#Russian composer
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Jules Conus (1869-1942) - Violin Concerto in E Minor ·
Sergey Ostrovsky, violin
Conductor: Thomas Sanderling
Orchestra: Bournemouth Symphony Orchestra
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Italian opera singer Nini Giani as Lubava in Rimskiy-Korsakov's opera "Sadko",Italy (XX century)
#Italia#Italy#vintage#photography#Nini Giani#русская опера#Russian opera#opera#Садко#Sadko#русский композитор#russian composer#composer#Николай Римский-Корсаков#Nikolay Rimskiy-Korsakov#Italian#русская культура#russian culture#culture#Europe#italian opera#history#beauty#black and white#european#vintage photography#20th century
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No matter what you say,
I love him anyway...
Music: P. I. Tchaikovsky - Swan Lake Ballet op.20 (Dance of the Swans)
#picsart#collage art#my edit#classical music#tchaikovsky#russian composer#swan lake#piano aesthetic#great musicians#коллаж#творю и вытворяю
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Boris Tchaikovsky
#history#vintage#photography#musician#music#portrait#black and white photography#russia#russian classical music#russian#boris tchaikovsky#russian composers#russian composer#composer#modern classical#modern#modernism#modern music#classical music history#musicology#classical music#20th century history#20th century#twentieth centrury#twentieth century history
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why would you say i love you when rachmaninoff was the pallbearer at scriabin's funeral in 1915 and then, 28 years later when his death was coming in 1943, he wished to be buried in novodevichy cementary, besides scriabin.
#and sadly his wish was never complied because of the us citizenship#serbin#sergei rachmaninoff#alexander scriabin#classical composer#classical music rpf#russian composer#idk theyd fit an angsty fic
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It's a great pleasure to share the delightful performance by Le Off (musiciens de l'Orchestre de Paris) of Stravinsky's Pastorale, a composition so different from his ballet and orchestral works.
#Stravinsky#Pastorale#Le Off (musiciens de l'Orchestre de Paris)#Russian Composer#The Firebird#Petrushk#The Rite of Spring#Youtube
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This joke was found from Twitter, then I try to adjust some dialogue. Here is the translation:
Sho: Oh no! Did you know where the water that you are drinking comes from!? It's from the dirty in Moscow's river, and then flows into this lake!
*Then he recognizes that the man whom he spoke with is Prokofiev. However the man still can't recognize him.*
Pro: Pardon me. Could you say it again? I can't hear you clearly.
Sho: Well, I just wanted to suggest you that... It's hot here, then why don't you go to swim into the lake!
Pro: I'm about to do it! Thanks!
Ps. I'm sorry... 🫣
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Born in Petrograd, Ustvolskaya studied from 1937 to 1939 at the college attached to the Leningrad Conservatory (later renamed the Rimsky-Korsakov Conservatory). From 1947 till 1977 she taught composition at this college. In 1939 she entered Dmitri Shostakovich's composition class at the Conservatory as the only female student in his class. Her composition teacher said of her:
"I am convinced that the music of G. I. Ustvolskaya will achieve world fame, and be valued by all who hold truth to be the essential element of music."[1]
Shostakovich sent some of his own as yet unfinished works to Ustvolskaya, attaching great value to her comments. Some of these pieces contain quotations from his pupil's compositions; for example, he employed the second theme of the Finale of her clarinet trio throughout the Fifth String Quartet and in the Michelangelo Suite (no. 9).
Ustvolskaya was a pupil of Shostakovich from 1939 to 1941 and from 1947 to 1948, but her works from the 1950s onwards retain little influence of his style. Until 1961 none of her true works were performed other than patriotic pieces written for official consumption. The middle of the 1960s witnessed greater tolerance for modernist music, and interest in Ustvolskaya began to grow – the Leningrad Union of Composers organized in the 1970s evenings of her music, which received high praise from listeners and critics. Widespread recognition came after her music was performed in several concerts of the 1989 Holland Festival.
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Lev Knipper [Lev Konstantinovich Knipper] (3 December [O.S. 21 November] 1898 – 30 July 1974) was a Soviet and Russian composer and OGPU/NKVD agent.
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Sergei Prokofiev: Visions Fugitive Nos 1, 3 & 4
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Alexander Borodin (1833–1887) - String Sextet in d minor
I. Allegro II. Andante
BIN CHAO, JORGE TEIXEIRA -violino
LU ZHENG, LEONOR BRAGA SANTOS -viola
VAROUJAN BARTIKIAN, MARCO PEREIRA -violoncelo
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Scene from an unknown opera in the Nikolay Andreyevich Rimskiy-Korsakov Conservatory Hall,Saint Petersburg (1910s)
#Россия#Russia#vintage#photography#Санкт-Петербург#Saint Petersburg#Europe#русское искусство#russian art#art#Николай Римский-Корсаков#Nikolay Rimskiy-Korsakov#русский композитор#russian composer#composer#european#русская культура#russian culture#culture#history#russian#black and white#vintage photography#1910s#20th century
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Dmitry Shostakovich on the Red Arrow train.
Photo by Tarasevich, 1966
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It all feels so Snape
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13 Preludes, Op.32 : No. 11 In B-Major
Composition Year : 1910
By Composer Sergei Rachmaninoff
Ruth Laredo, Pianist
#13 preludes#no.11 in b major#sergei rachmaninoff#rachmaninov#russian composers#20th century period#classical music#audio#audio post
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i absolutely beg that if one day Tchaikovsky will end up as a servant in FGO he’ll be an archer class purely because of his 1812 overture
‘Sir you can’t use canons in music’
‘Watch me’
#fate grand order#fgo#pyotr ilyich tchaikovsky#it’s gonna be so fuckinh hilarious I beg#Tchaikovsky 🤝🏻 Beethoven 🤝🏻 Salieri being abnormalities among composers by manifesting in any class but Caster#Archer-Berserker-Avenger trio we deserve honestly#other composers just staring at those madlads from sidelines#Also lmao enemy be trolling Tchaikovsky like ‘you can’t defeat me you musician’#and Tchaikovsky’s like ‘I know but they can’ while 1812 overture intensifies on background and numerous canons roll in#man has entire canon army arsenal at his disposal yet uses it for music#ngl thats typical russian behavior I can confirm
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