#Protagonist with the heart of Gold | Explore Tumblr posts and blogs

daosies · 1 month ago

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when you get sick

sylus, zayne, xavier ♡ gn!reader

warnings: not proofread, kissing (xavier), reader is the protagonist but gender neutral, implications of myth lore (all three), sylus calls u "sweetie", reader is hospitalized (zayne), sharing the same bed (xavier)

notes: i wrote this with nothing but sylus on my mind and a dream 😍

also this is my first time writing zayne o(*￣▽￣*)ブ plz forgive me if he's ooc or his lore is inaccurate

Sylus told himself that he’d wait.

Maybe they just forgot, he thinks, swirling his glass of wine, I wouldn’t put it above them. You have a knack for being careless; it’s one of the things that makes you so cruel, second only to the painful ignorance you have towards his—...

Sylus clears his throat, not wanting to continue the thought; still, the sentiment lingers, drifting to and fro, scattering across his mind and permeating into the forceful silence. You (he takes a deep breath)—you are (he sets down his glass of wine), you (he rubs his temples, and the thought ends there). You.

And once more, his mind returns to you, unrestrained, uncontrolled—because nothing in this world belongs to him; everything is yours. From the thoughts of his mind to the beat of his heart, he is yours; why else was he given the ability to perceive, if not for you?

Sylus was crafted, forsakenly, for the sole purpose of worshiping you; he was given eyes so he could see you, hands so he could feel you, and a heart so he could feel the ache and the spasm when you left.

Because you’re cruel. Because he’s cruel. Because he deserves to suffer, because he must suffer, when he is able to perceive you, unfathomably, and the grand, obscene void that follows thereafter.

Because you exist! Around him, beside him (he glances at the warm, flickering candlelight, its ember illuminating his wine a valiant shade of carmine), but most poignantly, (his gaze does not leave the flame—his fist, however, comes up to the left side of his chest, fisting the fabric of his shirt) you exist within him.

Like a flame. Smoldering. Like a bomb. Ticking. Like, like—he takes a deep breath, and he continues to wait.

He looks at his dim phone screen. Nothing. But Sylus told himself that he’d wait. Maybe you forgot to call him, or, maybe you didn’t want to call him at all. (He takes a sip of wine, wincing at the bitter flavor—was it always that way?) Maybe, you decided that he wasn’t worth your time, that maybe, of all the people in the world who want you (his brows furrow, and one of his hands come to fiddle with the holster of his pistol), he was the least suitable option.

Sylus scoffs. Truly, if he was the least suitable option, he should have let that bullet you put in his heart stay there. At least then, he could attribute the throbbing to the gnawing metal and not the mere thought of you.

(That’s all it takes. A thought. A fraction. A wisp! The mere thought of you is enough for his heart to mourn, for it to ache despite there being far worse things done to it; a knife, a dagger, a gun! A bullet! And you—you, oh, in all your wondrous cruelty, manage to triumph over it all!)

If they’re going to leave me, Sylus thinks, at least leave no trace. If you’re going to leave him, then at least spare him of your memory—he thinks of flowers, of treasures and gold—or take away his sight! His mind! His lungs!

Make it so that he cannot live! Make it so he cannot comprehend the thought of your absence, so he has never felt the satiation of your existence! Starve him! An insatiable creature will never realize its hunger if it has never felt full!

But your cruelty (Sylus chuckles to himself, bemused) is reassuring; at the very least, he can expect that you won’t go down without a fight. Or two. Or three—spanning across lifetimes and eras.

In this life, however, his fight is against the age of modern technology and his own stubbornness; should he surrender and call you first? But he doesn’t want to be easy, he has always prided himself in his self-restraint; after all, that was how he was able to let you go. Restraint.

(His hand, briefly, grazes over the left side of his chest. He feels a spasm, a choke and a throb, his ribs beginning to constrict, his lungs stagnating.)

Should he call you first? Should he give in, and make himself easy? Should he forget self-restraint, and pursue what he has believed to be his? His treasure, his deity, his—his!

Sylus doesn’t need to mull over the idea for long. He picks up his phone, your number on the top of his contact list, starred. Forget his pride. Forget his restraint. When did he ever have any of that? He has always hoarded his treasures, keeping them close to his heart—because holding something in his hand means that it’s his, forever.

