#Serpentine sackler gallery

[karingottschalk]

Birds Eye View: All The Beauty and The Bloodshed | Programme Notes

https://www.birds-eye-view.co.uk/all-the-beauty-and-the-bloodshed-programme-notes/ “Renowned photographer Nan Goldin and her advocacy group P.A.I.N* stage a die-in at the Metropolitan Museum of art—where art and a corporation-made epidemic clash in the Sackler Wing of the museum. While based in New York, P.A.I.N’s protests and activist interventions are held all over the world with the goal to…

[mentaltimetraveller]

Cerith Wyn Evans Installation view, Serpentine Sackler Gallery, London (17 September – 9 November 2014)

[worldsandemanations]

Cerith Wyn Evans Installation view, Serpentine Sackler Gallery, London

[fashionlandscapeblog]

Zaha Hadid Architects

The Serpentine Sackler Gallery, London, UK, 2013

[luxe-pauvre]

When Richard Sackler graduated from medical school, Félix Martí-Ibáñez had tried to impress upon him the sort of esteem he would enjoy in life because he bore the Sackler name. This was only more true now, and perhaps nowhere more so than in London. The name was everywhere in the United Kingdom. There was the Sackler Building at the Royal College of Art, the Sackler Education Centre at the Victoria and Albert Museum, the Sackler Room at the National Gallery, Sackler Hall at the Museum of London, the Sackler Pavilion at the National Theatre, the Sackler Studios at the Globe Theatre. In 2013, the Serpentine Gallery was renamed the Serpentine Sackler, with a gala opening co-hosted by Vanity Fair and the New York mayor, Mike Bloomberg (who was a friend of the family). One of the stained-glass windows in Westminster Abbey was dedicated to Mortimer and Theresa. It was decorated in lovely reds and blues depicting the seals of Harvard, Columbia, NYU, and other recipients of the family’s largesse. “M&T Sackler Family,” the window said. “Peace Through Education.” The Sacklers’ impulse to slap their name on any bequest, no matter how large or small, might have found its surreal culmination at the Tate Modern, the cavernous temple to modern art that occupies an old power station on the south bank of the Thames, in which a silver plaque informs visitors that they happen to be riding on the Sackler Escalator.

Patrick Radden Keefe, Empire of Pain: The Secret History of the Sackler Dynasty

[normally0]

"Facade of Deception: Sackler Gallery, Anagrams, and the Opioid Controversy"

From 'Serpentine' to 'In Pretense,' the anagram unfolds a narrative of pretense—feigning or pretending, a theme echoed in the juxtaposition with the Serpentine Sackler Gallery in London. This contemporary art center, an architectural marvel designed by Zaha Hadid, houses both historical restoration and futuristic expansion, creating a dynamic blend of 19th-century and 21st-century architecture.

The historic building, once a gunpowder store, underwent meticulous restoration while adding a curvilinear expansion that stands as an example of tensile architecture. The result is a visually striking venue with barrel-vaulted rooms and a modern pavilion surrounded by glass panels, creating an ethereal space filled with natural light.

However, beneath this architectural beauty lies a controversy tied to the benefactor—the Sackler family. The Sacklers, known for their philanthropy, particularly in the arts, have faced scrutiny and legal action due to their association with Purdue Pharma, the manufacturer of OxyContin. The opioid epidemic, with almost half a million lives lost, has prompted allegations of fraud and profiteering against the Sacklers.

The cultural epidemic extends beyond the realms of architecture and art to the pharmaceutical industry, revealing the deceptive facade that conceals the darker impact of opioid addiction. The serene ambiance of the Sackler Gallery stands in stark contrast to the pain and controversy surrounding the family's alleged role in the crisis.

As we explore the intricate details of art, architecture, and pharmaceuticals, the narrative unfolds, revealing the complexities of a cultural epidemic. It prompts us to question the intersections of creativity, commerce, and ethics, urging a deeper examination of the art world's ties to industries with profound societal implications.

[taruntravell]

Top Attractions to Visit in London

London is a vibrant and diverse city with a rich history, offering a plethora of attractions for visitors to explore. Here are some of the top attractions you should consider visiting:

The British Museum: Home to a vast collection of art and artifacts from around the world, the British Museum is a must-visit for history and culture enthusiasts.

The Tower of London: This historic castle on the banks of the River Thames has served as a royal palace, a prison, and a treasury. Explore its history and see the Crown Jewels.

Buckingham Palace: The official residence of the British monarch, where you can watch the Changing of the Guard ceremony and, during certain times, tour the State Rooms.

The Houses of Parliament and Big Ben: Iconic symbols of London, these buildings offer stunning architecture and are best viewed from the Westminster Bridge.

The London Eye: A giant observation wheel offering panoramic views of the city's skyline and landmarks along the River Thames.

The Tate Modern and Tate Britain: These renowned art galleries house impressive collections of contemporary and British art, respectively.

The Natural History Museum: Discover an incredible range of exhibits, from dinosaur skeletons to gemstones, in this stunning museum.

The Victoria and Albert Museum: This museum showcases art, design, and fashion throughout history, with an extensive collection of artifacts.

Covent Garden: A lively area known for its markets, street performers, shops, and restaurants. It's a great place to experience London's atmosphere.

The West End: London's theater district offers world-class performances, including musicals, plays, and other live shows.

The National Gallery: A treasure trove of Western European paintings, featuring works by artists like Leonardo da Vinci, Vincent van Gogh, and Rembrandt.

