#Shiv-Hari

[bhagavanbhakthi]

People taking pictures of Lord Narayan

[uttarakhandwalanegi]

Yogi Adityanath CM of Uttar Pradesh 🔥 | Hari Om Har Har Mahadev Shiv No ...

[kwebhakti]

जय श्री हरि 🚩���🌺

ॐ नारायाणाय विद्महे वासुदेवाय धीमहि । तन्नो विष्णुः प्रचोदयात् ।

विष्णु गायत्री मंत्र के इस जाप के प्रमुख लाभ:

1] शत्रुओं, खतरों, दुर्घटनाओं, रोगों, विषों और हर प्रकार के संकट से रक्षा होतो है। क्लेशों से मुक्ति मिलती है। 2] धन-दौलत, सुख-समृद्धि की प्राप्ति होकर जीवन सुखी और समधानी बन जाता है। 3] मन और शरीर में नई सकारात्मक ऊर्जा का संचार होता है और हर काम या कार्य में सफलता मिलती है।

ऐसे ही भक्ति से जुडी जानकारी के लिए हमे फॉलो करे और नए नए भक्ति भजन सुनने के लिए हमारे YouTube Channel "KWE Bhakti" को सब्सक्राइब करें 👉 https://www.youtube.com/@KWEBHAKTI

Official Website 👉 https://vvlmusic.com/

[rajasthanilyrics]

भोले भांग तिहारी नित घोटत घोटत हारी भजन लिरिक्स | Bhole Bhang Tihari Me Ghotat Ghotat Hari Bhajan Lyrics

भोले भांग तिहारी नित घोटत घोटत हारी भजन लिरिक्स, Bhole Bhang Tihari Me Ghotat Ghotat Hari Bhajan Lyrics ।। दोहा ।। संग बैठती पार्वती, शिव देते उपदेश । ध्यानमग्न सब सुन रहे , कार्तिक और गणेश। ~ भोले भांग तिहारी घोटत हारी ~ भोले भांग तिहारी में घोटत घोटत हारी , मेरे सगरे हाथ दुखाये। एक दीना की होवे तो घोटु , रोज न घोटी जाये। सुण गणपति की महतारी , तुम घोटो भांग हमारी। बिन भांग रहा न जाए , गोरा…

[indianfashionmodels]

Nargis Fakhri New Photos 30 January 2023

[intellectual6666]

I just learned that Mahashivratri is not about Mata Parvati and Shiv Ji's wedding, but on this auspicious day, Sri Hari Narayan and Lord Brahma worshipped the first Shivling of the world !

So which one is accurate ?

[asrisgratitudejournal]

Menulis

Waow sudah lama sekali saya nggak update karena kehidupan sangat dinamis.

Mau rekap dan bersyukur dulu saja kepada Allah SWT karena diberi kesibukan yang sungguh membuat pusing dan stres, tapi minimal jadi nggak galau apa itu makna kehidupan kalau lagi galau banget gini:

Weekend kemarin Sabtu nggak ngapa-ngapain beres kelas SMA16. Kayanya lanjut nonton apa ya? Lupa juga. Karaokean DAY6 apa yah. Terus jalan ke center sorean ba’da Ashar buat beli saos ABC, kelengkeng, ke Waterstones beli giftcard Kak Kaca, beli kopi dan sabun, dan ditutup dengan jajan YiFang.

Minggu setelah kelas 16 ada call sama angkatan GEA 11! Bahas UKT mahal banget, belajar banyak sih tentang… well, mostly pertanyaan yang keluar tapi betulan jadi banyak banget pertanyaan yang muncul (yang bisa dicari jawabannya) seperti:

kenapa kita ganti sistem jadi UKT dari yang dulu pas jaman kita kuliah uang pangkal aja di depan terus semesteran Rp 5 juta/semester

kenapa LPDP gaada buat S1, cuma buat S2 dan S3 doang

apakah sistem loan untuk kuliah seperti di UK dan US itu adalah yang paling bagus

gimana Jerman dan Perancis bisa ngegratisin SPP kuliah S1 atau minimal murah banget lah ya, jawabannya ternyata adalah tax money.

Kami semua (yang dateng 4-5 orang dari 87 orang, wow gaada 5% bahkan) gaada yang tahu jawabannya karena bukan expertise kita, but that’s what discussion are for kan. Tetap sangat senang karena sudah menyempatkan diri untuk hadir.

Di awal-awal sebelum mulai diskusi juga Adis sempat nanyain si Repsol udah produce natural hydrogen, jadi sempat membuatku baca lagi artikel-artikel natural hydrogen itu occurrence-nya gimana.

Habis dari diskusi, ke ulang tahun Kak Kaca, untungnya tetangga, masih sama-sama di Castle Mill kami. I had so much fun bertemu Rashid, Najlaa, makan nasi kuning juga. My heart was full lah pokoknya. Dari situ ke city, ketemu Deva bentar, terus lanjut jjs (jalan-jalan sore) ke Christchurch Meadow. Dilanjut ngopi (decaf) dan makan cake sambil baca di Endorphin. Ku tertarik banget sama koleksi-nya Endorphin kemarin baca salah satu bukunya studentnya Hawkings tapi sangat pusing dan gangerti akhirnya ku berhenti setelah chapter 1.Habis itu pulang! Di rumah dilanjut meeting prep untuk acara buka bersama nanti tanggal 23 Maret.

3. The whole week before: Jumat ke Royal Holloway! Sangat senang juga karena sangat produktif. Diskusi banyak sama Alex dan berhasil pinjam InfraRed Thermometer! Ku juga berhasil nge-vacuum seal 11 tubes, WHICH WERE A LOT, tapi karena skill-nya sudah ke-build dan confidence-nya juga sudah ada, itu semua selesai dalam 2 jam saja including packing.

4. Kamis di lab sampai malem karena nyiapin sampel: dari nyuci carius tubes, ngeringin tubes, masukin sample ke tubes, packing. Mayan efektif sih dan CAPEK.

5. Senin-Rabu lupa ngapain aja tapi kayanya nyiapin buat sealing di Jumat juga. Dan juga ngerjain manuscript gak ya(?) Lupa-lupa inget. Ku gak sabar menyelesaikan semua 24hour opening supaya bisa langsung fokus nulis ke manuscript ke 2.

Oh inget deng dikit! Senin-nya tuh aku mulai kerja baru sore karena paginya ngopi dulu sama Deva di Westgate wkwkw, terus dilanjut lunch makan Ji sama Mbak Shofi (dia mau apply PhD), Iris, dan Mbak Jessica. Seru banget ngobrolnya.

6. Minggu kemarinnya lagi: Sabtu ke London! Ulang tahunnya Shivanky. Kukasih dia hadiah giftcard Waterstones juga (wkwkw sangat tidak creative ya Noni ini). Ku beli di Waterstones yang depan Trafalgar Square. Ku senang banget ketemu sama teman-temannya Shiv (yang adalah super smart ambitious typical Oxford graduates lah ya) dan kami ngomongin banyak hal. We talked in Tate Modern, took some nice pictures over the Millenium Bridge, then lanjut makan Jollibee di Leicester Square. Itu Jollibee perdana aku HUHU SANGAT ENAK.

