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SORORITY OF THE DAMNED (2021) Preview of comedy horror
SORORITY OF THE DAMNED (2021) Preview of comedy horror
‘Witches be crazy’ Sorority of the Damned is a 2021 American comedy horror film about a reluctant handyman pitted against an evil sorority house mother. The latter opens a gate to Hell and the whole sorority becomes possessed by demons. Co-directed by actor Joe Davison and special makeup FX artist Roy Knyrim from a screenplay co-written by Joe Davison and Jeremy Lester, the Red Gears Studios…
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#2021#comedy horror#Felissa Rose#film#Joe Davison#Katarina Leigh Waters#movie#Roy Knyrim#Sarah French#Sorority of the Damned
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Amityville: The Cursed Collection will be released on Blu-ray on October 29 via Vinegar Syndrome. It features four The Amityville Horror sequels about cursed objects from the house: Amityville: The Evil Escapes, Amityville: It's About Time, Amityville: A New Generation, and Amityville Dollhouse.
Available exclusively from Vinegar Syndrome for $59.99, the box set includes the four films in individual cases with reversible artwork. They’re packaged in a slipcase box, designed by Earl Kessler Jr., which is limited to 4,000.
Amityville: The Evil Escapes is the fourth installment in the Amityville franchise. The 1989 made-for-television film is directed by Sandor Stern (writer of The Amityville Horror). Patty Duke, Jane Wyatt, Fredric Lehne star.
Amityville: It's About Time is the sixth installment in the Amityville franchise. The 1992 direct-to-video film directed by Tony Randel (Hellbound: Hellraiser II). Stephen Macht, Shawn Weatherly, Megan Ward, and Damon Martin star.
Amityville: A New Generation is the seventh installment in the Amityville franchise. The 1993 direct-to-video film is directed by John Murlowski (Santa with Muscles). Ross Partridge, Julia Nickson-Soul, and Lala Sloatman star.
Amityville Dollhouse is the eighth installment in the Amityville franchise. The 1996 direct-to-video film is directed by Steve White (executive producer of The Devil's Advocate). Robin Thomas, Starr Andreeff, Allen Cutler, Lenore Kasdorf, Lisa Robin Kelly star.
All four films have been newly restored in 4k from their 35mm original camera negatives. Special features are listed below.
Amityville: The Evil Escapes special features:
Interview with director Sandor Stern
Interview with cinematographer Tom Richmond
The Evans children have just suffered the untimely death of their beloved father. Moving, along with their mother, into their grandmother's gothic seaside mansion they soon become hosts to an uninvited guest, in the form of a mysterious lamp which, unknown to them, is possessed by the demonic forces which once resided in the Amityville house. As unexplained, and increasingly violent, events start occurring in and around the property, Jessica, the youngest member of the household, begins to believe that her father has secretly returned. Unfortunately, it's actually a demon taking on his likeness ready to terrorize and kill anyone and everyone in order to be fully reborn in human form.
Amityville: It's About Time special features:
Interview with director Tony Randel
Interview with producer Chris DeFaria
Jacob Sterling, an architect, has just returned from his latest business trip with a surprise: an ornate clock he got out of a soon-to-be-demolished house in Amityville. With the clock newly placed on Sterling’s mantel, he and his family begin to change, ever so slightly at first, into something evil...and very deadly. And soon a malevolent force starts to make its presence known throughout the quiet, suburban community; winding its gears to bring about a seemingly unstoppable demonic force.
Amityville: A New Generation special features:
Audio commentary with director John Murlowski, moderated by Elijah Drenner
Interview with director John Murlowski
Interview with producer Christopher DeFaria
Keyes is a successful photographer who lives at the border of Skid Row. While walking home one day, he notices a homeless man with a strange old mirror. Immediately struck by it for reasons he cannot explain, Keyes convinces the man to sell it to him. However, the mirror seems to have a strange effect on all those who look at it, and Keys himself becomes more and more erratic, all the while unaware that an evil force lurking behind the glass is taking control of him; leading him into a terrifying and violent new reality.
Amityville Dollhouse special features:
Interview with director Steve White
Interview with cinematographer Tom Callaway
Interview with special effects artist Roy Knyrim
Alternate footage from the TV edit
Bill Martin has just finished construction on a new home for his family. But unknown to him, the previously barren property was the site of the infamous Amityville murder house. After finding a small shed on the grounds, Bill discovers a beautiful and ornate dollhouse, which he gives to his daughter as a present. What he doesn't realize is that this children's plaything contains demonic powers, and it's not long before ghouls and zombies are invading his home, with their murderous sites set on his family.
#the amityville horror#amityville horror#amityville: the evil escapes#amityville: it's about time#amityville: a new generation#amityville dollhouse#vinegar syndrome#earl kessler jr.#dvd#gift#amityville#patty duke#jane wyatt#fredric lehne#stephen macht#megan ward#sandor stern
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One-On-One with Writer and Producer Eric Miller
Event Date: Saturday, December 8, 2018 || Speaker: Eric Miller || Check-in: 12:30 pm ||
This event is with a Writer and Producer who will discuss a variety of topics, including: writing strong characters, creating a compelling premise and/or story, finding your voice, script development, working on past shows and much more.
You could say that writer Eric Miller has just about done it all in his nearly 30 year career in Hollywood. His produced screenplay credits include NIGHT SKIES, THE SHADOW MEN, MASK MAKER, SWAMP SHARK, and the SyFy Channel hit ICE SPIDERS, which was said by the Hollywood Reporter to be “…first rate entertainment.”
Miller was also hired to write a number of screenplays that are currently in development, including DOG SOLDIERS II for Kismet Entertainment and MIDNIGHT CARNIVAL for Director/FX Artist Roy Knyrim. Miller has also done uncredited rewrites for films such as COUGAR HUNTING, has optioned spec screenplays such as HUNTERS and BLOOD & SILVER, and has been hired by various companies to write script outlines and treatments.
