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artdjgblog · 4 years ago

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Innerview: M.L. / University of the Arts, Philadelphia, PA

April 2008

Image: MO Fine Arts Academy Name Badge / Logo: Roman Duszek

Note: Interview for a design student’s art history lecture.

Introduction:

I wanted to know if you would be willing to answer a few questions for me. I really like your work, because I really appreciate the super hand-done and collage quality of it. I think it’s a way of working that’s often forgotten and overlooked, but personally I really like it, and your work really appeals to me. I’m especially interested in your work with show posters, so if you would be amenable to a short interview I would really appreciate it. You can just shoot me back an e-mail, or if you prefer a phone interview that would be fine too. Thanks! 01) Did you go to school for art, or are you self taught? I was fortunate to attend one of the best kept secrets in design schools at Southwest Missouri State University (SMSU) in Springfield, MO. Shortly after I left, the name was simplified to Missouri State University. (Rewind A Bit to 1996) The year before my Freshman fall semester, I was selected for the first annual Missouri Fine Arts Academy, which was held on the campus of SMSU. Before my senior year of high school (back in 1996) I thought about pursuing a career in architecture design, in particular, the area of sports stadium design. Though, after several years of lying to myself that I would eventually kick my math deficiency, I got a kick in the gut that this might not be my best choice. I loved to shut myself in my room for hours at a time drawing everything from comics to sports logos to buildings and such. I loved the creative aspect of this and felt that not only might I lose some of that personal one-on-one with architecture (though, nothing short of creative, but it’s a relatively computer and technical group effort), I would be held responsible to make the designs actually “work”. Being that I was terrible at math I didn’t want to be held accountable for future building flops. So, at the Fine Arts Academy I did a little bit of re-discovering of my own wheels, as I realized that I had more to offer from my fingertips. Raised from the dirt of a farm in the middle of the mid-west, I was pretty naive to most all things having to do with graphic design, I just knew that I should head in that direction, yet not limit myself only there. And I had shown signs of graphic design earlier on by way of winning a small town logo competition for a skating rink / bowling alley in the fifth grade. I just had a hunch while in creation of the identity (they kept the original, but i still have the newspaper clipping copy depicting my original entry) that I would be chosen out of the dozen other area schools and get my creation up on that big sign. Well, come time for the grand opening of The Fun Factory, my school principal forgot to notify me or my parents that I was the celebrated one to christen the new establishment. The next week she apologized, but i didn’t really give a care as I don’t like such sanctions of attention, and I still don’t. Most kids would have been struck with disappointment by the loss of a free chance to be the first to scuff the freshly waxed lanes with boulders and the new floor with skates, but the deep gut spoilage came to me by way of finally getting to see my logo up on that sign. I was devastated. My design had been butchered. This was my earliest memory of design sabotage. How could somebody take my vision and just ruin it? I look at all things in my life to have lead me up to this point in the writing, and so I feel that early little burnt spark in my gut that day told me something important…pour yourself into your work and protect that. (Fast Forward To 1996) To shorten the story, I came back from those three weeks of Fine Arts Academy in a born-again sense within my own talents, though still unsure of how to officially tap into it like I once had before body hair and outside influences and distractions pushed “play”. Being inspired by a couple of graffiti artists that I observed at the Fine Arts Academy, I began studying the art of typography (though, I had no idea what that word meant then) by way of this whole new world of urban language. And being that I tried to keep my nose clean and lived on a farm in the middle of nowhere, I just practiced my own graffitied typography twists and turns by way of perfecting one-of-a-kind personalized locker names and special birthday certificates for my classmates and friends on cheap Wal-Mart sketchbook paper. I was never so thankful to be attached to my small school in such a way as I only had two dozen classmate name plates to hand draw and color and diecut. If I did that now, my hands would surely buckle. I didn’t need to do it then, but I saw it as an investment towards the future growth of my work, or some way to start my last year of schooling fresh. My senior year was mostly spent in my bedroom making things. All of my friends had girlfriends and I had my work to sit next to on weekend nights. I also was inspired by a new art teacher at the school named Allen Heck. He was a real artist and not just some fluke or painter who couldn’t sell work so in-turn dropped on the totem pole to teach a crummy low-budget art program. Allen had a business head and an artistic head and he meant business in a classroom that spilled creativity. Even though there were a couple of art teachers before Allen that I admired, most art classes before his were mostly afterthoughts or throwaways. Places where the jerk-off kids could goof and ruin the atmosphere for the ones who wanted to be there to learn and develop, just like at most any school, i suppose. Anyway, I found an excuse to be in Allen’s classroom as much as I could and he sorta guided me on some design paths. I also helped him teach several of the elementary classes (we had K-12 grades all under one roof) that year. At this same time I was getting really involved in devouring music and an early mining idea of combining art and music started to strike, though it wouldn’t cement until several years later. Outside of Allen’s classes I landed a logo for the local Future Farmers of America chapter, along with other little so-called “best artist in the class” projects. A title that I didn’t really think I deserved as a friend of mine was ten times the draftsman that I was. Anyway, for my not-so troubles with the Future Farmers (I wasn’t a member and I didn’t want to follow my blood line), I got a giant canvas carrying case for artwork big enough that a beefy baby calf corpse could take a nap in it (I use it now to stuff my dirty clothes in for the laundromat trips). In early 1997, my guidance counselor set-up a special