7. Hari Minggu-nya nggak ngapa-ngapain cuma siang getting susu di Sainsbury’s Jericho. Terus malamnya formal dinner KE-TIGA DI MINGGU ITU! Di Exeter sama Deva dan Aji. Sangat seru juga sih karena pertama kali mengajak Deva formal’s and we did talk about a lot of things.

8. Week yang sebelum itu ngapain yah. OH. LAGI DEMOTIVATED BANGET KERJA. Itu tuh habis dapet kiriman comments dari Alex dan tinggal kurapikan aja sebetulnya. Jumatnya ngerjain Lumex kayanya sama Joost, terus lanjut lunch Comptoir Libanais sama Bu Yani. Kamisnya, pagi, aku ke Nizami Ganjavi buat cari-cari buku belajar baca Korea, terus siangnya lanjut ke Westgate Library (LANJUT BELAJAR BAHASA KOREA), dan lanjut ngobrol di G&D depan Christchurch sama Hanif. Habis itu ada formal dinner Graduate High Table. Ku ga banyak ngobrol sama siapa-siapa, mostly Mas Felix aja di samping. Rabu di RUMAH SEHARIAN. Selasa WFH juga cuma sorean ke Lung Wah Cong beliin Deva kecap ABC dan ke Black Sheep. Senin juga WFH dan sorean ke Cohen Quad lanjut ke Exeter buat formal Subject Family Dinner. FIUH.

9. Weekend sebelumnya lagi: Sabtu jalan jauh ke Cowley setelah random di Westgate dan Sasi’s. Minggunya pengajian ku ngisi tausiyah tapi payah karena kurang prep but it is okay.

UDAH DEH. Balik lagi ke post terakhir yang gabisa kerja ituu. WOWWW. Itu literally di atas adalah rekapan selama 3 minggu. Sangat banyak hal yang terjadi sesungguhnya. AND I MET SO MANY PEOPLE??? Harus disyukuri dan SEMANGAT NONI sedikit lagi perjalanannya!!! Fighting!

19:27 04/03/2024 office room dept

[girlfictions]

hari need to know your thoughts on the succession finale once you finish it 🙏

i’ve genuinely been in a state of shock since i finished the ep so i’m probably going to ramble terribly bc my brain will explode otherwise.... thoughts under the cut!!! and massive spoiler warning obviously 💪

OKAAYYY in no particular order:

greg getting whacked was beautiful i wish he'd been stomped into a pulp honestly sorry for not being able to separate the art from the artist but nicholas braun is a weasel and i hope he gets hit by a car

that being said tom and greg's interactions this ep were top tier i'm not a tomgreg enthusiast like That but i think every scene of theirs was hilarious as it was twisted

tom this whole episode... phenomenal. matthew is just a cut above in terms of acting he embodied tom's hunger and desperation and patheticisms so perfectly i really felt more and more unsettled by him every appearance

i do wish we had more stewy screentime but i also wish that for every single episode arian moayed is so freaking talented and charismatic and amazing and he ate up every second he was on screen

speaking of stewy. "you kiss guys on molly" <- BITCH.....? i actually don't know if i've mentioned this on tumblr but i'm a kenstewinator for life and frankly this was confirmation that they explored each other's bodies at college idgaf what anyone has to say about it

ohhhh my god the fucking "meal fit for a king" scene. i can't even find the words for it. seeing them all so happy and having so much fun with each other in that moment was just so heartbreaking bc i KNEW it wasn't going to last 😭 like my mum and i literally checked how much time was left in the episode after that scene and looked at each other like Wellll something terrible is going to happen isn't it.

kendall My beautiful baby boy kendall IM SORRY I WASNT YOUR MOTHERRRRRRRR . i could honestly write an essay about kendall in this episode alone i have never seen such a tragic crumbling of the self maybe ever. him sitting at logan's desk thinking he's finally won... his reaction to shiv betraying their deal... him attacking roman like i was seriously breathless my god that entire sequence was fucking crazy

and to be quite honest if i was kendall in that situation well i would have killed myself in that damn board room and changed the trajectory of all those old hags lives forever . like "i'm a cog built for one machine" And now he has nothing no father no siblings no wife no kids no company my fucking goddddddd 🤦‍♀️

i started chanting "please please please dont kill yourself" out loud in the final scene and i'm dead serious the kendall water motif HAUNTS ME and i was so freaking scared . but that final frame is honestly equally awful like kendall alone with colin in the background him basically becoming logan with none of the power this is seriously the worst possible ending for him.....

shiv doomed to repeat the pattern of being under a man's thumb is genuinely so deeply demented jesse armstrong sleep with one eye open. and i hate it so much because it makes so much SENSE like yeah she's lady macbeth she's caroline she's the wife she's the mother and she will never be anything else okay OKAYY.

like that scene w her and tom in the car where he waits for her to hold his hand was so fucking spine chilling also the ambiguity of us not knowing whether tom knows that shiv was the deciding vote in his favour is crazy <- i do think it makes sense that he would know but just shiv having that as a bargaining chip so they can sting each other over and over again like its all about the cycles i fear

roman being so resigned to it all by the end was sick like ok that comment about kendall's kids was evil but i still felt for him howeverr i do think out of the trio he will be objectively the most okay in the future... like he's free from it all in a way shiv obviously isn't and kendall literally can't be

honestly i'm struggling to articulate anything more i'm still so overwhelmed by how it came to a close.. never have i watched a show that left me so heartbroken and hollow but also absolutely satisfied narratively like succession is going down in the history books FR 😭

also they're def going to sweep the emmys and it will be so deserved i seriously think they need to invent a new rule to allow for a tie because i cannot imagine how they're going to decide between kieran and jeremy for best lead... <- i do lean a little towards jeremy bc i'm a biased kendall girl but kieran's performance esp in the first half of this season was just jawdropping so who knows

this got really long i'm so sorry but i feel like a crazed woman what a fucking show what a fucking ending i will never be the same after this SUCCESSION YOU WILL ALWAYS BE SO FAMOUS !!!!!!!!!!!!

[shut-up-rabert]

I love Mahishasur Mardini stotram.

Don’t get me wrong, I love all the stotrams. Shiv Tandav, Shree Hari, and whichever other ones I’m missing. I love them all. The thing is, Maa Durga has always been taught to us as a mother, which is actually beautiful, it helps us connect to her on a personal level. Her bhakti becomes much easier and pleasant because you have an established relationship with her.

But the thing is, While Devi Shakti (and Devi Sharda and Devi Ramaa to that extent) are our mothers, I feel like this leads us to focus completely on their maternal side and generally their tamer actions, like Matas bringing prosperity, bliss, knowledge, and I think this materialistic approach towards praying to them is why I hadn’t been able to connect to her on the same level as Shree Hari even though my mother is a staunch devotee of hers.

I genuinely thought that this was simply because it was in my destiny to have Shree Narayan as my aradhya. Until I heard the stotram and realised that this isn’t the case. It’s simply because I’m lost to the other side of These goddesses.

