#Real Leather Hat
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spikedjacket · 7 months ago
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About this item
EMBELLISH LEATHER BELIEVE IN QUALITY: Cowboy hats for men, are made of premium quality nontoxic, environmentally friendly cowhide durable genuine leather, easy to clean and wipe out the dust.
Adjustable leather Chin strap, 3 inch Wide Brim to provide shade from the hot, cold and rainy weather, 4 inch Crown Height, Feather weight Design, Durable, finished all leather construction, Ventilation holes in crown optimize breathability
OUR Premium Unisex outback hats are an accessory that creates a signature style and it adds personality to look, Cowboy hat is something more, a symbol of power, and an indicator of social status or cultural tradition. Cowboy hats aim for style and charm, with no social distinction also perfect for a golf and horse-riding day.
This men’s cowboy hat can be worn with the sun, the rain and the wind a faithful companion for many years.
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doll-elvis · 1 year ago
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MARTY LACKER : “I'll tell you something about Elvis. If he watched a football game on TV, he wore a helmet. He dressed for every occasion. If he watched guys on TV riding motorcycles, he would have his motorcycle helmet on. You'd walk in and it looked funny. I mean, you walk in, he's sitting there with a football helmet on. You’d say, ‘Good lord, Elvis, what are you doing?’. He’d say, ‘I'm watching the game'”
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quote from “Friends remember Elvis Presley” on the Larry King show
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leatherbookmark · 2 years ago
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mingi's 🙄🙄🙄
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caestusvulpes · 1 year ago
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hikari registered in the steel ball run under the name 'texas red' btw if you even care.
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hcluv · 2 years ago
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pookiest of all pookies 🤭🤭🤭
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dandelionandkrindle · 11 months ago
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girlfriend agreed to reenact the plot of desert hearts with me
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spikedjacket · 7 months ago
Text
About this item
EMBELLISH LEATHER BELIEVE IN QUALITY: Cowboy hats for men, are made of premium quality nontoxic, environmentally friendly cowhide durable genuine leather, easy to clean and wipe out the dust.
Adjustable leather Chin strap, 3 inch Wide Brim to provide shade from the hot, cold and rainy weather, 4 inch Crown Height, Feather weight Design, Durable, finished all leather construction, Ventilation holes in crown optimise breath ability
OUR Premium Unisex outback hats are an accessory that creates a signature style and it adds personality to look, Cowboy hat is something more, a symbol of power, and an indicator of social status or cultural tradition. Cowboy hats aim for style and charm, with no social distinction also perfect for a golf and horse-riding day.
Quality is remembered long after the price is forgotten, sombrero vaquero para hombre are associated with farmers, rugged, trucks, ranchers, drivers, outdoor and gambler looks. In the recent years, the cowboy hats for men have started to become more common fixture in mainstream fashion.
This men’s cowboy hat can be worn with the sun, the rain and the wind a faithful companion for many years.
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buglenitri · 2 years ago
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jebediah is a fucking gnome he is a gnome he looks like a gnome give him a hat and some leather clothing he is a fucking gnome look at him he is so gnomish he is a gnome he is a gnome he's a gnome look at him he's so gnome like gnome he's a gnome christoff is a gnome so gnome krinkels get the damn gnome he's so gnome look at him he's a gnome
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marxzsoul · 11 days ago
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I’ve been building up goth cowboy outfit components the past few years and soon I will debut them at the rodeo. Next year for sure.
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yanderedrabbles · 3 days ago
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Yandere Wendigo
Being out on the frontier ain't easy, 'specially not for a woman. And when a stranger wanders in from the plains, you know things ain't never gonna be easy again. 5.4k words. Originally published October 2022.
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IT'S MORNING WHEN YOUR DADDY DRAGS A DEAD MAN INTO THE HOUSE.
You're curled up in front of the fire place, half dreamin' and half reading, when they stagger through the door. You notice your daddy first, breathing hard with the effort of keepin' the man up.
"Pa? What happened?"
Snow is thick on his shoulders and trapped in the brim of his old Stetson. But your daddy don't seem to care.
You get to your feet slowly. It's then that you notice the stranger.
A real tall fella, bent over like he ain't got much strength left in him. The winter was cruel to him and what's left of him is all bone, bone and hunger and aching need.
"Get the door to your room open."
Your daddy ain't askin'. That's his rancher voice - all hard steel. Your daddy is commanding you.
You stand still, too shocked to move. It ain't normal. Your daddy never talks to you like you're just one of the cowhands.
"But daddy, I don't want a dead man in my room."
You're whining, you know it. But you can't stop yourself. The stranger is covered in snow and bleeding too. You don't want him on top of your nice clean sheets, don't want a dying thing in the place where you sleep.
"Ain't dead yet. And he ain't gonna die, not if I can help it."
The stranger looks carved outta hunger and little else. Dark clothes and mean looking spurs, he ain't the type of fella you invite into your home.
"But why my room daddy?"
Your father is already dragging the man down the passage, his boots real loud against the wood floor. You follow behind them, your book still hanging from your fingers.
He doesn't wait for you to catch up. Just leans the fella against the wall for a second and opens the door to your room himself.
"But pa-"
Your daddy ain't hearing it. He spears you with a look to tan leather, a real mean glare that shuts you right up.
Your pa ain't ever cruel - not to you. You can't understand it. Why is he getting all worked up about a stranger? Ain't one man just as good as the next? Why go through all this trouble for someone you don't even know?
He drops the stranger on your bed and you flinch. When he speaks, his voice is still hard.
"He's half starved and half frozen. It don't look good and I want you to stay right here with him."
"Me? I ain't know a thing about him!"
Your daddy ignores you, dusting the snow off his hat 'fore putting it back on again. "Feed him and keep him warm, 'til I'm back with the surgeon. You hear me?"
You're staring at your daddy. He's gone mad, you're sure of it. The stranger is just another mouth to feed and you ain't got the food, not with winter already here.
Your daddy is tough and your daddy is smart - he tamed the west, made something out of the wild frontier. You don't like this starved man in your home, but if your daddy's asking you...
You nod slowly, shifting your eyes to the stranger.
"That's my girl." Your pa's voice is kinder and he grins at you. Then he's out the door.
