#Richard Walter Jenkins
Explore tagged Tumblr posts
bkenber · 1 year ago
Text
Adam Scott on Acting in 'A.C.O.D.'
WRITER’S NOTE: The following interview took place on September 26, 2013. “A.C.O.D.” is an abbreviation for Adult Children of Divorce and the movie stars Adam Scott as Carter, a man who suffered through his parents’ bitter divorce as a child. Now as an adult, he owns a restaurant and appears to be a well-adjusted person despite what he has been through. But then his younger brother Trey (Clark

Tumblr media
View On WordPress
2 notes · View notes
presidentclaireunderwood · 1 year ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Alex’s 2023 Emmy Nominations - Limited Supporting Actor
Paul Walter Hauser - Black Bird
Richard Jenkins - Dahmer - Monster: The Jeffrey Dahmer Story
Justin Theroux - The White House Plumbers
Young Mazino - Beef
Jake McDorman - Mrs. Davis
Liev Schreiber - A Small Light
Ray Liotta - Black Bird
5 notes · View notes
maximumwobblerbanditdonut · 9 months ago
Text
On St David's Day and celebration of Welsh heritage and culture. I needed to see this clip today. It feels so fitting to what's going on in the world right now

Richard Burton reciting from Shakespeare's
"What a piece of work is a man" monologue, in Hamlet. When he did this on stage in 1964, it would have been booming out through the Broadway venue, but there's something equally powerful about hearing him recite it in a more understated way, in close-up.
He was noted for his mellifluous baritone voice. Burton established himself as a formidable Shakespearean actor in the 1950s and gave a memorable performance as Hamlet in 1964. He was called the natural successor to Sir Lawrence Olivier.
Richard Burton CBE. The Welsh actor was born Richard Walter Jenkins Jr. 10th November 1925 in Pontrhydyfen (or Pont-rhyd-y-fen) is a small village in the Afan Valley, in Neath Port Talbot county borough in Wales đŸŽó §ó ąó ·ó Źó łó ż and educated in Exeter College, Oxford. He died on 5th August 1984 (aged 58) in CĂ©ligny, Switzerland 🇹🇭 His burial place - Old Cemetery ("Vieux CimetiĂšre") of CĂ©ligny.
Tumblr media
#RichardBurton recites from #Hamlet #actor #StDavid'sDay #Shakespeareanactor #voice
@shinycomputerqueen “Some are born great, some achieve greatness, and some have greatness thrust upon them"...William Shakespeare,Twelfth Night, Act II, Scene V. With his magnificent voice and presence, Burton was one of the major actors of the 20th century.
Tumblr media
9 notes · View notes
movies-to-add-to-your-tbw · 2 months ago
Text
Tumblr media
Title: Shall We Dance?
Rating: PG-13
Director: Peter Chelsom
Cast: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci, Lisa Ann Walter, Anita Gillette, Bobby Cannavale, Omar Benson Miller, Tamara Hope, Stark Sands, Richard Jenkins, Nick Cannon, Sarah Lafleur, Onalee Ames, Diana Salvatore, Daphne Korol
Release year: 2004
Genres: drama, romance, comedy
Blurb: After seeing a beautiful instructor from her studio window on his way home from work, a bored and overworked estate lawyer signs up for ballroom dancing lessons.
5 notes · View notes
jpbjazz · 7 months ago
Text
LÉGENDES DU JAZZ
LEROY JENKINS, VIOLONISTE DE FREE JAZZ
‘’Our music was a result of Ornette Coleman and Cecil Taylor. And we prided ourselves on taking it further, because we studied Cage, and Xenakis, and Schoenberg, and all those guys. They were the ones who broke away from the old way in classical music, so we had to study them to see how we could break away."
- Leroy Jenkins
NĂ© le 11 mars 1932 Ă  Chicago, en Illinois, Leroy Jenkins Ă©tait issu d’une famille pauvre. Jenkins avait passĂ© son enfance dans un appartement de trois chambres du South Side avec sa mĂšre, sa soeur, deux tantes, et Ă  l’occasion, un chambreur. Jenkins, qui avait Ă©tĂ© mis en contact avec la musique dĂšs son plus jeune Ăąge, avait racontĂ© plus tard avoir Ă©coutĂ© Charlie Parker, Dizzy Gillespie et des chanteurs comme Billy Eckstine et Louis Jordan durant sa jeunesse.
Jenkins Ă©tait ĂągĂ© de sept ans lorsqu’une de ses tantes avait apportĂ© Ă  la maison un ami de coeur qui jouait du violon. AprĂšs avoir entendu le petit ami de sa tante jouer une danse hongroise plutĂŽt difficile Ă  exĂ©cuter, Jenkins avait demandĂ© Ă  sa mĂšre de lui acheter un violon. Jenkins s’était finalement retrouvĂ© avec une violon miniature de couleur rouge de marque Montgomery Ward d’une valeur de vingt-cinq dollars. AprĂšs avoir commencĂ© Ă  prendre des leçons, Jenkins s’était produit dĂšs l’ñge de dix ans Ă  la St. Luke's Church, une des plus grandes Ă©glises baptistes de la ville, oĂč il avait Ă©tĂ© accompagnĂ© au piano par Ruth Jones, la future Dinah Washington. Jenkins s’était Ă©ventuellement joint Ă  la chorale et Ă  l’orchestre de la Ebenezer Baptist Church, qui Ă©tait dirigĂ© par le Dr. O. W. Frederick, qui l’avait initiĂ© Ă  la musique de compositeurs de couleur comme William Grant Still et Will Marion Cook. Multi-instrumentiste, Jenkins avait Ă©galement appris Ă  jouer de la clarinette, du saxophone alto, du basson et de la viole durant son enfance.
À l’adolescence, Jenkins avait Ă©tudiĂ© au lĂ©gendaire DuSable High School, oĂč il avait troquĂ© le violon pour la clarinette et le saxophone alto, car l’école n’avait pas d’orchestre, ce qui limitait ses possibilitĂ©s de jouer du violon. Au DuSable High School, Jenkins avait Ă©tudiĂ© sous la direction du cĂ©lĂšbre ‘’capitaine’’ Walter Dyett, jouant notamment du basson et de la clarinette avec le groupe de concert de l’école.
AprĂšs avoir obtenu son diplĂŽme, Jenkins avait dĂ©crochĂ© une bourne pour Ă©tudier Ă  l’UniversitĂ© Florida A&M, oĂč il avait dĂ©crochĂ© un baccalaurĂ©at en composition et en violon classique. Jenkins avait Ă©galement frĂ©quentĂ© la Florida Agricultural and Mechanical University à Tallahassee, en Floride, oĂč il avait Ă©tudiĂ© le basson. ParallĂšlement Ă  ses Ă©tudes, Jenkins avait Ă©galement obtenu un revenu d’appoint en jouant du saxophone dans les clubs locaux.
AprĂšs avoir dĂ©crochĂ© un diplĂŽme en Ă©ducation en 1961, Jenkins s’était installĂ© Ă  Mobile, en Alabama, oĂč il avait enseignĂ© la musique (et plus particuliĂšrement les instruments Ă  cordes) dans un high school durant quatre ans.
