#Raj Kala
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gameofthunder66 · 2 years ago
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-watched 1/16/2023- 4 [1/4] stars- on HBO max
Very Cool Movie!
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Sarah Shahi as Adrianna Tomaz
in Black Adam (2022)
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inmyworldblr · 2 years ago
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Madhubala and Dev Anand in Kala Pani (1958)
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jackiessimsstories · 11 months ago
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going to the romance festival with your sims is one cute thing but seeing your other sim couple go to the festival autonomously is another. look and hes even throwing petals on her
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haloburns · 1 month ago
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queer headcanons for the main sense8 cluster
nomi - obvious, trans woman and a lesbian, potentially bisexual
lito - gay man in a polyamorous relationship. meet his boyfriend and his boyfriends girlfriend who is also his emotional support fag hag
riley - bisexual as hell. gender is a costume and one she loves to put on. probably some level of gender neutral/agender but i feel like shed stick to the nonbinary label for ease sake
will - man's a lil bit fruity ngl he enjoys sense8 sex with lito and wolfgang more than hed ever admit outloud, and he does enjoy the occasional skirt or two. more gender fluid than trans, eventually adopts she/her pronouns in addition to his he/hims. when he tells nomi and lito, they throw him a party
capheus - the happiest cis+ youll ever meet. bisexual as hell and not ashamed in the least. he loves with his whole heart, how could he limit himself to just one gender????
sun bak - as previous post stated, trans man, bisexual. loves mun but not entirely sold on the monogamy bit
wolfgang - the fattest fucking bisexual to walk this earth and proud of it. you see that hitch in raj's step?? yeah HE did that, and he's not gonna stop being smug about it until he can do it all over again. obvs polyamorous, he's so in love with rajhan its actually a little sickening
kala - the token straight. how she managed this with seven queers in her head, i have no idea. she loves her husbands without a doubt, but kissing girls is a little scary for her (probably bc shes afraid shell like it "too much" which— actually yeah. i support closet bisexual kala, nvm, token straight card revoked)
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nachoaveragejoe234 · 2 years ago
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Monster High characters if their names were normal:
Claudine Leclerq (Clawdeen) - She's half Haitian in my headcanon
Francine "Frankie" Frankenstein - Frankie's name is fine
Laura Dracul (born Laura Aurelius) - Born in Roman Italy
Sheena Blair (Lagoona) - Couldn't think of a name that sounded similar to Lagoona
Cleo Mohammed
Giulia De Carlo - Ghoulia is Italian Canadian
Abigail Barandova (Abbey) - Of course I see her as Russian even if she technically isn't
Demitrios Argopolis (Deuce) - Gorgon isn't really a surname (I don't think)
Michelle Dubois (Rochelle) - I am now being informed Rochelle is a legit name, I'm sorry Frenchies
Tammy Harrington (Twyla) - I see her as a Tammy for some reason
Rebecca Raj (Robecca) - Indian British
Christine "Operetta" Daae II - Named after her mother
Jennifer Wong
Elizabeth Constsntinescu (Elissabat)
Vanessa McBride (Venus) - She's Scottish-American
Lorelei Schweiz (Toralei) - Her name, but less catty
Persephone and Melody Danielson - I don't know why Danielson, I just did
Jane Doolittle
Iris Diamantis
Lorna McAlester
Zainab Farooq (Gigi) - Wanted her to have an actually Arabic name
Betsy Claro
Sarah O'Shea
Serena Von Berg - She's German-American
Kjersti Kristoffson
Kiyomi Takahashi
Bonita Ford
Silvi MacDougall - She's super Scottish
Ariana "Ari" Huntington - Named after Ariana Grande
Monica de la Rosca (Moanica) - Latina
Mercedes King
Luna Mathews
Elle Edelman Devon = Edelman Devon, or E.D.
Honey Swann
Glory Mantel
Gilda Papandreou
Freyja Magnusdóttir (Kala) - She's Icelandic
Finnegan Ioannadis - He's actually Greek, believe it or not, not Irish, in G3 he seems to be a siren, so I went with Greek for him
Anisa Perbesi (Amanita) - Amanita is Indonesian
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glennethph · 5 months ago
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I wonder if they’d do a Wolfgang/Kala/Raj* with Benedict…
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rapha-reads · 6 months ago
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Huh. I'm rewatching Sense8 out of boredom and re-interest and. Kala's father is played by Anupam Kher. Who I mostly know today as Raj's Pops in Dilwale Dulhania Le Jayenga. Wow, the Wachowskis really went for the cream of the cream for their secondary cast. And also Kala's father is just as good a dad as Raj's dad is.
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bollywoodirect · 6 months ago
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Remembering Raj Khosla on his 99th birth anniversary (31/05/1925).
Raj Khosla was one of the top directors in Hindi films from the 1950s to the 1980s. He was popularly known as a 'women's director' because he showcased actresses at their best capabilities. Khosla is that rare filmmaker in Hindi cinema who handled different genres of films with equal ease while adding his own individual stamp to each of his films. Along with Guru Dutt and Vijay Anand, he was responsible for elevating song picturizations in Hindi cinema during the 1950s and 60s.
