#Put on Francella

[vonlipvig]

today in german class we watched the trailer for the new season of dark (i should actually watch that show), and our lehrer put the german trailer for el secreto de sus ojos, and god, seeing darín and francella "talking" in german was the funniest shit ever

[wiremagazine]

SPOTLIGHT FILMS: PREVIEW 14 OF THE OUTSTANDING SELECTIONS FOR THE MIAMI FILM FESTIVAL GEMS 2018

Photos provided by Miami Film Festival GEMS 2018

ANIMAL (Argentina, Spain, 2018) Director: Armando Bo In Spanish, with English subtitles

GEMS Synopsis: Antonio is a middle-aged family man with traditional views and a high-ranking job title. He has lived firmly by the rules instilled within him by his parents and grandparents and has no intention of reevaluating his priorities until he is shaken to his core by an extreme situation. Antonio is forced to set aside his beliefs and his limited understanding of life, as he strives to follow his most primal of instincts. Armando Bo's thought-provoking and darkly comic thriller has been praised for the excellent performance of Guillermo Francella as Antonio, and the boldness of its screenplay. 

BEN IS BACK (U.S., 2018) Director: Peter Hedges In English

GEMS Synopsis: The most wonderful time of the year is also the most stressful in Ben is Back, Peter Hedges' gripping look at the lengths a mother will go to save her son from himself. When Ben (Lucas Hedges) leaves rehab early to be home for Christmas, his mother Holly (Julia Roberts) is both elated and on edge. She tells him that he can stay for one full day, on the condition that she must have eyes on him at all times. Even though he's been clean for a few months, his family still fears the worst – a fear that turns out to be well-founded. Led by a devastating career-best performance from Roberts, Ben is Back deals with the opioid epidemic with fast-paced urgency and compassion. Writer-director Peter Hedges cast his real-life son and Oscar-nominee Lucas Hedges in the title role, a decision that works wonders here. Because when it comes down to it, this is a film about family: the way we hurt each other, the way we love each other, and the way we pick each other up when we're down.

BIRDS OF PASSAGE (Colombia, Denmark, France, Mexico, 2018) Directors: Cristina Gallego, Ciro Guerra In English, Spanish, Wayuu, with English subtitles 

GEMS Synopsis: Birds of Passage charts the origins of the Colombian drug trade, through the epic story of an indigenous Wayuu family that becomes involved in the booming business of selling marijuana to American youths during the 1970s. When greed, passion and honor collide, a fratricidal war breaks out that will put their lives, their culture and their ancestral traditions at stake. 

BORDER (Denmark, Sweden, 2018) Director: Ali Abbasi In Swedish, with English subtitles 

GEMS Synopsis: When Tina, a highly-skilled customs officer with a keen ability to identify smugglers through her senses, crosses paths with Vor, she is surprised to realize that she is unable to properly assess his intentions. This moment of confusion paves the path for Tina's brash journey into self-discovery as she gradually becomes more intrigued by Val's enigmatic presence. Winner of the Uncertain Regard Program at this year's Cannes Film Festival, Ali Abbasi's bold and cleverly-crafted film beautifully overlaps genres to create a relatable and moving tale.

BOYS CRY (Italy, 2018) Directors: Damiano D'Innocenzo, Fabio D'Innocenzo In Italian, with English subtitles 

GEMS Synopsis: Two best friends on the brink of adulthood have their worlds turned upside down after a car accident claims the life of a pedestrian. Driven by their visions of a brighter future, Mirko and Manolo surge onward as they become entangled in the volatile and elusive underworld of Rome's most notorious criminals. Under the direction of their new bosses, both men are introduced to an array of enticing yet potentially catastrophic circumstances. The compelling performances by both Carpenzano and Olivetti, along with the D'Innocenzo's Brother's meticulous vision, bring to life this remarkable tale about survival at all costs.

