rob Zombie’s “House of 1000 Corpses” — died from intense and chronic heart and lung issues … TMZ has learned. We obtained Sid’s death certificate, issued in Ventura County, CA, and it lists…

from TMZ.com https://www.tmz.com/2019/10/14/house-of-1000-corpses-actor-sid-haig-cause-of-death-died/

[imran16829]

Who is Sid Haig's Wife: Susan L. Oberg Biography, Wiki, Age, Family, Net Worth, Twitter, Instagram, Facebook, Fast Facts You Need to Know

Who is Sid Haig’s Wife: Susan L. Oberg Biography, Wiki, Age, Family, Net Worth, Twitter, Instagram, Facebook, Fast Facts You Need to Know

Susan L. Oberg Biography

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Susan L. Oberg was born on September 11, 1972, in Philadelphia, Pennsylvania, USA. She is an Actress and best know as wife of late Sid Haig who is an American actor, film producer, musician and best known to horror fans for his roles in “3 From Hell” and “The Devil’s Rejects.”

BREAKING Sid Haig dead: Star of Rob Zombie’s horror movies dies…