The side that is a warrior. The side that slayed Mahishasur, Dhindhinasur, Madhu, Kaitabh, Harshad, Marshad, Sahastra Ravan, Narakasur, Chand, Mund, Raktabeej, Kohlasur, Bhairo Nath, and many others with her valour. The side that haunts the sons of Diti. The side that scares Jalandhar with her fire. The side that is a daughter. A daughter of Himachal, Daksh, Shaila, Bhrigu, Janak. A side that as Parvati is the sister of Vishnu. The side that is a woman with braided hair, the one who is the mistress of most ferocious animals.

A side that is the power. The power of Bramha as Sharda, of Narayan as Padma and of Mahesh as Gaura. The sheer rage that is Kali, the immovability of Parvati as she sets her mind to marry her love. The valour of Meenakshi as she conquers everything from Kanyakumari to Kailash. The yog of Sita who could have destroyed Ravan to atoms if she wished. The Determination of Satyabhama who killed her own son for righteousness.

The side that will appear out of a statue and hurt those who try to harm her children. The side that will take any form just like Narayan and Shiva to end the evils. The side that completes her divinity.

We never focus on these aspect of theirs like we do with Shri Narayan and Bhagwaan Shankar. We are too used to their maternal sides and never discuss this one, when we need to in order to understand them as well as we understand the other two Gods.

Because while we need her maternal side to know that she loves us, we need her other side to shed the perceptions of materialism we have associated with her. To know that she is a Goddess same as the other two and not just a boon granter. (Well, we can ask her for boons and other materialistic stuff ofcourse, but lets not confine her role to just that please :/)

We need her motherly side to establish a connection of love with her, and her other side to connect with her on the divine level.

We need to understand that she’s our Maa Durga who we love, and also Mahishasur Mardini whom we learn for. While we need to look at her as she holds us in difficult times, and say:

“She’s our mother, and we love her.”

We alsi need to look at her with love while she slays demons, and say:

“She’s our mother, we learn from her.”

(Art not mine)

[indiesole]

Indies (Lifetime) Playlist Tributes to Music Legends -Part 5

SHIV HARI 'S TOP 75 COMPOSITIONS ! :

Yt Link:

Yeh Kahaan Aa Gaye Hum – Silsila

Dekha Ek Khwab – Silsila

Tere mere hoton pe - Chandni

Megha Re Megha - Lamhe

Morni Baga Ma Bole - Lamhe

Chudiyan Khanak Gayeen - Lamhe

Likha Hai Yeh - Darr

Ye lamhe ye pal hum - Darr

“ – “ (sad version)

Kabhi Main Kahoon - Lamhe

Mohe Chhedo Na - Lamhe

Neela Aasman So Gaya (Male) – Silsila

Neela Aasman So Gaya (Female) - Silsila

Baadal Pe Chalke Aa - Vijay

Tu Saawan Main Pyaas Piya - Parampara

Main Sasural Nahin Jaoongi - Chandni

Chandni O Meri Chandni - Chandni

Sar Se Sarke - Silsila

Ladki Hai Ya Shola - Silsila

Aa Meri Jaan - Chandni

Lagi Aaj Sawan Ki - Chandni

“ (Jhankar)- “

Meri Bindiya - Lamhe

Jo Tum Todo Piya - Silsila

Khud Se Jo Vada Kiya Tha - Silsila

Gudiya Rani - Lamhe

Mehbooba - Chandni

Jaadu Teri Nazar - Darr

Tu Mere Saamne - Darr

Yaad Nahin Bhool Gaya - Lamhe

Ishq Da Rog Bura - Darr

In Aankhon Ke Zeenon Se - Faasle

Meri Aankhein Hain Aap Ki Aankhein - Vijay

Chandni Tu Hai Kahan - Faasle

Janam Janam - Faasle

Darwaza Band Karlo - Darr

Parbat Se Kaali Ghata Takraee - Chandni

Mere Haathon Mein - Chandni

Medley - Lamhe

Tu Mujhe Suna - Chandni

Sahibaan Meri Sahibaan - Sahibaan

Prem Hai Deepak Raag - Sahibaan

Yeh Qaafile Yaadon Ke - Faasle

Ham Chup Hain (sad) - Faasle

Hum Chup Hain - Faasle

Mere Sathiya Mere Saath Chal - Parampara

Faasle Hain Bahut - Faasle

Bahan Jinah Di Pakdiye - Silsila

Rang Barse - Silsila

Ang Se Ang Lagana - Darr

Tu Kya Pyar Karega - Sahibaan

Is Mele Mein Log Aate Hain - Sahibaan

Bansuri Yeh Bansuri Nahin - Sahibaan

Solah Button Meri Choli - Darr

Aadhi Raat Ko Palko Ki Chhaon Mein - Parampara

Are Jaane Wale Mujhe Chod Ja Tu - Sahibaan

Hum Banjare Dil Nahi Dete - Parampara

Zindagi Har Janam - Vijay

Main Botal Nahin Sharab Ki - Sahibaan

Mhare Rajasthan Ma - Lamhe

Akkad Bakkad Bambe Bo - Vijay

Tera Karam Hi Teri Vijay Hai (male) - Vijay

“ (female) – “

Phoolon Ke Is Shehar Mein - Parampara

Naujawano Ka Zamana Hai - Parampara

Rakhna Athanni Sambhalke - Vijay

Mora Banna Dulhan Leke Aaya - Faasle

Sun Le Ye Saara Zamana - Faasle

Moments of Rage Dance (Instrumental) - Lamhe

Moments Of Passion ( Instrumental) - Lamhe

Mere Hathon Mein Nau ( Instrumental) - Chandni

Dance Music (Instrumental) - Chandni

INDIE'S ALL TIME 60 NO. 1's ! ! (Based on the No. 1 Songs at Binaca's Annual Bollywood Music Countdown - from 1953-93!)

Yt Link:

List:

Meri Pyari Behaniya Banegi Dulhaniya (2nd version) - Sachaa Jhutha

" (1st version)