On the other side of the keyboard, Miller was the head of production and development for Raw Nerve, working with founders Eli Roth, John Penotti, Boaz Yakin and Scott Spiegel to create and produce a slate of horror films that included 2001 MANIACS, starring Robert Englund and Lin Shaye, and HOSTEL. He was also the head of development for the cult favorite direct-to-video company Cinema Home Video.
Miller produced the award-winning Texas Noir thriller BROKE SKY, said by the Daily Variety to be “…an exceptional example of American regional indie filmmaking,” as well as the horror film KNIFEPOINT, among many other films. As a staff producer for Full Moon Entertainment, he supervised a number of films shooting in the U.S., Mexico, Italy, and Eastern Europe such as BEANSTALK, PRIMEVALS, TEENIE WEENIES, JOSH KIRBY: TIME WARRIOR, MAGIC ISLAND, and many other films.
Miller has also worked in a number of other key positions in film production over the years. As a Transportation Coordinator he has worked with Liam Neeson on the TAKEN series, Matthew McConaughey on SURFER DUDE, Director Rick Famuyiwa on DOPE and CONFIRMATION, Sofia Coppola on BLING RING, Roman Coppola and Charlie Sheen on CHARLES SWAN III, and over 40 other film and TV shows. He is also a respected Production Manager, working on such genre films and TV series such as MIAMI MAGMA and MONSTER WOLF for the SyFy Channel and THE NEW ADVENTURES OF ROBIN HOOD for Warner Bros. International Television.
Outside of the movie industry, Miller is a book publisher, editor, and fiction writer. Under his Big Time Books imprint, Miller edited and published the Bram Stoker Award nominated anthology HELL COMES TO HOLLYWOOD, its imaginatively titled sequel HELL COMES TO HOLLYWOOD II, and the trucking horror anthologies 18 WHEELS OF HORROR and 18 WHEELS OF SCIENCE FICTION.
His zombie comedy short story “Culling the Herd” made Ellen Datlow’s BEST HORROR OF THE YEAR’s rec list, his horror short “The Patch” appeared in the anthology HALLOWEEN TALES he contributed a chapter on screenwriting to HORROR 201: THE SILVER SCREAM, and his poem “I Haunt This Place�� was in the HORROR WRITERS ASSOCIATION POETRY SHOWCASE 2017. Miller is an Active member of the HWA.
Miller lives in Los Angeles, but works on location more often than not. In his spare time, he reads voraciously, writes occasionally, and loves movies of all types, though he has a soft spot for Godzilla movies and romantic comedies.
Please REGISTER before 10:00 pm on Thursday, December 6, 2018.
Please register by clicking here.
#ericmiller#scriptwritersnetwork#scriptwriters network#screenwriting#scriptwriters#televisionwriting#featurewriting#amwriting#writing#storywriting#writer
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https://biographiesofactors.com/50475-roy-knyrim-biography-date-of-birth-place-of-birth-filmography.html
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A.J. Cook Net Worth
How Much is A.J. Cook’s Net Worth?
Who is A.J. Cook?
Born on 22nd July, 1978, Andrea Joy Cook, widely known as A.J. Cook is a Canadian actress. She is recognized for playing the character, Supervisory Special Agent Jennifer “JJ” Jareau in Criminal Minds and Mary Lisbon in 1999 film The Virgin Suicides, Jenny in Out Cold (2001) and Kimberly Corman in Final Destination 2.
A.J. was born in Oshawa, Ontario and has two brothers Nathan and Paul and has a sister, Angela. She grew up in Ontario and completed her education from Anderson Collegiate Vocational Institute. At a very small age, she had eyes problem which turned her nearly blind. However, she wore contact lenses and glasses to see properly. In the year 2007, she went through an operation and implanted lenses.
Kickoff to Career
Cook made her first acting debut in McDonald’s commercials in 1997 and later did her screen debut as Lisa in a TV movie In His Father’s Shoes. She was also seen in Elvis Meets as Hippie Chick and had a guest role in Goosebumps’s episode “Don’t Wake Mummy”. In the same year, she made her movie debut in film Laserhawk, however she was seen in a small role.
A.J., subsequently appeared as Alison in Blue Moon, Mary Lisbon in The Virgin Suicides and Dawn in Teen Sorcery. The film The Virgin Suicides helped her to attract the attention and contributed in her net worth. Following the year, she had a minor role in The Spiral Staircase and was seen as Lindsay Tilden in First Wave. She also portrayed the lead character Shelby Merrick in Fox’s drama TV series Higher Ground.
Moreover, in the year 2001, A.J. was cast in three movies; Wishmaster 3: Beyond the Gates of Hell, Ripper and Out Cold. Later in 2003, she played the character of Charlotte in Showtime’s Dead Like Me’s episode “Sunday Mornings”. The same year, she was featured as Kimberly Corman in David R. Elis’s horror film Final Destination 2. This movie also helped her to increase her net worth for year 2003.
Her Work from 2003 to Present
A.J. then appeared as the main character, Lindsay Walker in Fox’s supernatural drama Tru Calling in 2003. She did the role for one year and 21 episodes. She was later seen in a TV film Bloodsuckers playing the character of Fiona in 2005. Just after that year, she portrayed Theresa in Zackary Adler’s I’m Reed Fish. Besides, she was cast in a small role of Lilly in Roy Knyrim’s Night Skies in 2007. She later made her appearance in different movies like Misconceptions (2008), Mother’s Day (2010), Least Among Saints (2012) and Wer (2013).
Furthermore, A.J. portrayed the role of Debbie Shields in an episode of Law & Order: Special Victims Unit titled “Mask” and Libba in a TV film Bringing Ashley Home in the year 2011. She, currently, has been playing the main role of Jennifer “JJ” Jareau in CBS’s TV series Criminal Minds since 2005 and is the main source of her net worth.
