#STUDIO BONES DO YOU KNOW WHAT YOUVE DONE TO ME

[marbleboa]

Realized I never posted about the sakuyama inverted aura things from Twitter here. Just... Look.

[louscartridge]

⇢ ˗ˏˋ(not so off) off day

han jisung x gn reader.

cw- mention of reader slightly crying, domestic fluff (han gets reader ready for bed. changes their clothes, brushing their teeth, ect), kinda hurt/comfort, not really proof read. half of this was written on a phone and the other half was written on my computer and i cant be asked to fix it so itll look weird or something idfk. 

summery- reader leaves han home without her on their only off day. saying the least, theyre both pretty sad and han helps both of you feel a bit better.

a/n- i kinda gave up like halfway through the fic so this sucks and my fics, ESPECIALLY my kpop fics have been flopping, but i need to post so whatever.

It was Sunday, so both you and jisung had off. however, you insisted on going to your company’s building to practice anyway, leaving jisung home with Chan, hyunjin, and changbin. the day went my exhaustingly slow for Han.

Chan had been in him room pretty much all day, doing god knows what, Hyunjin has been in his art studio all day, and changbin has been playing video games, leaving Han alone. He would alternate from being in his room to the living room, occasionally getting a “hey” from one of his roommates if they came out to get something to eat or something. Jisung had been laying on the couch in the now dark living room. the only light that was on, being the light that was coming from the tv. he took a short lived nap on the couch before being woken up to the sound of the door being opened and then closed. jisung rubbed his eye with his fingers, adjusting to the small yet bright light. He turned around and was greeted with you putting your bag beside the arm end of the couch. you plop down next to your boyfriend on the couch and snuggled into his side with a sigh. You burry your face into his neck and wrap your hands around his waist, your legs going over his thighs. he can feel that your eyelashes are slightly wet against his neck and jisung wraps his arms loosely around your hips.

“Rough day?” He asks in a sweet tone.

You shake your head yes slightly in an attempt to not shift your position. “mhm”

“m’sorry love” jisung moved his hands slightly so he can rub circles on your hip with his thumb.

“how was your day?” You ask him.

“boring. I missed you.” His voice is lazy, still laced with wanted sleep.

“I know I’m sorry. I missed you too.” You said pressing a few little kisses to his neck, close to his collar bone.

jisung could tell you were getting tired and on the verge of falling asleep in his embrace. Your words were getting merged together more with some slurring, your breathing was changing slightly, and you would randomly shoot your eyes open, fighting to stay awake.

“you want me to bring you our room and we can go to sleep?” Your boyfriend asks calmly.

“I don’t think I’ll be able to fall asleep if I move” you said.

“you’ll get there” he knew you would. It might take you a bit, but you would. you always did. with the comfort of being in jisungs imbrace and knowing you werent alone, youve felt more comftorble sleeping. not only, did you have just your boyfriend with you, but three other men to protect you.  

han turned the tv off before he picked you up and grabbed your legs so they were wrapped just above his hips. you wrapped your arms around his neck and kept your face in his neck. 

he brought you to your shared room and then into the bathroom. he closed the bathroom door and sat you on the counter before taking your toothbrush and toothpaste out of the drawr next to your leg. 

han grabs your chin gently, tiliting your head up to the side a little. “open up baby”

you lazily open your mouth and soon after you can feel the tickiling sensation of han brushing your teeth. 

once he was done, he brought a little plastic cup to your mouth and held your hair back. 

“spit” 

you brought your head down a bit before spitting everything in your mouth out into the cup. 

“good job.” 

you smield slightly from his words. “mhm. thank you” 

han patted your head before opening the bathroom door. “ill be right back”

when han came back, he had one of his t-shirts and a clean pair of underwear in his hand. 

“here wait stand up for a second”  

you hopped off of the counter so you were now standing infront of jisung. 