Shakespeare's Globe Theatre: A reconstruction of the original Globe Theatre, where you can watch performances of Shakespearean plays in a historically accurate setting.

The Science Museum: Explore interactive exhibits and learn about scientific advancements throughout history.

Camden Market: A trendy market with a diverse range of stalls offering fashion, crafts, art, and international street food.

Kew Gardens: A UNESCO World Heritage Site, these botanical gardens are a peaceful oasis with a remarkable variety of plant species.

The Shard: Offering breathtaking views of London's skyline, The Shard is Western Europe's tallest building.

Hyde Park: One of London's largest and most famous parks, perfect for leisurely walks, picnics, and boating on the Serpentine.

The Victoria and Albert Museum: This museum is dedicated to decorative arts and design, showcasing a vast collection of artifacts from various cultures and time periods.

The Serpentine Galleries: Comprising the Serpentine Gallery and the Serpentine Sackler Gallery, these contemporary art spaces feature innovative exhibitions.

The Royal Observatory, Greenwich: Learn about astronomy, stand on the Prime Meridian line, and enjoy scenic views of London from this historic site.

These are just a few of the many attractions London has to offer. The city is a treasure trove of history, culture, and entertainment, ensuring that every visitor can find something to enjoy.

[aleygarcia]

Johnson Artur is participating in the exhibition A Time For New Dreams by Grace Wales Bonner at the Serpentine Sackler Gallery opening Jan 19th. She will be showing a new work, an installation with various objects and material.

[love-her-fashion-style]

A Royal Recycling (part 24)

Chloé

[dezainnet]

FormafantasmaがロンドンのSerpentine Sackler Galleryで行なっている林業・製材企業の世界的な影響をリサーチした展示 (dezeen) Formafantasma investigates impact of timber industry at Cambio exhibition (dezeen)

[wearewia]

Grace Wales Bonner: A Time for New Dreams, Serpentine Sackler Gallery

Grace Wales Bonner: A Time for New Dreams, Serpentine Sackler Gallery

Grace Wales Bonner: A Time for New Dreams

Review by Elena K. Cruz

On a white wall of the Serpentine Sackler Gallery is an excerpt of Ben Okri’s written work, Invocation for the Shrine. “The world is the shrine / And the shrine is the world,” he writes. “Listen here to the revelations / Of Saint Time.” This is Grace Wales Bonner: A Time for New Dreams.

To the left of the writing lie three bundles…

[mentaltimetraveller]

Duane Hanson

Serpentine Sackler Gallery

(2 June – 13 September 2015) Image © Luke Hayes

[itsevidentvery]

Hannibal vibes at the Serpentine Sackler Gallery

Copyright: Torbjorn Rodland

[vmzincscolumn]

TO THE POINT - VMZINC’s column

Zaha Hadid’s early paintings and drawings

The Iraqi-British architect Zaha Hadid, who died on 31 March 2016, was also, and above all, a huge artist. This was revealed by the magnificent exhibition that ended last Sunday at the Serpentine Sacker Gallery in London, entitled “Zaha Hadid Early Paintings and Drawings”.

This exhibition was designed before she died. It showcased large paintings on canvas, drawings on paper and from personal sketch books.

These early works were made between the 1970s (when Zaha Hadid was a student at the AA School) and the early 1990s, i.e. three years before her first significant project, the Vitra fire station in Weil am Rhein in Germany.

These pre-glory works demonstrate her technical mastery and the importance she attributed to drawing to anticipate architectural design. Many of the works presented in this exhibition refer to Italian futurism and the post-revolutionary Russian constructivist movement.

I was struck by several paintings, including a calligraphy entitled “Orange Explosion on White”, which for me is reminiscent of the painter and architect Georges Mathieu, a spectacular representative of the modern Lyrical Abstraction movement, who I always consider with fond admiration, especially because he experimented with live creation in public, via memorable pictorial happenings!

Apart from her acute sense of colour, Zaha Hadid’s paintings feature all the contained energy and experimental approach she poured into her architectural creations. Her splashes of colour and gradients, her sharp lines and explosive calligraphy, distorted or fluid or airy, reveal her early taste for mobile compositions that conquer space.

I must admit that my opinion on this great artist who won the 2004 Pritzker Prize (the Nobel Prize of architecture) and whom I previously thought was slightly repetitive and enclosed in a style that was recognisable but not always in keeping with location, has changed very favourably since her death.

This surprising and highly illuminating exhibition, which highlights the foundations of her creations, makes her even more endearing.

Let’s hope this exhibition will soon travel to France  

 VMZINC

Article - 2017/02/23

Zaha Hadid, Early Paintings and Drawings

Serpentine Sackler Gallery, London

www.serpentinegalleries.org

1)  “ Orange Explosion on White” was presented as part of the "Vision for Madrid" exhibition celebrating the European capital of culture in 1992.© Zaha Hadid Foundation- 2016 Luke Hayes

[jordi-gali]

Helen Marten – Drunk Brown House at Serpentine Galleries

Image courtesy of Serpentine Sackler Gallery

https://www.pinterest.es/pin/481885228890776730/

[carla-enjoys]

Andrea Branzi Wall bookshelf, 2011. Installation view from the exhibition design is a state of mind, Serpentine Sackler Gallery, London, (5 March - 21 April 2014). Photograph: Hugo Glendinning