#Shop the Vitra Bathroom Range
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eqwep-eqwep · 5 months ago
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Elevate Your Bathroom Ritual: Exploring Premium Mixers from VitrA and Duravit
Your bathroom is your personal haven, a space for relaxation and rejuvenation. Every element, from the tiles to the fixtures, deserves careful consideration. When it comes to functionality and style, premium mixers play a crucial role in elevating your bathroom experience. This guide delves into essential mixer types and explores the exceptional offerings from renowned brands VitrA and Duravit, empowering you to equip your bathroom with not just functionality, but also cutting-edge design and innovative technology.
Essential Mixers for a Functional Bathroom:
Basin Mixer: This single-tap design blends hot and cold-water flows, offering effortless temperature control at the washbasin. Ideal for both modern and traditional settings, basin mixer taps come in a diverse range of styles and finishes to complement your decor.
Bath Mixer: Designed specifically for bathtubs, bath mixers offer a dedicated spout for filling the tub and a hand shower attachment for convenience and targeted cleansing. Explore options with thermostatic control for enhanced safety and consistent water temperature.
Shower Mixer: This tap controls the flow and temperature of water specifically for the shower enclosure. Choose from exposed or concealed models to seamlessly integrate with your chosen showering system.
Introducing Sensor Mixers: A Touch of Modern Innovation
For those seeking enhanced hygiene and futuristic convenience, consider sensor mixers. These innovative taps activate automatically upon detecting hand movement, eliminating the need for physical contact, and promoting cleanliness.
VitrA and Duravit: Leaders in Quality and Design
Renowned for their unwavering commitment to quality and innovative design, VitrA and Duravit stand out as leading choices for bathroom mixers in the UAE:
VitrA: Combining Turkish craftsmanship with cutting-edge technology, VitrA offers a comprehensive range of mixers, including basin mixers, bath mixers, shower mixers, and even sensor mixers. Their products are known for their durability, functionality, and sleek aesthetics, seamlessly blending into diverse bathroom styles.
Duravit: Rooted in German engineering excellence, Duravit prioritizes longevity and performance, ensuring their mixers provide reliable service for years to come. Their diverse selection encompasses modern and classic designs, catering to various aesthetic preferences.
Beyond Functionality: Exploring Additional Features:
While functionality is paramount, VitrA and Duravit offer additional features to enhance your bathroom experience:
Thermostatic Control: This technology ensures consistent water temperature, preventing sudden fluctuations and promoting safety, particularly for families with young children or elderly individuals.
Water-Saving Technologies: Both brands prioritize sustainability, offering mixers with water-saving features that help conserve resources without compromising on performance.
Experience the Difference with Eqwep.com:
Eqwep.com, a leading online platform in the UAE, offers a curated selection of premium bathroom fittings, including VitrA and Duravit mixers. Partnering with these renowned brands, Eqwep.com empowers you to:
Access a diverse range of basin mixers, bath & shower mixers, and even sensor mixers to find the perfect fit for your needs and style.
Benefit from expert guidance from their knowledgeable team, who can assist you in choosing the ideal mixers for your specific bathroom configuration and preferences.
Enjoy a seamless shopping experience with free and fast delivery across the UAE, along with secure payment options.
Have peace of mind knowing that every product comes with a comprehensive warranty, guaranteeing long-lasting value and satisfaction.
By choosing premium mixers from VitrA and Duravit, available at Eqwep.com, you can elevate your bathroom experience with a blend of functionality, convenience, and innovative technology. Invest in quality and create a bathroom that reflects your desire for both comfort and modern sophistication.
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ukbathroomshoponline · 1 year ago
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Elevate Your Bathroom with the Elegance of Vitra Bathroom Furniture
When it comes to transforming your bathroom into a space of unmatched luxury and style, Vitra is a name that should be on your radar. With an array of collections and designs, Vitra Bathroom Furniture offers a wide range of options to suit every taste and preference. Let's delve into the world of Vitra bathrooms, from the Designer M-Line to the S50 series, and discover how you can create a bathroom that exudes sophistication and functionality.
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Vitra Designer M-Line: Minimalist Elegance
The VitrA Designer M-Line collection is the epitome of minimalist elegance. Its clean lines and sleek design make it a perfect choice for those who appreciate simplicity and sophistication in their bathroom. From toilets and basins to vanity units, this collection offers a seamless blend of form and function.
Vitra Designer Nest: Contemporary Chic
If you prefer a more contemporary look, the VitrA Designer Nest collection has you covered. With its modern and chic design, this collection combines functionality with aesthetics seamlessly. From vanity units to bathroom sinks, the Nest collection is all about contemporary sophistication.
Vitra Milton and Layton: Versatile Options
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Vitra's Milton and Layton series offer versatile options for your bathroom. Whether you need a space-saving solution or a complete bathroom suite, these collections provide a wide range of choices to cater to your needs.
The VitrA Designer Collection: Ultimate Luxury
For the ultimate in luxury, explore The VitrA Designer Collection. This exclusive range features premium bathroom furniture, including vanity units and basins, that are designed to make a statement in your bathroom.
Shop Vitra Bathrooms UK Collection Online
Shopping for Vitra Bathroom Furniture in the UK has never been easier. As a leading online bathroom retailer in the UK, we offer a comprehensive selection of Vitra products for you to explore. From Vitra toilets and basins to bathtubs, suites, and basins, you can find everything you need to create the bathroom of your dreams.
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Vitra Acquacare Bidets: Hygiene and Innovation
Experience innovation and hygiene with Vitra Acquacare bidets. These smart additions to your bathroom provide the highest level of cleanliness and comfort.
Vitra Wall Hung Toilets and Sento Vanity Units: Space-Saving Solutions
If you're working with limited space, consider Vitra's wall-hung toilets and Sento vanity units. These space-saving solutions help you maximize the functionality of your bathroom without compromising on style.
Conclusion: Elevate Your Bathroom with Vitra
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In conclusion, Vitra Bathroom Furniture offers a wide range of options to cater to your unique style and requirements. Whether you prefer minimalist elegance, timeless beauty, contemporary chic, or affordable luxury, Vitra has a collection that will suit your taste. Shop the Vitra Bathroom Range online today and create a bathroom that not only meets your needs but also reflects your sense of style and sophistication. Your dream bathroom is just a few clicks away! Call us at 01924 267717 Or email us on [email protected]
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arplis · 5 years ago
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Arplis - News: All Wall Towel Holder
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Arplis - News source https://arplis.com/blogs/news/all-wall-towel-holder
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marviinmelton · 6 years ago
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America’s design community comes into its own
A heated plagiarism scandal that rocked design discourse, a splashy return to 1970s maximalism, and independent design came out on top. With New York City’s annual NYCxDesign festival now officially concluded, these are just some of the lasting impressions from two weeks that were chock full of events, launches, and installations.
