#Roop Raj

[futileexercise]

🤦‍♂️

[rockislandadultreads]

Read-Alike Friday: Moth by Melody Razak

Moth by Melody Razak

Ma and Bappu are liberal intellectuals teaching at the local university. Their fourteen year-old daughter—precocious, headstrong Alma—is soon to be married. Alma is mostly interested in the wedding shoes and in spinning wild stories for her beloved younger sister Roop, a restless child obsessed with death.

Times are bad for girls in India. The long-awaited independence from British rule is heralding a new era of hope but also of anger and distrust. Political unrest is brewing, threatening to unravel the rich tapestry of Delhi—a city where different cultures, religions and traditions have co-existed for centuries. When Partition happens and the British Raj is fractured overnight, the family is violently torn apart, and its members are forced to find increasingly desperate ways to survive.

Honor by Thrity Umrigar

Indian American journalist Smita has returned to India to cover a story, but reluctantly: long ago she and her family left the country with no intention of ever coming back. As she follows the case of Meena—a Hindu woman attacked by members of her own village and her own family for marrying a Muslim man—Smita comes face to face with a society where tradition carries more weight than one’s own heart, and a story that threatens to unearth the painful secrets of Smita’s own past. While Meena’s fate hangs in the balance, Smita tries in every way she can to right the scales. She also finds herself increasingly drawn to Mohan, an Indian man she meets while on assignment. But the dual love stories of Honor are as different as the cultures of Meena and Smita themselves: Smita realizes she has the freedom to enter into a casual affair, knowing she can decide later how much it means to her.

In this tender and evocative novel about love, hope, familial devotion, betrayal, and sacrifice, Thrity Umrigar shows us two courageous women trying to navigate how to be true to their homelands and themselves at the same time.

The Ministry of Utmost Happiness by Arundhati Roy

The Ministry of Utmost Happiness takes us on a journey of many years – the story spooling outwards from the cramped neighbourhoods of Old Delhi into the burgeoning new metropolis and beyond, to the Valley of Kashmir and the forests of Central India, where war is peace and peace is war, and where, from time to time, ‘normalcy’ is declared.

The tale begins with Anjum—who used to be Aftab—unrolling a threadbare Persian carpet in a city graveyard she calls home. We encounter the odd, unforgettable Tilo and the men who loved her—including Musa, sweetheart and ex-sweetheart, lover and ex-lover; their fates are as entwined as their arms used to be and always will be. We meet Tilo’s landlord, a former suitor, now an intelligence officer posted to Kabul. And then we meet the two Miss Jebeens: the first a child born in Srinagar and buried in its overcrowded Martyrs’ Graveyard; the second found at midnight, abandoned on a concrete sidewalk in the heart of New Delhi.

As this ravishing, deeply humane novel braids these lives together, it reinvents what a novel can do and can be. The Ministry of Utmost Happiness demonstrates on every page the miracle of Arundhati Roy’s storytelling gifts.

The Book of Everlasting Things by Aanchal Malhotra

On a January morning in 1938, Samir Vij first locks eyes with Firdaus Khan through the rows of perfume bottles in his family’s ittar shop in Lahore. Over the years that follow, the perfumer’s apprentice and calligrapher’s apprentice fall in love with their ancient crafts and with each other, dreaming of the life they will one day share. But as the struggle for Indian independence gathers force, their beloved city is ravaged by Partition. Suddenly, they find themselves on opposite sides: Samir, a Hindu, becomes Indian and Firdaus, a Muslim, becomes Pakistani, their love now forbidden. Severed from one another, Samir and Firdaus make a series of fateful decisions that will change the course of their lives forever. As their paths spiral away from each other, they must each decide how much of the past they are willing to let go, and what it will cost them.

Lush, sensuous, and deeply romantic, The Book of Everlasting Things is the story of two lovers and two nations, split apart by forces beyond their control, yet bound by love and memory. Filled with exquisite descriptions of perfume and calligraphy, spanning continents and generations, Aanchal Malhotra’s debut novel is a feast for the senses and the heart.

[toogoodstarmusic]

𝟮𝟭-𝟬𝟱-𝟮𝟬𝟮𝟱 𝗸𝗼 𝗿𝗲𝗹𝗲𝗮𝘀𝗲 𝗵𝗼𝗴𝗮 𝗱𝗵𝗮𝗺𝗮𝗸𝗲𝗱𝗮𝗿 𝗴𝗮𝗻𝗮...

Punjab ke famous singer Ranjit Mani ji ka ye dhamakedar song, aur sabhi ko gaane ke roop me ek sundar sa massege diya hai.....

Yah gaana apko sabhi social media platform pr uplabdh milega

𝗥𝗔𝗡𝗚𝗟𝗜 𝗗𝗨𝗡𝗜𝗔

══════◄••❀••►══════

Aur yah gaane ko release karegi 𝐓𝐎𝐎 𝐆𝐎𝐎𝐃 𝐒𝐓𝐀𝐑 𝐌𝐔𝐒𝐈𝐂 & 𝐓𝐄𝐋𝐄𝐅𝐈𝐋𝐌

😍 Don't miss Ranjit Mani's song Rangli Dunian...

Hello Friends Please Enjoy Ranjit Mani Super Hit Punjabi Song Rangli Dunian

present by - 𝙏𝙊𝙊 𝙂𝙊𝙊𝘿 𝙎𝙏𝘼𝙍 𝙈𝙐𝙎𝙄𝘾 & 𝙏𝙀𝙇𝙀𝙁𝙄𝙇𝙈

(New Punjabi Songs 2025)

Song Credits :

Song:- Rangli Dunian

Singer:- Ranjeet Mani

Lyrics:- Raj Sarhali Mall

Music:- Davinder Kainth

Video director:- Suraj Hussainpuri

+91 87250 73038

Editor:- Kuldeep Singh Puri

DOP :- Manish Angura

Producer:- Kuldeep Soni Kalpi

Producer :-Kuldeep Soni Kot

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Music label:- TOO GOOD STAR MUSIC & TELEFILM

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[tanmaiiii]

Top Indian Jewelry Stores in Irving, TX: Find Exquisite Designs and Quality Craftsmanship

Irving, TX, is a vibrant city with a rich cultural tapestry, and its Indian jewelry stores offer a glimpse into the elegance and tradition of Indian craftsmanship. From traditional gold pieces to intricate gemstone jewelry, these stores provide a diverse selection of high-quality items perfect for any occasion. Here’s a guide to the best Indian jewelry stores in Irving, TX, where you can discover beautiful designs and exceptional service.

Kiran’s Jewelry Kiran’s Jewelry is a well-regarded destination for stunning Indian jewelry in Irving. Known for its extensive collection of traditional and contemporary designs, Kiran’s offers everything from elaborate bridal sets to elegant daily wear. Their focus on high-quality materials and intricate craftsmanship ensures each piece is a beautiful reflection of Indian artistry.

Raj Mahal Jewelers Raj Mahal Jewelers provides an impressive selection of Indian jewelry with a focus on classic and intricate designs. Their collection includes everything from ornate gold necklaces to custom-made pieces, perfect for special occasions or everyday elegance. Raj Mahal’s reputation for quality and customer service makes it a top choice for those seeking timeless Indian jewelry.

Shree Jewelers Shree Jewelers combines traditional Indian designs with modern elegance. Their collection features a range of gold jewelry, including detailed necklaces, bangles, and earrings. Shree Jewelers is known for its commitment to fine craftsmanship and personalized service, making it a standout option for high-quality Indian jewelry in Irving.

Swa Roop Jewelers Swa Roop Jewelers offers a diverse array of Indian jewelry that blends traditional elements with contemporary styles. Their selection includes beautiful gold and gemstone pieces designed to cater to various tastes and occasions. Known for their attention to detail and quality, Swa Roop provides a premium shopping experience for Indian jewelry enthusiasts.

Aashka Jewelry Aashka Jewelry is celebrated for its unique and artistic approach to Indian jewelry design. Their collection features a mix of traditional and modern gold pieces, each crafted with a focus on quality and creativity. Aashka’s distinctive designs and commitment to craftsmanship make it a popular choice for those seeking special and luxurious jewelry.

Diamonds & Gold by Nita Diamonds & Gold by Nita offers a range of high-end Indian jewelry that showcases opulent designs and superior craftsmanship. Their inventory includes intricate gold pieces adorned with gemstones, ideal for both formal events and everyday wear. Nita’s personalized service and dedication to quality ensure a memorable shopping experience.

Irving’s top Indian jewelry stores offer a wealth of options for finding exquisite designs that reflect the rich heritage and artistry of Indian craftsmanship. Whether you’re in search of a traditional piece or a contemporary design, these premier stores provide exceptional quality and service to meet all your jewelry needs.

[lyricsssdotin]

Bhay Pragat Kripala Lyrics

Singer:Sachet Tandon, Parampara TandonLyricist:Manoj Muntashir Shri ram janki katha gyan kiShri ramayan ka gyan Bhay pragat kripala deen dayalaKaushalya hitkariHarshit mahatari muni man haariAdbhut roop vichari Jug jug se humne palak bichhayiTumhri raah buhaariTab bhaag jage hain aaj humareAayi raj sawari Hanuman kesri maat jankiSabke sath birajoLo dwar khule hain aaj hriday keAao ram…

[blogtozone]

Tujh Mein Rab Dikhta Hai Piano Notes | Rab Ne Bana Di Jodi

Tujh Mein Rab Dikhta Hai Piano Notes

Notes :-  Tu hi toh jannat meri, Tu hi mera junoon F4 F4 G4 D4# F4 G4# G4, G4 G4 G4# G4# G4 F4 Tu hi to mannat meri, Tu hi rooh ka sukoon F4 F4 G4 D4# F4 G4# G4, G4 G4 G4# C5 C5 F4 F4 Tu hi akhiyon ki thandak, tu hi dil ki hai dastak C5 C5# D5# D5# C5# C5 A4# C5, C5 C5# D5# C5# C5 A4# C5 Aur kuch na jaanu main, bas itna hi jaanu C5 C5# A4# A4# A4# A4# C5 G4# G4#, G4# G4 G4# G4 G4# G4 G4# G4 F4 D4# Tujh mein rab dikhta hai C4 G4# A4# G4# G4 G4 F4 D4# Yaara main kya karoon C4# C4# G4# A4# G4# A4# G4 G4 Tujh mein rab dikhta hai C4 G4# A4# G4# G4 G4 F4 D4# Yaara main kya karoon C4# C4# G4# A4# G4# A4# G4 G4 Sajde sar jukhta hai F4 F4 C5 C5# C5 A4# A4# G4# G4 Yaara main kya karoon F4 F4 G4# A4# G4# A4# G4 G4 Tujh mein rab dikhta hai C4 G4# A4# G4# G4 G4 F4 D4# Yaara main kya karoon C4# C4# G4# A4# A4# C5 G4# G4 F4 Kaisi hai yeh doori, kaisi majboori C5 C5 C5 A4# C5 A4#, C5 C5 C5 A4# C5 A4# Meine nazron se tujhe choo liya C5 C5# C5 C5 C5 C5# C5 A4# G4# G4 G4# G4 F4 G4 F4 Oh ho ho Kabhi teri khushboo, Kabhi teri baatein G4 G4# A4# C5 C5 C5 A4# C5 A4#, C5 C5 C5 D5# C5 A4# Bin maange yeh jahan pa liya C5 C5# C5 C5 C5# C5 A4# G4# G4 G4# G4 F4 G4 F4 Tu hi dil ki hai raunak, C5 C5# D5# C5# C5 A4# C5 Tu hi janmo ki daulat C5 C5# D5# D5# C5# C5 A4# C5 Aur kuch na jaanu, Bas itna hi jaanu C5 C5# F5 F5 F5 F5 G5 D5#, D5# C5# C5 A4# A4# G4# A4# A4# G4# A4# G4# G4 F4 Tujh mein rab dikhta hai C4 G4# A4# G4# G4 G4 F4 D4# Yaara main kya karoon C4# C4# G4# A4# G4# A4# G4 G4 Tujh mein rab dikhta hai C4 G4# A4# G4# G4 G4 F4 D4# Yaara main kya karoon C4# C4# G4# A4# G4# A4# G4 G4 Sajde sar jukhta hai F4 F4 C5 C5# C5 A4# A4# G4# G4 Yaara main kya karoon F4 F4 G4# A4# G4# A4# G4 G4 Tujh mein rab dikhta hai C4 G4# A4# G4# G4 G4 F4 D4# Yaara main kya karoon C4# C4# G4# A4# A4# C5 G4# G4 F4