BURNING (Republic of Korea, 2018) Director: Lee Chang-dong In Korean, with English subtitles 

GEMS Synopsis: A chance encounter morphs into a mystery in Lee Chang-dong's Burning, a slow-burn examination of anger and obsession where everything is questioned, and little is answered. When Jongsu reconnects with childhood friend Haemi, it seems like things are finally looking up for him. But just as quickly as she enters his life, she leaves for a vacation to Africa. When she returns, she's accompanied by a mysterious man named Ben, who's confident, charismatic and wealthy – everything the hapless Jongsu isn't. Then, things take a turn for the strange when Ben confesses a dark secret hobby, one that Jongsu can't ignore. With Burning, Korean auteur Lee Chang-dong has crafted a mesmerizing narrative about what happens when class conflict and toxic masculinity fuse together. A cinematic puzzle that film aficionados have been utterly transfixed by, Burning became the highest rated film ever on Screen International's Cannes critics grid, marking it as one of the most enthusiastically loved films of the 2018 Cannes Film Festival. 

CAPERNAUM (Lebanon, 2018) Director: Nadine Labaki In Lebanese, with English subtitles 

GEMS Synopsis: Deeply resentful of his poor upbringing and his parent's monetarily-influenced decision to support the arranged marriage of his younger sister, Zain, a precocious 12-year-old who is currently serving time in a Lebanon prison, decides to sue his parents on the basis of having been born. Nadine Labaki's politically-fueled drama has a unique storyline that brings attention to the issues of children in Beirut's slums. Capernaum was presented with the Jury Prize at the Cannes Film Festival along with a 15-minute standing ovation. 

CHAMPIONS (Spain, 2018) Director: Javier Fesser In Spanish, with English subtitles 

GEMS Synopsis: Marco is an arrogant and ill-mannered basketball coach. After an altercation at work that gets him detained, he is sentenced to community service, forced to work with a team of differently-abled players who generally operate under the eye of kindly old-timer, Julio. This funny and smart comedy confronts head-on issues of prejudice with a fresh tone. 

COLD WAR (France, Poland, UK, 2018) Director: Pawel Pawlikowski In French, Polish, with English subtitles 

GEMS Synopsis: Winner of the Best Director award at the 2018 Cannes Film Festival, Pawel Pawlikowski is back with Cold War, a decade-spanning romance that finds a star-crossed couple separating and reuniting throughout the years. The film starts in 1949 Poland, where we meet Wiktor as he's scouting the Polish countryside to put together a folk ensemble. There, he meets the fiery Zula, and is instantly drawn in by her star potential. The two start an impassioned affair, but a variety of factors – not least of which are the turbulent time period and their ill-suited pairing – will both keep them apart and drive them head-on towards each other. Replete with sumptuous black and white cinematography and a wonderful soundtrack that flips between Polish folk music to jazz to rock 'n' roll, Cold War is a breathtaking feast for the senses and a punch to the gut for the soul. 

EL ANGEL (Argentina, Spain, 2018) Director: Luis Ortega In Spanish, with English subtitles 

GEMS Synopsis: Based on the true story of one of Argentina's most infamous criminals, El Angel highlights the origins of Carlos Robledo Puch, the teenage baby-faced serial killer whose murder spree dominated national headlines in Argentina during the early 1970's. What begins as a series of milder crimes for Carlos quickly escalates into a series of ruthless killings. Guided by his blonde curls and angelic demeanor, he manages to lure his victims one by one. Ortega's biopic is a visual feast that manages to blend Puch's pathology and the spirit of his times, in a style that follows the director's fascination with outlaws and the underground. The film saw its world premiere at this year's Uncertain Regard Program at the Cannes Film Festival.