DÉBUTS DE CARRIÈRE
Au milieu des annĂ©es 1960, Jenkins Ă©tait rentrĂ© Ă  Chicago oĂč il avait obtenu un emploi dans le systĂšme d’éducation public. Peu aprĂšs, Jenkins avait assistĂ© Ă  un Ă©vĂ©nement de l’Association for the Advancement of the Contemporary Musicians (AACM) mettant en vedette la musique du saxophoniste Roscoe Mitchell. Participaient Ă©galement au concert Maurice McIntyre, Charles Clark, Malachi Favors, Alvin Fielder et Thurman Barker. Jenkins s’était rappelĂ© plus tard avoir Ă©tĂ© Ă  la fois confus et excitĂ© Ă  l’idĂ©e de participer Ă  une improvisation collective avec son violon. Jenkins avait alors commencĂ© Ă  participer Ă  des rĂ©pĂ©titions dirigĂ©es par Muhal Richard Abrams. Il expliquait:  "it was something different, something where I could really be violinistic... I discovered that I would be able to play more of my instrument and I wouldn't have to worry about the cliches... I found out that I could really soar, I found out how I could really play." Jenkins avait continuer de rĂ©pĂ©ter et de se produire avec le groupe durant quatre ans.
Jenkins avait fait ses dĂ©buts sur disque sur l’album d’Abrams ‘’Levels and Degrees of Light’’ en 1967. À la mĂȘme Ă©poque, Jenkins avait commencĂ© Ă  jouer en trio avec les membres de l’AACM Anthony Braxton et Leo Smith, avec qui il avait enregistrĂ© l’album ‘’3 Compositions of New Jazz’’ en 1968. Abrams avait Ă©galement participĂ© Ă  l’enregistrement. L’annĂ©e suivante, le trio de Jenkins s’était installĂ© Ă  Paris et avait commencĂ© Ă  jouer avec le batteur Steve McCall avec qui il avait formĂ© un groupe appelĂ© Creative Construction Company. À l’époque, McCall Ă©tait dĂ©jĂ  Ă©tabli en Europe depuis quelques annĂ©es.
Durant son sĂ©jour Ă  Paris, Jenkins s’était produit avec une vaste gamme de musiciens, dont Archie Shepp, Philly Joe Jones, Alan Silva (avec qui il avait enregistrĂ© l’album ‘’Luna Surface’’) et Ornette Coleman. À un certain moment, Coleman avait organisĂ© un concert conjoint avec la Creative Construction Company, l’Art Ensemble of Chicago de Roscoe Mitchell et son propre groupe. À la mĂȘme Ă©poque, Jenkins avait Ă©galement collaborĂ© Ă  un album de Braxton intitulĂ© ‘’B-Xo/N-0-1-47a’’ sur Ă©tiquette BYG Actuel.
En 1970, Jenkins avait quittĂ© Paris et Ă©tait retournĂ© Ă  New York oĂč il avait fondĂ© le Revolutionary Ensemble. Le groupe, qui avait enregistrĂ© un total de sept albums, avait Ă©galement fait des tournĂ©es en AmĂ©rique du Nord et en Europe.
Jenkins avait expliquĂ© plus tard qu’il avait quittĂ© Paris parce qu’il se sentait mal Ă  l’aise avec le fait qu’il ne parlait pas français. À son arrivĂ©e Ă  New York, Jenkins avait repris contact avec Coleman. Il avait mĂȘme vĂ©cu durant quelques mois dans le loft du saxophoniste appelĂ© Artists House. Jenkins prĂ©cisait: "We stayed downstairs... It was cold down there, where we slept. Ornette gave us a mattress but he didn't realize how cold it was." Devenu le mentor de Jenkins, Coleman l’avait prĂ©sentĂ© Ă  plusieurs musiciens qui frĂ©quentaient son loft (les lofts Ă©taient d’importants lieux d’improvisation particuliĂšrement actifs Ă  New York Ă  l’époque). Outre Coleman, Jenkins avait Ă©galement Ă©tĂ© trĂšs influencĂ© par John Coltrane et Charlie Parker.
ParallĂšlement, Jenkins avait continuĂ© de rĂ©pĂ©ter et de jouer avec la Creative Construction Company, ce qui avait donnĂ© lieu Ă  la prĂ©sentation d’un concert Ă  la "Peace Church" de Greenwich Village le 19 mai 1970. Le concert, qui mettait Ă©galement en vedette Abrams et le contrebassiste Richard Davis, avait Ă©tĂ© enregistrĂ© par Coleman avant d’ĂȘtre publiĂ© en deux volumes par les disques Muse. Chacun des deux albums comprenait une composition de Jenkins.
À la suite du concert, Braxton s’était joint au groupe de free jazz de Chick Corea, Circle. En 1971, Jenkins avait fondĂ© le Revolutionary Ensemble avec le contrebassiste et tromboniste Sirone (pseudonyme de Norris Jones) et le percussionniste et pianiste Jerome Cooper. Le groupe avait poursuivi ses activitĂ©s durant six ans. Parmi les albums du groupe, on remarquait le disque Ă©ponyme Revolutionary Ensemble, Ă©galement connu sous le titre de ‘’Vietnam’’ (mars 1972), qui comprenait une longue jam session de 47 minutes qui visait Ă  dĂ©montrer toute l’horreur de la guerre. Le groupe avait enchaĂźnĂ© en dĂ©cembre de la mĂȘme annĂ©e avec ‘’Manhattan Cycles’’ avant de rĂ©cidiver trois ans plus tard avec ‘’The Psyche’’ qui comprenait une composition de chacun des membres du groupe. Également publiĂ© en dĂ©cembre 1975, l’album ‘’Ponderous Planets on The People's Republic’’ avait expĂ©rimentĂ© avec diffĂ©rentes textures. Si Jenkins jouait Ă  la fois de violon, de la viole, du piano et de la flĂ»te sur l’album, Sirone avait alternĂ© entre la contrebasse, les percussions et le trombone tandis que Jerome Cooper avait utilisĂ© plusieurs techniques de percussion. L’album ‘’Ponderous Planets on The People's Republic’’ est aujourd’hui considĂ©rĂ© comme un classique.
À la mĂȘme Ă©poque, sous l’influence du Jazz Composers' Orchestra de Carla Bley et Michael Mantler, Jenkins avait assemblĂ© une formation tout-Ă©toile composĂ©e d’Anthony Braxton, de Kalaparusha Maurice McIntyre, de Dewey Redman, de Leo Smith, de Joseph Bowie (le frĂšre du trompettiste de l’Art Ensemble of Chicago, Lester Bowie) de David Holland, de Jerome Cooper, de Charles Shaw et de Sirone dans le cadre de l’enregistrement de l’album ‘’For Players Only’’ (janvier 1975).
AprĂšs la dissolution du groupe Revolutionary Ensemble en 1977, Jenkins avait fait une tournĂ©e aux États-Unis et en Europe. En 1979, Jenkins avait formĂ© le Mixed Quintet, un groupe composĂ© de Jenkins au violon et Ă  la viole, de Marty Ehrlich Ă  la clarinette basse, de J. D. Parran à la clarinette, de James Newton Ă  la flĂ»te et de John Clark au cor français.  