solo trip for me to visit an area company that specialized in yearbook designs. I went and wasn’t completely enthused about this place that seemed to put a lock on creativity in a darkened room with eyes staring at computer screens, shuffling around items given to them, though, I lied to myself that as I would grow older, this is what I might want. It just didn’t really say “Happiness” to me though, more-so (to quote The Beatles), “Happiness is a warm gun”. Still, I decided to go on ahead with going to a college that had graphic design courses. As graduation loomed on the purple and white horizon, I began to think a bit more seriously about applying for schools to further my education. Being that I had some solid fortune at the Fine Arts Academy at Southwest Missouri State University, and being that Springfield, MO was four hours south down the black top road (far enough from everything, but not too far for a weekend visit), I registered with no time to spare. Thoughts of the Kansas City Art Institute loomed, but they were more expensive, and i felt some sort of strange magnetism to SMSU. I ended up getting in by a scrape to the only college I applied for. I had the lowest common denominator for test scores and was in the top half of my graduating class as I was 12 out of 24. That was all the requirements I needed, the deal was set. The transition from high school to college art class (like most I assume) was a little challenging for me as I soon realized that the mold I was in previously had to be broken as I wasn’t comparable to skill with my new classmates. Though, the drawing classes frustrated, yet intrigued me, I did do fairly decent in my fundamentals design classroom. And this is where I learned more about making like-minded, potential life-long friends, a skill I hadn’t perfected much since my first day of Meadville first grade. All of my friends in foundations course were annoyed with working in cutting blades and paper and such…whereas, I flourished a good reputation in those departments and at times neglected all other areas of my studies to perfect my art skills. On break one early spring morning my friends spoke of much better things to come in the coming semester. Their minds were on the computer. They couldn’t wait as they had backgrounds in computer-related image creating in their high school yearbook classes. My school had one computer until I was a senior, and then we got a baker’s dozen or so. Other than that few hour visit to the local yearbook factory, I was naive to the idea of a computer as the essential tool for the modern day graphic designer. Exhausted by their comments, anxieties swelled in me and out finally popped my ignorance to the subject, “I plan to take the direction in graphic design that is done without the computer. I’m going to take the courses that are all hands-on.” And instant mockery, was I. My friends ripped me a new one and basically said I better learn pretty quick because graphic design wasn’t conquered without the computer. This is all really quite humorous to me know (possibly to them too) as I’ve somehow managed some mild success with my hands-on design approach and most of them are staring at computers all day in jobs they dislike or not even doing graphic design at all. Later that year I found out where the design kids were stuffed as I climbed aboard a twenty minute bus ride to the small downtown area of Springfield and up an elevator zooming past vacant floors housing archives of university products and collections to the top of a five story building where the world of graphic design officially opened up to me. Did it open wide at first? That answer is a giant NO as I was still so naive to what the heck I was getting into that when my friends early-on claimed, “I can’t wait until next semester for typography class”. I said, “Cool! We get to design maps?” 02) Were your areas of interest in school (artistically) the same as they are now? My artistic whatevers were put on hold the first few semester of design school. Not only that, but they were run thru the emotional and physical gambits over and over. Being thrown on a computer was very troubling for me and there was a time that I almost quit design all together because I didn’t feel a connection to the work anymore thru the screen barrier. So, I struggled to find myself again for about a year and a half. Though, at the same time the design instructors at SMSU were (and still are) old-fashioned in a sense with their training and we still did many hands-on projects. I shined more in these areas, though my work still seemed more like decorating than me trying to say something. True, design is pretty much decorating and saying something, but, I couldn’t really find myself and it felt more like doing my chores than anything else. I think it can be dangerous when the designer is hogging the avenue and only speaking for their ego or style and not client intentions. Sometimes a healthy dose of both works, sometimes not. Anyway, I just didn’t “get” what I was doing and basically was doing an incredibly OK job at fulfilling my instructor’s projects. Which is fine, but it took me a while to really enjoy design. All of the instructor’s at SMSU were (mostly still are) from Eastern Europe and Russia. This was a great experience for me as it opened me up to not only a unique education in design, but also one in culture. I felt a strange connection to this as I was somewhat foreign being an artistically-challenged kid from a farm in The Sticks, Missouri. There is an exciting mix of design and passion going on down there on the fifth floor of that building. New wheels in me started to get greased around this same time and my eyes started to open a pinch. And they really thumped when I went on a limb to attach illustration classes to my already full plate during my junior year. I was starting to get hungry and / or full…full in a sense to where I needed to get the work out of my system. It was time for me to find my voice. 