Held less than a month after Milan Design Week and Salone del Mobile—the world’s largest and longest-standing trade show dedicated to furniture and product design—NYCxDesign is our most comparable stateside counterpart, with several fairs and countless pop-up events spanning the city’s five boroughs. Yet despite the fact that New York is home to a higher density of design professionals than anywhere else in the country, NYCxDesign has often been regarded as an afterthought to industry insiders: Larger brands and furniture houses will often present the same collections just previewed in Milan, and often with activations much less grand than those presented abroad. (It’s hard to compete when Milanese pop-up venues are often ornate, centuries-old palazzos, open to the public just for the occasion.) What’s more, NYCxDesign has rarely been able to contain itself to a single, tidy week—last year, it ballooned to span nearly the entire month of May, making it a marathon event that might dissuade international visitors from being able to take the whole spectrum of events in a single visit.
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[Photo: courtesy Jumbo]
All of those factors, however, also give NYCxDesign some distinct advantages: There’s no shortage of homegrown talent, and with the high cost of attending and exhibiting abroad, many local designers opt to go all in on their home turf. With cross-disciplinary collaborations, spirited debates, and a host of openings celebrating independent work, this year convinced us that American design may have finally, refreshingly, come into its own as a platform where designers can speak to a broader audience. This year’s edition of NYCxDesign genuinely felt like a cultural event, more akin to fashion week or a film festival than a staid trade show. Read on for our top five takeaways.
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Egg Collective, Designing Women II.  [Photo: Egg Collective]
Rise of the designer-curator
In the age of social media, are any of us not curators? This year saw a surge in a particular breed of multi-hyphenate—the designer-as-curator-and-exhibitor—with a number of independently organized group exhibitions in a show of tight-knit community. Last year, in the jarring wake of Trump’s presidential election, the all-women design trio of Egg Collective mounted a show of work by women designers in their downtown showroom, in a positive and constructive flex of dissent against the state of affairs. As a follow-up to the widely lauded effort, this year they teamed with Lora Appleton of Kindermodern on Designing Women II: Masters, Mavericks, and Mavens, featuring an international and cross-generational mix of mixed-media works by Nicola L., Mimi Jung, Mira Nakashima, Bari Ziperstein, and more.
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Egg Collective, Designing Women II.  [Photo: Egg Collective]
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Eskayel, Next Level [Photo: courtesy Eskayel]
Manhattan was particularly hard-hit by the decline of brick-and-mortar retail this past year, with a string of closures in previously high-trafficked districts���look to the formerly boutique-packed stretch of Bleecker Street in the West Village for a prime example of how digital-first commerce has affected neighborhood streets IRL. The vacant storefronts are signs of a changing industry, and for some designers, a serendipitous boon. At a former Superdry clothing store on Broadway—one of several vacancies on the main thoroughfare in Greenwich Village—several studios banded together to present Next Level, a group show of work by their peers and friends, partly looking to channel the cultural fervor that completely overtakes Milan during their design week.
“[Eskayel] exhibited at Salone for the first time ever this past year, and it really opened my eyes as to what was possible,” said Nick Chacona, a partner at the Brooklyn rug studio Eskayel, one of the show’s organizers. “Events are so integrated into the city there, and we wanted to bring some of that approach here to New York.��
In East Williamsburg, the tongue-in-cheek design collective Jonald Dudd (no, that’s not a typo) curated Return of the Living Dudd, a group show housed in a recently abandoned, half-gutted 99 cent storefront. Framed as a “platform for dissenting objects,” it was easily the wackiest batch of works to surface all week—ranging from vessels with live-oozing goop in swirling shades of pink and green, to a seatless chair made of square bathroom tile—all placed in a collage-like disarray upon a swooping, cobalt-blue carpeted backdrop that evoked an appropriately internet-bred aesthetic. As the curators Lydia Cambron and Chris Held held forth: “Punx not dead.”
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Jonald Dudd, Return of the Living Dudd. [Photo: Jason Mandella]
Their DIY ethos was a refreshing counterpoint to the hallowed halls of Jacob J. Javits Center—home to ICFF, the longstanding trade show anchor to NYCxDesign—and gave the corporate approach a run for its money. New York’s new class of designer-curator-whatever brought out some of the most compelling work of the festival.
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Camille Walala [Photo: courtesy Industry City]
Fashion, design, and internet culture collide
Chunky geometries, tubular forms, furry surfaces, and supergraphic patterns were all out in droves this year. It was a signal that 1970s maximalism and a fashion-influenced approach to interiors are still driving many independent designers. Was a secret memo circulated to all of the cool young makers, or has the Internet given birth to a globalized ur-aesthetic? Seen at the various booths of design fairs WantedDesign, ICFF, and Sight Unseen alike, it stood up alongside the enduring popularity of midcentury and Scandinavian modern design. Seemingly more concerned with form than comfort or function, many of these works channeled an approach to furniture and interiors driven by fashion.
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Kamarq [Photo: Travis Chantar/courtesy Kamarq]
The idea of how fashionable trends spread, particularly in our internet-driven society, became a topic of heated debate after Kamarq, a Japanese startup aspiring to be the “Netflix of furniture,” was forced to cancel its debut collection within hours of its launch, after copycat claims on Instagram went viral overnight. The designers of the collection, fashion personality and former Lady Gaga stylist Nicola Formichetti, and PJ Mattan, a consultant behind brands like Hem and Bezar—neither of whom had previously ever designed furniture, and extolled the idea of a “fast fashion” approach to home interiors—suggested their tube-and-slab forms were so basic so as to allude authorship, while many others (including this writer) saw undeniable likenesses to a 2015 Matter collection by independent designer Ana Kras. The Wing cofounder Audrey Gelman, artist Katie Stout, musician Dev Hynes, and Hem founder Petrus Palmer were among the many creatives who commented to weigh in on the controversial topic that, fittingly, cemented Kamarq as a “fast fashion” brand indeed.
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Vitra+Akris+Alexander Girard [Photo: courtesy Akris]
In general, the fashion world played a significantly direct influence in NYCxDesign this year, with trendy downtown boutiques Philip Lim, Creatures of Comfort, and Opening Ceremony among the many fashion fixtures that teamed up with local furniture designers as part of Sight Unseen‘s curatorial project Field Studies, which paired creatives across various disciplines to produce unique one-off pieces, with proceeds going to a range of charitable causes. Even the big brands got cuddly with the fashion world: Swiss furniture juggernaut Vitra launched a series of dresses and skirts with Akris, featuring iconic patterns by the legendary midcentury textile designer Alexander Girard.