Andrea Joy Cook has a net worth of $4.5 million US dollar. Her main origin of her income is Criminal Minds. She also has been endorsing Women Running Magazine. She married her boyfriend Nathan Andersen on 3rd August, 2001.
Must Know Facts about A.J. Cook
Real Name: Andrea Joy Cook Date of Birth: 22nd July, 1978 Profession: Actress Height: 5′ 7″ Married: Nathan Andersen Children: 2 Facebook: 353K Fans in Facebook Instagram: 663.7K Followers in Instagram Twitter: 525K Followers in Twitter Net Worth: $4.5 Million
The post A.J. Cook Net Worth appeared first on etcNepal.com.
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Movie Review Monday – Night Skies
Movie Review Monday – Night Skies
Night Skies
Directed by Roy Knyrim
★★★½ Genre: Sci-Fi/Inspired By Released: 2007 Run Time: 85 Minutes Source: Bought – Kmart On My Shelf: Currently Yes
Synopsis from IMDB:
On March 13th, 1997 one of the largest UFO sightings ever recorded took place across the southwestern United States. The event became known as the ‘Phoenix Lights’ and was witnessed by community leaders, members of law…
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#alien abduction movie#b side horror movies#movie reviews#night skies#sci fi movies#science fiction movies
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Everything's coming up roses.
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As Halloweentown prepares to celebrate its 1,000th anniversary, Marnie Piper and her brother Dylan return to Witch University, where trouble is in session from the Sinister Sisters and from someone who’s plotting to use Marnie’s powers for evil. Credits: TheMovieDb. Film Cast: Marnie Piper: Sara Paxton Gwen Cromwell: Judith Hoag Ethan Dalloway: Lucas Grabeel Dylan Piper: Joey Zimmerman Scarlett Sinister: Kristy Wu Silas Sinister: Keone Young Professor Periwinkle: Millicent Martin Aneesa: Summer Bishil Dr. Lwaxana Goodwyn: Leslie Wing Agatha Cromwell: Debbie Reynolds Dr. Grogg: Scott Stevensen Sage Sinister: Katie Cockrell Saphire Sinister: Kellie Cockrell Young Troll: Christopher Robin Miller Wrinkled Old Witch: Micaela Nelligan Young Persimmon Periwinkle: Brighton Hertford Bratty Daughter: Stefania Barr Geek Girl: Eliza Wren Morose Cashier: Darren Ewing Jock: Steve Luna Student: Chevy Lamont Cofield Fairy: Robin De Santis Student: Jason Fullmer Vampire: Cheyenne Hall Ice Cream Parlor Patron: Aidan McKinney Dog Man: Christopher McKinney Pixie: Denali McKinney Student: Maggie Munro Bat Boy with Scooter: Austin Richey Cheerleader #1: Tisha Vaculin Duck Lady: Sheila Hunter Film Crew: Director: David Jackson Teleplay: Max Enscoe Teleplay: Annie DeYoung Teleplay: Juliet Giglio Teleplay: Keith Giglio Characters: Paul Bernbaum Director of Photography: Denis Maloney Music Editor: Drew DeAscentis Stunt Double: Frank L. Bare II Stand In: Robin De Santis Makeup Effects Designer: Roy Knyrim Movie Reviews:
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One-On-One with Writer and Producer Eric Miller
Event Date: Saturday, December 8, 2018 || Speaker: Eric Miller || Check-in: 12:30 pm ||
This event is with a Writer and Producer who will discuss a variety of topics, including: writing strong characters, creating a compelling premise and/or story, finding your voice, script development, working on past shows and much more.
You could say that writer Eric Miller has just about done it all in his nearly 30 year career in Hollywood. His produced screenplay credits include NIGHT SKIES, THE SHADOW MEN, MASK MAKER, SWAMP SHARK, and the SyFy Channel hit ICE SPIDERS, which was said by the Hollywood Reporter to be “…first rate entertainment.”
Miller was also hired to write a number of screenplays that are currently in development, including DOG SOLDIERS II for Kismet Entertainment and MIDNIGHT CARNIVAL for Director/FX Artist Roy Knyrim. Miller has also done uncredited rewrites for films such as COUGAR HUNTING, has optioned spec screenplays such as HUNTERS and BLOOD & SILVER, and has been hired by various companies to write script outlines and treatments.
On the other side of the keyboard, Miller was the head of production and development for Raw Nerve, working with founders Eli Roth, John Penotti, Boaz Yakin and Scott Spiegel to create and produce a slate of horror films that included 2001 MANIACS, starring Robert Englund and Lin Shaye, and HOSTEL. He was also the head of development for the cult favorite direct-to-video company Cinema Home Video.
Miller produced the award-winning Texas Noir thriller BROKE SKY, said by the Daily Variety to be “…an exceptional example of American regional indie filmmaking,” as well as the horror film KNIFEPOINT, among many other films. As a staff producer for Full Moon Entertainment, he supervised a number of films shooting in the U.S., Mexico, Italy, and Eastern Europe such as BEANSTALK, PRIMEVALS, TEENIE WEENIES, JOSH KIRBY: TIME WARRIOR, MAGIC ISLAND, and many other films.
Miller has also worked in a number of other key positions in film production over the years. As a Transportation Coordinator he has worked with Liam Neeson on the TAKEN series, Matthew McConaughey on SURFER DUDE, Director Rick Famuyiwa on DOPE and CONFIRMATION, Sofia Coppola on BLING RING, Roman Coppola and Charlie Sheen on CHARLES SWAN III, and over 40 other film and TV shows. He is also a respected Production Manager, working on such genre films and TV series such as MIAMI MAGMA and MONSTER WOLF for the SyFy Channel and THE NEW ADVENTURES OF ROBIN HOOD for Warner Bros. International Television.