About Song :-

"Tujh Mein Rab Dikhta Hai" is a romantic song from the Bollywood movie "Rab Ne Bana Di Jodi," which was released in 2008. The film was directed by Aditya Chopra and starred Shah Rukh Khan and Anushka Sharma in the lead roles. The song "Tujh Mein Rab Dikhta Hai" is known for its beautiful melody and heartfelt lyrics. Here is some information about the song: Singer: "Tujh Mein Rab Dikhta Hai" was sung by Roop Kumar Rathod, a well-known playback singer in the Indian music industry. His soulful rendition added depth to the song. Lyricist: The lyrics for the song were penned by Jaideep Sahni. The lyrics convey the themes of love, devotion, and the divine presence in everyday life. Music: The music for "Tujh Mein Rab Dikhta Hai" was composed by Salim-Sulaiman, a popular music composer duo in Bollywood known for their melodious compositions. The song features a beautiful and emotional melody. Picturization: The song is picturized on the lead characters, Surinder Sahni (played by Shah Rukh Khan) and Taani (played by Anushka Sharma). It captures the evolving love story between them and the emotional connection they develop. Significance: "Tujh Mein Rab Dikhta Hai" became one of the most iconic and beloved songs of "Rab Ne Bana Di Jodi." It was well-received by both audiences and critics and contributed to the film's success. Plot Context: In the movie, "Tujh Mein Rab Dikhta Hai" is a pivotal song in the narrative. It marks a turning point in the story as Surinder Sahni transforms himself into Raj, a more confident and expressive version of himself, in an effort to win Taani's heart. The song reflects his growing love for her. "Rab Ne Bana Di Jodi" is a romantic drama film that revolves around the themes of love, sacrifice, and self-discovery. The film's soundtrack, including "Tujh Mein Rab Dikhta Hai," played a significant role in conveying the emotions and depth of the characters' relationships. The song "Tujh Mein Rab Dikhta Hai" remains popular and is often performed at various cultural events, weddings, and functions. It is cherished by fans of Bollywood music for its heartfelt lyrics and the emotional performances of Shah Rukh Khan and Anushka Sharma in the film. Read the full article

[postoastblog]

21 Bollywood Old Songs That Will Remain Evergreen Till Eternity

Our Bollywood film industry is known for its amazing songs and dance moves. Indian cinema has a long history of music in films. The legendary singers like Kishore Kumar, Lata Mangeshkar, etc have sung some of the evergreen old songs whose lyrics are so beautiful they’ll instantly make you love the song. Maybe that’s the reason your grandfather or dad keeps playing the old classic songs and gets lost in their melody.

Here we have a list of some best old Bollywood songs that tend to stay close to you forever.

Zindagi Ek Safar Hai Suhana: This song was sung by the legendary Kishore Kumar for the movie Andaz in 1971. The song also received the Filmfare for the Best Lyricist. It was written by Hasrat Jaipuri.

Tere Bina Jiya Jaye Na Jaye Na: This iconic old song was sung by Lata Mangeshkar, written by Gulzar for the 1978 film Ghar featuring and stars Rekha and Vinod Mehra. The music direction of Tere Bina Jiya Jaye Na was done by R.D. Burman.

Hamen Tumse Pyar Kitna: This song was sung by Kishore Kumar for the 1981 film Kudrat. Written by Majrooh Sultanpuri, and the Music Director of Kudrat was R.D. Burman. The song was also nominated for the Filmfare.

Abhi Na Jao Chod Kar: This iconic song was sung by Mohammed Rafi and Asha Bhosle for the 1961 film Hum Dono starring Dev Anand and Sadhna. Jaidev was the Music Director and the lyricist was Sahir Ludhianvi.

Roop Tera Mastana: The song was sung by legend Kishore Kumar and he won the Filmfare for the Best Male Playback Singer for this song. The song was sung for the 1969 film Aradhana that featured Sharmila Tagore and Rajesh Khanna. The lyrics were written by Anand Bakshi and the music was composed by S.D. Burman.

Pyar Hua Ikrar Hua: This amazing song was sung by Lata Mangeshkar, Manna Dey. This song was featured in the movie Shree 420 starring Raj Kapoor and Nargis.

Ek Ajnabee Haseena Se: The song was sung by Kishore Da and was featured in the 1974 film Ajanabee starring Rajesh Khanna and Zeenat Aman. The on-screen chemistry of the actors together made this song magical. R.D. Burman was The Music Director of this song.

Kuch Toh Log Kahenge Logon Ka Kaam Hai Kahana: This superhit classic old Hindi song was sung by Kishore Kumar from the blockbuster Hindi movie of Amar Prem (1972) starring Rajesh Khanna and Sharmila Tagore. The music was composed by R.D.Burman and lyrics were penned by Anand Bakshi.

Mere Sapno ki Rani Kab Ayegi Tu: This iconic Hindi classic romantic song was sung by Kishore Kumar and was featured in the 1969 film Aradhana that featuring Rajesh Khanna and Sharmila Tagore. The lyricist of the song is Anand Bakshi.

Lag Ja Gale: Sung by Lata Mangeshkar, this evergreen song features in Who Kaun Thi?. Written by Raja Mehdi Ali Khan, the iconic song was released in the year 1964. It stars Manoj Kumar alongside Sadhna. Madan Mohan Kohli is the music director.

Likhe Jo Khat Tujhe: Sung by Mohammed Rafi, this old Bollywood song was one of the most heartwarming songs of the movie Kanyadan. The film featured legends like Shashi Kapoor and Asha Parekh. The lyrics were written by Neeraj.

Kya Hua Tera Wada: The song was composed by R. D. Burman. Sung by Mohammed Rafi and Sushma Shrestha, the song won both Filmfare best male playback singer and National film award.

Humein Tumse Pyar Kitna: This beautiful Hindi song was sung by the legend Kishore Kumar and was composed by R. D. Burman. The song was featured in the 1981 Indian Hindi drama film, Kudrat. The movie starred Rajesh Khanna and Hema Malini. The song is heard twice in the movie, the first time by Parveen Sultana and the second time by Kishore Kumar.

Kabhi Kabhie Mere Dil Mein: It is an old Hindi song from the movie Kabhi Kabhie released in the year 1976 featuring Amitabh Bachchan and Raakhee. The lyricist of this amazing song is Sahir Ludhianvi. The original song is in literary Urdu and was in fact a poem from his collection Talkhiyan.

Yeh Dosti Hum Nahi Todenge: This is one of the most epic Bollywood songs on friendship. The song was sung by Kishore Kumar and Manna Dey for the popular movie Sholay featuring Amitabh Bachchan and Dharmendra. R. D. Burman composed the music, and the lyrics were written by Anand Bakshi.

Mera Joota Hai Japani: This song is one of the most popular old songs from Raj Kapoor’s film Shree 420 that was released in 1955. The song was sung by Mukesh and Shailendra was the lyricist.

Tera Mujhse Hai Pehle Ka Naata Koi: This song is from Shashi Kapoor and Sharmila Tagore starrer movie Aa Gale Lag Jaa. Kishore Kumar sang the song and the music was given by R. D. Burman. The lyrics are penned by Sahir Ludhianvi.

Ek Radha Ek Meera: Sung by Lata Mangeshkar, this song featured in the 1985 romantic drama movie Ram Teri Ganga Maili that starred stars Mandakini and Rajiv Kapoor. Ravindra Jain was the music director of the film and he received a Filmfare Award for this movie.

Yeh Raaten Yeh Mausam: Sung by legends like Kishore Kumar and Asha Bhosle, this song featured in the film Dilli Ka Thug. The music was by Ravi and the lyrics were penned by Shailendra.

Tum Ko Dekha Toh Ye Khayal: This evergreen ghazal was sung by Jagjit Singh and Chitra Singh for the 1982 film Saath Saath featuring Farooque Shaikh and Deepti Naval in the lead roles.

Tujhse Naraz Nahin Zindagi: The song has a female and a male version that was sung by Lata Mangeshkar and Anup Ghoshal respectively for the 1983 film, Masoom. The song was composed by R. D. Burman and the lyrics of the song were written by Gulzar. He also won a Filmfare Award for Best Lyricist for this song.

[scarlettjane22]

Young colt Al-Bahar, sired by Raj Roop of stallion Raj Hans, bred at Badal Stud of Sukhbir Singh Badal ]

Sohel Khan Photography

Marwari Horse

[tarkhan]

#Tarkhan (#ਤਰਖਾਣ)

Tarkhan is a north Indian tribe which has been historically present in a Punjab and its nearby areas. Tarkhans are an ethnic minority and most of Tarkhans are followers of Sikhism and small number is a follower of Hinduism. Very small of number of ethnic Tarkhans are found in Pakistan, these Tarkhans are followers of Islam. Tarkhans are subdivided into various clans (ਗੋਤ).

Tarkhan #Occupations:

Tarkhan occupations are carpentry, blacksmithing, masonry and farming. The Lohars (blacksmiths) of Punjab are Tarkhans who work with metals and term Tarkhan-Lohar is also used. This diversity in Tarkhan occupations is very clear from Sikh history, where different Tarkhan-Sikhs had different occupations. For example: Baba Lalo Ghattaura, one of the first Sikhs of Guru Nanak was a carpenter, family of Baba BHAI Roop Chand has always been farmers, Baba Hardas Singh Bhamra made the famous nagni used to kill the drunken elephant, he was also scholar, and close associate of 10th Sikh Guru, and Mistry Des Raj Kalsi of Sur Singh played an important role in re-construction of Akal Takht after it was destroyed by Ahmed Shah Abdali. In modern day Punjab, every house, every building is made by Tarkhans, all machinery such as combines, ploughs and harvesters are made by Tarkhans including manufacturing of tractors, also welding and repairing despite being a small minority. Tarkhans are the only people in Indian sub-continent to be masters of more than occupations.

#Ancient #History of Tarkhans:

Kasgarli Mahmut was 11th century scholar from Kashgar. He explained the word Tarkhan in the following way: "It is a name given before the Islamic religion. It means prince (Bey, Umar) in Arghu language." It is clear the word Tarkhan was not pure Turkish and that it was adopted into Turkish from the old language of Sogdiana. This was proved in the Turkish dictionary Divan u Lugat it-Turk written by Kasgarli Mahmut. Sogd was a name of a nation who settled in Balasagun. These were of the Sogd race. Sogd lay between Bukhara and Samarqand. Sogdia (/ˈsɒɡdiə/) or Sogdiana was an ancient Iranian civilization.

Historian H. Beveridge in his paper titled Tarkhan and Tarquinius points out that antiquity of Tarkhan is evidenced by the fact it's etymology is lost. He also states that Tarkhan was both a personal title and the name of a tribe. Bipin Shah in his paper titled Patali of Alexander, Sack of Nagar Thatta and Arghoon rule of Sindh talks about pre-historic central asian tribe named Tarkhan. Beveridge, Isaac Taylor, C. R. Condor and J. G. R. Farlong in their writings all agree that Tarkhan, Tarkan and Tarquin are same. Lucius Tarquinius Priscus, or Tarquin the Elder, was the legendary fifth king of Rome from 616 to 579 BC. Tarkhan was used among the Hittites (1700BCE- 1200BCE) to refer the tribal Chiefs. Also, the the Kassites (1531BCE-1155 BCE) had god called Tartakhan.

