#SNKH Architectural Studio

[urdesignmag]

OD Blow Dry Bar in Yerevan, Armenia

Designed by SNKH Architectural Studio, OD is the first blow dry bar in Yerevan, Armenia, created by a group of young and enthusiastic entrepreneurs. see more

[designdailynet]

Летний кинотеатр Garage Screen 2020

Project name: Летний кинотеатр Garage Screen 2020, located in Россия, Москва, by SNKH Architectural Studio, Ашот Снхчян, 2020.

https://projects2.designdaily.net/wp-content/uploads/2021/01/329686.jpg

source https://www.designdaily.net/architecture-projects2/2021/01/19/%d0%bb%d0%b5%d1%82%d0%bd%d0%b8%d0%b9-%d0%ba%d0%b8%d0%bd%d0%be%d1%82%d0%b5%d0%b0%d1%82%d1%80-garage-screen-2020/1718

[homeworlddesign]

Open Workspace BigBek / SNKH Architectural Studio

[kazu721010]

BigBek Office / SNKH Architectural Studio

Photos © Sona Manukyan & Ani Avagyan

[retaildesignblog]

BigBek Office by SNKH Architectural Studio, Yerevan - Armenia

BigBek Office by SNKH Architectural Studio, Yerevan – Armenia

The office of Armenian software development company BigBek is located in Yerevan’s Soviet era automotive manufacturing plant called ErAZ (Erevanskiy Avtomobilny Zavod) which is now transforming into office spaces for Armenia’s intensively growing IT community. The main goal of this project was to create an open workspace for up to 30 employees with a strict functional division in only 177 square…

[architectnews]

Garage Screen summer cinema 2022 Moscow

Garage Screen summer cinema 2022 design, Moscow Temporary Structure, Contemporary Architecture Russia

Garage Screen summer cinema 2022 competition

1 June 2021

Garage Screen summer cinema 2022 contest

Location: Moscow area, Russia

Garage and Strelka KB announce the architectural competition for the development of the concept for Garage Screen summer cinema 2022.

Garage Museum of Contemporary Art announces the launch of the third open competition for the development of the architectural concept for Garage Screen summer cinema. The winning project will be built in 2022.

This time the organizers suggest the participants improve the professional and creative potential of their teams by inviting artists to join the working groups.

The aim of the competition is to enable architects and artists to implement their design ideas as temporary structures on Garage Square. The competition is open to applicants from Russia, Armenia, Belarus, Kazakhstan, and Kyrgyzstan. The organizer of the competition is Strelka KB.

The jury comprises Garage director Anton Belov, director of Strelka Institute for Media, Architecture and Design and Strelka KB partner Varvara Melnikova, head of maintenance and construction at Garage Dmitry Konyakhin, Garage Screen curator Evgeny Gusyatinsky, and the founders of snkh bureau and 2019 competition winners, Ashot and Armine Snkhchyan.

In 2020, the competition for a new pavilion was cancelled due to the Covid-19 pandemic. The cinema built in 2019 by snkh was open only during August 2020.

Ashot and Armine Snkhchyan commented: “This competition is a great opportunity for emerging architects to build their boldest designs. You don’t get the chance to design a cinema every day, let alone the cinema of a contemporary art museum. For us the competition was an invaluable experience and a confidence booster.”

Applications should be made online: https://garagescreen.strelka-challenges.com/.

A masterclass for applicants will be organized in June and announced on Strelka KB and Garage social media.

Applications will be accepted until July 4, 2021.

Garage Museum of Contemporary Art is a place where people, art, and ideas can create history. Founded in 2008 by Dasha Zhukova and Roman Abramovich, Garage is the first philanthropic institution in Russia to create a comprehensive public mandate for contemporary art.

Providing opportunities for dialogue, as well as the production of new work and ideas, the Museum’s extensive program of exhibitions, events, education, research, and publishing reflects current developments in Russian and international culture. Central to these activities is the Museum’s collection, which is the only public archive in the country related to the development of Russian contemporary art from the 1950s through to the present.

Strelka KB is a leading Russian company offering strategic consulting services in the field of urban development. Since 2013, Strelka KB helps cities develop their spaces, economies, management and technologies based on the demands of their residents.

