#Rick could not have been more obvious about how powerful frank is and people still forget it

[some-fantastic-kay]

theres lots of underrated and underestimated characters in pjo but absolutely no one does it like Frank Zhang. My man is descended from not one, but two major gods, was so good at archery that he was convinced he was descended from another god, can LITERALLY turn into ANIMALS, went from Probatio to Praetor in less than 2 months, and had his life force tied to a peice of wood because he was deemed too powerful by a literal GODDESS. if frank isn't your favorite or most interesting character that makes sense, everyone has their favorites, but I'm sick of people acting like he's not one of, if not the, most powerful demigods in the series

[seattlesea]

The Poor Character Developments in the Heroes of Olympus Series

Rick Riordan doesn’t know how to write character arcs ✨

-Percy. What arc did he even have? From The Last Olympian to The Son of Neptune it seems like he just got more arrogant and douchey, and this is never explained or expanded on. The readers don’t know why he suddenly got so arrogant. His pride got out of control and he was doing things he knew he couldn’t do but jumped into anyway like attacking a giant head-on alone. He was reckless in PJO, but every time he always had a plan. In HoO he just turned careless. He even put other demigods’ lives at risk at times and honestly didn’t do much throughout the series. He was just kind of there, not really contributing to anything and only involved when the book needed comedic relief or to remind the readers that ‘Hey, Percy is super cool and powerful’. As for his arc, he didn’t change at all. He just got annoying and way too self-involved and vain. I mean- he was literally in front of Hercules, the man who broke Zoë Nightshade’s heart- the girl who literally sacrificed herself for Percy- and he didn’t even say or do anything? He didn’t even mention Zoë or think about her at all. All he was worried about was how ‘big-shot Jason’ got to meet the all-famous Hercules and he didn’t. And this never changed. Percy’s character arc was completely flat cause he never learned from his lessons or mistakes. Even when in Tartarus and was reminded of all the people that he lost during the Second Titan War, how he forgot about Calypso on her island for over two years, and how he left Bob the Titan alone in the Underworld, he didn’t make any move to change. After that scene, he completely forgot to even mention them again. 

-Annabeth. Same thing with Annabeth, except her realism was ripped from her. She was well-written in PJO with actual flaws and weaknesses, relationships outside of her romantic one with Percy, a very important and crucial role, fighting bravely, etc., but in HoO, she- just like Percy- was pretty much dead weight, and she became extremely weak. The only thing she really accomplished was following the Mark of Athena and getting the Athena Parthenos, but she still had to be saved by everyone else, and honestly any other demigod could’ve done it way faster. Nico literally could’ve just shadow-travelled to the statue then shadow-travelled it back out. The only times she fought (which was very few times) she was always with another demigod, and the two-three times she actually fought she always had to be saved, by a newbie, especially. In the Temple of Fear, Piper ‘toughened’ her up and saved her three times from the giant Mimas, and when caught by the giants, Piper was the one to save Annabeth (again). She couldn’t do anything by herself without others having to save or help her. And she also became very dull. She didn’t have any more of her pride, short temper, care, ferocity, etc. All she was was a Percy fangirl. Everything was about him and him only. This also didn’t change. We didn’t see any improvement or alterations to her personality whatsoever. 

-Jason. The majority of the fandom doesn’t like Jason- which is understandable- but they hate on him for the wrong reasons. They dislike him cause he was ‘boring’ despite him actually having multiple distinct personality traits. They just think he didn’t have any personality cause his traits weren’t directly commented on like the other characters’ were (which is actually bad writing, readers should be able to interpret a character’s personality without it being stated to them by other characters). And he even had a sense of humor. His character arc though...fell short. But! He could’ve had an amazing character arc, Riordan just focused on the wrong parts. Riordan’s take on Jason’s character arc was deciding if he was more ‘Greek or Roman’ and then deciding he was both. But...that makes no sense, cause that’s just stereotyping every single Greek and every single Roman. The fandom says that the Romans are the cruel, harsh, and merciless ones, but what about Hazel? Or Frank? Or Reyna? Or the fact that they immediately accepted Nico while Camp Half-Blood outcasted and even ostracized him? And they say that the Greeks are the fun, cool, relaxed ones, but what about Percy, the only character to canonically torture? Or Annabeth, the unfriendly bossy one? Or Thalia, the merciless, ambitious hunter? Or Piper, the prejudiced manipulator? So really, Jason’s character arc made no sense. It was written to be Jason going from ‘always following the rules and following expectations because of his godly parent’ to ‘doing whatever he wants’, but the fandom forgets that Camp Jupiter is the one who doesn’t care about godly parent, Camp Half-Blood does, cause Camp Jupiter has demigods live in barracks for the sole purpose of demigods without family members not having to live alone while Camp Half-Blood separates cabins and tables by parentage and immediately set Percy to high standards after he was claimed. Besides, does Camp Jupiter have harpies that literally kill demigods if they’re out past curfew? Plus, Jason was breaking multiple rules before his character arc anyways- leaving Camp Jupiter, sailing across the Mediterranean Sea, etc. 

-Piper. Oh boy. Where to start with this one. I’ve already gone over how her horribly-portrayed backstory ruined the chances of a good character arc, but now let’s discuss the character arc she actually had. And the best way to describe it is ‘tell not show’. The main idea for Piper’s character arc was that she felt insecure about herself and useless and that she gained confidence in herself and her powers, but that’s not actually what happened, because starting from The Lost Hero, Piper showed multiple narcissistic tendencies that showed that she had a huge ego and placed herself on a pedestal she did nothing to earn or deserve. This is first shown with femininity- Piper immediately thinks that she’s better and above any girl if they so much as wear lip gloss or a dress, which is a sign of an obvious ego: thinking you’re better than everyone else (or in her case, a certain group of people) before getting to know them first. It’s also shown when her and Annabeth are looking for a weapon for Piper and when suggested that she doesn’t choose a dagger cause she’s a newbie, Piper retaliates with “But you use a dagger”...aka thinking she’s already on Annabeth’s level and that she can do whatever Annabeth can despite being a newbie. It’s not hypocrisy if Annabeth has been training for over nine years. Another example would be in The Mark of Athena-  "Piper's eyes flashed defiantly, like anything Reyna could do, she could do". Like, no, she can’t, cause Reyna has been training her whole life and Piper doesn’t even know her. Piper shows multiple signs of having a very high opinion of herself, including degrading others (especially other women) for her own sake, thinking she can do what anyone else can, thinking she’s better than everyone else, constantly fussing over her appearance, thinking she deserves everything she’s gotten and that she deserves more without earning it, etc., so her entire character arc wasn’t even there. She just went from quiet about her narcissism to openly expressing it. She never grew from her horrible traits and habits, never realized she was wrong by jumping all over Jason while he was amnesiac, etc., and the whole ‘feeling of uselessness’ was brought up once then never expanded on or mentioned ever again, and nor was her internalized misogyny and fiery hatred towards femininity (which wasn’t even explained). Riordan should’ve used the ‘snobby rich girl learns to be kinder and more modest’ or expanded on the fact that Piper almost killed her friends multiple times. In Katoptris, she saw Jason with gold eyes in Kansas then said ‘Let’s go to Kansas!’ She saw her, Jason, and Percy literally drowning and legit said ‘Let’s go drown!’ without telling them about what she actually saw in her dagger. She saw her and Annabeth exploring some ruins and said ‘Let’s go!’ despite knowing the visions were deadly. She put all of her friends in multiple, life-threatening situations and never felt guilty and wasn’t even called out on it, because no one said if the visions in Katoptris were fate- something you can’t avoid- or destiny- something you can choose and change. 

-Frank. Frank’s character arc was clear, but it happened in the wrong way. The main idea of his development was that he was insecure about his appearance then gained confidence from it, but he did only after he magically gained rippling abs and muscle. He only felt good about himself once he lost all his fat as if that’s not obvious lookism, fatphobia, and fat shaming (thanks, Riordan). Frank should’ve learned to love himself despite his flab and appearance and learned that it didn’t matter what he looked like cause he would still be a hero either way. He should’ve shown the readers that ‘Hey, I don’t care what I look like, cause appearance doesn’t matter, whether you choose to do the right thing or not does’, but it was wasted for fat shaming every single reader who was insecure about their weight and didn’t or couldn’t get skinnier and telling them that they should be insecure about themselves because they don’t look like Frank. Is it really so hard for society to believe that a lot of people who aren’t stick-thin are happy and confident about their body? 

-Hazel. Honestly, her character arc was one of the most confusing ones, cause she didn’t have anything to drive or even start one. Her backstory is tragic, yes, but there isn’t anything in it that she has to learn to change from cause all of that was resolved when she took down Alcyoneus and Gaea. The only thing I can think of is learning to break away from toxic people even if they’re your family or friend or cause you don’t want to hurt their feelings, but Hazel didn’t struggle with relationships at all. She wasn’t even introduced to any toxic people besides Octavian, and she already hated him. Her transition from the racist and segregated days to the modern world could’ve been really good material for a character arc along with internalized racism- she of all people (someone born and raised in segregation who was taught to hate herself and her skin tone) would grow up thinking that there was something wrong with her because of her dark skin tone and- especially after meeting so many different people of different ethnic groups and skin colors- could’ve learned to love herself and learn that skin tone doesn’t define you (which also would’ve been a perfect lesson for younger readers). Another thing that puzzled me about her ‘development’ was her powers. Her Mist control powers are cool, but what would’ve been cooler was if she was reluctant to use them because she wouldn’t want to twist the minds of people just like Gaea did to her mom. Her gem and metal control powers could’ve been expanded on but they were barely mentioned after The Son of Neptune. As for her curse, that...made absolutely no sense. Her curse was honestly just dead weight. It wasn’t even that one thing that had a lot of potential, it didn’t even have potential, cause what would she ever use it for? It was just used to make her backstory sadder, but it was never mentioned again or even explained. The only thing it could’ve been used for (and what I was hoping would happen) was if one her friends or allies took one of her cursed jewels and died because of it. The one thing I was really hoping to see in her character arc was from the quote she said to Hecate after Hecate gave her the three paths to choose from- “I’m not choosing one of your paths. I’m making my own.” This really sparked my interest because almost everything Hazel had gone through was forced onto her by others without her consent. She didn’t choose to be born into racism and segregation. She didn’t choose to be cursed. She didn’t choose to be used as a pawn by Gaea through her mother. She didn’t choose to almost raise a giant and nearly bring upon the apocalypse. She didn’t choose to use her curse against others and move to multiple places. She didn’t choose to be brought back to life. She didn’t choose to be brought to Camp Jupiter and thrown into an army. She didn’t choose to be a part of the Seven and face the same woman who used her and had her mother possessed years ago. The only two choices she made herself- destroying the island and Alcyoneus and sacrificing Elysium so her mother wouldn’t go to the Fields of Punishment- and she and her mother died because of it and she went to Asphodel for years. I was really hoping to see Hazel break free from others always making decisions for her and learn to make her own choices, but that never happened. 

-Leo: His character arc was also very confusing, but because it was all over the place. Riordan kept switching up Leo’s internal problems; forgetting about one of them and jumping to another, jumping to three different others, and then going back to the first one a few chapters later. It was so confusing. And then- in the end- he focused on the worst problem Leo had- not finding a love interest. I mean, who exactly focuses on whether or not they have a girlfriend while in the middle of a war and fighting to survive again? I liked Leo’s other problems- guilt over and blaming himself for his mother’s death, seeing his fire powers as a curse instead of a gift, forcing himself to hide his pain with humor instead of opening up to people, running away from all his problems, and his abandonment issues and constant fear of being left out and alone, but they were all replaced with ‘He felt like the seventh wheel’ (cause yes, Riordan, if you don’t have a love interest, you are immediately lesser than anyone who does, obviously). Leo got over his mother’s death in The Lost Hero- which, great- but after that nothing too memorable changed about his character. He never even used or mentioned his fire powers after The Lost Hero, he continued to hide all his pain with humor, hide his emotions from other people, and never learned to open up to others about his pain and trauma, he never learned to stop running away from his powers (shown by when he faked his own death without bothering to talk to the others about feeling left out), and his abandonment issues and fears were never expanded on, he just ran into the arms of a girl who verbally abused and constantly insulted him AKA ran to the person who gave him attention, even if it was the bad kind of attention, as if that’s not something emotionally scarred people and people with abandonment issues do, and he never grew from accepting unfair hate and criticism. 

-Nico. His character development was actually pretty good. From going to an energetic, cheerful, and playful kid to becoming a quiet, closed-off, and independent teen who struggled with depression and feeling alone and like he didn’t belong, to finding comfort in his family and friends (especially Reyna, Hazel, and Will) and learning to accept himself for who he was (as a son of Hades and as gay) and how to confide in others about his struggles, problems, and trauma and finally letting people in after being do dubious of people after Percy broke his promise to protect Bianca, he found out that King Minos was using him, and almost all of Camp Half-Blood excluded and ignored him. After being alone for most of his life, by the end of The Blood of Olympus, he has two homes (as stated by Reyna), is comfortable with people hugging him, allowed people to take care of and help him, decided to stay at Camp Half-Blood and Camp Jupiter instead of isolating himself, made a bunch of new friends that helped him through his struggles, and he even showed multiple signs of healing from his depression and anxiety. His character development was pretty well-written. But, there was one thing wrong with it that kind of ruined the rest- his love life. Nico had an incredible character arc that could’ve taught multiple valuable lessons to younger readers, but most of it was ditched after he came out as gay in The House of Hades. Throughout all of his point of views in The Blood of Olympus, Nico never thought about any of his past trauma or struggles, Bianca, his new family and friends, etc. Pretty much all he thought about was finding out how to come out to the others and Percy. And while mustering the courage to come out is a huge deal and is great material for a character arc, Riordan never actually utilized it. Nico telling Reyna he was gay was really touching (best duo) and telling Percy he had a crush on him was great, but after that, his entire character was about his attraction towards Will (which was way too rushed, but that’s for another rant), and it got pretty annoying cause it made it obvious that Riordan only confirmed him gay for publicity by trying to shove it in the reader’s faces as if every gay person needs to have a boyfriend to validate and prove their sexuality. Riordan should’ve stayed on track with Nico’s original character arc. 

-Reyna. THE BEST CHARACTER ARC. Hers was actually really good. She started off trying to do everything on her own because she believed that she had to be strong enough to do things by herself without help from others to learning that it’s okay to ask for help. She also started off with the (quite serious and traumatizing) problem of bottling all her emotions because she believed that she always had to put on a strong, brave face for others without showing any signs of weakness to learning that it’s okay to express your emotions and confide in others (and again, that it’s okay to ask for help). This was mostly evident after she met Nico, which (in my opinion) kick-started her motivation to change because once she saw how much Nico needed help and giving him that support and comfort, realized that everyone is allowed to ask for help and started confiding in Nico as well. I like how she stayed strict and serious cause she has a formal job- a job that’s equivalent to an American’s president, that is- so she’s supposed to be serious, and she’s only strict cause she wants to protect her people. Though I do hate when people misjudge her as ‘cold-hearted’ or ‘cruel’ because Reyna is actually one of the kindest and most selfless characters in the series. Even Pegasus (the immortal lord of the pegasi) was ‘touched’ by Reyna’s ‘compassion’ towards Scipio (he didn’t even say that to Percy about Blackjack), and it’s pretty obvious she cares deeply about her family, friends, and people. And overall, her character arc was easily the best-written one in HoO. But then Riordan- just like he does with most things in this series- completely trashed her character arc just so he could have the opportunity to make fun of wlw readers who thought Reyna and Thalia would be a good couple by making her leave everything behind for the Hunters of Artemis just cause she ‘couldn’t find a love interest’ as if joining the Hunters is the only option for single female demigods instead of just...living a normal demigod life without a partner without leaving everything they know and love behind for no reason other than their shitty love life. 

[judgejurythceif]

What the Seven’s relationship should have been like

We didn’t get to see a lot of the seven bonding as it was more focused on the quest, which makes sense in the story. But, I feel like some relationships people had and everyone instantly being best friends doesn’t make sense. So here’s a web of what I think the relationship between each member of the seven should have been like, with explanation.