Your caller picture comes up. You; smiling; glowing; glimmering. Instinctively, Sylus is drawn to radiant things. It’s a primal urge, an innate trait—he looks down at your image, unable to contain his adoration, his gaze trailing over his treasure—which cannot be restrained. He’s insatiable. He’s insatiable because he, once, perceived you. Eons ago.

(In a field of flowers, in an oasis of gold, Sylus perceived you. He perceived you, and oh, from that moment on, he has worshiped you. Forget the gold! Forget the jewelry! Forget him! He is yours; an offering; a submission; a pawn. He is yours! For that is the law of this world.)

The phone rings. Once, twice—Sylus smirks, thinking, Why play hard to get when I’m already theirs?—before finally, you pick up. He sets his glass of wine down. A flame. A bomb!

“Finally decided to answer, hm?” he says.

From the other end, Sylus hears this: a rustle; a deep breath; a cough and a sigh. His smirk falters a little, his heart, wildly, going: tick-tick-tick…

“Sylus,” you call, your voice sounding raspy. “I can’t talk right now,”—your words are minced by a slaughter of coughs—“sorry. I’m sick. I took medicine already, though.”

He didn’t wait for your explanation. The moment you spoke his name, the syllables sounding ethereal from your tongue, Sylus stood up and reached for the keys of his motorbike, the engine rumbling before you even finished your sentence.

(All you have to do is call his name! All you have to do is perceive him, really! To allow him to exist within a fragment of your thoughts, and that is enough!)

“I’m on my way.”

Rustling. Sylus can picture your face, disheveled, startled, as you quickly retort, “There’s no need! It’s late!”

Sylus laughs a little. How adorable, he thinks, sneaking another glance at your caller photo. “Late? Have you forgotten who I am, sweetie?”

Coughs. “Ugh.” You sniffle.

“Open the door,” Sylus says, his tone not matching his words. When it comes to you, Sylus becomes unlike himself, his hardened exterior crumbling away, his voice reincarnates, contorting from a callous demand to a subtle plea. He metamorphosizes! From a sinner to a lover! Both equally egregious in magnitude, both equally intense and violent and…

“Huh?! Already?” From the other end, Sylus can hear you rummaging through your layers of bedsheets and blankets, your movements shabby and unrefined as you make a beeline towards the door. The cacophony dips into a muffled buzz, your voice becoming distant as you leave your phone behind.

A lull. The door creaks open; where you stand, the light fails to meet him; the shadow of your figure etched onto his skin.

A lover. He looks at you; not even bothering the end the call, or hide his obvious stare; Sylus smirks. His gaze trails over your features, affirming to himself that the camera does not do you justice, that the ability to perceive and feel the actual magnitude of your existence is otherworldly.

This—this cannot be mimicked: the radiance, the glimmer, the recollection of all things that are beautiful. When Sylus looks at you, he thinks of flowers, of gold and of an ever-expanding sky. Back when the world was lovely, and now, when it became lovely again.

You take a step back, eyes widening once your foot fails to meet the ground, the world beginning to spin while you brace yourself for impact. But the landing never comes. The small of your back meets a firm, warm palm, the scent of pine overwhelming your senses.

(Instinctively, you lean forward. Sylus notices this. When you flinch back, embarrassed, however, Sylus’s other hand comes to press against the back of your head, bringing you closer to him.)

(“Trying to escape?” he whispers, lips near the shell of your ear. “You’re going to have to try harder than that.”)

Before you can retort, Sylus lifts you up, heading in the direction of your bedroom, unusually familiar with the layout of your apartment. Sylus’s touch has always been featherlight—even when he tucks you into bed, and pulls the sheet over your chin, and presses his knuckle against your forehead, his calloused fingers are tender, just barely grazing your skin.

(He had learned, long ago, that the most prized of possessions are often the most delicate.)

“Which do you prefer, sweetie?” he asks, placing a damp towel on your forehead. (Since when did Sylus know how to take care of people? you wonder.) “Porridge or hot tea?”

(He had learned, long ago, that to be a lover is to change. To morph, to change and to grow into someone kinder. Someone gentler. Most of all, however, to be a lover is to learn.)