Outside of the movie industry, Miller is a book publisher, editor, and fiction writer. Under his Big Time Books imprint, Miller edited and published the Bram Stoker Award nominated anthology HELL COMES TO HOLLYWOOD, its imaginatively titled sequel HELL COMES TO HOLLYWOOD II, and the trucking horror anthologies 18 WHEELS OF HORROR and 18 WHEELS OF SCIENCE FICTION.
His zombie comedy short story “Culling the Herd” made Ellen Datlow’s BEST HORROR OF THE YEAR’s rec list, his horror short “The Patch” appeared in the anthology HALLOWEEN TALES he contributed a chapter on screenwriting to HORROR 201: THE SILVER SCREAM, and his poem “I Haunt This Place” was in the HORROR WRITERS ASSOCIATION POETRY SHOWCASE 2017. Miller is an Active member of the HWA.
Miller lives in Los Angeles, but works on location more often than not. In his spare time, he reads voraciously, writes occasionally, and loves movies of all types, though he has a soft spot for Godzilla movies and romantic comedies.
Please REGISTER before 10:00 pm on Thursday, December 6, 2018.
Please register by clicking here.
#ericmiller#scriptwritersnetwork#scriptwriters network#scriptwriting#screenwriting#scriptwriters#amwriting#writing#writer#write
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Blu-ray Review: Wishmaster Collection
The phrase "made for fans, by fans" is often used to describe indie horror films, but it rarely applies on a studio level. Wishmaster is a rare exception, with a bevy of genre talent involved both in front of and behind the camera. It was followed by three sequels of diminishing quality. All four films are collected and presented in high-definition for the first time in Vestron Video's Wishmaster Collection Blu-ray set.
Wishmaster was executive produced by the late, great Wes Craven (A Nightmare on Elm Street, Scream), allowing the film to be advertised under the "Wes Craven Presents" banner. Special effects veteran Robert Kurtzman (From Dusk Till Dawn, Scream) assumed the director's chair, bringing aboard his prolific KNB EFX Group to handle the copious practical effects. One of his partners, Greg Nicotero (The Walking Dead), worked as second unit director.
The cast features Robert Englund (A Nightmare on Elm Street) chewing the scenery in a supporting role, plus cameos from Kane Hodder (Friday the 13th Part VII-X), Tony Todd (Candyman), Ted Raimi (Evil Dead 2), Joseph Pilato (Day of the Dead), Reggie Bannister (Phantasm), and Angus Scrimm (Phantasm) as the narrator. You can even spot the Pazuzu statue from The Exorcist.
Watching the horror icons act in normal roles is fun, particularly since several of them are killed off in a rare turning of the tables. It serves as a passing of the torch to Andrew Divoff (Lost), who plays Wishmaster's demonic djinn. The actor is well-deserving of the recognition, as he plays the djinn with great conviction, both in and out of the heavy make-up.
Peter Atkins (Hellraiser II, III, and IV) penned the script, naming characters after genre writers Jack Finney, Charles Beaumont, August Derleth, and Abraham Merritt; a subtle nod far easier to stomach than the tired cliche of naming characters after famed horror filmmakers. Jacques Haitkin (A Nightmare on Elm Street) served as cinematographer, while Harry Manfredini (Friday the 13th) composed the score.
Wishmaster is about a djinn, an evil genie of sorts. As in the the tale of The Monkey's Paw, the wishes he grants never come true in the manner intended. They come at a price; usually the life of the wisher. Divoff's performance is sinister with a hint of camp, not unlike Freddy Krueger in the early Elm Street movies, while his occasional turgid monologue brings to mind Hellraiser's Pinhead. Tammy Lauren (Homefront) stars as Alex, an auctioneer who becomes entangled in the djinn's plan to free himself and his demonic brethren on earth.
Hiring an experienced special effects artist to direct proved to be a smart decision, as Kurtzman was able to navigate the effects-heavy script with ease. Left to their own devices, he and the KNB crew created tons of gooey effects that still hold up in high definition. Their work is integrated with early visual effects, supervised by Thomas C. Rainone (Lord of Illusions). Some of the digital work is alright, though most of it looks rather crude 20 years later.
Wishmaster was released in 1997, but it was obviously produced before Scream single-handedly changed the horror landscape. While most subsequent genre efforts aped Scream's brilliant meta aspects, glossy production value, and hip, young casts, Wishmaster shares more in common with '80s horror movies. Because of that, coupled with a top-notch restoration, it doesn't feel as dated as most '90s films (Hodder's mullet notwithstanding).
The Wishmaster disc is a special edition in itself, loaded with extras. Kurtzman, Divoff, and Lauren reunited for a new audio commentary, while Kurtzman and Atkins' existing commentary - recorded for the LaserDisc release! - is also included. A third track features Manfredini being interviewed by Red Shirt Pictures' Michael Felsher for a half hour, discussing working with a larger orchestra (and budget) than usual, followed by isolated score selections.
A plethora of new video interviews are featured: Kurtzman and co-producer David Tripet; Atkins; Divoff and Lauren; Haitkin; and Englund, Hodder, and Raimi. It would have been nice to have them all edited together into one comprehensive retrospective, but there's a lot of good information shared as is. Extras are rounded out by a vintage making-of featurette, behind-the-scenes footage, trailers, TV and radio spots, and storyboard and still galleries.
Wishmaster's modest success was enough to warrant its first straight-to-video sequel, Wishmaster 2: Evil Never Dies, in 1999. Arriving while the budding DVD market was taking off, the budget was lower but not obstructively so. Divoff was the only member of the primary cast and crew to return. Hoping to replicate the formula, another genre vet was brought in to write and direct: Jack Sholder (A Nightmare on Elm Street 2: Freddy's Revenge, The Hidden).