Key

Pink- Dating

Dotted Pink- Crush

Close Friends- Blue

Friends- Green

Civil- Grey

Distrustful- Orange

Percy + Annabeth - Dating

Okay, I feel like this seems kind of obvious so I’m not going to go into much detail, but there were five books that built up their relationship with each other. It’s a healthy relationship and they trust each other. I might explain this in detail later why I ship Percabeth and why it’s not toxic but I’m not going to right now.

Percy + Jason - Friends

Okay, the bromance stuff was completely made up by the fandom except I think for one time where they called each other “bro.” They also have sort-of a Greek-Roman rivalry going on, but after the fight in Kansa, they seem to ditch that except for a couple of jokes about them being able to beat the other in a fight.

Percy + Leo - Distrustful

I’m pretty sure (I haven’t reread HoO in a while) that Leo didn’t like Percy. But Percy definitely didn’t trust Leo after he bombed the Romans while he was possessed. He knows that Leo wasn’t in control, but it was very important to Percy that the Roman and Greeks got along, and Leo blew up the Roman camp.

Percy + Hazel - Friends

Okay so they definitely became friends in SoN when they were on a quest. I just don’t see them becoming really close friends like Percy is with Grover and Thalia? Like, I can see them as the type of friends that talk in school, but not the type of friends that would schedule days to hang out together unless it was for a project.

Percy + Frank - Friends

Basically same as Hazel and Percy. I love their friendship, but I can’t see them trying to figure out time to hang out between their schedules.

Percy + Piper - Close Friends

Okay, this is partially influenced by posts I saw about the potential for their friendship, but I definitely see a lot of potential for their friendship without headcanons and just reading the books.

Annabeth + Jason - Civil

So, in different circumstances, like a mortal au, I can see them being friends. But in the canon universe, her boyfriend disappears, Hera gives her a clue, she goes thinking Percy will be there, and it’s some Roman kid that’s supposed to be his replacement. I just don’t see them being able to get past that and actually be friends. I don’t think she would hate him or distrust him though, because he didn’t exactly have a say in it.

Annabeth + Leo - Friends

Okay, there was so much potential in this friendship and Rick just ignored it. Annabeth and Leo both like to build (Annabeth more so the planning part of it but still), they’re both extremely smart, and they’re also both dating people that are considered the hero of their respective camps. I just feel like we could have gotten a lot more interaction from them.

Annabeth + Hazel - Distrustful

Okay, so we’re going to start this from Annabeth’s point of view: your boyfriend goes missing for months, you go to find him, and he’s just chilling with some new Roman friends he found? He didn’t even tell you anything? Time for Hazel’s point of view because that’s all I have for Annabeth: There’s this boy that shows up at camp, he’s a son of Neptune and also your cousin. He has amnesia and doesn’t remember anything except for his girlfriend. If you hadn’t know what Percy and Annabeth’s relationship was like and how well they knew each other wouldn’t you find that a little suspicious. Also as Reyna mentions, Minerva (Athena’s Roman form) doesn’t have demigod children. It would probably be harder to trust a child of someone who isn’t supposed to have kids.

Annabeth + Piper - Close Friends

It’s implied that they’re pretty close friends in canon while they’re at Camp Half-Blood, and I love that, but it’s like the second they were on the Argo ll Rick completely forgot about that. I think they only interacted once or twice on the ship.

Annabeth + Frank - Distrustful

This is pretty much the same as Annabeth and Hazel’s but a little less distrustful. I see it as more distrustful at the beginning, but as time goes on they grow closer and maybe become friends.

Jason + Leo - Dating

I will die mad that this ship isn’t canon. It had much more potential than Piper and Jason, which seemed kind of forced. I think that this ship would definitely be better if Jason didn’t wake up on the bus already dating someone, and everyone had time to figure out their feelings.

Jason + Piper - Friends

I just don’t really feel like they worked together as a relationship. Hera literally forced it together when Jason woke up on the bus. If I was Rick Riordan (and I am very obviously not since I’m making this post), I would just not have made Piper and Jason wake up on the bus already dating. You need to give them time to figure out what they actually want to do and not shove them into a relationship on the first page.

Jason + Hazel - Friends

This is purely based on the fact that they’re both Roman and I’m assuming they talk at the Argo ll meet up parties that Percy mentioned. They get very little time to talk in the books (I don’t remember them talking at all) and they never mention each other. Hazel seems sad when he dies though so it’s kind of implied they were friends. (Am I still supposed to tag for spoilers for that?)

Jason + Frank - Friends

This is again based on the fact that they were both Roman and the fact that Jason promoted Frank to praetor in the middle of a fight. You probably don’t do that if you only kind of know the person, you need to build a relationship* with each other and trust each other.

Leo + Piper - Close Friends

Hmmmmmm, okay. They definitely knew each other before Jason just popped onto the bus, and they were definitely close (possibly dating?) But I see their relationship ship as more of a sibling relationship instead of romantic. 10/10 I love them though.

Leo + Hazel - Close Friends

Okay, so. Because Frazel isn’t happening in my mind, there isn’t any weird tension between them except for the Sammy thing. So, they figure that out and through that just become really good friends. I would also die for this friendship. That was underdeveloped because Rick rushed a love triangle.

Leo + Frank - Friends

Okay, no Frazel here still so there’s no weird tension between “are you trying to steal my girlfriend?” which was the main part of their relationship. Frank would definitely be wary of Leo because of his fire powers but Calypso gave him the fireproof fabric and he made the bag for Frank’s firewood so they definitely don’t hate each other.

Piper + Hazel - Friends

Okay, this just seems like a really neat friendship to me? They don’t interact that I can remember beside the visit with Aphrodite/Venus and they don’t really talk during that. There’s definitely a lot of potential for a friendship here though.**

Piper + Frank - Friends

Okay, I absolutely love the potential for this friendship. Again, it didn’t happen because Rick is a coward but I absolutely love this and they would be such good friends.

Hazel + Frank - Close Friends

Okay, so. I put two lines between them. ‘Crush’ and ‘close friends.’ No matter what’s going on, I feel like Hazel would have a crush on Frank. He obviously doesn’t like her back, because he is two years older than her. I know that people are saying Frazel isn’t problematic, and I somewhat agree, but I feel like if Hazel was aged-up a little it would be better. No matter what, they’re definitely going to be best friends though. And Hazel definitely still carries his firewood.***

*by ‘relationship’ when I mention it, I don’t always mean a romantic relationship.

**I do really want to put all of them as friends, but I just can’t see that happening, as they were seven demigods out on a ship and told to save the world. In a random group of seven people, there’s going to be at least one you don’t like.

***Another point I wanted to put on here but don’t know where to put it is that Rick forced them all into relationships. A lot of teenagers just don’t date anyone, and that doesn’t feel reflected at all in his books, as he just pairs every single character off with someone.

[mst3kproject]

Dawn of the Mummy

Like Horrors of Spider Island, this is a movie predicated on putting a bunch of attractive women in a dangerous situation so that we can watch them run around and scream, and like Devil Fish, they’re all Italian but we’re not supposed to notice.  The director, Frank Agrama, is best known for the Robotech movies, and most of the actors were never in anything else (one of them did play a victim in Bloodsucking Freaks), so it can fairly be said to star nobody and feature nothing.  Boy, it sucks.

Long ago, the evil Pharaoh Sefreman rode around Egypt being an utter bastard because he was a god incarnate and he could do that. He wanted to continue doing it after his death, too, so a priestess puts a curse on his tomb – if his treasure is ever stolen, Sefreman and his armies will rise and kill!

Thousands of years later, a bunch of robbers blast the tomb open despite the dire warnings of the wicked queen from Snow White.  It’s not them who end up angering the mummy, however, it’s a bunch of models and their photographer, who decide that an undiscovered tomb is the perfect place to hold an impromptu photoshoot.  After way too much pointless dithering, Sefreman makes with the rising and killing, culminating in a full-on zombie feeding frenzy.

The leader of the three robbers is a guy named Rick.  It’s been a while since we had a Rick.  The actor playing him, Barry Sattles, overacts so hard in every scene that you’ll be looking for tooth marks in the rocks.  The guy who dubbed his voice is even worse.

And that’s just one tasty morsel of the delicious cheese platter that is this movie.  The ancient Egyptians dress in taffeta and gold lame.  The dubbing is atrocious.  Sefreman’s ‘treasure’ is a bunch of cheap souvenirs with a layer of gold spray paint.  People running through wide open desert can’t seem to keep ahead of slowly shuffling zombies. The music is intrusive and both it and the accents are obnoxious stereotypes – the end credits in particular are set to a cartoonified ‘Egyptiany’ piece that reminds me of the theme from Killer Klowns from Outer Space.  If I had to pick a stinger I don’t think I could do it.  I mean, there’s the wicked queen popping into shot screaming, there’s the guy getting attacked by a rat, there’s the lady wandering through the tomb wailing about how lost she is, there’s Rick screaming Sefreman’s name over and over… it’s hilarious.

There’s not much of a plot through the middle part of the film – just Sefreman and his minions wandering around eating people and horses.  Occasionally there are hints of story, like one of the models falling in love with Rick (why!?) or the photographer’s desire to be famous, but these never really amount to anything.  The climax is a total free-for-all, as zombies invade the streets of the town and crash Omar the Hookah Guy’s wedding! This is plenty amusing, but would be more so if we had a better idea what the hell was going on.

Sefreman is finally defeated by two of the models and a couple of guys from the town, who lure him into a shed full of dynamite and blow him up.  This actually isn’t a bad ending.  I’m pleased that they didn’t decide to try to turn Rick into the hero, and that the women didn’t need personality transplants in order to save the day.  After the shack blows, they squeal and jump up and down and hug each other – which is exactly what we would expect from the characters we’ve been following this entire movie.  Omar’s wedding is a fun choice of climax, since we get to see some Egyptian culture, and there’s even a sort of subplot in which it’s rather heavily implied that he’s got to marry this girl in a hurry because she’s already pregnant.

I do have many questions about the old woman I’ve been referring to as the wicked queen.  How does she know where Sefreman’s tomb is when supposedly everybody who did know was killed?  She’s played by the same actress as the high priestess who sealed him up – is she supposed to be a descendant?  Maybe even the same person, immortal for some reason?  Why does Sefreman kill her when she immediately swears her devotion to him? Why does she talk about Sefreman ‘reclaiming his kingdom’ when that was never mentioned in the curse?  All the curse was supposed to do was keep his treasure safe.  The best I can say about her is that she’s slightly more explicable and relevant than the pet shop hobo from Hellraiser… but that’s a low bar.

So what is this movie about, besides the obvious ‘mummy killing women’ level?  I don’t think it’s really meant to be about anything.  Dawn of the Mummy is just a monster movie, but it carries with it a certain amount of baggage from its genre. Mummy movies in general are about the West’s unease with archaeology.

Archaeologists dig up all kinds of things, of course, but tombs are a major subset, because the dead bodies of our ancestors are a wealth of information about how they lived.  Modern science can tell where people grew up, what their diet was like, what diseases they suffered from, the colour of their hair and eyes, and all kinds of other things… but there’s still the fact that you have to dig up somebody’s dead body to get there.  Some people are okay with the idea that their mortal remains might be a subject of study in centuries to come.  Other people are not.

The Egyptians would almost certainly have been horrified by what has become of their dead.  Mummies were meant to remain in their tombs for all eternity so that the souls of the departed would have a home, with their grave goods to take care of them.  A mummy in a museum, separated from its context, means a soul that is alone and penniless in a foreign place.  If they could have put curses and booby-traps in their tombs to prevent this, they would have.  What does that mean for archaeologists?  Do we have the right to disrespect these people’s wishes, just because they’ve been dead for a really long time?

Archaeologists will frequently lament the fact that their profession is also basically destructive – once you’ve dug something up and taken it apart, it will never be pristine again.  Modern archaeology takes great care to preserve as much as possible so that people in the future, who will presumably have better techniques, can still learn something, too.  Dawn of the Mummy sort of deals with this, as we see two groups of people who have no interest in preserving what they’ve found. Rick and his friends blow holes in it looking for a treasure chamber, and the models are in their own way nearly as destructive.

Dawn of the Mummy devotes significant attention to the fact that light is damaging to artefacts.  Mummies on display in museums are always under dim light, because bright light will degrade the wrappings and tissues that have spent millennia in darkness. But the first thing the photographers do is set up a bunch of bright lights, and we see shots of icky blue fluid bubbling out of the mummy’s wrappings where this hits it.  I wondered if this is supposed to be what activates the curse – since the title is Dawn of the Mummy, maybe the magic mistakes it for sunlight falling on him?  If so, the writing should have taken care of that I wouldn’t have to sit and figure it out.

The models also touch everything they come across, leaning on walls and statues covered with thousand-year-old paint, getting makeup all over everything and probably sweat, too, as they constantly complain about how hot it is in there. The movie never entertains the possibility of actual archaeologists finding Sefreman’s tomb, but any who did would find it hopelessly compromised.

Mummy movies are also about imperialism, which is inextricably tied to archaeology.  Modern Egyptology in particular began when Napoleon’s troops raided the country for stuff they thought was pretty, and as I discussed in my review of The Pumaman, a lot of this is still kicking around in museums, private collections, and garage sales, with no provenance or context.  Archaeology derives from treasure-hunting, embodied in Rick – he’s not here for knowledge, he’s here for wealth.  The models are not really any different.  They want images of this exotic place that will please their audience, without much caring about the context behind them.

The mummy, with his magical powers and undead army, is a punishment for this greed, and represents the west’s constant fear that conquered peoples will fight back.  You see this in those facebook graphs talking about how white people will become a minority in America unless we make abortion illegal.  Why should that be a problem?  Because we’re afraid we will be treated as we have treated others. Sefreman’s magic is completely unknown to the Americans and they have no defense against it.

Of course, none of this is actually relevant in Dawn of the Mummy.  These themes are inherent in the premise, but they’re not part of the story this particular movie is telling.  The result, with its Styrofoam tomb art and ostentatious overacting, is great to make fun of but impossible to take seriously – perfect material for some do-it yourself MST3K.

[thissmycomingofage]

PJO/HOO Relationships

What I like in the PJO/HOO relationships is how Rick Riordan is able to make them realistic and compatible, sometimes quite unexpected, sometimes predictable, but always true and which makes perfect sense.

Percabeth :

-Percy is the brave hero who will face many adventures and argues with his best friend, Annabeth, a lot.

-Annabeth is the brave and intelligent friend of the hero who will face many adventures and who argues with her best friend, Percy, a lot.

They complete each other very well. Who hadn't see it coming ?

Jasiper :

-Jason is the beautiful, strong, powerful, nice and perfect boy who is loved by almost every girls, but who doesn't like the superficial ones.

-Piper is the beautiful, strong and nice girl who doesn't want to be identified for her beauty and who doesn't like superficial people.

....Seriously... Who hadn't see it coming ? It's just.... so obvious. I don't adore this ship but they have some really great moments who I think build them really well.

Frazel :

-Frank is a cinnamon roll. A nice and shy guy. But he hides a really strong power in him and he's very courageous. He likes the true, courageous and kind people.

-Hazel is the nice, polite and innocent girl of the group. But she hides a really strong power in her and she's very courageous. She likes the true, courageous and kind people.

You can't say they are unexpected, because they already love each other when we meet them. They're cute and their love is sincere.

Caleo :

-Leo is a funny, nice, smart and goofy boy. He's not particularly beautiful but he is very charming. But behind his jokes and his fun actions, he hides a painful past and a lot of sadness.

-Calypso is a powerful and beautiful "witch". She had been cursed for a very long time. But, even if she suffers, she keeps her head up and she helps the heroes who crash on her island (even if it takes her more time to help Leo, because of her anger towards the gods who she thinks make fun of her). She hides her pain behind screams, anger, provocations and, sometimes, spitefulness.

I love this relationship because they are both very different, and at the same time, very similar. They're the same, but in different ways. And one of the best parts of this couple is the fact that it's pretty unexpected when you just know the two characters, but when you put them together, you're surprise by how well it fits and works.

Tysella :

-Tyson is an adorable cyclops. He's protective, strong, lovely and cute. When he loves someone, he can do everything for this person.

-Ella is an adorable harpy. She's intelligent, shy, nice and cute. But she is pretty weak and traumatised by old experiences. She needs protection and love.

It was very obvious too, but those two are really made for each other, so it works very well for me (I don't need a lot of books of development to believe they love each other).

