#Sebastian Gutierrez

[rhetthammersmithhorror]

She Creature | 2001

[spiderliliez]

Batty and Alba engaged in this quiet verbal foreplay. LEOPARD SKIN (2022) [+] LGBTQ 🏳️‍🌈 [+] GAITE JANSEN [GIF Collection] 🌷 [+] ..more on CARLA GUGINO 🌼

[albaandbatty]

Most underrated actress alive

[sesiondemadrugada]

Elizabeth Harvest (Sebastian Gutierrez, 2018).

[cemyafilmarsiv]

Gothika 2003

Psiokolojik Gerilim

Ters köşeleri severim ve bu filmin güzel dönemeçleri var. Filmi dikkatli izleyen birisi detayları yakalayabilir ancak bu da zaten ters köşenin içine çeken kısım. Dikkatli seyirci tarafından daha çok beğenilmesinin sebebi sanırım bu.

Psikolojik gerilim ve dedektif filmleri sevenler için yazılmış bir senaryo.

Senaryo: Sebastian Gutierrez

Yönetmen: Mathieu Kassovitz

Oyuncular: Halle Berry, Robert Downey Jr. Penélope Cruz

Akıl Hastanesinde Geçen Filmler

[erstwhile-punk-guerito]

[vintagewarhol]

[week-of-wonders]

Elizabeth Harvest (2018)

[lonesomedreamereccentriclover]

Happy Birthday Carla Gugino!

[elcineblue]

Elizabeth Harvest (2018) by Sebastian Gutierrez.

[cantsayidont]

Some recentish feature films I watched recently, none of them very good:

COMPANION (2025): Grating variation on M3GAN and SUBSERVIENCE, a sci-fi thriller about a young woman named Iris (Sophie Thatcher) who goes on a weekend trip with her dweebish boyfriend Josh (Professional Nepo Baby Jack Quaid) and learns that she is actually Josh's "emotional support robot." Thatcher is excellent, I liked that Iris remains the heroine rather than the heavy, and watching her maneuver around her designed-in limitations is fun, but costar Megan Suri is wasted, a subplot involving Lukas Gage and Harvey Guillén (who's awful) feels homophobic, and writer-director Drew Hancock keeps pushing the story to a level of meanness that's more unpleasant than exciting. (I kept muttering, "Dude, we get the point.") CONTAINS LESBIANS? No. VERDICT: Worth a look for Thatcher and the final scenes, but I'm sick of Professional Nepo Baby Jack Quaid's nepo baby face. CWs apply for intimate partner violence.

DELICIOUS (2025): Pompous German horror-thriller about a bourgeois German family, on holiday in the south of France, who hire a Spanish girl named Teodora (Carla Díaz) as their live-in housekeeper after hitting her with their car. However, Teodora has actually staged her own injury in order to insinuate herself into their lives and get under each family member's skin through an (inexplicably) elaborate campaign of psychological manipulation. This is ultimately a horror story, but it's so slow-paced and obliquely framed, and the main characters are so unsympathetic (by design), that your interest may wane well before the ghoulish denouement. Confident direction and attractive cinematography help some, but the actual plot makes no sense at all, and its class-divide themes are facile and reactionary. CONTAINS LESBIANS? No. VERDICT: Stylishly executed, but misses its own point. CWs apply for recurring motifs of animal injury and raw meat. (No points for guessing why.)

ELIZABETH HARVEST (2018): Creepy but uninvolving sci-fi thriller, written and directed by Sebastian Gutierrez, about a young woman called Elizabeth (Abbey Lee), newly married to a much older man named Henry Kellenberg (Ciarán Hinds), who learns that her husband is conducting a disturbing experiment in the one part of the house she's been forbidden to enter, and her husband's loyal servants Claire (Carla Gugino) and Oliver (Matthew Beard) are not what they seem. Pitched as Bluebeard by way of Frankenstein, it also bears some resemblance to Alex Garland's EX MACHINA (2014). You'll likely deduce much of what's going on within the first three minutes; the tougher question is why you should care. The disjointed story structure and lack of a clear POV work against any suspense, and Henry's actions never make much sense. As usual for a Gutierrez project, Gugino (who is Gutierrez's long-time girlfriend) has the meatiest part, but Claire's motivations make even less sense than Henry's. CONTAINS LESBIANS? There are definite homoerotic vibes between Claire and Elizabeth, but what we're expected to make of them is less clear. VERDICT: Emotionally remote and too much like a rough draft. CWs apply for intimate partner violence and quasi-incest themes, which are rather icky.