Khodadad Rezakhani of Freie Universität (Berlin) in the paper titled Continuity and Change in Late Antique Irān: An Economic View of the Sasanians writes (year is 560 AD): "These are the famous Nezak Tarkhans who claimed descent from the Alkhon king Khingila (Grenet 2002: 218). We know that these Tarkhans controlled the passes across the Hindukush both to Bamiyan and also to Kabul, via the Panjshir Valley (Baker and Allchin 1991). Based on the pattern of the earlier Hephthalites, they established and controlled formidable castles on both sides of the Surkhab River in southern Tokharistan, controlling the trade and military route from Bactria to Bamiyan (Grenet 2002: 218-20)."

In Eras of Humanity by Genealogy, Brian Starr writes about Kama Tarkhan of Huns. Hiuen Tsang, a Chinese traveller of 7th century AD also mentions various Tarkhans in Indian subcontinent such as Tarkhan of Samarkand, a meeting between king and 200 Tarkhans. Across the Hindukush of the First Millennium a collection of the papers by S. Kuwayama makes the mention of Chebishi Tarkhan who along with Tafu Tegin was sent to court of Tang Dynasty by King of Gandhara in 753 AD. Tarkhan Dynasty ruled over Gilgit in 7th and 8th century and was founded by a prince from Badakhshan. Further, founders of Maglot dynasty of Nagar and Ayash dynasty of Hunza were both Tarkhan princes. Tradition traces the origin of these Tarkhans to an imaginary Kayāni prince of Persia, by name Azur Jamshid, who is said to have fled here after the Arab conquest of Persia.

The town named Tarkhan in Egypt has been a site of various archeological diggings, some which were as old as 4000 BCE and oldest woven piece of cloth called Tarkhan Dress. In the town of Chal Tarkhan (Iran) many artifacts were found belonging to Sassanian Period (224 to 651 AD). Tarkhankut is name of peninsula in Ukraine and there are various places named Tarkhan in Russia. Tarkhans have been present in Indian subcontinent atleast since 6th century AD.

The ancient history of Tarkhans is also evidenced from the origin of various Tarkhan clans, such as Ubbi was a Germanic tribe and Bahra a Arabic tribe. There are places named after various Tarkhan clans in Iran (Panesar E-Takshan, Hunejan etc) and Tarkhan clans such as Siyan and Salh are also found among Kurds. Padam and Rattan being of native Indian origin. Menander 1 a Indo-Greek king was born in place named Kalasi (Alexandria of the Caucasusn) around 165 BCE. More than 90% Tarkhans have Tarkhan exclusive clans, only a very little overlap with others.

Some Tarkhan #Personalities:

• Jugde Dalip Singh Saund: First Asian to become Judge in US and get elected in US Congress. His son Dalip Saund Jr. served in US Army as a Lieutenant during Korean war.

• Satnam Singh Bamrah: First N.B.A player from India.

• Bardish Chaggar: First female Leader of the Government in the House of Commons in the history of Canada.

• Baba Sukha Singh Kalsi: There are 7 episodes dedicated to his bravery in Panth Prakash.

• Sir Mota Singh Matharu, QC: First Asian to become judge in United Kingdom.

• Lt-Colonel Kamal Kalsi (US Army).

𝗧𝗮𝗿𝗸𝗵𝗮𝗻 #𝗣𝗼𝗽𝘂𝗹𝗮𝘁𝗶𝗼𝗻:

According to 1881 census of British India there were 263,479 Tarkhan Sikhs. In the book The Crucial Decade by S.C. Sharma writes that Tarkhans too are found in all the three religious groups in this province, on 1921 their numerical strength in the (United) Punjab was 684,000. The small population of Tarkhans is also evidenced from the fact most of villages in Punjab used to have only three to four houses of Tarkhan families.

List of Tarkhan #Villages (Incomplete):

• Bhai Rupa (ਭਾਈ ਰੂਪਾ), Thathi (ਠੱਠੀ), Siriyewala (ਸਿਰੀਏਵਾਲਾ), Nehianwala (ਨੇਹੀਆਵਾਲਾ), Dialpura Bhaika (ਦਿਆਲਪੁਰਾ ਭਾਈ ਕਾ), Towala (ਟੋਵਾਲਾ), Samadh Bhai Ki (ਸਮਾਧ ਭਾਈ ਕੀ), Ravleri (ਰਾਵਲੇਰੀ), Lakhnor (ਲਖਨੌਰ)

• Sikhwala (ਸਿੱਖਵਾਲਾ) Kotha Rajasthan (ਕੋਠਾ ਰਾਜਸਥਾਨ), Kabool Shah Khubban (ਕਬੂਲ ਸ਼ਾਹ ਖੁੱਬਣ)

• Muktsar (ਮੁਕਤਸਰ): Tarkhan Wala (ਤਰਖਾਣ ਵਾਲਾ), Akalgarh (ਅਕਾਲਗੜ੍ਹ)

• Tarkhan Majra (ਤਰਖਾਣ ਮਾਜਰਾ) (Amloh ਅਮਲੋਹ)

• Garhi Tarkhana (Macchiwara) ਗੱੜੀ ਤਰਖਾਣਾਂ (ਮਾਛੀਵਾੜਾ)

• Channian (ਚਾਨੀਆਂ) (Nakodar ਨਕੋਦਰ)

• Jallandhar (ਜਲੰਧਰ): Tarkhan Majra (ਤਰਖਾਣ ਮਾਜਰਾ), Mothanwala (ਮੋਠਾਂਵਾਲਾ)

• Hoshiarpur (ਹੁਸ਼ਿਆਰਪੁਰ ਜ਼ਿਲ੍ਹਾ):Bhattian (ਭੱਟੀਆਂ), Chatowal (ਚੱਤੋਵਲ), Halerh Ghogra (ਹਾਲੇੜ ਘੋਗ ਰਾ), Choka (ਚੋਕਾ)

• Gurdaspur (ਗੁਰਦਾਸਪੁਰ ਜ਼ਿਲ੍ਹਾ): Rangilpur (ਰੰਗੀਲਪੁਰ), Dhadiyala (ਢਡਿਆਲਾ), Sada Rang (ਸਦਾ ਰੰਗ)

• Kapurthala (ਕਪੂਰਥਲਾ): Ahmedpur (ਅਹਿਮਦਪੁਰ), Tarkhanawali (ਤਰਖਾਣਾਵਾਲੀ)

• Phagwara (ਫਗਵਾੜਾ): Lohara (ਲੋਹਾਰਾ), Ramgarh (ਰਾਮਗੜ)

• Tarkhan Majra (ਤਰਖਾਣ ਮਾਜਰਾ) (Samana ਸਮਾਣਾ)

• Tarkhan Majra (ਤਰਖਾਣ ਮਾਜਰਾ) (Sirhind ਸਰਹਿੰਦ)

• Bagrian (ਬਾਗੜੀਆਂ)

• Vakilanwala ਵਕੀਲਾਂਵਾਲਾ (Ferozpur ਫਿਰੋਜ਼ਪੁਰ)

Tarkhan #Traditons

Tarkhans engage in ancestor worship in the form of Jathere (ਜਠੇਰੇ) and Matti (ਮੱਟੀ), different Tarkhan clans have different jathere However, this practice is now dying. Members within a same clan (ਗੋਤ) are related by blood. For marriages, Tarkhan practice class endogamy but clan exogamy i.e. they marry with Tarkhans only, however outside their maternal (ਨਾਨਕੇ) and paternal (ਦਾਦਕੇ) clans.

#Ramgarhia:

Some Tarkhan Sikhs identify with Ramgarhia as Ramgarhia Misl (Ramgarhia Confedration) was the one of most powerful Sikh Misl out of 12 misls. The founder and leader of Ramgarhia Misl was Maharaja Jassa Singh Bhamra, who was a Tarkhan himself and most of soldiers in Misl were from Tarkhan tribe. Strength of Misl is evidenced from fact that Ramgarhia Misl along with other sikh generals won Delhi and it was Jassa Singh Ramgarhia who dragged the Mughal throne from Delhi to Akal Takht, where it lies even today in Ramgarhia Bungas. In the Tawarikh Darbar Sahib by Udham Singh, it is written that Maharaja Jassa Singh of Ramgarhia Misl and his son Sardar Jodh Singh together contributed Rs 5 Lakh for construction of Ramgarhia Bungas.

#References:

1. Tarkhan and Tarquinius by H. Beveridge of The Journal of the Royal Asiatic Society of Great Britain and Ireland.

2. Anatolian Iron Ages: The Proceedings of the Second Anatolian Iron Ages Colloquium held at İzmir, 4-8 May 1987

Edited by A. Çilingiroğlu and D. H. French, Page 115.

3. Era's of Humanity by Genealogy written by Brian Starr, Page 204

4. A Socio-Political Study of Gilgit Baltistan Province by Omar Farooq Zain.

5. THE WESTERN HIMALAYAN STATES by A. H. Dani.

6. A SHORT HISTORY OF AFGHANISTAN By Professor Abdul Hai Habibi, President, Historical Society of Afghanistan.

7. Across the Hindukush of the First Millennium: a collection of the papers by S. Kuwayama.

8. Continuity and Change in Late Antique Iran: An Economic View of the Sasanians by Khodadad Rezakhani of Freie Universität, Berlin.

9. FAITHS OF MAN: A CYCLOPÆDIA OF RELIGIONS BY MAJOR-GENERAL J. G. R. FORLONG, M.R.A.S., F.R.G.S., F.R.S.E., M.A.1, A.I.C.E., F.R.H.S.

10. THE HITTITES AND THEIR LANGUAGE BY C. R. CONDER, LT.-COL. R.E.

11. Patali of Alexander, Sack of Nagar Thatta and Arghoon rule of Sindh by Bipin Shah

12. PERSPECTIVES ON THE SIKH TRADITION, Edited by GURDEV SINCH, Foreword by KHUSHWANT SINGH

13. Tarkhan Nīzak or Tarkhan Tirek? An Enquiry concerning the Prince of Badhghīs Who in A. H. 91/A. D. 709-710 Opposed the 'Omayyad Conquest of Central Asia.

14. RAJ KHALSA PART - Iwritten by Giani Gian Singh.

[themodernvedic]

Shaivism : Core Philosophy and Fundamentals

Kashmir: The Birth place of Shaivism  Kashmir, the northernmost geographical region of the Indian subcontinent is the birth place of shaivism. Kashmir was named after the great Hindu rishi Kashyap. The image of Kashmir today is a lot different from what is used to be 100 years ago. Today Kashmir has become a breeding place for radical Islamic ideologies. Kashmir was once, home to a sect of Hindus which directly worshiped the cosmos. 90% of Kashmir was inhabited by these people since 1000’s of years, until they were made to run away from their own land and settle in the other parts of India to save their lives, by radical Islamic ideologies. Today No brahmin Hindus are allowed in Kashmir as they consider Hindus as outsiders. 

There are two aspects of Shaivism or Kashmir Shaivism i.e. theory and practice. The cardinal principles and fundamentals of theory are supposed to be experienced practically by means of Sadhana. Shaivism has been recognized as the highest among all the Sadhana paths that lead to self-recognition. In this system, mind is to be withdrawn from objective activities, and directed towards the subject, which is the real self and is to be merged into it. Para-Praveshika by Acharya Khem Raj is a basic work explaining different tattvas mentioned in different Shiva Scriptures and gives us the elementary knowledge of Shaivism as well. Shaivism is about the road which consists of Shiva, shakti, Nara (Jiva) or Para, Para Para and Apara. This concise yet remarkable book is a must read for any aspirant who desires to learn and understand Shaivism. Shiva is the absolute reality. Shakti is the divine power of Shiva, through which he conceals his nature. The manifestation of Shakti to the position of soul and world is Nara (the soul bondage, we can call it Jiva also). Shaivism involves experiencing thirty-six principles or elements. Reality of the universal consciousness is manifested through these experiences. This school of thought believes in self-recognition, action and thought.