The company develops comprehensive solutions for improving mobility, ecology and sustainability of the urban environment and the quality and accessibility of housing. An important field of the company’s work is the organization of architectural competitions, which help put Russian cities on the international agenda. Strelka KB’s work has received international recognition and a series of awards, including the Urban Land Institute Awards 2019, ISOCARP Awards 2018, Qatar Sustainability Awards 2018 and LILA Awards 2018.

Garage Screen Cinema Tent in Moscow information / images received 010621

Previously on e-architect:

4 August 2020 Garage Screen Cinema Design: SNKH studio image courtesy of architects practice Garage Screen Cinema Moscow

Location: Moscow, Russia

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Capital Hill Residence Design: Zaha Hadid Architects image courtesy of ZHA Capital Hill Residence in Moscow

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Parametric Residence, Uspenskoe Village, Odintsovo District, Moscow Oblast Design: Simon Rastorguev design group image from architecture office Parametric Residence

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Barkli Park Homes, Sovetskoi Armii str 6 Architects: Atrium photograph : Uriy Palmin, Anton Nadtochiy, Ilya Egorkin, Ilya Ivanov, Pavel Iovik Barkli Park Homes in Moscow

Comments / photos for the Garage Screen Cinema Tent in Moscow Architecture page welcome

Website: Moscow

The post Garage Screen summer cinema 2022 Moscow appeared first on e-architect.

[mh1806]

color is used as a functional division between each zones of this compact workspace in armenia by SNKH architectural studio. follow @wherepeoplework for more interiors of offices and studios around the world! #interiordesign #designboom image by

[agosnesrerose]

BigBek Office by SNKH Architectural Studio, Yerevan – Armenia

The main goal of this project was to create an open workspace for up to 30 employees with a strict functional division in only 177 square meters. Besides the main workspace, the client asked for a lounge zone, a small kitchen and a meeting room. To keep the space as open as possible we made a decision to divide the functional zones without physical barriers, by creating optical ones.

from Retail Design Blog http://ift.tt/2iebnCe

http://ift.tt/2iH6KSf

[shop4retail]

BigBek Office by SNKH Architectural Studio, Yerevan – Armenia

The main goal of this project was to create an open workspace for up to 30 employees with a strict functional division in only 177 square meters. Besides the main workspace, the client asked for a lounge zone, a small kitchen and a meeting room. To keep the space as open as possible we made a decision to divide the functional zones without physical barriers, by creating optical ones. from Retail Design Blog http://retaildesignblog.net/2017/01/05/bigbek-office-by-snkh-architectural-studio-yerevan-armenia/

[yourdreamiswaiting-blog]

BigBek Office / SNKH Architectural Studio https://t.co/1d6G1bq9eN

BigBek Office / SNKH Architectural Studio pic.twitter.com/1d6G1bq9eN

- Paigestainless (@PaigeStainless) January 3, 2017

http://twitter.com/PaigeStainless/status/816225416927121408

[archidotnews]

BigBek Office / SNKH Architectural Studio https://t.co/BT9m09fjvg https://t.co/K7pRwIhukW https://t.co/tnsEX4Dd0G

BigBek Office / SNKH Architectural Studio https://t.co/BT9m09fjvg https://t.co/K7pRwIhukW http://pic.twitter.com/tnsEX4Dd0G

— Archi.News (@ArchiDotNews) January 3, 2017

from Twitter https://twitter.com/ArchiDotNews January 03, 2017 at 11:25AM

[paigearchitecture]

BigBek Office / SNKH Architectural Studio https://t.co/1d6G1bq9eN

BigBek Office / SNKH Architectural Studio pic.twitter.com/1d6G1bq9eN

— Paigestainless (@PaigeStainless) January 3, 2017

http://twitter.com/PaigeStainless/status/816225416927121408

[architectnews]

SNKH creates pop-up cinema within "inverted Bedouin tent" in Moscow

Armenian architectural studio SNKH has created a pop-up cinema informed by Bedouin tents outside the Garage Museum of Contemporary Art in Moscow.

Named the Garage Screen, the pop-up cinema was built in Garage Square of Moscow's Gorky Park, directly opposite the Garage Museum of Contemporary Art which was designed by Dutch studio OMA.

SNKH's temporary structure will host a programme of Russian and international films. The studio's design, which was selected from 136 submissions in an open competition, directly references the building's temporary nature.