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Retrosuperfuture, Slash Objects [Photo: Sean Santiago]
The ecological imperative
The model of a circular economy—by which resources and materials are continually circulated, from by-product to manufacture, in order to drastically reduce waste—has been simmering within critical design discourse for the past several years. And while such thinking has begun to infiltrate even Milan’s luxury-focused design week, it emerged in top billing at NYCxDesign, where some of the most highly attended projects applied the progressive model toward working proofs of concept.
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Kim Markel + Glossier [Photo: Charlie Schuck]
At the sunglasses shop Retrosuperfuture, architect-designer Arielle Assouline-Lichten of Slash Objects presented an installation inspired by traditional Japanese rock gardens, but traded stone for rubble-like mounds of shredded tires and recycled rubber. Designer Kim Markel, who often works with discarded plastic bottles to mold translucent, candy-like creations, paired with cosmetics brand Glossier to create a luscious armoire with pink-tinted panels made from the company’s packaging, saved and collected for months by its employees. For her spindly side tables, she lathes spun stone dust, the powdery composite waste left behind from stone cutting. And in Brooklyn, the MINI-backed design incubator A/D/O continued its recently launched, year-long program tackling the global clean drinking water crisis.
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Finnish Cultural Institute of New York, Zero-Waste Bistro. [Photo: Nicholas Calcott]
Communal dining proved to be the basis of a winning engagement at WantedDesign Manhattan, a smaller trade show of international exhibitors, where the Finnish Cultural Institute of New York hosted a working pop-up cafe called the Zero-Waste Bistro (full disclosure: this writer will be participating in a program with FCINY this year). Designed and built entirely with recycled materials, it also served a revolving tasting menu of delectable, prix-fixe meals minimizing scrap food waste, with dishes like coconut husk ice cream and chopped asparagus salad, from the chefs of the Helsinki-based concept restaurant Nolla. The project was co-curated by Harri Koskinen and Linda Bergroth, who also designed the space using recycled and compressed Just water bottles and TetraPak waste to dazzling effect, like a pointillist tableau or digital rendering made real. The pop-up bistro was, above all, a tasty sight and experience to behold. The future of design must be ecological, that much is sure—and, as the event’s sold-out seatings proved, style and taste need not go by the wayside to achieve an environmentally responsible outcome.
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Coil+Drift, Home Unimprov. [Photo: Sean Davidson]
The performative power of objects
The demands of maintaining a creative practice in a highly digital, politically asinine time is not an easy task—which may be why many designers also took to physical works to explore performative and expressive narratives. While also exhibiting at ICFF as part of the curated Collective Concept presentation, Brooklyn-based designer John Sorensen-Jolink of Coil+Drift—a former dancer turned furniture and lighting maker—presented Home Unimprov at a Soho gallery. Bringing both sides of his work together, the show explored our bodily relationship to designed environments, combining live choreography and short films centered around a trio of conceptual chair designs.
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Colony, Balance/Unbalance. [Photo: Alan Tansey]
Over at Colony, an independent design cooperative in Chinatown, founder and curator Jean Lin presented works by Fort Standard, Meg Callahan, Moving Mountains, and more, under the overarching theme of Balance/Imbalance, both physically and sensorially, through color, form, materiality, shape, and even sound. “Perfect balance is a lie, but magic can be found in the space between balance and imbalance,” says Lin, who last year organized a show around the theme of lightness, in response to the tumultuous and heavy American political landscape.
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Kosmos Project, Future Illusions. [Photo: courtesy Kosmos Project]
At WantedDesign Manhattan, Polish design studio Kosmos Project presented Future Illusions, a collection of illustrative landscape rugs inspired by video games, complete with a participatory, choose-your-own-adventure element. The designs can be purchased as-is, or uniquely customized through a series of personality quiz-type questions that algorithmically generate a unique variation on a theme. The overall concept, the designers said, was to show both sides of the coin when it comes to big data–and ultimately make viewers more aware of their consequential choices.
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The Principals + Ashley Olson [Photo: Charlie Schuck]
Toying with tech
While big consumer tech brands made a splashy arrival to Milan‘s traditionally furniture and interiors-focused design week last month—with high-profile activations from Google Home, to Sonos and even Instagram—in New York, technology found its way into design show with a decidedly more homegrown and experimental slant.
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The Principals + Ashley Olson [Photo: Charlie Schuck]
At Sight Unseen’s highly curated satellite show of emerging talents, Drew Seskunas of The Principals teamed with musician Ashley Olsen to create a custom 3D printer. Sound waves of the singer’s voice were translated into physically rendered wax forms, which were then used to mold aluminum candlesticks—rigorously traversing from immaterial to material, it was an undeniably engaging experiment: call it design synesthesia. Hailing from Warsaw, UAU Project exhibited a more market-friendly approach to 3D-printed wares, with a colorful range of lights and small tabletop objects made from a reused corn byproduct. They were available for cash-and-carry, or, for a reduced price, as a digital file compatible with any desktop 3D printer.
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Rich Brilliant Willing [Photo: courtesy Rich Brilliant Willing]
Darlings of the hospitality and contract market, lighting studio Rich Brilliant Willing wowed with a series of conceptual, working prototypes exploring the new formal possibilities of OLED technology and 3D-knit textiles. The team took a minimal, sculptural approach to thin, pliable strips of OLED, which read more like ambient surfaces or screens. Unlike traditional bulbs or LED diodes, partner Theo Richardson explained, OLEDs naturally emit soft, diffuse light—meaning no shade or additional element is required. Instead, the studio added its first experimentation with 3D-knit textiles into the mix, sheathing each of the OLED strips—molded and hanged to gently bend by the weight of its own heft—with translucent, graphic-patterned sleeves.
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Design Within Reach, Hands at Work. [Photo: Charlie Schuck]
Not all young designers embraced new-fangled technology; some even eschewed it the name of mindfulness. At Hands to Work, the third edition of Furnishing Utopia, a now-annual group show sponsored by Design Within Reach, dozens of designers were commissioned to develop simple, useful items and tools with an intent to engage and transcend the tradition of Shaker design. The overall vibe was gleefully analog, as visitors were invited to engage in “sensory isolation,” and left to their devices in an all-white room containing only a tidy tray of gravel and an immaculately designed dustpan and brush. Among the wares displayed on the main exhibition floor: a wheeled planter by Jamie Wolfond, a basket bound with cable ties by Shigeki Fujishiro, and a wooden dish rack by Studio Tolvanen.
Hands to Work exhibit featuring @patkimpatkim Roomba cover that brings a new sense of life to robotic machines. Shot by @charlieschuck, styled by @natashafelker, creative direction by @ladiesandgentlemenstudio / also thanks to special support from @designwithinreach @norwaynewyork @_sightunseen_ / May 22 is the the last day to see the exhibit/ 158 Mercer, 9am-5pm #furnishingutopia #handstoworkexhibit #dwrxutopia
A post shared by Furnishing Utopia (@furnishing_utopia) on May 21, 2018 at 9:42pm PDT
All conveyed a cheerful attitude to hand labor and daily chores, with the exception of a tongue-in-cheek piece by designer Pat Kim: a handsome cherry wood casing for an automated Roomba vacuum, which amused visitors as it made the rounds and reminded us that not all labor is sacred.