“Hot tea,” you reply, throat feeling terribly sore. “But—”

Sylus’s glare silences you, the words falling down your esophagus, their wings clipped. Your throat is soar. You didn’t tell him, but still, you think he knows. (How does he know? you wonder.)

(To be a lover is to understand.)

“Hot tea it is.”

He finds your kitchen with ease. It’s as if Sylus lives with you, the way he navigates through your various cabinets and cooking utensils, familiar with everything—from your favorite cup to your favorite tea, Sylus knows you.

(But how? you wonder.)

(To be a lover is to know. It’s like an instinct, an innate trait, a primal desire and an insatiable urge. When he was crafted, forsakenly, Sylus was given eyes to perceive and hands to touch—but also, he was given purpose, like how life exists to survive, like how death exists to control life. Sylus exists to love. He lives to love. He dies, time and time again, for love.)

From the doorframe of your room, Sylus stares at you, unabashed, unrestrained. A cup of hot tea steams in his hand.

(Sylus loves for you. He finds love around you. From the color of your favorite cup to the tune of your favorite song, Sylus finds love. He finds purpose. He finds meaning.)

“Careful,” he says, helping you sit up in your bed. Sylus wipes the beads of sweat from your face with the soft taps of a towel, his dexterous fingers, used to pressing triggers, now reinvented to serve you.

(That was their original purpose.)

“The tea is hot,” he states, blowing, the steam bending to his breath. “Take small sips.”

“To think the leader of Onychinus is cooling down my tea,” you say, managing to crack the slightest of smiles despite the exhaustion.

Sylus chuckles. “It’s your privilege.”

(What is the purpose of his title, if not for you?)

“Wow,” you reply, “what an honor.”

(What is the purpose of him, if not to love you?)

“Truly.” Sylus stares at you, your image devoured in flames. “What an honor.”

After finishing the tea, and settling completely into bed, you find yourself fighting the drowsiness. Sylus finds his seat by your side, turning off the lights with the snap of his Evol, not wanting to part from you, even if it’s for but a moment.

“Sleep, sweetie. I’ll be here when you wake up.”

“Really?” you remark, finding it in yourself to banter despite teetering across the border of consciousness.

“Always,” Sylus affirms, his large hand coming to cover your eyes, forcing you to fall, engulfed by the darkness. But Sylus would never let you brave the underworld alone, so he rests his head against the imprint of your figure in the mattress, breathing in your existence.

He closes his eyes. Vulnerable. His only weapon is his gun, holstered onto his belt. His hands are occupied, however, with yours. You could kill him now if you wanted to. If you wanted to end Onychinus. To restore justice in the N109 Zone. To receive merit within the Hunter’s Association.

Your breathing evens out. Sylus feels his heart throb. A bullet was there, once; he wished it could stay there; it was your offering to him, after all.

Tick-tick-tick…

You’ve fallen asleep. Sylus scoffs. There goes your chance for a quick and easy promotion.

(To be a lover is to wait. For the explosion, for the certainty, for the promise of eternity despite the inevitable end.)

(To be a lover is to have purpose.)

Sylus slips his fingers into the gaps of yours, and he rests. Like this, he is bound to you (but Sylus has always been bound to you—from his hands, to his eyes, to his lips, to his soul, Sylus is chained. He is destined to find you, to perceive you, and most fervently, to love you again.)

(Sylus loves you.)

Boom!

(It has always been that way.)

“Dr. Zayne, you have an urgent message,” an automated voice says, echoing throughout his office. Zayne glances up from his various documents, sage-green eyes fixating on the projection before him. It’s a missed call from a sister hospital.

“Continue,” he replies, twirling a pen in between his deft fingers, his pale skin illuminating under the dim overhead lights. Zayne looks at the time; it’s almost midnight—he should call you soon.

Zayne has a habit of calling you, even if it’s only for a minute or two; he does it for the sake of doing it. To check up on you. To see if you’re doing fine, or if your heart is giving you any troubles. As any good doctor would do for their patients.

(Zayne has a habit of lying to himself, for not following the standards of which he sets for others. He always tells you not to lie, to not make a fool of yourself when he can see through your facade so easily, but he himself lies, every day, at midnight, when he dials your number and waits for the ring; for the pause and for the breath, he lies, saying that it’s his duty as your physician.)