Garage Screen is next to OMA's Garage Museum of Contemporary Art in Moscow

"Temporary architecture is pretty much close to nomad architecture," Armine Snkhchyan who co-founded SNKH with Ashot Snkhchyan.

"We wanted to highlight its temporary, ephemeral nature," Armine Snkhchyan told Dezeen. "From day one, we knew that it should be light and should seem kind of fragile, with no walls or hard barriers as constructive elements."

The structure is designed to be an "inverted Bedouin tent"

The studio described the structure as an "inverted Bedouin tent", with the cinema enclosed within a PVC membrane hung from an external steel frame.

The building, which has the majority of its structure placed on the outside, also references the high-tech architecture of Richard Rogers and Renzo Piano.

SNKH referenced high-tech architecture

"In our work, we use multiple references," explained Armine Snkhchyan. "From Bedouin tents as an example of traditional nomad architecture to works of Russian constructivists, early works of Renzo Piano and many others."

"Those references may not be clearly recognisable at first sight, but they've heavily influenced our work," she continued. "We've envisioned a light external bearing structure that works on its limit and used a PVC membrane as a cover."

The cinema reflected in the Garage Museum of Contemporary Art

SNKH also aimed to ensure that the temporary building would not fight for attention with the OMA-designed museum it stands near.

"As it is a temporary structure we thought that we could deal with the location in an easier manner," said Armine Snkhchyan.

"The Garage Museum of Contemporary Art is very dominant on the square. We knew that our project should not be 'noisy', but at the same time, it should be bold. We hope we've managed to achieve that effect."

Within the cinema the auditorium has red walls

While the building is not directly recognisable as a cinema, the studio created a series of hints to its function.

"We tried to highlight its function by showing the contour of the amphitheatre on the facades and the ceiling membrane goes up, towards the screen inside creating a recognizable silhouette," said Armine Snkhchyan.

"Maybe it is not immediately recognisable as a cinema, but its spatial solutions should give a hint that there's some kind of auditorium inside."

Seating has been reduced due to coronavirus

Within the cinema, the auditorium has faceted red walls with the roof structure visible and supporting sound baffles. Visitors will be seated on individual chairs.

The number of chairs within the cinema was almost halved to meet social distancing rules imposed by the coronavirus pandemic.

The cinema's sign is illuminated at night

"Fortunately, our design had very useful advantages in these circumstances: the pavilion has four entrances which allows us to organise the flow of people, and due to structural peculiarities and the tension of the membrane, the pavilion has natural ventilation," explained Armine Snkhchyan.

"The only thing that has changed was the number of the seats. The auditorium was meant for 450 visitors – now its capacity is 225 for social distancing reasons."

The entrance to the cinema

Other recently completed cinemas include a colonnaded movie theatre by Tracks Architectes, which occupies a former French convent.

Design agency Layer has also designed a seat for social distancing in cinemas called Sequel that is knitted from antibacterial copper threads.

Photography is by Ivan Erofeev, courtesy of Garage Museum of Contemporary Art.

The post SNKH creates pop-up cinema within "inverted Bedouin tent" in Moscow appeared first on Dezeen.

[architectnews]

SNKH creates pop-up cinema within "inverted Bedouin tent" in Moscow

Armenian architectural studio SNKH has created a pop-up cinema informed by Bedouin tents outside the Garage Museum of Contemporary Art in Moscow.

Named the Garage Screen, the pop-up cinema was built in Garage Square of Moscow's Gorky Park, directly opposite the Garage Museum of Contemporary Art which was designed by Dutch studio OMA.

SNKH's temporary structure will host a programme of Russian and international films. The studio's design, which was selected from 136 submissions in an open competition, directly references the building's temporary nature.

"Temporary architecture is pretty much close to nomad architecture," Armine Snkhchyan who co-founded SNKH with Ashot Snkhchyan.

"We wanted to highlight its temporary, ephemeral nature," Armine Snkhchyan told Dezeen. "From day one, we knew that it should be light and should seem kind of fragile, with no walls or hard barriers as constructive elements."

The studio described the structure as an "inverted Bedouin tent", with the cinema enclosed within a PVC membrane hung from an external steel frame.

The building, which has the majority of its structure placed on the outside, also references the high-tech architecture of Richard Rogers and Renzo Piano.

"In our work, we use multiple references," explained Armine Snkhchyan. "From Bedouin tents as an example of traditional nomad architecture to works of Russian constructivists, early works of Renzo Piano and many others."