America’s design community comes into its own published first on https://petrotekb.tumblr.com/
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signaturekitchen · 6 years ago
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Lighting Up Time
As the lovely Spring sunshine shows up all the nooks and crannies that need a good dusting and Spring clean, I’m reminded that fabulous lighting is one of the key things that turns a good kitchen into a great kitchen. The trend for sets of three, four or even five pendants above an island, breakfast bar unit or dining table continues unabated … it can work out costly, but there are some fabulous pendants in the under-£100 bracket, so don’t be too apprehensive.
http://www.lochannakitchens.co.uk/mala/
This is the Mala kitchen, one of four new designs from LochAnna, known as the FORM collection, which comprises Easington, Elswick, Strata and Malo, as shown here. All the designs are handleless, and available in lots of matt and gloss colours – Gloss Porcelain and Strato Buff are shown here. But we want you to look at the lighting as well as the cabinetry! Look at the discreet inset spotlights and under-cabinet lighting, which, along with the gorgeous glass skylight, ensures this kitchen is never going to be dark and gloomy!  
https://www.benchmarxkitchens.co.uk/Kitchen-Handles+Accessories/Kitchen-Lighting+Electrical/c/1300049
Adding lighting details can upscale a simply-designed kitchen, we love the ways this LED Strip Light by Benchmarx is used to highlight this cupboard, from the Sherwood French White kitchen by Benchmarx. It’s essential to plan all lighting requirements at the very beginning of the kitchen design process, to make sure that all the necessary sockets and connections are installed at the correct stage and consequently, are designed ‘into’ the project.
https://www.johnlewis.com/design-project-by-john-lewis-no-168-arched-floor-lamp-black/p3459157
If you want to add striking lighting to an existing kitchen or dining room scheme, swapping from fancy or ornate table lights to a sleek and simple floor-standing lamp will emphasise a new look. We’re rather keen on this stunning No. 168 Arched Black Floor Lamp from John Lewis. It has a heavy marble base, so can sit comfortably under an armchair or next to a dining table without causing disruption. It stands 2m tall and has a black linen shade. Simply perfect!
https://www.darlighting.co.uk/products/wall-lights
These three lights are just a very small selection from an incredible range by Dar Lighting, it’s a must-look-at if you’re on the trail of lighting suites for a new kitchen, dining, living space. Mix and match wall lights with pendants for a co-ordinated or contrasting look. Again, it’s really important to plan wall-lights well ahead of installation day, especially in a new kitchen extension with conservatory or orangery aspects. Wall lights can often look good if positioned in the gaps between wall cabinets, or to provide ambient light in a sociable family space. From left; Frederick  wall light in black and copper, also available in grey/copper and white/chrome. Centre; the Onza Easy Fit pendant comes as a pair, and can be attached to existing ceiling lamp holders if you’re changing from one type of ‘shade’ to another. Right; For a more traditional atmosphere, take a look at the Dynamo suite, which has lots of options, including pendants, triple pendants, wall lights and table-lamp versions. Definitely something to suit all traditional or period-style requirements!
https://www.nest.co.uk/product/vitra-plate-dining-table
This is the Plate Dining Table, designed by Jasper Morrison for Vitra, and available from Nest.  It’s simply streamlined design means that it won’t look out of place in twenty years’ time, and of course, can be accessorised with different chairs, rugs and pendant lights. Yes, it’s a bit of an investment, but just think – you’ll never have to go searching for a dining table again. Shown here in white, also available in oak, smoked oak and grey or chocolate powder-coated aluminium bases. In four sizes, too. And whilst you’re looking at the tables, hop over to the pendants available from Nest. Spoilt for choice doesn’t cover it!!
https://www.dowsingandreynolds.com/shop/geometric-hibiscus-large/
https://urbancoo.co.uk/products/arc-pendant-plywood
hhttps://thelightyard.com/collections/ceiling-pendant-lighting
Ok, so here we are imagining a super-simple kitchen with a gorgeous dining table. Which needs a super-striking pendant light to add the finishing touch. So here are three of our top suggestions … From left;  Pink Cage Pendant from Dowsing & Reynolds, other variations are available too. Centre; Arc Plywood Pendant  from Urban Coo. It’s plywood pieces slotted together, which throw interesting shapes and shadows upwards to the ceiling. Right; We are very impressed with collection from The Light Yard, which includes a good choice of IP44-rated lights – which are, of course, suitable for bathroom use. This is a pendant from the Alchemist range, which is perfect for a slightly industrial feel, or which could simply add a quirky look to any style of kitchen.
https://www.christopherwray.com/asteroid-chandelier
One last burst of lighting inspiration for you … this is the glorious Asteroid  pendant in satin finish glass and aluminium – it’s also available in Copper and Matt White. Consider installing perimeter lighting in the ceiling to add structural and architectural interest. Christopher Wray offer an architectural and interior design service.
https://www.giselagraham.co.uk/stockists/
And Finally … Some Easter Happyness
I’ll try not to dwell on how quickly Easter seems to have come around again, but this year I am very glad to see lots of gorgeous accessories and fripperies available in the shops (especially the little local gift shops I try and support!). Easter decorations and inspirations by Gisela Graham are widely available up and down the UK, take a look here for your nearest stockist. And try not to eat tooooo much chocolate!
The post Lighting Up Time appeared first on The Kitchen Think.
Via Linda Parker http://www.thekitchenthink.co.uk
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caveartfair · 8 years ago
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Four Key Trends from Milan Design Week
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Courtesy of Salone del Mobile.
With more than 2,000 exhibitors from over 165 countries showing during Milan Design Week, it’s no wonder that the annual city-wide festival is regarded as a launchpad and forecast for the most anticipated design news and launches of the coming year. In addition to the week’s economic anchor, the Salone del Mobile trade show held at the Rho fairgrounds a few miles outside of the city, Fuorisalone (which literally translates to “outside Salone”) sees Milan’s showrooms, galleries and 19th-century palazzos taken over by installations, events, and parties for a six-day celebration of design, beauty, and innovation. All told, around 1,500 Fuorisalone events are scattered throughout the city this year. Sound overwhelming? Here’s a recap of the most buzzed-about sights and the four biggest trends to emerge from Milan Design Week this year.
Organic Fluidity
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Photo of New Spring by Studio Swine for COS by @merantine_, via Instagram.