03) How did you get started working as an illustrator? Growing up and drawing a lot, I thought I was pretty decent at it, but nothing more special or ordinary than creating strange, graphic WWII battles and mimicking comic book characters. I even had an epic, life-sized drawing of Batman I worked on at my grandma’s almost every week after school. Sadly, I think it was thrown away recently when she moved. However, on the back burner to the drawing, there was a side of me that always did a lot of cut-outs and saving and archiving of things. I think most every kid at some point cuts things of interest from magazines and tacks them to their wall or jumbles words cut to make “cool” sayings glued on paper. My older brother and I did this a lot. Mostly, we were just never bored and always doing something and always being inspired by anything and everything. We even created our own little magazine (I still have a few issues) at my grandma’s. My grandmother was a good influence on my creative side too as we were always making homemade things there. My siblings and I recreated any event we went to or anything we watched on television / movies in our sandbox, tree house(s), forts and bedroom. I was fortunate to have a large intake of popular culture and mix that with the experience of farm life and a lot of room to play. All of this fueled my creative side to where at a younger age I had a lot of options to choose from and I enjoyed and loved them all. Though, it took me a while to re-discover this within myself in design school. I was getting deeper into school and the ever present “What do I wish to do with my life” question(s) (among other personal mind trappings and inner wrangling). This especially was asked after I signed up with other design students on several professional studio visits. Every time I would come home with an empty heart from these “creative” places that felt more like controlled meat markets than anything remotely creative. Some people thrive in certain areas and not everybody wants the same thing, but the typical trappings of community computer screen shuffling didn’t offer me much hope at all. I have always enjoyed being alone making things. I’ve also been very protective of my creations and I didn’t want to be thrown into a factory-like design setting unless it was my own to where I could do what I wanted, when I wanted and have parental rights and control. Coming back to school from these studio visits was very discouraging to me. I felt confused and as if my career path was in a box already. Around this time I toyed with the idea of taking illustration classes to help push myself a little more as I wanted to keep what little fire I had in me from burning out. However, I wasn’t confident in my illustration skills as I thought I wasn’t solid enough at regular drawing. This is a terrible mistake that I feel many students make. I sorta had to shovel deep and realize the way I created when I was younger and that really helped cultivate a new side of me as I learned how to pour myself into and out of my work again and it was fun and special. Looking back, I think mustering up the courage to find confidence in illustration helped me in the long run. Though, at times I still struggle with thinking that I’m still not good enough at particular things. The only competition I have is with myself. 04) Did it take you a long time to find a working style that you are satisfied with? For the most part I advise for makers of things to stay away from the trap of a “working style”. And it’s mighty easy to stumble or choose something and milk it, which is the feeling I get from the majority of artists and designer’s portfolios. It’s easy to stick with turning over the same old tires on the same old asphalt. I realize I have a certain feel to my body of work, but each day my head’s approach to life is so different (heck each minute sometimes) that I try to trust my gut instincts. I just try to speak from my heart, which ends up in my gut sometimes. A lot of times I trust good ol’ intuition. Of course, some projects require a bit more fine tuning than others as something like a logo has more life than say, a concert poster. Even though the logo might have more of a lasting impression, I’d rather put my butter to the blank paper bread of the poster. I love to try new things and just reach and grab at whatever I have around me and in my head, marriaging that with the band and the music in some strange brew. At times it can be quite intoxicating and when you do it enough and for a long while, you end up not even thinking, rather just doing and it’s fluid and non-calculating. This is when it becomes pure, this is when design becomes true language. I’ve had some projects where I’ll be told about it from a client and I’ll immediately have a vision in my head of how it should look, and then go home and start teaching it how to walk. Items like CD packages are very similar to logos because you’ve got to really give out something that you don’t mind sticking around a while in the lock-down of identity for a product or persona. There have been a few CDs that have happened out in a matter of a couple hours. The majority though, I like to have enough time to tackle and build in three separate sessions. But, I really don’t like sitting on projects for a long time. And usually the client has more of a personal care for a CD than a poster, so it might take a three act play or teeter tottering until all sides are fixed to fancy. I’ve had a few CDs that have stretched to almost a year. Being that my work is recognizable to a hands-on aesthetic, I’m sure most think that I don’t touch a computer. This is true and not true. I try to build as much as I can by hand as I love that connection I get. The screen barrier between me getting dirty with my work has bothered me and created anxieties with my work since day one in formal design class when I was thrown on a computer to mash buttons. I do what I can by hand and then use the computer as a layout and printing tool and I use it to correct or help put the finish on some items. Most designers forget that the computer is only a tool. If I could have it my complete way, I wouldn’t use a computer at all. I have made several projects in this way, but it’s hard to do it all in this fashion anymore and I have a wide format ink jet printer to print a lot of my more complex poster works with. The computer has ruined and helped designers. But, overall I feel that if it’s treated with respect and not used as substitute brains, then a designer will truly show his or her meat and potatoes. For the most part, I get a little disappointed in the output from a vast majority of designers as it all feels far away like an afterthought that doesn’t count, or simply as a decorating kit or pre-fabricated template you buy at a craft store. But, I try to keep my disgruntled burly bears close to my own heels. As long as I am creating what needs to be created from my own little corner of the basement, then I am a pretty happy camper. Though, the computer has broken many a bulb, not only with designers, but also with attitudes toward treating the designer with respect. Maybe it’s always been this way, but it’s easy for me to think that I can throw an iPhone and hit somebody who thinks they know graphic design because they can change the colors on their myspace or blog (and I’d have to borrow their iPhone to do so). It’s great that creativity is being fused with daily interaction, in a sense, but it can get a little confusing for people. I don’t think it should be reserved for a certain few, but I feel that everybody thinks they are a graphic designer now. It’s like trying to keep the raccoons out of