EVERYBODY KNOWS (France, Italy, Spain, 2018) Director: Asghar Farhadi In Spanish, with English subtitles 

GEMS Synopsis: Upon traveling back to her hometown near Madrid, Laura, a Spanish woman living in Buenos Aires, seems pleased to be reuniting with old friends and family members as they prepare for a wedding. However, the joyful ambiance quickly dissipates following the unexpected chain of events which includes the sudden disappearance of Laura's daughter and the unveiling of some dark secrets. Directed by two-time Academy Award winner Asghar Farhadi, Everybody Knows marks his first time directing in Spain and working with real-life couple and giants of Spanish and international Cinema, Penélope Cruz and Javier Bardem, as well as the incredible Ricardo Darín. Selected as the opening film of the Cannes Film Festival, this psychological thriller lives up to its suggestive title as a result of Farhadi's masterful direction and an all-star cast who deliver superb performances.

HOPELESSLY DEVOUT (Spain, 2018) Director: Marta Díaz de Lope Díaz In Spanish, with English subtitles 

GEMS Synopsis: When Ignacio manages to secure a highly-respectable position at the local religious guild, Carmen, a devout Catholic woman who was confidently pursuing the same title, refuses to concede gracefully. Her scheme to overthrow him, however, ultimately leads to a chain of hysterical and comically inconvenient events that often include an eccentric mix of characters. Marta Diaz De Lope Diaz's first feature film playfully challenges conventional norms in this screwball comedy where chaos ensues in every corner. Well-received at the Malaga Spanish Film Festival, Hopelessly Devout was presented with both an Audience Award and a Best Supporting Actress Award for Carmen Flores' portrayal of Juana. 

SOUFRA (U.S., 2017) Director: Thomas Morgan In Arabic, English, with English subtitles 

GEMS Synopsis: Soufra follows the unlikely and wildly inspirational story of an intrepid social entrepreneur, Mariam Shaar – a generational refugee who has spent her entire life in the Burj El Barajneh refugee camp just south of Beirut, Lebanon. The film follows Mariam as she sets out against all odds to change her fate by launching a successful catering company, "Soufra," and then expand it into a food truck business with a diverse team of fellow refugee women who now share this camp as their home. Together, they heal the wounds of war through the unifying power of food. In the process, Mariam is breaking barriers, pulling together Syrian, Iraqi, Palestinian and Lebanese women to work side by side and form beautiful friendships while running this thriving business. Soufra will shine a new and revealing light on people inside of the largest refugee crisis in human history, but ultimately this film is about hope, grit, passion and the common bonds created by bringing people together around food as a bridge to overcome all barriers. 

WOMAN AT WAR (France, Iceland, Ukraine, 2018) Director: Benedikt Erlingsson In Icelandic, with English subtitles 

GEMS Synopsis: To most of her acquaintances, Halla seems like an ordinary and amiable woman who works as a choir director. However, during her spare time, Halla's strong affinity for environmental causes lead her to direct havoc towards targets who aren't exactly eco-friendly. In the midst of her rebellion, Halla finds herself reevaluating her current circumstances after the unexpected arrival of a Ukraine orphan. Through its uniquely-orchestrated score, political undertones, and Erlingsson's knack for infusing high-stake situations with satire, Woman At War is a witty and socially-conscious film that transcends genres.

This was originally published in Wire Magazine Issue 40.2018

[munasharmakia-blog1]