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Detail of Invisible Outlines by Nendo at Jil Sander by @gnmrvd, via Instagram.
Is it possible for bubbles to be trending? Apparently so. Now in its sixth year at Milan Design Week, minimalist apparel brand COS has cemented its place as a design-driven entity. Following previous installations by Brooklyn-based studio Snarkitecture and Japanese architect Sou Fujimoto, COS paired with London duo Studio Swine this year to produce New Spring, an immersive, multi-sensory installation that engages sight, smell, and touch to evoke a childlike sense of wonder from even the most jaded skeptic. Set in a darkened hall of Cinema Arti, a large tree-like sculpture with branches evoking a public fountain or street lamp emits soft, cloudy globules of scent that vaporize into thin air upon bursting.
At h+, the Brooklyn-based company Calico Wallpaper—best known for its marbled graphics that elevate wallcovering to an art—premiered its first collaborative collection with designers Ana Kraš, Faye Toogood, Snarkitecture, and BCXSY. Among the highlights was “Microcosmos,” a watery graphic featuring enlarged bubbles. Elsewhere, as part of an installation called Invisible Outlines at the Jil Sander showroom, Japanese studio nendo submerged a series of its translucent jellyfish silicon vases in an aquarium tank, causing the fragile vessels to softly undulate with each motion of water and highlighting their ephemeral, delicate beauty.
The mega-booth as pavilion
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Photo of Blush Lamp by Studio Formafantasma for FLOS by @formafantasma, via Instagram.
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Photo of work by Studio Formafantasma by @davidgiroirecommunication, via Instagram.
Tackling the rows upon rows of Salone del Mobile’s 20 exhibition halls is a test of endurance. At the Rho fairgrounds, design brands with the biggest market share and high-caliber designer rosters tend to congregate among each other, which means plenty of healthy competition is on full display. You’d be remiss to refer to these structures as simply booths—with companies like Kartell, Vitra, Knoll, Arper and Poltrona Frau each occupying thousands of square feet within steps of one another, and the tendency for immersive, over-the-top backdrops for a variety of furnishings runs high.
Head to the lighting brand FLOS for one of the best of the bunch. Walking through the installation offers an architectural experience in itself, in which finding the entrance is the first step: Circle its monolithic perimeter and you’ll find that despite peeks through the pale gray stucco-like walls that all but guard its contents from the show floor, there’s only one possible entrance that leads to a series of gallery spaces that unfold in a unique storytelling sequence. A lush courtyard with plantings sets the scene for the brand’s new outdoor lighting releases, then leads through to several galleries showcasing a range of releases from designers including Michael Anastassiades, Konstantin Grcic, Ronan and Erwan Bouroullec, and more.
While some of the other elaborate, pavilion-size booths at the fair require a timed entry ticket this one doesn’t, which also means you can expect it to be a bit more crowded—though with neighboring structures evoking shoji screens, shipping containers, a giant wooden crate, and even a prefab Eames House, the architecture is sure to lure you in. It’s a Disneyland of design.
Geometric, Kaleidoscopic Color
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Ancient Yet Modern by Neri Oxman and the MIT Media Lab’s Mediated Matter group for Lexus Design Awards.
Striated, ribbed glasswork casting complex compositions of shadow, light and color played a big role at Euroluce, the biannual lighting-focused exhibition presented under the Salone umbrella. New York City-based showroom Roll & Hill exhibited a new rectangular Kazimir pendant, a layered, dichroic piece designed by Ladies & Gentlemen Studio and named after the Constructivist artist Kazimir Malevich.
At La Triennale di Milano museum, an exhibition by Lexus Design Awards features the work of emerging designers and an ethereal installation by biotech-inspired designer and architect Neri Oxman. Oxman presents a series of 3D-printed glass monoliths created in collaboration with the Mediated Matter group, which she leads at the MIT Media Lab. The works cast complex shadows when illuminated from within, creating an effect that’s like a lightning bolt suspended in time.
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Installation view of Swarovski at Salone del Mobile, 2017. Courtesy of Salone del Mobile.
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Photo of Kazimir by Ladies and Gentleman Studio for Roll & Hill by @ladiesandgentlemenstudio, via Instagram.
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Photo of Stone Age Folk by Jaime Hayon for Caesarstone by @dean_bove, via Instagram.
Elsewhere, some of the most vibrant, colorful works came from various offerings by Atelier Swarovski Home, Studio Formafantasma, Caesarstone, Nude, Herman Miller, and Moroso, collectively spanning furniture, lighting, textiles, and even surfaces. Color is everywhere, alongside a still-prevalent millennial pink.
What’s Old is New Again
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Photo of Objets Nomades by Louis Vuitton at Palazzo Bocconi by @yelzayelza.
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Photo of Les Sculptures Utilitaires by Pierre Cardin for 10 Corso Como by @10corsocomo.
Amid the clamoring to define the new, several shows at Salone del Mobile revisited iconic historic works, reminding us that the future isn’t so far from the recent past. At the Herzog & de Meuron-designed Fondazione Giangiacomo Feltrinelli, the legendary furnishings company Cassina celebrated its 90th anniversary with a mini-retrospective of its legacy pieces in vibrant colorways. The presentation was set in a futuristic, sci-fi-chic exhibition that included a green room, shimmering iridescent curtains and heavy plastic drapes, an impeccable bathroom with a hazmat suit hanging on the wall, and, most exciting, a full-scale prototype of Refuge Tonneau, a prefabricated, barrel-shaped mountain structure that contains a running kitchen, bunk, and upper loft housed in an aluminum shell. Designed by Charlotte Perriand and Pierre Jeanneret in 1938 and produced as a one-off by Cassina in 2012, it resonates today for its economical use of space and portability, with slight survivalist undertones.
Concept shop 10 Corso Como exhibits Les Sculptures Utilitaires, a collection of Pierre Cardin’s groovy, space-age designs of the 1970s; and at Palazzo Bocconi, Louis Vuitton’s Objets Nomades presented its new collection of travel-inspired pieces alongside an installation of Finnish architect Matti Suuronen’s 1968 Futuro House—a canary yellow dome perched on legs that appears more like an alien spacecraft than the portable ski chalet that it was designed to be. Inside is a modular sofa by the late Pierre Paulin, whose family has also reissued several of his designs at Salone.
Old was also made new again through various recycled materials that launched at the fair, including Max Lamb’s “Really” seating collection for textiles company Kvadrat. The benches are each made from solid textile board, engineered from selvedge waste and end-of-life cotton and wool. At the Triennale, Hong Kong designer C. L. Lamb presented “Green Table,” a tableware collection made from biodegradable waste and food scraps, like lobster shells and tea grounds. The result bears an uncanny resemblance to speckled melamine.