Born on May 31, 1925, Khosla initially entered the film industry with hopes of becoming a playback singer. Struggling to make it as a singer, he joined Guru Dutt as an assistant director with Baazi (1951).
In 1954, Khosla got his first break with Milap, starring Dev Anand and Geeta Bali. The film failed to create a significant impact, but Khosla's second film, produced by his mentor Guru Dutt, C.I.D. (1956), propelled him into the big league. C.I.D. was a polished crime thriller that highlighted Khosla's stylish shot-taking and innovative song picturization, elements he inherited from Guru Dutt.
As he continued to make films, Raj Khosla altered his film styles at times and added his unique touch to each genre. Never wanting to play it safe, Khosla made films that were widely different. He explored a variety of styles, including crime thrillers like C.I.D. and Kala Pani, musicals like Ek Musafir Ek Hasina, suspense thrillers like Woh Kaun Thi?, Mera Saaya, Anita, melodramas like Do Badan and Do Raaste, and dacoit dramas like Mera Gaon Mera Desh.
Films like Prem Kahani (1975), featuring the then hottest pair of the day, Rajesh Khanna and Mumtaz, and another smash hit, Main Tulsi Tere Aangan Ki (1978), made Raj Khosla one of the most revered directors in Bollywood. He was a director who understood women and their sentiments very well. Khosla worked with eminent actors like Amitabh Bachchan, Zeenat Aman, and Shatrughan Sinha. He passed away in 1991. The last years of this director were not much attached to the film industry.
Raj Khosla was awarded the Filmfare Best Movie Award for 'Main Tulsi Tere Aangan Ki' in 1978.
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indiejones · 2 years ago
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BOLLYWOOD’S TOP 108 FEMALE DANCERS OF ALL TIME (@INDIES) !
1.       .Helen
2.       .Ragini
3.       .Padmini
4.       .Mumtaz
5.       .Reena Roy
6.       .Jaya Prada
7.       .Rajni Bala
8.       .Madhuri Dixit
9.       .Aishwarya Rai bachchan
10.   .Meenakshi Sheshadri
11.   .Shraddha Kapoor
12.   .Hema Malini
13.   .Vyjyanthimala
14.   .Saira Banu
15.   .Meena Kumari
16.   .Waheeda Rehman
17.   .Geeta Bali
18.   .Zeenat Aman
19.   .Sandhya
20.   .Sridevi
21.   .Asha Parekh
22.   .Anita Guha
23.   .Kumkum
24.   .Sadhana
25.   .Nanda
26.   .Faryal
27.   .Madhubala
28.   .Shyama
29.   .Saroja Devi B.
30.   .Nishi
31.   .Nalini Jaywant
32.   .Mala Sinha
33.   .Bina Rai
34.   .Minoo Mumtaz
35.   .Laxmi Chhaya
36.   .Shahzadi
37.   .Anita Raj
38.   .Kimi Katkar
39.   .Kaajal Kiran
40.   .Rekha
41.   .Kanan Kaushal
42.   .Nutan
43.   .Leena Chandavarkar
44.   .Rati Agnihotri
45.   .Tanuja
46.   .Nadira
47.   .Bindiya Goswami
48.   .Bindu
49.   .Padma Khanna
50.   .Divya Bharti
51.   .Jamuna
52.   .Aruna Irani
53.   .Jayshree Talpade
54.   .Heera Rajgopal
55.   .Zeb Rehman
56.   .Meena Talpade
57.   .Parveen Babi
58.   .Kim
59.   .Asha Sachdev
60.   .Raakhee
61.   .Ameeta
62.   .Naaz
63.   .Tina Munim
64.   .Neelam
65.   .Farha
66.   .Simran
67.   .Cuckoo
68.   .Gitanjali
69.   .Jeevan Kala
70.   .Nalini Chonkar
71.   .Naazima
72.   .Jayshree Gadkar
73. .Sadhona Bose
74. .Meena Shorey
75. .Jamuna (Lady Tarzan)
76. .Nagma
77. .Meera Madhuri (Maan Maryada)
78. .Vandana Rane (Maan Maryada)
79. .Barkha (Rakhi aur Rifle)
80. .Alka Noopur
81. .Sitara Devi
82. .Prema Narayan
83. .Sudha Chopra
84. .Leena Das (Haqeeqat 1985)
85. .Anjali Jathar
86. .Padmini Kapila
87. .Seema Biswas
88. .Neelam (Mahal 1949)
89. .Nimmi
90. .Kammo
91. .Prabha Sharma
92. .Kamala Lakshman
93. .Roshan Kumari
94. .Surinder Kaur
95. .Madhu Malini
96. .Rupini
97. .Rajshree
98. .Jyothi Laxmi
99. .Preeti Sapru
100. .Sudha Chandran
101. .Rani (Cobra Girl 1963)
102. .Kathana (Shikari 1963)
103. Aruna (Daag 1973)
104. Sheela Vaz
105. .Sheela Naik
106. .Leela Pandey
107. .Indira (Dil Deke Dekho)
108. Debashree Roy .
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delivermytuneo6 · 14 days ago
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Mumbai as a Hub for Independent Musicians
Mumbai, often hailed as the cultural capital of India, is not just a city of Bollywood glamour but also a thriving hub for independent music. With its eclectic mix of cultures, vibrant art scenes, and a large audience base hungry for fresh and diverse sounds, the city offers a fertile ground for independent musicians to grow and flourish. While the glitz of Bollywood often overshadows other genres, the indie music scene in Mumbai has been steadily carving out its niche, fostering talent, and giving a voice to unique, often unconventional, artistic expressions.