En janvier 1975, Jenkins avait publiĂ© ‘’Swift Are the Winds of Life’’ un album en duo avec l’ancien batteur et percussionniste de John Coltrane, Rashied Ali. 
Au dĂ©but et au milieu des annĂ©es 1970, Jenkins avait Ă©galement jouĂ© et enregistrĂ© avec des musiciens aussi diversifiĂ©s qu’Alice Coltrane, Cecil Taylor (1970), Anthony Braxton (1969-72), Don Cherry, Carla Bley, Albert Ayler, Grachan Moncur III, Rahsaan Roland Kirk, Paul Motian, Cal Massey, Dewey Redman et Archie Shepp.
À la fin des annĂ©es 1970, Jenkins avait jouĂ© et enregistrĂ© avec le pianiste et compositeur Anthony Davis et le batteur Andrew Cyrille. Au dĂ©but de la dĂ©cennie suivante, Jenkins avait formĂ© le groupe de fusion Sting, une formation largement influencĂ©e par le blues qui comprenait deux violonistes (Jenkins et Terry Jenoure), deux guitaristes (Brandon Ross Ă  la guitare Ă©lectrique et James Emery Ă  la guitare acoustique amplifiĂ©e), un bassiste Ă©lectrique (Alonzo Gardner) et un batteur (Kamal Sabir). Un des meilleurs albums du groupe Ă©tait ‘’Urban Blues’’ (janvier 1984), un disque qui offrait un mĂ©lange plutĂŽt inusitĂ© de funk, d’avant-garde, de pop, de gospel, de rhythm & blues et de hip-hop.
En 1981, Jenkins avait publiĂ© l’album double ‘’Beneath Detroit’’ avec le New Chamber Jazz Quintet. L’album mettait en vedette Spencer Barefield Ă  la guitare classique douze cordes et Ă  la harpe africaine, Faruq Bey au saxophone tĂ©nor, Anthony Holland aux saxophones alto et soprano, Jaribu Shahid Ă  la contrebasse et Tani Tabbal Ă  la batterie, aux percussions et au balafon.
À la mĂȘme Ă©poque, en plus de s’ĂȘtre classĂ© en bonne position dans les sondages des lecteurs et des critiques de Down Beat et de Jazz Magazine, Jenkins avait dĂ©crochĂ© plusieurs bourses et commandes du  New York State Council on the Arts, de la New York Foundation for the Arts, de la Fondation Rockefeller, de Meet the Composer, de Mutable Music et du National Endowment for the Arts (1973, 1974, 1978, 1983 et 1986). Durant cette pĂ©riode, Jenkins avait aussi reçu de commandes d’organismes prestigieux comme le Kronos Quartet, le Brooklyn Philharmonic, le New Music Consort, le Pittsburgh New Music Ensemble, du Lincoln Center Out of Doors, de l’Albany Symphony et du Cleveland Chamber Symphony Orchestra.
DERNIÈRES ANNÉES
Les annĂ©es 1980 et 1990 avaient Ă©tĂ© plutĂŽt difficiles pour Jenkins, qui avait commencĂ© Ă  avoir des difficultĂ©s Ă  se trouver des contrats pour la premiĂšre fois de sa carriĂšre. Comme Jenkins l’avait expliquĂ© au cours d’une entrevue accordĂ©e au magazine Village Voice, le milieu du jazz Ă©tait devenu beaucoup plus conservateur, ce qui avait laissĂ© beaucoup moins de place pour le jazz d’avant-garde. Il prĂ©cisait:
"Wynton Marsalis was in, and people started talking about going back to classic jazz. We couldn't play in clubs. As soon as we'd walk in, the jazz guys, the beboppers, would walk out. We'd come in and make a big sound, and they didn't go for it. They'd say, 'Oh, the noisemakers.' They wanted chord changes. Our music was a result of Ornette Coleman and Cecil Taylor. And we prided ourselves on taking it further, because we studied Cage, and Xenakis, and Schoenberg, and all those guys. They were the ones who broke away from the old way in classical music, so we had to study them to see how we could break away."
À la fin des annĂ©es 1980, Jenkins avait quand mĂȘme rĂ©ussi Ă  enregistrer et Ă  participer Ă  des tournĂ©es avec le quintet de Cecil Taylor, mĂȘme si les choses n’étaient dĂ©cidĂ©ment plus ce qu’elles Ă©taient.
MĂȘme s’il n’avait presque plus enregistrĂ© au milieu des annĂ©es 1980 et au dĂ©but des annĂ©es 1990 et qu’il avait presque abandonnĂ© le jazz pour se consacrer Ă  la composition de musique classique, Jenkins avait Ă©tĂ© trĂšs actif dans le Composers Forum, un groupe de pression de New York. Au cours de cette pĂ©riode, Jenkins s’était Ă©galement produir en duo avec le saxophoniste Joseph Jarman de l’Art Ensemble of Chicago.
À la mĂȘme Ă©poque, Jenkins avait continuĂ© de dĂ©montrer ses talents d’improvisateur, notamment dans le cadre de son album ‘’Solo’’ (1998), un enregistrement sans accompagnement dans lequel il avait revisitĂ© les oeuvres de John Coltrane et de Dizzy Gillespie. Il ne s’agissait pas du premier album solo de Jenkins, qui avait dĂ©jĂ  publiĂ© en janvier 1977 un album live intitulĂ© Solo Concert, qui avait Ă©tĂ© suivi en juillet 1978 de l’album ‘’Legend of Ai Glatson.’’ Jenkins avait Ă©galement publiĂ© d’autres enregistrements en solo sur l’album ‘’Santa Fe’’ en octobre 1992.
Parmi les albums nĂ©o-classiques de Jenkins, on remarquait ‘’Lifelong Ambitions’’ (mars 1977) avec Muhal Richard Abrams, une improvisation Ă©lectronique de vingt et une minutes avec Richard Teitelbaum et George Lewis aux synthĂ©tiseurs dans le cadre de l’album ‘’Space Minds/ New Worlds/ Survival America’’ (septembre 1978), le Quintet No 3 pour violon, cor français, clarinette et clarinette basse (enregistrĂ© avec Marty Ehrlich), l’album ‘’Mixed Quintet’’ (mars 1979) et la piĂšce ‘’Free at Last’’ publiĂ©e sur l’album ‘’Straight Ahead/ Free at Last’’ (septembre 1979) mettant en vedette le violoncelliste Abdul Wadud.
Toujours dans les annĂ©es 1990, Hans Werner Henze, le directeur artistique du Munich Biennial New Music Theatre Festival, avait chargĂ© Jenkins de composer un danse-opĂ©ra intitulĂ© ‘’Mother of Three Sons’’ (1991), une oeuvre qui faisait une sorte de synthĂšse entre les danses africaines, le jazz d’avant-garde et le folklore d’origine africaine. L’oeuvre, qui racontait l’histoire d’une femme qui tentait de donner naissance Ă  des fils parfaits en copulant avec les dieux, s’appuyait sur la collaboration du chorĂ©graphe et rĂ©alisateur Bill T. Jones et de la livrettiste Ann T. Greene. L’oeuvre, qui avait Ă©tĂ© prĂ©sentĂ©e en grande premiĂšre Ă  Aachaen en Allemagne en 1990, avait Ă©galement Ă©tĂ© interprĂ©tĂ©e par le New York City Opera en 1991 et le Houston Grand Opera l’annĂ©e suivante.