(It is a facade he refuses to recognize, a fault which he feigns ignorance to.)

(He calls you because he wants to hear your voice. To be reassured of your existence, to savor the moments of your vitality, which has slipped from his grasp, over and over again.)

“Dr. Zayne,” someone says. Zayne looks at the holograph which manifests onto the projected screen, recognizing it to be his coworker. Briefly, his thoughts of you are interrupted, his attention belonging wholly to the projection.

“We need your assistance immediately. One of your patients has been admitted into our hospital. At the moment, their vitals are stable, but they are experiencing abrupt seizures and…”

Zayne’s collected demeanor falters. His tormented mind conjures up the worst of thoughts, because although Zayne has a plethora of patients, only a handful of them suffer from infrequent, violent seizures. And only a handful of them—he recognizes his coworker, who, similarly to Zayne, chose to specialize in cardiology—suffer from such severe symptoms.

He thinks of you. Zayne’s tormented mind always finds itself at the concept of you, curled inwards, tucked away into a gentle, petaled flower: fragile; fleeting; inevitable. And at the thought of you, everything freezes. Frost begins to tickle the tip of his nose, his breaths leaving in frantic, condensed puffs.

(When will this cycle end? The desperation, the cling to survival, the repetition of the beginning and the end, never to last despite him doing everything in his power to prolong your presence—Zayne wants you to live!)

“I’ll be there,” Zayne declares, watching the holograph disappear. “Send me the location.” He grabs a black trenchcoat, ignoring the frost that infects his skin, the numbness of his limbs, the weeping of his heart.

(He wants you to survive! He wants and wants and, daringly, despite everything, he—he still finds it in his heart to want you.)

When Zayne arrives at the hospital, his hands—which have performed surgeries, which have stitched the tiniest of arteries, which have connected the smallest of tissue—tremble. He feels sweat trickle down the side of his head, unable to fully contain himself as he shows his badge haphazardly, searching through the various units before arriving at the dreadful, forsaken ICU.

Zayne is no stranger to the intensity of hospitals, the sharp scent of disinfectant, the repetitive beeps of various monitors. He is no stranger to the haunting sights of injected needles, of bedridden patients, of flatlines—but you, oh, you, seem to reinvent the world that was once normal to him. When it comes to you, Zayne views hospitals not as a symbol of health and life, but as an omen of doom.

When it comes to you, Zayne remembers the past, the repeated history, the inevitable, incessant realization that both you and him are terribly finite. That, no matter what he does, or how many lives he saves, you will never be one of them.

(That is a known fact of this world, Zayne thinks.)

But the inevitable end is followed by Zayne’s own helpless pride, his insatiable and desperate instinct. He’s a lover. He’s selfish. He wants to love you—he, he wants to live with you! Despite anything! Despite everything! If he must defy his creator, then so be it! Zayne will find a way to rewrite fate; he will find a way to love you; he already loves you.

It has always been that way, from this life to the next, and the many thereafter. No matter how many incarnations he must live, nor how many times he is forced to watch you perish, Zayne will love you.

(That is a known fact of this world, Zayne thinks.)

“Dr. Zayne, you’re here! Please, come this way!”

Feverishly, Zayne follows after his coworker, offering apologies to the various people he runs into while racing towards your room. (When did he decide that it was you, the patient who is suffering from seizures?) Despite the tremble of his hands, Zayne’s breaths are steady, his shoulders accustomed to the enormity of pressure, your life dangling above his head. (Because history repeats. Because Zayne is guided by an inexplicable desire, and this desire is fed by fear and yearning and…)

You appear before him—like a premonition, like a figment of his wildest imagination, like a fantastical and mystical creature!—in a manner which, despite your unfathomable beauty, Zayne wishes he would never see again. Just once is enough: you; the hospital sheets; the haunting wires; the erratic green line which quantifies your vitality.

Somehow, Zayne believes you to still be wondrous, your existence astonishing, illuminating every reach of the world! No matter how many times his eyes have had the privilege of beholding you, Zayne is still a stranger to the colossal magnitude of your presence, the remarkable radiance, the light, which one never truly perceives, but instinctively understands its importance.