A Melting Pot of Musical Influences
Mumbai’s cosmopolitan nature makes it a melting pot of diverse musical styles. From the traditional sounds of Marathi folk to the upbeat rhythms of global genres like hip-hop, EDM, and jazz, the city absorbs and amalgamates influences from all over the world. This diversity is reflected in the works of independent musicians who draw inspiration from their surroundings, blending traditional Indian sounds with modern musical elements.
The city's multiculturalism also means that audiences are open to experimentation. Unlike cities with niche musical preferences, Mumbai boasts a listener base that appreciates a broad spectrum of music, giving indie artists the confidence to explore and push boundaries.
Platforms and Opportunities for Indie Musicians
Mumbai offers a plethora of platforms and opportunities for independent artists to showcase their talent. These include live performances, recording studios, and digital platforms that enable musicians to connect directly with their audiences.
Live Music Venues Iconic venues such as The Blue Frog (now closed but remembered as a pioneer), AntiSocial, and The Quarter have been instrumental in promoting live performances by independent artists. These venues provide musicians with a stage to experiment with their art and engage with audiences in an intimate setting. Events like open mic nights and jam sessions further help budding artists test their music and gain recognition.
Music Festivals Festivals like NH7 Weekender and the Kala Ghoda Arts Festival have significantly boosted the indie music scene in Mumbai. These festivals bring together talent from across the country, offering a platform for musicians to reach wider audiences and network with industry professionals.
Recording Studios The city houses some of the best recording studios in the country, catering to indie artists with affordable rates and state-of-the-art equipment. Studios like Yash Raj Films Studio and Cotton Press Studios not only cater to big productions but also offer services to up-and-coming artists.
Digital Platforms The rise of streaming platforms like Spotify, Apple Music, and JioSaavn has revolutionized how music is consumed and distributed. Indie musicians can now bypass traditional gatekeepers like record labels and directly upload their music, reaching a global audience from the comfort of their homes. Additionally, platforms like YouTube and Instagram have become vital tools for promoting music and building a fan base.
Supportive Communities and Collaborations
Mumbai’s indie music scene thrives on collaboration and community support. Artists frequently collaborate to produce fresh, hybrid sounds that transcend traditional boundaries. For instance, rap collectives like Mumbai's Finest and Gully Gang have not only popularized hip-hop in India but also fostered a sense of unity among underground artists.
Community-driven initiatives, such as artist collectives and indie labels, play a crucial role in nurturing talent. For example, platforms like Azadi Records and Pagal Haina work with indie artists, helping them produce, market, and distribute their music.
Challenges Faced by Indie Musicians
While Mumbai offers numerous opportunities, the indie music scene is not without its challenges.
Financial Constraints Producing high-quality music and organizing live events require significant investment. Many indie musicians struggle to fund their projects, especially in a city where the cost of living is already high.
Overshadowed by Bollywood Bollywood dominates Mumbai's music industry, often relegating indie musicians to the background. Convincing audiences and venues to prioritize independent music over Bollywood tracks remains a persistent challenge.
Lack of Mainstream Media Support Despite the growth of the indie scene, mainstream media coverage often focuses on Bollywood and international stars. This lack of visibility makes it harder for indie musicians to gain widespread recognition.
Competitive Market Mumbai attracts talent from all over India, making the indie music scene highly competitive. Standing out in such a crowded market requires not just talent but also innovative marketing strategies.
Success Stories from Mumbai’s Indie Scene
Despite these challenges, Mumbai has birthed several success stories that inspire aspiring musicians. Artists like Prateek Kuhad, Nucleya, and Divine started small but have now achieved national and international acclaim. Their journeys reflect the potential of Mumbai’s indie music scene and the rewards of perseverance.
Divine, for example, began his career performing in local gigs and uploading his music to YouTube. His raw lyrics about life in Mumbai’s streets resonated with audiences, propelling him to fame. Today, he is one of India’s leading hip-hop artists, proving that indie musicians can achieve mainstream success without compromising their artistic integrity.
The Way Forward for Mumbai’s Indie Music Scene
As Mumbai continues to evolve as a hub for independent music, several factors will shape its future:
Increased Digital Presence The digital age offers indie musicians unprecedented opportunities for growth. By leveraging social media, streaming platforms, and crowdfunding, artists can reach global audiences and sustain themselves financially.
Collaborations Across Genres The trend of cross-genre collaborations is expected to grow, enabling musicians to explore new creative territories and attract diverse audiences.
Supportive Ecosystem Continued support from event organizers, indie labels, and government initiatives can further strengthen the indie music ecosystem in Mumbai. Tax incentives for music venues and grants for indie artists could provide much-needed financial relief.