Jenkins avait poursuivi son exploration de la musique classique dans les annĂ©es 1990 et 2000 avec des oeuvres comme ‘’Fresh Faust’’ (1994), un opĂ©ra de jazz-rap (dans lequel il revisitait la lĂ©gende de Faust) qu’il avait composĂ© pour l’Institute of Contemporary Art de Boston, et ‘’The Negro Burial Ground’’ (1996), une cantate produite par la troupe The Kitchen et qui avait Ă©tĂ© prĂ©sentĂ©e par l’UniversitĂ© du Massachusetts Ă  Amsherst. BasĂ©e sur un livret d’Ann T. Greene, l’oeuvre traitait de la pierre tombale d’un esclave du 18e siĂšcle qui avait Ă©tĂ© dĂ©couverte en 1991 sur une propriĂ©tĂ© de Wall Street. Parmi les autres oeuvres majeures de Jenkins, on remarquait ‘’Editorio - The Three Willies’’ (1996), un opĂ©ra multimĂ©dia qui avait Ă©tĂ© prĂ©sentĂ© au Painted Bride de Philadelphie ainsi que ‘’Coincidents’’, un opĂ©ra basĂ© sur un livret de Mary Griffin. L’oeuvre avait Ă©tĂ© prĂ©sentĂ©e Ă  la Roulette de New York.
MĂȘme s’il enregistrait beaucoup moins, Jenkins avait fait paraĂźtre d’autres albums dans les annĂ©es 1990, dont ‘’Themes and Improvisations on the Blues’’ (1992), qui mettait en vedette des cordes, des cuivres, de la contrebasse et du piano sur quatre piĂšces. En 1993, Jenkins avait enchaĂźnĂ© avec un album en concert intitulĂ© ‘’Leroy Jenkins Live!’’ qui comprenait Ă  la fois une section rythmique traditionnelle et des synthĂ©tiseurs.
À la mĂȘme Ă©poque, Jenkins avait Ă©galement participĂ© Ă  une rĂ©union du Revolutionary Ensemble. En 1998, Jenkins avait enregistrĂ© avec le multi-instrumentiste Joseph Jarman de l’Art Ensemble og Chicago l’album ‘’Out of the Mist’’, un enregistrement qui combinait la musique africaine et asiatique au jazz, en passant par la musique classique europĂ©enne contemporaine. Par la suite, Jenkins avait prolongĂ© sa collaboration avec Jarman en formant le trio Equal Interest avec la pianiste Myra Melford. Le groupe avait publiĂ© un album Ă©ponyme en 2000 qui refĂ©tait les intĂ©rĂȘts de chacun de ses membres. Le critique du magazine Down Beat, James Hale, avait Ă©crit au sujet de cet album:  "Jarman's devotion to Buddhism dovetails with Melford's interest in music for the harmonium, while Jenkins thrives on developing thematic patterns that span musical cultures from East Asia to Appalachia. Together, the three create music that defies categorization beyond the beauty and humanity that suffuse all of it."
En 2004, Jenkins avait formĂ© le groupe Driftwood, un quartet qui comprenait Min Xiao-Fen au pipa, Denman Maroney au piano et Rich O'Donnell aux percussions. Le groupe avait publiĂ© l’album ‘’The Art of Improvisation’’ en octobre de la mĂȘme annĂ©e. En 2005, Jenkins avait retrouvĂ© le Revolutionary Ensemble avec qui il avait publiĂ© deux albums live: ‘’The Boundary of Time’’ (mai 2005) et ‘’Counterparts’’ (novembre 2005). Le groupe avait publiĂ© son dernier album studio en juin 2004. IntitulĂ© ‘’And Now’’, l’album comprenait une composition de vingt et une minutes du batteur Jerome Cooper.
Au cours de sa carriĂšre, Jenkins avait collaborĂ© et fait des tournĂ©es avec de nombreux chorĂ©graphes. Il avait Ă©galement fondé un groupe d’improvisation basĂ© sur la World Music. En 2004, Jenkins avait Ă©tĂ© laurĂ©at d’une bourse de la Fondation Guggenheim. Il avait aussi jouĂ© comme musicien-rĂ©sident dans plusieurs universitĂ©s amĂ©ricaines, dont les universitĂ©s Duke, Carnegie Mellon, Williams, Brown, Harvard et Oberlin. Également professeur, Jenkins avait enseignĂ© la musique dans un high school de Mobile, en Alabama, de 1961 Ă  1965, puis dans les Ă©coles de Chicago de 1965 Ă  1969.
Leroy Jenkins est mort d’un cancer du poumon Ă  New York le 24 fĂ©vrier 2007. Il Ă©tait ĂągĂ© de soixante-quatorze ans. Au moment de sa mort, Jenkins travaillait sur deux nouveaux opĂ©ras: une histoire du quartier South Side de Chicago, et ‘’Minor Triad’’, un drame musical sur les artistes de jazz Paul Robeson, Lena Horne et Cab Calloway. Jenkins vivait Ă  Brooklyn au moment de son dĂ©cĂšs. Jenkins laissait dans le deuil son Ă©pouse Linda Harris et sa fille Chantille Kwintana. Le dernier membre survivant du groupe Revolutionary Ensemble, le batteur Jerome Cooper, est mort en 2015.
Influencé par plusieurs styles musicaux allant de la musique afro-amĂ©ricaine au bebop en passant par la musique classique europĂ©enne, Leroy Jenkins, qui avait Ă©tĂ© un des principaux leaders du  jazz d’avant-garde durant quatre dĂ©cennies, n’avait jamais cessĂ© de se rĂ©inventer. Comme l’avait dĂ©clarĂ© un critique du San Francisco Chronicle, "Jenkins is a master who cuts across all categories." Au cours de sa carriĂšre, Jenkins avait publiĂ© une douzaine d’albums sous son propre nom.
©-2024, tous droits rĂ©servĂ©s, Les Productions de l’Imaginaire historique
SOURCES:
‘’Leroy Jenkins.’’ Wikipedia, 2024.
‘’Leroy Jenkins Biography.’’ Net Industries, 2024.
RATLIFF, Ben. ‘’Leroy Jenkins, 74, Violinist Who Pushed Limits of Jazz, Dies.’’ New York Times, 26 fĂ©vrier 2007.
SCARUFFI, Pierro. ‘’Leroy Jenkins.’’ Piero Scaruffi, 2006.