For a more intellectual look at design’s next frontier, a collection of critical and spirited perspectives came from the designers at Atelier Clerici, which included an ongoing performance installation by students and alumni of the Design Academy Eindhoven. Called #TVClerici, the live-edited broadcast mashup of digital, analog, and augmented reality argues for communication systems to become a matter of design itself. The surreal scene tried to sell you nothing but provocation, and for that reason was unlike the series of otherworldly sights that filled the week.
—Aileen Kwun
from Artsy News
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connorrenwick · 8 years ago
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Design Milk Travels to… Amsterdam
Amsterdam is a city defined by diametric forces: land vs. water, preservation vs. progress, art vs. commerce, high vs. low culture. In between these opposing forces, the most populous city in the Netherlands finds itself enjoying a renaissance as an international art and design hub, bustling with activity…but never too hurriedly so. For Dutch citizens in Amsterdam embody a convivial spirit referred to as gezellig –  in essence the pursuit and appreciation of creating a pleasing atmosphere. And indeed, I quickly discovered there is much to find pleasing about this city’s canal-laden curves and corners requiring hardly any effort except walking out the hotel door.
As a first time visitor, my expectations of Amsterdam were woefully modest, attributed to a vague ignorance of what the city had to offer beyond the storied canals, a few notable museums, and of course, its storied red light district. But by the end of my first day, I had already decided Amsterdam was my new favorite European metropolis, an opinion only strengthened over the span of a few days exploring by foot, boat, or bus.
A first time visit to Amsterdam requires a visit to the newly reopened Rijksmuseum. Photo: Gregory Han
I discovered what I most admire about Amsterdam is its incorporation of the city’s storied history into the flow of its emerging future; the city emanates atmosphere, but without the trappings of a preserved museum piece, with older buildings reconfigured to the needs and tastes of its citizens today. The city isn’t just picturesque – and indeed, the architecture across public and private spaces can be the cause of a stiff neck from persistent staring upward – but purposeful in all corners, the cultural effect of a merchant-based history where beauty served to communicate more than simple ornamentation. It’s also an extremely tolerant and progressive city welcoming to all, with vibrant gallery, dining, and retail scenes serving residents and visitors alike. Or as one resident explained to me during a boat ride along the canals, “Amsterdam is Amsterdam because we’re culturally tolerant, allowing people to do what they want to do as long as they’re not bothering or hurting anyone else. Historically we’re curious about exploring possibilities because conditions demanded we explore new ideas – so in design and life, we appreciate exploring the next big idea.” A city that rewards the curious and open-minded? How could I not love that?
The Conservatorium Hotel Rooftop Tower Suite. Photo: Conservatorium
WHERE TO STAY
Conservatorium Located just across from the cultural heart of Amsterdam’s Museumplein, this Neo-Gothic hotel could be mistaken for one of the numerous surrounding museums, such is its stately presence. In fact, history reveals both a cultural and monetary heredity, the building originally serving as a bank, then later hosting the Amsterdam’s Sweelinck Music Conservatorium by which the hotel owes its name. But this is no museum in purpose or design, for Dutch architect Daniel Knuttel has infused contemporary touches that elevate both public and private spaces with a harmonious interplay between the past’s structures with today’s appointments and technologies, blurring the demarcation between interior and exterior spaces. Custom designed monolithic flat panel display in the rooms are straight out of 2001: A Space Odyssey and temple-like bathrooms in some suites exhibit a Blade Runner neo-Art Deco atmosphere that make bathing a cinematic affair, luxurious details from the hand of Milanese interior designer, Piero Lissoni. Van Baerlestraat 27 , 1071 AN, Amsterdam, Netherlands
Hotel Not Hotel The name implies an uncertain state of accommodations and some might find the Hotel Not Hotel a perplexing oddity, existing somewhere between an enormous Playmobil playset and a hostel (note: communal bathrooms). And indeed, it wouldn’t be surprising to find a Schrödinger’s Cat room offered amongst the 15 themed rooms, ranging from an elevated perspective offered by the Crow’s Nest room, to the Transylvanian wood latticework embellishing the Crisis Free Zone room, or the truly wee Amsterdam Tram Cart room, just large enough to accommodate a king-sized bed and not much more for a “if the tram is a’rocking, don’t come a knocking” stay. Piri Reisplein 34, 1057 KH, Amsterdam, Netherlands
Hôtel Droog Renny Ramakers, co-founder and director of Dutch design brand Droog, envisioned guests of the Hôtel Droog would find such endless options for exploration, play, dining, and learning, retiring back to their rooms to sleep would be the very last thing on their mind. “Hôtel Droog brings all of our activities under one roof—from curation to product design, exhibitions and lectures—and invites people to plug in as they choose.” In other words, everything for a design lover, all under one 17th century roof. Staalstraat 7B, 1011 JJ, Amsterdam, Netherlands Other notable accommodations: Student Hotel \\\ Hotel the Exchange \\\ The Botel
The Moco Museum. Photo: Moco Museum
WHERE TO PLAY
Moco Museum One thing you’ll learn quickly in Amsterdam is to never judge a building by its exterior. Inside this unassuming early 1900s townhouse located in Amsterdam’s Museum Square awaits one of the city’s more intimate contemporary art experiences, where visitors are invited front stage to view of the works of the “Rockstars of Art” – Banksy, Warhol and Basquiat. The museum – redone by Dutch design company Studio Piet Boon – was founded by Lionel and Kim Logchies, a couple whose interest and collections span from Pop Art to Street. Upcoming exhibitions showcase the works from the likes of Os Gemeos, KAWS and Maya Hayuk. Honthorststraat 20, 1071 Amsterdam, Netherlands
Rijksmuseum Alongside the Louvre, the Prado, and the Hermitage is Amsterdam’s Rijksmuseum, the fourth pillar of world class global art collections with 8,000 works on display from a collection totaling an enormous 1,000,000 art objects. Notable permanent pieces include the works of Rembrandt, Vermeer, and most memorably, a Van Gogh self-portrait that practically vibrates with the kinetic paint strokes of the artist (of all the pieces, it was this modest sized piece which captured my imagination most). The museum re-emerged from a decade-long renovation based upon the design plans of Spanish architects Antonio Cruz and Antonio Ortiz with equal amounts of drama and fanfare, recently documented in the film, The New Rijksmuseum – not a bad movie to load onto tablet or laptop for the long flight over. Tip: Be sure to wear comfortable shoes and plan at least a half day to enjoy the museum’s collection at a reasonable pace. Museumstraat 1, 1071 XX Amsterdam, Netherlands
Electric Ladyland Looking for an illuminated experience while in Amsterdam? The Electric Ladyland is the First Museum of Fluorescent Art, housing room-sized fluorescent installations arranged to fully encompass visitors and incorporate them as participants of the unnaturally colorful and glowing environments. Somehow, the museum’s effects seem perfectly complementary to the city’s lax drug laws. Tweede Leliedwarsstraat 5, 1015 TB, Amsterdam, Netherlands
Other museums and art galleries of note: P/////AKT \\\ Micropia \\\ Stedelijk Museum \\\ FOAM
Frozen Fountain.