Solangelo :

-Nico is shy, powerful, dark, asocial and full of pain and anger. He lived a lot of trials in his life (lost a sister, participated to a war...). He had a big crush on Percy who did not return his feelings. He only seeks the happiness that he thinks he does not deserve.

-Will is an open, nice, social and compassionate demigod. He wants to protect the others and particularly the ones he loves. He is happy, loving, colorful and funny.

They are complete opposites but it's still kinda evident, like Percy and Annabeth (although I do not find that they complement each other as perfectly as Percabeth).

Gruniper :

-Grover is a kind, shy, respectful and adorable satyr. He likes the nature and protects her. He could do anything for his friends.

-Juniper is a sweet, kind and generous nymph. She loves the nature and protects her. But she is pretty weak and needs protection.

They're made for each other, even if I less feel the connection and the love between them than between Tyson and Ella.

Chrisse :

-We don't know a lot about Chris, but what is certain is that he's courageous, strong and very protective of Clarisse. He wants and needs redemption and forgiveness.

-Clarisse probably has one of the best evolution out of the serie. (I will not develop it a lot here cause I will certainly make an entire post about her) She starts by being a nasty and cruel girl. But in the sequels she becomes more vulnerable, and nice. Especially in front of Chris in TBotL, who she heals and helps. She is present for him and protects him.

What I like in this couple is that even if we don't know Chris, Clarisse's love for him is very easy to understand and to appreciate. Their relationship is pretty obvious but comes fast enough to not disturb me.

Charlena :

-Charles is strong, nice, wise and lovely. He is an important model for Percy.

-Silena is nice, wise, lovely and naturally beautiful.

Not a lot to say about those characters because, before the Last Olympian, they only are part of some of the most important minor characters. They mostly are developed through their relationship. But it is very well done, even if it's a bit too predictable (son of Hephaestus who has a crush on a daughter of Aphrodite).

All those ships fit very well. None of them seem force and illogic when you look the personnality and the actions of the characters. Rick Riordan is very talented to create realistic relationships, even if they are surrendered by mythological creatures.

P.S. : And I don't talk about the ships in the Kane's Chronicles or in Magnus Chase cause this post's long enough. But I will, one day, because they deserve it.

[mugsywrites]

Can’t believe you predicted Carzekiel before Khartoum was even cast. You are not of this world, Queen.

You know, I like to joke about my powers of prophecy but it was actually a pretty logical and obvious storyline at the end of season 6 if you’ve read the comics. Which is why I don’t understand some people calling it forced or out of the blue. Ezekiel has a relationship with Michonne that eventually ends tragically, but having a romance with a key member of TF is still an important element to his character’s story. Season 6 ended with Michonne happily coupled with Rick while a newly single Carol was being taken to the Kingdom. Aside from that I wanted Carol to be happy in Fables and in love, and obviously I don’t ship her with Daryl or Rick (who I’d argue are two closest male friends, or were until after her Kingdom arc with Morgan) Tobin was a nice “rebound” for her but too boring and beige to be her endgame. Morgan would have been interesting and they obviously have a deep connection but I never got a romantic spark from them either. So I thought Ezekiel would be an interesting pairing, especially given how over the top and cheerful he is compared to Carol.

I think I’ve said it here before, but when Khary was cast my first thought was, “Well, I guess *that’s* not going to happen now,” because of how much younger he is than MMB. Because Abe’s freckled ass is able to get with two beautiful warrior angels who are young enough to be his daughters but heaven fucking forbid a middle-aged woman who is allowed to *look* her age get with a younger man. I mean, there are people who think she’s too old for *Daryl*, and to frank Khary is younger and better looking than Norman. (sn: I don’t think it applies to all or most people who don’t like C@ryl, but I do think shippers have a point that a lot of it *is* ageism) But I was pleasantly surprised by her first meeting with Ezekiel and went from a mild “I want Carol to be happy with a guy worthy of her” to “God-tier OTP, stuff of legends, up there with Richonne, Gleggie, and Desus”. Despite tired ageism tropes about older women, it’s clear that Ezekiel is immediately smitten and sees her as a romantically desirable woman. Also the way they’re introduced to each other screams “romance”, at least by TWD standards. Compare to how the rest of the Atlanta Five met their lobsters:

First off with Gleggie: Pre-Gimple, but still similar to later relationships. The audience and Rick has already met Maggie, but her introduction to the rest of the group that includes her future involves her charging in dramatically on horseback, with close ups of her mount and the bat she carries. After she scoops up Lori she speaks directly to Glenn, ignoring Carol, Daryl, and Andrea. We see Daryl’s brief, hostile reaction to her but we mostly focus on Glenn’s reaction.

(sn: forgive the quality of screencaps)

Next with Richonne it’s even more dramatic despite being way more subtle at the same time. No dramatic entrance on horseback, no nail-biting stakes where a character is being actively attacked and at risk of death, yet it still hits you every bit as hard. Like Maggie, the audience already knows Michonne as do a few other characters, but this is the first time she’s seen by the group that includes her future husband. What’s interesting to me is that no one but *Rick* sees her off in the (hella unrealistic) distance. We see Rick’s reaction to what he’s seeing long before we realize who it is; in this episode the last time we saw Michonne she was far from the prison and we had no reason to expect her. The other characters aren’t far away but Rick is totally alone the first time he sees Michonne.

(sn: while grabbing caps for this scene I re-watched the part in the next episode when they bring her into the prison and you see little Carl asking Rick if they should help her and I started crying. Burn in hell, Gimple.)

Carnid’s introduction is far less epic (as befitting a teen romance) but there are still some similarities--namely Carl being the first to see her, and we see his *reaction* before we see *her*. Other characters are present but this scene is mostly about Carl.

Finally we get to Carzekiel’s introduction, and it’s hard for me to say which is better--this one or Richonne’s. Morgan has met Ezekiel but we, the audience, hasn’t. Which is an interesting choice, since if what was important was just “flabbergasted reaction to crazy guy calling himself a King” then Morgan could have been the one to give it. But instead it’s *Carol’s* reaction that is important in this scene. Our first glimpse of Ezekiel is from far away, and we see Carol *reacting* to him before we clearly see him. Morgan and Jerry are both in the scene and interact but the real focus is between Ezekiel and Carol.

(sn: This entire scene is fucking amazing, and the most amazing bits are MMB’s facial expressions. Woman is incredible. In particular the last one, because you can see the transition from her honest, gut reaction of “Are you *shitting* me?” to her “tee hee, I’m a helpless housewife la di da this is amazing!” fake reaction)

P.S. Just for funsies because tragically it’s never going to happen but I still need to stay On Brand™, here’s how Daryl met Jesus. Rick’s there and is the one Jesus actually ran into but the focus is mainly on how Daryl reacts to him:

[aion-rsa]

The Best TV Shows of 2020

https://ift.tt/eA8V8J

Some year, eh? 

We’re often poetic about TV around these parts. It’s no secret that we like to sing its praises as a powerful, restorative, and maybe sometimes therapeutic medium. But during a dangerous, confusing year, delving into the many ways that TV “kept us sane” or whatever feels reductive. 

What we can say, however, is this: TV was around this year. And that’s no small feat as not every other medium was so lucky. Concerts and other live performances were canceled. The movie-going experience was upended (perhaps permanently), and even curling up with a nice book at a coffee shop was no longer an option for much of the year. The TV production schedule may have been disrupted, but for the most part, the television machine chugged along, providing us with a diverse (and often overwhelming) number of truly excellent options to take in.

This year we want to honor the best of those TV shows – not for any particular reason other than that it’s fun to do and we’ve all earned some year-end distractions. We had our staff vote on their favorite series, polled you the reader as well, then crunched all the numbers in an intensely complicated propriety equation (not really) to determine our winners. 

Please enjoy our choices for the 25 Best TV Shows of 2020. 

25. How To with John Wilson

How To with John Wilson is the heir to Nathan For You’s throne, which seems obvious considering the series boasts Nathan Fielder as an executive producer, but the new HBO series shares much of the fiercely beloved former Comedy Central series’ DNA. While Nathan For You used helping businesses as a jumping off point to explore social interactions and the funny, insane things that people may say or do if you point a camera in their face, How To with John Wilson purports to explain how to perform simple tasks like making small talk or splitting a check, but mostly showcases how beautiful, ugly, life-affirming, and odd life in New York City can be. It’s a difficult show to explain, but it uses dry narration and quick documentary-style footage to create laugh out loud set-ups and punchlines, and digresses into some of the most poignant, and “WTF” moments found in a comedy series. You may not learn much, but you’ll laugh a lot. 

– Nick Harley

24. The Plot Against America

TV writing geniuses David Simon and Ed Burns (The Wire, The Deuce) are masters of subtlety. Their many shows, several of which are among the best in TV history, know how to conquer small moments en route to a bigger, oft devastating picture. During these very unsubtle times then, how could they possibly adapt Philip Roth’s equally unsubtle book about creeping fascism in America, The Plot Against America? The answer, as it turns out, is with the same gentle touch and keen understanding of the human condition as they always employ.

Like Roth’s 2004 novel, The Plot Against America picks up in an alternate version of the American 1940s, where real life aviation hero and Nazi-sympathizing populist Charles Lindbergh is elected president. The show then follows the working class Jewish Levin family as they deal with the fallout. Simon and Burns’ subtle touch works uncommonly well here. The Plot Against America’s six episodes are in many ways about how gradually and imperceptibly things can get worse until one’s home is no longer recognizable. For obvious reasons, the series resonated this year but its ability to summon creeping dread would have played well just about any time. 

– Alec Bojalad

23. Lovecraft Country

A sprawling anthology with an overarching fable set in the depths of Jim Crow America in the 1950s, Lovecraft Country was an epic, political, sometimes gory, always ambitious sci-fi horror unlike anything else in 2020. Following the journey of Atticus (Jonathan Majors), Leti (Jurnee Smollett), and Atticus’s uncle George (Courtney B. Vance) on a mission to find Atticus’s missing father, the story combines real life racist horror with supernatural creatures inspired by H.P. Lovecraft.

Each episode is both a standalone story and part of the whole, playing with different subgenres. Ep 3 “Holy Ghost” is a classic haunted house tale with a historical twist against a backdrop of neighborhood racism, ep 5 “A Strange Case” is an extraordinary body horror which explores the female experience, 6 “Meet Me in Daegu” introduces a character from Korean folklore, while ep 8 “I Am” is a sprawling afrofuturist sci-fi. Created by Misha Green, exec produced by Jordan Peele and JJ Abrams, this is glossy cinematic stuff with a terrific ensemble cast. Talk about bang for your buck.

– Rosie Fletcher

22. His Dark Materials

If season one of this fantasy adaptation was carefully laying the tracks, then season two is hurtling along them, whooping out of the window as it goes. The new episodes started from the high-point of the season one finale and kept climbing. The difference is in tone – this time it’s warmer, keying more successfully into its characters’ emotional lives. It’s bolder too, demonstrating confidence by stepping away from the books to add scenes, humor and modern updates as required.

Season two, adapted from the second book in Philip Pullman’s original trilogy, sees Lyra and Will cross worlds and forge a bond. Will undertakes his own hero’s journey, one involving Spectres, a magical knife and the father he’d long thought dead. The real star though, is Ruth Wilson as Mrs. Coulter, a devilishly complex character into whose head this show is satisfyingly determined to get. 

Season two is an episode short, thanks to COVID-19, but we should be grateful it made it here on time at all. The real delight is all the talent and effort that’s gone into telling such a weird story, one that only gets weirder from hereon in…

– Louisa Mellor

21. She-Ra and the Princesses of Power

Season 5 of She-Ra was the show at its absolute best. Every restriction seemed to be lifted and it just let loose with all the joy, deepness, and big queer energy it had ever wanted to display. Bless it for that because it allowed the show to go out on the highest of notes. We’d be here all day if we listed all the fantastic plots this season and how everyone got a chance to shine but no moment stands out more than Catra and Adora kissing. 

It’s a moment queer fans had hoped for and were shocked it actually happened. Seeing two leads in a legacy property get to be not only confirmed queer but also kiss is still a rare sight and we can only hope it signals great change in animation going forward.  We’re sad to see She-Ra go but glad it got to end so perfectly. 

– Shamus Kelley

20. Pen15 

During the 2011 “Middle School” episode of This American Life, host Ira Glass interviews producer Alex Blumberg, who presents a radical new approach to education in America: get rid of middle school. Children’s bodies and brains are just simply too volatile in their preteen years to meaningfully learn anything in the years between elementary school and high school. Give them a break, then pick up and try again in a couple years.

It’s hard not to think of that interview when watching Hulu’s wonderful middle school comedy Pen15. Lead characters Maya (Maya Erskine) and Anna (Anna Konkle) are very rarely seen learning something in class or poring over their homework. And why would they be? There are boys to obsess over, school plays to audition for, and moments that will scar them forever to experience. 

Rarely has there ever been a more frank, honest, and hilarious exploration of the middle school years than Pen15. Much was made during the show’s first season about the adult Konkle and Erskine’s ability to portray their younger selves. And in season 2, they blend in so seamlessly that the novelty of the casting choice might never even occur to the viewer. 

– Alec Bojalad

19. I Hate Suzie

The last time playwright Lucy Prebble wrote a TV series for Billie Piper, it was 2007’s Secret Diary of a Call Girl. London-set, glamorous, sexy and funny, that was a distinctly twentysomething story. Over a decade later, Prebble and Piper reunited to do something different in I Hate Suzie; still funny, but rawer, more experimental, and probing all the ways that a thirtysomething woman’s identity – wife, mother, and in this case, celebrity – can be defined by everything except herself. 

Piper plays popstar-turned actor Suzie, whose life explodes when hacked photos of her cheating on her husband leak online. Suzie goes through the stages of grief in eight riotous half-hour episodes that experiment with form and genre. There’s drama. There’s satire. There’s singing and dancing. There’s Dexter Fletcher doing coke off a bare arse, and a whole-episode wank that explores the societal construction of female desire. It is, in modern parlance, a lot, in the most exhilarating and enriching way. These two had better not leave it another 10 years until their next collaboration. We demand more. 

– Louisa Mellor 

18. Rick and Morty

Did you hear? This guy turns himself into a pickle…a PICKLE! It’s wild. Every subsequent year that Rick and Morty airs, it gets harder to separate the “meme” of Rick and Morty from the show itself. Suppose that’s just what happens when a fanbase proves itself to be…uh, energetic, and the Merchandising Industrial Complex kicks itself into overdrive to produce some truly offensively bad Big Dog-style shirts. 

Removed from the meta of it all, Rick and Morty still churned out some great episodes of television in 2020. The back half of the series’ two-part season 4 all aired this year and there were real gems included among them. Though it proved to be divisive, “Never Ricking Morty” was certainly among the most structurally ambitious installments the show has ever attempted. Then there was just the sublimely hilarious “The Vat of Acid Episode,” which was enough to earn the show a Best Animated Series Emmy. 

– Alec Bojalad

17. Dark

Dark is already notable for reaching levels of popularity in the United States not often enjoyed by subtitled fare, but it also was afforded the rare opportunity to end on its own terms with its third season in 2020. Audiences fell in love with the generational stories of the families living around the nuclear power plant in Winden, Germany, marveling at casting choices for characters in their older or younger forms whose resemblances were spot on.

The time travel plot tied viewers’ brains into knots, but the desire to see an end to the apocalypse was made even deeper by the strong chemistry between Dark’s own Adam and Eve: Jonas and Martha. As the true source of the alternate timelines and causal loops became known, everything about the show’s reality was called into question, but the ending left a lingering question mark to entice fans to speculate long after the show had ended. 

– Michael Ahr

16. The Untamed

While The Untamed technically premiered in 2019, the Chinese xianxia drama was one of the escapist stories that most defined a year we all wanted to get as far away from as possible. Bursting onto the transformative fandom scene to come in ninth on Tumblr’s list of the most-discussed live action TV shows of 2020, the foreign-language fantasy series tells the story of supernatural flautist Wei Wuixan (Xiao Zhan) from his humble beginnings as a teen cultivator-in-training to his controversial role as a demonic cultivator war hero to his time as a masked detective after he is mysteriously brought back to life in a stranger’s body 13 years after his gruesome death. 