In the silence, you finally take a good look at the man. He ain't much older than you really, but there's a hunger in his face you ain't got.
He's mighty handsome too, but it ain't...
It ain't a safe kind of beauty.
He's got plenty of scars but that ain't what makes you wary. 
There's something cruel in him - in the lines 'round his eyes, in the set of his jaw. He's winter lean. 
What was your daddy thinking? Leaving you to care for a wolf?
You take a deep breath. You can handle this. He's just a man, a man like any other. Ain't no kinder and he ain't no crueler.
But you ain't sure where to start. Lookin' at him is like lookin' straight into a grave. He ain't got no colour to him and his breathing is too slow to be normal.
Well, if you were sick and near dying, you'd wanna be comfortable, right? Get him all tucked away then get something for that hunger, that thirst.
His Stetson is covered with snow but underneath the ice, it's midnight dark. Slowly, you take it off. You're waiting for him to open his eyes, flinch, scream, anything.
But he's still as death and the hat comes off easy.
Underneath it, his hair is a dark blonde. Long enough to brush his jaw and still littered with snow.
The strands cling to his forehead and you smooth them away without thinking. His skin is real cold. Hell, he's probably frozen straight down to the bone. 
You sigh quietly.
His gun belt has two revolvers, both of 'em a bright silver. They ain't just for looking pretty either - the metal is covered in fine scratches from years of use.
You reckon it ain't a good idea to sleep with guns on and you reach forward, your fingers brushing the buckle.
He grabs your wrist.
He moves fast, faster than you've ever seen a man move. You try to jerk away, but he still has some strength in him and his grip is iron. Tight enough to bruise.
"The hell you doin' girl?"
The stranger's voice is deep but rough with thirst, a coyote learnin' to speak. You're frozen - you ain't expected him to be so strong or so fast.
You swallow and slowly drag your eyes up to look at him.
"Takin' your belt off."
It's his eyes that you notice first. Yellow gold and dangerous, he looks like he wants to eat you alive. Coyote eyes your daddy calls 'em.
"Oh really?" His eyes rake you up and down, lingering without an ounce of shame. "And you haven't even asked my name yet."
He ain't a gentleman and there's something in the way he smiles that makes you go cold. It's staring straight down the barrel of a gun, the way he makes you freeze.
"I ain't got a chance to ask your name on account of all the near fainting."
He laughs. It's deep, like his voice. But it ain't a kind laugh. The stranger don't have no kindness in him at all.
"I 'spose that's fair."
He's still holding your wrists but his grip ain't as tight.
"It just ain't a polite thing, touching a man's guns while he's sleeping. You get that darlin'?"
He lies down again and finally let's you go. Talkin' ain't done him no favors and his breathin' is real shallow. His eyes are closed again and you stand up, all slow and cautious.
"I'll get you something to drink."
He don't respond and you hurry away, your back burning the whole time.
Water is everything out on the plains and with winter outside your door, even the well has started freezing. You don't wanna feed the stranger, don't wanna quench his thirst. What good has ever come from having a coyote at your table?
But your daddy told you to do something and you listen to your daddy, 'specially out here. You listen to him 'cause otherwise you'd be dead and gone long ago. Buried out on the prairie like so many others.
Life ain't easy out west and the land belongs more to ghosts than people.
When you return, the stranger's eyes are still closed. Most folks look harmless in their sleep, like their dreams are all they care 'bout. But that ain't true of him.
Being near him is being near a bear just as the snow melts. Any moment, he'll open his eyes and chew straight through your heart.
You clench your jaw and reach out your hand. Your fingers rest on his forehead, then his cheek. He's still icy to the touch and you ain't sure how he keeps breathing.
"That feels real good sweetheart." His voice is low.
He opens his eyes slowly, and when they settle on you, he manages a smile. His teeth are sharp and his lips are bloody, like he's been chewing at them for a real long time.
"I brought you some water."
He sits up slowly but his eyes never leave you.
"Much obliged darlin'."
He reaches for it and his fingers brush yours. You flinch - his touch is cold as the grave.
He drinks slow but his muscles are tight and you know it ain't easy. He's fighting with himself for every sip - the desperate, thirsty part of him just wants to gulp it all down. He would drink a river dry, if you gave him the chance.
When he's done, he looks at you and he smiles. A twisted thing that never touches his eyes.
"You got some food too?"
"I do."
But you ain't eager to share it with him. What was it the ranch hands always said? Don't feed the wolves unless you wanna feed them everything you've got?
Your daddy was wrong to bring him here - wrong to offer him hearth and home when the men were lean and the crows were watching.
You don't move and he watches you. In the quiet, your heart starts to race. What's going through his head, that makes his eyes so dark?
"You ain't much like your pa, you know that?"
His wolf eyes look straight through your soul. You fidget with your dress, tryin' your best to look uninterested.
"Your daddy is a better man than most. But you...well, I reckon he spoils you."
He licks his lips and you realize the bleeding is worse than you thought - he's teeth are red with it.
He continues, "Your daddy ain't taught you enough about the frontier."
Who does he think he is? Lyin' in your bed, drinkin' your water and lecturing you?
"You ain't know a damn thing me."
You're scared of him but you're bitter too, and anger is easier to stomach than fear.
You don't mean to snarl at him, but your blood is up and you ain't good with your temper. Your cheeks are red hot and your heart leaps right up your throat, 'til you can almost taste your own blood. 
"Get your own damn food if you want it."
You turn to leave but his hand grabs the back of your dress and he yanks you toward him. He's strong and you ain't expecting it, ain't got any time to dig in your heels. 
You land hard on the bed, right next to him.
"I ain't done talkin' sweetheart. Ain't your daddy ever taught you any manners?"
He's voice is real close to you ear and he has a growl to him that makes you freeze. He smells of juniper and pine, of icy cold winter.
"Let me go."
You try real hard to sound brave and mean, to sound like your pa when he wants something done. But you ain't your daddy and the stranger is too close and too cruel. Your voice is quiet and afraid, a girl begging a monster.
You hate yourself for it.
"Why would I do that?"
His other hand curls around the back of your neck and he leans toward you, 'til you can feel his breath on the shell of your ear.
"You've got a real temper in you girl."
His voice is rough with somethin' you can't recognize. Hate? Anger?