Zindagi Ek Safar - Andaz

Shayad Meri Shaadi Ka Khayal - Souten

Tu Ganga ki Mauj - Baiju Bawra

Ae Dil Hai Mushkil Jeena yahan - CID

Chahunga Main Tujhe Saanjh Savere - Dosti

Duniya mein kitna gham hai - Amrit

Sawan Ka Mahina Pawan Kare Shor - Milan

Papa Kehte Hain Bada Naam Karega - Qayamat Se Qayamat Tak

Teri Pyari Pyari Surat Ko - Sasural

Mere Samne Wali Khidki Mein - Padosan

Ankhiyon Ke Jharokhon Se - Ankhiyon Ke Jharokhon Se

Ab Kya Misaal Doon - Aarti

Ehsan Tera Hoga Mujh Par - Junglee

Jo wada kiya vo nibhana padega - Tajmahal

Tu pyaar ka sagar hai - Seema

Nain so nain nahi milao - Jhanak Jhanak Payal Baje

Yashoda Ka Nandlala - Sanjog

Angrezi Mein Kehte Hain Ki I Love You - Khuddaar

O Sathi Re Tere Bina Bhi Kya Jeena – Muqaddar ka Sikandar

Baharon phool barsao mera mehboob aya hai - Suraj

Mere angane mein tumhara kya kaam hai - Laawaris

Gori Hain Kalaiyan - Aaj Ka Arjun

Tarzan o my Tarzan - Adventures of Tarzan

Chalo Bhaag Chalein Purab Ki Ore - Kalyug Aur Ramayan

Zindagi Ka Naam Dosti - Khudgarz

Mere paas aao mere dosto ek kissa suno - Mr. Natwarlal

Om shanti Om - Karz

Dekha Hai Pehli Baar - Saajan

Mera Joota Hai Japani - Shree 420

Mere Mann Ki Ganga Aur Tere Mann Ki Jamuna - Sangam

Aaja re o mere dilbar aaja - Noorie

Jaayen Toh Jaayen Kahan - Taxi Driver

Zara Saamne To Aao Chhaliye - Janam Janam Ke Phere

Dafaliwale Dafali Baja - Sargam

Do Hanson Ka Joda Bichad Gayo Re - Ganga Jamuna

Hai Apna Dil To Awara - Solva Saal

Yeh Zindagi Usi Ki Hai - Anarkali

Jis Dil Mein Basa Tha Pyar Tera - Saheli

Chitthi Aayi Hai - Naam

Kabhi Kabhie Mere Dil Mein – Kabhi Kabhie

" (male version)

Kaise Rahun Chup - Intaquam

Khaike Pan Banaraswala - Don

Yaari Hai Iman Mera Yaar Meri Zindagi- Zanjeer

Maine Pyar Tumhi Se Kiya Hai - Phool Aur Kaante

Sun Saiba Sun - Ram Teri Ganga Maili

Zindagi Bhar Nahin Bhoolegi (Male)- Barsaat Ki Raat

Nirbal se ladayee - Diya Aur Toofan

Mehngai Mar Gayee - Roti Kapda Aur Makaan

Mujhko yaaron maaf karna main nashe me hoon - Main nashe me hoon

Haal Kaisa Hai Janaab Ka - Chalti Ka Naam Gaadi

Dum Maro Dum - Hare Rama Hare Krishna

My Name Is Lakhan - Ram Lakhan

Mera jeevan kora kagaz – Kora Kagaz

Dil Vil Pyar Vyar Main Kya Janu Re - Shagird

Choli Ke Peeche Kya Hai - Khalnayak

Bindiya Chamkegi Chudi Khankegi – Do Raaste

Tu Mera Jaanu Hai - Hero

Koi Patthar Se Na Maare - Laila Majnu .

RUNA LAILA 's TOP 120 (HINDI) SONGS ! :

Yt Link:

Dama dum mast qalandar

"

"

Tumhe ho na ho mjhko toh itna yakeen hai

Do deewane shehar mein

Ghungroo toot gaye

Chidiyan da chamba

Chitta kukkad banere te

Kala sha kala

Nashe siya band botale

Kurti meri chheet di

Katyu chuk

Mera babu chhail chhabila

" (Pak film)

" (Hin film)

Ye dil vale aao

Kat te hain din

Dilbar haseena

Meri jaan tujhpe

Aaja piya

Lao mehndiyan

Mehndi taan sajdi

Aaya ladiye

Pukaro o kanha tum

Bole re papihara

Pardesi pakhiara

Gulon mein rang

Bana gulab toh kante

Khayal-o-khwab

Aaye kuch abr

Zakhm ko phool

Sunri abhagan

Kabi kaha na kisi se

Kehdo is raat se ruk jaye

Kya aise kam sukhan se koi

Dil ki haalat ko koi kya jaane

Ab kahan pyaar mein

Uzr aane mein bhi

Garche sau baar

Aziz itna hi rakho

Nagma o shar se hay

Aa ke aik pal mujhe

Ja re ja kaga

Kehdo iss raat se

De de pyaar de de

Romance

Pyaar woh shararat

Chalo chalen

Aao sunlo

Pyar karen

Allah re is dil ne

Badra le ja neer

Piya aaja sawan aaya

Jab teri yaad ka toofan

Unki nazron se jo

Preet bhi jhuthi

Tu khafa hai toh

Main woh kanwal hoon

Ali baba ali baba

Kaho sakhi kaho sakhi

Ek se badhkar ek

Eh dil mera banjara

Raavan dhakna

Saanjh savere

Dhoop ho

Mera bhola sanwariya

Aapko do ghadi fursat

Yeh dil

Chanka mainu

Chiktara chiktara

Kehdo iss raat se

Aese chup hain

Saiyan ja re ja

Ranjish hi sahi

Surmayi shaam

Wadiyan wadiyan

Kabhi kaha na kisise

Dekha tujhe toh nazren fisal gayi

Mar gayoo re rasgulla ghumai ke

Main kali anar ki

Woh aankhen

Saathi saath nibhana

Haiya hoo

Disco express 85.Tera mera saath rahe

Daiya re daiya

Mere meherban 88.Jabse humne khizan ko

Sun saathi sun

Mera babu chhail chhabila

Jadoo

Holiday

Hello hai

Pyar tra aye jaan e jaan

Dil tera deewana

Suno suno meri ye kahani

Jab tak jahan mein

Yaadon ka dhuaan

I love to sing for you

Disco premee

Oh nooo

Chalo tumne kisi se

Tum na aaye oo

Chhod gaya re chaiyan

Tum aaye ho na

Doob gayi sab yaadein

Jaaiye shauq se jaaiye

Aap dil ki anjuman mein

Tham tham kar

Ek mahal tha

Kaisa gharonda toota

Tooti hai meri neend

Piya ao na

Meri marzi main gaoongi

Don't be silly

O ho ho ho jaanan

Aap ne jab se mujhe

Ganga amar ma

Majhi tumhi majh

O majhir .

ANTARA CHOWDHURY’S TOP 20 HINDI SONGS! (@INDIES) :

Yt Link:

.Tum ho kahan

.Dheere dheere – Minoo

.Dheee dheere(duet) -Minoo

.Yeh nigahen – Khoya Khoya Chand

.Aaja aaja – Oh Darling Yeh Hai India!

.Aisa bhi hua hai – Madhur Smriti (pvt album)

.Mane na mane na bandhan – (pvt album)

.Beet jaat barkha rut – Madhur Smriti (pvt album)

.Man se man ka – Title song of TV serial ‘Tumhari Disha’

.O koi ajnabi - Madhur Smriti (pvt album)

.Aur ek sham maine tere naam-Madhur Smriti (pvt album)

.Diwane ho - Madhur Smriti (pvt album)

.Teri galiyon me hum aaye - Minoo

.Mastana ye jharna - Madhur Smriti (pvt album)

.O Kaali re - Minoo

.Maina ke maina ke – Chemmeen Lahren

.Ishq ka naam hai - Pehredaar

.Kyun aaj kal – 7 ½ Phere

.Khwab khwab – Mann Ke Manjeere (pvt album)

.Sajne tere naina - Madhur Smriti (pvt album)

.Aaya dekho re salona din – Triyacharitra .