But, like any good melodrama, The Untamed is really all about the relationships. This is a complex emotional story about siblings and sects, honor and morality. At the heart of the interpersonal narrative is the epic romance between Wei Wuixan and his stoic swordsman boyfriend Lan Wangji (Wang Yibo). The Untamed is adapted from an explicitly queer web novel, but China’s anti-LGBTQ censorship laws require the series tell its love story via lingering gazes, clasped wrists, and declarations of undying devotion. The result is no less queer, as these canonical soulmates sacrifice everything but their fervid commitment to protect the innocent for one another. 

– Kayti Burt

15. The Haunting of Bly Manor

In 2018, Netflix shrieked its way into the spooky season game with the breakout hit The Haunting of Hill House. The streamer then afforded creator Mike Flanagan the opportunity to American Horror Story-ize his work into an anthology of his own, thus The Haunting series was born. In typical second child fashion, The Haunting of Bly Manor had a world of expectations to live up to, which included its often-adapted source material, primarily the novella Turn of The Screw by Henry James (or Hank Jim as we like to call him) among two other works. Flanagan, who’s a heavyweight in the horror genre at this point, again eschewed a direct remake for a loose adaptation with Bly Manor, a slow burn, but ultimately a deeply personal and satisfying tale of ghosts, both of the faced and faceless variety, intertwined with Gothic romance.

The returning players from the previous season, Victoria Pedretti (Dani), Oliver Jackson-Cohen (Peter Quint), Henry Thomas (Henry Wingrave), Carla Gugino (The Storyteller), and Kate Siegel (a surprise character in an excellent episode 8), bring back some of the winning chemistry from Hill House. However it’s the newcomers to the series, T’Nia Miller as Hannah Grose the housekeeper, Amelia Eve as Jamie the gardener, and Rahul Kohli as Owen the cook, whose standout performances ground Flanagan’s headier concepts, like the series’ mesmerizing fifth episode. It’s through these characters that Bly Manor poignantly articulates how love can be as much of a burden as it is a blessing. Not long after your Bly Manor binge is complete, Flora’s line, “You said it was a ghost story. It isn’t. It’s a love story,” will crystallize the throughline Flanagan was gunning for. And if that line isn’t a lasting memory of the limited series, perhaps it’s Owen’s lucious mustache, the best on TV in 2020, that will live on. 

– Chris Longo

14. Ted Lasso

In a relentlessly dark year, Ted Lasso was one of the few rays of sunshine that warmed our hearts. Its title character is so pleasant and optimistic, he makes Leslie Knope look like a curmudgeon by comparison. Folksy, thoughtful, and almost aggressively friendly, Jason Sudeikis’s Lasso is hired to lead a struggling English Premier League team in a move of sabotage, but ends up charming the pants off of the squad and proving the power of positivity. 

The character is practically impossible not to like, and in a time of so much anxiety and frustration, it’s refreshing to spend time with someone like Ted. The title coach isn’t the only reason to watch; the show features well-crafted characters with satisfying individual arcs, comforting, yet well-executed sports movie tropes, and funny fish out of water culture clash moments. Ted Lasso is a breezy, low-effort experience that makes you feel good. What more could you ask for in 2020? 

– Nick Harley

13. The Umbrella Academy

The first season of The Umbrella Academy was already a stellar achievement in adapting the gloriously weird Gerard Way/Gabriel Bá graphic novels, but season 2 took the show to another level in 2020. The varied reactions of the superpowered family to being stranded in 1960s Dallas were extremely enlightening and made the characters even more enjoyable with all of their quirks, flaws, and emotional depth.

Of particular interest was the manner in which Allison strove to lead a normal life with a husband that loved her despite the difficulties of being Black in the segregated South and her determination not to use her powers. Fan favorite character Ben also received a noble and inspiring arc that led to a completely new role for him in season 3. Although there are plenty of mysteries remaining, the unfolding backstory leaves us always wanting more of The Umbrella Academy. 

– Michael Ahr

12. The Great

“Russia must be saved, and I with it.” An occasionally true story from The Favourite co-screenwriter Tony McNamara, The Great is a satirical look at the rise of Russian monarch Catherine the Great (Elle Fanning, getting a chance to show off her comedic chops), from her arrival from Prussia as a naive teen bride to her time plotting the death of her husband, Emperor Peter III (Nicholas Hoult, seemingly having the time of his career). The Great is cutting, clever, and hilarious, but, like The Favourite before it, its true secret weapon lies in its moments of earnest emotion. 

The Hulu series revels in the often absurd nature of its subject matter, but not at the cost of ignoring the trauma and joys of its often gruesome world. The unpredictability of which kind of scene you will get next—absurd, deeply emotional, or both—creates a fantastic dramatic tension that sustains throughout the entire 10-episode first season, perhaps necessary in a story that, should it follow the broadest of historical strokes, the viewer knows will end in Catherine’s triumph. Huzzah! 

– Kayti Burt

11. Harley Quinn

This year, we found out the answer to a question that no one was really asking – “who would win: a big budget Birds of Prey DC spinoff movie starring Margot Robbie as Harley Quinn, or one small Harley Quinn-focused animated series that was seemingly about to be left for dead on the ailing DC Universe streaming service?” Harley Quinn won, for everyone who cared to investigate, as the show leveled up in season 2 by having the balls to let Dr. Harleen Frances Quinzel fall in love with her sardonic roommate Poison Ivy on screen and ditch any lingering feelings she had for the Joker, but for those not invested in the romance (they should go have a soup and rethink their priorities) there was so much else going on beyond deconstructing its central character.

Animated shows are typically seen as an immature, lesser form of entertainment than live-action series, but just imagining the creativity you’d need to come up with this many running jokes, in-jokes and meta jokes for the larger-than-life characters of Gotham is exhausting. There’s so much writing talent behind Harley Quinn that a third season wasn’t just expected, but demanded. And indeed, Harley Quinn will live on at HBO Max, but if it hadn’t happened, we’d do what the Doctor ordered and RIOT. 

– Kirsten Howard

10. BoJack Horseman

Through its superb six-season run, BoJack Horseman’s tonal brilliance came to be an expected fact of life. Early on, it was tempting to pull non-viewers aside, shake their shoulders, and yell in their face “No, you don’t get it! It’s an animated comedy about a horse that was a ‘90s sitcom, yes, but it’s also a searing exploration of depression, dysfunction, and the dismal nature of the human condition!” It’s to the show’s eternal credit that that stellar comedic/dramatic tightrope act became all but a given a few seasons in and the world adjusted to it thusly. But even with that level of familiarity and comfort, it’s jarring just how well the show pulls off that delicate formula in its final, and perhaps best season. 

BoJack Horseman season 6 premiered eight of its final 16 episodes in 2020’s first month and their dramatic resonance carried through the rest of the year. The story ends here as we always expected it might. BoJack’s past finally catches up to him, and when he becomes a pop culture pariah, he slowly begins to undo whatever progress he made throughout the series, culminating in a stunning penultimate episode where BoJack faces the infinite and meets up with all the figures in his life who died along the way. But it’s not until the show’s very end where the message comes into clear focus. BoJack has to start all over again, just like we all must from time to time. The difference this time is that the other people in his life are finally prepared to move on…possibly without him. “Hey, wouldn’t it be funny if this night was the last time we ever talked to each other?” BoJack says to Diane as they look up at the Hollywood night sky. Wouldn’t it be funny indeed. 

– Alec Bojalad

9. Legends of Tomorrow

There is no superhero TV show that has strayed as far from its superheroic roots than Legends of Tomorrow. Despite the fact that its full official title is quick to point out that this is indeed DC’s Legends of Tomorrow, you’d be hard pressed to find a DC show less overtly concerned about its comic book roots, or even with any synergistic responsibilities it may have to the other DC shows in its orbit. Sure, Supergirl, Black Lightning, The Flash, and Stargirl are great, and they’re note perfect representations of what makes those characters special, but Legends does everything those other shows do, but with far less recognizable characters, with far more laughs, and an effortlessly perfect ensemble cast boasting chemistry for days.   

No matter how high the reality-altering stakes, it all seems less important than watching the friendships between this crew of superheroic time traveling misfits. Legends of Tomorrow is everything good and hopeful and pure (ok, well…maybe not pure, especially where Matt Ryan’s John Constantine is concerned) about superhero shows without any of the baggage, and often without the superheroics. Always hilarious and often surprisingly touching, there’s not a single superhero team on the big or small screen that you’d rather actually hang out with. You don’t have to love superhero TV to love Legends, you just have to love TV. 

– Mike Cecchini

8. Schitt’s Creek

People who love Schitt’s Creek LOVE Schitt’s Creek. It’s almost become cult-like in its following, so the arrival of the sixth and final season felt like an event and the end of a journey not just for fans of the show but the stars themselves. Season six isn’t the best season of Schitt’s – it leans into the schmaltz and sentiment heavily and throws realism to the wind in favor of the absurd but if you’ve come this far with the displaced Rose family and the sometimes odd but overall endearing residents of Schitt’s Creek, you won’t be disappointed. 

All the major players get their arc. Alexis and Ted’s separation is heartbreaking, Moira’s Crows movie premiere is a hilarious mess, some of the Jazzagals almost join a cult… the season is packed with ridiculous scenarios in between many more moments of genuine sweetness as it gently guides its characters to an end. The finale comes together with David’s wedding to Patrick – a perfectly idiosyncratic affair in the Schitt’s Creek town hall. It’s a moving send off to which we’re all invited. 

This is a show about family and community, created by a real family – father and son Eugene and Daniel Levy (sister Sarah plays Twyla) – that spawned a community of fans. This might be the end of Schitt’s Creek but we can always re-visit. 

– Rosie Fletcher

7. Devs

Alex Garland’s unsettling, yet visually gorgeous science-fiction parables are always thought-provoking, but FX’s Devs asks bigger questions than any of the writer/directors previous projects. Do we determine our own fates? Does the multiverse exist? Can computers predict our future? Devs isn’t just heady techno-philosophical musings, it spends its runtime being a pretty satisfying corporate thriller, with our protagonist Lily (Sonoya Mizuno) investigating the mysterious disappearance of her boyfriend.

This is a somewhat scathing indictment on Silicon Valley culture, with a Google-esque tech company operating with unmatched power in the shadows. Featuring a moving dramatic performance from Nick Offerman and a star-making turn from Sonoya Mizuno, Devs is just as pretty, existentially threatening, and hard sci-fi as Garland’s beloved films Ex Machina and Annihilation. If you love thrillers, but are also interested in Quantum Theory, this was the limited series you’d been waiting for in 2020.

 – Nick Harley

6. The Mandalorian (READERS’ CHOICE)

Starting with its first season and extending into its improved second, The Mandalorian just works. Jon Favreau and Dave Filoni’s creation about the galaxy’s most beloved bounty hunter dad is the kind of forward-thinking Star Wars project that works perfectly on a streaming platform. 

If you’re a massive Star Wars nerd, The Mandalorian continues to provide plenty of Easter eggs and callbacks for you, but the show excels at being both a fun reentry point for fans fatigued with the sequels and prequels, and a standalone adventure series for viewers who don’t have much knowledge of Star Wars at all, deftly creating a string of sidequests in a galaxy far, far away that put you firmly in the beautiful Lone Wolf and Cub-like tale of Mando and Grogu as they fly toward an unknown future.

As we recently learned, there will come a time in the next few years when we will be simply drowning in Star Wars TV series, as ten(!) of them are in development, but for now, we get to really savor the intricate worldbuilding going on in The Mandalorian.

This is the way. 

– Kirsten Howard

5. The Boys

The Boys was a breakout hit when it first landed on Amazon’s streaming service, but when the series returned, there was a bit of a backlash from fans of the show who were enraged that some of its new episodes would arrive weekly, unlike the binge-ready first season. Luckily, Season 2 had so many “what the fuck” moments in store that the griping soon quietened down, and the show eventually found its stride again after a slow start. Our diabolical, supe-fighting team led by a rather distracted Billy Butcher dealt with one bonkers revelation about Vought International after another this season, while the Supes themselves battled with their own humanity, and both groups often found common ground where they least expected it. 

It’s really hard to pick a favorite moment from Season 2, but if you’ve forgotten how out there it was, let us present a wild bouquet that includes “Homelander angrily wanking over the city in the form of his own demented Bat-Signal”, “The Seven filming a very (very) thinly-veiled Zack Snyder-esque superhero movie that had undergone a Joss Whedon rewrite”, “a massive-dicked supe-in-captivity called Love Sausage”, and “a timid child getting confidently pushed off the roof of a house by his own beaming father”. And that’s without bringing up the whole “immortal Nazi” stuff that occasionally propelled the narrative into Verhoeven-level satirical territory.

There were things that didnt work about Season 2, and we can argue about them forever, but there’s one thing that everyone can agree on: if Antony Starr doesn’t get two armfuls of awards for his performance as Homelander, a fucking travesty has occurred. 

– Kirsten Howard

4. I May Destroy You

On a night out while writing the second series of her acclaimed sitcom Chewing Gum, Michaela Coel was drugged and sexually assaulted by strangers. What she did with that experience – alchemizing it into a wise and fearless TV drama about trauma and survival – was extraordinary. 

I May Destroy You is an extraordinary series. In it, Coel plays Arabella, a young writer also drugged and raped on a night out, while under pressure from publishers to follow up her hit book debut. With long-ranging flashbacks, the story moves through the next year in Bella’s life. We see her draw power from her new identity as a survivor and (often clumsily) navigate close friendships and new sexual relationships. She strays from likeability, changing in response to what happened, and in a transcendent, experimental finale, teaches herself how to live.

Coel is a bewitching lead with excellent support from Weruche Opia and Paapa Essiedu as Bella’s friends Terry and Kwame. This is no dreary misery memoir. It’s surprising, confrontational, often funny and always buzzing with life – a frank and much needed course correction for telling this kind of story on screen.

 – Louisa Mellor

3. What We Do in the Shadows

Over the past decade of television, we’ve come to expect a lot out of our TV comedies. Since the Emmy Awards now categorize just about anything that’s 30 minutes long as comedy, the genre is now home to things like shockingly dramatic coming of age tales, intensely personal narratives, and experimental structures. This evolving of the half hour format is a welcome one. At the same time, however, sometimes you just want to laugh.

Enter What We Do in the Shadows. In its remarkable 10-episode second season, this FX adaptation of Jemaine Clement and Taika Waititi’s movie of the same name made a serious case for itself as the funniest show on television. And it did so in shockingly simple fashion. In season 2, the character list remains short: just Nandor (Kayvan Novak), Laszlo (Matt Berry), Nadja (Natasia Demetriou), Guillermo (Harvey Guillen), and Colin Robinson (Mark Proksch) make up the show’s cast of characters for the most part (give or take a Mark Hamill or Nick Kroll). And that’s all they need. 

This year, the writers and performers all operate at the top of their game to make every possible plotline work and every character pairing sing. The comedic energy is top notch from the season’s opening “Resurrection” episode through midseason classics “Colin’s Promotion” and “On The Run” and all the way to the finale “Nouveau Théâtre des Vampires.”

– Alec Bojalad

2. Better Call Saul

The penultimate season of Better Call Saul was an absolutely brilliant run of episodes that perfectly set the stage for a climactic conclusion that looks to be every bit as heart-wrenching and explosive as the final season of parent series Breaking Bad. The show successfully introduced Lalo, perhaps the most charismatic and terrifying villain in Vince Gilligan’s Albuquerque, and merged the series’ seemingly disparate storylines by bringing fan-favorite Kim Wexler closer to the dangerous dealings of the cartel.  

It turns out that Jimmy becoming Saul wasn’t the tragedy that we should have been anticipating, it was Kim embracing the Saul way that we should have been worried about. The show’s strengths have always been its meticulous attention to details, fascination with processes, and humanistic view of exactly why someone like Jimmy McGill might break bad and become a dishonorable huckster like Saul Goodman. Those strengths only became more apparent in the thrilling, low-key heartbreaking fifth season.

 – Nick Harley

1. The Queen’s Gambit

Oftentimes when assessing the quality of TV shows, we talk about how “timely” they are. In fact, if you scroll back through this list, you will find at least a few instances of just such language. The appeal to Netflix’s stylish, thrilling limited series The Queen’s Gambit, however, is just how timeless it is. And in a year with plenty of timely TV shows, that distinction was enough to launch the show to the very top of our best-of list. 

