#SECOND ANON YOURE SO REAL LIKE I LOVE KIRYU BUT SOMETIMES HE NEEDS TO GET KICKED IN THE PANTS

[todayisafridaynight]

YOUR PREV POST IS SOOO REAL DUDE. Mine scolding daigo was the hottest thing ever bro and daigo himself saying other than kashiwagi mine is the only guy who has the balls to scold him like that.. giggling and kicking my feet in the airrrrrr

no thats what im saying like im going to throw up and cry and i will simply need thirty minutes alone its so good whenever i thinka bout it ..........

[itsybitsylemonsqueezy]

ANGST KAZUMAJI ANON AND WOOF. FUCK. GOTTA LISTEN TO THOSE SONGS AFTER WORK. EXCITED. Your idea though OW. I haven't seen Y6 yet (I watch playthroughs don't have the console and my computer laughs at me trying to run the games) the streamer thats playing it finally got to Y6 and I am Refusing To Watch It. My heart can't take even starting the VOD.

You’re welcome for the music cc: 

A LOT of people haven’t seen 6 yet, so I did my best to get through that without spoilers ^^; Hope I haven’t ruined anything for you. And I feel that, my laptop and I have constant arguments and I’m not a good gamer anyway ^^; I should try Kiwami 1 someday though... I have it, I'm just Nervous about Being Bad ^^; 

Nice, following one streamer, well done c: I just hopped around to different playthroughs on youtube ^^; My wife and I binged all 7 games in I think 2 months, max. ^^; She crazy tho and a bad influence on me xp She likes to just sit and binge things and I am, understandably, weak for my wife <3 

6 isn’t so bad, I promise. You can do it c: It’s very pretty, you get to stare at Kiryu’s juicy ass the entire game, there’s lots of cute minigames of Kiryu with a baby, uh... *running out of nice things to say about 6* ...did I mention it’s very pretty? Fuck... Listen, I have... Feelings about game 6, but I don’t want to ruin it for anyone ^^; Everyone’s allowed to experience things in their own time and form their own opinions and I don’t want to deprive anyone of that. Please watch it and when you see it, feel free to come tell me about it c: 

And as a reward for all that, another angsty idea: 

The Nishikiyama Opera! 

So I composed the entire thing on a car ride with my wife last week and it’s WILD. Y’all ever see opera? If you’ve never seen an opera you SHOULD, they’re fucking Great. Operas are all about being The Most, comedy or tragedy, they’re all horny as shit and everyone is extra as fuck. If you living for the drama, you HAVE to get your ass to an opera. I’m lucky enough to live somewhere with a relatively robust opera community. And anyway, my point is, The Nishikiyama story? RIPE for an opera adaptation! 

First, you gotta know some of the opera tropes. There are two categories of opera, comedies which are kinda rare and tragedies which is... constantly. And operas are pretty good at telling you almost immediately which one they will be. There’s also a lot of meta about the voice parts themselves: 

Soprano - heroine, ingenue, beautiful. Will win if this is a comedy, will die if this is a tragedy. 

Alto - mothers & witches. Not the heroine. Will probably die regardless of comedy or tragedy. Unless she’s the villain, then she lives in a tragedy. 

Tenor - hero. Given the sexiest parts to sing. Sometimes unbearable. Everything is about Him. 

Baritone/Bass - fathers & villains. Gorgeous voice, never utilized properly. 

Knowing the vocal parts and what they classically represent is key to knowing who will win and who will die in the opera. For example, in Carmen, Carmen is actually an alto, not a soprano, and Don Jose is a tenor. This immediately tells you that shit’s fucked. Tenors are supposed to fall in love with sopranos, never altos. So this story can only end in tragedy because he’s interested in the wrong kind of voice part. There’s even a counterpoint of a soprano who is madly in love with him, and the baritone toreador for Carmen. They’re given their proper voice partners, but Don Jose still pursues Carmen which is a ginormous mistake by operatic tropes. 

So, opera education over, picture this: 

ACT I  Kiryu (soprano) is the loveliest yakuza in all the land! He’s just delightful. The Chorus sings his praises and he demonstrates his impeccable fighting ability. (Forgot to mention, any opera worth its salt has a Chorus and I will die on this hill.) The Audience is assured of his might and grace. 

Kiryu, obviously, does not want for admirers, but has not chosen to court anyone formally. 

Here enters Kiryu’s brother, Nishiki (bass). The Chorus explains that Nishiki is second to his brother in strength, but is formidable in his own right. Nishiki explains to the audience how he longs for Kiryu, how he covets him, his strength, his beauty. How after a lifetime together, affection has turned to love. Nishiki must have him. 

Kiryu hears none of this. Nishiki approaches to make his case when Majima (tenor) sweeps onto the scene. Majima is brazen and glib. The Chorus tells us to beware his charming smile, he is as dangerous as he is flirtatious. Majima has heard of Kiryu’s reputation and calls him into the street to defend his title. Kiryu responds and they do battle. 

In the midst of the battle, Majima finds himself won over by Kiryu’s skill and grace, his kindness and strength. Majima is bursting with love and there and then makes a proposal to Kiryu, offering his whole heart. 

Kiryu is stunned. Majima is not a weak fighter, he is not a braggadocio, despite appearances. He was a real challenge and Kiryu was not expecting the fight to take this turn. He is so surprised he cannot make an answer and politely, but quickly, leaves. 