JAGJIT KAUR ‘S TOP 30 HINDI SONGS! :

Yt Link:

.Tum apna ranjo gam - Shagoon

.Gori sasural chali – Shagoon

.Baaj rahi hai ohir bansuriya

.Chanda gaye ragini – Dil-E-Nadan

.Mohabbat ki dhun – Dil-E-Nadan

.Dekh lo aaj hum ko - Bazaar

.Pehle toh aankh milana – Shola Aur Shabnam (1961)

.Tu kaunsi badli me mere chand hai aaja

.Agar dil dil se takraye toh – Shola Aur Shabnam

.Khamosh zindagi ko ek afsana mil gaya – Dil-E-Nadan

.Chal aao sainya - bazaar

.Pind dia number dara

.Kahe ko byahi bides

.Hariyala banna aye re – Razia Sultan

.Chanda gaye raagni - Dil-E-Nadaan

.Kab yaad mein tera saath nahi - Anjuman

.Ladi re ladi –Shola Aur Shabnam (1961)

.Dard bola toh sunai dega – Dard (serial)

.Pehle jo mohabbat se inkar kiya – Pardesi (1941)

.Lai we ranjhya wah – (Punjabi folk)

.Uske khel nirale - Noorie

.Phir meri khabar lene – Yeh kya jagah hai doston

.Sakhi re sharmaye – Pyase Dil (1974)

.Phir wohi sawan aya – Shola Aur Shabnam (1961)

.Ada jadoo – Mera Bhai Mera Dushman

.Aashiq ho toh aisa ho- Noorie

.Suniye huzoor pyar ka charcha - Suryamukhi

.Nain milake pyar jagake – Mera Bhai Mera Dushman

.Sadda chidiya da chamba ve – Kabhi Kabhie

.Idhar aa sitamgar – Sawaal

.Baaje shehnai ri banno – Chambal Ki Kasam

.Suno na bhabhi – Thodisi bewafaii

.Mahiya ve mahiya – Posti (1950)(Punjabi) .

AARTI MUKHERJEES’S TOP 50 (HINDI) SONGS ! :

Yt Link:

Do naina aye ek kahani – Masoom

Manokaamna – Manokaamna

Shyam teri bansi pukare – Geet Gata CHal

Aaiga aiga aiga ye kya ho gaya – Boyfriend

Sara mora kajra churaya tumne – Do Dil

Dhire dhire dhal re Chanda – Angulimaal

Yeh kya hua mujhko – Manokaamna

Solah shukrawar bishi anusar – Solah Shukrawar

Chanchal bada – Manokaamna

Main wohi darpan wohi – Manokaamna

Kabhi kuch pal Jeevan ke – Rang Birangi

Do panchhi – Tapasya

A mere humkadam – Humkadam

Chhodo baiyan na chheda mohe – Taraana

Aaj ki raat charongi – Khamoshi

Soye jasbaat – Ek Baar Kaho

Milan kar do mere ram se – Lallu Ram

Billi bajaaye baaja – Sahara

Kar gaya kanha – Geet Gaata Chal

Husn hai ya koi qayamat hai – Saudagar

Meri tanhai ka – Rusvai

Yaadon ko bhool jaye – Sooraj Mukhi

Hey bansi wale teri gali aye hain gwale – Phir janam lenge hum

Bachchon tum ho khel khilone – Tapasya

O paatal ke raja – Nagin Aur Suhagan

Tera mera jeevan bhar ka sath hai – Pyar Ke Rahi

Tum hamare ho – Chimney ka dhuan

Nache re languriya – Lallu Ram

Brahmachari – Lallu Ram

Pyaar ki raah mein – Ek Baar Kaho

Pyare bhaiya ki main – Mangal Dada

Happy birthday to you – Sajan Bina Suhagan

Dheere dheere dhalte dhalte din dhal jaye – Dukh Dard

Teri meri mohabbat bhi – Khoon Ki Takkar

Tum bhi akele toh kuuch bhi nahi – Nai Imarat

Nainon mein chori chori - Nadaniyan

Rakh ke dher ko – Abnaband

Insaniyat hi sabse pehle – Ram Tere Kitne Naam

Dekho sapne saje dhol – Ganga Ki Saugandh

Rang se – Love In Canada

Jaago anjaani rajkumari – Ek Soorat Do Dil

Ek do teen gin bhai gin – School Master

Yeh samaj kab tak – Be abroo

Jai ho mata – Aangan Ki Kali

Dhoop bhi dekhi – Aangan Ki Kali

Zinda hoon magar zinda hoon nahi – Khanjar

Yaad ati rahi shakl bholi teri – Lallu Ram

Dukhiyon pe kuch raham karo – Talaq

Ae Watan Tujhko Hum Na Bhoole Kabhi - Love In Canada

Ankhen badi hai nemat baba – Apna Ghar .

SALMA AGHA ‘S TOP 180 SONGS ! :

Yt Link:

. Saans bhi loon toh - Meri Adalat (film)

" - (duet) (Harpal)

"

Yeh manzar yeh nazarey - Harpal

Rang jeevan mein - Harpal

Hai logon ki zubaan pe - Harpal

Iqrar main karti hoon - Harpal

Kuch chehre aise hote hain - Harpal

Baat choti si - Bazaar e husn/ Harpal

" (film version)

Zindagi yun thi - Awaaz o andaz

Jeena bhi kya hai jeena - Kasam paida karne wale ki

" (part 2)

Faza bhi hai jawan jawan - Nikaah

Aye mere mehboob (1) - Salma

Dil ke armaan ansuon me beh gaye - Nikaah

" (remix)

Dil ki ye arzoo thi - Nikaah

Kabhi aa ja - Ulfat

Mujh mein wafa ki - Ulfat

Main raina jaagun - Ulfat

Junoon e jurm e wafa - Awaz o andaz

Aaj phir aaine ne

Kehna na tum ye kisi se

Raaste yaad nahin

Balma barkha rut ayee

Jaan e man (film version)

" (album version)

Huzoor aap aye

Hogi mulaqat

Tu pyar leke

Woh raat sapnon me aye

Zindagi se ye gila hai

Maine kholi dil ki kitab

Channa tere pyar ne

Narm fiza ki karvaten

O sajna o sajna

Tu mera kya lage

Mitha mazedaar - Abba remix

Toba toba - Abba remix

Kabhi kabhi - Abba remix

Ab laut aao humraahi - "

Chiquitita - "

Pehli pehli preet - "

Tanha akela yeh kamra

Mujhe tune

Guzar na jaaye

Chale aao chale aao

Ho jayegi badnaami

Meri kahkashan bhi tu

Jaddo mainu pyar naal

Aisa mohe laage sajan

Tu bas gaya hai

Kya kuch na kaha

O piya dil mera

Main koyal sevan baagh

Mana ke humpe

Was akhiyan de

Wichadh gaya mere

Rang sawala

Sakhio ni badnaam na karna

Yaad koi aa raha hai

Yeh mausam suhana

Husan mera hai chandani

Mere dildar khuda hafiz

Aiye aiye aiye

Lehron ki tarah tujhko

Channa dil janiya

Ye mana ke tumne

Do ajnabi yeh raaste

Yeh soch kar ke gham ke kharidar aa gaye

Kala doria

Zulfon se main kar doongi shaam

" (film version) (Aakhri Shikaar film)