In typical horror sequel fashion, Wishmaster 2 brings back the presumed defeated villain with little attention to logic while altering the established mythology. This time around, the djinn is granting wishes in exchange for souls, as the prophecy requires 1,001 to be fulfilled. Divoff has more screentime but spends a lot less of it in the djinn makeup. For the bulk of the film, he's in prison in his human form before squaring off against Morgana (Holly Fields), a criminal with a heart of gold, and Gregory (Paul Johansson, One Tree Hill), her priest friend.
In spite of the drop off in quality, the movie still has its charms. There aren't any horror actor cameos, but a number of character actors populate the supporting cast, including Robert LaSardo (Nip/Tuck), Tiny Lister (The Fifth Element), and Bokeem Woodbine (Devil). While the first film was fairly light in tone, the sequel skewers more toward comedy, as both the plot and the performances are more over-the-top this time around. In one of the most memorable scenes, the djinn grants an inmate's wish for his lawyer to fuck himself.
A fun set piece at a Las Vegas casino helps stretch the budget, but Wishmaster 2's scope is noticeably smaller than that of the first. That includes the special effects, which were essentially the backbone of the original film. Anthony C. Ferrante (who has gone on to direct all of the Sharknado films) supervises effects on some clever death scenes, but they pale in comparison to KNB's sumptuous work.
Sholder sits down with Felsher for a fresh audio commentary. It's an interesting listen. I was surprised to learn that Sholder passed on the script for the first film but was interested in doing the second when he learned he could write it. A still gallery is also included on the Wishmaster 2 disc.
Wishmaster 3: Beyond the Gates of Hell and Wishmaster: The Prophecy Fulfilled were filmed back-to-back and then released straight-to-DVD in 2001 and 2002, respectively. Although Chris Angel directed them both, the scripts were pened by two different writers, so they each tell entirely different stories. Part 3 was written by Alex Wright (Seance: The Summoning), while John Benjamin Martin (Devil's Diary) penned Part 4.
While the two films share the same crew, the only connective thread on screen is the djinn. John Novak assumes the role, technically playing a different djinn than the one portrayed by Divoff. The makeup/suit looks fine, although it has even less screentime than in the previous films. There are a few decent special effects set pieces, supervised by Roy Knyrim (Sinister II), but the scope of both films feel minuscule even compared to Part 2. The films would likely be forgotten entirely (or never produced altogether) if they didn't have Wishmaster in the title.
Wishmaster 3 plays like a watered-down version of the previous films. The djinn takes the human form of college professor Joel Barash (Jason Connery), and he's on the hunt for Diana (A.J. Cook, Criminal Minds), the studious teaching assistant who releases him from his jewel. Despite his best efforts, Connery lacks Divoff's creepy stoicism. The film adopts a cheesy fantasy angle by introducing a character inhabited by St. Michael the Archangel (Tobias Mehler, Disturbing Behavior).
Wishmaster 4 introduces a bizarre love triangle between a conflicted woman (Tara Spencer-Nairn), her wheelchair-bound boyfriend (Jason Thompson, General Hospital), and their djinn-possessed lawyer, Steven Verdel (Michael Trucco, Battlestar Galactica). The romantic melodrama is better suited for a Lifetime movie, with a punch of Cinemax-style softcore nudity. Fantasy elements are present once again, with an out-of-nowhere angel (Victor Webster, The Scorpion King 4: Quest for Power) hunting the djinn and a trio of half-formed djinns awaiting their time to come to earth.
No new special features were produced for the latter two films, not that anyone was clamoring for them. The DVD extras - audio commentaries and behind-the-scenes featurettes - are ported over. Although I remain unimpressed by both efforts, Angel's passion on the commentaries (one for Part 3 and two for Part 4) made me appreciate them more. With each film shot on a tight, 16-day schedule, I can sympathize with his plight.
Wishmaster was a valiant attempt to create a new horror icon among the bland 1990s genre offerings. Its sequels prove a thriving franchise wasn't meant to be, but the original stands as a crowd-pleasing special effects showcase. The film looks better than ever on Blu-ray, and the lesser sequels can be seen as special features in this definitive three-disc set.
Wishmaster Collection will be released on March 28 via Lionsgate.
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Hope to see you at this event tomorrow:
One-On-One with Writer and Producer Eric Miller
Event Date: Saturday, December 8, 2018 || Speaker: Eric Miller || Check-in: 12:30 pm ||
This event is with a Writer and Producer who will discuss a variety of topics, including: writing strong characters, creating a compelling premise and/or story, finding your voice, script development, working on past shows and much more.
You could say that writer Eric Miller has just about done it all in his nearly 30 year career in Hollywood. His produced screenplay credits include NIGHT SKIES, THE SHADOW MEN, MASK MAKER, SWAMP SHARK, and the SyFy Channel hit ICE SPIDERS, which was said by the Hollywood Reporter to be “…first rate entertainment.”
Miller was also hired to write a number of screenplays that are currently in development, including DOG SOLDIERS II for Kismet Entertainment and MIDNIGHT CARNIVAL for Director/FX Artist Roy Knyrim. Miller has also done uncredited rewrites for films such as COUGAR HUNTING, has optioned spec screenplays such as HUNTERS and BLOOD & SILVER, and has been hired by various companies to write script outlines and treatments.
On the other side of the keyboard, Miller was the head of production and development for Raw Nerve, working with founders Eli Roth, John Penotti, Boaz Yakin and Scott Spiegel to create and produce a slate of horror films that included 2001 MANIACS, starring Robert Englund and Lin Shaye, and HOSTEL. He was also the head of development for the cult favorite direct-to-video company Cinema Home Video.
