#Rainbow Islands 2 ?

[glimmette]

Last thing before the new Inanimate Insanity episode drops. A bunch of doodles in my old rainbow colored pencils.

[crescentfool]

TWO YEARS OF MINATO NUI!!! 💙

[barbie-movies-tournament]

Official Bracket

Without further ado, here's the official lineup for the Barbie Movie Tournament:

A SIDE

B SIDE

The tournament will start with A side on Monday, June 19th at noon (EST). Good luck!

[newtypezaku]

[segasonic1991]

A Swordsman Most Dark

[snowdrop-wolf]

I made this during school,

I used a gray-scale version of the Slime Rancher icon specifically so that I could shade it almost accurately but that was probably a bad way to go

I know it doesn't look the best, I tried ok 😭

[touchygameart-again]

Rainbow Islands: Bubble Bobble 2 / Ocean (1991) - NES

[bangjiazheng]

Master System Longplay [157] Rainbow Islands The Story of Bubble Bobble 2

This is  Rainbow Islands 1,SMS Version,Very like the FC Verison.But this version’s color is deeper than FC Version.

You can see them as the same game…………

Very Good Game,Very Happy!!!!

[smbhax]

Rainbow Islands Extra - in Taito Memories II Gekan (PS2)

Session: https://youtu.be/G9tKr990Q_Y

[silentsenior09]

*Cracks knuckles*

Let's get started. Today, we tackle Shy Guys on Stilts and Touch Fuzzy, Get Dizzy. Yeah buddy!

[sonsofks]

Emoción a Borbotones: La Actualización 'Come Rain or Slime' Deslumbra en Slime Rancher 2

“Monomi Park, los genios detrás de Slime Rancher, nos sorprenden con un festín meteorológico en Rainbow Island. ¡Prepárate para nuevas aventuras con lluvia, tornadoes y tus queridos slimes Dervish y Tangle!” En un anuncio que emocionará a los amantes de los slimes, Monomi Park presenta “Come Rain or Slime”, la segunda gran actualización de Slime Rancher 2. ¡La diversión ahora incluye un caótico…

[beansprean]

Sam like 'they keep telling me its their anniversary but when i ask 'of what' they change the subject

Support me on Patreon!

(ID in alt and under cut)

ID: 1. Full body of Charlie, hair in a short curly bob, wearing a tee shirt and jeans, lounging in the drivers seat of a car at night. The seat is tilted back and there is a crumpled flannel shirt on her lap as if she had been using it as a blanket. She has one foot propped up on the dash and one arm behind her head, the other hand holding up her phone. She smiles incredulously at the screen. Text overlay shows her conversation with 'Tall Sam'. Sam: Hey what's it called when a guy is mostly into girls but also sometimes guys? Charlie: Omg Sam r u coming out to me [star eye emoji]? Sam: No it's for someone else. Charlie: Bisexual btw. Other options but lets start there. Sam: Thanks. Charlie: U rly couldnt google this? Had to text your one gay friend for backup lol. Sam: There were a lot of results I didn't want to get it wrong sorry. Charlie: Never wrong when ur labeling urself sammo! And dw ive always wanted to be someones gay Yoda. [gif of Yoda nodding and saying 'learning you are']

2. Full body of Sam wearing a flannel and jeans, sitting on a stool against the kitchen island in the bunker, his laptop open in front of him, both thumbs tapping on his phone with a worried frown. Behind him, Dean and Cas stand close together in front of the stove, Dean - who is wearing an apron - holding out a wooden spoon for Cas to taste from. Cas is obediently leaning forward to take a bite. Text overlay shows Sam's conversation with 'Charlie B' continue from his perspective. Sam: AGAIN NOT FOR ME. I am...gay-Yodaing by proxy. Because I know this person would never ask. Charlie: Omg is Dean finally hopping on the rainbow road with me?? Ive been saving his seat. Sam: Just a friend of mine!! Anyway I'm pretty sure you're not supposed to out someone without permission Charlie! Charlie: Dam u got me. #1 rule in the Gay Code of Conduct. Sam: And I'm insulted you were more excited about Dean being hypothetically bisexual than me. Charlie: I'm sorry. I would welcome you with open arms [sparkle heart emoji] [rainbow emoji]. Sam: Thank you. Charlie: And I know several dudes who would welcome u with open legs. Sam: ENDING THIS CONVERSATION. Charlie: [gif of Yoda saying 'i sense much fear in you'] /end ID

[werezolft]

The Dead Boy Detectives (and crew), have been occupying my thoughts the past few weeks. I’ve watched the show on repeat, rewatched Sandman, actually started reading the Sandman graphic novels (currently on Seasons of Mist, the introduction of the Dead Boys), and I’ve started drawing the episodes in the style of old teen detective novels.

I started these before getting super into behind the scenes details. I went down a bit of a rabbit-hole last night, and was delighted to learn that show-runner Steve Yockey wanted the show to be reminiscent of The Hardy Boys, one of the main influences of these covers.