3 notes · View notes
moon-meridian · 1 year ago
Text
hello, friends! here is a collection of some of my favorite faces. i'll update this list as i come into contact with faces that i've been introduced to and want to interact with. please keep in mind that this list is just what comes to mind, i love new faces so feel free to suggest new ones to me !#happyroleplaying
ACTORS
a-e
aaron paul, aaron taylor-johnson, aaron tveit, adam dimarco, adan canto, alan ritchson, alberto rosende, alexander calvert, alexander skarsgard, alex fitzalan, alfie allen, alfonso herrera, alfred enoch, alvaro rico, andre lamoglia, andrew garfield, andrew matarazzo, andy samberg, angus cloud, antoni porowski, antony starr, armie hammer, aron piper, austin butler, avan jogia, ben barnes, bill skarsgard, blair redford, blake jenner, bob morley, boyd holbrook, brandon flynn, brant daughtry, brenton thwaites, brian j. smith, bright vachirawit chivaaree, cameron monaghan, casey cott, carter jenkins, chace crawford, chadwick boseman, chance perdomo, charles melton, charlie coxx, charlie heaton, charlie hunnam, charlie weber, chase stokes, cheyenne jackson, chris evans, chris hemsworth, chris messina, chris pine, christian navarro, christopher abbott, chris wood, cody christian, cody fern, cole sprouse, colton haynes, curran walters, dacre montgomery, daniel sharman, darren barnet, darren criss, david castaneda, david castro, david corenswet, dean geyer, dominic cooper, dominic sherwood, drey ray tanner, drew van acker, dylan minnette, dylan o'brien, dylan sprayberry, dylan sprouse, ed westwick, eka darville, eric dane, evan peters.
f-l
felix mallard, finn jones, finn wittrock, froy gutierrez, gavin leatherwood, gong yoo, grant gustin, gregg sulkin, gus kenworthy, hart denton, hasan minhaj, henry cavill, henry zaga, herman tommeras, hero fiennes-tiffin, hugh dancy, ian bohen, ian harding, ian somerhalder, itzan escamilla, iwan rheon, jack falahee, jack quaid, jack mulhern, jack o'connell, jacob artist, jacob elordi, jai courtney, jan luis castellanos, jared padelecki, jason momoa, jedidiah goodacre, jensen ackles, jeremy allen white, jeremy jordan, joe dempsie, joe keery, joel kinnaman, joel mchale, joe manganiello, jonathan groff, jon bernthal, jon krazinski, jordan fisher, jorge lopez, joseph gilgun, josh hartnett, joshua bassett, justin hartley, justin theroux, karamo brown, karl urban, kit harrington, kj apa, kyle allen, liam hemsworth, logan shroyer, louis partridge, lucien laviscount, luke evans, luke pasqualino.
m-s
manny jacinto, manu rios, matt bomer, matthew daddario, mark pellegrino, mason gooding, maxence danet-fauvel, max irons, max riemelt, mena massoud, michael cimino, michael trevino, michael vlamis, michele morrone, michiel huisman, miguel bernardeau, miguel herran, mike colter, miguel angel silvestre, miles heizer, milo ventimiglia, nathan parsons, nicholas galitzine, nick robinson, nico mirallegro, nico tortorella, nikolaj coster-waldua, noah centineo, nolan gerard funk, oliver jackson-cohen, oliver stark, omar ayuso, omar rudberg, oscar isaac, paul wesley, penn badgley, pol granch, rafael silva, rahul kohli, rami malik, richard madden, ricky whittle, riz ahmed, robert sheehan, rome flynn, ronen rubenstein, ross lynch, rudy pankow, rupert grint, ryan guzman, ryan kelley, ryan potter, sam claflin, sam heughan, samuel larson, scott eastwood, sean teale, sebastian de souza, sebastian stan, shiloh fernandez, skeet ulrich, steven strait.
t-z
taron egerton, taylor zakhar perez, theo james, thomas doherty, timothy granaderos, timothy olyphant, toby kebbell, toby wallace, tom ellis, tom hiddleston, tom holland, tom hopper, tom pelphrey, tyler blackburn, tyler hoechlin, tyler lawrence gray, tyler posey, wentworth miller, zac efron.
MUSICIANS
austin porter, benito ocasio (bad bunny), brandon arreaga, charlie puth, dominic fike, edwin honoret, harry styles, jack gilinsky, jack harlow, jaden smith, joe jonas, lil nas z, machine gun kelly, nick jonas, nick mara, omar apollo, shawn mendes, troye sivan, zayn malik, zion kuwonu.
EASTERN
bang chan, choi chanhee, choi minho, christian yu, han seungwoo, jackson wang, jay park, jung ki-suck, kim jennie, kim jisoo, kim jongdae, kwon hyuk lai, kuan-lin, lalisa manoban, lee dae-hwi, lee tae-min, mark yien tuan, ong seong-wu, roseanne park, taehyung, wong kunhang, wu yi fan, xiao dejun, and yan an.
MODELS
adam senn, adil haddaoui, adrien sahores, agustin bruno, arthur gosse, billy vandendooren, bo develius, brad skelly, brooklyn beckham, cameron dallas, casey jackson, christian hogue, daniel abohzira, daniel bederov, david gandy, derek chadwick, desire mia, diego barrueco, francisco lachowski, gage gomez, gui fedrezzi, harvey newton-haydon, isha blaaker, ivan kozak, jacob bixenman, janis danner, jamie dornan, joe collier, jordan torres, juan betancourt, julian schratter, kit butler, lenny izaguire, manu rios, marlon teixeira, marvin cortes, matthew noszka, matty carrington, maverick mcconnell, michael yerger, neels visser, nick bateman, nicolas simoes, nyle dimarco, ollie loudon, owen lindberg, rafael lazzini, rafael miller, reese king, richard diess, robbie satchwell, sean opry, simon loof, simon nessman, tanner reese, tom webb, vinnie hacker, will higginson, xavier serrano, zander fitzpatrick
UNCLASSIFIED
gus kenworthy, noah beck, ryan garcia, vlad hoshin.
16 notes · View notes
kwebtv · 9 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Citadel - BBC One - January 20, 1983 - March 24, 1983 / PBS - November, 1983 - January 1984 (Masterpiece Theatre)
Drama (10 Episodes)
Running Time: 60 minutes
Stars:
Ben Cross as Dr. Andrew Manson
David Gwillim as David Hope
Clare Higgins as Christine Barlow / Manson
Tenniel Evans as Dr. Page
Gareth Thomas as Dr. Philip Denny
Michael Cochrane as Freddie Hamson
Cynthia Grenville as Blodwen Page
Colin Baker as Richard Vaughan
Jane How as Mrs. Vaughan
Tim Wylton as Ben Chenkin
Don Fellows as Richard Stillman
Beryl Nesbitt as Annie Hughes
John Nettleton as Charles Ivory
Raymond Bowers as Dr. Llewellyn
Dilys Price as Mrs. Llewellyn
David Pugh as Joe Morgan
Dyfed Thomas as Dai Jenkins
Jack Walters as Old Thomas
Richard Davies as Dr. Watkins
Janet Davies as Mrs. Watkins
Carmen du Sautoy as Frances Lawrence
Avril Elgar as Nurse Sharp
Oliver Ford Davies as Reverend Parry
Michael Gough as Sir Jenner Halliday
Charles Kay as Mr. Hopper
Buster Merryfield as Professor Challis
John Welsh as Sir Robert Abbey
3 notes · View notes
geographerdose · 2 years ago
Text
Burn After Reading (2008) & The Big Lebowski (1998):The most innocent ones end up getting killedđŸ”Ș
1. Chad Feldheimer: just a simple dude who likes to exercise, dislikes Maryland tap water and ends up getting shot due to paranoia
Tumblr media
2. Ted Treffon: just lowkey in love with Linda Litzke and wants to run his gym without issue
 winds up getting shot by the angry Mr. Cox in a misunderstanding
Tumblr media Tumblr media
🎬Fun fact: Before becoming famous, Richard Jenkins drove a linen truck and John C Reilley’s dad was his boss! Who would’ve guessed those two would work on Stepbrothers later in life?!