the patch of sweet corn. You’ve just got to find the right gauge of wire to shock the perimeter with so they will find other food to steal and nibble. And there are still those who are hungry enough to go find and get the good stuff on their own. I suppose I’ve found myself to be more in tune to old folk artists and with the mindset of the old school designers and illustrators. Folk art is as pure in art and language as cave painting and daily ancient living. I like the idea of somebody just up and making something out of the blue because they’ve got to get their story out for themselves. Last summer I went from The Museum of Modern Art to the American Folk Art Museum in New York City in an afternoon and found a more pure-incentive to making things from the folk artists than the artists and designers across the street. It was refreshing. I had been enjoying my personal study of folk art history the past four or five years, but seeing it out of the pages of a book or web site really gave it a new light. And to see that most folk art has pushed into some avenues of the mainstream is really interesting, though chokes the purity from it original conceptual intention. I find that a lot of artists and designers are just as much about making themselves as important as the work they are producing. I just have never understood this idea. So, what individuals are my art and design in kin with? There are many, and it goes beyond just one field, but here is the short list: Grandma Gibson / Jim Henson / Stanley Donwood / Lester Beall / Saul Bass / Seymour Chwast & Pushpin Studio / Paul Klee / Ivan Chermayeff / Henryk Tomaszewski / Art Chantry / Vaughn Oliver / Edward Gorey / Saul Steinberg / Bill Traylor / Ray Johnson / Eric Carle / Cy Twombly / Robert Rauschenberg / Henry Darger / Hans Schleger…to name a few. There are a few items I’ve created that I can tell don’t speak right in retrospect (and they are probably obvious to others as well). These were the ones that caught me in a bad mood, exhaustion or in a lack of time. It’s so hard not to let the daily life and emotions influence the work. And in my case I’ve never been able to just chase my dreams, as I’ve had to work full-time day jobs and at times part-time jobs on top of those, and then slide my work into late nights and weekends (and I always had a girlfriend on top of that…now, a wife). It can be a hard struggle for a healthy balance. I just try to approach it with the idea that I am a man and a man who happens to make things. I am doing what I need to be doing and working hard towards the goal of some day having all of the clocks wound on my time. I have been fortunate in my choices of day jobs. I admire those who wish to live in near-poverty designing for bands and independent projects, but there is no money in it at all and it’s easy for people to take advantage of you. I tried it for a few short stints, but got tired quickly of scraping by and relying on musician’s responsibility of paying me and I ran out of belongings to sell to pay the rent. Throwing out the few bad apple clients, I must say I can’t complain too much as I’ve been blessed with some great people to not only work with, but also to have relationships with beyond the art. Janitorial and groundskeeping had me for 5 years and I loved it. The pay isn’t great, but I was alone and within my thoughts and had time to write and actually make a few things while on the clock. Also, I was able to bring home whatever stuff I could dig out of the dumpster. I’m still chipping at a 15,000 page stack of bricked paper that I found in a dumpster 6 years ago. Currently, I am in the second year of being trapped in a cubicle as a data entryman. It’s a great job, it’s not too difficult, I work with people I know, I walk to work, I’m able to get my teeth fixed and am setting aside some money now for my future, but I don’t plan to marry it as it’s not what I need to be doing with my talents. Many days I can’t sit still because all I can think about is going home and making things. Design is a way of life for me. It’s easy for it to start to take over at times, but I’ve been working on a better balance of it by getting up at 5:00 in the morning, before the “junk” pollution of the day. I love getting up before the crickets and getting to work. Even if I’m filling up on books and movies, it’s still work for me. But, it’s not really work, it’s just what I enjoy and I kinda need it to aid survival. If a designer only puts their design mind onto paper / screen into a 9 to 5 crack, then they might want to think about looking into other lines of life work to chew on. 05) Do you do a lot of self promotion, and how? I’ve been in an interesting position to where my work has been trickling word of mouth for the most part. I’ve been surrounded in positions where I’ve been around musicians a lot and in general, people have been attracted to my creations to where they too want me to make them something. With age, I don’t get out as much to shows, nor do I live with musicians anymore (thankfully). Those days were great, but that kind of lifestyle can’t be taken seriously forever. But, it helped shape me in some way. And I’ve established myself, somewhat. It still amazes me that my work is speaking in the volume that it has. It’s certainly nothing of major impact, but it means a lot to me. For many years I’ve also been at a constant with submitting large quantities of my work to yearly design magazine annuals. This breaks my bank for sure, but it’s the best way of promotion as the work gets spread around the world quickly. I have contacts in many countries who found me this way and thus, offer me entry into their books, magazines, contests or give me a shot to make something for them. The internet is a great source too, of course. Recently I’ve somehow caught a breathe of fresh air from the web currents and realize the easy importance of putting myself out there on it. It’s a strange world though, and I’m still a bit ignorant of it, but I’m becoming more comfortable. I used to not be into self-promotion much. Not only that, I just didn’t have much time with it, being weighed down by day jobs and life stuff. And I’m a believer of the work speaking for itself and letting it take time to mature and incubate. Right now I’m looking at how much weight my portfolio has gained and am seeing what alternate routes I can walk with it. I’ve always planned to be doing my best work, for me, but I’ve never really pushed it as hard until now, as the big No. 30 looms. True, I am making what I want to make, but I don’t wish to be working a full-time job much longer. I have alot more to say and in different varieties of value packs and I just need more second hands to say it in. 06) Lastly, because I’m interested in doing show posters, do you have any advice on positioning oneself into that market?