He ain't a man to be disrespected, ain't someone to take an insult.
You should apologize, say your rage got the better of you. Say you won't let it happen again and that you're real sorry. Ask him to please let you go.
But even in your fear, your pride won't bend. How dare he touch you so easily? You don't belong to him - he ain't got a damn say in how you behave.
You swing around, your nails coming up to scratch his face, dig his eyes out, make him bleed.
But you ain't learnt from the last time.
He's faster than you and he catches your hand in his. His grip is tight and he's skin is rough, calloused from years of gun slinging.
He's face is just next to yours and the dim morning sun casts him in shadow.
"Temper, temper."
He chides, his gravel voice rumbling through you.
You're going to bite his face off, just lean forward and-
And he's smiling.
Not a cruel smile neither. All gold eyes and real deep dimples.
He's dangerous, you know it in your bones. But his smile is all honey, all sunrise gold.
There ain't a lot of men out here, and none who smile at you like that. None who look you straight in the eyes like you're all they've ever wanted.
"Let me go, please."
You ask politely this time. He's too handsome and he's too close and Lord help you, your hearts gonna run right outta your rib cage.
He hums softly. "Ain't happenin' girly. I let you go and you're gonna run right out that door and leave me to freeze."
You want to get away from him, it's true. He's twisting your soul 'round his fingers 'til you ain't sure whether he wants to kiss you or eat you alive. 
You shake your head. "I'll stoke the fire. My pa said to keep you warm."
He laughs, a real throaty laugh. "You always do what your daddy says?"
"Of course."
Why did it have to be him? If your daddy was going around saving strays, couldn't he have found someone else? Anyone else? 
The stranger is a mystery and you hate it. 
His grip tightens 'round your neck. "You ain't gonna run off?"
"Ain't that what I said?"
He's quiet for a real long time. You start thinking he ain't even considering it - he's just gonna keep you here with him 'til your daddy gets back. 
And then he let's you go.
"Alright sweetheart, let's see you keep your word."
You stand up slowly, keeping your eyes on him the entire time.
Your room is the only bedroom with a fireplace and when you've put all the space you can between the two of you, you finally turn your back on him.
You stack the firewood carefully, feelin' his eyes on you the whole time.
"You ain't scared of me, are you?"
You flinch. 
"Why would I be?"
Your voice comes out real calm. It's easier when you ain't looking in his eyes, when he ain't spearing you down with the heat of his stare.
"I ain't sure. I promise I'm real nice darlin'."
You make the mistake of looking at him. He's smiling at you with those sharp teeth and he don't seem nice at all.
You drop your eyes real fast. Your cheeks feel all tingly and you ain't sure why, ain't sure how he does this to you.
Ain't you 'sposed to like men who are kind?
Not this stranger, not a man made cruel from years of hard living. And still...
"You got a name stranger?'
"I do."
You wait but he doesn't say anything more. He's giving you a taste of your own medicine and you loathe him for it.
"How did my daddy find you?"
"Is that really the question you wanna ask me?"
His voice is better, less harsh. But that don't mean he's kind. Don't mean he's good. 
You fiddle with the kindling, staying quiet. 
" 'Cause I think what you really wanna know is 'why.' Why your daddy brought me here, why he wants to save me."
You turn to face him. How did he know? You ain't that easy to read. Hell, most of the ranch hands can't even tell if you're in a good mood, much less guess what you're thinking.
Who is this man?
He has you full attention again and he smiles, runs his hand through his blond hair. 
" 'S what I was sayin' earlier. You ain't know enough about the plains. You can't survive alone out here. You've gotta take care of folks, gotta keep them fed when they need it. Your daddy knows that."
You raise a brow. "And what happens when you don't?"
He laughs but it's bitter as sand. "Hungry folk are dangerous folk."
But ain't he half starved already?
You turn back to the fireplace, finally striking a match. The fire catches quick and the light rims you in gold. 
The stranger watches you - on your knees and haloed in warmth, you're a sight for sore eyes. All those long months on the plains, always tryin' to be one step ahead of death and here you are, a just reward for all his suffering.
You ain't got a clue how hard life is, ain't got any idea how the nights stretch long and lonely. But he'll teach you. 
He'll make sure you learn the danger of hunger unsatisfied. 
"Come sit with me." He says quietly.
You stand and shake your head slowly. Being in here is stifling, makes you wanna crawl right outta your skin.
Is it fear or want? You ain't sure.
"Come sit with me. I don't bite." He ain't smiling no more.
You swallow and cross your arms, fold a little into yourself. He ain't anything you're familiar with. Folks don't order you 'round - not when you're the boss' daughter.
"I don't trust you." You say simply.
He's sitting on the edge of your bed, his revolvers glinting in the cold winter sun. He's a desperado, you ain't got a doubt about it.
"What am I gonna do to you girl? I just want a little company."
He taps his fingers 'gainst his knee, watching you with sharp eyes.
"You ain't got a clue darlin'. Out there, folk shoot 'fore they offer conversation. Is it so bad that I wanna talk to you?"
"Then talk. I can hear you just fine from over here."
He shakes his head slowly. "You grudge me food and water. And now you won't even talk to me. You always this charmin' sweetheart?"
You bristle. He's the one who ain't got any manners at all, not you.
"Fine." You snarl and stalk forward, stopping right in front of him. "Happy now?"
A smile is crawling 'cross his bloody lips. "Still ain't working on that temper, are you darlin'?"
"I ain't your darling! And I ain't got a temper neither."
He reaches out slowly and his hands come to rest on your waist. He don't hold you tight but his fingers are long and they dig into you just a little.
You freeze, not expecting him to touch you. His voice is real low, just shy of a growl.
"Don't me want to call you my darlin'? You'd better stop me then."
You slap him.
You're quicker than him for once and you hit him hard enough to twist his head, the sound cracking through the quiet. Your palm stings and it runs straight up your arm.
He touches his cheek gingerly, his other hand getting real tight 'round you, clawing straight into your back.
Oh no.
You're done for. He's gonna grab one of his guns and end you right now, shoot you straight through the heart. Or maybe he'll do it with his bare hands, just choke the life outta you. Or -
He laughs.
"God damn girl, I bet you've got a mean right hook too."
