#Sergey Urusevskiy

[genevieveetguy]

Letter Never Sent (Neotpravlennoe pismo), Mikhail Kalatozov (1960)

[cinesludge]

Movie #10 of 2022: The Cranes Are Flying

[bigspoopygurl]

I Am Cuba (1964)

Director: Mikhail Kalatozov

Cinematographer: Sergey Urusevskiy

[byneddiedingo]

Aleksey Batalov and Tatyana Samoylova in The Cranes Are Flying (Mikhail Kalatozov, 1957) Cast: Tatyana Samoylova, Aleksey Batalov, Vasiliy Merkurev, Aleksandr Shvorin, Svetlana Kharitonova, Konstantin Kadochnikov, Valentin Zubkov, Antonina Bogdanova, Boris Kokovkin, Ekaterina Kupriyanova. Screenplay: Viktor Rozov, based on his play. Cinematography: Sergey Urusevskiy. Production design: Evgeniy Svidetelev. Film editing: Mariya Timofeevna. Music: Moisey Vaynberg. The Cranes Are Flying was received enthusiastically on its international release in 1957, partly as a sign of a thaw between the Soviet Union and the West. Among other things, it won the Palme d'Or at Cannes. Today, I think it's more likely to be judged for its visuals and its almost formalist construction than for the well-worn theme of its narrative, a romantic drama set against the backdrop of war. From the beginning I was struck by the compositions of cinematographer Sergey Urusefskiy, an evocative use of diagonals, framing the lovers Veronika (the extraordinary Tatyana Samoylova) and Boris (Aleksey Batalov) within the angles made by bridges and causeways, roads and ramps and staircases, all of which echo the image evoked in the title: the V-shaped flight of migrating cranes. Director Mikhail Kalatozov uses the image of flying cranes at the beginning of the film, almost as a harbinger of the coming war, and again at the end of the film, this time precisely as an image of returning peace. The V of the flying cranes at the beginning is soon mocked by the X of anti-tank barriers set up in the wartime street. But his entire film is structured of such echoes, including the crowds that weep at the departure of soldiers and at the end weep at their return -- or failure to do so. The film is full of beautifully staged moments, such as the return of Veronika to her home after a bombing raid. She has taken shelter in the subway but her family hasn't, and she rushes into the bombed-out building, climbs the burning stairs, and opens a door to nothingness, with only a dangling lampshade to recall the scene that had taken place in the apartment before. There are striking cuts, such as the one of feet walking across broken glass in a bombed apartment that's followed immediately by a soldier's feet slogging through mud. This particular cut also serves to link two key moments in the film: Veronika's rape by Boris's cousin Mark (Aleksandr Shvorin) and Boris's death from a sniper's bullet. The Cranes Are Flying can be faulted for melodramatic excesses: Veronika's decision to marry her rapist doesn't come out of any perceptible necessity, and the failure to report Boris as dead rather than missing seems there only to heighten her futile hope that he will return to her. But if you're going to be melodramatic, you should embrace it as whole-heartedly as Kalatazov does.

[ernestogarrattvines]

I AM CUBA (1964) DoP: Sergey Urusevskiy | Dir: Mikhail Kalatozov

[magic-of-cinema]

I'm so impressed by camera work of Sergey Urusevskiy in 'Soy Cuba'. It's definitely one of the most beautiful cinematography I ever seen! He is also known for ‘The Letter That Was Never Sent’ and ‘The Cranes Are Flying'. I’m quite sure Lubeski learned something from his work)

I was lost in thought about cinematographers - who do I like the most? There are a lot of pictures with great visuality, but aren't so much greatest masters, who have constant high level of work and large achievement list.

Ok, my choice:

Roger Deakins, Emmanuel Lubezki, Robert Richardson, John Alcott, Robby Müller, Steven Soderbergh and now Sergey Urusevskiy.

plus I want to allocate Gregg Toland, Sven Nykvist, Vadim Yusov, Robert Burks, Wally Pfister, Matthew Libatique, Robert D. Yeoman, Anthony Dod Mantle

[sesiondemadrugada]

Letter Never Sent (Mikhail Kalatozov, 1960).

[kinonames]

I Am Cuba (1964) Director: Mikhail Kalatozov

[byneddiedingo]

Letter Never Sent (Mikhail Kalatozov, 1960)

Cast: Innokentiy Smoktunovskiy. Tatyana Samoylova, Vasiliy Livanov, Evgeniy Urbanskiy, Galina Kozhakina. Screenplay: Grigoriy Koltunov, Valeri Osipov, Viktor Rozov. Cinematography: Sergey Urusevskiy. Production design: David Vinitsky. Film editing: N. Anikina. Music: Nikolai Kryukov. Letter Never Sent tells the story of a team of Soviet prospectors and geologists searching for diamonds in the Siberian wilderness who are trapped when a forest fire breaks out. A beautifully filmed adventure story, it's also overlaid with Soviet patriotism, from an opening title sequence that lauds the heroic pioneers of Soviet exploration and the space program, to occasional interpolated speeches in which the characters extol the country's shining future. The diamonds, it seems, are not bourgeois capitalist gemstones but minerals essential to the advancement of Soviet industry. Fortunately, the adventure story overwhelms the propaganda.

[sesiondemadrugada]

Soy Cuba (Mikhail Kalatozov, 1964).

[sesiondemadrugada]

Soy Cuba (Mikhail Kalatozov, 1964).