Though we on the television side of Den of Geek are loath to call any rightful TV show an “x-hour movie,” there’s no denying that The Queen’s Gambit fits that mold. But this is not just any kind of filmic experience. It’s a throwback to a ‘70s and ‘80s style of simple, elemental storytelling that simply knows how to win over an audience. The beats of The Queen’s Gambit are predictable, but elegant and perfectly executed. Beth Harmon (the ethereal Anya Taylor-Joy) is a quiet, wide-eyed hero armed with one skill that can make the world care about her and in turn make her care about herself. 

So she uses that skill and assembles her tools – her King, Queen, Bishops, Knights, Rooks, and Pawns, to embark on a classical bildungsroman journey of self-discovery and chess dominance. Like a deftly executed chess game itself, each of The Queen’s Gambit’s seven episodes acts like a move on a chess board. Some moments are triumphs, some are defeats, and some are sacrifices. But they all lead into one definitive, enormously satisfying checkmate. 

– Alec Bojalad

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Other shows receiving votes: Animaniacs, Ozark, High Fidelity, Star Trek: Picard, The Last Dance, Mrs. America, Solar Opposites, The Hollow, Killing Eve, Noughts + Crosses, Outlander, Star Trek: Discovery, Vida, Saved by the Bell, Lucifer, Gangs of London, Mythic Quest: Raven’s Banquet, World on Fire, Crash Landing on You, Infinity Train, Locke & Key, McDonalds & Dobbs, Into the Night, The Good Lord Bird, The Last Kingdom, DuckTales, Little Fires Everywhere, Normal People, Brooklyn Nine-Nine, The Pharmacist, Doctor Who, Away, Dublin Murders, Great Pretender, The Babysitters Club, Tiger King, The Crown, Ramy, The Shivering Truth, Perry Mason, Keep Your Hands Off Eizouken!, The Undoing, Westworld, Doom Patrol, Stargirl, The Clone Wars, P-Valley, Bridgerton, Homeland, Stumptown, The Magicians, Bob’s Burgers, Primal, Jurassic World: Camp Cretaceous, Zoey’s Extraordinary Playlist, Search Party, Roadkill, Raised by Wolves, The Flight Attendant, The Eric Andre Show, Defending Jacob, The Outsider, Julie and the Phantoms, Brave New World, Utopia, Carmen Sandiego, Brockmire, Somebody Feed Phil, Adventure Time: Distant Lands, Dead to Me, The Gift, Ghosts, YOLO: Crystal Fantasy, The 100, The Spanish Princess, I’ll Be Gone in the Dark, Adult Material, Fargo, Deadwater Fell, The Flash, Archer, Weird But True, Evil, Motherland: Fort Salem, Baghdad Central

The post The Best TV Shows of 2020 appeared first on Den of Geek.

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[moonysthoughts]

Quotes I Enjoy

I find it’s nice sometimes to have a collective place to put all the quotes I enjoy. As John Green once so eloquently wrote;

“Maybe our favorite quotations say more about us than about the stories and people we're quoting.” -John Green

This list will continue to be added to as I grow and change throughout life. Enjoy this little window into my brain.

“When you have exhausted all possibilities, remember this – you haven't.” – Thomas Edison.

“It’s kind of fun to do the impossible.” -Walt Disney

“Either write something worth reading or do something worth writing about.” -Benjamin Franklin

“All good ideas start out as bad ideas, that’s why it takes so long.” -Steven Spielberg

‘What I’m looking for is not out there, it’s in me.” -Helen Keller

“All our dreams can come true, if we have the courage to pursue them.” -Walt Disney

“While we may not be able to control all that happens to us, we can control what happens inside us.” -Benjamin Franklin

“The way to get started is to quit talking and begin doing.” -Walt Disney

“Don’t think money does everything or you are going to end up doing everything for money.” -Voltaire

“To learn, you have to listen. To improve, you have to try.“ -Thomas Jefferson

“A well adjusted person is one who makes the same mistake twice without getting nervous.” -Alexander Hamilton

“The world is full of obvious things which nobody by any chance ever observes.” -Arthur Conan Doyle

“Imagination is more important than knowledge.” -Albert Einstein

“No one ever made a difference by being like everyone else.” -P.T. Barnum

“Do what you do so well that they will want to see it again and bring their friends.” -Walt Disney

“Courage isn't having the strength to go on - it is going on when you don't have strength.” -Napoleon Bonaparte

“Faith is taking the first step even when you don’t see the whole staircase.” -Martin Luther King Jr.

“Anything’s possible if you’ve got enough nerve.” -J.K. Rowling

“Courage is found in unlikely places.” -J.R.R. Tolkien

“The scariest moment is always just before you start. After that things can only get better.” -Stephen King

“All battles are first won or lost in the mind.” -Joan of Arc

“Happiness depends upon ourselves.” -Aristotle

“You can, you should, and if you’re brave enough to start, you will.”-Stephen King

“I cannot do everything but I can still do something.” -Helen Keller

“Think of all the beauty still left around you and be happy.” -Anne Frank

“It does not matter how slow you go, so long as you do not stop.” -Confucius

"The moment we decide to fulfill something, we can do anything." -Greta Thunberg

“No matter what people tell you, words and ideas can change the world.” -Robin Williams

“If you want to live a happy life, tie it to a goal, not to people or things.” -Albert Einstein

“Tomorrow is always fresh, with no mistakes in it.” -L.M. Montgomery

“How often when we are comfortable, we begin to long for something new!” -Jacob Grimm

“Nothing is more powerful than an idea whose time has come.” -Victor Hugo

“It's been my experience that you can nearly always enjoy things if you make up your mind firmly that you will.“ -L.M. Montgomery

“You are perfectly cast in your life. I can't imagine anyone but you in the role. Go play.” -Lin Manuel Miranda

“My only regrets are the moments when i doubted myself and took the safe route. Life is too short to waste time being unhappy.” -Dan Howell

“Normalness leads to sadness.” -Phil Lester

“The only way out of the labyrinth of suffering is to forgive.” -John Green

“If my life is going to mean anything, I have to live it myself.” -Rick Riordan

“You are a human with one life and its up to you to make it the best life you can.” -Dan Howell

“If you're passionate about something, give it your all, and you will find happiness.” -Shane Dawson

“Be yourself. Don't worry about what other people are thinking of you, because they're probably feeling the same kind of scared, horrible feelings that everyone does.” -Phil Lester

“Moving forward without knowing a specific destination can lead to some pretty remarkable adventures.” -Rhett McLaughlin & Link Neal

“Everyday has the potential to be the greatest day of your life.” -Lin Manuel Miranda

“The further you get away from yourself, the more challenging it is. Not to be in your comfort zone is great fun.” -Benedict Cumberbatch

“If you don't know history, then you don't know anything. You are a leaf that doesn't know it is part of a tree.” -Michael Crichton

“On matters of style, swim with the current, on matters of principle, stand like a rock.” -Thomas Jefferson

“Don’t waste any time trying to be anyone but yourself. Because the things that make you strange are the things that make you powerful.” -Ben Platt

“Happiness can be found, even in the darkest of times, if one only remembers to turn on the light.“ -J.K. Rowling

“You are never too old to set another goal or to dream a new dream.” -C.S. Lewis

“My philosophy is that worrying means you suffer twice.” -J.K. Rowling

“Remember that your self worth is not defined by your letter grades or boss’s rating or criticism that people lay on you. Heck it’s not even defined by your most passionate ambitions or career choices. You do you, and know that you are an amazing human being no matter what people say.” -Steven Lim

“I think if you show up and you work hard and you're straightforward, you can always create your own opportunities. I hope I'm right.” -Cory Monteith

“Be nice to everyone, always smile & appreciate things because it could all be gone tomorrow.” -Cory Monteith

“Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can. People are like that as well.” - Naya Rivera 

That’s all for now.

Moony

[uniquejennyessays]

Greek Myth In Contemporary Society

For years I have been liking Rick Riordan (Rick)’s works, it seemed like I have not written a review on it yet. So, here’s one on my favorite book series of all time.

HOW AND WHEN DID I START ON THIS SERIES?

It all started during my first year of high school, when I had a fixation on Greek Mythology. I admired the humanized personality of different gods, the adventures of heroes with their tragic end, and the inconsistent romance (either a happy or a miserable end). The passion led me to discover the first series of the Chronicles, Percy Jackson and the Olympians (PJO). I think I borrowed the first two books from the school library and bought the rest from the bookstore. I pretty much spend most of my time reading these novels forth and back.

Then it came the Heroes of Olympus (HOO) series, which Rick introduced Roman Mythology. With a set of new characters and old friends, I was even more absorbed into the series throughout my high-school years. I waited anxiously whenever a new installment was published, and was really content when I got to know the continuation of their adventure (which the author is a troll for cliffhangers, just like how they do for Attack on Titan Season 2). The Blood of Olympus (BOO) was published during my fourth year, which the moment I read it I had a mixed feeling of joy and sorrow. The ending was extremely shocking, from Leo’s plotted death to his revival (He’s the Percy Jackson’s Jesus), I nearly wanted to punch the author. But then, Rick created many mysteries inside the book itself. For example, Apollo’s punishment, the prophecy Ella recited, Nico and Will’s relationship, and Leo and Calypso’s whereabouts. These unexplained mysteries just made me go ‘What the hell’ at the end of the book. There were conspiracies that Rick would make a new series, with all these hints. Yet I fulfill all my needs through fanfictions, seeing what people predicted the future ‘book’ will happened.

Good news rained down on me in my last year of high school. During his tour for Magnus Chase series in 2015, he announced his new Greek Myth series, Trials of Apollo (TOA). The Hidden Oracle (THO) came out when I was studying my A-Levels, I went to the bookstore on the day when it was published. Since shipping required an amount of time, I was informed that the book will arrived one week later. Eventually, I waited patiently, and finally I received it. The book was still amazing as ever, with a God as the narrator and the main character. The other main character, the daughter of Demeter (which I predicted accurately) who can perform badass sword-fighting at the age of 12, sometime out of the ordinary Demeter child people would imagine.

During my A-Levels period, my taste has turned to Victorian classics. Besides, I have started on anime. Thus, my need for the series had lessen. Even I bought the Dark Prophecy (TDP) months ago, I managed to finish it. However, this does not stop me from loving the author’s style of writing and sense of humor.

(Additional note: I have finished TDP on Percy’s birthday.)

(picture of the troll)

WHAT IT’S ALL ABOUT?

After pouring all my love for the chronicles, so what are the series all about? Americanized Greek Mythology in the modern world. These demigods live in training camp named Camp Half-Blood (another word for demigod) during summer or for the entire year so they can prepare themselves for the dangerous outside world full of monsters. Since it has 3 different plots for each series, I need to introduce them in detail separately.

Percy Jackson and the Olympians (2005-2009)

The gateway to the demigod universe. It started off with the Lightning Thief (TLT), through first-point of view of our beloved hero, Percy Jackson. He discovers himself as the remaining demigod son of Poseidon, the Greek god of sea. Due to a great prophecy predicted one of the Big Three (Zeus, Poseidon and Hades) children will bring to the fall of Olympus, his presence was a threat to the Gods. He was also set to vanquish Kronos, King of Titans who is under the aid of another demigod, Luke Castellan.

The five books of the series described his journey to be a living legend, with an amount of betrayals, deaths of his trusted partners, slight romance and awesome fighting scenes. His humorous jokes and comments presented Rick’s unique style of writing, giving the readers memorable images.

The final book, The Last Olympian (TLOl), is the greatest among them all. brings up another prophecy which is the key to the next installment. No matter how much Luke is a villain, his devastating childhood stories and his anger towards the Greek Gods made the readers understand his resentment and yearning for a familiar love. Besides, it also revealed another prophecy, which is the key to the next series.

Heroes of Olympus (2010-2014)

The sequel of the previous series, narrating seven demigods on a quest to defeat an ancient deity in the ancient grounds of Greece and Rome. They meet challenges from the worst monsters, mortals and deities, sailing to stop the wrath of Gaea, the Earth goddess.  

This series, is my favorite series among the three. It does not focus on a main character, or written in 1st person point of view. Instead, we got a third person omniscient from 9 different people, who are the seven main demigods (with Nico and Reyna in the last book). We do not get our beloved son of Poseidon in the first book, but we were given a new set of characters with different background. We also discover the Roman Version of Camp Half -Blood, Camp Jupiter, a rigid military-like camp full of Roman demigods and their descendants. The series narrated two parallel sides of the Greco-Roman Mythology working together against a common enemy.

Unlike the previous series, this brought up many backstories of characters even more tragic than Percy’s. The narration was still amusing, yet there’s a sense of seriousness inside. There was an obvious character development when the series goes on. For example, Piper McLean, who refuses to recognize herself as the daughter of Aphrodite, later accepts her identity and able to use her own inherited powers. Frank Zhang, an insecure demigod with a bad reputation, turned into a confident Roman praetor.  

The thing I would like to complain about is the final fight scene in BOO. It was a few pages long with Piper, Jason and Leo putting Gaea back to her slumber. It was not as majestic as people expected it would be. It could be as fantastic as TLOl!

Trials of Apollo (2016-?)

The latest sequel for the previous series, which feature the sun god Apollo as a powerless mortal, finding his way to gain back immortality. Rick had converted back to the first-person point of view style, with the sun god as the narrator. His choice of narrator gives us an insight to a deity’s mind and opinions, how he sees the world compared to how mortals, having an ephemeral life, perception on their life. It’s a philosophical matter which discuss about life and death, and living an eternal life.

In THO, readers could see the improvement on Apollo’s personality. From the arrogant and narcissistic god who cannot accept on his ‘ugly’ condition, finally learns how to be humble and trying to see the world as how mortals would. We also witness the psychological abuse of Nero on Meg McCaffery. Letting her believe her abuser is another person from her adoptive father, but what she does not know Nero and the ‘Beast’ are the same person.

The second book, TDP, probably is my least favorite of the series. There was not much Leo-Calypso endearing moments that I expected it should be. The first half of the book narrating Apollo doing various pet tasks, and remembering his ex-lover, Emperor Commodus. However, I am pleased that Rick put a lesbian couple in the story, which I had no idea that even same-sex relationship is prohibited as well for the Huntress of Artemis. There are old friends from the previous books, which I am delighted to see again.

The third book, The Burning Maze (TBM) will be released next year.

Companion books

As much as the companion books are light and consisted with short stories, I explored the little things that were never mentioned in the main series. Besides fillers, there were information on the demigod world, giving readers a clearer sight of the Greek Mythology and Percy’s world.

The Demigod Files (TDF), narrates how Percy assisted Clarisse on her Ares rite of passage; the discover of the bronze dragon (which later Leo named him Festus); and the children of the Big Three Gods finding the newly forged weapon of Hades (Gods do like causing unnecessary trouble and giving quests to their half-blood offspring).

The Demigod Diaries (TDD), explains the adventure of Luke and Thalia in a trapped mansion, finding Annabeth on their way; the task given by Hermes during Percy-Annabeth’s one-month anniversary date; Leo and his friends’ encounter with the drunken followers of Dionysus; and an extra story written by Rick’s son, with impressive writing style for someone diagnosed with dyslexic and ADHD.

Camp Half-Blood confidential (CHBC) is a collaborated guide ‘made’ by the campers, due to the horrible orientation film directed by Apollo. Poor Nico is the only one who suffered from the film and accidentally humiliates himself in public.

Percy Jackson’s guide to Greek Gods and Greek Heroes are separate two books as a guide introducing to Greek Gods and Heroes. People could actually score Greek Mythology with these two non-boring lecture books.  

Rick also made a crossover on Percy and his Egyptian Mythology counterpart, Carter Kane. They work together to defeat Setne, an Egyptian magician who thirst for divine powers. It was like an official crossover fanfiction.

Diverse Demigods with Dazzling Characteristics

I love the characters in the series, they were just full of animation and so on. I’ll state my top 10 favorites and that one character I truly despise.

First come with my favorite characters of the series: 

(art by viria, she makes the old official arts belongs to the pit of Tartarus)

10. Frank Zhang

One of the cinnamon roll of the series, and the tamest among Mars/Ares children. I’m glad that Rick put a Chinese demigod in it. His Chinese name, Fai Zhang, probably based on Zhang Fei from the Romance of Three Kingdom. He is the only demigod who can read and write normally. He has shape-shifting abilities, inherited from his ancestors, is adapted from the Monkey King from Journey to the West. Like the Greek hero Meleager, his life is depended on a wooden stick, showing his pyrophobia.