Miller produced the award-winning Texas Noir thriller BROKE SKY, said by the Daily Variety to be “…an exceptional example of American regional indie filmmaking,” as well as the horror film KNIFEPOINT, among many other films. As a staff producer for Full Moon Entertainment, he supervised a number of films shooting in the U.S., Mexico, Italy, and Eastern Europe such as BEANSTALK, PRIMEVALS, TEENIE WEENIES, JOSH KIRBY: TIME WARRIOR, MAGIC ISLAND, and many other films.
Miller has also worked in a number of other key positions in film production over the years. As a Transportation Coordinator he has worked with Liam Neeson on the TAKEN series, Matthew McConaughey on SURFER DUDE, Director Rick Famuyiwa on DOPE and CONFIRMATION, Sofia Coppola on BLING RING, Roman Coppola and Charlie Sheen on CHARLES SWAN III, and over 40 other film and TV shows. He is also a respected Production Manager, working on such genre films and TV series such as MIAMI MAGMA and MONSTER WOLF for the SyFy Channel and THE NEW ADVENTURES OF ROBIN HOOD for Warner Bros. International Television.
Outside of the movie industry, Miller is a book publisher, editor, and fiction writer. Under his Big Time Books imprint, Miller edited and published the Bram Stoker Award nominated anthology HELL COMES TO HOLLYWOOD, its imaginatively titled sequel HELL COMES TO HOLLYWOOD II, and the trucking horror anthologies 18 WHEELS OF HORROR and 18 WHEELS OF SCIENCE FICTION.
His zombie comedy short story “Culling the Herd” made Ellen Datlow’s BEST HORROR OF THE YEAR’s rec list, his horror short “The Patch” appeared in the anthology HALLOWEEN TALES he contributed a chapter on screenwriting to HORROR 201: THE SILVER SCREAM, and his poem “I Haunt This Place” was in the HORROR WRITERS ASSOCIATION POETRY SHOWCASE 2017. Miller is an Active member of the HWA.
Miller lives in Los Angeles, but works on location more often than not. In his spare time, he reads voraciously, writes occasionally, and loves movies of all types, though he has a soft spot for Godzilla movies and romantic comedies.
Please REGISTER before 10:00 pm on Thursday, December 6, 2018.
Please register by clicking here.
#ericmiller#scriptwritersnetwork#scriptwriters network#screenwriting#amwriting#scriptwriter#writer#writing#televisionwriting
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RSVP Tonight:
One-On-One with Writer and Producer Eric Miller
Event Date: Saturday, December 8, 2018 || Speaker: Eric Miller || Check-in: 12:30 pm ||
This event is with a Writer and Producer who will discuss a variety of topics, including: writing strong characters, creating a compelling premise and/or story, finding your voice, script development, working on past shows and much more.
You could say that writer Eric Miller has just about done it all in his nearly 30 year career in Hollywood. His produced screenplay credits include NIGHT SKIES, THE SHADOW MEN, MASK MAKER, SWAMP SHARK, and the SyFy Channel hit ICE SPIDERS, which was said by the Hollywood Reporter to be “…first rate entertainment.”
Miller was also hired to write a number of screenplays that are currently in development, including DOG SOLDIERS II for Kismet Entertainment and MIDNIGHT CARNIVAL for Director/FX Artist Roy Knyrim. Miller has also done uncredited rewrites for films such as COUGAR HUNTING, has optioned spec screenplays such as HUNTERS and BLOOD & SILVER, and has been hired by various companies to write script outlines and treatments.
On the other side of the keyboard, Miller was the head of production and development for Raw Nerve, working with founders Eli Roth, John Penotti, Boaz Yakin and Scott Spiegel to create and produce a slate of horror films that included 2001 MANIACS, starring Robert Englund and Lin Shaye, and HOSTEL. He was also the head of development for the cult favorite direct-to-video company Cinema Home Video.
Miller produced the award-winning Texas Noir thriller BROKE SKY, said by the Daily Variety to be “…an exceptional example of American regional indie filmmaking,” as well as the horror film KNIFEPOINT, among many other films. As a staff producer for Full Moon Entertainment, he supervised a number of films shooting in the U.S., Mexico, Italy, and Eastern Europe such as BEANSTALK, PRIMEVALS, TEENIE WEENIES, JOSH KIRBY: TIME WARRIOR, MAGIC ISLAND, and many other films.
Miller has also worked in a number of other key positions in film production over the years. As a Transportation Coordinator he has worked with Liam Neeson on the TAKEN series, Matthew McConaughey on SURFER DUDE, Director Rick Famuyiwa on DOPE and CONFIRMATION, Sofia Coppola on BLING RING, Roman Coppola and Charlie Sheen on CHARLES SWAN III, and over 40 other film and TV shows. He is also a respected Production Manager, working on such genre films and TV series such as MIAMI MAGMA and MONSTER WOLF for the SyFy Channel and THE NEW ADVENTURES OF ROBIN HOOD for Warner Bros. International Television.
Outside of the movie industry, Miller is a book publisher, editor, and fiction writer. Under his Big Time Books imprint, Miller edited and published the Bram Stoker Award nominated anthology HELL COMES TO HOLLYWOOD, its imaginatively titled sequel HELL COMES TO HOLLYWOOD II, and the trucking horror anthologies 18 WHEELS OF HORROR and 18 WHEELS OF SCIENCE FICTION.
His zombie comedy short story “Culling the Herd” made Ellen Datlow’s BEST HORROR OF THE YEAR’s rec list, his horror short “The Patch” appeared in the anthology HALLOWEEN TALES he contributed a chapter on screenwriting to HORROR 201: THE SILVER SCREAM, and his poem “I Haunt This Place” was in the HORROR WRITERS ASSOCIATION POETRY SHOWCASE 2017. Miller is an Active member of the HWA.
Miller lives in Los Angeles, but works on location more often than not. In his spare time, he reads voraciously, writes occasionally, and loves movies of all types, though he has a soft spot for Godzilla movies and romantic comedies.