For gaining positive practical experiences, the aspirants of this system should have a moral and mental character of high order. Shaivism primarily deals with ultimate reality of the manifestation of the world process, bondage and liberation leading a devotee to realize the supreme nature of the individual soul with the eternal-principal which is nothing but Shiva alone. In other words, it is the transformation of the human consciousness into divine consciousness. Param Shiva or Shiva manifests this universe full of multiplicity and countless forms yet remains the embodiment of consciousness. His essential true nature undergoes no change.

The first movement in consciousness is called Spanda or Unmesha. From this initial throb comes the creation of the cosmos in which Shakti transforms into thirty-six tattvas, the principles or constituents from Shiva to Earth. There is no difference between Shiva and Shakti. Shiva is considered as the first principle and Shakti the second principle. In Shaivism the universe is created, preserved and dissolved by Shiva alone. Anything done by Him cannot be unreal. Maya cannot prevail on Shiva. The Jeeva is divine or Shiva in nature but has forgotten his real nature. The experience by which he is able to recognize his real nature and bring home the truth through spiritual discipline is known as 'Paratibijna' i.e. self-recognition, a distinct school of Shaivism. The main elements of Shaivism are as under:

Acharya Khem Raj has given a rational synthesis of these thirty-six principles (concrete and real mental experiences) in his Parapraveshika and the same is briefly given as under: Shiva: He is the universe in its entirety and beyond it. He is spirit, bliss, will, knowledge and action. Shakti: The first flash comes out to draw out the universe. It is force, energy or the will to act. It is bliss, will, knowledge and action all combined. Sadashiv: At this stage the feeling to emerge out develops into will to act. But more importantly, the subject object is not differentiated. Will dominates over all other shakti's. Ishwar: At this stage the subject actually emerges out into object, 'Ahanta' (subject) the feeling of 'I' predominates over "Identa'- the feeling of 'This'. In other words, Knowledge' dominates over the feeling to emerge out. Shod-vidya: At this stage Ahanta and Identa or T or 'This' aspect of experience is balanced. Power of Action becomes predominant. The Five principles of unlimited subject-object experiences are: Shiva Ishwar Sadashiv Shakti Shud-Vidya Creative Energy or Limited Principle Maya: This divine Shakti is responsible for differentiation. It makes us forget our true nature and binds us down to individuality. It eludes subject from the object through five cloaks or veils. Maya's five Kanchukas- Cloaks of obscuration Kala: It means limited power. Shiva is omnipotent but Maya has shrunk these unlimited-powers into finite form. Vidhya: Shiva is omniscient. But Maya has put a limitation on him. So, it is limited knowledge. Rag: Shiva is full and complete, but again, Maya has put it into bondage. So, there is attachment to sense objects. Kaal: Time limitation. Past, Present and Future. Shiva is eternal. There is no bondage or limitations of time on Him. Niyati: Limitation with regard to space. Shiva is omnipresent or all-pervading but here it has its own limits as Jiva.

Five limited individual experiences Purusha: The concept of individual five cloaks of obscurations conceal the quality of the Purusha from Shiva - (the universal consciousness). Prakriti: It consists of Gunas i.e. qualities of Sattva, Rajas and Tamas. It is different for different Purushas and is responsible for differences in the temperament of different individuals. Buddhi is the intellect, which makes Purusha behave, doubt, reflect, think and consider. Ahamkara is responsible for will, thought-differentiation and acts as storehouse of thoughts and feelings. Mannah is responsible for will, thought-differentiation and storehouse of thoughts and feelings. Buddhi, Ahamkara and Mann are together called as Antahkarana. The Five sense organs (Jnana Indrias) Shruti Jiva Gran Tvakh Chakhshu Five organs of action (Karam Indrias) Vakh (Tongue (Speech)) Pani (Hand) Pad(feet) Payu(Urethra) Upasth(anus) These organs have no functions other than to receive pulsation or vibration of five elements of sense perception. Five objects of perception (Tanmatr) Shabad Sparsh Roop Ras Gandh Gateways through which these are perceived are Skin, Nose, Ears, Eyes, Tongue, Sound Touch, Form, Taste and Smell. These are also called elements of sense perception. Five gross elements (Maha Boot) Akash (Space) Channel for force to act. Vayu (Air) - Gaseous state which sustains life. Agni (Fire) - Thermal motion - heat, light and life. Jal (Liquid) - Forms life. Prithvi (Earth) - Sustains everything.

Shaivism and Shiv Sutra

As per one of the Sutras, "Life is consciousness" (Shiv Sutra 1-1) Consciousness is all pervasive. Shiva is a wave-less ocean of consciousness. Through His play, this universe has become Grahaka - the perceiver and Grahaya - the perceived. The emergence of thirty-six Tattvas - constitutive principles, the consciousness gives rise to the universe and its activities.

For purposes of understanding the practical aspect, the universe has been divided into three categories. These are called as Pramata, Pramana and Prameya. Pramata, is limited individual (Jeeva) who understands the nature and activities of the universe. The universe is Prameya and its correct understanding is Pramiti. Since the universe is not different from Param-Shiva thus there are no means of separating Him from the universe, by which we can know Him. He is both the means and the end. Consciousness reveals its own nature and also gives us the knowledge of the other objects. This is called Param Samvit. Through the independent power of this supreme 'l-consciousness' Param Shiva becomes 36 Tattvas and reveals seven experiences which are : Shiva Chitt: Highest, The Absolute. Mantra Maheshwar: One who has realized Sada- Shiv Tattva. Mantreshwar: One who has realized Ishwer Tattvas. Mantra: One in between Shud-Vidhya Tattva. Vijnan kala: Key-experiment in between Shud-Vidya and Maya-Tattva Pralyakal: Experience of the void. Sakal: Limited experience dominated by Maya Tattva (worldly pleasures). Not knowing his real self. Param Shiva or Shiva exists as the universe in its infinite powers. The powers, Shakti are: Chit Shakti: Shiva is self - luminous and wholly independent. Anand Shakti: Shiva has ability to experience bliss with Himself without any external cause. Ichha Shakti: Shiva can do anything in a miraculous way without opposition and with firm resolution. Kriya Shakti: He can create objects of various forms. Shiva with these powers of Shakti continuously performs five actions: Creation (Shristi) = Creation of the Universe Sustenance (Sthiti) = Maintenance of the Creation. Dissolution (Sanhar) = Absorption of the creation into Himself. Concealment (Pidhan)= State in which creation remains within Him, before being remembered or re-created. Bestowal of grace (Anugrah) = Complete merging of the creation into the Universal Consciousness. कणास्त्वद्दीप्तीनां रविशशि कृशंनु प्रभृतयः। परं ब्रह्म क्षुदं तव नियतं आनन्द कणिका|| शिवादि क्षिति अन्तं त्रिवलयतनोः सर्वम् उदरे। तव आस्ते भक्तस्य स्फुरसि हदि चित्रं भगवति || O Goddess! Your flashes, like the sun, the moon, fire etc. and even Great Lord is of little consequence when compared to your divine Shakti and bliss. You are the embodiment of the whole universe from Shiva to Prithvi in three aspects (Knower, Knowledge and Known). In-spite of all this greatness you dwell in the hearts of your devotees. https://www.youtube.com/watch?v=B_3I0y4DYwA Read the full article

[bookhotvel]

Kishangarh State was founded by the Jodhpur prince Kishan Singh in 1609. Kishangarh was the capital of the eponymous princely state during the British Raj, which was located in today’s Ajmer City of Rajasthan and positioned at the  banks of the Gundalao Lake, this fort was built in 1649 by Maharaja Roop Singh of Ajmer.

[playerswiki]

Who is Roop Raj? How Much Are Roop Raj's net worth and salary? Who is Roop Raj Married too? Know about his wife and kid's

[yogipress]

The Hanuman Chalisa – Translated and Explained

Love is the nirvana of the buddha and the samadhi of the yogi. It is the miraculous power of Hanuman, devotee of the hermit king, Rama.

A poem of love and devotion, dedicated to the mighty hero and monkey-god, Hanuman and to his Guru and God: Rama. The poem is replete with praises for his supernatural prowess, his incredulous strength and intelligence, his childlike charm and cunning, and above all for his love and desire to serve Rama, the hermit king of Ayodhya.

This ancient poem, consists of 43 verses, describing a part of the lives of Sri Rama (the perfect indwelling spirit) and Hanumana (prana or the life force) son of the wind god, his devoted disciple and servant.He serves not out of necessity, but from choice, from love. For prana finds its fulfilment only in the perfection of the indwelling spirit. While we spend our lifetime pursuing illusions upon illusions, intoxicated by our own selves as well as the world around us, our prana grows weaker and weaker. But mighty Hanuman, growing from strength to strength, remains exclusively in service of the perfect Rama.

The poem speaks of three types of beings, their places in the world and their relationships with each other.

The three being: humans, demons and between the two are all the others, called the monkeys. All three types have divine and unlimited potential, with the monkeys having the most difficult access to this potential. Humans are those who follow dharma or righteousness i.e. strive to rise above the instinctive nature and succeed, in howsoever small measures. Demons, those who strive for the same and succeed in greater measure than the humans, which gives them superhuman skills. But the ensuing power intoxicates them and instead of freeing them, buries them deeper in the pursuits of the primal brain.

In between we have the monkeys, also a metaphor for the restless mind. A mind that can never rest on anything, like a monkey jumping from branch to branch. It is far easier to capture their attention and domesticate them than the humans or the demons. This limitation lies not in their bodies, but in their forever distracted minds.

Ancient India has always laid more emphasis on the mind than on the body. From this research and years of dedication were born the paths of yoga and vedanta. Recently the west has started to devote a lot of research to the mind, through neuroscience, psychiatry and psychology among other fields.

Ancient epics, myths, legends, poems and stories, explain the mind and its mysteries in a deep and profound manner. They are often woven into the everyday tapestry of social life, so much so that they have naturally lived in peoples hearts and minds since the past thousands of years and are often considered folklore.

One such text is the Hanuman Chalisa, dedicated to the very popular monkey god, Hanuman.

Being a text of devotion and love, it is often dismissed by the more rational as a story about magical impossible people, creatures and events. But it so much more than that. The poem speaks eloquently about the unconditional love of a disciple for his teacher, of a devotee for his god.

The science of yoga devised four paths towards enlightenment, for the different character traits that humans possess. Devotion which is one of them, is said to be the fastest and safest path. Often we admire someone who we see as perfect. They may possess qualities and virtues we would like to have and that admiration naturally blossoms into love and devotion.

The poem starts with a prayer to the sacred dust that lies at the feet of such an enlightened being: Rama – Hanuman’s god and guru. So pure and virtuous is Rama, that even the dust at his feet, says Hanuman, has the potency to clear the disturbed mind, turning it into a perfect mirror reflecting only the divine.

It is said that the very intelligent and perceptive monkey Hanuman recognises Rama’s divinity the moment he sets eyes on him in the forest. Rama, known as purushottam or the perfect man is the very personification of dharma (righteousness). Hanuman recognising this, surrenders his entire life to his service in that very instant, his heart overflowing with love.

Unmatched in strength, and full of divine attributes himself, Hanuman fights Rama’s battles, leaps across the ocean, carries a mountain of sacred healing herbs from the Himalayas to the south of the country, and above all, locates Rama’s estranged wife Sita, to whom he becomes Rama's messenger. These are just some of his feats. Highly popular in his native country, there are thousands of temples dedicated to him across the length and breadth of the country and far beyond, in Thailand, Indonesia, Burma etc.