He grins and rubs his cheek.
"You're a real hellcat, ain't you?"
His other hand is still curled 'round your waist and you step away, pull yourself free of him. You don't trust his good mood. Don't trust his smile when his eyes ain't got no joy in them.
He ain't eager to let you go but there ain't much he can do to stop you - nothing gentle at least.
You've had enough of him - of his entitlement and his anger, of his values that mean nothing to you. You spin on your heel and aim for the door.
"I wish he left you outside to starve."
You ain't gotta share a damn thing with him. Who cares if he dies? What's yours is yours. You ain't gotta give him food or shelter or kindness. Ain't owe him.
Your daddy was wrong. You gotta look out for yourself first.
"Sweetheart I-"
You leave 'fore he can finish, shutting the door and leaning against it. Just tryin' to slow your heart.
He ain't a pious man and he ain't thinking holy thoughts 'bout you.
The first thing you notice when you turn around is the dimness. The fires burnt out, sure. But the sun should be shining through the glass.
You walk into the living room and stare out the big bay windows, your mouth fallin' open. 
The clouds are thick and dark, real storm clouds blowing in from the plains. And the wind has gotten stronger too. You watch it kicking up puffs of snow and hurling it past the glass.
A blizzards blowing in, you're sure of it.
But it's movin' fast, faster than you thought possible. When the stranger came in, there weren't even a breeze.
God, is your daddy gonna be okay? Maybe he's reached town already. Maybe him and the doc are drinking together and waitin' for the storm to pass. Your daddy's tough - he'll be fine. Right?
"You okay darlin'?"
You whirl around, your heart in your throat.
The passage behind you is real dark and you can just kinda see the stranger, a blurry silhouette. He's standing strange and his arms are real long looking. Has he always been that tall?
"I'm...fine."
There's something 'bout his voice you don't like.
Somethin' in it that makes you take a step back. And then another and another, 'til you're pressed right against the window sill. It digs into your back and the chill goes straight down to your spine, dulls its teeth on your marrow.
"What I tell you 'bout leavin' while I'm talking?"
You can just make out his yellow eyes. They're catching the light and glinting like an animal's.
He continues, "You're real slow to learn, ain't you?"
You frown, your heart stuttering inside you.
"No. 'Course not."
He laughs and it runs down your neck like ice.
"You're really somethin', you know that y/n?"
When did he learn your name? You sure ain't told him.
His voice is low but it has winter's bite to it. He talks to you like cowpokes talk to girls after a real long time out in the plains - all hunger and need.
"You're just the kinda girl I like. Selfish, greedy, gotta learn her place."
His eyes trace your body and he smiles at you, that mocking half smile that ain't got an ounce of kindness in it.
"Now come 'ere."
He lunges forward but you're ready for it and you dive outta the way. You land hard on your knees but you scramble up, your blood screamin' in your ears.
Gotta get a weapon or somethin' - he's still stronger than you, even if he's half starved.
Your daddy keeps a Henry rifle 'bove the fire place and you aim for it, movin' fast.
But the stranger ain't no ordinary man. He grabs you from behind and you both go crashing down.
His body is pressed right up against you and he's cold as ice.
"That blizzards keepin' you right here darlin, ain't no running."
His voice ain't human. It's the cracking of bone, the tearing of flesh, the hound dog howling. His voice is hunger and nothin' else.
His hands are pressed into the floor next to your waist and his teeth brush your ear. Even starving, he's lean with muscle and you can feel the hardness under his skin.
His breath is cold and it smells of wintergreen.
He's gonna bite straight through your throat. Rip you apart. Have your heart right between his teeth.
But you ain't dying today.
You snarl and try to buck him off, but he doesn't budge. His weight is pressing you into the floor and you can't take a full breath.
Your ribs feel like they're 'bout to snap inwards, shards of your own bone driving straight through your heart.
You struggle under him and he laughs.
"Keep doin' that sweetheart. I love feelin' you squirm."
His voice is husky and it ain't like anything you've heard before.
The dead fire is right next to you and the embers are still hot, still have some burning red streaking through them.
You reach out and grab one. It's scalds your palm and your whole hand is nothing but white hot pain. But you ain't gonna let that stop you.
You twist around and press the burning ember right in his face.
He shrieks like an animal and leaps back, light on his feet like he don't weigh a thing.
"Fucking hurts." His voice is a hiss, a rattlesnake under your skin.
You scramble up and yank the rifle down, swinging around with your finger on the trigger.
The stranger is in front of you and there ain't nothin' human left in him. He's crouched down on the floor and his limbs are too long - sticking out like an insect's. He ain't got no lips neither. Just ragged, bloody skin like he's eaten straight through them.
Corpse pale and cold as the frost, the stranger in your home was always a dead man.
His teeth are sharp and long and Lord help you, he has so many teeth.
He lunges toward you.
He's fast, faster than anything alive. But you ain't done fighting yet.
His body is in the air when you fire the first shot. The bullet hits him straight in the head and knocks him back.
Black blood sprays across the floor, across the furniture, across your face.
He crashes into the dining table, his spine shattering against the table legs.
You don't wait to check if he's still alive.
You aim for his chest and empty your daddy's rifle. Put bullet after bullet straight into his heart. The sound is thunder and when the firing stops, your ears are ringing.
His blood pools around him, thick as oil. The wendigo is still.
The wendigo is dead.
The blizzard is startin' in earnest now and the snow outside the windows is coming thick and fast. Your shoulder aches from the rifle's recoil and you can't get the shaking outta your fingers. You sink down to your knees, your breath ragged.
They were just 'sposed to be stories.
You keep your eyes on its body, scared of even blinking.
With a heart of ice, it's born in the cold, lean months.
The wendigo devours.
The wendigo is ever hungry.
But the wendigo is dead.
You wait a real long time. Until you heart ain't as loud and the blizzard rages, until the whole house is freezing. The wind screams and the wendigo doesn't move.
You're safe.
You close you eyes. You let yourself breathe. The gun slinger is dead and he ain't gonna hurt you, ain't gonna touch you.
You were right - ain't nothing good ever comes of strangers at your table.
The winter grows angry, but you're safe and you're warm. And the stranger ain't ever gonna have you. You smile. You open your eyes.
He's gone.