I tell a lot of people a similar thing that I’ve heard Quentin Tarantino say to aspiring filmmakers, (to paraphrase here) “Just go and make what you need to make and do it at whatever cost.” Just get out there and make things and get those things out, even if you go broke or worn out doing it. Catch fire and start a paper trail. I was fortunate to not only love devouring music since the day my ears could, but ended up in positions to where I was surround by musicians and / or individuals with like-minded inner ear infestations. Most importantly, I found that I could merge the things I loved into a cohesive music and art stomping ground. My last couple of college years I befriended several bands and musicians and had my own little business on the side from class, making show posters and CD packages. After four and a half years of college and exhausting all my design class options…AND ability to fail Algebra four times and even an art history course…I had a higher calling to quit spinning my own wheels and dropped college from the daily schedule, among many other things weighing me down at the time. It was gutsy, but one of the most crucially sound decisions I’ve ever made. I moved from the Bible Belt Buckle comforts of Springfield and into a big, orange, dilapidated house in the middle of a shady section of Kansas City, Missouri with a band that had become my best friends. I almost didn’t do it as my pants pockets were turned inside-out and thoughts of sticking around the family farm to save up money kept me down. I think a lot of people were very disappointed in me too for quitting school. But, my decision was made and I believe in following the heart instead of stopping up the artery. I would have been miserable to stay at home and I had bigger fields to plow and sew. And I didn’t need a piece of paper saying what I was supposed to be doing. Most importantly, only I can tell myself what I should do with me. -djg