In this poem, the path of love or Bhakti Yoga is glorified over all other paths towards enlightenment. All other paths require the perfection of techniques and many hours and years spent in practise. But love requires no such thing. It is sufficient unto itself and comes naturally to every being. True love is unconditional love, expecting nothing in return. So great is the power of Hanuman’s love that it outlives even the avatar’s themselves. While avatars born like Rama and Krishna, must return to their heavenly abodes once their work on earth is done, Hanuman is a chiranjeevi or immortal.

Legend says that he can still be seen attending spiritual gatherings where the name of Rama is sung. A special place is always reserved for him. For nothing outlives love as all else faces decay and must perish. But love being the very nature and source of the cosmos is eternal. It needs no nurturing, nor sustenance, instead it nurtures and sustains, asking for nothing in return.

Being desireless is what gives Hanuman his magical powers and strength. All human action, is geared toward the satisfying of desire, whether done consciously or unconsciously. Desire, a tenacious mistress remains forever dissatisfied, forever demanding, thus consuming life relentlessly.

Yet there is another path few are able to see. That of sublimating desire. Where nothing else but love is desired. It is the mighty hero’s path. Only for him or her who has conquered the senses and gone beyond their intoxication. For love is sufficient unto itself and needs no other sustenance. It is the nirvana of the buddha and the samadhi of the yogi. It is the miraculous power of Hanuman, devotee of the hermit king, Rama.

Hanuman Chalisa TRANSLATION

Shri guru charan saroj-raj nija manu mukura sudhaari

Baranau Raghubara Vimala Jasu jo dayala phala chari

·

Bowing to my Guru’s lotus feet I pray that my heart be cleansed, so it may reflect the glories of Rama;

I hear that just hearing of his life, one is bestowed with the four eternal fruits, so difficult to attain: Dharma, Artha, Kama and Moksha;

·

Buddhi-heen tanu janikay sumirow pavanakumara

Bala-buddhi vidya dehoo mohee harahu klesa mikaara

·

I Meditate on You, O son of Pavan, Ignorant as I am;

Bestow upon me your light strength and knowledge. So all my afflictions may be liberated;

 ·

Jai Hanuman gyan gun sagar

Jai Kapish tihun lok ujagar

·

Victory to you dear Hanuman, ocean of mercy and compassion;

Victory to you who illuminates all three worlds and is divine amongst monkeys;

 ·

Ram doot atulit bala dhama

Anjani-putra Pavan-sut nama

·

Messenger of Rama, you possess incomparable power;

Son of Anjana and of the wind God;

· 

Mahabir Bikram Bajrangi

Kumati nivar sumati ke sangi

·

Great hero, stronger than a thunderbolt;

Companion of only the pure minded , please rid my mind too of falsehood;

 ·

Kanchan varan viraj subesa

Kanan kundal kunchit kesa

·

Your golden body shines bright;

Always beautifully dressed you are, adorned with jewels and curly locks;

·

Hath vajra aur dhvaja viraje

Kaandhe moonj janehu sajai

Holding a thunderbolt and a flag;

your shoulder adorned with the sacred thread;

· 

Sankar-suvan Kesari nandan

Tej prataap maha jag bandan

·

Manifesting the Great Lord Shiva himself, you are the son of King Kesari;

Who in this world doesn’t revere the strong and the brave? O embodiment of both;

 ·

Vidyavaan guni ati chatur

Ram kaj karibe ko aatur

Highly learned, skilled in all Vidyas & full of virtue;

always ready to serve your Lord, Rama;

· 

Prabhu charitra sunibe ko rasiya

Ram Lakhan Sita man basiya

·

You enjoy nothing more than listening to stories about Rama;

The Lord who dwells in your heart along with Lakshman and Sita;

· 

Sukshma roop dhari Siyahi dikhava

Vikat roop dhari Lank jarava

·

With equal ease you transform from the tiniest to massive forms;

In front of Sita you appeared minute & humble, later becoming a fearsome giant you burnt Lanka to ash;

· 

Bhima roop dhari asur sanghare

Ramachandra ke kaj sanvare

·

As a fearsome giant you slayed demons;

removing them from your Lord Rama’s way;

 ·

Laye Sanjivan Lakhan jiyaye

Shri Raghuvir harashi ur Laye

·

You saved Lakshman, bringing the rare Sanjeevani from far away mountains;

Overflowing with Joy, Sri Rama embraced you to his own heart;

 ·

Raghupati kinhi bahut badai

Tum mam priye Bharathi sam bhai

·

Rama sings praises of you; embracing you he says;

‘You are as dear to me as my own brother Bharat’;

  ·

Sahas badan tumharo jasa gaave

Asa kahi Shripati kanth lagaave

·

Even the Thousand Headed Seshnag Sings Your Glory;

Said Rama, taking you in his Embrace;

· 

Sankadhik Brahmaadi muneesa

Narad-Sarad sahita Aheesa

·

Sanak, Brahma and other sages;

Narada, and Devi Saraswati along with the lord of serpents;

 ·

Jam Kubera Digpaal jahan te

Kavi kovid kahi sake kahan te

Yama, Kubera and all other guardians of the directions;

Poets as well as scholars find not the words to sing your praise;

 ·

Tum upkar Sugrivahin keenha

Ram milaye rajpad deenha

Eternally grateful to you is Sugriva;

You introduced him to Ram who got him back his kingdom, making him King again;

·

Tumharo mantra Vibhishan maana

Lankeshwar bhaye sub jag jana

·

Vibishana surrendered himself to you;

And you made him Lord of Lanka while the world looked on.

·

Yug sahastra jojan par Bhanu

Leelyo tahi madhur phal janu

·

Flying towards the Sun, thousands of miles away;

You almost swallowed it whole, thinking it to be a Sweet Fruit;

·

Prabhu mudrika meli mukh mahee

Jaladhi langhi gaye achraj nahee

·

Carrying Lord Sri Rama's Ring in your Mouth;

You Leapt across the Ocean. Full of wonder are you;

 · 

Durgam kaj jagath ke jete

Sugam anugraha tumhre tete

·

All things difficult in samsara

Are Rendered Easy by your Grace

 ·

Ram dwaare tum rakhvare

Hoat no agya bin paisare

·

Guardian of Rama’s kingdom;

Who can enter without your blessings?;

  ·

Sub sukh lahae tumhari sarna

Tum rakshak kahu ko darna

All joys are mine, in your protection;

With you as guardian what is there to fear?;

 ·

Aapan tej samharo aapai

Teenhon lok hank te kanpai

Who but you, can contain your glory?;

Which makes all three worlds tremble as you roar;

 ·

Bhoot pisaach nikat nahin aavai

Mahabir jab naam sunavae

No ghosts nor evil comes near;

Hearing your name o great hero;

 ·

Nase rog harae sap peera

Japat nirantar Hanumat Beera

What pain, what disease can remain?;

When I continuously utter your name?;

 ·

Sankat se Hanuman chudavae

Man, kram, vachan dhyan jo lavai

With my mind, heart and speech fixed on Hanuman;

what problems could I ever have?;

 ·

Sap par Ram tapasvee raja

Tin ke kaj sakal tum saja

When my mind is engrossed in Rama, King of yogis;

What problems can I not solve?;

·  

Aur manorath jo koi lavai

Sohi amit jeevan phal pavai

As I bring my chariot mind to the Lords feet;

The immortal fruit of life, I obtain;

  ·

Chaaron jug partap tumhara

Hai persidh jagat ujiyara

The 4 yugas are full of your glory;

Your greatness illumines the world;

 ·

Sadhu sant ke tum rakhware

Asur nikandan Ram dulhare

Beloved of Sri Rams, o destroyer of demons;

All sages and saints take refuge in you;

 ·

Ashta-sidhi nav nidhi ke dhata

As bar deen Janki mata

Mother Sita’s boon grants upon you;

The title of bestower of all eight powers, and all nine treasures;

  ·

Ram rasayan tumhare pasa

Sada raho Raghupati ke dasa

Knower of Rama’s sweet gentleness;

You remain always his loving servant;

  ·

Tumhare bhajan Ram ko pavai

Janam janam ke dukh bisraavai

Remembering you one attains Rama;

And sorrows of all lifetimes, not just this one, are liberated;

 ·

Ant-kaal Raghuvir-pur jayee

Jahan janam Hari-bhakt kahayee

With this devoted heart of mine, known as his servant;

I enter Sri Ramas kingdom;

 ·

Aur devta chit na dharehi

Hanumat se hi sarve sukh karehi

Just through this one sadhana of your remembrance;

All delights and happiness come my way;

 ·

Sankat kate mite sab peera

Jo sumirai Hanumat Balbeera

What are pains, and what are sorrows to him?;

Whose heart is immersed in you?;

 ·

Jai Jai Jai Hanuman Gosain

Kripa karahu gurudev ki nyahin

Victory to Hanuman, master of the senses;

Bestow your kindness as supreme Guru;

  ·

Jo sat bar path kare koi

Chhutehi bandhi maha sukh hoyi

With unbroken remembrance of you in my heart;

What can bind me? All is liberation;

  ·

Jo yeh padhe Hanuman Chalisa

Hoye siddhi sakhi Gaureesa

Gauri’s husband himself, the great Shiva is witness to my devotion unto you;

Which bestows only  liberation;

·

Tulsidas sada Hari chera

Keeja Nath hriday mein dera

The author Tulsidas, your eternal disciple;

Prays that you live forever in his own heart; 

·

Pavan tanay sankat harana mangala murati roop

Ram Lakhana Sita sahita hriday basahu soor bhoop

Please dwell eternally in my heart too, son of Pavan and destroyer of difficulties;

Along with Sri Rama Lakshman and Sita.

[bollyywoodnews]

Bollywood Celebs Birthday List | Bollywood Actors/Actress Birthday List

Bollywood Celebs Birthday Today – Check out the list of Bollywood actors and actress birthdays, Hindi movies celebs birthdays only at Mayapuri.com

January

1ST Vidya Balan

1st Asrani

1st Nana Patekar

1st Sonali Bendre

2nd Bharat Shah

3rd Sanjay Khan

4th Aditya Pancholi

5th Uday Chopra

4th Gurdas Maan

5th Deepika Padukone

6th A R Rahman

6th Rameshwari

7th Irrfan Khan

7th Bipasha Basu

7th Reena Roy

9th Farhan Akhtar

9th Farah Khan

10th Hrithik Roshan

10th Kalki Koechlin

10th Pallavi Sharda

10th Basu Chatterjee

10th Pahlaj Nihalani

10th Yasudas

11th Reeta Bahaduri

12th Arun Govil

12th Pt. Shiv Kumar Sharma

13th Adhyayan Suman

13th Imran Khan

13th Ashmit Patel

15th Pritish Nandi

15th Neil Nitin Mukesh

16th Siddharth Malhotra

17th Javed Akhtar

17TH Maya Govind

17th Ramesh Taurani (Tips)