He was dead and now he's gone.
You jump to your feet, holding the rifle like an axe. The quiet stretches around you, nothin' but your own breathing to break it.
Where is he?
You keep perfectly still, squinting into the dark corners of the room. The light is scarce and every shadow hides him.
"You ain't getting away from me sweetheart."
You whirl around but he's quick as a cat. He grabs a fistful of your hair and yanks you toward him.
He ain't gentle and he shakes you 'til your jaws rattling. Holds you like a kitten.
He's pressed up behind you and he dips his head low, 'til his lips are right above your pulse.
"So selfish but so warm..."
You scream, try to pull away. But he ain't movin' and all you do is rip some of your own hair out.
He laughs, laughs deep and cold.
"You gotta start listenin' sweetheart. What I just say 'bout getting away?"
He uses your hair like a leash and tosses you straight across the room.
The floor hits you hard and knocks the air clean outta you. Pain spikes white hot right through your ribs.
He's stronger than any man has the right to be. He threw you clear across the room without even tryin'.
He don't wait for you to get up neither. He just grabs your jaw and drags you to your knees. His fingers dig into your cheeks.
He's human again but that ain't a kindness.
His nails - his claws - leave bloody scratches 'cross your skin.
You look up and he's staring down at you with those strange, hungry eyes.
Coyote gold. Wolf gold. Killer gold. 
His pupils are blown out wide, 'till they're all black rimmed in honey. He's staring at you and there ain't nothin' but want in him.
"Your daddy's a good man. He knows the way of the west. But you..."
He smiles that sardonic grin of his. Your bullets ain't left a hole but blood is running down from his hairline. It creeps down into his mouth and his smile is red and cruel. 
"You need to learn a lesson girl."
He pulls you up and you scream. You claw at him, dig your nails in deep 'til your fingers ache.
He holds you like a prize and his eyes drop to your lips. And then lower still.
You're crying, tears on your tongue bitter as poison. It ain't fair. You just wanted to keep yourself safe and fed and warm. You shouldn't be punished for it. 
He runs a thumb across your cheek but there ain't no kindness in it.
"Awww, am I scaring you darlin'?"
He said your daddy was a smart man, a kind man.
Would he have let you go? If you were generous or selfless or good?
He smells of the forest and your head is swimmin' with it. His thumb traces the outline of your lips and his smile is all teeth. He'll shatter your bones like glass if he wants.
He presses his lips against your cheek and whispers to you, his voice cruel as the snow.
"I'll be gentle sweetheart. I promise."
It's then that you realize.
A man's got more than one kind of hunger.
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g0dr0t · 2 years ago
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4 am is for dressing up and taking weird vaguely artistic thirst trappy photos and then sending them immediately to the drafts
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asha-mage · 21 days ago
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The costuming of each of Rand's ancestors is ALSO insane, each iteration of the cadin'sor a step forward towards the one we recognize on Janduin and the modern Aiel, and each reflecting the moment that ancestor lived in:
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Charn has simple but well made work clothes that reflect his upbringing as someone form a culture that still practices agrarian farming in a sci fi utopia. It's simple brown that looks more rough and rustic standing in contrast to Miren's sleek white lab outfit, but still contains the hints of modern amenity: his over the shoulder cape, the buttons on his coat and shirt. This is someone who lives in a society where he could be wearing something more clearly modern, but deliberately choose something humble and simple.
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Then you have Rhodric in a much sleeker and darker version: the rustic agrarian element has been traded for a straight lines. Everything is imminently practical, from the thick soled work boots, to the leather vest with it's own clip and zippers, to the trousers that allow for range of motion. Rhodric was living through a time of war and now apocalypse. Even his people, sworn to peace, have been altered by the realities of the world they live in, and what their role as servants to Aes Sedai, leaders in that war, demanded.
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Centuries later, the cadin'sor has been entirely lost, and Jonai is in what we can recognize now as Tuatha'an style clothing, which makes sense since this is where the two cultures split. Gone are the sleek uniform lines Rhodric was wearing but the deliberate rustic vibe Charn had has not returned. Instead everything is clearly (and messily) hand made. Threads are hanging off a poncho that is clearly hard used. Everything is ill fitting- on Jonai and every one else in this scene. Adan's shirt hangs askew because it's to large while Sulwin's skirt drags in the skirt because it's to long. Their are all these efforts at bright colors and patterning- but their irregular and imperfect. The breaking is taking it's hold and exacting it's price.
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Two generations later, Jonai's great grandson, Lewin and his fellows have something that that is first step towards modern Aiel cadin'sor. Everyone has adopted browns and grey, brighter color has been dramatically scaled back, and while stuff still isn't fitting great, it's fitting better. Practicality is back as the main focus, and we see sharp lines return as well. Lewin is the ancestor that most resembles Rhodric, because like with Rhodric he has had to make concessions in himself for the realities of a violent world. The veil appears for the first time, and the colors are now locked in: brown and grey, to match their desert environment.
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Jumping forward centuries again to the pre-Clan Aiel, we get Mandein, a sept chief from right before the Aiel cultural identity starts to codify. He is wearing a leather cuirass over a simple linen shirt- the colors are consistent now. and everything is well fitted. The biggest difference is how his rank as a chief is conveyed: he is slathered status symbols, from his cloak, to his sea shell necklace, to his spear with special inlay- all things that demonstrate his singular importance in a society grappling with scarcity. Their is also no uniformity when we see the other sept chiefs during the meeting- everyone is styled differently, draped in different kinds of status symbols. The modern Aiel as a culture now exists, but a common cultural identity is still in the process of forming and getting locked in.
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And then finally Janduin- post that cultural identity being codified for two thousand years. He and all the other Aiel warriors are uniform with a clear vision- and being influenced by aesthetic sensibilities that incorporate every step backwards through time. A curiass that seems heavily based on the vest of Rhodric and the others during the war period but with the clear underpinning of being real armor like what Mandein wore, a metal buckler strapped to his back right where the Aiel work hats used to hang during Charn's day, and of course, Lewin's veil but also his same basic silhouette and linens. The only one not represented here is Jonai- which makes sense since that is the lowest point in the Aiel's history, reduced to refugees being preyed upon without anything but their oath and each other to sustain them. Most strikingly to me is the complete absence of any status symbol- Janduin leads many many more people then Mandein but his spears are the same as his soldiers, and nothing marks him out as their leader even in the thick of combat...because such symbols are unnecessary. His right to lead, we know, is carved into his arm.