Jab shaam ke saaye dhalte hain

Aaya tha jispe dil

Sajan mere rehnde ne

Ik baar milo humse (film version)

" (album version)

Jhoom utha paagal man

Jalwa e gul ko bulbul bahut hai

Sanjh dhali neha phir bhar aye

O piya dil mera

Aaja re tere bin

Sanoo de kay dawanee diyan

Jaha aaj hum mile hain

Pyar hai ek nasha

Munda chumda balori wangan

Shah e madina

Aaj phir aaine ne

Mera naam salma

Pehla pehla pyar

Hum se karta hai

Teri mohabbat meri jawani

Jhoom jhoom jhoom baba

Kasam paida karne wale ki

Dafli bajao ariyo

Aaj di raat nashe wich

Mujhe log kehte hai kadmon ki dhool

Door na mujhse jao

Main har dil ka gham

Dance dance

" (part 2)

Chumma chumma

Tai tai

Aaina haseen hua hai

Aaj dil thaam kar mera

Kahe baithe ho naina churai ke

Duniya tey pyar di kahani

Na aundi te changi si

Aaj makiyan sadiyan udeekan

Husan mere di channani

Sanu apne mukadran ne marya

We soniya mein

Hum sa meri jaan nahi koi

Chundi wade hawa

Chummi lendi hai hawa

Aaja re aaja kar loon

Dil no sazaa mili

Pyar ki ye rahe

Chehra chhupa liya hai

Ankhen jame sharab

Dil neeven ralda

Chand chamakta hai jaise

Luk nahi sakda chhup nahi sakda

The name of the game - Abba remix

Zindagi tere dar pe fanaa

Chamka ne pendiyan

Meethi meethi hoti hai - Aag hi aag

Main har diul ka gham - Meet mere man ke

Sote sote aadhi raat - Siskiyan

Jara jara tu pyar kar

Lage tose naina

Hum aik hain

Husn pe nikhar hai

Raat jag jag ke

Bura jo dekhan main chala

Veer ve val mod mohara

Superboy

Chhutti ka din

Shaam ki aankh hai

Maa hoon na suhagan hon

Ae dost mit gaya hoon fana ho gaya hoon

Kar de kar de

Jalwa e gul ko bulbul

Rim jhim barse pani

Kahe saphere mujhe gheren

Ho gaya humko pyaar

Bewafa bewafa

Aa gale lag jaa

Mera koi ilaaj kar le

Sachi sachi bol behna

Pyar gareeb da sehnda aya

Deeewane ho jayen - Qatilon e quatil

Ek too hover ek main

Nazron ka pistol

Sajna tune chhoo liya

Badami nainon wali

Welcome

Hello handsome

Jaa ke rouze naane de

Hey sakina masum sakina

Shah e madinaa

Ya mohammad ya ali

Maktal se yah aati hai sada

Hey husain hey shaahidaane

Sibte payambar yaad ate hain

Tu jo udhar aag hai

Wahi hai yeh duniya

Barish mein main khadi thi

Tu ik heera ni baliye

Achhi nahi hoti pyar me ladai

Kobra - Kobra

Tarasti hai deedar ko

Teri adaon ne milkar

Chor chor kahin dekha

Aye mere mehboob meri zindagi (2)

Na dil bolta - Jungle ki beti

Wafa se chala hai mohabbat ka naam

Apan ke paas na sona - Ek se badhkar ek .

SANDHYA MUKHERJEE’S TOP 20 (HINDI) SONGS ! :

Yt Link:

Bol papihe bol re – Tarana

Aaja re balam tujhe meri kasam – Ek Do Teen

Ye baat koi samjhaye re – Sazaa

Aa gupchup pyar Karen – Sazaa

Maine jo lee angdayi – Jagte Raho

Dil laganewale aapse hazaron hain – Husn Ka Chor

Dheere dheere dil mein sama – Husn Ka Chor

Phir badhi vo rajkumari – Pehla Aadmi

Taaron ki roshni mein – Pehla Aadmi

Udasiyon mein nazar kho gayi – Fareb

O janewale kisi ka salaam leta ja – Husn ka Chor

Main naina neer bahaun – Pehla Aadmi

Jungle Mangal – Baghi

Tore naina laage – Mamta

Ishq mein ho jao barbad – Izzat

Ho gaya tere majnu ko – Husn Ka Chor

Ashkon mein chhipi ulfat ki kahani – Pehla Aadmi

Hum chale nai duniya basane – Pehla Aadmi

Kya kya sitam sahe hain – Izzat

Tera jhoomta shabab – Izzat

Rut hai suhani – Manohar

Doob gaye sab aas ke tare – Manohar .

SUSHEELA 'S TOP 30 (HINDI) SONGS ! :

Yt Link:

1. Takatu taka tai - Singhaasan

2. Kya kya kahoon re kanha - Piya milan

3. Tere liye maine janam liya - Singhaasan

4. Bade tum veer - Gul e bakawali

5. Jai jai ram - Lav Kush

6. Shri satguru ke aashish hai - Kam kala tandav

7. Shiv shakti ka - '

8. Aatma jyoti hoon main - "

9. Kaam ki kaamna hai - "

10. Suno re suno - Ram bhajan

11. Sainyog anand hai - Kam kala tandav

12. Shakti tatva rupdhan - "

13. Shiva jyoti rupani - "

14. Parda uthne wala hai - Bachpan

15. O Mother Mary - "

16. Phan ko khole mtrityuwala - Kam kala tandav

17. Jaatasyahi - "

18. Sachit anand - "

19. Ardhanareeshwar - "

20. Aaj na hai mere sajan - Bhakt prahlad

21. Kamini gajagamini - Kam kala tandav

22. Srijan karya karta - "

23. Aadi kaal se - "

24. Widhwansini hai - "

25. Shiva jyoti tatva roop hai - "

26. Rasavani shringar - "

27. Kam kala hai - "

28. Tere seene mein bhi dil

29. Yogi yunjita - Kam kala tandav

30. Shirdi jai sairam - Sabse bada nirala

31. Song from Akbar (61)

32. Kanavu kanda kaathal .

PREMLATA 'S TOP 30 SONGS ! :

Yt Link:

Chup chup khade ho zarur koi baat hai - Badi bahen (49)

Jadugar bhagwan anokhe - Shole (53)

" (version 2)

Thandi pawan chale - Footpath

Aye chand sunahri raaton ke - Bahut door

Yahan nainon me pyar - Char din

Piya mera chulbula - Char chand

Karle char nazar - Mehfil

Dekoh na hbula dena - Dolti naiyaa (50)

Tera budhapa umar meri baali - Gharaana (49)

Ambuva ke ped suhane - Sabak

Mori ankhiyan bhar bhar ayengi - Bahut door

Main samajh gayi kehte ho mujhse - Mamta

Sajan ghar jane wale o m,anzil door nahi - Char din

Kahan chale kahan chale ji chhod ke- Bhai bahen (50)

Kisi ko kya khabar - Bhai bahen (50)