WHERE TO SHOP
Store Without a Home Those with an appreciation for the quirky and surreal will likely find something to return home with from this design boutique stocked with contemporary and colorful decorative home accessories representing a pop-up shop aesthetic (the store began in 2010 as a pop-up before settling into permanent digs). Scope out the wares before dropping in via the store’s pretty-in-pink Instagram. Haarlemmerdijk 26, 1013JD, Amsterdam, Netherlands
Frozen Fountain Established international brands like Ligne Roset, Moroso, Vitra and Pastoe are represented here amongst the store’s vast catalog of modern home furnishings and decorative items (so large, it spans two buildings). But where the store sets itself apart is their connections with younger designers emerging from various art academies in the Netherlands and abroad, making the shop a preview of up-and-coming talent. Prinsengracht 629, 1016 HV Amsterdam, The Netherlands
HAY Amsterdam The Danish design brand HAY has earned an international following for their minimalist modernist wares characterized by a joy-inducing affinity for pastel hues, gridwork, geometric shapes and color blocks. Take in the entirety of their collection at their flagship shop located in the trendy shopping district known as De Negen Straatjes, or nine side streets known for particularly notable vintage and designer shopping. Arriving with an extra empty suitcase for the return trip might be advisable. Spuistraat 281 abc, 1012 VR Amsterdam, Netherlands
Also worth a visit: Wonderwood Amsterdam \\\ IJhallen \\\ Pols Potten \\\ Moooi \\\ Options! \\\ Droog@Home \\\ Nieuwe Spiegelstraat
The Europe Building by DUS Architects.
ARCHITECTURE OF AMSTERDAM
Attempting to summarize the architecture of Amsterdam into a condensed “must see” list seems a futile folly, for nearly every street and canal in and around the city is populated by buildings of both small and great design significance spanning the city’s history. My neck hurt the first few days from craning, twisting, and turning to take in all the details evident in both public city structures and private developments.
The most apparent and renowned are the city’s defining slim and tall canal houses, many built by the merchant class and ruling class during the height of the Dutch Golden Age. This civic commitment to the city’s architectural past is paired with a progressive view of incorporating futuristic contemporary structures against the city’s backdrop of canals, bridges, and traditional architecture. A few of the more outstanding examples are listed below, many viewable by architectural canal tour:
ARCAM by René van Zuuk
Science Center Nemo by Renzo Piano
Europe Building by DUS Architects
Marineterrein Amsterdam by Bureau SLA
Islamic Funeral Pavilion by Atelier PUUUR
Stedelijk Museum by Benthem Crouwel Architekten
Noorderparkbar by Bureau SLA
Jan Schaeferbrug Bridge by Venhoeven CS
Siloam by MVRDV
The Pyramids by Soeters Van Eldonk architecten
Piet Hein Tunnel Building by UN Studio
Borneo + Sporenburg Bridges by West 8
EYE Filmmuseum
The EYE Filmmuseum. Photo: Gregory Han
Canal tours offer visitors a scenic opportunity to experience Amsterdam’s varied architectural history and civic infrastructure. Photo: Gregory Han
WHAT TO DO
Amsterdam Architectural Boat Tour Amsterdam reveals itself best not by car, foot, or bus like most cities, but while gently navigating the waterways of its postcard perfect canals on board a motorized boat, a leisurely introduction to the city’s architectural landscape. During our 3-hour architectural tour under the guidance of a practicing local architect and university instructor, we found ourselves entranced by our guide’s grasp of historical, social, as well as the architectural context related to each building we passed, ranging from traditional residential canal homes to the most cutting-edge constructions designed by world renowned architecture firms. Easily the best three hours spent as a first-time visitor, we’d return to do it all over again to see more and learn more about Amsterdam’s ever-evolving cityscape.
3D Print Canal House Futurists have long predict one day houses won’t be built, but simply printed. Sounds like science fiction until you visit the KamerMaker (the Room Builder), a gigantic 3D printer designed by DUS Architects as a proof of concept manufacturing tool currently being used to build a full-size canal house, one bio-plastic piece at a time. Visitors are invited to learn more about the 3D Print Canal House by free downloadable smartphone audio tour or by paid reserved private tours.
Crash Course & Guided Tour Every Friday class is in session with the Architectuurcentrum Amsterdam offering a 45-minute Crash Course (in English) focused upon the city’s dynamic contemporary architecture, a walking classroom that continues onto a 2-kilometer, 2-hour route starting from the Architecture Centre Amsterdam, across by ferry to the northern shore of Het IJ, and concluding at iconic EYE Film Institute. You’ll even enjoy complimentary coffee and tea during this alternative to the architectural boat tour noted above.
Also: Friday Next \\\ Madam \\\ ROOMSERVICE by Droog \\\ Amsterdam Flower Market
MVRDV’s Book Mountain inside the Spijkenisse Library.
DAY TRIPS
Amsterdam offers countless destinations, eateries, and shopping destinations for first-time and returning visitors. But there a couple destinations worth a day-long excursion if the itch to explore the Netherlands arises, including the bibliophile’s dream come true, the Spijkenisse Library Book Mountain (1.5 hours by train), alongside the museum-experience-by-bicycle, Kröller-Müller Museum (1.75 hours by train).
Flights outbound flying with KLM Royal Dutch Airlines to nearby European destinations from Amsterdam Airport Schiphol deserves setting aside a buffer of time to visit the Rijksmuseum Schiphol Airport, small museum exhibiting eight to ten thematically curated masterpiece paintings. Those fortunate enough to make the intercontinental  journey and back aboard KLM’s business class will also come away with a coveted architecture/design memento.
Anywhere we missed? Tell us in the comments below.
via http://design-milk.com/
from WordPress https://connorrenwickblog.wordpress.com/2017/03/23/design-milk-travels-to-amsterdam/
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Case Lap Tall Shelving Unit V2 Extension Kit Reviews
The Lap shelving by award-winning designer Marina Bautier is a modular storage solution designed with simplicity in mind. Whether you need a single shelving unit for an alcove or an entire wall of shelving in an office, the lap shelving is adaptable to work in different environments. This extension kit will provide you with enough storage solutions. Choose from a frame filled entirely with sturdy steel shelving to house your collection of tomes, or a mixture of deep and shallow boxes with shelves to store a variety of paperbacks and objects. The name Lap refers to how the metal overlaps the wood. You can arrange the components in any way, shape or form. Please note: Not all of our Furniture ranges are on display at every branch. Please phone your nearest John Lewis to check before you visit. 0% APR Representative: If you buy this product in our shops, it's eligible for Interest Free Credit, which is available when you spend £1000 or more on selected home products. Terms and conditions apply: find out more Have you thought about a new mattress? Shop here.