"Those references may not be clearly recognisable at first sight, but they've heavily influenced our work," she continued. "We've envisioned a light external bearing structure that works on its limit and used a PVC membrane as a cover."

SNKH also aimed to ensure that the temporary building would not fight for attention with the OMA-designed museum it stands near.

"As it is a temporary structure we thought that we could deal with the location in an easier manner," said Armine Snkhchyan.

"The Garage Museum of Contemporary Art is very dominant on the square. We knew that our project should not be 'noisy', but at the same time, it should be bold. We hope we've managed to achieve that effect."

While the building is not directly recognisable as a cinema, the studio created a series of hints to its function.

"We tried to highlight its function by showing the contour of the amphitheatre on the facades and the ceiling membrane goes up, towards the screen inside creating a recognizable silhouette," said Armine Snkhchyan.

"Maybe it is not immediately recognisable as a cinema, but its spatial solutions should give a hint that there's some kind of auditorium inside."

Within the cinema, the auditorium has faceted red walls with the roof structure visible and supporting sound baffles. Visitors will be seated on individual chairs.

The number of chairs within the cinema was almost halved to meet social distancing rules imposed by the coronavirus pandemic.

"Fortunately, our design had very useful advantages in these circumstances: the pavilion has four entrances which allows us to organise the flow of people, and due to structural peculiarities and the tension of the membrane, the pavilion has natural ventilation," explained Armine Snkhchyan.

"The only thing that has changed was the number of the seats. The auditorium was meant for 450 visitors – now its capacity is 225 for social distancing reasons."

Other recently completed cinemas include a colonnaded movie theatre by Tracks Architectes, which occupies a former French convent.

Design agency Layer has also designed a seat for social distancing in cinemas called Sequel that is knitted from antibacterial copper threads.

Photography is by Ivan Erofeev, courtesy of Garage Museum of Contemporary Art.

The post SNKH creates pop-up cinema within "inverted Bedouin tent" in Moscow appeared first on Dezeen.

[architectnews]

SNKH creates pop-up cinema within "inverted Bedouin tent" in Moscow

Armenian architectural studio SNKH has created a pop-up cinema informed by Bedouin tents outside the Garage Museum of Contemporary Art in Moscow.

Named the Garage Screen, the pop-up cinema was built in Garage Square of Moscow's Gorky Park, directly opposite the Garage Museum of Contemporary Art which was designed by Dutch studio OMA.

SNKH's temporary structure will host a programme of Russian and international films. The studio's design, which was selected from 136 submissions in an open competition, directly references the building's temporary nature.

"Temporary architecture is pretty much close to nomad architecture," Armine Snkhchyan who co-founded SNKH with Ashot Snkhchyan.

"We wanted to highlight its temporary, ephemeral nature," Armine Snkhchyan told Dezeen. "From day one, we knew that it should be light and should seem kind of fragile, with no walls or hard barriers as constructive elements."

The studio described the structure as an "inverted Bedouin tent", with the cinema enclosed within a PVC membrane hung from an external steel frame.

The building, which has the majority of its structure placed on the outside, also references the high-tech architecture of Richard Rogers and Renzo Piano.

"In our work, we use multiple references," explained Armine Snkhchyan. "From Bedouin tents as an example of traditional nomad architecture to works of Russian constructivists, early works of Renzo Piano and many others."

"Those references may not be clearly recognisable at first sight, but they've heavily influenced our work," she continued. "We've envisioned a light external bearing structure that works on its limit and used a PVC membrane as a cover."

SNKH also aimed to ensure that the temporary building would not fight for attention with the OMA-designed museum it stands near.

"As it is a temporary structure we thought that we could deal with the location in an easier manner," said Armine Snkhchyan.

"The Garage Museum of Contemporary Art is very dominant on the square. We knew that our project should not be 'noisy', but at the same time, it should be bold. We hope we've managed to achieve that effect."

While the building is not directly recognisable as a cinema, the studio created a series of hints to its function.

"We tried to highlight its function by showing the contour of the amphitheatre on the facades and the ceiling membrane goes up, towards the screen inside creating a recognizable silhouette," said Armine Snkhchyan.

"Maybe it is not immediately recognisable as a cinema, but its spatial solutions should give a hint that there's some kind of auditorium inside."