Main sagar ki mast lahar - Dhuaan

Tera dil tere gaalon pe ek til - Dhuaan

Chupke chupke haye ham par - Dolti naiya

Halke halke - Ishwar bhakti

Aa utar hamare dware - Dhobi doctor

O tere dil se mera dil mila - Ghazab (51)

Badla nazar ata hai zamane ka zamana (male) - Tara (49)

" (female)

Duniya se nyare hain khel hamare - Tara (49)

O saiyan tere jaadu bhare nainon - Kyun ji (52)

Koi aane wala hai tere ghar - Ishwar bhakti (51)

Kehta hai ye dil chal unse mil - Naghma (53)

[aztecxviii]

Trip to Kashi

".... Hari aum tat sat" Isha said as she finished praying. Infanta Isabel, no not anymore, she was Isha Meenakshi Aadhya Iyengar now, oldest daughter of Meenakshi Iyengar and Rudraksh Iyengar, 23yr old on her fourth year of engineering collage of IIT Kharagpur, enjoying a quiet time alone in the serenity of Kashi. If it were the circumstances of Granada then she would have been kneeling before the father, son and spirit but this was not Granada, this was Kashi were Shiv becomes Shankar and no person goes un feed from the kitchen of goddess Annapurna, a testimony of harmony and devotion. Thus, Isha stood over in the water from waist down praying to Chandrasekhar, her form exhibiting the same as goddess parvati in prayer. One could say without much doubt that the first daughter of the Iyengar household was the very incarnation of her namesake. But much like the sages of the past Isha's prayes were broken by the voice of a woman.

"Excuse me miss, but could you please move aside for a moment? " the voice asked. Isha stood on her ground taking some time to turn around but when she did she was perhaps greeted by Tillotamma herself. "Excuse me ma'am but I dropped by offerings into the river and believe that it had drifted to your feet. Would you please mind if I ask you to move aside for a moment" the lady asked. Isha stood still for a fraction of a second, observing the lady's tannish skin, dark brown hair and pale brown eyes which seemed when met with her own seemed to stop time before Isha moved aside.

"Sure, do you want me to help? " Isha asked

"Thanks a lot for asking but I cannot bother you again" the lady replied

"Devi, it's no trouble for me. Please let me help"

"If you insist then I have nothing more to say except that the Lord has been very kind to me today"

Isha smiled a bit at this, normally she was not a person to jump into favors but for some reason this apsara of a lady was alluring her with some radiance. The search went on until quiet some time when both of young adults were to tired to hold their breaths any longer.

"Well we tried" the lady said exhausted but radiant. Isha, water tickling down her sculpture, nodded in agreement. "My name is Anuradha" She said extending a hand. "And I am Isha"

[buzz-london]

Hari (green) Gan Gaur in my seva, with Shiv and Shivaa are sitting on a Japanese brocade, spread on golden throne, set on a green carpet, surrounded by pink camellia.

[himanahu20-blog]

Hidden Shiv Temple Discovered After 46 Years During Police Raid in Sambhal: A Forgotten Legacy

In Sambhal, Uttar Pradesh, a hidden Shiv temple was reportedly rediscovered during a police operation addressing electricity theft and land encroachment complaints. This development ties to a larger controversy surrounding the site, currently known as the Jama Masjid, which some locals claim was built atop the Hari Har Temple. Historical records, including an Archaeological Survey of India (ASI)…

[kylebasena]

Discover the Most Remarkable Baggi for marriage in Delhi!

Introduction

Indian weddings are a vibrant tapestry of culture, and one of the most enchanting elements is the baggi for marriage in Delhi. This traditional horse-drawn carriage enhances the wedding procession and symbolizes the illustrious heritage and grandeur synonymous with Indian celebrations. In Delhi, where weddings are honored with exceptional fervor, baggis significantly enhance the entire experience.

The Tradition of the Baggi

Historical Significance of Baggis

With deep historical ties to Indian culture, baggis have often featured in royal parades and festivities. Traditionally utilized by the aristocracy, these carriages symbolize prestige and elegance during matrimonial occasions.

Symbolism in Weddings

In the context of Indian weddings, a baggi symbolizes the groom's journey to the bride's residence, representing not just a journey in space but a significant transition into a new life. It encapsulates joy, celebration, and the commencement of a new chapter.

Delhi’s Affection for Lavish Baggis

Why Baggis are Preferred in Delhi

The capital's enthusiasm for luxurious baggis arises from its cultural diversity and penchant for spectacular celebrations. The visual appeal and cultural importance render them a highly desired choice for numerous couples.

Cultural and Visual Appeal

The intricate designs and vivid embellishments of baggis resonate with the splendor typical of Delhi weddings, serving as a focal point during the baraat, captivating guests and creating memorable experiences.

Modern Trends in Wedding Baggis

Fusion of Tradition and Contemporary Style

Contemporary baggis adeptly merge traditional patterns with modern aesthetics, infusing contemporary aspects while preserving their cultural significance.

Customized Baggis for Distinct Themes

Couples today can personalize their baggis to mirror their wedding themes, integrating distinctive touches that set their celebrations apart.

Types of Wedding Baggis in Delhi

Traditional Horse-Drawn Baggis: The quintessential choice that reflects tradition.

LED-Embellished Baggis: These contemporary creations illuminate the evening with dynamic LED displays.

Royal Chariot-Inspired Models: For those desiring to infuse a sense of royalty into their wedding.

Vintage-Style Baggis: Ideal for couples appreciating nostalgia and timeless elegance.

Customization Options for Wedding Baggis

Theme-Based Decor

Baggis can be embellished with decorations that align with the overall wedding theme, incorporating colors and motifs.

Floral Embellishments

Fresh flowers can enhance the allure of the baggi, adding a natural touch to its magnificence.

Personalized Elements such as Initials or Symbols

Couples can customize their baggis with initials or specific symbols that hold personal significance.

Selecting the Ideal Baggi for Your Special Day

Factors to Consider

When selecting a baggi, factors such as size, design, and alignment with your wedding theme should be taken into account.

Harmonizing the Baggi with Your Wedding Theme

Ensure that the baggi complements other elements of your wedding decor for a unified appearance.

Prominent Vendors for Wedding Baggis in Delhi

Top-Rated Providers

Master Band: An established provider since 1955, renowned for outstanding service and variety in offerings, including baggis.

Shiv Mohan Band: A nationally recognized band since 1963, supplying extravagant baggis alongside musical services.

Hari Om Band Pvt Ltd.: Provides beautifully decorated wedding horses and chariots customized to meet client specifications.

Distinctive Services

Numerous vendors offer supplementary services such as lighting, dhol players, and floral arrangements to enhance your experience.

Affordable Baggi Options

Stunning Designs at Budget-Friendly Rates

There are various vendors providing cost-effective options without compromising quality or visual appeal.

Cost-Effective Rental Tips

Make early bookings to secure better rates, and consider off-peak seasons for possible discounts.

Luxurious Baggi Experiences in Upscale Weddings

Characteristics of High-End Baggis

Luxury baggis are typically equipped with plush seating, detailed embellishments, and premium services that enhance the wedding experience.

Notable Instances in Celebrity Weddings

Numerous celebrities have chosen exquisite baggis for their weddings, setting trends that inspire countless couples.