Frank started off as shy with low self-esteem. He was raised by his military mother and his strict grandmother who told him various tales of their ancestors. His mother died in a war, giving him a start to train himself as a Roman demigod. In the Son of Neptune (SON), we first see him doing tasks that are undesired by the other campers. He is officially welcomed into the centurion of the fifth cohort, after he was claimed as the son of Mars. His first quest to Alaska causes him slowly gathers courage and discovers his family power. The funniest makeover he has was in the House of Hades (HOH), when Triptomelus rewards him with a buffer and taller figure, saying goodbye to his chubby self. Finally, he is upgraded to praetor.

The dynamic between Leo and Frank plays a vital role. Frank, who is initially afraid of Leo because of his fire power while the latter keeps making fun of him. We can see in the Mark of Athena (MOA), his act of jealousy towards Leo due to his similarities with ‘Sammy Valdez’, Hazel’s first love. As the series continues, Leo gives him a fireproof cloth for him to keep the wood, as a baby step for Frank to give him trust.

I heard that he will be in the subsequent book, as the Dark Prophecy stated him as the ‘changeling lord’. I might see him as a mature praetor on duty alongside with Reyna.

9. Hazel Levesque

Another cinnamon roll in the series. Despite being a daughter of Pluto/Hades, she is the less miserable version of Nico. Originally, she is known to have the abilities of controlling metal and valuables. Her magical abilities in controlling the mist is known in HOH, becoming another useful weapon. Like any child of Hades/Pluto children in the series, Hazel was from the pre-20th century. Her mother, Marie was hungry for wealth, causing her daughter having a cursed ability of attracting metals. Despite Hazel resented her greedy mother, she saved her from raising Gaea. Her heroic deed gave her a token to Elysium, yet she gave up her position to refrain her mother suffer from eternal punishment. As the child of death, she wandered around Asphodel for decades. Until her Greek half-brother discovered her and brought her back to life, giving her another chance to live again, in the 21th century.

In SON, it is revealed that Hazel’s half-brother is Nico. Originally, he wanted to bring his biological sister, Bianca back to life, seeing that the Doors of Death was opened. It was hinted Bianca had chosen a new reincarnated life than staying in the Underworld. Eventually, he learnt about Hazel’s presence and decided to take her back instead. Initially, we thought Hazel as a replacement for Bianca, judging Nico as a selfish person. Slowly, he shows brotherly affection for her in HOH by kissing her forehead, something he would not simply do. In BOO, he accepts Hazel’s relationship with Frank and teases them. He even comforts Hazel when she cries for Leo. It’s a coincidence that their mother almost shared the same name.

As she lived in an era where colored-race were low-key discriminated, with her unusual ability, she was a target of bullying. Her only comfort among these mishaps was Sammy Valdez, who sees her as a diamond. As Leo shares the same looks and last name as Sammy, believing as his reincarnation, she has slight romantic fondness for him. Later, they discover Sammy is Leo’s Great Grandfather.  She finally settles down with Frank, treating Leo as her friend.

Her curse, which will be washed away by a descendent of Poseidon/Neptune, which readers are not sure if it is Percy or Frank. Besides, she probably learns some interesting 21th century stuff she had never seen before. Hopefully she does not craze for fidget spinners (those things are just all over the place!).

8. Annabeth Chase

The Brainiac of the group. Our favorite Wise Girl who is Percy’s love interest and strategist. The architect of Olympus. Someone you would choose as your girlfriend. After meeting her, you will change your views on blonde hair people.

No matter how beautiful and smart she is, she has her own fears and flaws. She has Arachnophobia, based on the feud her mother and Arachne had. In MOA, she faces her greatest fear, mother of spiders Arachne. With her clever trick, she easily defeats Arachne, possibly the first Athena demigod to do so. In SOM, she reveals her fatal flaw is hubris, believing her intelligence and power are beyond the Gods.  

She ran away from home at 7, believing that her father and stepmother had disliked her part god status. On her way, she met Luke and Thalia, who presented her one of her signature weapon, the Celestial Bronze dagger. They were like a parental figure to her, and the first demigods she encountered. In the beginning of TLT, Percy figures Annabeth develops a crush on Luke, who turns out to be a backstabbing traitor and a threat to Camp Half-Blood and Olympus. Her feelings towards Luke varies in the PJO series, we see compassion, sympathy, love, respect, hatred, and regrets. In TLOl, she settles with having a sibling love towards Luke, choosing Percy over him.

The Percy-Annabeth relationship is one of my favorite hetero fictional couple. They treat each other as equal, rather than having Annabeth as his personal sidekick. With her, as the intelligent girlfriend; and him, as the brave puppy-dog boyfriend. We surely remember the first thing she tells Percy in TLT is ‘You drool when you sleep’. Even the rivalry between their parents, Annabeth still treats him as a friend, with one or two disagreements. Of course, I shipped them before they are officially together. In the Titan’s Curse (TTC), we get hints on Percy starting to fancy Annabeth, with Aphrodite’s appearance and her teasing. Next, there was the infamous kiss scene in The Battle of Labyrinth (TBOL), confirming the start of Percy’s romance journey, which becomes true in TLOl (that underwater kiss is so romantic!). After dating for months, Percy is swapped place by Hera/Juno, without any previous memories except for Annabeth. In MOA, she gives him a judo-flip (I laughed at that scene for hours) and spend a night with him in the Argo II stables (Frank does not deserve to see this ‘intimate’ moment).

Besides, do you know that she has a Norse Demigod cousin? Check out Rick’s Norse Myth series to find out.

7. Luke Castellan

You would probably ask why I place him as Number 7, for someone like him as a traitor who almost destroy Olympus and the host for Kronos. He is the anti-hero in the first series, but I like the fact that Rick created someone like him.

Luke is not an entirely a bad person. Normally, he can pass as a protective older brother, a swordsman mentor, or that mischievous and charming friend you want to hang out with. His ambitions to destroy Olympus and feeling of resentment the gods, due to the injustice of the Olympians to their demigod offspring, makes him an antagonist in PJO. He is one of the demigods who can see the flaw of the lawful system, the one who questions the authorities.

Luke constantly seeks for familiar love which his parents failed to give him, with him living with an insane mother and an absent godly father. After he ran away, he was paired with Thalia and Annabeth, giving him a new meaning of family. However, Thalia’s death added as a fuel of his bitterness. His became the head of the Hermes Cabin, leading his half-siblings, but his anger had not fully stopped, with Kronos’s constant impure motivation. He also feels compassion towards minor godly children who have no place in Camp Half-Blood, which most of them serves him during the Titan War.

For most horrible deeds he has made in the PJO series, he finally died as a hero, oppressing Kronos who possessed him. Inspired from his wish, Percy refuses his eternal life by demanding fair treatment for every demigod child.

I ship him with Thalia, which they share a few romantic tensions in a short story in TDD. He is the reason why Thalia declined her offer as a hunter in the first place, and also the reason why Thalia settles down as the lieutenant of Artemis in TTC.

6. The Grace siblings (Thalia and Jason Grace)

It’s a tie. Yes. I could not separate them like how Juno/Hera does. The Grace siblings are the improvised version of their father. We see their father as a womanizing, dramatic and disloyal King of Gods. They showed his best qualities, like leadership. The siblings are very loyal to their partners and masters, like Thalia to Luke and Annabeth in the beginning and Artemis in TTC. Jason, a loyal and supportive friend to his Argo mates and his girlfriend (He did admire Reyna before, but thanks to certain goddess).

Thalia Grace is that cool-looking sister in punk. Her name is from Thalia, one of the Muses. The irony is that she has a great fear of heights, but she can control lightning. Like Percy, Thalia was destined to be the child in the prophecy. She fought the monsters sent by Hades to her death, protecting Luke and Annabeth. Then, she is reborn in the Sea of Monsters. Luckily in TTC, she joined the Huntress. She also been through a rough childhood, with taking care of her baby brother and her irresponsible mother, then with the disappearance of Jason. She had to take the role that her parents failed to perform, yet the Gods accused of her existence before Percy showed up. It’s pretty much Zeus/Jupiter’s fault for not stick with the oath. Not once, but twice! Worst of all, he named his son Jason, like the mortal hero, so he can make his wife happy! Best Dad award for him!

Her brother, Jason, with blonde hair and blue eyes, the typical American boy. The ‘perfect’ boy with duties and leadership, he could live a perfect Roman demigod life in Camp Jupiter. Then, Hera/Juno interfere again. From the Lost Hero (TLH) to BOO, we can see a few changes of him. The rule-following golden boy to a slightly laid-back person with nerd glasses. Most fans expected Percy and Jason had a death-match against each other in MOA, with Percy replaces his position as the praetor in SON and Jason, the legendary son of Jupiter. Unexpectedly, they become best buddies on first sight and gang up against Octavian (We also got that one scene with them fighting while being possessed by eidolons). He also has the most passed out scene in MOA (hence the birth of Brick x Jason). His sympathetic character cares for Nico when he is forced spit out his crush on Percy (who does not have a crush on him, I mean, it’s obvious to fall in love with the greatest hero). He does not question or having a prejudice on the boy’s sexuality. At the end of BOO, him and Piper sit on the roof, remembering his ‘dead’ friend Leo.

These polar-opposite blood-siblings are a unique element of the series. I would like to see more of their interactions, or Thalia spilling out more embarrassing stories of Jason.

5. Leonidas ‘Leo’ Valdez

I called him the second Percy Jackson, with that same level of humor and that friendly attitude. He has a pair of magical hands that can create things and repair broken stuff. In TLH, he modified a simple paper into a small flying helicopter. Leo was partly raised by Hera/Juno, who makes him do dangerous tasks in his childhood (This woman is nuts!). When he was eight years old, Gaea made him believe he caused a fire that kills his mother in her workshop, leaving a scar in his heart.

Leo probably knows himself as the third-wheel, constantly the one being left out. There was a period of time he is jealous of Jason’s charisma and excellent leading abilities, while he is a low-profile mechanic, with no one cares about him. Otherwise, he is a good friend to people who are nice to him. In BOO, Nike/Victoria predicts either Frank, Hazel, Percy or Leo will die in the war. Leo, helping the idea of getting the Physician’s Cure while secretly plotting his own death and his chance of survival.

This guy has a tough time catching the girls’ attention, he keeps falling for the wrong person. In the beginning, he has the hots for Khione, the cold snow goddess who side with the Titans. Next, he falls for Jason’s sister Thalia, who tries her best ignoring him. He has a small chemistry with Echo, a camouflaging nymph who is cursed to repeat people’s sentences (I feel hurtful when Echo disappears). Hazel mistakes him as her first crush Sammy, who happens to be his great-grandfather. Finally in HOH, the Titaness Calypso despise his sudden appearance on her island, later they find themselves being attracted to each other. He is also the first hero who can return to Ogygia and claim Calypso as his girlfriend, and the first demigod known dating an ancient being.    

I need more interaction of Percy and Leo, which was rare in HOO. I expected them to be joking buddies, but in MOA Percy yells at Leo for setting New Rome on fire, not a good start for best friends. Leo also dislike Percy for abandoning Calypso behind, which turned out to be a misunderstanding. I finally get a scene of them making Nike and Adidas joke they made in BOO.

By the way, Team Leo for the win.

4. Piper McLean

I do not get why people would dislike someone like her. There are several fans disliking her characteristics, including an ex-classmate of mine. They think her as the most useless and bland character. I love Rick’s arrangement of her characteristics! What is the point of making her the main character if she does not contribute anything? I mean, she singlehandedly defeats Khione and the Boreads in HOH. When Khione degrades her, she confidently argues with her, proving her strengths.

People stereotyped daughter of Aphrodite as living Barbie dolls, who do nothing but looking into their reflections and gossiping. Sometimes, they either pair people up or break others’ hearts. She breaks that idealistic view as a tomboyish girl who cares less of her look or fashion. She is one of the boldest Aphrodite child who fights for people she loves (the other one is Silena). She is very down-to-Earth about her father’s job as a Hollywood actor, until she is cornered by others. She is also the first person who dauntlessly challenges the cabin leader and oppose the Aphrodite’s rite of passage of breaking other’s heart. Piper is not a dumb-beauty, she already has an abundance of knowledge on Greek Myth and Cheeroke legends which play extremely useful information to other.

That ex-classmate told me Piper is possessive towards Jason. For me, it is very normal for her to be possessive to her ‘boyfriend’, or someone whom she loves, as long as it’s not Yuno Gasai level (see Future Diary for references). Besides, Jason is not the only one she cares about. There is Leo, and her father who is captured by the Giants. There are people dislike her because in MOA, she thinks Percy as cute, but average. Everyone has their own opinion, not everyone fancies the greatest hero on Earth. I really adore her and Percy as best friends, rather than her being another Percy’s admirer.

I would say she has the second-best character development. In TLO, she has the image of an insecure girl. Her adventure as a demigod makes her grow, mending her weaknesses. I love her chemistry with Annabeth in BOO, when fear and phobia prevent Annabeth’s logical reasoning from functioning properly, her feelings guide her to overpower them.

3. Reyna Ramiez-Arellano

Most of the major female characters are taken (except Thalia, the huntress and Rachel, the oracle), she’s the only major female demigod character in the series without a romantic partner. She made a minor appearance in the Sea of Monsters (SOM) as Circe’s apprentice, but soon

Her first appearance in SON gives a dignified and mysterious aura, we barely know her last name and such. She is fearless in battle and a wise leader. In fact, the last book reveals her fear towards ghosts, leading to her haunted childhood of physical abuse. She has moved from home to home, and settles as a praetor in New Rome. Her former sin for patricide might lose her power and trust in New Rome, thus she never speaks of it to anyone except for Nico.  

I am really entertained with the fight between Orion and Reyna. Orion, being the male chauvinist, comments the greatness of male dominance. Reyna proves herself that she can perform as well as a man could do, defeats him by herself while avenging the fallen huntresses and Amazon warriors. ‘You will die at the hands of a girl’, that sentence literally gives me the chills.

She has a successful career, blessed by two divine beings, and having an excellent characteristic. One thing that she does not own is romance, just like Aphrodite/Venus tells her that she will never find romance in half-blood. There might be a chance for her having a mortal lover, or catching the eye of an immortal being.

2. Perseus ‘Percy’ Jackson

He is the key character for us to fall in love with the demigod world with Greek Gods and monsters. He was not only charming, but having a great sense of humor. The dark hair and green eyes of his makes him fall into the category of the stereotypical hot-blooded protagonist with a tragic backstory and secret powers, like Eren Jaeger from Attack On Titan, or Hyakuya Yuuichirou from Seraph of the End. The character is based on Rick’s own son, Hayley Riordan, who suffers from ADHD and dyslexic. Rick used to tell him Greek Mythology as his bedtime stories, until the child gave him the inspiration to create his world with Greek Myth as the base.  

In TLT, he is shown as a troublesome child who gets kicked out of school frequently. He has an abusive stepfather, Gabe Ugliano, a nasty gambler. He does not have any friends except for Grover, who has difficulty in walking, and stands up for him. He nearly loses his mother from a Minotaur. His unfortunate past changes when he knows of his identity as a demigod. From SOM to TLO, we can see improvements in his mortal life, such as gaining a new stepfather, Paul Blofis, able to attend high school, and getting loyal friends. In TOA, it is known that he will have a baby sister.  

Besides his heroic acts and his brave deeds that we all know, he is pretty goofy and sarcastic. We all know of his personality through that first-person point of view about his views on others and the description of his adventures. He is moderately smart and observant, but he can be oblivious in simple stuff around him, like his own romantic encounters. He needs years to realize he is in love with Annabeth, which most of the readers get the clue before him. Reyna confesses her feelings to him in SON, which Percy needs minutes to figure it out. In BOO, when Nico opens up to Percy, Annabeth already gets the point right ahead, leaving him still in a daze.