Tumblr media
3. Donny: just a man who loved bowling, surfing, In-N-Out burgers and gracefully took Walter’s unchecked aggression in spades
Tumblr media Tumblr media
đŸ„«The man didn’t even imbibe in alcohol, look at him sipping on a Slice.
Tumblr media
10 notes · View notes
osoba99publiczna · 2 years ago
Text
Golden Globe Awards 2023: See the full list of nomineesïżŒ
Tumblr media
The nominees for the 80th Golden Globe Awards were announced on Monday. Mayan Lopez and Selenis Leyva, two of the stars from “Lopez vs. Lopez,” announced the range of film and television nominees as selected by members of the Hollywood Foreign Press Association (HFPA). Favored Oscars contender “The Banshees of Inisherin” led the film categories, with nominations including best musical or comedy film. It stars Colin Farrell and Brendan Gleeson. The ceremony, which was not broadcast last January over controversy surrounding the HFPA, will return to NBC on Jan. 10. Comedian Jerrod Carmichael will host. Best Performance by an Actress in a Television Series – Musical or Comedy - Quinta Brunson, “Abbott Elementary” - Kaley Cuoco, “The Flight Attendant” - Selena Gomez, “Only Murders in the Building” - Jenna Ortega, “Wednesday” - Jean Smart, “Hacks” Best Performance by an Actor in a Television Series – Drama - Jeff Bridges, “The Old Man” - Kevin Costner, “Yellowstone” - Diego Luna, “Andor” - Bob Odenkirk, “Better Call Saul” - Adam Scott, “Severance” Best Performance by an Actress in a Television Series – Drama - Emma D’Arcy, “House of the Dragon” - Laura Linney, “Ozark” - Imelda Staunton, “The Crown” - Hilary Swank, “Alaska Daily” - Zendaya, “Euphoria” Best Performance by an Actor in a Limited Series or Motion Picture Made for Television - Taron Egerton, “Black Bird” - Colin Firth, “The Staircase” - Andrew Garfield, “Under the Banner of Heaven” - Evan Peters, “Monster: The Jeffrey Dahmer Story” - Sebastian Stan, “Pam and Tommy” Best Performance by an Actress in a Limited Series or Motion Picture Made for Television - Jessica Chastain, “George and Tammy” - Julia Garner, “Inventing Anna” - Lily James, “Pam and Tommy” - Julia Roberts, “Gaslit” - Amanda Seyfried, “The Dropout” Best Television Series Drama - “Better Call Saul” - “The Crown” - “House of the Dragon” - “Ozark” - “Severance” Best Television Limited Series or Motion Picture Made for Television - “Black Bird” - “Monster: The Jeffrey Dahmer Story” - “Pam and Tommy” - “The Dropout” - “The White Lotus: Sicily” Best Performance by an Actress in a Supporting Role in a Musical-Comedy or Drama Television Series - Elizabeth Debicki, “The Crown” - Hannah Einbinder, “Hacks” - Julia Garner, “Ozark” - Janelle James, “Abbott Elementary” - Sheryl Lee Ralph, “Abbott Elementary” Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television - Jennifer Coolidge, “The White Lotus” - Claire Danes, “Fleishman Is in Trouble” - Daisy Edgar-Jones, “Under the Banner of Heaven” - Niecy Nash-Betts, “Monster: The Jeffrey Dahmer Story” - Aubrey Plaza, “The White Lotus” Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television - F. Murray Abraham, “The White Lotus” - Domhnall Gleeson, “The Patient” - Paul Walter Hauser, “Black Bird” - Richard Jenkins, “Monster: The Jeffrey Dahmer Story” - Seth Rogen, “Pam and Tommy” Best Television Series – Musical or Comedy - “Abbott Elementary” - “The Bear” - “Hacks” - “Only Murders in the Building” - “Wednesday”
FILM
Best Motion Picture – Musical or Comedy - “Babylon” - “The Banshees of Inisherin” - “Everything Everywhere All at Once” - “Glass Onion: A Knives Out Mystery” - “Triangle of Sadness” Best Motion Picture – Drama - “Avatar: The Way of Water” - “Elvis” - “The Fabelmans” - “TAR” - “Top Gun: Maverick” Best Motion Picture – Foreign Language - “RRR” (India) - “All Quiet on the Western Front” (Germany) - “Argentina, 1985” (Argentina) - “Close” (Belgium) - “Decision to Leave” (South Korea) Best Screenplay – Motion Picture - Todd Field, “TĂĄr” - Tony Kushner & Steven Spielberg, “The Fabelmans” - Daniel Kwan, Daniel Scheinert, “Everything Everywhere All at Once” - The Banshees of Inisherin, “Martin McDonagh” - Sarah Polley, “Women Talking” Best Original Song – Motion Picture - “Carolina,” Taylor Swift (“Where the Crawdads Sing”) - “Ciao Papa,” Guillermo del Toro & Roeban Katz (“Guillermo del Toro’s Pinocchio”) - “Hold My Hand,” Lady Gaga and Bloodpop (“Top Gun: Maverick”) - “Lift Me Up,” Tems, Ludwig Göransson, Rihanna and Ryan Coogler (“Black Panther: Wakanda Forever”) - “Naatu Naatu,” Kala Bhairava, M. M. Keeravani, Rahul Sipligunj (“RRR”) Best Actor in a Supporting Role in Any Motion Picture - Brendan Gleeson, “The Banshees of Inisherin” - Barry Keoghan, “The Banshees of Inisherin” - Brad Pitt, “Babylon” - Ke Huy Quan, “Everything Everywhere All at Once” - Eddie Redmayne, “The Good Nurse” Best Actress in a Supporting Role in Any Motion Picture - Angela Bassett, “Black Panther: Wakanda Forever” - Kerry Condon, “The Banshees of Inisherin” - Jamie Lee Curtis, “Everything Everywhere All at Once” - Dolly De Leon, “Triangle of Sadness” - Carey Mulligan, “She Said” Best Actor in a Motion Picture – Musical or Comedy - Diego Calva, “Babylon” - Daniel Craig, “Glass Onion: A Knives Out Mystery” - Adam Driver, “White Noise” - Colin Farrell, “The Banshees of Inisherin” - Ralph Fiennes, “The Menu” Best Motion Picture – Animated - “Guillermo del Toro’s Pinocchio” - “Marcel the Shell With Shoes On” - “Puss in Boots: The Last Wish” - “Turning Red” Best Actor in a Motion Picture – Drama - Austin Butler, “Elvis” - Brendan Fraser, “The Whale” - Hugh Jackman, “The Son” - Bill Nighy, “Living” - Jeremy Pope, “The Inspection” Best Actress in a Motion Picture – Drama - Cate Blanchett, “TAR” - Olivia Colman, “Empire of Light” - Viola Davis, “The Woman King” - Ana de Armas, “Blonde” - Michelle Williams, “The Fabelmans” Best Actress in a Motion Picture – Musical or Comedy - Lesley Manville, “Mrs. Harris Goes to Paris” - Margot Robbie, “Babylon” - Anya Taylor-Joy, “The Menu” - Emma Thompson, “Good Luck to You Leo Grande” - Michelle Yeoh, “Everything Everywhere All at Once” Best Director – Motion Picture - James Cameron, “Avatar: The Way of Water” - Daniel Kwan and Daniel Scheinert, “Everything Everywhere All at Once” - Baz Luhrmann, “Elvis” - Martin McDonagh, “The Banshees of Inisherin” - Steven Spielberg, “The Fabelmans” Best Original Score - Alexandre Desplat, “Guillermo del Toro’s Pinocchio” - Hildur GuĂ°nadĂłttir, “Women Talking” - Justin Hurwitz, “Babylon” - John Williams, “The Fabelmans” - Carter Burwell, “The Banshees of Inisherin” Read the full article
8 notes · View notes
howardhawkshollywoodannex · 2 months ago
Text
Tumblr media
Richard Jenkins as Walter in an autographed publicity still for The Visitor (2007). This is Rich's third honorable mention, after North Country and Burn After Reading.