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jeniferdlanceau · 8 years ago
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Emulsion transforms apartment in London's brutalist Barbican Estate
Emulsion has transformed a triplex apartment in London's iconic Barbican Estate with a new mezzanine floor and a colour palette inspired by Le Corbusier.
The London-based practice was commissioned to update the residence while remaining sympathetic to the Grade II-listed complex – designed by Chamberlin, Powell and Bon in the 1950s.
The Barbican Estate is one of the largest examples of the brutalist style and represents a utopian ideal for inner-city living.
Alongside various original elements, Ben Johnson House features austere detailing such as unornamented furnishings and bold colour-blocked walls, which make reference to the returning popularity of minimalism.
"The client was keen for us to create a new residence which would be sensitive to the iconic Grade II architecture, whilst maximising the use of space," Emulsion director Yen-Yen Teh told Dezeen.
"The interior palette includes feature walls inspired by Le Corbusier's colour range against a neutral grey rubber floor, and dark wood and wired glass referencing materials of the original building."
The three-storey home comprises a kitchen and spacious living room that open onto balconies overlooking the post-war complex, alongside two bedrooms and bathrooms.
The apartment's existing staircase was carefully restored and made a feature in the living room.
A bright teal wall – which encloses the new kitchen – highlights the wooden treads, creating a vivid contrast between the original and contemporary qualities of the space.
The kitchen is finished with utilitarian tiles and stainless steel, offset by Vola & Dornbracht brassware and vintage cabinetry in the dining room.
In addition to the new kitchen, Emulsion designed a bathroom with a contemporary take on the original fit-out to replace facilities that could not be retained.
The stark finish of the new bathroom is achieved through bright white tiles and contrasting vivid green detailing including a tap and shower controls.
The renovation also includes the incorporation of a mezzanine level into the barrel-vaulted top floor, to accommodate a pared-back bedroom finished with bold yellow furnishings and paintwork.
The deck – with a dressing room and shower room below – is accessed by a custom-made sculptural steel stair that extends from a study in the double-height area.
While some of the original light fittings were retained, most finishing touches to the refurbishment include the client's choice of mid-century modern designs including Vitra and Artek classics, teamed with vintage pieces.
The works of Eames also feature throughout the apartment, including table and chairs in the dining room that contrast the block-coloured walls.
In 2016, photographer Anton Rodriguez documented the interiors of 22 homes at the Barbican Estate in London, which is home to over 4,000 people.
With its coarse concrete surfaces, elevated gardens and trio of high-rise towers, the estate offered a new vision for how high-density housing. We took a more detailed look at the design of the Barbican Estate in a series of articles taking a closer look at the brutalist movement.
Related story
Quinn Architects renovates apartment in London's Brutalist Barbican Estate
Other projects by Emulsion include a temporary shop with bare white interiors designed to put focus on the bright colours of the bikes on sale.
Photography is by Ed Reeve.
The post Emulsion transforms apartment in London's brutalist Barbican Estate appeared first on Dezeen.
from RSSMix.com Mix ID 8217598 https://www.dezeen.com/2017/01/07/emulsion-renovation-interior-brutalist-barbican-estate-apartment-london-england/
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juliandmouton30 · 8 years ago
Text
Emulsion transforms apartment in London's brutalist Barbican Estate
Emulsion has transformed a triplex apartment in London's iconic Barbican Estate with a new mezzanine floor and a colour palette inspired by Le Corbusier.
The London-based practice was commissioned to update the residence while remaining sympathetic to the Grade II-listed complex – designed by Chamberlin, Powell and Bon in the 1950s.
The Barbican Estate is one of the largest examples of the brutalist style and represents a utopian ideal for inner-city living.
Alongside various original elements, Ben Johnson House features austere detailing such as unornamented furnishings and bold colour-blocked walls, which make reference to the returning popularity of minimalism.
"The client was keen for us to create a new residence which would be sensitive to the iconic Grade II architecture, whilst maximising the use of space," Emulsion director Yen-Yen Teh told Dezeen.
"The interior palette includes feature walls inspired by Le Corbusier's colour range against a neutral grey rubber floor, and dark wood and wired glass referencing materials of the original building."
The three-storey home comprises a kitchen and spacious living room that open onto balconies overlooking the post-war complex, alongside two bedrooms and bathrooms.
The apartment's existing staircase was carefully restored and made a feature in the living room.
A bright teal wall – which encloses the new kitchen – highlights the wooden treads, creating a vivid contrast between the original and contemporary qualities of the space.
The kitchen is finished with utilitarian tiles and stainless steel, offset by Vola & Dornbracht brassware and vintage cabinetry in the dining room.
In addition to the new kitchen, Emulsion designed a bathroom with a contemporary take on the original fit-out to replace facilities that could not be retained.
The stark finish of the new bathroom is achieved through bright white tiles and contrasting vivid green detailing including a tap and shower controls.
The renovation also includes the incorporation of a mezzanine level into the barrel-vaulted top floor, to accommodate a pared-back bedroom finished with bold yellow furnishings and paintwork.
The deck – with a dressing room and shower room below – is accessed by a custom-made sculptural steel stair that extends from a study in the double-height area.
While some of the original light fittings were retained, most finishing touches to the refurbishment include the client's choice of mid-century modern designs including Vitra and Artek classics, teamed with vintage pieces.
The works of Eames also feature throughout the apartment, including table and chairs in the dining room that contrast the block-coloured walls.
In 2016, photographer Anton Rodriguez documented the interiors of 22 homes at the Barbican Estate in London, which is home to over 4,000 people.
With its coarse concrete surfaces, elevated gardens and trio of high-rise towers, the estate offered a new vision for how high-density housing. We took a more detailed look at the design of the Barbican Estate in a series of articles taking a closer look at the brutalist movement.
Related story
Quinn Architects renovates apartment in London's Brutalist Barbican Estate
Other projects by Emulsion include a temporary shop with bare white interiors designed to put focus on the bright colours of the bikes on sale.
Photography is by Ed Reeve.
The post Emulsion transforms apartment in London's brutalist Barbican Estate appeared first on Dezeen.
from ifttt-furniture https://www.dezeen.com/2017/01/07/emulsion-renovation-interior-brutalist-barbican-estate-apartment-london-england/
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ukbathroomshoponline · 3 years ago
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ukbathroomshoponline · 3 years ago
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ukbathroomshoponline · 3 years ago
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ukbathroomshoponline · 3 years ago
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ukbathroomshoponline · 2 years ago
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ukbathroomshoponline · 2 years ago
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