The accuracy of their depictions varies, I don’t think they always really look like themselves. But I had a lot of fun.

I hope to continue designing these for a bit while the obsession holds, and maybe I can properly bring in purples, Crystal’s hero color.

[Alt Text:

Image 1: A series of covers on a white background. From left to right, "The Case Of The Dandelion Shrine", "The Case Of Devlin House", "The Case Of The Dandelion Shrine" (alt cover), "The Case Of The Hungry Snake", and "The Case Of The Lighthouse Leapers".

Image 2: Three teenagers, Charles, Crystal and Edwin explore a blue green cave with a skull covered in dandelions on a center shrine. Charles holds a flashlight, Crystal is climbing in while her eyes have gone white during a psychic episode, and Edwin is playing lookout. At the top of the page in yellow italics is the text “Dead Boy Detectives” and below in off-white bold caps “THE CASE OF THE DANDELION SHRINE”.

Image 3: Edwin, Charles and Crystal peering around the corner of a yellow-green wooden hallway, looking at the silhouette of a man swinging an axe. They have varying worried expressions. At the top, in yellow italics is “Dead Boy Detectives” and in off-white bold caps “THE CASE OF DEVLIN HOUSE”.

Image 4: Crystal and Niko stare at each other across a green hallway. Niko has her left hand raised and is surrounded by glowing images, stars, hearts, moons, butterflies, rainbows, and sparkles. The cast a faint pink light. At the top in yellow italics is “Dead Boy Detectives”, and in off-white bold caps “THE CASE OF THE DANDELION SHRINE”.

Image 5: Charles and Edwin tied to chairs in a golden yellow room. Charles has an iron collar chained to his neck, and his wrists are bound. Edwin is in a white tank top, and his mouth is gagged with a clothe. On the wall is the shadow of the witch Esther, with her cane. In the corner is a large cabinet, Niko peers out of. On top of the cabinet is perched a crow, Monty. At the top, in yellow italics “Dead Boy Detectives” and in off-white bold caps “THE CASE OF THE HUNGRY SNAKE”.

Image 6: Edwin, Charles and Crystal stand on stairs overlooking the gray sea and red sky. A giant angler fish, Angie, is staring at them. In the corner, on top of the hill is a classic red and white striped lighthouse. At the top, in yellow italics “Dead Boy Detectives” and in off-white bold caps “THE CASE OF THE LIGHTHOUSE LEAPERS”.

Image 7: A series of book covers on a white background: “Alfred Hitchcock and the Three Investigators in The Secret of Skeleton Island”, “Nancy Drew Mystery Stories, The Ghost of Blackwood Hall”, “Nancy Drew, The Mystery at Lilac Inn”, “The Hardy Boys, While the Clock Ticked”, and “The Three Investigators in The Mystery of the Coughing Dragon”.

[newtypezaku]

[rainbowsylvie]

While all the dimensions have good build potential due to the sandbox nature of the game, personally I believe the end is the best when it comes to non environment based builds because you can do whatever the frick you want, especially in the thousand block empty space between the main island and everything else

[bloodsakkar]

academic papers about black sails

Jones, Clint, "Black Sails as Philosophy: Pirates and Political Discourse"

Myrvang, Olav Kjetil, "Because I don’t want to be a pirate" - A Contextual Study of the Representation of Long John Silver in Treasure Island and Black Sails

Carcas, Leyres, “HETEROBAITING”: BLACK SAILS AND THE SUBVERSION OF QUEERBAITING TROPES

Schneider, Elisabeth, "RECLAIMING QUEERBAITING: A CALL TO ACTION"

Friedrich, Kathrin, "‘Evil Heroes’ in Black Sails – A Case Study: How Character Complexity and Nonverbal Actions Invite Positive Viewer Responses"

Razman, D. C. (2020) “Black Sails, Rainbow Flag: Examining Queer Representations in Film and Television” [click for pdf]

Srividhya Swaminathan, (2017) “The New Cinematic Piracy: Crossbones and Black Sails” (in ‘The Cinematic Eighteen Century: History, Culture, and Adaptation’ (2017, 1st ed.) edited by Srividhya Swaminathan and Steven W. Thomas)

Dirksen, S.J. (2019) “Constructing the Identity of the Popular Pirate: The Outlaw, Marginal Identities, and Utopia in Black Sails (2014-2017) and Assassin’s Creed IV: Black Flag (2013)”

Min-Chi Chen (2024) “Weaponizing Monstrosity: Starz’s Black Sails and the Power of Monstrous Narrative” (in Chapter 2 of ‘Monsters and Monstrosity in Media: Reflections on Vulnerability’, 23, 2024, edited by Yeojin Kim, Shane Carreon)

Jessica Walker “Civilization’s Monsters: The Doomed Queer Anti-Imperialism of Black Sails” (in ‘Pirates in History and Popular Culture’ (2018) edited by Antonio Sanna) [entire book in pdf]

“From Dogs to Kings” https://www.diva-portal.org/smash/get/diva2:1332062/FULLTEXT01.pdf