0 notes
normanthedove · 2 months ago
Text
RICHARD "RED" LAWHERN: HOW BIASED MEDICAL EXPERT ARE DESTROYING DOCTORS’ LIVES AND CAREER IN THE OPIOID CRISIS
youarewithinthenorms.com republished from kevinMD NORMAN J CLEMENT RPH., DDS, NORMAN L. CLEMENT PHARM-TECH, MALACHI F. MACKANDAL PHARMD, BELINDA BROWN-PARKER, IN THE SPIRIT OF JOSEPH SOLVO ESQ., INC.T. SPIRIT OF REV. IN THE SPIRIT OF WALTER R. CLEMENT BS., MS, MBA. HARVEY JENKINS MD, PH.D., IN THE SPIRIT OF C.T. VIVIAN, JELANI ZIMBABWE CLEMENT, BS., MBA., IN THE SPIRIT OF THE HON. PATRICE

Tumblr media
View On WordPress
0 notes
fuxico · 2 months ago
Text
0 notes
imthefailedartist · 10 months ago
Text
My 2023 Reading Stats
My goal was to read 12 books. I read 45 total!
I read mostly authors I'd never read before. I made a significant dent in my purchased TBR. I read 5 classics. I read 7 genres.
I checked out 3 books from my local library.
I did not finish 3 books. Les Liaisons Dangereuses, Lolita by Vladimir Nabokov, and Anna Karenina by Leo Tolstoy.
Reasons: LLD the two main characters were getting on my fucking nerves so bad. Valmont leave that woman ALONE! Also, the epistolary style does not make for active reading.
Lolita. I mean, take a wild guess.
AK. To many characters with the same name, I also signed up for one thing, but it's about a whole bunch of things.
I read the longest book I've ever read, Gone with the Wind. I thought it would take a year. Surprisingly, it took a month. December 22nd to January 22nd. I took four days off because the racism was getting on my nerves. I also sometimes just missed a day or two.
January
Tumblr media
Loved: To Catch a Raven by Beverly Jenkins, The Wedding by Dorothy West, The Revenant by Michael Punke.
I refuse to say I loved this book, but I did enjoy reading it, a lot: Gone with the Wind by Margaret Mitchell
February
Tumblr media
Loved: Their Eyes were Watching God by Zora Neale Hurston, The Women of Brewster Place by Gloria Naylor, If There be Thorns by VC Andrews, Barbarian Alien by Ruby Dixon.
Read: My Best Friend's Exorcism by Gravy Hendrix
March
Loved: Priest by Sierra Simone, Roses are Red by James Patterson
Read depressingly: The Stranger by Albert Camus
April
Tumblr media
Loved: A Hero Ain't Nothin' but a Sandwich by Alice Childress, Moby Dick by Herman Melville. Big Bad Wolf by James Patterson
Read: In the Woods by Tana French
May
Tumblr media
Loved: Whatever Happened to Baby Jane by Henry Farrell
Liked: Animal Farm by George Orwell, Candice by Voltaire
Read: The Proposal by Jasmine Guillory, The Talented Mr. Ripley by Patricia Highsmith
Hated: GOTH by Otsuichi. It was like reading an edgelords Wattpad writing.
This month was so Meh. Baby Jane came in at the end and saved it.
June
Tumblr media
Loved: The Invisible Man by HG Wells, Seeds of Yesterday by VC Andrews
Liked: Northanger Abbey by Jane Austen, Devil in a Blue Dress by Walter Mosley, Violets are Blue by James Patterson
Read: The Body by Stephen King.
I have one Flowers in the Attic book left in looking into the other VC Andrews books, but none of them are calling me like Flowers. Maybe I'll read the one with the twins.
July
Loved: The War of the World's by H.G. Wells, An Offer from a Gentleman by Julia Quinn, London Bridges by James Patterson
August
Tumblr media
Read: The Hallowe'en Party or A Haunting in Venice by Agatha Christie
Hated: The Other Black Girl by Zakiya Dalila Harris
September
Tumblr media
Loved: I am Legend by Richard Matheson
Liked: The Picture of Dorian Gray by Oscar Wilde
October
Tumblr media
Loved: Hannibal by Thomas Harris, Romancing Mister Bridgerton by Julia Quinn
Read: The Exorcist by William Peter Blatty
I have one Hannibal book left. What am I supposed to do for Halloween 2025?
November
Tumblr media
Loved: An Unkindness of Ghosts by Rivers Solomon and The Song of Achilles by McAllen l Madeline Miller
Liked: The Bell Jar by Sylvia Plath, The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
December
Tumblr media
Loved: Difficult Women by Roxane Gay
Liked: Slaughterhouse-Five by Kurt Vonnegut
Read: Marnie by Winston Graham.
The book I was looking forward to the most. It's one of my favorite movies. It was the book I just wanted to end. Also, I keep calling this author every name but his own. Winston Granton, William Granston, Graham Wilson.
1 note · View note
fictionz · 1 year ago
Text
New Fiction 2023 - October
Another October in the can! And now I wish I could snooze through the real horror that is the holiday season. Maybe I'll stay in October forever... forever... forever...
Here's the long version (since Tumblr blocks too many links in one post).