Advocating for Family Health

The family system is a system that is important to the well-being of it members. Families are all interconnected and if a shift or external factor enters the family the system it will impact all of the members. Technology is a great innovation that’s allowed our society to develop and advance quickly throughout the years. However, as these probable changes occur it often times causes a shift in the family and then impacting the function of that system. The health, communication, and connectedness of a family is crucial to the survival and well-being of that family. Therefore, we must advocate to keep the family health. When work spills into the home it causes many problems as mentioned in the article 12 Signs You Need to Stop Working So Much: by Gillian Francella we are given some detailed impacts of how working too much impacts your health and communication. I will mention here some of those signs. As, you’re working hard you are also playing a little harder after you’ve completed a long day at work due to all the stress of the day you’re more likely to be temped to take the edge off by having a few beers “men who spend 49 hours or more a week in their office consume more alcohol than guys who tap out a 48 hours or less”. This was a study found in Finland however, these findings are relevant to the U.S. the more hours you’re working the more likely you want to take the stress out but, we know that the more you drink the more problems you’ll be facing down the road. Your physical health also beings to deteriorate if one is working too much. Your back isn’t too happy with the fact you’re working so much either “workaholics are significantly more likely to report disabling back pain than those who aren’t as job-obsessed”. How shocking is this right? Besides your physical health, your sleep is a risk from working too much. It was found that work is the main cause of sleep disturbance also, workaholics take longer to fall asleep at night “you want to snooze for 7 to 9 hours a night. Logging less than 7 hours can start to impede your mental, emotional, and physical performance”. So now not only is your physical and sleep health at risk so is your personal relationships. A good relationship needs good communication couples who struggle to keep their work life from spilling over to their personal lives are more likely to break up compared to couples who keep them separate. With some of the signs highlighted in this article we are able to have a better understanding of just how much strain working too much brings into someone’s life. The better question should be how can we help individuals balance this out? Employers need to understand the issues they will have down the road if employees don’t leave work at work. By being expected to put in overtime to meet the demands of their boss they are putting their overall well being at risk. If employers understand the prevalence of overworking hopefully we can put the needs and health of our families first. In order to insure the effectiveness and well being of our families.  

[beckiewilliamsciblog-blog]

FMP - Detailed Evaluation

Pre-Production: The pre-production went smoothly - it was a simple task of dividing out what we had to each do. In my case it was the story board and the call sheets - the call sheets I simply made by editing some I had used before so they contained the correct information, and the storyboards were detailed and drawn by hand, then scanned into the computer so they could be submitted. Next time I could perhaps wok on how clear my drawings were as they weren't the clearest, and I could make sure that I use pencil instead of pen.

Production: The production went exceptionally well - all the filming days ran smoothly, apart from one where we almost overran because we tried to accomplish too much. For the most part the shoots were organised and well done, the teamwork was good and we all made sure we had the equipment working and in the right place for each shoot. This meant that we were ready to go. What we could work on was our team communication - we didn’t really have each days plan filming in place and there was a little confusion as to what and how much we would be filming. One issue we could tackle next time was the lighting - in post we had to color grade some shots inside because of the lighting and that meant more work when we could have sorted it out on set, and it would have made the whole process easier. Another issue was the narration- some shots we didn’t read out the narration and as a result we didn’t leave enough room for the narration to be added in the edit, so we had to cut some down and some feels slightly rushed - which is a down side because it would have been so much better if we had remembered to have someone read it out. One final issue we faced whilst filming was time - we were filming in Clacton most of the time and - despite having a team member who drove us there, we didn’t have that much time to film as we could only book the equipment out 9am till 4pm on any given day - this included the time we needed to transfer the footage over to another hard drive, so we didn’t have as much time because there was about an hour to an hour and a half’s travelling time involved - next time if we film nearer the college this can be avoided.

Post-Production: For the most part the post production work ran pretty smoothly - we had an editing based class every Wednesday were we could ask questions that might help us or get the teachers help to insert fancy graphics that would lift the appearance of the film. For instance, we had turned our final credits into graphics at the start of the film - and most worked quite well. but we needed some help with the tracking . The basic edit went just fine - it was a case of finding the clips that had worked best and putting them together - maybe touching them up with color grading or a slight stretch to make sure they kept consistent with the other clips and make sure the lighting looking similar or the same in each so it looked like one smooth film. We included title effect for ‘hot chocolate’ so that it looked like it was swirling round in the cup, which took us several hours to Jack stressing and Julian trying to figure out what exactly we were trying to do - but eventually we got there by putting a distort and spin effect on it, then a fade as the swirl slowly stopped so it looked like it was being poured into the drink. We also applied beeps over the many swears in the film. This wasn’t our original intention but after looking at some comedy flicks we found the bleeped out swears are much funnier than actual swears because its something you don’t expect to hear in a film, whereas swearing is a normal part of vocabulary for teens. Overall we could have been more relaxed about the final edit and we could have talked about it more as I didn’t feel that I had a clear vision of what the director wanted.