“can i take your pants off?” han asked

“wow so romantic” you laughed. “yeah.” you awnserd with a shake of your head.

once he was done taking your pants off, he also slid off your underwear with your promisiom, before sliding on a new, clean pair of underwear. after that, you jumped back onto the counter and he took your shirt off to replace it with his. he didnt bother bringing you a pair of pants since he knew youre not on your period and you dont like to sleep in pants half the time anyway.

he picked you back up so you were holding onto his same as before, and threw you onto your bed, earning a giggle from you. 

you moved onto you spot of the bed as han took off his shirt and put on a clean pair of boxers and sweatpants.  

once he was ready, he climed into bed with you and you turned over and burried yourself deep into his chest. han gently took your face in his hands and kissed your forhead before wrapping his arms around your body.

you and han loved eachother. and han will always hold your hands when youre anxious and hell always kiss your forhead when you sleep in his arms. 

reblogs are greatly appreciated!! 

if you liked this fic, you may also like- selenite (sh tw)

[marudeinusa]

youve been asked what each cc character's favorite animal is but which animals do you think represent them most in any way? if the answers are the same then is there something you associate with them that's not something that immediately pops into ones mind with character associations (colors/animals/songs/etc) and moreso something more abstract like a specific complex feeling or brief scenery? for example what I associate with one of my ocs is an evening sunset during a long car ride home from a trip...something like that!

HI HI HI omg! I dont think so much about animal meanings so ill do the second one it is such a good ask thank you :) let me try!!

AKITO: a desolate super market by the highway in the middle of nowhere; an uninhabitable spot where you can only stop and then move on having done your shopping, a transitory usefulness. Small-town cafés and their suffocating atmosphere of everybody knowing everybody other than the vague shapes of tourists who come and go. A stranger, a visitor, an outsider with no defining traits other than their status as a passer-by. The economy hinges on tourists' coming and going, but they are unwanted as individuals, and chasing one or two away isn't harming anyone...

JUNPEI: dusty soccer courts at the playground, only a rusty frame of a goal with no net. When the ball hits the goal, it will pass through and force the goalman to chase after it no matter whether the opposing team scored or not. The suffocating and sacral stuffiness of ballet studios, no sounds other than the squeaking of rubber soles against that worn-our parquet and occasional harshness from the dance instructor... coming home hungry. Always hungering at home.

HIKARU: A maddening funerary orchestra giving it their all, sweating and panting to perform a satisfactory requiem. Instruments gradually going off-pitch, their strings snapping with strain. Within the hearse lies a living man dressed as a pierrot. Circus horses trained to run in circles round the tent, never arriving at any goal or end point. They are going nowhere, and have nowhere to return to, running until they fall from exhaustion with all their beautiful, ornate feather plumes and tassles

ARISU: death in cold water; a drowned Ophelia and a desolate-hearted Fisher King guarding a Holy Grail that nobody wants anymore. This is a Wasteland that cannot be populated anymore; plants can't grow and it's been a long time since anything has bitten the bait. Houses without a façade, bare-walled, and old-timey maidens with their hair undone. The Gordian knot cut rather than untangled, and thus everything is left behind and re-imagined...

ODILE: a skinny dog leashed to a post at the parking lot, snarling and spitting because it can only perceive being told "wait" as "wait forever." The humiliated angels of Sodom. A doubtful disciple insisting to push his fingers into Jesus' wound. Easter bunny chocolates forgotten until summer and eaten half-melty.

THE LEADER: golden teeth lying in bone dust after cremation and a waft of perfume residing in the air after a woman has passed by and gone. Nothing of value - certainly nothing that can be grasped - is here anymore.

[norton-addiction]

He won British audiences over with roles in hit television shows such as Happy Valley and Grantchester, and now James Norton has his sights set on Hollywood, having bagged his first major film role in the reboot of Nineties flick Flatliners. With the world at his feet, he tells Gemma Dunn of his hopes for stardom

Cut-glass accent. Tick. Movie star good looks. Tick. A top-notch education. Tick. A trail of slick screen performances. Tick. There's no denying British star James Norton has had a fair crack of the whip when it comes to fame - but his latest starring role in the remake of the cult 1990s classic Flatliners is set to propel his star to new Hollywood heights.

The sci-fi psychological horror - directed by Niels Arden Oplev and co-produced by Michael Douglas, no less - follows five medical students, obsessed by the mystery of what lies beyond the confines of life.