Within the cinema, the auditorium has faceted red walls with the roof structure visible and supporting sound baffles. Visitors will be seated on individual chairs.

The number of chairs within the cinema was almost halved to meet social distancing rules imposed by the coronavirus pandemic.

"Fortunately, our design had very useful advantages in these circumstances: the pavilion has four entrances which allows us to organise the flow of people, and due to structural peculiarities and the tension of the membrane, the pavilion has natural ventilation," explained Armine Snkhchyan.

"The only thing that has changed was the number of the seats. The auditorium was meant for 450 visitors – now its capacity is 225 for social distancing reasons."

Other recently completed cinemas include a colonnaded movie theatre by Tracks Architectes, which occupies a former French convent.

Design agency Layer has also designed a seat for social distancing in cinemas called Sequel that is knitted from antibacterial copper threads.

Photography is by Ivan Erofeev, courtesy of Garage Museum of Contemporary Art.

The post SNKH creates pop-up cinema within "inverted Bedouin tent" in Moscow appeared first on Dezeen.

[architectnews]

SNKH creates pop-up cinema within "inverted Bedouin tent" in Moscow

Armenian architectural studio SNKH has created a pop-up cinema informed by Bedouin tents outside the Garage Museum of Contemporary Art in Moscow.

Named the Garage Screen, the pop-up cinema was built in Garage Square of Moscow's Gorky Park, directly opposite the Garage Museum of Contemporary Art which was designed by Dutch studio OMA.

SNKH's temporary structure will host a programme of Russian and international films. The studio's design, which was selected from 136 submissions in an open competition, directly references the building's temporary nature.

"Temporary architecture is pretty much close to nomad architecture," Armine Snkhchyan who co-founded SNKH with Ashot Snkhchyan.

"We wanted to highlight its temporary, ephemeral nature," Armine Snkhchyan told Dezeen. "From day one, we knew that it should be light and should seem kind of fragile, with no walls or hard barriers as constructive elements."

The studio described the structure as an "inverted Bedouin tent", with the cinema enclosed within a PVC membrane hung from an external steel frame.

The building, which has the majority of its structure placed on the outside, also references the high-tech architecture of Richard Rogers and Renzo Piano.

"In our work, we use multiple references," explained Armine Snkhchyan. "From Bedouin tents as an example of traditional nomad architecture to works of Russian constructivists, early works of Renzo Piano and many others."

"Those references may not be clearly recognisable at first sight, but they've heavily influenced our work," she continued. "We've envisioned a light external bearing structure that works on its limit and used a PVC membrane as a cover."

SNKH also aimed to ensure that the temporary building would not fight for attention with the OMA-designed museum it stands near.

"As it is a temporary structure we thought that we could deal with the location in an easier manner," said Armine Snkhchyan.

"The Garage Museum of Contemporary Art is very dominant on the square. We knew that our project should not be 'noisy', but at the same time, it should be bold. We hope we've managed to achieve that effect."

While the building is not directly recognisable as a cinema, the studio created a series of hints to its function.

"We tried to highlight its function by showing the contour of the amphitheatre on the facades and the ceiling membrane goes up, towards the screen inside creating a recognizable silhouette," said Armine Snkhchyan.

"Maybe it is not immediately recognisable as a cinema, but its spatial solutions should give a hint that there's some kind of auditorium inside."

Within the cinema, the auditorium has faceted red walls with the roof structure visible and supporting sound baffles. Visitors will be seated on individual chairs.

The number of chairs within the cinema was almost halved to meet social distancing rules imposed by the coronavirus pandemic.

"Fortunately, our design had very useful advantages in these circumstances: the pavilion has four entrances which allows us to organise the flow of people, and due to structural peculiarities and the tension of the membrane, the pavilion has natural ventilation," explained Armine Snkhchyan.

"The only thing that has changed was the number of the seats. The auditorium was meant for 450 visitors – now its capacity is 225 for social distancing reasons."

Other recently completed cinemas include a colonnaded movie theatre by Tracks Architectes, which occupies a former French convent.

Design agency Layer has also designed a seat for social distancing in cinemas called Sequel that is knitted from antibacterial copper threads.

Photography is by Ivan Erofeev, courtesy of Garage Museum of Contemporary Art.

The post SNKH creates pop-up cinema within "inverted Bedouin tent" in Moscow appeared first on Dezeen.