Conclusion
Mumbai’s music industry is no longer confined to the realms of Bollywood. The city’s burgeoning indie music scene is a testament to its evolving cultural landscape, where talent, creativity, and resilience thrive. While challenges persist, the opportunities and platforms available to independent musicians in Mumbai are unparalleled. With the right mix of passion and perseverance, Mumbai’s indie artists are poised to make their mark not just on the national stage but across the globe.
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designforuminternational · 3 months ago
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Exploring the Pinnacle of Indian Architecture: Top Architects and Firms in India
India, with its rich cultural heritage and diverse architectural styles, is home to some of the most renowned architects and architecture firms in the world. From designing contemporary skyscrapers to restoring ancient monuments, these architects have significantly contributed to the nation’s architectural landscape. In this blog, we will delve into the world of the best Indian architects, famous architects in India Designforuminternational
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, and the top architecture firms in the country, showcasing how Design Forum International is leading the way in shaping India’s architectural future.
The Evolution of Indian Architecture
Indian architecture is a blend of various influences, from ancient traditions to colonial and modern styles. The evolution of architecture in India reflects the country's historical, cultural, and social changes. Today, Indian architects are celebrated globally for their ability to integrate modern design principles with traditional elements, creating structures that are both innovative and culturally resonant.
Best Indian Architects: Shaping the Future
India is home to many distinguished architects who have made remarkable contributions to the field. These professionals have pushed the boundaries of design, incorporating sustainability, functionality, and aesthetics into their work.
1. B.V. Doshi
Balkrishna Vithaldas Doshi, commonly known as B.V. Doshi, is one of the most celebrated architects in India. A Pritzker Prize laureate, Doshi has played a pivotal role in shaping modern Indian architecture. His work is characterized by its deep connection to Indian culture, climate, and context. Some of his most notable projects include the Indian Institute of Management in Bangalore and the Aranya Low-Cost Housing project in Indore, which exemplify his commitment to social and environmental responsibility.
2. Charles Correa
Charles Correa is another iconic figure in Indian architecture. Known for his innovative designs and urban planning, Correa's work has significantly influenced modern Design Forum International. His projects, such as the Jawahar Kala Kendra in Jaipur and the Mahatma Gandhi Memorial in Ahmedabad, reflect his ability to blend modernism with Indian traditions. Correa’s emphasis on open spaces and natural light continues to inspire architects worldwide.
3. Hafeez Contractor
Hafeez Contractor is one of the most prolific architects in India, known for his work on high-rise buildings and urban development projects. His portfolio includes some of the most iconic structures in India, such as the Imperial Towers in Mumbai, the tallest residential buildings in the country. Contractor’s designs are synonymous with modern urban India, and his influence can be seen across the skyline of many Indian cities.
4. Raj Rewal
Raj Rewal is celebrated for his contextual modernism, a design approach that integrates modern techniques with the cultural and environmental context of the site. His work includes notable projects like the Hall of Nations in Delhi and the National Institute of Immunology, which are revered for their innovative use of space and structure. Rewal’s work is a testament to the versatility and richness of Indian architecture.
Top Architecture Firms in India
Alongside these legendary architects, several architecture firms in India have gained international acclaim for their groundbreaking work. These firms are leading the way in sustainable design, urban planning, and architectural innovation.
1. Design Forum International (DFI)
Design Forum International (DFI) is one of the top architecture firms in India, known for its innovative approach to design and architecture. DFI's work spans a wide range of sectors, including residential, commercial, and institutional projects. The firm’s philosophy is rooted in creating spaces that are not only aesthetically pleasing but also functional and sustainable. DFI’s projects, such as the Select Citywalk Mall in Delhi and the redevelopment of Chandni Chowk, are examples of how the firm blends modern design with cultural sensitivity.
2. Morphogenesis
Morphogenesis is a leading architecture and urban design firm in India, recognized for its commitment to sustainability and innovation. The firm’s projects often incorporate passive design strategies, reducing energy consumption and environmental impact. Notable projects include the Pearl Academy in Jaipur and the Corporate Office Tower in Gurugram. Morphogenesis has been instrumental in promoting sustainable architecture in India.
3. Vastu Shilpa Consultants
Founded by B.V. Doshi, Vastu Shilpa Consultants is one of the most respected architecture firms in India. The firm has been involved in numerous landmark projects, including cultural institutions, educational campuses, and urban planning initiatives. Vastu Shilpa’s work is characterized by its deep respect for Indian traditions and its innovative approach to modern design challenges.
4. HCP Design, Planning and Management
HCP Design, Planning and Management, led by Hasmukh C. Patel and Bimal Patel, is known for its expertise in urban planning and public architecture. The firm has worked on some of India’s most significant urban projects, including the Sabarmati Riverfront Development in Ahmedabad. HCP’s work is marked by its focus on creating inclusive and sustainable urban environments.
The Impact of Indian Architects on Global Architecture
Indian architects and firms have not only transformed the architectural landscape within the country but have also made significant contributions to global architecture. Their work is characterized by a unique blend of tradition and modernity, reflecting the diverse and dynamic nature of Indian culture.
The influence of Indian architects is evident in the way they have adapted global architectural trends to suit the Indian context, whether through sustainable design practices, innovative use of materials, or integrating traditional elements into contemporary structures. This ability to balance the old with the new, the global with the local, has made Indian architecture a subject of study and admiration worldwide.