The Impact of Accessories on Enhancing Baggis

Utilization of Lighting and Decorative Elements

Strategically positioned lighting can elevate a standard baggi into a breathtaking centerpiece in nighttime festivities.

Horses Adorned in Regal Garments

Dressing horses in luxurious attire contributes an additional layer of sophistication to the procession.

Safety and Comfort in Wedding Baggis

Ensuring a Pleasant Ride

Selecting well-maintained baggis ensures comfort for both the groom and guests during transit.

Safety Protocols for the Groom and Guests

Vendors should implement safety measures such as proper harnessing and trained handlers to ensure all passengers' safety during the journey.

Booking a Wedding Baggi in Delhi

Steps for a Seamless Booking Process

Conduct research on vendors via online sources or referrals.

Discuss your needs and budget.

Visit showrooms if feasible to examine options firsthand.

Confirm booking arrangements well ahead of your wedding date.

Online vs. Offline Options

Numerous vendors now provide online booking systems that streamline the process, allowing for convenient browsing of available options. 

Memorable Wedding Entries with a Baggi

Ideas for Dramatic and Awe-Inspiring Entrances

Incorporating live music or dance performances during your entrance can create a truly unforgettable experience. 

Real-Life Examples

Numerous couples have garnered attention for their extravagant entries featuring beautifully adorned baggis that left their guests in awe. 

Conclusion

The enduring allure of baggis continues to enchant guests at weddings in Delhi. Their combination of tradition, luxury, and personalization makes them a vital component of any grand celebration. As you prepare for your special day, consider how a stunning baggi can elevate your wedding experience and foster cherished memories. 

FAQs

1. What is a baggi?

Ans: A baggi is a traditional horse-drawn carriage utilized in Indian weddings.

2. How much does it cost to rent a baggi?

Ans: Costs may vary depending on design, the vendor's reputation, and the additional services provided.

3. Can I customize my baggi?

Ans: Yes! Many vendors offer options for customization to align with your wedding theme.

[musicverse11]

The Unforgettable Duets of Vinod Rathod

Vinod Rathod is more than just a name in the annals of Bollywood playback singing — he is a phenomenon whose melodious voice defined the soundtracks of an entire generation. Known for his versatile vocal range and emotive singing style, Rathod delivered timeless classics during the 1990s, a golden era for Bollywood music. With chart-topping hits and collaborations with legendary music directors, Vinod Rathod became a staple in Indian households. This article delves into the life, career, and legacy of a voice that left an indelible mark on Bollywood.

Early Life and Musical Foundation

Born on September 12, 1962, in Mumbai, Vinod Rathod grew up in a household steeped in music. As the son of classical musician Pandit Chaturbhuj Rathod, Vinod inherited a rich musical lineage. His early exposure to ragas, melodies, and the nuances of Indian classical music laid the foundation for his illustrious career.

Vinod’s family environment encouraged musical exploration, but his path to Bollywood was far from easy. Like many aspiring singers, he faced initial rejections and hurdles. However, his persistence paid off when Usha Khanna, a noted music director, gave him his first big break in 1986 with the song “Mere Dil Mein Hai Andhera” from the film Do Yaar. This opportunity showcased his talent and opened doors to more significant projects.

Breakthrough in Bollywood

The late 1980s and early 1990s were transformative for Vinod Rathod’s career. His association with renowned composers like Shiv-Hari, Laxmikant-Pyarelal, and Nadeem-Shravan catapulted him into the spotlight. It was his ability to adapt his voice to different emotions and characters that made him a preferred choice for playback singing.

His breakthrough moment came with Baazigar (1993), a blockbuster film that featured his voice in two of its most iconic tracks — “Baazigar O Baazigar” and “Yeh Kaali Kaali Aankhen.” Both songs, composed by Anu Malik, became instant hits and are still cherished today. The former, a romantic duet with Alka Yagnik, showcased Rathod’s ability to convey deep emotions, while the latter, a peppy number, highlighted his versatility.

These songs cemented Rathod’s status as one of the top playback singers of his time. His voice became synonymous with the faces of leading Bollywood actors, particularly Shah Rukh Khan, whose career also soared during the same period.

Collaboration with Legendary Composers

One of Vinod Rathod’s strengths was his ability to blend seamlessly with the compositions of various music directors. His collaborations with Nadeem-Shravan in films like Deewana (1992) and Raja (1995) resulted in unforgettable tracks that became the soul of these movies. Songs like “Teri Umeed Tera Intezar” and “Nazrein Mili Dil Dhadka” remain iconic to this day.

Another noteworthy partnership was with Laxmikant-Pyarelal. Tracks like “Sheharon Mein Ek Shehar Suna” from Vijay (1988) demonstrated his knack for delivering heartfelt renditions. Rathod’s voice, combined with Laxmikant-Pyarelal’s compositions, created magic on numerous occasions.

Vinod also worked extensively with Anu Malik, delivering hits that ranged from romantic ballads to energetic dance numbers. His ability to switch genres effortlessly made him a favorite for composers looking to add depth to their soundtracks.

Signature Style and Versatility

Vinod Rathod’s voice stood out because of its unique texture and emotive quality. Whether it was a soulful melody or a high-energy dance track, Rathod brought a distinctive charm to every song he sang. His ability to modulate his voice to suit different actors and characters was unparalleled, making him one of the most adaptable playback singers of his era.

In addition to Hindi, Rathod lent his voice to songs in regional languages, further showcasing his versatility. This multilingual repertoire expanded his reach beyond Bollywood, cementing his place as a pan-Indian singing sensation.

Cultural Impact

Rathod’s music was not just popular — it became a cultural phenomenon. His songs were played at weddings, parties, and festivals, becoming a part of the fabric of Indian celebrations. Tracks like “Baazigar O Baazigar” became love anthems, while “Yeh Kaali Kaali Aankhen” turned into a party favorite.

His voice resonated with audiences across age groups, transcending barriers of time and language. Even today, his songs are revisited by younger generations, proving the timeless appeal of his music.

Challenges and Longevity

Despite his immense success, Vinod Rathod faced challenges as Bollywood’s music industry evolved in the 2000s. The influx of new singers and changing musical trends shifted the focus away from many established playback artists of his era. However, Rathod continued to perform live and remained active in the industry, preserving his connection with fans.

His ability to adapt to changing times, coupled with his dedication to his craft, ensured that his legacy remained intact. Rathod also ventured into independent music projects, exploring genres beyond Bollywood.

Conclusion

Vinod Rathod contribution to Bollywood’s golden era of music is immeasurable. With his melodious voice, versatility, and dedication, he created a legacy that continues to inspire aspiring singers and delight fans worldwide. His songs remain a testament to his talent and the magic he brought to Bollywood.

As Bollywood evolves, the voice of Vinod Rathod serves as a reminder of an era when music was rich in melody and emotion. His timeless hits continue to echo in the hearts of music lovers, ensuring that his legacy endures.

To delve deeper into Vinod Rathod’s remarkable journey, revisit his iconic songs, and celebrate his contributions to Bollywood music, explore Deliver My Tune’s blog. Let the magic of his voice transport you back to an era of unforgettable melodies.