HOLLAND (2025): Self-consciously deadpan, frequently exasperating sub-Hitchcockian domestic thriller about small-town Michigan schoolteacher Nancy Vandergroot (Nicole Kidman, unbearably arch), who starts to fear that her genial optometrist husband Fred (Matthew MacFayden, also unbearably arch) may be leading a double life, and ends up starting an affair with her coworker Dave (Gael García Bernal, so twitchy that he often seems like he's tweaking) as they try to figure out what Fred is really up to. Feels like it wants to be a Hitchcock homage (with SHADOW OF A DOUBT probably the most obvious reference point), but it keeps missing the mark: The eventual reveal is painfully obvious early on, but where Hitchcock would have used the resulting dramatic irony to add suspense, HOLLAND spends far too much energy being smug and cutesy, and when it finally turns bloody, it doesn't have much impact — or much point. CONTAINS LESBIANS? No. VERDICT: I don't even like Hitchcock. CWs apply for intimate partner violence.

THE LAST SHOWGIRL (2024): Mostly dull, very depressing backstage drama, adapted from Kate Gersten's play BODY OF WORK, about an aging showgirl (Pamela Anderson) whose long-running Vegas show is finally closing, forcing her to confront the effective end of her career and her various uneasy relationships with the people around her, including two younger showgirls (Kiernan Shipka and Brenda Song) who expect her to be their mom, her estranged actual daughter Hannah (Billie Lourd), an older friend (Jamie Lee Curtis) with a ruinous gambling problem, and the show's longtime manager (Dave Bautista), who is also Hannah's father. It's well-acted, but its relentless parade of unleavened disappointment, alienation, and humiliation is grueling, and Professional Nepo Baby director Gia Coppola's main trick for making it not feel stagebound is to shoot every scene in queasy-making handheld camera. CONTAINS LESBIANS? You'd think, but no. VERDICT: Unrewarding and bleak.

OPUS (2025): Glib but curiously flat thriller about an eccentric, reclusive international pop star called Moretti (John Malkovich), who comes out of retirement after 30 years and invites half a dozen reporters to an album release party on his remote compound, including neophyte journalist Ariel Ecton (Ayo Edebiri). Ariel soon realizes that Moretti is now the leader of a weird cult, and may have a more sinister agenda than the usual pop star ego trip. Seems intended as a more grownup version of WILLY WONKA AND THE CHOCOLATE FACTORY, but it never really gets off the ground: Except for Ariel, the reporters get so little characterization that their fates seem completely arbitrary (third-billed Juliette Lewis barely has any lines, and Murray Bartlett is wasted), and there's never any sense of suspense or menace. The only one who has any fun is Malkovich, further expanding his portfolio of weirdos. CONTAINS LESBIANS? No. VERDICT: Not nearly enough fizz.

REVENGE (2017): Cartoonishly gross French rape-revenge actioner by Coralie Fargeat (later responsible for the tonally similar THE SUBSTANCE), about a hot blond woman (Matilda Lutz), mistress of a rich VC asshole (Kevin Janssens), who is raped by one of her boyfriend's disgusting hunting buddies (Vincent Colombe) for being too sexy, and then sets out for violent revenge after her boyfriend attempts to murder her to cover it up. Fetishistically bloody and frequently preposterous (the protagonist walks off a series of horrific mortal injuries with only aesthetic consequences), colored by Fargeat's rancid sexual politics, which make it pretty disagreeable even if you don't mind the gore. CONTAINS LESBIANS? I assume Fargeat is, given her cinematographic fixation on Lutz's body, but not in the story, no. VERDICT: Like if Andrea Dworkin had a fetish for puncture wounds. CWs apply for sexual assault and a great deal of extremely bloody violence.

[moxyphinx]

Carla Gugino as Verna in THE FALL OF THE HOUSE OF USHER (2023)

[spiderliliez]

Alba and Batty... the cat the the canary. LEOPARD SKIN (2022) [+] LGBTQ 🏳️‍🌈 [+] GAITE JANSEN [GIF Collection] 🌷 [+] ..more on CARLA GUGINO 🌼

[albaandbatty]

Connecting Dots: Daisies (1966), Strip Nude For Your Killer (1975), Leopard Skin (2022) and La Marge (1976)

[albaandbatty]

Alba and Batty can relate to Betty

Béatrice Dalle, Betty Blue, 1986

[mysteriouslyjovialcolor]

Austria 2016

-I might have Pavlov-ed myself into believing that car sounds make me happy

-Nico Hulkenburg is p2??!

-Why are there so many grid penalties- what happened in this qualifying session?

-I hate watching races where Nico qualifies well, I always have to confront the fact that he actually never stays there in the end

-Oh it’s Seb’s birthday!