Conclusion: Design Forum International - Leading the Way
In the realm of Indian architecture, Design Forum International stands out as a beacon of innovation and excellence. As one of the best architecture firms in India, DFI continues to push the boundaries of design, creating spaces that are both beautiful and functional. Their work is a testament to the rich tradition of Indian architecture, while also embracing the possibilities of the future.
Whether you’re looking to collaborate on a new project or seeking inspiration from the best architects in India, Design Forum International offers unparalleled expertise and creativity. With a commitment to sustainability, cultural sensitivity, and design excellence, DFI is poised to continue shaping the future of architecture in India and beyond.
For more insights into our work and to explore our portfolio, visit our website or contact us today. Let Design Forum International be your partner in creating the future of architecture in India.
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inmyworldblr · 2 years ago
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Madhubala in Kala Pani (1958)
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tajmirrortours0 · 5 months ago
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Royal Rajasthan Tour by Taj Mirror Tour Company.
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A Magnificent Adventure with Taj Mirror Tour Company on the Royal Rajasthan Tour
The Royal Rajasthan Tour offered by Taj Mirror Tour Company will take you on an enchanted tour across Rajasthan, the region of kings and palaces. Featuring a fusion of history, culture, and luxury, this painstakingly designed itinerary takes you through the most iconic locations in the state. The Royal Rajasthan Tour is described in great depth here.
First Day: Getting to Delhi Arriving in Delhi marks the start of your regal tour. Reps from Taj Mirror Tour Company will extend a cordial greeting to you and arrange for a transfer to your accommodation. As per your arrival timing, you might get the chance to witness some of the most famous sites in Delhi, like the Lotus Temple, India Gate, and Humayun's Tomb. Spend the night in Delhi.
Touring Delhi on Day Two Settle in for a full day of touring in Delhi after a hearty breakfast. See Raj Ghat, Jama Masjid, and the old Red Fort. Go by the recognizable Parliament House, President's House, and India Gate. Discover Chandni Chowk's busy markets and take a rickshaw ride through its winding pathways. Take an afternoon tour of the UNESCO World Heritage Sites, Qutub Minar and Humayun's Tomb. Spend the night in Delhi.
Day 3: Travel from Delhi to Udaipur Flights to Udaipur, the City of Lakes, can be taken after breakfast. Check into your hotel as you arrive. Lakes, palaces, and a romantic atmosphere are some of Udaipur's most famous features. Admire the sights of Jag Mandir and City Palace while taking a leisurely boat ride on Lake Pichola in the evening. Be in Udaipur for the night.
Visiting Udaipur on Day 4 See the magnificent complex of palaces and museums known as the City Palace to start your day, which offers stunning views of the city and the lake. In the center of Udaipur, see the Jagdish shrine, a sizable Hindu shrine. Go to the Bhartiya Lok Kala Museum, which features Rajasthani folk art, and the tranquil Saheliyon ki Bari (Garden of the Maidens). Experience a customary cultural show of Rajasthan at Bagore Ki Haveli in the evening. Be in Udaipur for the night.
Day 5: Jodhpur -> Udaipur via Ranakpur. Travel to the Ranakpur Jain Temple, one of the most important Jain temples in India and a sight to behold due to its magnificent marble architecture, before continuing on to Jodhpur, the Blue City. Go to your accommodation as soon as you arrive in Jodhpur. Explore the lively local markets and indulge in the regional food during the evening. Be in Jodhpur for the night.
Visiting Jodhpur on Day Six Enjoy a panoramic perspective of Jodhpur's blue-painted buildings by beginning your day with a visit to the magnificent Mehrangarh Fort, one of India's biggest forts. Visit the palaces, museums, and courtyards of the fort. Visit the stunning marble memorial known as the Jaswant Thada, which was erected in honor of Maharaja Jaswant Singh II. Visit the Umaid Bhawan Palace in the afternoon. It still houses a deluxe hotel and is part of the royal palace. Be in Jodhpur for the night.
On the seventh day, travel from Jodhpur to Jaisalmer, also referred to as the Golden City and famed for its architecture made of yellow sandstone. Check into your hotel as you arrive. Explore the neighborhood markets and take in the distinctive atmosphere of the city during your free time in the evening. Be in Jaisalmer for the night.
Visiting Jaisalmer on Day Eight UNESCO World Heritage Site and one of the few "living forts" in the world, Jaisalmer Fort, is a great place to start the day. Discover the temples, havelis (traditional homes), and little passageways of the fort. Experience the exquisite architecture and carvings of the Patwon Ki Haveli, Nathmal Ki Haveli, and Salim Singh Ki Haveli. Enjoy a breathtaking sunset over the Thar Desert while driving to the Sam Sand Dunes in the afternoon for a camel safari. Enjoy a traditional meal and folk dances while dining in Rajasthan. Be in Jaisalmer for the night.
Nineth day: Jaisalmer -> Jaipur Take a flight to Jaipur, often known as the Pink City, which is renowned for its opulent palaces and lively culture. Check into your hotel as you arrive. Eat delicious local food and spend the evening strolling through the local markets. Be in Jaipur for the night.