Percy, despite being the best demigod alive, he acts quite modest and selfless. Most Greek Heroes we all know are portrayed as prideful, arrogant, womanizer or ungrateful. Him, as the son of Poseidon who technically saves the world, he never looks down on anyone. He barely sells himself, except when it’s needed, or in a very sarcastic way. He makes friends with everyone, including non-humans. In SOM, he is a little ashamed that his half-brother is a Cyclops, in the end he accepts him as his brother. The most significant moment is in TLOl, when Zeus offers him immortality. He considers at first, but then realizes the price of it, and turning it down. Instead, he asks for minor deities’ equal rights to claim their demigod children, including Hades, who is not welcomed in Olympus. If I were him I would probably do the same thing, except I might face the wrath of the King of Gods.

**Before revealing my top favorite character, here’s some honorable mentions:

Zoe Nightshade, Bianca di Angelo, Will Solace, Charles Beckendorf, Rachel Dare, the Stolls brother, Ethan Nakamura, Grover Underwood, Tyson, Blackjack, Chiron, Silena Beauregard, Gleeson Hedge, Clarisse La Rue, Calypso

Now here comes my favorite character:

1.Nico di Angelo

I am so sorry, I must put him at number 1 because of my personal bias.

This character has the most noticeable character change and development. He is debuted in TTC, which he is portrayed as carefree 10 years old boy who loves Mythomagic and very curious about everything. The death of his sister, his only known blood relative, caused him fall into despair. Soon, he learnt about his parentage, separating himself from the other demigods.

Despite him as the serious, angry son of Hades with depressing background, he gets a few hilarious moments. He is turned into two types of plants; the Spiderman referenced quote ‘With great power…comes great need to take a nap’; his imagination of Percy joking about farturas; and his confession to Percy.

His personality is mostly seen from other demigods’ views. In TTC, Percy sees him as an annoying little brother and full of curiosity of the demigod world. He seems excited with everything he is involved in, and very eager in participation. He also shows concern for his sister Bianca, asking Percy to protect her. His twist of personality comes in when Percy brings the news of Bianca’s accidental death. In BOTL, he becomes the gloomy, antisocial, and angry child who seeks for revenge and performing necromancy. He also crowns himself as the Ghost King, which the name sounds very Chuunibyou-ish (Chuunibyou is a Japanese term for people who acts like a know-it-all adult and look down on real ones, or believe they have special powers unlike others, see the anime Love, Chuunibyou and other Delusions for more info). In TLOl, he tricks Percy into his father’s lair, which makes Percy angry. He is one of the important ally who aids Percy gaining his Styx River immortality and convincing Hades to fight the Titan army.

There are more demigods involved with his description of personality and people’s opinion of him in HOO. Hazel, seeing him as her savior and brother, showing an amount of respect and admiration. Annabeth, doubting him having a crush on her (which he does not), only sees him as a younger brother. Leo is scared of his necromantic skills, trying to avoid him as best as he could. Frank shows respect and fear to his ‘brother-in-law’, but unexpectedly sharing the same interest in Mythomagic. Jason, originally suggests abandoning him to the Titans while proceeding their main task in MOA, receiving many objections from the other crew members. In HOH, Jason has a sense of sympathy to Nico when Cupid forcefully make him spill out his feelings. He approached the younger boy to befriend him. We also have Reyna, who forms a big sister instinct towards him, and also feels his pain.

We get Nico’s own point of view in BOO. We could not help but to sympathize with his old memories and feelings. We can see his unrequited feelings towards Percy, his moments with Bianca, his hatred towards the Hunters, his intense feelings with his father and the most importantly, his concern towards other demigods. He is not entirely a cold-hearted, unemphatic person like others believed him to be. The way he describes Will, it definitely sounds like a typical boy meets boy fanfiction. Using comparison to other demigods like Jason and Octavian, he has a sense of fondness to the child of Apollo. The Percy-Nico-Will mirrors the Luke-Annabeth-Percy relationship. Both Luke and Percy are the heroic figure to Annabeth and Nico, they are years older than them (technically Nico is older), and they the first demigod they encounter. Annabeth had a love-hate relationship with Luke due to his betrayal; while Nico hates him for breaking their promise and admires him at the same time. Annabeth bickers with Percy like how Nico argues with Will, and they are opposite attractions. In the end of the series, Annabeth tells Luke she sees him as a brother and starts to date Percy in PJO; Nico confesses his past crush towards Percy and sets his eyes on Will, which they end up dating.

I am glad that Riordan arranged Will as his boyfriend. There is a slight change of his personality after they are dating. For example, in CHBC, him and Percy team up and tease Annabeth. In THO, he becomes more participating in camp activities, and willing to socialize with other campers. Plus, he gives an excuse for himself to sit with his boyfriend in the Apollo table. Nice job kid! The loophole of two demigods of the opposite sex cannot stay alone in a cabin gives them a nice chance to spend nights in Hades Cabin, doing stuff.  

The character I despised the most, is none than other:

Octavian

He is purely whiny and annoying, like a fly. I knew he was up to no good when I first know this person. I do not care if he is the descendant of my favorite god (Apollo), this puny auger is terrible. In SON, he reminds Percy as Luke Castellan. In BOO, Nico describes him as a watered-down, unhealthy version of Will Solace. Leo also states he has a girly screaming voice. These descriptions give reader an image of an undesired person, also adding humor in the series.

Octavian is extremely xenophobic. He immediately dislikes Percy, insulting him as graecus scum. He does not show any sign of welcoming to the arrival of the representatives of the Greek camp. Ironically, he fears for Nico, who is a powerful Greek demigod. He discriminates Rachel Dare, Apollo’s chosen oracle, believing she is a fraud who practice sorcery.

His sadistic and prideful side is portrayed in many scenes. For example, he rips off stuffed animals as an offering to the gods. He hopes Percy feel the pain of getting his new SPQR tattoo. When he is in charge as Pontifex, he picks people who are brutal like Bryce Lawrence and strong like Mike Kahle. He casually tells people that his family is wealthy in New Rome and he is a descendent of Augustus.  

In the end, his own pride and lust for fame and power blinds him, giving him a death sentence. His death is graphic and funny. He might receive eternal punishment in the Underworld. My favorite scene of him is when Piper, Jason and Percy tells him to shut his mouth in MOA.

(I almost forgot Gabe Ugliano, who happens to be the worst parent and husband in the fictional world. This man is gone for good!)

Groovy Gods of Olympus

The Greek Gods in Percy Jackson’s world rules the world, which all of them have humanistic personalities. Greek Gods mirrors human’s behavior with their vice and virtues, like Hera’s jealousy, Hephaestus’ diligence, Zeus and Aphrodite’s lust, Hestia and Artemis’s chastity, Zeus and Ares’s wrath, Hestia’s kindness and Dionysus’s sloth. They moved their base from empires to empires, until they found their spot in United States, the world’s superpower nation. Olympus is based on the top floor of the Empire state building, while the entrance to the Underworld is in Los Angeles. These settings probably make us never see those things the same way again. The gods, adapted to the 21st century lifestyle, with their area of power matches the modern professions.  

Rick still sticks to the original description of the gods, with Athena’s greyish eyes of wisdom, Aphrodite’s changing beauty (depends on different people), Ares’ ruthless behavior, Apollo’s flashy and handsome looks and Hephaestus’s unappealing image. Not all the gods are divine as they should look. Dionysus/Mr. D in PJO series acts as a sluggish camp director. He is banished to Camp Half-Blood due to his flirtatious manners on an off-limit nymph. He does not contribute much to the camp, except for having naps or playing poker with Chiron and a few satyrs. Apollo, the prideful and narcissistic sun god, turns into a mortal by his father in TOA series. He has lost his former glory and powers, leaving him a mortal identity and body to live on Earth. Hestia, the former Olympian in the appearance of a young girl, is easily neglected due to her status.

I would admit that Greek Gods does not make excellent parents. Zeus forbids the gods from visiting their mortal children, except in a few occasions (he is also the douche who broke the oath twice and have 2 demigod children, and he passes most of the blame to Poseidon). Hera, expecting an ideal family, abandons her child Hephaestus because of his ugly appearance. In TLOl, Hades openly declares he prefers Bianca over Nico. However, some gods do care of their children. Poseidon in the series acts as a caring father to Percy (we barely see his angry side like in the myth). Hermes, who has multiple jobs, and countless children, he cares deeply for them. He even kisses Luke on the forehead before the Fates carry his body away. In BOO, it is revealed that Hades has a deep affection for his children, which most of them do not have a happy life. The antisocial and awkward god has difficulties in showing fondness, thus he provides his children gifts (Pluto gave Hazel colored pencils on her 13th birthday while Nico gets a French zombie chauffer).

Usually, gods conceive children like normal human beings. In BOTL, children of Athena are born in a unique way. I was curious at Annabeth and the other Athena’s children birth since their mother is a virgin goddess. There was a story in Greek Myth which she and Hephaestus had a child sprang from her handkerchief (of course they do not have any intimacy). It is told that children of Athena are born from the mind and pure love, not through intimate love and pregnancy. In THO, the daughter of Apollo Kayla Knowles has two fathers. I had to stop and reread that part, and it is true. I still do not get how demigod children are born from same-sex parents. Subjugate mothers? Or maybe like Athena children, sprang out from something. (I need to stop thinking about this or else the complexity will burn my brain cells).

Controversies

There’s a few controversies I have heard around.

Similarities of Percy Jackson and Harry Potter

This one was all over the place. People keep comparing Percy Jackson to Harry Potter. Some complaint that Rick copied the characters Rowling owned. These are the examples people brought up.

1.Percy has green eyes and black hair, living with an abusive parent. He does not know of his parentage. Harry, who has green eyes and black hair, living with abusive relatives.

2.Annabeth plays the smart one in the first trio. She is constantly compared to Hermione, the brightest witch in the Wizarding World.

3.Grover is the timid person of the trio, and the first supporter and companion to the main character. Another character in Harry Potter with the similar personality, Ron Weasley.

4.Chiron, the knowledgeable and caring mentor in the series, like Dumbledore in Harry Potter.

5. Luke, blond hair, the anti-hero. Draco, the anti-hero to Harry.

6. The mischievous Stolls brother, who keeps pranking on people. The Weasley twins, pranksters duo of Hogwarts.

7. Camp Half-Blood that is invisible to mortal’s eye, a haven for Greek demigods to learn defensive skills. Hogwarts, unknown to muggles and where young witches and wizards lean magic.

Maybe the author was not stable with the characterization in the first place, he might get references from the series itself. However, Rick has not confirmed that his characters are based on the Harry Potter series. The characterization became better later.

To be frank, I prefer Percy Jackson than Harry Potter. I love the diversity shown in the book, with good humor in it. Otherwise, Harry Potter gets the best language form.

The Percy Jackson movies

Movie adaptations are barely good, this is one of the examples. Even Rick himself acknowledge that the movie is horrible. I watched both movies, the plotline itself is good, but it cannot satisfy us fans.

The producers casted young adult actors for the roles than 12 years old. They could actually make the actors grow up with the movie, just how they did for Harry Potter. I’m alright with the Percy Jackson actor, I have no prejudice over Movie Grover’s race, Luke’s actor is fine (where’s the scar). I just have problems with the casting on female characters. Firstly, Annabeth Chase. In the first movie, she’s a brunette with blue eyes. I legit thought that’s a random daughter of Aphrodite. Where is the blonde hair and blue eyes? It does not mean I dislike the actress herself, it just her signature curly blonde hair with grey eyes are gone! This mistake was soon corrected in the 2nd movie. In the SOM movie, the Clarisse’s actor looked like a Victoria Secret Super Model, rather than the buff, mean-looking leader of the Ares Cabin.

There is a stark difference from the movie settings and the book settings. Instead of having cabins based on their godly parentage, each member has their own cabin. What is this? Luxury camp for the godly children? There is also no rule on camp clothing, where’s the orange camp shirt? The worst of all, why do they have advanced technologies? It is said that technologies attract monsters, which is unusable for demigods.  

All of these flaws made me prefer a sophisticated anime adaptation than a real-life movie or TV-show.

LGBT+ characters

(whoever made this edit deserves a thumbs up)

This is a recent controversy after the publicize of THO. Mostly from parent readers, they complained on the god’s sexuality and Nico and Will dating. I understand that some parents don’t want their children to knowing much about human sexuality at an early age. What makes me feel mad about the people who complained about having same-sex couple or characters in the LGBT+ spectrum does not realize that homosexuality is accepted in the ancient times.  

It is true that Apollo is bisexual, who has countless affairs with women and men. Other gods are not 100% straight, even Zeus fancied Ganymede. (I know, Greek Myth is one hell of a messed-up pit!)

Besides, I have nothing against Nico and Will dating (Solangelo shipper here!). Rick does not use words like ‘gay’, ‘queer’, ‘homosexual’ to identify their sexualities, which he does not want to label them as a specific identity. In Ancient Greco-Roman, same-sex relationship is highly encouraged in the army to strength the bonds between teammates. Also, as someone in the LGBT+ spectrum, I appreciate Rick’s decision to take the risk and promoting diversity. One thing I am mad about him is the vagueness of Nico and Will relationship. There are so many gaps in between BOO and THO which there’s no description on when they started dating, who confessed first and how do they get together! I need to know more about their relationship! I will be glad if there’s a side story of them. Also, Kayla’s mysterious birth from same-sex parents.

I love the fact that Rick does not give a dam (I simply just put a pun here) about the people who complained. He straight on inserted a kick-ass elderly lesbian couple in TDP.

How the series made an impact on me? My hopes on the franchise.

It is one of the reason why I took the path of writing. The story, and the writing-style had inspired me to be a writer myself. Looking at the vivid image of modernized Greek Gods brought some magic into my dull high-school life. I would also like to cosplay those female demigods in the future. As an anime fan, I hope this series can be created into an anime series, just like how they did for the Powerpuff Girls back then. I also hope I can meet more PJO/HOO fans in my country.

 Jenny (14-21 Aug 2017)

Author’s Note: My first essay describing on a fictional work I like. I tried to avoid any grammatical mistakes and add as much vocabulary as I can in it. The one week of writing this essay gives me neck pain (from looking too much on my laptop), and a better insight to the character and the story. I took a hiatus in the PJO/HOO fandom since I started on Hetalia and other anime. The day I decided to write this fic, I realized there are so many details I have forgotten, thus I need to check the Wikia and the books for references. This is a pleasant experience for me to start on writing reviews and simple creative writing. I might write more reviews or analytical essays for other book series and anime.  

[gokinjeespot]

off the rack #1156

Monday, March 20, 2017

 It's the first day of spring but you would still think it's the dead of winter here in Ottawa. I hear it snowed in Vancouver recently too. I don't consider spring starting until I can't see anymore snow on the ground around our neighbourhood. I figure that will be the middle of April this year. I've already seen a robin at our house though. We put up a bird feeder last fall and it attracts many birds. Mostly house sparrows but we see finches, juncos, nuthatches, chickadee-dee-dees and our favourites the cardinals and woodpeckers. The male cardinals are bright red-orange and the females are a mocha coffee colour. We have had downy, hairy and pileated woodpeckers come and feed. Watching the birds outside our window is like watching fish swim around an aquarium. Very calming. Until the undesirables show up. Starlings and squirrels snark up a lot of feed and scare away the little birdies. The squirrels have gotten so brazen now that I have to go outside to shoo them off the feeder. I used to be able to do that just by banging on the window. Stupid squirrels.

 We lost one of the greatest comic book artists on March 18 when Bernie Wrightson succumbed to cancer and passed away. I have always been a bigger fan of the art side of our hobby and Bernie's art gave me goosebumps. His pen and ink work was stunning. Rest in peace Mr. Wrightson.

 Punisher #10 - Becky Cloonan (writer) Matt Horak (art) Frank Martin with Guru-eFX (colours) VC's Cory Petit (letters). I'm disappointed in Matt. This whole issue takes place at a sea port in Newfoundland and he didn't put one Canadian flag in any of the panels. Even a little one would have been nice. It looks like another dire situation for Frank but the bad guys screwed themselves. You'll see the obvious giveaway, but maybe I'm wrong.

 Uncanny Avengers #21 - Gerry Duggan (writer) Kevin Libranda (art) Dono Sanchez Almara with Protobunker (colours) VC's Clayton Cowles (letters). If there's a fill-in artist who makes me just as happy to read this book as when regular artist Pepe Larraz draws it, then it's Kevin Libranda. I liked how Deadpool found a way to defeat the Red Skull's Professor X powers. I wonder if they're going to bring back old Charles.