-“Could this be the day that Force India capitalize on Nico Hulkenburg’s top qualifying position?” Don’t make it worse please

-Oh that’s not a good start- Wehrlein is in the wrong grid spot

-“Nico Hulkenburg has lost a place or two” :/

-“Jenson Button already forming a bit of a buffer for his former teammate” Yay DRS train

-Aah Nico vs Nico

-“Hulkenburg’s lost two places in the span of two corners”

-Max really be just following the top cars and making everyone’s lives difficult

-Both Ferraris making moves at the same time>>

-Also Kimi p2!!

-“That’s Vettel on his former teammate”

-Nico has fallen to p8. I knew this was going to happen but it still sucks.

-Nico R overtaking here much faster than he did in Canada

-Nico H pitting already?

-“Okay Daniel, we might be stopping soon, push now, push now”

-Very impressed by Lewis going long on those tires and still maintaining pace

-“I do think we need to just keep Raikkonen in mind a little bit because he’s driving himself into contention” Yes, let’s go!

-No way Nico’s taking those tires to the end

-Nice, Hulkenburg’s still in the points

-Nevermind, I spoke that into non-existence

-Ohmygod no wait, Nico fought back

-And he’s lost it again

-Did Nico R just successfully undercut Lewis?

-Ayy Ferrari called in Kimi too late. They were 1-2 and now Kimi’s in p6

-Hehe Kevin being a menace

-Why is Nico H pitting again??

-Seb?? Ohmygod?? Did his tire just burst?

-“Has Ferrari left it too long to bring him into the pits?” Aaah I’m going to scream

-Him just sitting there on the track is awful

-I have realized just now, watching Nico leading this race, that I’ve never actually watched a race where he wins. What the hell?

-I completely missed the safety car pit stop games because of that realization

-I don’t think any of the top five cars pit again though?

-So cute all the cars following the safety car through the pit lane

-“Red Bull sitting pretty, Verstappen and Ricciardo 3 and 4”

-Whyyy is Nico Hulkenburg p16?!

-“There’s some Ferrari hanging off the front of that Mercedes” Hehe

-Yesss Checo! Double overtake!

-Checo practically carried that team fr

-Nico and Kevin getting penalties basically at the same time. Their teammate agenda started early

-Felipe Nasr leading a DRS train>>

-“Nico Rosberg leads by two seconds” Ohmygod am I finally about to watch him win?

-“There are twenty of them on track but it’s looks like there are thirty on there doesn’t it, with the amount of scraps” It really does! With everyone so bunched up

-Checo and Massa have been battling for so long, they overtook the same guy together to continue battling

-“I’m really missing radio communication in f1” I too would like to hear more radios

-“Jenson Button is having a good afternoon isn’t he?” WHY ISN’T NICO HULKENBURG??!

-“Verstappen- the non-Mercedes man, in a podium position”

-NH: “Guys I think I’m bailing out, there’s so much vibration” Ajhshsbsbhsggsg

-Man I forgot about his five second penalty, he might as well have retired

-LH: “Okay Lewis close that gap as much as you can, it’s hammer time”

-Ooh good pit stop for Lewis

-Good pit stop for Nico too

-They really be so evenly matched

-“This is going to get punchy isn’t it” Bring it on!

-LH: “Why is he on a softer tire than me?!”

-Huh when did Kvyat retire?

-It’ll be hilarious if Max wins this race by going till the end on those tires

-Honestly it must be so terrifying being hunted down by both Mercedes rocket ships

-Ah that was a good move from Nico

-Ughh traffic while trying to overtaking must be the worsttt

-Never seen Ricciardo and Button battling before. This is fun

-Yesss late on the breaks babyyy

-Massa, Alonso and Hulkenburg retiring?!

-Yes traffic must suck. I’m pretty sure Nico’s cursing them out right about now

-Ohmygodd no wayyyy!!!

-Checo?!

-“He’s been passed by the Red Bull and the Ferrari as well!”

-How did all of this happen in the last lap?!?

-I thought Nico was going to win!!!

-LH: “I was on the outside. It wasn’t me that crashed”

-I’m in such shock, I’m still reeling

-“I don’t think there will be a hug between the two drivers” These commentators just do their best to add more drama don’t they?

-On the flip side though, Kimi podium!! (Also Carlos points!)

-Ooh this is Max’ second podium (Man’s first podium was a win- how cool)

-MV: “What happened there?”

LH: “ *scoffs* He made a mistake into turn 1 in the last lap”

KR: *watching with interest *

-I love debriefs with the older drivers