18th Minissha Lamba

19th Bhavdeep Jaipurwale

20th Raj Babbar

21st Sushant Singh Rajput

21ST Daboo Malik

23RD Ramesh Sippy

23rd Sudhakar Sharma

24th Subhash Ghai

24th Vinay Virmani

24th Riya Sen

25th Kavita Krishnamurthy

27th Bobby Deol

27th Shreyas Talpade

27th Vikram Bhatt

28th Shruti Haasan

30th Priyadarshan

30th Chandan Roy Sanyal

31st Ashok Honda

31st Preity Zinta

31st Amy Jackson

 February

1st Jackie Shroff

1st Manoj Tiwari

1st Anwar

1st Shobha Kapoor

3rd Waheeda Rehman

4th Urmila Matondkar

5th Abhishek Bachchan

9th Indra Kumar

10th Louis Bank

11th Rajat Kapoor

11th Sherylin Chopra

11th Tina Ambani

12th Mitali Singh

14th Manoj Desai

15th Harish Bhimani

15th Randhir Kapoor

15th Sonu Nigam

16th Arunoday Singh

16th Nidhi Subbaiah

18th Sajid Nadiadwala

20th Annu Kapoor

22nd Sooraj Barjatya

23rd Bhagyashree

24th Pooja Bhatt

24th Sameer

25th Sanjay Leela Bhansali

25th Shahid Kapoor

25th Danny Danzongpa

26th Veena Malik

27th Prakash Jha

28th Ravindra Jain

28th Varsha Usgoankar

March

1st Amit Khanna

2nd Vidya Malvade

3rd Shraddha Kapoor

3rd Shankar Mahadevan

5th Saurabh Shukla

5th Preety Bhalla

7th Anil Sharma

7th Anupam Kher

8th Farden Khan

9th Zakir Hussain

11th Poonam Pandey

11th Sujata Mehta

12th Aatif Aslam

12th Shreya Ghoshal

12TH Falguni Pathak

12TH Shreya Ghoshal

12th Kamaal Khan

13th Geeta Basra

13th Nimrat Kaur

14th Rohit Shetty

14th Aamir Khan

14th Sadhna Sargam

15th Alia Bhatt

15th Honey Singh

15th Ila Arun

15th Abhay Deol

16th Rajpal Yadav

16th Jolly Mukherjee

17th Lalit

18th Alisha Chinoy

18th Chitra Singh

18th Shashi Kapoor

20th Alka Yagnik

21st Rani Mukherjee

23rd Kangana Ranaut

24th Emraan Hashmi

26th Shilpi Sharma

26th Prakash Raj

27th Ram Charan Teja

28th Chitrangada Singh

29th Jagdeep

31st Prashant Narayan

 April

2nd Ajay Devgan

2nd Remo D’Souza

3rd Jaya Prada

3rd Prabhu Deva

3rd Hariharan

3Rd Salma Agha

3rd Vipul Shah

3rd Raju Singh

7th Ram Gopal Varma

7th Jeetendra

8th Amit Trivedi

8th Saqib Saleem

9th Jaya Bachchan

9th Hans Raj Hans

10th Pravin Shah (Time)

11th Mohit Suri

11th Adinath Mangeshkar

11th Satish Kaushik

15th Shyam Benegal

16th Lara Dutt

17th Siddharth

17th Bindu

17TH Monty Sharma

18th Poonam Dhillon

19th Arshad Warsi

19th Vashu Bhagnani

19th Rohan Kapoor

20th Babita Kapoor

22nd Chetan Bhagat

23rd Manoj Bajpai

23th Sanjeev (Darshan)

24th Varun Dhawan

24th Kavita Paudwal

24th Rekha Rana

28th Sharman Joshi

28th Nikhil Adwani

28th Samantha Ruth Prabhu

 MAY

1ST Anushka Sharma

6TH Vindoo Dara Singh

7th Ashwini Bhave

8TH Anurag Basu

8th Remo Fernandes

11Th Adah Sharma

13th Sunny Leone

13th Punit Malhotra

13th Divyendu Sharma

13th Manhar Udhas

14TH Talat Aziz

14th Zarine Khan

14th Maddhhurima Bannerjee

15th Madhuri Dixit

16th Sonal Chauhan

17TH Pankaj Udhas

17th Paresh Rawal

18TH Sonali Kulkarni

18th Farida Jalal

18th Ali Zafar

18th Ashok Khosla

19th Nawazuddin Siddiqui

19th Bali Sagoo

19th Kishan Kumar

20th Haasan Kamaal

21st Mukesh Tiwari

21st Aditya Chopra

21st Tia Bajpai

21st Dilraj Kaur

24th Arya Babbar

24th Rajesh Roshan

25th Karan Johar

25th Kunal Khemu

25th Uttam Singh

28th Gulshan Devaiah

29th Champak Jain

29th Pankaj Kapoor

29th Anand Tiwari

29th Lalita Munshaw

30th Paresh Rawal

31st Milind (Anand)

31st Vir Das

 June

1st R Madhvan

1st Ismail Darbar

2nd Sonakshi Sinha

2nd Illayaraja

3rd Sarika

4th Ashok Saraf

4th Anil Ambani

5TH Mukesh Bhatt

5th Viju Shah

6th Preety Sagar

7th Sanjay Gadhvi

7th Ekta Kapoor

8th Shilpa Shetty

8th Dimple Kapadia

9th Sonam Kapoor

9th Ameesha Patel

9th Amar Mohile

10th Mika Singh

10th Roop Kumar Rathod

11th Arun Bakshi

11th Kirti Anurag

12th Jayshree T

13th Vikas Mohan

14th Pritam

14th Kirran Kher

14th Raj Thackeray

16th Mithun Chakraborty

16th Vrajesh Hirjee

17th Amrita Rao

17th Lisa Haydon

19th Kaajal Aggarwal

19th Raajesh Johri

20th Shweta Pandit

21st Shiv Pandit

21st Dibkar Bannerjee

22rd Anubhav Sinha

23rd Penaz Masani

25th Raghubir Yadav

25th Satish Shah

25th Aftab Shivdasani

25th Karisma Kapoor

26th Arjun Kapoor

28th Vishal Dadlani

30th Sapna Awasthi

 July

1st Rhea Chakraborty

1st Mehul Kumar

1st Pt. Hari Prasad Chaurasya

1st Sudesh Bhosle

2nd Mohd. Aziz

3rd Amit Kumar

3rd Tigmanshu Dhulia

4th Chhaya Ganguly

5th Raj Kumar Santoshi

5TH Kumar Taurani

6th Ranveer Singh

6th Bali Brahmbhatt

7th Rakeysh Om Prakash Mehra

7th Kailash Kher

7th Siddharth Kak

7th Chandrashekhar

7th Manjot Singh

8th Neetu Singh Kapoor

9th Tabassum

10th Parveen Sultana

10th Ibrahim Ashq

11th Mahalaxmi Iyyer

12th Evelyn Sharma

12th Vinay Pathak

13th Sarita Sethi

16th Katrina Kaif

17th Zarina Wahab

17th Ravi Kissan

18th Priyanka Chopra

18th Rajeev Rai

18th Sukhwinder Singh

19th Sneha Pant

20th Naseeruddin Shah

21st Madhu Shalini

23rd Himesh Reshammiya

23rd Penaz Masani

23rd Mukesh Khanna

23rd Jeetu (Jeetu-Tapan)

25th Raageshwari Sachdev

26th Mugdha Godse

27th Rahul Bose

27th Uddbhav Thackarey

28th Dhanush

28th Huma Qureshi

29TH Sanjay Dutt

29th Pamela Chopra

29th Anup Jalota

29Th Elli Avram

30th Sonu Sood

30th Sonu Nigam

30th Mahaakshay Chakraborty

 August

1st Keval Kumar

1st Taapsee Pannu

2nd Siddharth Roy Kapur

2nd Yuvika Chaudhary

2nd Ruslaan Mumtaz

3rd Manish Paul

4TH Arbaaz Khan

4th Vishal Bhardwaj

4th Sharon Prabhakar

5th Genelia D’Souza Deshmukh

5th Kajol

5th Ganesh Jain

6th Aditya Narayan

6th Umesh Mehra

6th Daler Mehndi

6th Vishal Bharadwaj

7th Suresh Wadkar

7th Shaurya Chauhan

7th Sachin Joshi

9th Saawan Kumar Tak

9th Sulakshana Pandit

11th Sunil Shetty

11TH Jacqueline Fernandez

13TH Shridevi

14th Johny Lever

14th Poonam Jhawer

14th Sunidhi Chauhan

15th Adnan Sami

15th Raakhee

16th Hemlata

16th Manisha Koirala

16th David Dhawan

16th Saif Ali Khan

16th Mahesh Manjrekar

16th David Dhawan

17th Ketan Desai

17th Sachin

17th Smita Thackeray

18th Ranvir Shorey

18th Gulzar

19TH Ken Ghosh

20th Randeep Hoonda

20th Amrita Puri

21st Sana Khan

22nd Paintal

23rd K K

23RD Saira Banu

23th Vaani Kapoor

24th Ayaan Mukherji

26th Madhur Bhandarkar

27th Neha Dhupia

29th Richa Sharma

28th Jugal Kishore

31st Sumeet Tapoo

31st Raj Kumar Yadav

September

1st Tochi Raina

1st Ram Kapoor

3rd Vivek Oberoi

3rd Shakti Kapoor

3rd Pyarelal Sharma

4th Govind Namdeo

4th Rishi Kapoor

4th Swara Baskar

4th Rahul B Seth

5th Vidhu Vinod Chopra

6th Abhinav Kashyap

6th Rakesh Roshan

6th Poornima

8th Asha Bhosle

8th Rajendra Mehta

9th Lucky Ali

9th Akshay Kumar

9th Ustad Amjad Ali Khan

10th Atul Kulkarni

10th Anurag Kashyap

11TH Shriya Saran

12th Ranjeet

12th Vinod Rathod

12th Prachi Desai

12th Durga Jasraj

13th Mahima Chaudhry

14th Sunita Rao

14th Ayushmann Khurrana

16th Prasoon Joshi

16TH Ram Laxman

16TH Aditya Paudwal

17th Priya Anand

17th Aditya Paudwal

18th Shabana Azmi

19TH Lucky Ali

19th Shashwati Phookan

19th Eesha Kopikhar

20th Mahesh Bhatt

21st Kareena Kapoor

21st Gulshan Grover

21st Rimi Sen

22nd Kumar Sanu

23th Prem Chopra

23rd Manoj Kumar

25th Divya Dutta

25TH Nitin Manmohan

26th Anjali Patil

27th Dheeraj Kumar

27th Chunky Pandey

28th Ranbir Kapoor

28th Lata Mangeshkar

28th Deane Sequeira

29th Isha Sharvani

30th Shaan

 October

1st Asha Parekh

2nd Kay Kay Menon

2ND Kalpana

4th Soha Ali Khan

4th Shailendra Singh

4th Paoli Dam

6th Vinod Khanna

7th Wajid (Sajid Wajid)

7TH Usha Khanna

7TH Abhijeet Sawant

7th Mehboob

9th Khushboo Jain

8th Rajesh Sharma

10th Rekha

11th Amitabh Bachchan

11TH Ronit Roy

11th Chandrachur Singh

11th Pradeep Udhas

12th Kunaal Roy Kapur

12th Nida Fazli

14th Zoya Akhtar

15th Nikhil Kamath

15th Ali Faisal

15th Altaf Raja

15th Lalit Sen

16th Hema Malini

16th Rajeev Khandewal

16th Prithvirajsukumaran

17th Simi Garewal

18th Om Puri

18th Kunaal Kapoor

19th Shiamak Davar

19TH Sunny Deol

20th Nargis Fakhri

20th Sonu Kakkar

22nd Kader Khan

22nd Parineeta Chopra

23rd Sapna Mukherjee

23rd Malaika Arora Khan

23rd Sanjay Gupta

24rd Himani Shivpuri

24th Mallika Sherawat

24th Bruna Abdullah

25th Monica Dogra

26th Raveena Tandon

26th Shabbir Kumar

26th Hridaynath Mangeshkar

26th Asin Thottumkal

27th Anuradha Paudwal

27th Vasundhara Das

28th Aditya Rao Hydari

30th Dilip Tahil

30TH Abu Malik

30th Abhijeet

31st Surendra Sodhi

 November

1st Anu Malik

1st Aishwarya Rai Bachchan

1st Tisca Chopra

1st Ileana D’ Çruz

1st Padmini Kolhapure

2nd Diana Penty

2nd Shah Rukh Khan

2nd Madhushree

2nd Devang Patel

4th Tabu

5TH Javed Ali

7th Kamal Haasan

7th Raima Sen

7TH Nandita Das

8TH Dhirubhai Shah (Time)