Please REGISTER before 10:00 pm on Thursday, December 6, 2018.
Please register by clicking here.
#ericmiller#scriptwriters network#scriptwritersnetwork#scriptwriting#screenwriting#televisionwriting#amwriting#writing#write#writer
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One-On-One with Writer and Producer Eric Miller
Event Date: Saturday, December 8, 2018 || Speaker: Eric Miller || Check-in: 12:30 pm ||
This event is with a Writer and Producer who will discuss a variety of topics, including: writing strong characters, creating a compelling premise and/or story, finding your voice, script development, working on past shows and much more.
You could say that writer Eric Miller has just about done it all in his nearly 30 year career in Hollywood. His produced screenplay credits include NIGHT SKIES, THE SHADOW MEN, MASK MAKER, SWAMP SHARK, and the SyFy Channel hit ICE SPIDERS, which was said by the Hollywood Reporter to be “…first rate entertainment.”
Miller was also hired to write a number of screenplays that are currently in development, including DOG SOLDIERS II for Kismet Entertainment and MIDNIGHT CARNIVAL for Director/FX Artist Roy Knyrim. Miller has also done uncredited rewrites for films such as COUGAR HUNTING, has optioned spec screenplays such as HUNTERS and BLOOD & SILVER, and has been hired by various companies to write script outlines and treatments.
On the other side of the keyboard, Miller was the head of production and development for Raw Nerve, working with founders Eli Roth, John Penotti, Boaz Yakin and Scott Spiegel to create and produce a slate of horror films that included 2001 MANIACS, starring Robert Englund and Lin Shaye, and HOSTEL. He was also the head of development for the cult favorite direct-to-video company Cinema Home Video.
Miller produced the award-winning Texas Noir thriller BROKE SKY, said by the Daily Variety to be “…an exceptional example of American regional indie filmmaking,” as well as the horror film KNIFEPOINT, among many other films. As a staff producer for Full Moon Entertainment, he supervised a number of films shooting in the U.S., Mexico, Italy, and Eastern Europe such as BEANSTALK, PRIMEVALS, TEENIE WEENIES, JOSH KIRBY: TIME WARRIOR, MAGIC ISLAND, and many other films.
Miller has also worked in a number of other key positions in film production over the years. As a Transportation Coordinator he has worked with Liam Neeson on the TAKEN series, Matthew McConaughey on SURFER DUDE, Director Rick Famuyiwa on DOPE and CONFIRMATION, Sofia Coppola on BLING RING, Roman Coppola and Charlie Sheen on CHARLES SWAN III, and over 40 other film and TV shows. He is also a respected Production Manager, working on such genre films and TV series such as MIAMI MAGMA and MONSTER WOLF for the SyFy Channel and THE NEW ADVENTURES OF ROBIN HOOD for Warner Bros. International Television.
Outside of the movie industry, Miller is a book publisher, editor, and fiction writer. Under his Big Time Books imprint, Miller edited and published the Bram Stoker Award nominated anthology HELL COMES TO HOLLYWOOD, its imaginatively titled sequel HELL COMES TO HOLLYWOOD II, and the trucking horror anthologies 18 WHEELS OF HORROR and 18 WHEELS OF SCIENCE FICTION.
His zombie comedy short story “Culling the Herd” made Ellen Datlow’s BEST HORROR OF THE YEAR’s rec list, his horror short “The Patch” appeared in the anthology HALLOWEEN TALES he contributed a chapter on screenwriting to HORROR 201: THE SILVER SCREAM, and his poem “I Haunt This Place” was in the HORROR WRITERS ASSOCIATION POETRY SHOWCASE 2017. Miller is an Active member of the HWA.
Miller lives in Los Angeles, but works on location more often than not. In his spare time, he reads voraciously, writes occasionally, and loves movies of all types, though he has a soft spot for Godzilla movies and romantic comedies.
Please REGISTER before 10:00 pm on Thursday, December 6, 2018.
Please register by clicking here.
#ericmiller#scriptwritersnetwork#scriptwriters network#screenwriting#televisionwriting#amwriting#writing#write#writer#horrorwriting#storywriting
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Text
One-On-One with Writer and Producer Eric Miller
Event Date: Saturday, December 8, 2018 || Speaker: Eric Miller || Check-in: 12:30 pm ||
This event is with a Writer and Producer who will discuss a variety of topics, including: writing strong characters, creating a compelling premise and/or story, finding your voice, script development, working on past shows and much more.
You could say that writer Eric Miller has just about done it all in his nearly 30 year career in Hollywood. His produced screenplay credits include NIGHT SKIES, THE SHADOW MEN, MASK MAKER, SWAMP SHARK, and the SyFy Channel hit ICE SPIDERS, which was said by the Hollywood Reporter to be “…first rate entertainment.”
Miller was also hired to write a number of screenplays that are currently in development, including DOG SOLDIERS II for Kismet Entertainment and MIDNIGHT CARNIVAL for Director/FX Artist Roy Knyrim. Miller has also done uncredited rewrites for films such as COUGAR HUNTING, has optioned spec screenplays such as HUNTERS and BLOOD & SILVER, and has been hired by various companies to write script outlines and treatments.
On the other side of the keyboard, Miller was the head of production and development for Raw Nerve, working with founders Eli Roth, John Penotti, Boaz Yakin and Scott Spiegel to create and produce a slate of horror films that included 2001 MANIACS, starring Robert Englund and Lin Shaye, and HOSTEL. He was also the head of development for the cult favorite direct-to-video company Cinema Home Video.