#innerviews

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kansascityhappenings · 4 years ago

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Residents clean up after 2 EF-0 tornadoes tear up trees, fences in Jackson, Bates counties

BLUE SPRINGS, Mo. — Two small tornadoes touched down in eastern Jackson and Bates counties early Thursday. Neighbors are now cleaning up the damage left behind.

A picturesque view of Lake Jacomo is now in shambles. More than two dozen beautiful, mature trees were split apart, shredded and left to litter the grounds beside the Jackson County Parks Department office.

“It was incredible. It looked sort of like those movies where bombs or artillery had come in and took off tops of trees,” said John Johnson, Jackson County Parks Operations superintendent.

The building was pierced by limbs like darts hitting a bullseye.

“We feel very fortunate,” Johnson said. “Our building took a little bit of damage, but fortunately, the trees fell between the building and between power lines, and for the most part, the damage to structures is minimal compared to damage done to the trees.”

The National Weather Service says the EF-0 tornado packed 85 mph winds and continued from Blue Springs Lake and Lake Jacomo toward Mason School Road.

A few homes in the Greenbriar at Chapman Farms subdivision are missing chunks of roofing. Duane Lasco’s fence was ripped apart.

“The wind picked up, and listening to the wind in bed, then we just heard a loud bang,” Lascoe said.

His neighbor’s garage was peeled apart, with pieces of its mangled metal wrapped around trees. Lascoe is thankful he and his family woke up after hearing nearby tornado sirens and dashed to the basement.

“There’s been a number of other tornadoes around here but nothing ever this close, especially when you can see the destruction happening right outside your window,” Lascoe said.

The tornado’s 6-mile path ended in Lake Lotawana.

“Absolutely like they say, like a freight train. The wind whips up, and that’s the first thing you hear,” Jimmy Wieczorek said.

The tornado split apart large trees in Wieczorek’s yard and left his car crushed below. But after surviving at least two other tornadoes in his home, he’s grateful it wasn’t worse.

“Damage-wise, it’s less severe because my house is intact. Last time it wasn’t,” Wieczorek said. “I still have a house to live in, thank God.”

And all the storm victims are glad no one was hurt.

“Be thankful for every day you’re alive,” Wieczorek said.

There was one major concern during the storms. The city of Blue Springs said many of its sirens didn’t sound.

The city investigated Thursday and determined that staff monitoring the storms received conflicting information about the tornado warning coverage area, and during the time it took to resolve the issue, the danger of the storm had passed.

Blue Springs said it’s retraining staff on policies to err on the side of caution and sound the sirens when there’s a discrepancy.

City officials said they’re grateful there wasn’t any major property damage or injuries overnight. They also issued a reminder that outdoor tornado sirens aren’t meant to be heard inside.

Everyone should have at least two methods of emergency notification, like a weather app, text alert system or weather radio.

from FOX 4 Kansas City WDAF-TV | News, Weather, Sports https://fox4kc.com/news/residents-clean-up-after-2-ef-0-tornadoes-tear-up-trees-fences-in-jackson-bates-counties/

from Kansas City Happenings https://kansascityhappenings.wordpress.com/2020/06/04/residents-clean-up-after-2-ef-0-tornadoes-tear-up-trees-fences-in-jackson-bates-counties/

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ansolutionskc · 2 years ago

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A&N Solutions LLC provides top-rated pressure washing in Kansas City, MO. We offer house washing, roof cleaning, gutter cleaning, and more! https://ansolutionskc.com/pressure-washing-kansas-city-mo/

#Pressure Washing Services Kansas City MO

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manofculture · 7 years ago

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2K17 Midwest Road Trip

The weekend of August 11, 2017, I took a road trip with one of my day-1 homies. We go back to 3rd grade Mr. Mule’s class at Washington Elementary School! His family moved to Tennessee when we went to middle school he lives in Memphis, TN now, so we don’t get to connect much. Since we both turned that “30 ball” this year, we decided that it was the perfect time link up for a road trip! I took plenty of pictures and videos during our jaunt - most of which is staying in the vault... BUT, we learned a lot and it would be a crime if I didn’t share some of it.