8th Usha Uthup

9th Anand Raj Anand

9TH Payal Rohatgi

9th Subodh Bhave

13th Shravan Rathod

13th Juhi Chawla

13th Deipa Udit Narayan

14th Jaspinder Narula

14th Madan Pal

15th Jr. Mehmood

15th Uday Mazumdar

16th Meenakshi Sheshadri

16th Aditya Roy Kapur

17th Jaswinder Singh

18th Zubeen Garg

19th Zeenat Aman

19th Sushmita Sen

20TH Tusshar Kapoor

21st Helen

21st Neha Sharma

22nd Saroj Khan

23rd Baba Sehgal

23 Kartik Tiwari

23rd Sajid Khan

25th Rakhi Sawant

26th Arjun Rampal

27th Bappi Lahiri

27th Suchitra Krishnamurthy

27th Bhushan Kumar

28th Prateik Babbar

28TH Esha Gupta

28th Yami Gautam

30th Murli Sharma

 December

1st Udit Narayan

1st Kainat Arora

1st Boman Irani

1st Rakesh Bedi

3rd Jimmy Shergil

3rd Konkana Sen Sharma

3rd Sara Jane Dias

4th Javed Jaffrey

6th Shekhar Kapur

6th B. Subhash

6th Vikramaditya Motwane

7th Shekhar Suman

8th Dharmendra

8th Shazahn Padamsee

9th Shatrughan Sinha

9th Dia Mirza

10th Vidyut Jamval

11th Dilip Kumar

11th Sara Loren

12th Rajnikant

12th Aman Trikha

14th Rana Duggabati

14th Biswajit

15th Babul Supriyo

15th Usha Mangeshkar

16th Harshdeep Kaur

17th John Abraham

17th Riteish Deshmukh

17th Suresh Oberoi

19TH Mahie Gill

21st Karisma Tannah

21st Tamannaah

21ST Amin Sayani

21st Govinda

21st Anand (Anand Milind)

24TH Anil Kapoor

25th Jackkie Bhagnani

25th Raju Shrivastav

27th Salman Khan

28th Richa Chaddha

29th Pulkit Samrat

29th Twinkle Khanna

30th Sonali Vajpai

Reff By:-https://www.mayapuri.com/bollywood-celebs-birthday-list/

Bollywood Celebs Birthday List Bollywood Actors/Actress Birthday List Actress Birthday List Actors Birthday List Bollywood Celebs Birthday Today list of Bollywood actors list of Bollywood actors and actress list of Bollywood actors and actress birthdays Hindi movies celebs birthdays

[indiesole]

Indies (Lifetime) Playlist Tributes to Music Legends ! -PART 10

KANAN DEVI 'S TOP 80 (HINDI) SONGS ! :

Yt Link:

Toofan mail - Jawab

"

Sanwariya prem ki bansi - Street Singer

Pitam nivayan -

Door des ka rehna wala

Hamari laaj - Lagan

Sukoon dil ka mayassar - Street Singer

Mujhme moorat darash

Duet from Kanan & Saigal - Street Singer

Asha deep jalayo sajan

Prabhu ji tum raakho - Hospital

Madh bhari - Lagan

Babul mora -1

" - 2

Zara nainon se - Hospital

Piyab milan ko jaat hoon - Vidyapati

More angana mein

" (video)

Nahi bhulata batiyaan

Hamari nagariya mein

Dekha toh hai

Chanda door gagan mein - Krishna leela

Aye chaand chup na jaana - Jawab

Jawani ki reet

Aa piya

Kuch yaad rahe toh - Jawab

Loot liyo man dheer

Balhari jayoon ai piya

Chaman mein kaun aya

Mero janam janam ke

Sapnon mein koi aata hai

Gehri re nadia

Daal daal aur kunj kunj

Dole hridaya ki naiyaa

Tum bin kal na aave mohe - Lagan

Dil mein mere aake - Hospital

Pallu chhoro sajan ghar jana re

Hum dil ko dil hum ko

Mon ke haare

Sapne se kaun jagaye re

Aaj hui hai bhor suhani

Hum tum jo gaate hain

Koi hame bata de - Ban Phool

Hey Krishna karuna

Ghunghurba baaje

Main dilwalon ki zindagi hoon

Ruth hai suhani

Ab ayee bahaar nayi

Ab chand na sharmaye

Awaz di hai kisne

kaise sundar phoolon ke haar - Abhinetri

Kaun man lubhaya - Jawani ki reet

Ambwa ki daali

Ban nainon ke kahey

Koi samjhaye ye geet

Meri majburiyon ne

Sawan ki rani ayee

Sanwarya man bhaya

Ye dil hai tumhe pukare

Tera ghar mon mera

Hamein bahut bhata hai - Woh dono

Tum bin kal na aave - Lagan

Takat hoon tumhari - Lagan

Mat roko dagariya

Nahi bedardi aaye - Chandrashekhar

Man ki batiyaan - Maa

Ghata chhayi ghanghor

Bholi bhali banki

Tu sun le kahani

Tum man mohan - Haar jeet

Suno ek naya fasana - Arabian Nights

Raha raha - Maa

Kali kissi ki - Arabian Nights

Koi chhoo le na

Kaisa ujda chaman - Mukti

O kali matwali -

Kya yuhi aata

Mast pawan shakhen

Malan bata de kiske

Ban mein bhi jo mehke - Jawani ki reet

Balma se milan ko jati

Man mere aandhi ban ja jal barsa SUSHEELA 'S TOP 30 (HINDI) SONGS !

Takatu taka tai - Singhaasan

Kya kya kahoon re kanha - Piya milan

Tere liye maine janam liya - Singhaasan

Bade tum veer - Gul e bakawali

Jai jai ram - Lav Kush

Shri satguru ke aashish hai - Kam kala tandav

Shiv shakti ka - '

Aatma jyoti hoon main - "

Kaam ki kaamna hai - "

Suno re suno - Ram bhajan

Sainyog anand hai - Kam kala tandav

Shakti tatva rupdhan - "

Shiva jyoti rupani - "

Parda uthne wala hai - Bachpan

O Mother Mary - "

Phan ko khole mtrityuwala - Kam kala tandav

Jaatasyahi - "

Sachit anand - "

Ardhanareeshwar - "

Aaj na hai mere sajan - Bhakt prahlad

Kamini gajagamini - Kam kala tandav

Srijan karya karta - "

Aadi kaal se - "

Widhwansini hai - "

Shiva jyoti tatva roop hai - "

Rasavani shringar - "

Kam kala hai - "

Tere seene mein bhi dil

Yogi yunjita - Kam kala tandav

Shirdi jai sairam - Sabse bada nirala

Song from Akbar (61)

Kanavu kanda kaathal

RAJ KAPOOR' S TOP 160 SONGS! :

Yt Link:

Pyar Hua Ikrar Hua - Shree 420

Ramaiyya Vastawaiyya - Shree 420

Mud Mud Ke Na Dekh - Shree 420

Dil Ka Haal Sune Dilwala - Shree 420

Dum Bhar Jo Idhar Muh Phere - Awaara

Dil Ki Nazar Se - Anari

Ye Raat Bheegi Bheegi - Chori Chori

Aaja Re Ab Mera Dil - Aah

Hale dil hamara jane na - Shriman Satyawadi

Hum Tujhse Mohabbat Kar - Awara

Jane Na nazar Pehchane jigar - Aah

Jahan Main Jati Hoon - Chori Chori

Ichak dana bichak dana - Shree 420

Har Dil Jo Pyar Karega - Sangam

Ta ra ri aa ra ri - Dastan

Nineteen Fifty six - Anari

Kisiki Muskurahaton pe - Anari

Tum agar mujhko na chaho - Dil Hi Toh Hai

Mera Joota hai japani - Shree 420

Zinda Hoon is Tarah - Aag

Chooti si yeh zindagani - Aah

Mujhe tumse kuch bhi na chahiye - Kanhaiya

Chhod gaye Balam Mujhe - Barsaat

Jis Desh Mein Ganga Behti hai - Jis Desh Mein Ganga Behti Hai

Sajan Re Jhoot Mat Bolo - Teesri Kasam

Sajanwa Bairee Ho gaye hamaar - Teesri Kasam

Jaane Kahan Gaye Woh din - Mera Naam Joker

Jeena Yahan Marna yahan - Mera Naam Joker

Ek Din Bik Jayega mati ke Mol - Dharam karam

Humne Tujhko Pyar Kiya hai itna - Dulha Dulhan

Chalat Musafir Moh Liya re - Teesri kasam

Mera karaar Le jaa - Ashiana

Duniya banane wale - Teesri Kasam

Laaga chunari Mein daag - Dil hi toh hai

Woh Subah kabhi toh Ayegi - Phir subah hogi

Khayalon Mein kisike - Baware Nain

Sab kuch seekha humne - Anari

Main pagal mera manva pagal - Ashiana

Aansu Bhari hai - Parvarish

Awaara Hoon - Awaara

Tere Bina Aag Ye Chandni - Awaara

Aaja Sanam - Chori chori

Kuch Sher Sunata Hoon - Ek Dil Sau Afsane

Main Dil Hoon Ek Armaan Bhara - Anhonee

Aa Ab Laut Chalein - Jis Desh Mein Ganga Behti hai

Bol Radha Bol - Sangam

O Mehbooba - Sangam

Dost Dost Na raha - Sangam

Mera Naam Raju - Jis Desh Mein Ganga Behti Hai

Dum dum deega deega - Chhalia

Ruk ja o janewali - Kanhaiya

Mujhko yaaron maaf karna - Main nashe mein hoon

Ruk ruk ruk kahan chali - Do Ustad

Raat Andheri Door Savera - Aah

Main Aashiq Hoon Baharon ka - Aashiq

Chaahe Zindagi Se- Sharada

Maine Dekhi Jag ki Reet - Sunehre Din 58.Rut Albeli Mast Sama- Shriman Satyawadi

Chin O Arab Hamara - Phir subah hogi

Ni Baliye Rut Hai Bahar ki - Kanhaiya

Tere dil ka Makaan - Do Ustad

Hum Tum Yeh Bahar - Amber

Phir Na Kije - Phir Subah Hogi

Tum hi tum ho - Ek Dil Sau Afsaane

Bhoole Se Mohabbat Kar Baitha - Dil Hi Toh Hai

Jo Pyar Tuune Mujhko Diya tha - Dulha Dulhan

Mujhe Sach sach Bataa do - Bawre Nain

Mere Toote Hue Dil Se - Chhalia

Aasmaan Pe Hai Khuda - Phir Subah Hogi

Woh Shumse chup hain - Sargam

Duniye Ne Kujhko chhod Diya - Sharada

Aye Sanam Jisne Tujhe - Diwana

Chale Jaana Zara - Around The World

Aye Bhai Zara Dekhke Chalo - Mera Naam Joker

Kehta hai joker - Mera Naam Joker

Aye Gori Radhika - Gopinath

Taaron se pyaare - Diwana

Dekhiye Toh Kya Ajeeb haal Hai - Kal Aaj Aur Kal

Mama oh Mama - Parvarish

Bikhra ke Zulfen - Nazrana

Piya milne naveli nadi - Jail Yatra

Kahan Gaya Chitchor - Dil Ki Rani

Dil jo bhi Kahega - Dil hi Toh Hai

Dekh Chand Ki Aur - Aag

Mehtab Tera Chehra - Aashiq

Suno Ji Suno - Ek dil Sau Afsane

Hum Hain toh Chand Aur Tare - Main Nashe mein hoon

Tum Aaj Mere Sang Hans lo - Aashiq

Duniya Me Nahi koi yaar - Amber

Gusse Mein jo Nikhra Hai - Dil hi toh hai

Mere Peechhe Ek Deewana - Nazrana

Meri Jaan Kuch Bhi Kijiye - Chhalia

O Shama Mujhe Phoonk De - Aashiq

Dil do Nainon Me Kho Gaya - Sunehre Din

Masti Bhara Hai Samaa - Parvarish

Yaad Aayi Aadhi Raat ko - Kanhaiya

Nazron Ke Tee Maare - Do Ustad

Tumhari Mast Nazar gar - Dil hi Toh hai

Beliya Beliya Beliya - Parvarish

Ek Baat Kahoon - Shrimaan Satyawadi

Main Zindagi me hardam - Barsaat

Nahi kiya toh karke dekh - Char Dil Char raahen

Hum pyaar karenge - Dhun

Baazi Kisine pyaar ke - Nazrana

Meri Zindagi hai tu - Paapi

Worli ka naaka - Do Ustaad

Budha Hai Ghoda - Sargam

Mast nazar - Ek dil sau Afsaane

Nazar nazar se ho rahi - Main nashe Mein Hoon

Shama Jali Parwana Aya - Amber

Mere Dil Ki Dhadkan Kya Bole - Anhonee

Tu Ladki main ladka - do Ustad

Chadh gayi chadh gayi - Do jasoos

Jis Pyaar Mein ye Haal ho - Phir Subah hogi

Tera kaam hai jalna parwane - Paapi

Ek hum Aur Dusre Tum - Pyar

Dukh Se Bhara hua Hai dil - Jaan Pehchaan

Chura kar Dil ko yun - Amber

To bolo Kya Karoge - Do Ustad

Tumhari Bhi jai jai - Diwana

Pate ki baat kahega - Diwana

Tik tik tik tik - Kal aaj ar kal

Sapnon ka sadagar aaya - Sapnon ka saudagar

Diwana mujhko log kahen - Diwana

Yun toh aapas me bigadte - Andaz

Teri duniye Mein dil Lagta Nahin - Bawre nain

Tum jo hamare Meet Na Hote - Aashiq

Main Hoon Alladin - Sargam

Jap jap jap jap - Sharada

Yaar vai vai - Sargam

Ye Tph Kaho Kaun ho tum - Aashiq

Tere humsafar geet hain tere - Dharam Karam

Upar jaake yaad ayi - Naukri

Do jasoos kare masoos - Do Jasoos

Choodiyan le le gori - Paapi

Baap bhala na bhaiya bhaiyya - Sargam

Main hoon ek khalasi - Sargam

Main Hoon Tera Dulha - Dulha Dulhan

Parda Uthe Salaam Ho jaye - Dil hi Toh Hai

Yamuna Ke Tat hum toh - Amar Prem

Sadaque heer Tujhpe - Mera Naam joker

Duniye Saari Jail Re - Jail Yatra

Lehrayee Mori Lal Chunariya - Jail Yatra

Chhoti si gilasiya mein - Gopichand Jasoos

Dil Laga kar aapse - Around The World

Saahil Jo dubo De Kashti ko - Baawra

Bahaaron Ne Jise Chheda Hai - Sunehre Din

Lalla Allah Tera Nigehban - Abdullah

Joshi Jawaani haye - Around The World

Duniya ki Sair Karlo - Around the World

O Gori Kahan Chali Us Paar - Jail Yatra

O Aao Chalen Manva More - Amar Prem

Dhoom Dadakka - Amber

Chhalia Mera Naam - Chhalia

O Bewafa Yeh To Bata - Pyar

Mujhe Kehte Hain Kullu Qawwal - Dulha Dulhan

Dhadak dhadak dil - Dastaan

Dil Ko Teri Tasveer Se - Dastaan

Jumme Ki Raat Ho - Dulha Dulhan

Jalti Hai duniya - Pyaar

Kachchi Pakki Sadkon Pe - Pyaar

Shama Jalti Hai toh - Bawra.

PRAMODINI DESAI 'S TOP 20 SONGS ! :

Yt Link:

Aayi barkha bahaar - Shokhiyaan

Raghupati Raghav Raja Ram

O Roop Nagar Ke Saudagar - Sazaa

Peepal li chhaon tale - Char chand

Kar lo pyar hua jiya bekarar

Hanse tum toh dil ki khushi muskura di

Raja tere desh me

Nazron se nazar ka takrana

Balam na ja re, sajan na ja re - Fariyadi

Dil me kisi ka pyar basale - Dilruba

Ajab khel tera zalim zamana - Fariyadi

Phirte hain mare mare lakhon diwane mere

Baaje badhai aaj nand ji ke dwaar

O daata paisa deta ja

Mile nain se nain

Uth aye watan.

SWARNALATHA'S TOP 10 (HINDI) SONGS ! :

Yt Link:

Hamma hamma - bombay

Muqabla muabla - Hum se hai muqabla

Hai rama - Rangeela

Maya machhindra - Hindustani

Dola dila man - Dil hi dil mein

Sunta hai mera khuda - Pukar

Mil hi gaye - Mr Romeo

Tere hontho ki hansi - Bichhoo

Amma amma - Hathkadi

Latka dikha diya - Hindustani

Jannat hai yeh zameen - Rakht

Shabba shaba - Daud

Khel hai ye - Khel khiladi ka

Mere chandi jaisa tan - Hathkadi .

SUJATHA MOHAN 'S TOP 10 (HINDI) SONGS ! :

Yt Link:

Roja - Roja

"Roja (version 2) - Roja

Kal nahi tha woh - Vishwavidhaata

Kal nahi tha (sad version) - Vishwavidhaata

Dil hai sanam - Chor chor

Aankhon me ummeedon ke - Bombay

Tum ho meri nigahon mein - Kabhi Na Kabhi

Maine bheja hai sandesh - Hum se hai muqabla

Ishq bina - Taal

Na ho kal jab - Love Birds

Koyal se mili - Abhay

Ishwar allah- 1947 Earth

Hai jaan - Pukar

Rafta rafta - Hulchul .

MINMINI'S TOP 10 (HINDI) SONGS ! :

Yt Link:

Choti si aasha - Roja

" (version 2) - "

Sagar se milne - Hum se hai muqabla

"

Kahi aur

Man ko tum

Aaja

Koun hai

Souparikamrutha .

MADHUSHREE BHATTACHARYA 'S TOP 40 (HINDI) SONGS ! :

Yt Link:

Piya lagi laganiya - Laagi lagan

babul mora - barsan lagi

In lamhon ke - Jodhaa Akbar

Aye na balam - Thumri

Lagi lagi - Laagi lagan

Jab dil mile

Jaana hai

Kabhhi neem neem - Yuva

Kangna re - Paheli

Aati re - Paheli

Sharminnda hoon - Ekk deewana tha

Pal pal hai bhari - Swades

Nao meri - Kashmakash

Hum hai iss pal yahan - Kisna

Naina milaike - Saathiya

Ay sakhi - Raanjhanaa

Tere bina - Mukhbiir

Mujhpe toofan uthaye - Tehzeeb

Manat nahi - Barsan lagi

Jabse shyam sidhare - Barsan lagi

Barsan lagi - Barsan lagi

Piya lagi laganiya - Barsan lagi

Mohabbat zindagi hai - Moksha

Tu bin bataye - Rang de basanti

Sau janam - Whats your raashee?

Tum mujhe - Aetbaar

Chai ke bahaane- Chintu ji

Wahji wahji - Sivaji the boss

Sadiyan - Lakeer

Ek meetha marz - Welcome to sajjanpur

Na shiqwa hota - Tehzeeb

Sabaq aisa - Tehzeeb

Koi aap jaisa - Vaah!Life Ho Toh Aisi

Ebn e batuta - Anari lover

Maee re - Dassehra

lagi lagi (remix) - Barsan lagi

Boom boom robo da - Robot

Yaar mila tha - blue

Tumhe aaj maine jo - Kuch na kaho

Maahi ve - Kal ho na ho

Baazi laga - Guru

Soja zara - Bahubali 2 .

BELA SHENDE 'S TOP 30 (HINDI) SONGS ! :

Yt Link:

Kaisa ye jadoo - kaisa yeh Jadoo

Mann mohana - Jodhaa Akbar

Main girdhar ke jaun

Dekha tuhe toh - Kaisa yeh jadoo

In vaadiyon mein - "

Meri yaadon mein - "

Dil mera kyon - "

Saanson mein - "

Kaise milun main - Rajjo

Kaleja hai haazir - Rajjo

11.Mere ghungroo - Rajjo

Mann bhi hai - Mirch

Kare kya hum

Tu hai - Besharam

Mirzeya

O mera chand

Kangna re - Paheli

Khaali hai tere bina - Paheli

Sun le dua - We are family

Main to deewani - kaisa yeh jadoo

Jabse tumhe dekha - Kaisa yeh jadoo

Mohenjo daro - Mohenjo daro

Ayela ayela - Horn Ok Please

24 Minnat kare - Paheli

Sai shirdi sai - 99 songs

Tumse milkar - Ehsaas

Su chhe - Whats your rashee?

Koi jaane na - "

Dum dum diga diga - Tera mera saath rahe

Julmi re julmi - Rajjo

Tum todo na - I

Ishq ki dafli - Kamaal dhamaal maalamaal .

P.B. SRINIVAS'S TOP 10 (HINDI) SONGS ! :

Yt Link:

Jai jai ram

Raam sugun dham

Hanuman chalisa

Naina jo naino se milay

Chanda se ho gaya pyar

Nakhrewali chaal

Lelo lelo - Hum junglee hain

Din control ke aaye - Mr Sampat

Lo bari gypsy - Mr sampat

Aji hum bharat ki naari

Top 10 Tamil .

M.S. VISHWANATHAN'S TOP 10 (HINDI) COMPOSITIONS ! :

Yt Link:

Main to jamuna ke - Naya aadmi

Dil e betaab taher - Naya aadmi

Laut gaya gam ka zamana - Naya aadmi

Ajab hai ey duniya - "

Daulat agar ho paas - "

Bas paanch minute aur - '

Aaandhi ke sangh toofan aya - 12 Ghante

Gareebon ka paseena - Naya aadmi

jagatka rakhwala - Nay aadmi

Suno jee suno - Naya aadmi 11.Athanni jahan- "

Tamil jukebox evergreen hits .

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Samas Ke Kitne Bhed Hote Hain Naam Likhiye

Hindu dharm ke anusar, samas (समास) ke nau bhed hote hain. Yahan main aapko in bhedon ke naam in short description mein likh raha hoon:

Tatpurush Samas (तत्पुरुष समास): Ismein mukhya shabd ke ant mein pradhaan shabd judta hai. Example: Ravan + Raj = Ravanraj (रावणराज).

Karmadharay Samas (कर्मधारय समास): Ismein mukhya shabd ke ant mein karm ke roop mein prayukt shabd judta hai. Example: Geet + Sangeet = Geetsangeet (गीतसंगीत).

Dwand Samas (द्वंद समास): Ismein do samanvayi shabdon ka samanvay hota hai. Example: Ram + Shyam = Ramshyam (रामश्याम).

Bahuvrihi Samas (बहुव्रीहि समास): Ismein mukhya shabd visheshan ke roop mein prayukt hota hai aur uska arth mukhya shabd se alag hota hai. Example: Gau + Mukh = Gaumukh (गौमुख).

Avyayibhav Samas (अव्ययीभाव समास): Ismein mukhya shabd ke saath avyay ka judav hota hai. Example: Anek + Desh = Anekadesh (अनेकदेश).

Karmadharay Dwand Samas (कर्मधारय द्वंद समास): Ismein do samanvayi shabdon ka samanvay hota hai aur mukhya shabd karm ke roop mein prayukt hota hai. Example: Dhan + Sampatti = Dhansampatti (धनसंपत्ति).

Rup Samas (रूप समास): Ismein mukhya shabd ke saath rup ka judav hota hai. Example: Raj + Dhan = Rajdhan (राजधन).

Kriya Samas (क्रिया समास): Ismein mukhya shabd ke saath kriya ka judav hota hai. Example: Khel + Kood = Khelkood (खेलकूद).

Dvigu Samas (द्विगु समास): Ismein mukhya shabd ke saath 'dvigu' shabd ka judav hota hai. Example: Shat + Padi = Shatpadi (षट्पदी).

Yeh nau bhed samas Hindi grammar mein pramukh hote hain.