The TL;DR:
Short Stories
"Snatched from the Brink" by Mary E. Penn (1878)
"The Canal" by Everil Worrell (1927)
"The Lost Performance of the High Priestess of the Temple of Horror" by Carmen Maria Machado (2020)
"The Time Remaining" by Attila Veres & trans. Luca KarafiĂĄth (2019)
"CUE: Change" by Chesya Burke (2011)
"Last Call for the Sons of Shock" by David J. Schow (1994)
"The Real Right Thing" by Henry James (1899)
"The Haunted House" by M.A. Bird (1865)
"The Island of Regrets" by Elizabeth Walter (1965)
"The Stolen Body" by H.G. Wells (1903)
"The White Priest" by HĂ©lĂšne Gingold (1893)
"The Man Who Went Too Far" by E.F. Benson (1912)
"Mater Tenebrarum" by Pilar Pedraza & trans. James D. Jenkins (2000)
"Menopause" by Flore Hazoumé & trans. James D. Jenkins (1994)
"Señor Ligotti" by Bernardo Esquinca & trans. James D. Jenkins (2020)
"Shambleau" by C.L. Moore (1933)
"The Pit and the Pendulum" by Edgar Allan Poe (1850)
"The Village Spectre" by Gianna G. Maniego (2002)
"The Fog Horn" by Ray Bradbury (1951)
"The Lady of the House of Love" by Angela Carter (1979)
"The Woman's Ghost Story" by Algernon Blackwood (1907)
"Black Bargain" by Robert Bloch (1942)
"Vastarien" by Thomas Ligotti (1987)
"The Doll" by Daphne du Maurier (1937)
"The Transferred Ghost" by Frank Stockton (1882)
"The Shadowy Third" by Ellen Glasgow (1923)
"The Daemon Lover" by Shirley Jackson (1949)
"The Interval" by Vincent O'Sullivan (1918)
"The Phantom Cyclist" by Ruth Ainsworth (1971)
"Couching at the Door" by D.K. Broster (1942)
"Bloodchild" by Octavia Butler (1984)
Audio
Tales from the Crypt Presents: Dead Easy by A.L. Katz & Gil Adler, performed by Sean Astin, Jake Busey, Tia Carrere, Brett Cullen, John Kassir (1995, 2022)
Comics
"Birds of a Feather" by Stephanie Phillips, Maan House, Giorgio Spalleta, Justin Birch, Chris Sanchez (2021)
"The Origin of Vampirella" by Budd Lewis & Jose Gonzalez (1981)
"Do You Know... the Beast-Man?" by Richard Howell, Colleen Doran, Kevin Cunningham (1992)
"Good Ol' Fashioned Vanilla" by W. Maxwell Prince, Chris O’Halloran, Martín Morazzo, Good Old Neon (2018)
"For Better or Worse?" by Richard Corben (2016)
"Werewolf!" by Frank Frazetta (1964)
"Chickadee!" by Aya Rothwell (2016)
"The Evil Dead" (Part 1, Part 2, Part 3) by Richard Floyd-Walker (1986-1987)
"Famine's Shadow" by Rachel Deering & Christine Larsen (2014)
"A Pretty Place" by Emily Carroll (2023)
"The Thing from the Sea" by Wally Wood & Joe Orlando (1951)
"The Living Ghost" by Frank Belknap Long & Fred Guardineer (1948)
"Essence of Life" by Gail Simone, Tula Lotay, Jared K. Fletcher (2013)
"Hag of the Blood Basket!" by Al Hewetson & Sean Todd (1971)
"The Fisherman" by Franco, Tressina Bowling, Wes Abbott, Sara Richard (2022)
"Dental Plan" by Joy San (2019)
"Frankenstein y el Hombre Lobo" by Unknown (1946)
"Man's World" by Keith Giffen, Mary Sangiovanni, Bilquis Evely, Mat Lopes, Taylor Esposito (2017)
"Shadow of Death" by William M. Gaines, Al Feldstein, Graham Ingels (1953)
"Smoke and Cedar" by Abby Howard & Alina Pete (2016)
"I Have No Mouth, and I Must Scream" by Harlan Ellison & John Byrne (1994-1995)
"A Dog and His Boy" by Evan Dorkin, Sarah Dyer, Jill Thompson, Jason Arthur (2006)
"The Horror Beneath" by Leah Moore, John Reppion, Timothy Green II, Michelle Madsen, Nate Piekos (2006)
"Shadows on the Tomb" by Joe Certa (1952)
"The Muck Monster" by Bernie Wrightson (1975)
"The Duel of the Monsters" by Archie Goodwin & Angelo Torres (1966)
"The Willowdale Handcar or The Return of the Black Doll" by Edward Gorey (1962)
"Inside You" by Valerie D'Orazio & David James Cole (2014)
"Soylent Teen" by Jordan Morris, Liana Kangas, Ellie Wright, Jack Morelli (2023)
"The Gris-Gris" by Jim Keegan & Ruth Keegan (2004)
"Fair Ground" by Jo Duffy, Mike Manley, Jackson Guice, James Fry, Kevin Cunningham (1992)
Video Games
Haunted House dev. Atari (1982)
Castlevania dev. Konami (1987)
Clock Tower dev. Human Entertainment (1995)
D dev. Warp (1995)
Friday the 13th dev. Atlus (1989)
Silent Hill 3 dev. Konami (2003)
Five Nights at Freddy’s dev. Scott Cawthon (2014)
Movies
It Lives Inside dir. Bishal Dutta (2023)
The Company of Wolves dir. Neil Jordan (1984)
Freddy’s Dead: The Final Nightmare dir. Rachel Talalay (1991)
Honeymoon dir. Leigh Janiak (2014)
Organ dir. Kei Fujiwara (1996)
The Bride of Frankenstein dir. James Whale (1935)
The Royal Hotel dir. Kitty Green (2023)
House of 1000 Corpses dir. Rob Zombie (2003)
The Nun II dir. Michael Chaves (2023)
The Godsend dir. Gabrielle Beaumont (1980)
Hatching dir. Hanna Bergholm (2022)
The Velvet Vampire dir. Stephanie Rothman (1971)
Friday the 13th: The Final Chapter dir. Joseph Zito (1984)
A Haunting in Venice dir. Kenneth Branagh (2023)
Piggy dir. Carlota Pereda (2022)
A Night to Dismember (The Lost Version) dir. Doris Wishman (1979)
The Blob dir. Irvin Yeaworth (1958)
Embrace of the Vampire dir. Anne Goursaud (1995)
Onyx the Fortuitous and the Talisman of Souls dir. Andrew Bowser (2023)
Exposed to Danger dir. Yang Chia-yun (Karen Yang) (1982)
Saw X dir. Kevin Greutert (2023)
The Birds dir. Alfred Hitchcock (1963)
Slumber Party Massacre II dir. Deborah Brock (1987)
Scooby-Doo on Zombie Island dir. Jim Stenstrum (1998)
The Being dir. Jackie Kong (1983)
Kuso dir. Steve (2017)
Visible Secret dir. Ann Hui (2001)
The Exorcist: Believer dir. David Gordon Green (2023)
The Love Witch dir. Anna Biller (2016)
Bones dir. Ernest R. Dickerson (2001)
Bedevil dir. Tracey Moffatt (1993)
Television
Regular Show - "Terror Tales of the Park" I-VI (2011-2016)
The Simpsons - "Treehouse of Horror Presents: Not It" (2022)
Tales from the Cryptkeeper - Seasons 2 & 3 (1994 & 1999)
0 notes
transitivo · 2 years ago
Link
0 notes
petnews2day · 2 years ago
Text
Paul Walter Hauser could continue this trend with an Emmy win for ‘Black Bird’ – GoldDerby
New Post has been published on https://petn.ws/P66Bv
Paul Walter Hauser could continue this trend with an Emmy win for ‘Black Bird’ – GoldDerby
Tumblr media
Apple TV+ After sitting in second place ever since our predictions center launched, Paul Walter Hauser (“Black Bird”) recently dethroned Richard Jenkins (“Dahmer — Monster: The Jeffrey Dahmer Story”) from the top spot in our limited series/TV movie supporting actor Emmy odds. If he indeed prevails, he will continue the trend of this award going [
]
See full article at https://petn.ws/P66Bv #BirdNews
0 notes