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rattlesnek · 3 months ago
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afaik the cool innistrad hats and the bloodborne hat being associated with werewolf hunters both originate in this 2001 movie called brotherhood of the wolf
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ilium-ilia · 2 months ago
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Daughters with Soft Underbellies
john price x fem!reader | cowboy/outlaw x preachers daughter | masterlist
Chapter Ten: a world inside a world
tw: none
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Grand Hollow is unlike anything you’ve ever seen. 
It scars the land. Morphs it into some unrecognizable jungle littered with buildings that tower higher than any church you’ve ever laid eyes on. The ground vanishes underneath stone blocks and wood boards, leaving Jester’s hooves to pop! along the streets as you keep close to your little group of outlaws. 
Many of the stores you pass sport large windows to show off merchandise fancier than any you’ve ever seen, such as watches made of pure silver and hats from freshly trapped varmints. There are young boys standing on street corners shouting about newspapers or other goods, or strange folk in even stranger clothes attempting to sell bottles of what you think you heard them call snake oil. 
You don’t think you could ever make out your daddy’s steeple through this mess. 
The air smells different here. It’s thicker than Penmosa’s atmosphere—darker. Thin columns of black smoke rise high into the air in the distance, reaching far enough to stain Heaven’s basement with coal dust and human filth. There are kinder aromas that attempt to stave off the grime of horses and automation. Strong liquor pours through some saloons and hotels you pass by, and there’s something sickeningly sweet about the tailor's shop on the other side of the street. 
Sweat slicks your palms, bleeding into the leather reigns you grasp. You have never seen so many people in your life—not shoved into the confines of a city like this. Eyes wander, lips curl, mouths greet. Swallowing, you ensure your mother’s necklace is tucked safely inside your blouse. 
“Your eyes look like they’re about to pop out of your skull, Lamb,” Kyle teases. 
Looking to your side, you see him casually leaning back in his saddle as he leads Bear with one hand. His aura is cool—collected. While you’ve been panicking the moment you’ve crossed this new threshold, he’s only seemed to relax. 
“This is all… I don’t even have the word to describe it,” you admit, eyes flickering back to focus on the road before you. 
“Grand?” he chuckles. “It’s not quite as big as London, so it was an easy adjustment for us, but I imagine it might be a bit much for someone like you… no offence.” 
“None taken. You’re right, after all,” you laugh nervously. “Mr. Beckett would always tell me stories about places like this. Things he heard from travelers and such. None of it comes close to experiencing it for yourself.” 
“And there’s plenty to experience here. Shows, parks, libraries.” 
“Libraries?” you repeat. “I didn’t think those were real.” 
Kyle snickers, white teeth flashing between his lips as he shakes his head. “Oh, they’re real alright. If the human brain can cook it up, it’ll exist here in Grand Hollow.” 
Deep in the heart of this jungle, sitting proud on the corner of a large city block, lies The Twin Rose Hotel. Just like every other building in this city, it towers over all of God’s creatures with glistening windows and chestnut bricks. A balcony on the second floor looks down upon the streets with an excellent view of the city park just across the way, and hanging above that on the face of the wall is the building’s name. Squinting, you’re able to make out odd, small glass bulbs that line the lettering. 
Small metal poles dot the sidewalk around the hotel, staining the ground with the protrusion. John hops off his horse and hitches him to it, and everyone else follows to do the same. A pang shoots through your feet as you dismount, not used to the hard surface of the streets. Your thighs feel numb from countless hours of riding, and you do your best to stretch your hips out as you tie Jester to the metal hitching post next to Bear. Just as you knot it, you realize you can make out a small horse symbol etched into the iron. Even though this city seems so advanced, they still hold a place for the antiquated ways of cowboys. 
“Right then,” John speaks up. All ears in the vicinity perk at the clamor of his voice. He stands with his shoulders squaring backwards and his thumbs looped behind his belt buckle. “Mind your manners, boys.” 
Walking into The Twin Rose is even more of a culture shock than the entirety of Grand Hollow has been. Glistening crystal chandeliers hang high above your head, filling what appears to be the cleanest saloon you’ve ever seen with a warm, saffron glow. The floors are made of waxed wood that don’t have so much as a dent on them, and various tables lay around the room in polkadot-like fashion. A crowd of gentlemen sit at a round table, chuckling over full plates and bottles of beer, and a man in a silk top hat plucks away at a standing piano just next to the mouth of a wide staircase. 
Toward the back of the room lies a bar. There are no stools to sit on, but a young woman with thin lips busies herself with cleaning her mixing supplies. Sconces line the walls, leaving nothing unilluminated, yet you can’t keep yourself from squinting at them. 
“How do they keep the oil in all of these?” you whisper. 
Kyle attempts to stifle his chuckle. “They’re lightbulbs, love. They run on electricity.” 
Lightbulbs. You remember hearing about their creation when you were a kid. It was all anyone could talk about when every paper in the country slapped it on the front page. The great Thomas Edison had invented light that could be held in the palm of your hand. Of course, your poor little town of Penmosa never got to see such a feat, stuck with using oil lamps and campfires, you could only ever dream of witnessing such magic. Your father abhors the idea of it. He says it’s unnatural—ungodly and impetuous. 
How could God hate something so beautiful? 
John leads everyone up to the bar, weaving through tables with heavy feet. He crosses his arms and keeps his head low as he kindly greets the barmaid. Grey eyes look him up and down, seemingly unimpressed, before her gaze wanders over everyone else. She doesn’t even look intimidated by Riley’s stature and the bandana that covers his face. Suddenly, you find your pulse rising. The closest thing you’ve had to a proper bath in the last few weeks was that thunderstorm that rolled in before you hit Little Wood—you’re sure you look less than presentable. 
“Can I help you?” she asks, voice dull.
“I need to speak with Laswell,” John says. 
She raises an eyebrow, but doesn’t seem surprised. “Who’s asking?” 
“John Price.” 