Taken by the element of the unknown, they soon embark on a dangerous experiment - a near-death experience which gives them each a first-hand account of the afterlife.

But, you guessed it: trespassing to the other side doesn't come without consequences.

"I think that everyone is preoccupied by the question of 'what happens to us after we die?'" Norton (32) maintains of the 'modernised' film's appeal.

"It's quite plausible now with the technology available to medical students, that ambitious and slightly brazen people would put themselves to death to explore that.

"To try and answer those questions," he elaborates. "It's a brilliant question."

It's not the first time the striking actor has broached the subject of afterlife, however: before training at RADA, Norton read theology at the University of Cambridge.

"Do you know, it's weird, I did do a lot of work in my degree on near-death experience and we did a load of essays and reading and research into people's reports of what happens," he recalls.

"The white light, going down a corridor... and there's both scientific explanations for that, you know dealing with asphyxiation and things," he adds. "But there are also people who jump in when there's a gap and say, 'It's God' or it's this particular religious explanation, so yeah, it was interesting for me."

Did he have a head start when it came to his character, "loveable rogue" Jamie, then?

"I mean, our afterlife isn't particularly Christian or anything..." he notes, candidly. "It's pretty specific to the movie; we hope the real afterlife isn't as dark as our movie is, but we'll see."

As for Jamie: "He isn't the most serious of students," Norton confesses. "He likes to party, he likes the girls, he's full of bravado and confidence and makes no bones about the fact that what he's really after is recognition. He wants to be a celebrity doctor."

It's a self-assurance that's balanced out by his fellow 'scholars', helmed by Ellen Page, Diego Luna, Nina Dobrev and Kiersey Clemons.

"In any movie, any performance, the trust involved between a group of actors is immense," insists the Londoner. "You have to open yourself up and within a few days show your soul and become incredibly vulnerable with strangers. And that takes an enormous amount of trust.

"So it's no surprise that actors generally become very close very quickly," confides Norton, who is currently loved up with his former War and Peace co-star, Jessie Buckley.

"And that was what happened on this movie, which was great because this movie is all about trust," he adds. "These characters are literally putting their lives in each other's hands and saying, 'Get me back, take me back from death.'

"So the fact that we all got on so well, that we all trusted each other off camera meant that the relationships and the stories of our friendships on camera was much easier."

It meant all the more that it was his first major Hollywood epic, too.

"I was running around having the time of my life, because it was all new!" he admits. "And it's an experience to have that kind of support from a studio like Sony - some of the set pieces, which you just don't have access to in television, are really fun and really exciting. Beaming, he follows: "Driving down the freeway on a motorbike on my own at 100kph was like the best theme park ride of my life."

Other first-time adventures included enrolling in the 'medical bootcamp' in order to learn how to carry equipment correctly and give injections and intubations the way a real physician would.

"It was a really great bonding experience," states Norton.

"But it was also very important that it all looked genuine and authentic because we don't want to draw the eye. It was a challenge; it was a lot to learn in a short space of time."

Don't expect him to exploit his newfound life-saving skills anytime soon, however.

"I'd like to think I was a bit better equipped..." he responds, with a laugh. "I was saying earlier, I think the problem in our CPR was preventing breaking the ribs, because it really does cause damage. So whilst we'd look great, we'd probably be really, really hopeless!"

But considering his rapid rise to fame in the past three years alone - Norton terrified millions with his BAFTA-nominated portrayal of murderer Tommy Lee Royce in Sally Wainwright's Happy Valley; not to mention his take on troubled vicar Sidney Chambers in Grantchester - it seems increasingly unlikely he will require a fallback career.

In fact, Norton is already set to cause waves next year with the lead role in a brand new BBC thriller, McMafia, in which he will play an English-raised son of Russian exiles.

Does he ever fret about the next level of celebrity, though. The next rank of fame?

"No, I don't think I worry about it," he answers thoughtfully. "I mean, I hope that... You're constantly trying to do different jobs and open new doors and build on what you've done before. There's an amazing amount of brilliant writers and directors in this town (Hollywood)," he concludes. "So if this allows me maybe an entry into that, then great."

Flatliners is in cinemas now

Belfast Telegraph