Visiting Jaipur on Day Ten Get a beautiful view of the surroundings by starting your day with a visit to the Amber Fort, which is perched on a hill. Up to the fort's entrance, take an elephant or jeep ride. Take in the gardens, courtyards, and palaces of the fort. After that, go to the nearby Jantar Mantar, an astronomical observatory, and the City Palace, a fusion of Mughal and Rajasthani architecture. Pass the famous Palace of Winds, known as Hawa Mahal. Visit a cultural village in the evening to partake in a traditional Rajasthani meal. Be in Jaipur for the night.
Day 11: Flying from Jaipur to Delhi and Back Return to Delhi by car after breakfast. Your flight schedule will determine how much time you have for sightseeing or last-minute shopping after arriving. Timely transportation to the airport for your subsequent journey is guaranteed by Taj Mirror Tour Company.
To sum up With its engaging journey across Rajasthan's rich history, culture, and landscapes, Taj Mirror Tour Company's Royal Rajasthan Tour is highly recommended. Experience the splendor of Rajasthan with this journey, which takes you from the lakes of Udaipur to the deserts of Jaisalmer, and from the magnificent forts of Jodhpur to the palaces of Jaipur. This journey offers an incredible insight of India's regal legacy, complete with opulent hotels, informed guides, and flawless travel plans.
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A Complete Handbook on The First Descendant First Off An engrossing new game called "The First Descendant" has gone viral. It provides players seeking a mix of action and adventure with a novel experience thanks to its captivating gameplay, deep plot, and gorgeous graphics. With a thorough tutorial for both novice and expert players, this article explores every facet of the game.
Game World and Narrative Context and Scene A post-apocalyptic world where humanity is in danger of extinction is the setting for "The First Descendant". The environment in which players are placed is one of ruined civilizations now inhabited by dangerous groups and hideous monsters.
The main narrative and plot A group of survivors known as the Descendants are followed on their journey through the narrative. From their forebears, the first wave of warriors who faced the cataclysmic danger, these people had special talents. Revealing the mysteries of the past, fighting adversaries, and reconstructing society comprise the core plot.
Principal Characters The protagonist, an adjustable character that the player controls, and a number of allies and enemies encountered along the way are among the game's main characters. Every character adds something to the story that is being told and has a fascinating past.
Mechanisms of gameplay Simple Overview of Gameplay Action, exploration, and role-playing are all blended together in "The First Descendant". In order to accomplish objectives, players must traverse a variety of locales and fight opponents.
Combat Framework There are a variety of ranged and melee attacks in the dynamic combat system. To obtain an advantage in combat, players can make use of the special skills that each character possesses. Along with tactical gameplay components, the game also features a cover system.
Investigation and Pursuits Discovering various locales and secrets is a crucial part of the game, which emphasizes exploration. There are numerous gaming experiences offered by the missions, which vary from side tasks and challenges to primary story quests.
Character Classes and Skills A Synopsis of the Character Classes Character classes, each with a unique set of skills and playstyles, are available for selection by players. Gamers can select a class that best fits their interests, with options including wizards, rogues, warriors, and more.
Particular Capabilities and Expertise As the player advances, each class has special skills that can be enhanced. A player's approach to the game can be customized by selecting skills that match different fighting circumstances.
Choices for Personalization Players can change their character's appearance, skills, and gear because to the high level of customization. The gaming experience is made more intimate by this.
Types of Weapons Available: Armaments and Equipment Weapons in the game range widely, from futuristic rifles and energy weapons to more conventional combat weapons like swords and axes. With upgrades available, every weapon type has unique benefits.
Tools and Technology Players have access to a variety of gear items, such as armor and accessories, in addition to weapons, which can grant stat increases and unique skills. One can make, acquire, or find gear.
Revisions and Improvements Utilizing resources gathered during the game, weapons and equipment can be improved. Upgrades can add effects and boost performance, increasing the power and adaptability of the equipment.
cooperative and multiplayer attributes Several Player Modes Multiple multiplayer options are available in "The First Descendant," such as competitive PvP, cooperative missions, and special events. Collaboration and strategic play are promoted by these modes.
Mechanics of Cooperative Gaming While playing cooperatively, users can form online groups with friends to take on difficult enemies and quests. Successful cooperative play requires coordination and communication.
Aspects of Society and Communities Leaderboards, clans, and in-game chat are examples of the social aspects available in the game. Players are encouraged to interact and work together by these features, which also promote a feeling of community.
Visuals and Audio Production Visual Design and Graphics Beautiful sceneries and character models may be found in "The First Descendant"'s outstanding graphics. A blend of stylized art and reality in the visual style produces a hypnotic environment.
Audio Mix and Effects Adapting dynamically to the gameplay, the game's soundtrack amplifies the immersive experience. Thoroughly designed sound effects provide fighting and exploration a more realistic feel.
Submerged Components It's a very immersive experience because to the excellent sound design and breathtaking images. Setting "The First Descendant" distinguish from other games is the meticulous attention to detail in both the graphics and music.
Growth and Publication History of Development The passionate team behind "The First Descendant" created games that are both captivating and inventive. To guarantee a high-quality final product, the development procedure included a lot of testing and investigation.