Nishiki has been watching the entire time and finds his heart gripped by jealousy. He plots to claim Kiryu for himself and hates Majima bitterly, despite the fact that Kiryu has given no answer. Nishiki believes he knows his brother too well not to know that Kiryu returns his affections even if he won’t say. Nishiki leaves, concocting a plan. 

We find Kiryu at his balcony, lamenting his situation. Majima may have been exciting, but Kiryu’s no fool. He has no proof that Majima’s feelings will not waver in time. Majima steals into the garden beneath Kiryu’s balcony and professes his love once more. 

Kiryu is startled and makes to flee, but Majima sings so sweetly, entreats so gently, that Kiryu is compelled to stay. Majima doesn’t even ask again, just sings of his feelings. Kiryu, in his heart, is wooed by this. He may have been ready to answer when Nishiki interrupts. Majima quickly hides in the foliage. 

Nishiki counters with his own confession, his own proposal. Kiryu is shocked and saddened. He begins to sadly tell his brother that he cannot accept. Nishiki flies into a rage, demanding if there is someone else, someone else Kiryu prefers. Kiryu hesitates, but answers honestly that he has always seen Nishiki as a brother, regardless of any other feelings. He cannot accept Nishiki on the grounds of their previous relationship. 

Nishiki was expecting this. He reveals a vial of poison and threatens to drink it unless Kiryu will marry him. Majima gasps. Kiryu pleads with Nishiki not to be rash, but Nishiki only demands his answer, the vial nearly at his lips. 

Kiryu swallows back tears and collapses to his knees. Sorrowfully, he agrees, unable to bear the responsibility of his brother’s death, and the act finishes to the sound of clamoring wedding bells. 

ACT II The lights come up on Kiryu and Nishiki in their home. Nishiki is pacing the floor and making increasingly outlandish suggestions for things to do. Kiryu says yes to all of them, gently and politely. Nishiki’s frustration and annoyance increases with every yes. Eventually he snaps at Kiryu, demanding why he won’t fight him, demanding why he will give no more reaction than a placid yes. Kiryu shrugs helplessly and tries to soothe his brother, but Nishiki won’t be soothed. 

They have been married less than a year and it has been like this the entire time, getting worse by the day. Nishiki can see the pain he’s causing his brother, but can’t stop himself. He loves him too greedily to stop. He departs, hoping to take his mind off things. 

Kiryu is left alone in the house and sings a longer, sadder version of his lament from the balcony. Distantly, we hear strains of Majima’s love song, now broken and echoing. 

The scene changes and we see Kiryu sat down in a busy cafe. At first we assume he’s alone, but people move and we can see he is sitting across from Majima. They do not touch. Their careful, polite space around each other is conspicuous. 

Kiryu is tired, he looks wan, almost sick. Majima sings heartbrokenly, telling Kiryu he needs to take care of himself. He is desperate to take Kiryu away from all this, and asks several times, but Kiryu always sighs and shakes his head no. Majima knows Kiryu will not break his word once given, he is too good and honorable for that. But he cannot help singing for him all the same. He cannot touch, he will not permit himself to touch, but he can sing. 

Kiryu eventually cannot take the heartache anymore and departs sorrowfully. Majima looks after him, just as sad. Nishiki is revealed to have been spying on them the entire time. He confronts Majima, furious and accusatory. He insists that he and Kiryu have been having an affair. Majima simply looks at him and shrugs. Nishiki screams for Majima to admit it, to admit that Kiryu loves him, has always loved him, this whole time. Majima only says that Nishiki knows Kiryu best. He will not confirm or deny anything Nishiki says. Shaken and stymied, Nishiki flees. 

We return to Kiryu’s balcony, where he sits, silent and pale. Nishiki storms in and begins to berate Kiryu with his accusations. He is half-mad now, not seeming to hear Kiryu’s denials. Kiryu professes over and over that only Nishiki is his husband, that he loves only Nishiki. Nishiki cannot accept this as true. Nishiki screams that Kiryu ought to ask him for a divorce. Kiryu cannot claim to want a divorce. He gave his word. Nishiki reveals that he had been watching them in the cafe, that he knows all, the secret contents of Kiryu’s heart. Kiryu manages some resistance at last and asks Nishiki for proof. What proof of his indiscretions? What proof of adultery? What has Kiryu done that has angered his husband-brother so? 

Nishiki has none. Kiryu has not done anything wrong, not in word, not in act. Whatever thoughts he might accuse Kiryu of having are ephemeral and will never be real. Still... Nishiki saw how they looked together and his heart was sore. He knows he has stolen Kiryu from what was rightfully his. Moved to regret, Nishiki withdraws the vial of poison again. 

Kiryu gasps and tries to prevent his brother. 

Nishiki swallows the poison quickly, insisting this will set things right, this will free his brother. He says he did it for love. He falls. 

Kiryu collapses next to him, sobbing. 

The final scene is Nishiki’s funeral. Kiryu kneels next to his brother’s grave, all in black. He sings of his regrets, of his sorrow. Majima stands close by, but still not touching. He does not look at the grave, only at Kiryu. His broken love song is the last thing we hear. 

The End. 

...this opera was a tragedy ^^;