The woman’s head quirks, and you think you might even see a slight smirk on her lips. She places her items down on the bar top before motioning for everyone to follow her. You’re led through a door marked private that brings you to a long hallway with several doors. The barmaid breezes by most of them before coming to a stop at the very end of the hallway. A terrible squeak accompanies the door opening, and through the threshold you’re able to see a large, rectangular table with several chairs to sit in. 
“Take a seat. Laswell will be with you in a minute,” the barmaid instructs. 
You find yourself squeezed between John and Kyle as everyone melts into their seats with a sigh. Red wallpaper adorns every inch of the room in a deep scarlet that soaks up the illumination from the sconces. Beautiful paintings in thick, mahogany frames dot the walls as decor, but the room is too tenebrous for you to fully tell what they are. You can vaguely make out a beautiful Arabian horse in one, and snow capped mountains in another, but your eyes strain too great to peer at them in detail. 
Soap leans so far in his chair that his neck rests on the backboard, and his feet brush against yours, though you don’t say anything about the intrusion. “I hope we’re invited over for dinner.”
“Enjoying Lottie’s cooking and then having a proper bed to sleep in does sound nice,” Kyle hums in agreement. 
“There’s still a lot of work to do, boys,” John reminds them. 
Huffing, Soap straightens himself out in his seat. “Aye, but we’re allowed to have a little fun every now and then, aren’t we?” 
Before anyone can comment further, the door swings open, then quickly clicks shut. A woman with a stern face enters the room, and she is the strangest lady you think you’ve ever seen. Her cream blouse is pressed so that it’s pristine and free of wrinkles, and her sleeves are rolled up to her elbows as if she was caught doing manual labor. Instead of a skirt to accompany it, she dons a pair of black dress pants with matching shoes. Her dirty blonde hair is pulled back into a bun, leaving only her fringe to cover her forehead and the sides of her face. For a long moment, she stands at the head of the table with her hands on her hips where she gets a good look at everyone seated in front of her before humming and taking a seat. 
“Never thought I’d see any of you ever again,” she says bluntly. “Last I knew, John Price and his posse had vanished further West where the land is wild and the laws are rare.” 
“You know we couldn’t stay away forever, Laswell,” John smiles. 
“Yeah, not with all that unfinished business you have in Blackpeak.” The air grows tense. Palpable with hesitation. The oddly dressed woman pauses a moment to let her eyes fall on you, and you find your breath catching in your throat. She scrutinizes you—soaks up every inch of you. She doesn’t look away from you when she continues to speak. “I see you’ve got a new member to this… posse, of yours.” 
John looks at you, eyes cold and face impossible to read. “She’s just cargo.” 
Laswell hums. “What’s your name, sweetheart?” 
Your mouth grows dryer than any desert Mr. Beckett has ever told you about in all his tall tales. John nods in encouragement, and your answer tumbles off of your tongue like a freshly jellied calf. 
“But we all just call her Lamb,” Soap interjects with a grin. 
“Where are you from, Lamb?” the woman asks. 
“Penmosa.” You answer her question as if you’re unsure—as if you don’t know if you’re right or not. 
“Penmosa?” she repeats. “You’re an awfully long way from home. What brings you out here?” 
Nervosity chews at the flesh of your ankles as your hands fall into your lap, fingers twiddling. Is this the part where you ask for help? Where you bare your father’s sins for some stranger to see—to sully his name? Eyes shifting, you look to John, who casually leans back in his chair as he raps his fingers against the tabletop. 
“Her daddy’s got a bad temper,” he explains simply. 
“Right. Cargo.” Laswell crosses her arms before glancing around the table once more. “You boys are damn near drooling on my table. If you were hungry, you could’ve asked.” 
“Well, we didn’t want to impose,” Kyle explains, though his grin bleeds into his words. 
“You know better than to play coy with me, Garrick,” she teases. Her chair scrapes across the floor as she stands to her feet. The sconce behind her sends a diffused ray of light around her—she looks powerful. Unlike any other woman you’ve ever seen. “I’ll have the kitchen cook us some lunch, then we’ll see about arrangements. Lamb, how does a bath sound?” 
Surprised to hear her address you directly, you nearly jump out of your seat. “A bath? Well… that sounds fine.” 
“Good. We’ll get you fed, then while you’re bathing, the men and I can talk business. Sit tight, I’ll be back.” 
It does not take Laswell long to return with two maids following along behind her in red dresses. They each push a small trolley of sorts, with large plates of food and pitchers of water jittering along the metal cart as they station it alongside the table. You eye platters of rolls, chicken, smoked ham, mashed potatoes, and a large gravy boat. Dainty hands place the delicate dishes on the table buffet style before handing everyone a fresh, rose designed porcelain plate. Then, they vanish behind the door, leaving everyone to their meal. 
Honey glistens off of the ham in an enticing amber color that the boys waste no time diving into, flesh peeling like the tender skin of an orange. Rolls are passed around, as well as the saltiest butter you’ve ever tasted in your life, and you find your stomach growling after the first bite. You try to recall when the last time you had a proper meal was. When you put something other than hardtack and dried meat into your body. 
It was the night you left, you realize. When you promised your father you would find the change that ripped out of your apron. Your throat closes up the moment you recall the way his hand kissed your cheek, and you drown your discomfort away with a sip of water. Algid liquid hits your teeth and makes you grimace—there’s ice in your cup. You don’t think you’ve ever seen such a thing before. 
Conversation comes easy for everyone at the table except for you. John and Laswell murmur to one another in low tones while stabbing the meat from their plates with silver forks. Their eyes shift in unison, both of them on high alert as if anyone at the table might suddenly turn feral and nip at them. Riley and Soap are having some sort of disagreement, and Kyle isn’t helping with how he throws his two cents in so that they only get more riled up with one another. 
So, you’re left to sit. And sit. Silverware scraping against your empty plate, you face the bitter realization that this is the final stop for you. No more trekking through the wilderness with strange men who carry large bounties. No more long nights by a tall fire. You would hate to admit that you had gotten comfortable with them, but they were at least familiar. Now, you’re going to be dumped here. Left to wander in a strange town—a terrifying and intimidating new world—and John Price will be nothing more than a forgotten memory. 
After all, you’re only cargo. 
“Lamb?” 