Date of Publication and Platforms Several platforms, including PC, PlayStation, and Xbox, saw the game's release. Offering the game to players on many platforms, the makers hoped to appeal to a broad audience.
Updates and Assistance Following Release Along with bug fixes, enhancements based on player feedback, and new content, the creators have promised to provide post-release updates and support. The game is kept interesting and exciting by this constant support.
Approval and Evaluations Negative Reaction The gameplay, narrative, and graphics of "The First Descendant" have garnered favorable reviews from critics. Replayability and depth are two of the game's best qualities, according to reviews.
Evaluations and Comments from Players The game's intriguing combat and immersive world have garnered positive feedback from players. Post-release enhancements and updates have been greatly influenced by community feedback.
Typical Acknowledgments and Views Its varied gameplay mechanics, excellent graphics, and intricate plot are frequently praised. Small-minded criticisms usually center on sporadic glitches or possible improvement areas.
Relative to Like Games Analogous to Other Games in the Genre: With its distinct gameplay aspects and gripping narrative, "The First Descendant" stands out among action-adventure games. Its innovative features and strong points are emphasized by comparisons to other well-known games.
Specialty Market Segments The battle system, extensive customization choices, and captivating storyline of the game are its distinctive features. Its distinctive qualities make it appealing to a wide range of users and differentiate it from rivals.
Areas in Need of Development Despite its positive reviews, the game could still use some work, particularly in the areas of multiplayer functionality and endgame content expansion. These issues are addressed and the overall experience is improved with regular upgrades.
Advice & Techniques for Novice Players Novice Advice To familiarize themselves with the gaming principles, novice players should begin with the tutorial missions. To determine the ideal weapon and class combination for your playstyle, try experimenting with them.
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kayahforde-cs · 11 months ago
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Ursula K. Le Guin’s The Word for World is Forest (1972) is an interesting and compelling book that discusses heavy themes surrounding colonialism, invasion and exploitation. As MacLeod puts it, ‘The Word for World is Forest is a reflection […] on the necessity and cost of resistance’ (2015: 1).
Le Guin wrote this book during the time of the Vietnam War, which is heavily referenced throughout through the character Colonel Dongh, who enables and supports the enslavement of the Ashtheans (Watson 1975: 231). Dongh is a character who, like many other humans (‘yumens’, as the Ashtheans call them), are cruel and oppress the native Ashtheans on New Tahiti. Ashtheans are subjected to heavy colonisation and the abusive effects of it, such as forced labour, rape, and genocide (Debita 2019: 51). Indeed, despite Le Guin using the peace movements she was involved in as her outlet to keep her political views and her writing separate, I believe that Le Guin’s political stance is clear through her use of her characters in the book. (Savi 2021: 536, quoted in Burns 2010).
Through the atrocities that occurred during the Vietnam War, Le Guin states in her Author’s Introduction of The Word for World is Forest that ‘[she] never wrote a story more easily, fluently, surely - and with less pleasure.’ Le Guin was opposed to the idea of atomic bomb testing, and the war in Vietnam in general, and would often feel ‘useless, foolish, and obstinate’ (Le Guin, 1972) because of the higher authority destroying the lands and forests; killing other men in the name of peace. It is through this heavy opposition to this unethical method of achieving such an agenda that she created The Word for World is Forest. Le Guin ‘responds to the dehumanizing nature of war that made possible Viet Nam era atrocities’ (Savi 2021: 536, quoted in Lindlow 2012), and this is certainly evident in how the character Don Davidson treats the “creechies”, which he derogatorily calls the Ashtheans.
Le Guin also mentions in her Author’s Introduction that her unconscious mind created a pure evil character - Davidson - despite her knowing very well that purely evil people do not exist (Le Guin 1972). Unlike Raj Lyubov, a character that studies the Ashtheans and tries to understand their lifestyle and their culture, Davidson fails to understand Ashthean ways of living - during his conversation with Oknanawi in Chapter 1, he states that hitting a creechie is “like hitting a robot for all they feel it”, and they’re “dumb, […] treacherous, and they don’t feel pain.” Furthermore, Lyubov mentions Davidson’s sexual intercourse with a creechie, who was Selver’s wife, Thele. This sexual assault is what lead to her death, and what was the driving force for Selver to attack Davidson in Chapter 1.
However, it is Selver’s character (and the Ashtheans’ dreaming culture as a whole) that led my practical response to this book. As Savi states, ‘Ashtheans are experienced day-dreamers’ (2021: 544), and I created my etchings through the link between the Ashtheans’ connection to their forest and the practice of Buddhism. Looking at Indian, Japanese and Tibetan Buddhist art, I drew upon the beautiful and calming sceneries of mountains, glistening rivers, and lotus flowers blooming in the water. Nature was the key to ‘attain enlightenment’, and was considered the ‘Pure Land’ (Bloom 1972: 117). Buddhism, which is still widely practised, enables people to have a sense of belonging in nature, to be one with the leaves and the sky, and the flowing rivers (Kala 2017: 24). I made a link between Buddhists aiming to reach Nirvana, and the Ashtheans using the concept of dreaming to gain answers from their gods.