 Batman #19 - Tom King (writer) David Finch (pencils) Danny Miki, Trevor Scott & Sandra Hope (inks) Jordie Bellaire (colours) Deron Bennett (letters). The art in this issue is pretty awesome. Part 4 of "I Am Bane" has the big bad guy wading through Batman's rogues gallery one by one. Almost every Bat villain you can think of get's his licks in. odd that there are no women. I was also bothered by the fact that they're all loose inside Arkham asylum. How are they going to be get back in custody? The last page leads into the inevitable final battle between Bane and Batman and I want to see who wins. Like I couldn't guess.

 American Gods #1 - Neil Gaiman (writer) P. Craig Russell (script & layouts) Scott Hampton (art) Rick Parker (letters). I started a list of books I want to read after the Snail closed because I found myself with a lot of extra time. American Gods by Neil Gaiman is on that list. I've been told what the premise of the book is so I had a bit of background going into reading this first issue of the comic book adaptation. Reading the comic book is going to enhance my reading of the novel when I get around to it because I will visualize Scott's depictions of the characters in my head and they are very nice ones. The back-up story "Somewhere in America" by P. Craig Russell (script & art) and Lovern Kindzierski (colours) was a hot piece of erotica about unsafe sex. This gets added to my "must read" list.

 Totally Awesome Hulk #17 - Greg Pak (writer) Mahmud Asrar (art) Nolan Woodard (colours) Cory Petit (letters). This hasn't been a solo book for the last few issues with Amadeus hanging out with his friends but I am still enjoying it. This issue is a good place to start as the team has to figure out a way to save themselves and some civilians from being eaten by aliens. You could call these guys the Asian Avengers because what happens in this issue gives them something to avenge. If you jump on here you won't want to jump off until you read the next issue.

 Batwoman #1 - Marguerite Bennett & James Tynion IV (writers) Steve Epting (art) Jeromy Cox (colours) Deron Bennett (letters). Kate chases after a mystery woman from her past after dealing with a terrorist in Istanbul. I like how she's teamed up with Julia Pennyworth.

 Kill or be Killed #7 - Ed Brubaker (writer) Sean Phillips (art) Elizabeth Breitweiser (colours). This issue features Dylan's ex-girlfriend Kira, now with purple hair instead of red. I'm glad she's still hanging around because boy does she have problems. We start off during a session with her therapist and get a lot of background. I love this kind of stuff because it makes the characters more engaging. Kira might need an emergency session after she decides to do something stupid at Dylan's place.

 Monsters Unleashed #5 - Cullen Bunn (writer) Adam Kubert (art) David Curiel & Michael Garland (colours) VC's Travis Lanham (letters). Okay, Kid Kaiju comes through to save the world from the Leviathon Mother, showing up all the Marvel super heroes. I guess that's why he's getting his own book. Look for it to hit the racks on April 19. Unless it's drawn by an artist that I really like I will take a pass. The Kid's creations are more suited to fans of action figures or Saturday morning cartoons than an old coot like me.

 Super Sons #2 - Peter J. Tomasi (writer) Jorge Jimenez (art) Alejandro Sanchez (colours) Rob Leigh (letters). This is great. I don't know why but I love really well written comics about young super heroes like this and Champions. Maybe it's because I can't let go of being a kid. Damian and Jonathan have to deal with Super Lex in order to get a lead on Kid Amazo, the very bad boy they're after. Everything doesn't go smoothly and then, uh-oh, their dads find out about what they're doing. I can't wait to see what happens next.

 Wild Storm #2 - Warren Ellis (writer) John Davis-Hunt (art) Steve Buccellato (colours) Simon Bowland (letters). This 24 issue series is very ambitious and there are a lot of players involved. If I was a new reader I would be wondering who are these people? Some people work for International Operations (IO) and some people work for Halo. The two organisations don't like each other and they're both after Angela Spica, the Engineer. I hope that helps with getting into this story. One of my favourite things from the old series was the Door which could transport people to different places. I think we're introduced to a new Door this issue and she's a lot better looking than Lockjaw.

 Ms. Marvel #16 - G. Willow Wilson (writer) Takeshi Miyazawa (art) Ian Herring (colours) VC's Joe Caramagna (letters). I like this story about a malevolent computer virus and it looks like Kamala can't defeat it. That is until she gets a clue from her old pal Bruno. I can't wait to find out how Doc.x gets deleted.

 Superman #19 - Peter J. Tomasi & Patrick Gleason (writers) Patrick Gleason (pencils) Mick Gray (inks) John Kalisz (colours) Rob Leigh (letters). Part 3 of "Superman Reborn" looks like it might resurrect the pre-New 52 Lois and Clark. I hope not. That would confuse me to no end and then I would get annoyed and stop reading these amazing Superman books. Patrick draws the creepiest Mr. Mxyzptlk ever. I wonder if they're going to do the saying the imp's name backwards thing?

 Guardians of the Galaxy #18 - Brian Michael Bendis (writer) Valerio Schiti (art) Richard Isanove (colours) VC's Cory Petit (letters). I love these issues featuring one team member. Angela's up this time around and it's a beautifully drawn fight scene between her and some alien bounty hunter. The issue ends with a major threat heading for Earth. It starts with Th and rhymes with anus.

 Spider-Man #14 - Brian Michael Bendis (writer) Sara Pichelli (art) Justin Ponsor (colours) VC's Cory Petit (letters). Nothing serious between Miles and Gwen despite what the cover shows. This is one of those issues that annoy Bendis detractors because nothing really happens. The heroes hop from one dimension to another and each wind up in different ones by the end of this issue. I can easily forgive because of Sara's art.

 Mighty Thor #17 - Jason Aaron (writer) Russell Dauterman (art) Matthew Wilson (colours) VC's Joe Sabino (letters). The gods of Asgard and the Imperial Guard of the Shi'Ar finally come to blows in part 3 of "The Asgard/Shi'Ar War". Meanwhile Thor can't seem to win much in the challenge of the gads against the Shi'Ar gods Sharra and K'ythri. Mjolnir is sure getting a workout though. This book is not only chock full of action but it's visually stunning as well.

 Amazing Spider-Man #25 - Dan Slott (writer) Stuart Immonen (pencils) Wade von Grawbadger (inks) Marte Gracia (colours) VC's Joe Caramagna (letters). I wish you didn't have to pay $9.99 US for this one issue starting off "The Osborn Identity" story. That's a bit much for one comic book don't you think? Sure you get a bunch of back-up stories but none of those really matter to the main story. You do get 40 pages of Stuart and Wade goodness though, so why couldn't they have printed just that and charged $4.99 US? As you can probably tell Norman Osborn is back so the Green Goblin can't be far behind. I did like the team-up with Mockingbird with a hint of Peter and Bobbi possibly becoming more than friends. Here are the other stories that pad this issue. A fight with Clash by Christos Gage (writer) Todd Nauck (art) Rachelle Rosenberg (colours) VC's Travis Lanham (letters) which has the old "it's not what you think" twist at the end. A silly Tsum-Tsum story for the younger readers by Jacob Chabot (writer) Ray-Anthony Height (pencils) Walden Wong (inks) Jim Campbell (colours) VC's Cory Petit (letters). Thank Thor that was a blessedly short 6 pages. A Parker Industries mishap at their Shanghai facility by James Asmus (writer) Tana Ford (art) Andres Mossa (colours) VC's Travis Lanham (letters). A young Spider-Man story about a boy and his dog by Hannah Blumenreich (writer & pencils) Jordan Gibson (inks) Jordie Bellaire (colours) VC's Clayton Cowles (letters). Some Aunt May gags by Cale Atkinson which were even sillier than the Tsum-Tsum story. And finally to ease the pain of having to buy an overpriced comic book, the return of another Spider-Man nemesis. One thing that "The Clone Conspiracy" did was bring back Otto Octavius, Doc Ock. He now has a youthful body thanks to Miles Warren's cloning process. So meet The Superior Octopus by Dan Slott (writer) Giuseppe Camuncoli (pencils) Cam Smith (inks) Jason Keith (colours) VC's Joe Caramagna (letters). He's bad-ass now plus he's got Hydra backing. Here's a prediction: Somewhere in the future Peter and Norman have to team up to fight Otto and Hydra.

 Archie #18 - Mark Waid (writer) Pete Woods (art & colours) Jack Morelli (letters). This issue proves that love is blind. Archie and Veronica have nothing in common and should not be together. Betty and Dilton Doiley are more compatible. I wish I was Dilton Doiley.

[zermin]

We asked you to share songs that remind you of home and inspire you to be involved in your communities. From India to Indiana, you delivered. Our first batch features Chicago, but over the next few weeks, we’ll add more and more songs that remind you of your hometown. Listen below and add your own song here.

Play on Spotify

I Am Trying to Break Your Heart by JC Brooks & the Uptown Sound

Submission by Cameron Esposito, comedian I moved back home to Chicago in 2006, and the city was bursting with energy for then-Senator Obama, the new Millennium Park, and the White Sox. Wilco’s beautiful, dirge-like I Am Trying to Break Your Heart was a favorite of mine and when I heard JC Brooks’ version in 2011, after Barack Obama became President, there was so much joy it in. Felt like a street festival, like a summer bike ride. It really echoed the excitement and love I felt for my city during the end of the ’00s, and that I still feel every time I’m able to return home.

Family Business by Kanye West

Submission by Chance the Rapper, musician Family Business by KW is the perfect song to come home to. It reminds me how important it is to be home. This is the last song on the first album I ever bought. For all the great people in Chicago, the best ones are your family.

Freedom Highway by The Staple Singers

Submission by Peter Giangreco, political strategist Chicago’s own Staple Singers produced much of the soundtrack of the civil rights movement, including the iconic Freedom Highway. Saw Mavis Staples open for Bob Dylan at Ravinia last summer, and she killed it. Inspirational and rocking gospel-inspired anthem is as fresh now as it was 50 years ago. March each and every day…

Sweet Home Chicago by Robert Johnson

Submission by Tina Tchen, Former Assistant to President Obama, Chief of Staff to First Lady Michelle Obama and Executive Director of the White House Council of Women and Girls & Valerie Jarrett, Former Senior Advisor to President Obama and Chair of the White House Council on Women and Girls

Folk might remember President Obama singing Sweet Home Chicago, but that’s not the only reason why it’s one of our favorite Chicago songs. Instead, it was a rendition by another leader, Mayor Harold Washington, that always makes us smile. He broke out in song on stage during his re-election victory speech in 1987 with such joy and warmth that washed away the ugly divisive campaign (the hard years of his first term). Sadly, we lost him just seven months later. Who knew that 25 years later we would be singing it in the White House!

Submission by Cecilia Munoz, Director of the White House Domestic Policy Council, 2012-2017 The very day that I decided that I was moving to Chicago to start my life post-grad-school, I got in my car, turned on the radio, and Sweet Home Chicago came on. I knew it was a sign that I had chosen well. I started my career in the neighborhoods of Pilsen and Little Village, organizing community groups in the Catholic parishes there. I ended up running a legal services program for immigrants, which ultimately took me to D.C., the civil rights movement and, to my astonishment, President Obama’s senior White House team. I will always feel lucky that my sense of home and neighborhood was shaped by the immigrant neighborhoods of Chicago. My first-born is starting her career there now too… Sweet home, indeed!

Chicago performed by Frank Sinatra

Submission by John Prine, musician This song says something to me about the traditional values of Midwest America. As far as I’m concerned that Second City “jazz” is out the window. I consider New York to be a world city, like Paris or London. Chicago is the #1 American city – second to none!

They Say by Common

Submission by Bobbi Brown, founder, Bobbi Brown Cosmetics I met Common in the elevator at the Met Ball. I asked him if I could interview his mom for a Yahoo Beauty story I was doing for Mother’s Day. He put his number in my phone, and totally followed through. To me, Common is what being a Chicagoan is about. He’s a real, regular guy in a rockstar body.

Stratford-on-Guy by Liz Phair

Submission by Jonabel Russette, Obama Foundation staffer I think of this song every time I fly into Chicago!

Keep On Pushing by Curtis Mayfield & The Impressions

Submission by Mavis Staples, musician Reminds me that there is still work to be done. Think of tomorrow, don’t give up, and feel your strength. And it reminds me of Curtis. He’s here with us when I hear it.

Moon Shoes by Ravyn Lenae

Submission by Fatima Asghar, writer, performer, educator I used to work at Young Chicago Authors, and I’d see Ravyn come in and perform this song. It was also on a lot of our pre-Wordplay (our open mic on Tuesday evenings) playlists. The song has so many layers and emotions in it, a lot of self-consciousness, which I feel like is so relatable and often missing from music. When I’m missing Chicago, I put this song on: It reminds me of summer Tuesday evenings crowded in YCA’s space. Wordplay is an incredible event — everyone is so supportive and clinging on to your every word. It’s actually radical, to have people listening as closely to you as they do at YCA. It’s magical. And when I think of being active in my community, when I think of people who I love, a lot of that centers around spaces like YCA that I have been a part of. And it centers around a radical listening, taking the time to encourage each other, to listen to each other even when people are different than you. And this song is so magical, and very much in that spirit.

Blessings by Chance the Rapper

Submission by Bill Burton, National Press Secretary, Obama for America 2008, Deputy Press Secretary, The White House This song is my alarm in the morning and on one of the greatest rap albums of all time. And since Chance’s dad, Ken Bennett, is one of the great alums of the first campaign, it makes me think about those early Obama campaign days every time it’s on.

And I Am Telling You I’m Not Going performed by Jennifer Hudson

Submission by Tyler Hagenbuch and Jamie Citron, former Obama for America staffers

Finding love on the campaign trail isn’t easy. But that is exactly what happened to us in 2008, and to so many other “Obama couples” to come out of the last ten years. Amidst the long hours and dedication to a historic campaign, our shared passion for Chicago and a shared belief in the power of Democracy grew into something more. When we listen now to Chicago’s own Jennifer Hudson singing “and I am telling you” we hear the drive, perseverance, and resolve that are the hallmarks, not only of our own campaign and personal experience, but also the qualities of our entire amazing city and every last one of its inhabitants who are dedicated to staying and devoted to making it ever better.

I Believe by Mali Music

Submission by Jennifer Hudson, musician The song says it all: “Sometimes I can’t see, but I still believe.” I rose above the environment I was in despite the circumstances.

Get Behind The Mule & Come On Up To The House

by Tom Waits

Submission by Nick Offerman, actor My #1 Chicago band will always be Wilco, but this playlist makes me think of my years with the Defiant Theatre in the ’90s, when our work was deeply inspired by Tom Waits. His album Mule Variations includes these two songs, which make me think of the familial pride we took in our ambitious theater work.

Born In Chicago by Nick Gravenites

Submission by Dan Aykroyd, actor The obvious choice of a Chicago song from a Blues Brother should logically be Robert Johnson’s loving anthem “Sweet Home Chicago.” However, my pick overrides that well-covered tribute to the city. My favorite Chicago song is Nick Gravenites’ cry of urban despair — “Born in Chicago” — popularized by the Paul Butterfield Blues Band with Paul, Al Cooper, Mike Bloomfield and Sam Lay on their massively influential ‘East-West’ album:

“I was born in Chicago in 1941. The first words my papa told me: Son you’d better get a gun.”

That music and its message was perspectively present at the time it was written and in hindsight today, prescient. There’s no more anguished statement about personal firearms violence and the insanity of social equality which foments it than the last verse:

“The rules are alright if there’s someone left to play the game. My friends keep on dying and everything just remains the same. ”

It’s how we all NOT MAKE IT THE SAME is what will determine the future of our youth in Chicago.

My Kind of Town by Frank Sinatra

Submission by Rick Renteria, manager, Chicago White Sox We play it on flights every now and then. Probably more than once. It means a lot of all of us because it brings to mind all of the things that Chicago is about: it’s about family, it’s about people, about enjoying everything the city has to offer. It’s a great city to be a part of – it’s my kind of town.

Go, Cubs, Go! by Steve Goodman

Submission by Stephanie Izard, chef I’m a big Chicago Cubs fan, so much that we named our son Ernie after Ernie Banks! Go, Cubs, Go reminds me of sunny and fun Chicago days and people coming together!

Homecoming by Kanye West

Submission by Luvvie Ajayi, author This song captures my love for Chicago so well. Even though I wasn’t born here, this is where I consider home, and no matter where I travel to, I’m always excited to come back home. Kanye nails that Windy City love.

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