The route was Memphis, TN - Kansas City (MO & KS) and Omaha, NE. My focus on these road trips is to “do my history” which is Black American history. It seems random, but I chose Omaha because:

It’s the birthplace of Malcolm X, and

there is NO CITY IN AMERICA that black people have not left a lasting impression. Our history is alive all over this country.

The trip was amazing, and I hope you enjoy!

Memphis 8.10.17

I took a 1-way flight to Memphis Thursday night. Made it into town just in time to hit an after work happy hour. This one happened to be on the roof of the Peabody Hotel - a historic hotel downtown. There was a band playing rock music, and I was pleased to hear them do a couple Chuck Berry classics (Berry is a brother from STL that invented Rock N’Roll).

The most amazing part of the night was striking up a conversation with this group of sisters - there were six of them. It started with small talk, and eventually we learned that it was a group of SIX BLACK FEMALE LAWYERS studying at the Univ. of Memphis! They were out celebrating their homegirl’s 30th birthday...real life #BlackGirlMagic. I thought that was dope!

We ended up walking Beale St. for a bit before heading back home to get some rest before the trip.

Kansas City (KS & MO) 8.11.17

We hit the road for KC at about 8:30a (two hours later than planned). After a good 7 hours of driving, we made it to KC. Interesting thing about KC is there are two sides - KC Missouri (which was a slave state) and KC Kansas (a free state). Our first stop was on the Kansas side. We drove straight to a neighborhood just west of the Missouri river called Quindaro.

Quindaro was a boom town started in the 1850s. Since it was right on the river in the free state of Kansas, it eventually became an underground railroad stop for Black people escaping slavery. We visited an overlook structure built at the top of a hill where you could see the Missouri River valley and the trail that people took as they left the river en route to Nebraska - which was the next stop on our trip! An inscription in the overlook described the fight that ensued to preserve Quindaro and keep it from becoming a landfill! It was powerful just being there!

Quindaro was also home to the Quindaro Freedman’s School, which opened during reconstruction after the Civil War. The Freedman’s School eventually grew to become Western University, an HBCU run by the AME church.

In 1911, the AME Bishop granted Western University funds to erect a statue of freedom fighter John Brown on the campus. When we walked down to view the statue, the wildest thing happend. A man named Leo was out walking his five dogs (none of which were on leashes). Leo turned out to be a retired teacher, and he told us all about the statue - as well as Quindaro!

We were crashing with my homie’s family that night. After we left the Quindaro site, we got cleaned up at his people’s crib, and hit the KC Chiefs v. SF 49ers preseason game. The tickets we bought were cheap, which means we got bad seats. We didn’t get to Arrowhead Stadium until the 4th quarter, and by that time, the ushers weren’t really trippin about people moving to different seats. Instead of going up to the nosebleeds, we went down to the field! The down side is, they weren’t selling beer anymore either (they stop selling at the end of the 3rd qtr)...

As far as the game, the Chiefs were pretty much imploding when we got there. We walked in on the 49ers scoring a 2pt conversion to tie the game 17-17. The 9ers went on the score a couple more times and it was a wrap. The stadium atmosphere was amazing though! It was my first time seeing an NFL game!

After the game we went downtown KCMO to check out “KC Power & Lights.” It was cool down there, great to see how they redeveloped an old power utility into a performance venue with bars and restaurants.

The next day, we got up and knocked out the 3 hour drive to Omaha, NE.

Omaha, NE 8.12.17

After checking into the hotel, we hit the streets of Omaha. I researched this place called the Great Plains Black History Museum and that was the 1st place we visited. Their original building is in disrepair, and they moved to a retail space at the Crossroads Mall as a temporary show room for some of their artifacts. There was a volunteer on hand named Frank Hayes. He showed us around the space and we ended up having an AMAZING conversation with the brother. Turns out, he’s the founder and principal of Nebraska’s 1st Black owned accounting firm!

http://www.hayes-cpa.com/go/home/

Him and my homie kinda got into a debate because they fall on two seperate ends of the political spectrum, which was hilarious to watch! No pics here, unfortunately.