My etching consists of a pair of hands holding a bloomed lotus flower, which has a heart-shaped vine growing out of it, adorned with depictions of the various natural imagery we used to live in before our Modern Age. I wanted to represent humankind’s appreciation for nature, and how we should still be one with nature, and hold it in high regard, despite our destroying of trees and natural resources to aid and sustain human life. Reading about the humans’ destroying of New Tahiti to help an already-destroyed Earth in The Word for World is Forest, I felt an overwhelming urge to create a positive and peaceful outcome in response.
However, although I wanted to have a positive outlook on my practical response and the book as a whole, one cannot ignore the negative and depressing ending of the book. Although the Ashtheans were able to obtain their land back from the humans, they have been introduced to murder, despite them being harmless and nonviolent species before. Their old way of life is no more, and the world they used to live in will never be the same again. The strong reference to real life ecological issues is evident here - people’s greed and selfishness have destroyed the planet, both physically and spiritually. People are out of balance between their status as humans and the nature around them (Hurby 2017, quoted Farong 2017). It raises many questions about how humanity stands: will our world ever be the same even if we are able to save our forests and planet? Will we ever be the same if we regain our spiritual connection to our natural environments? For me, I will always ask the question: will Mother Nature ever forgive us for ruining Her planet?
Bibliography
Bloom, A. (1972) ‘Buddhism, Nature and the Environment’, The Eastern Buddhist, 5(1), pp. 117-119.
Brown, K.S. (2003) Tibetan Buddhist Art in Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. Available at: https://www.metmuseum.org/toah/hd/tibu/hd_tibu.htm (Accessed 19 December 2023).
Debita, G. (2019) ‘The Otherworlds of the Mind: Loci of Resistance in Ursula K. Le Guin’s The Word for World is Forest and Voices (Book II of the Annals of the Western Shore)’, Cultural Intertexts, 9, pp. 51.
Hurby, D (2017) Taoist monks find new role as environmentalists. China Dialogue. Available at: https://chinadialogue.net/en/nature/9669-taoist-monks-find-new-role-as-environmentalists/ (Accessed 19 December 2023).
Kala, C.P. (2017) ‘Conservation of Nature and Natural Resources through Spirituality’, Applied Ecology and Environmental Sciences, 5(2), pp. 24.
MacLeod, K. (2015) The Word for World is Forest in The Anarchist Library. Available at: https://theanarchistlibrary.org/library/ursula-k-le-guin-the-word-for-world-is-forest-1 (Accessed 5 December 2023).
Savi, M.P. (2021) ‘Looking to Ursula K. Le Guin’s The Word for World is Forest: A Mirror of the American Consciousness’, Extrapolation, 30(1), pp. 536.
Watson, I. (1975) ‘The Forest as Metaphor for Mind: “The Word for World is Forest” and “Vaster Than Empires and More Slow”’, Science Fiction Studies, 2(3), pp. 231-232.
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openingnightposts · 1 year ago
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bollywoodirect · 9 months ago
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Dilip Kumar’s tribute to Dev Anand 12th March 2017.
I am just a year senior to Dev Anand. All three of us, Raj, Dev and I, started our careers around the same time in the mid-1940s. I still have fond memories of Dev and I travelling by local train to look for work in various studios. We developed a good rapport within a short period and Dev became a dear family friend, especially of my younger brother, Nasir Khan.
By the late 1940s all of us were able to gain a strong footing in filmdom. Raj and I achieved stardom with “Shaheed”, “Andaz” and “Barsat”. Dev rose to heights with “Ziddi” and “Baazi”. We shared a decent professional rapport and a mutual set of unspoken ethics right from the beginning. Though nothing was put into words, we shared a silent regard for each other.
There were frequent meetings between us when we would discuss and analyse each of our works. We had humorous moments also when Raj would imitate me and Dev immaculately. They were such beautiful moments as we were competitors, not rivals.
Dev’s plus point was that he was very co-operative with every co-star and technician. He had devastating looks and a smile which till date no other actor has. Whenever he received the right script and an imaginative director, he gave superb performances as in “Kala Pani”, “Asli Naqli” and “Guide”. Among us, he was the best in performing romantic scenes.
I had the good fortune of sharing space on screen with Dev Anand in Gemini’s “Insaniyat” in 1955. Directed by the respected S.S. Vasan, it was a costume drama. So generous was Dev that he cancelled dates of his own production shooting to accommodate dates with me. I personally saw how he helped junior artists by giving them take after take so that they could prove their worth. He never neglected anyone.
We made it a point to attend each other’s family functions. I attended his sister’s marriage in the mid- 1950s and daughter Devina’s marriage in 1985. Dev was present with wife Mona throughout my marriage function with Saira Banu in 1966 and also other events at our Pali Hill residence. We met like family members and never did our profession come into our relations.
Perhaps the most important visit, I, Raj and Dev did was to see Pandit Jawaharlal Nehru, then India’s Prime Minister, prior to his demise. We discussed many issues together. Just as I addressed him as Dev, he addressed me as Lale.
I am shocked and grief struck to learn about his sad demise in London suddenly. My 89 birthday will be my saddest one as I will miss my dear Dev who I am sure would come, hug and greet me saying, “Lale, Tu Hazar Saal Jiyega.” Dev, Kahan Chale Gaye Mujhe Chod Ke.”
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