Final Evaluation: When we presented the project the class found it funny, orginal and surprising. Our course tutor Wendy Francella said that it had been ‘original, funny and unexpected, but very good’ There have also been public comments from Facebook - Pam Swarbrick said ‘That was very entertaining - well done Beckie and colleagues.” Donna Williams said “Fantastic work”. This shows that people who are not associated with the course or out previous work have found the film on social media and YouTube, liked it and even commented - on Youtube the film has 15 veiws from various subscribers of mine around the world, showing people do have interest in our film. Overall, the film was well executed and well planned out - it was funny, had a dark humor towards the ending and the acting was superb. There was, good teamwork and it was well received - next time I will make sure I spend more time getting ton know exactly what the director wants out of the film so that I understand how the edit is to go, and maybe talk more to the team.\

[oupushc-blog]

Downloads Put on Francella Movies

Put on Francella movie download

Actors:

Toti Ciliberto Gabriel Goity Florencia Peña Alberto Fernández de Rosa Roberto Carnaghi Guillermo Francella Carmen Vallejo Julieta Prandi Silvina Bosco Mariana Briski

Download Put on Francella

Port Chester Man Faces Charges, ICE Detainer After Fleeing Crash posted on July 18, 2011 11:31:21 pm. (Mr. Is Guillermo Francella Stealing Secret of their Eyes Oscar-Win. Argentine Film: Action, History, Love. 08/05/10 Video: Rick Torres pledges to fight progressivism and moderation - Rick Torres pledges to fight progressivism and moderation Norwalk Friends, There are 5 days until the Republican Primary on August 10th. This makes the movie uniquely Argentinean and hopefully immune from the remake treatment. Ricardo Darin is great and Soledad Villamil also gives a good performance, but it is Guillermo Francella. Movie Review: El Secreto de Sus Ojos and the way in which the director is able to put all the pieces together in the movie. IT;S THE FIRST ANNUAL ZOMBOSCARS!Simply put, if a category is not here, that means I did not see any films of that type in the last year, and if there;s a smaller-than-usual number of nominees, this means I only saw a limited number of potential candidates for that prize.. Audiences looking at this movie couldn;t. El secreto de sus ojosHere the movie makes a definite stop on 1999. After coming back from exile in 1985, Espsito returned to an uneventfull career in Buenos Aires until his retirement. 08/05/10 Video: Rick Torres pledges to fight progressivism and moderation - Rick Torres pledges to fight progressivism and moderation Norwalk Friends, There are 5 days until the Republican Primary on August 10th. He;s one of these lucky guys I;m bald who has very strong resilient hair and we had to put so much bleach on him that they were almost burning his scalp. Guillermo Francella, The Secret In Their Eyes Ben Mendelsohn, Animal Kingdom Mark Ruffalo, The Kids Are All Right Geoffrey Rush, The King;s Speech BEST SUPPORTING ACTRESS Chavia Boudraa, Outside the Law. guillermo francella as batuta: talent scouts are often portrayed as slimy supporters of a cruel cycle that chew and spit out human beings often not capable of handling professional responsibility. Francella has starred in movies like An Argentinian in New York and television series syndicated throughout Latin America .) This was the ideal character: a drunkard who seems to be clueless but is in reality intelligent and. With good reason fa Movie poster for The Secret of Their Eyes, Francella is to the right, no ns of Argentinean cinema are celebrating: its been more than 25 years since the industry won the best foreign language Oscar, and when The Secret of their Eyes (El Secreto de Sus Ojos)

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