We left the museum and stopped at the site of Malcolm X’s birth home. The house in no longer standing, but there is a foundation named after brother Malcolm that’s developing an 11 acre plot of land into a museum, garden and outdoor amphitheater.

While we were there, another wild thing happened. We ran into a guy named Jed. Jed was from Omaha, but had never visited the Malcolm X site. He said he was a single father that found some free time and decided to stop by. We talked a little about the Autobiography of Malcolm X, and how when Jed read it in college it changed him as an individual. He said that “with everything that happened in Charlottesville today, this is the day I needed to come here.”

Our next stop was to hit N. 24th St - I wanted to see the Omaha Star building. The Omaha Star is the last black owned newspaper in Nebraska, and one of the only ones left in America! The paper was founded in 1938 by a sister named Mildred Brown! Thought it was significant in the age of FAKE NEWS, that this sister created a media platform for us by us!

Across the street from the Omaha Star was a small blue building with a long awning. There was no real signage, but the front door was open and music was coming out. There was a little sign hanging next to the door stating that NO ONE UNDER 30 YEARS OF AGE IS PERMITTED TO ENTER. Us being two new members of the 30 club, we had to investigate. It turned out to be a sort of juke joint called Jesse’s Place. The brother at the bar carded us immediately. He didn’t quite get the math right on our ages, saying that we were “close enough,” before happily serving us both.

We sat and talked with a couple of older ladies for a bit. I struck up a conversation with a sister named Marilynn Devereaux (last name is pronounced this way, not sure of the exact spelling. She made it clear that her name didn’t have an “A” in it like the white folks lol). Marilynn was happy to learn that we were traveling to connect with Omaha’s Black history. She told us that her family is one of the first three Black families that came to Omaha in 1905. She introduced us to a number of people including Mr. Union, who was in his 80s and a member of another one of the oldest Black families in Omaha. According to Marilynn, he was also thee Gabrielle Union’s great uncle!

Definitely had a great time talking with the OGs at Jesse’s! Here’s a picture of Marilynn below. The sister that took it for us was kinda tipsy:

It was already a long day, and I was feeling every bit of my 30 years but we were on a roll! We stopped for food at Time Out Foods for some wings, and headed downtown to Old Market. I learned that this part of downtown Omaha was a former meat packing district that was redeveloped into an entertainment district. There were lots of bars and restaurants to choose from. We found a spot that had a pretty good DJ and kicked it!

Omaha, NE 8.13.17

We got up Sunday and visited St. John African Methodist Episcopal Church, the first black church organized in Omaha! When asked, we stood and introduced ourselves, and were very well received by the congregation. I was impressed and pleased by the minister delivering a message that addressed the Charlottesville terror attack that had taken place the day before!

After service, they served burgers and peach cobbler down in the basement of the church (it was left over from a function they hosted the previous week). I got to talk with some of the elders about the church’s history. One sister gave us a tour of the church’s “history room!”

After church, we hit the highway to end our road trip, headed back to our hometown Rockford, IL.

Rockford, IL 8.14.17

I took the day off Monday, but still had A LOT of stuff to take care of back home. One of the biggest things was to do some work for my “W-2 job” (I have about 6 other jobs too lol). I organized a job fair in the Ellis Heights neighborhood (west side Rockford), and needed to do some last minute canvassing ahead of our event. My boy got up and helped me hit the pavement to get the word out about my event! (The pic is him and my sister’s bf)

The weekend was a whirlwind! As dead tired as I was, I enjoyed every minute. It was great learning that rich history - I’m always so motivated by our people and our story! But it was even better getting to reconnect with one of my childhood friends. The midwest road trip is one we’ll never forget!

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janicecpitts · 6 years ago

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skilltradecontractor · 6 years ago

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Fence Companies Kansas City

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Diy fence gate kit:

Dave cummings’ business model

Beach fully insured

Drywall Floating Boat Docks For Sale Craigslist Tie up your boat at your own dock! Shop our … SELECT STORE & buy …. playstar pre-built commercial

Fence Crafters of Kansas City is the premier fence contractor in Kansas City. We provide a full range of custom fencing services. Call us to schedule today.

Amerifence – Kansas City. 7616 Wedd Street, Overland Park, Kansas 66204. c. [email protected]. Phone: 913-307-0306. Fax: 913-492-8774.

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coralpersonllama-blog · 6 years ago

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Tips on Hiring The perfect Gutter System Company

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