#Richard Higlett
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Scottish Opera REVIVES MOZART’S Magic Flute
Scottish Opera REVIVES MOZART’S Magic Flute @ScottishOpera @GlasgowKings @EdenCourt @APAWhatsOn @captheatres @HackneyEmpire @gohbelfast @hunterian @BurkhardRichard @singinsofia @DementiaFriends #mozart #themagicflute
Sir Thomas Allen’s five-star production of Wolfgang Amadeus Mozart’s The Magic Flute returns to Scottish Opera in May, set in a spectacular world inspired by the Victorian futurism of HG Wells and Jules Verne.
Mozart’s most inventive opera, featuring a handsome prince, a damsel in distress, sorcerers, priests and a bumbling bird-catcher, opens at Theatre Royal Glasgow on Saturday 4 May, and tours…
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#edinburgh#glasgow#HG Wells#Jules Verne#Richard Burkhard#scottish opera#Simon Higlett#Sir Thomas Allen#Sofia Troncoso#The Magic Flute#Tobias Ringborg#Wolfgang Amadeus Mozart
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After&Before Richard Higlett
08/03/17 - 25/03/17
After and Before draws on Richard Higlett’s fascination with the ideas and writings of the Irish polymath J. W. Dunne. In various papers and consolidated in An Experiment with Time (1927) and The Serial Universe (1934) Dunne discusses the notion that time is not linear and dreams are made of fragments of the future. Dunne’s work runs parallel to theories on quantum physics and suggests we can mentally travel to other points in time and be physically present in them. Dunne’s ideas have informed popular culture most notably in Richard Matheson’s novel Bid Time Return (1975) which was made into the film Somewhere in Time (1980) and most recently in The Story of Your Life by Ted Chiang which was adapted into the film Arrival (2016). This take on time travel and perception is referred to directly in a text in the space which suggest it as a photocopy from a magazine yet to be published. As an activity, the gallery will contain 20 unhung works stacked against the walls. These are waiting for any viewer to hang and curate the exhibition themselves. Once the work is hung and the moment is acknowledged, the paintings are quickly returned to a stack as the pack is reshuffled. The result is an exhibition in flux as installation and presentation becomes a cyclic process with outcomes intentionally brief and the idea that anything is finished or resolved is questioned. The 20 monochrome paintings refer to the chromatic mean colours of the planets and moons in the solar system. This suggests that there is an order to these immovable truths as they are at different distances from the Sun. In not revealing the linear order of the paintings, the system is defined by the viewer and opinion replaces truth or factual evidence. Higlett is also interested in the location of ArcadeCardiff in a Shopping Mall and views the exhibition as a ‘prop’ or simulation of an actual exhibition, just as the adjacent shop change their displays. Alongside After and Before, Higlett will be creating a free download edition, a digital typeface based on particles of dust and dirt. When the gallery is closed he will be documenting other shows; the alternatives he could have displayed instead. This sideshow will be documented only on line.
A young gallery visitor relaxes after hanging her chosen arrangement.
https://richardhiglett.wordpress.com/2017/03/10/in-dust-after-before-download/
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#TheatreReview |Dr Jeykll and Mr Hyde @captheatres #Scotland #Theatre Adapted by David Edgar, Directed by Kate Saxon, Designed by Simon Higlett, Lighting by Mark Jonathan, Sound by Richard Hammerton.A twisted tale of nerve-jangling horror, this adaptation of Robert Louis Stevenson’s classic gothic thriller stars Phil Daniels as the extraordinary Dr Jekyll and Mr Hyde.During one of his audacious experiments trying to separate good from evil, the kind and gifted Dr Jekyll inadvertently unleashes an alternative personality of pure evil … the mysterious Mr Hyde.As this sinister figure starts causing terror and havoc in foggy London, Jekyll must race to find a cure for his monstrous alter-ego before it takes over for good.Phil Daniels extensive and varied credits include Jimmy Cooper in Quadrophenia, Richards in Scum and Kevin Wicks in EastEnders.
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Detail of Not enough Drugs (Silver), Acrylic on paper, 34 x 25cm, 2012
Richard Higlett
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Richard Higlett
http://www.walesartsreview.org/in-conversation-with-cardiff-contemporarys-richard-higlett/
Richard Higlett’s work involves bringing meaning and value to practices that maybe considered acts of folly. This involves the creation of works in many mediums including sound and literature.
A strand of his practice looks at work that is non-visual, as opposed to invisible, which involves making sculptural objects that do not demand to be directly observed and may be witnessed by only a small number of people. This idea informs recent pieces that look at actions in life which we may view as incidental and yet still being intrinsically creative.
Artist Richard Higlett talking about his project After&Before at ArcadeCardiff
A talk on the ideas behind the installation at ArcadeCardiff was held at 2pm on Sunday 26th March 2017, the day after the exhibition was closed and during the de-install.
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Detail of Give Up (Gold), Acrylic on paper, 34 x 25cm, 2012
Richard Higlett
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Detail of Not enough Drugs (Silver), Acrylic on paper, 34 x 25cm, 2012
Richard Higlett
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Give Up (Gold), Not Enough Drugs (Silver) and Sue Me (Bronze), Acrylic on paper, 34 x 25cm, 2012
Richard Higlett
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Detail of Not enough Drugs (Silver), Acrylic on paper, 34 x 25cm, 2012
Richard Higlett
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Detail of Sue Me (Bronze), Acrylic on paper, 34 x 25cm, 2012
Richard Higlett
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