Miller produced the award-winning Texas Noir thriller BROKE SKY, said by the Daily Variety to be “…an exceptional example of American regional indie filmmaking,” as well as the horror film KNIFEPOINT, among many other films. As a staff producer for Full Moon Entertainment, he supervised a number of films shooting in the U.S., Mexico, Italy, and Eastern Europe such as BEANSTALK, PRIMEVALS, TEENIE WEENIES, JOSH KIRBY: TIME WARRIOR, MAGIC ISLAND, and many other films.
Miller has also worked in a number of other key positions in film production over the years. As a Transportation Coordinator he has worked with Liam Neeson on the TAKEN series, Matthew McConaughey on SURFER DUDE, Director Rick Famuyiwa on DOPE and CONFIRMATION, Sofia Coppola on BLING RING, Roman Coppola and Charlie Sheen on CHARLES SWAN III, and over 40 other film and TV shows. He is also a respected Production Manager, working on such genre films and TV series such as MIAMI MAGMA and MONSTER WOLF for the SyFy Channel and THE NEW ADVENTURES OF ROBIN HOOD for Warner Bros. International Television.
Outside of the movie industry, Miller is a book publisher, editor, and fiction writer. Under his Big Time Books imprint, Miller edited and published the Bram Stoker Award nominated anthology HELL COMES TO HOLLYWOOD, its imaginatively titled sequel HELL COMES TO HOLLYWOOD II, and the trucking horror anthologies 18 WHEELS OF HORROR and 18 WHEELS OF SCIENCE FICTION.
His zombie comedy short story “Culling the Herd” made Ellen Datlow’s BEST HORROR OF THE YEAR’s rec list, his horror short “The Patch” appeared in the anthology HALLOWEEN TALES he contributed a chapter on screenwriting to HORROR 201: THE SILVER SCREAM, and his poem “I Haunt This Place” was in the HORROR WRITERS ASSOCIATION POETRY SHOWCASE 2017. Miller is an Active member of the HWA.
Miller lives in Los Angeles, but works on location more often than not. In his spare time, he reads voraciously, writes occasionally, and loves movies of all types, though he has a soft spot for Godzilla movies and romantic comedies.
Please REGISTER before 10:00 pm on Thursday, December 6, 2018.
Please register by clicking here.
#ericmiller#scriptwritersnetwork#scriptwriters network#scriptwriting#screenwriting#scriptwriters#amwriting#writing#write#horrorwriting#syfywriting#writer#writers
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A.J. Cook Net Worth
How Much is A.J. Cook’s Net Worth?
Who is A.J. Cook?
Born on 22nd July, 1978, Andrea Joy Cook, widely known as A.J. Cook is a Canadian actress. She is recognized for playing the character, Supervisory Special Agent Jennifer “JJ” Jareau in Criminal Minds and Mary Lisbon in 1999 film The Virgin Suicides, Jenny in Out Cold (2001) and Kimberly Corman in Final Destination 2.
A.J. was born in Oshawa, Ontario and has two brothers Nathan and Paul and has a sister, Angela. She grew up in Ontario and completed her education from Anderson Collegiate Vocational Institute. At a very small age, she had eyes problem which turned her nearly blind. However, she wore contact lenses and glasses to see properly. In the year 2007, she went through an operation and implanted lenses.
Kickoff to Career
Cook made her first acting debut in McDonald’s commercials in 1997 and later did her screen debut as Lisa in a TV movie In His Father’s Shoes. She was also seen in Elvis Meets as Hippie Chick and had a guest role in Goosebumps’s episode “Don’t Wake Mummy”. In the same year, she made her movie debut in film Laserhawk, however she was seen in a small role.
A.J., subsequently appeared as Alison in Blue Moon, Mary Lisbon in The Virgin Suicides and Dawn in Teen Sorcery. The film The Virgin Suicides helped her to attract the attention and contributed in her net worth. Following the year, she had a minor role in The Spiral Staircase and was seen as Lindsay Tilden in First Wave. She also portrayed the lead character Shelby Merrick in Fox’s drama TV series Higher Ground.
Moreover, in the year 2001, A.J. was cast in three movies; Wishmaster 3: Beyond the Gates of Hell, Ripper and Out Cold. Later in 2003, she played the character of Charlotte in Showtime’s Dead Like Me’s episode “Sunday Mornings”. The same year, she was featured as Kimberly Corman in David R. Elis’s horror film Final Destination 2. This movie also helped her to increase her net worth for year 2003.
Her Work from 2003 to Present
A.J. then appeared as the main character, Lindsay Walker in Fox’s supernatural drama Tru Calling in 2003. She did the role for one year and 21 episodes. She was later seen in a TV film Bloodsuckers playing the character of Fiona in 2005. Just after that year, she portrayed Theresa in Zackary Adler’s I’m Reed Fish. Besides, she was cast in a small role of Lilly in Roy Knyrim’s Night Skies in 2007. She later made her appearance in different movies like Misconceptions (2008), Mother’s Day (2010), Least Among Saints (2012) and Wer (2013).
Furthermore, A.J. portrayed the role of Debbie Shields in an episode of Law & Order: Special Victims Unit titled “Mask” and Libba in a TV film Bringing Ashley Home in the year 2011. She, currently, has been playing the main role of Jennifer “JJ” Jareau in CBS’s TV series Criminal Minds since 2005 and is the main source of her net worth.
Andrea Joy Cook has a net worth of $4.5 million US dollar. Her main origin of her income is Criminal Minds. She also has been endorsing Women Running Magazine. She married her boyfriend Nathan Andersen on 3rd August, 2001.
Must Know Facts about A.J. Cook
Real Name: Andrea Joy Cook Date of Birth: 22nd July, 1978 Profession: Actress Height: 5′ 7″ Married: Nathan Andersen Children: 2 Facebook: 353K Fans in Facebook Instagram: 663.7K Followers in Instagram Twitter: 525K Followers in Twitter Net Worth: $4.5 Million
The post A.J. Cook Net Worth appeared first on etcNepal.com.
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