Head snapping up from the scraps of your meal, you look at Laswell, who’s leaning forward in her chair with her elbows on the table. You realize you can’t quite read her as well as you can most other people. There is no tell in the corner of her lip like there is with Kyle, or a sly illumination in the depths of John’s cyanotic eyes. She simply speaks, and her tone implores you to listen.
“Yes ma’am?” 
“You finished with your food?” she asks. 
You nod, sharp and stiff. “Yes, it was lovely, thank you.” 
Laswell stands from the table, black dress pants riding up on her waist as she does. “Let’s get you in that bath, then.” 
You’re allowed to fetch your carpet bag from Jester before you’re brought up to the second floor. The chatter of well dressed patrons and their drunken games fades to white noise as Laswell leads you down tenebrous hallways marked with swirling vine and rose patterned wallpaper. Everything about this building is rich, from the sienna of the brick it’s built with, to the sconces that hold electricity in the very palm of its hands. 
As you clutch your bag closer to your chest—and all your pitiful belongings with it—you try not to feel like a walking stain in the establishment. 
“I can’t thank you enough for taking me in,” you blurt out suddenly. Unable to hold your tongue still, you swallow down the aftertaste of peppered mash before continuing. “John says you take in—well—troubled girls like me. That you’d give me a job, or at least help me find one.” 
“It’s what we do around here, darling.” Her reply is short and curt, though not impolite. Laswell’s feet stop just in front of a door with a gilded knob and the word bath engraved into rich wood. She quickly gestures to the door before her hands fall back to her sides. “Feel free to use all the amenities. And take your time. It’ll take me a bit to get all the fine details ironed out with John.”
Nodding, you thank her once more before slipping behind the door into what you can only assume is a whole other world. That’s all Grand Hollow seems to be—pockets of universes shoved inside one another. Endless doors stuck in a vast maze waiting for you to open so that they can fill you with veneration. 
There is a single lamp (at least, that’s what you think they are called—that interesting decor that looks like an oil lamp but with a shade and ten times bigger) that sits on a table just by the window, yet it’s more dim compared to the other electric light sources you’ve seen so far. The blinds are drawn, casting the room in darkness, but the shadows morph and dance on the walls as freshly lit candles sit on various surfaces throughout the room. 
The bathtub is larger than any other you’ve seen before. Clawed feet rest on the floor as it holds steaming water, and when you tread close you notice the distinct scent of rose. Upon closer inspection, you notice a few vermillion petals floating on the surface. A smile graces your lips. 
You think you might like it here. 
Before you undress, you seat yourself at the vanity. Its stool is plush, composed of thick velvet that envelopes your rum with comfort infinitely greater than Jester’s saddle ever does. It takes you more time than you’d care to admit to detangle your hair, but you know it’s well overdue for a wash, and life on the road hasn’t been treating any part of your body too well. Stripping yourself of your overdress and chemise, you slowly lower yourself into the tub while trying not to hiss at the near scalding water. 
As you rest with your back propped and limbs limp, everything fades away. The grime that nestles between your toes, the ache and sores between your thighs, the faint scars on your knuckles. Even the bitter memories of your father. It dissolves into the water to swirl around the rose petals that you toy with. Pure silk against your fingertips, you raise one to your nose and sniff. It’s sweeter than molasses—you’ve just eaten lunch and your mouth is already watering. 
A myriad of oils and soaps line the small side table next to you. You take turns picking each of the bars up and wetting them with your hands to feel the suds on your skin. Each one smells divine. Meadow grass in summer, petrichor in spring, Mama’s rolls in autumn—
—there’s a knock. 
For a moment, you almost think it’s her; your mother. She’s playing the knocking game again. Tapping on the wall that leads to your bedroom. Letting you know she’s still alive, that her tuberculosis hasn’t consumed her quite yet. It’s easy to fall into delusion when you’re enveloped by something so warm and so gentle—something that (for once) doesn’t have teeth. 
That thin shred of your imagination vanishes the moment a figure bursts through the door without even bothering to hear your answer. Though you know you should not be surprised to see John Price standing before you, you still are. Door clicking behind him, the gravity of the situation hits you, and you find yourself desperately attempting to save your dignity. Arms crossing over your breasts, thighs pressing together to hide your sex, your eyes widen as you sink further into the water. 
“John!” you shriek. “What are you…” 
Whatever malice laced confusion you harbor dies in your throat the moment you watch as his thick fingers reach up towards his neck. Then, one by one, he begins to undo the buttons of his shirt. Thick swirling hair sprouts between the fabric, and you’re left to gawk at the debauched display that is presenting itself to you. 
Unbothered, John untucks his shirt from his trousers before tossing it onto the floor next to your chemise, leaving him bare chested. If this were any other occasion, you’d be scandalized at such a gesture—his linens mixing with yours—but you find yourself infinitely more concerned with the odd twinkle in his eye. 
“You don’t mind if I join you for a moment, do you, love?”
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drtanner · 2 months ago
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Genuinely delighted to see the real vs. fake leather discourse kicking off in earnest on this fucking website. Too many of the kids on here don't know that fake leather or "vegan leather" or whatever the fuck the grifters try to call it is literally just plastic or that leather is just a byproduct of the meat industry that gets thrown away if it isn't used for anything, and now they're learning about it!
The meat industry certainly has its own problems and needs serious reform, especially in the US, but it isn't going away, and wasting huge amounts of the extremely useful materials it produces is not the fucking solution, especially when you're simultaneously constantly complaining about how everything is cheaply made plastic shit that breaks instantly these days. Leather is what you are looking for! It makes shoes and jackets and hats and handle grips and all kinds of wonderful things that last for fucking decades if you take proper care of them, and that maintenance is not expensive or difficult! You too can have a collection of items that stand a halfway decent chance of outliving you! Isn't that the ideal? Isn't that what you want?
Even from a purely feelings-based moral standpoint, is it not more respectful to the animal that died to feed you (or me) to use every part of its body and to avoid letting any part of it go to waste?
I doubt it was the OP's intention in starting that one stupid poll that saw them getting dragged six ways from Sunday that it should end up with the youth getting educated about every non-animal leather actually being plastic trash that falls apart in 18 months and poisons the earth just by existing, but that is certainly what they did, lmao.
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spikedjacket · 7 months ago
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