The sun. Who would ever dare to look at the sun? Its light, although significant, is blinding—it could permanently damage one’s retinas, effectively blinding them for life.

(And at the same time, the sun grants life. What a cruel and twisted fate—to be needed and never truly accepted, to be needed and still be pushed away.)

Zayne looks at the sun. His finger barely grazes across your face, feeling the searing warmth, your incomparable light melting away the frost that once consumed his skin. When he looks away, Zayne is unable to see. He is unable to recognize anything that isn’t you: the sun; the light; the life.

His eyes have been reworked, trained and forced to perceive only you, your image burned into his retinas, his hands feeling oh-so warm.

“Dr. Zayne, this patient’s symptoms are unlike anything we have ever seen before.”

He blinks, recognizing the existence of a face but not truly acknowledging who it belongs to (since, undoubtedly, it is not yours).

“Yes,” he replies, glancing back at you, sage-green eyes trailing over the bridge of your nose, the curl of your chapped lips, the furrow of your brows, your solace disturbed. “They are experiencing a unique congenital heart disease.”

“This is congenital?”

Zayne swallows thickly, never tearing his gaze away from you.

“I’m not sure.”

To think he entered this profession for you. To think he spent years of his life learning about the intricacies of the heart, studying the finest of tissues and the most minute of cells, only for his knowledge to be insignificant. Only for his knowledge to be worthless, for his meaning to be starved, for his existence to be futile.

(When will this cycle end? When will his futility end? When will he finally become worth something? When will he finally be able to save you?)

“Is there any medication that is being administered to nullify the severity of their symptoms?”

“Yes,” Zayne replies, glancing back down at your frail figure, your sickly countenance. “But it must be rotated often, as they build tolerance rather quickly.”

(Just how many more lives will it take? How many more times must he watch you perish? How many more times must he fight against the inevitable, the grand, twisted wheel of fate?)

“These seizures are severe, Dr. Zayne. We must find a cure.”

Zayne feels thorns prick at his skin. He opens his mouth to respond, but the words die before they can reach his tongue. He is but a shell of himself. As every incarnation passes, Zayne re-experiences loss, and although he thought he would grow accustomed to the enormity of its void, he feels the emptiness each time. Wholly.

Every time Zayne experiences loss, he thinks of you. Every time he lives, and every time he dies, he thinks of you. Every time a flower blooms, he thinks of you.

(Somehow, this shell finds it in itself to love. Time and time again. Somehow, this shell never learns. This shell chooses to love you, from one life to the next, even if the outcome is already predetermined, even if it, once, announced the outcomes itself.)

The magnitude of loss is equal to the magnitude of your existence. Of the grandness of your presence. Of the unparalleled actuality of you. You cannot be over-dreamed.

No matter how many times Zayne finds you, he is left breathless, feverish, satiated. No matter how many times Zayne loses you, he is left desperate, grieving, yearning.

Your voice is imprinted in his mind, yes, and your image worshiped by his retinas, yes, but no matter how many times Zayne perceives you, he believes you to be fantastical—like, like a star! Like the sun! Bright, exhilarating, radiant!

“Zayne?” a voice calls, transcending across lifetimes. Its timbre has been transcribed, remembered, desired; across eons, across universes. It’s you.

And Zayne heeds your voice like an emissary does their master, like it’s enchanted, like it’s a tonic, promising happiness and vitality despite Zayne knowing better, despite how he knows that, of all the laws in this world, your inevitable end is the sole constant.

He stiffens, his hand immediately coming to turn off the lights, not wanting you to bear witness to the weakness of his expression and the overwhelming brightness of the lamp.

“[Name],” he replies, drawing circles into the back of your hand. I’m here, Zayne thinks, I’m sorry I’m late.

Zayne has a terrible habit of not voicing out the magnitude of his feelings, the swell of his heart. He has a terrible habit of not fully expressing the extent of which you mean to him, the extent and the desire which draws him from one life to the next, equally as forlorn and despairing as before.

(You will never realize how he has chased you, how he has sought to save you, how he has fought against fate, wishing to defy the inevitable. You will never realize how Zayne forfeited everything, how he burned in the sun, how he reached for your light, despite feeling the wax melt, despite the plummet and the shocking death, his figure submerged.)

“You’re here,” you say, voice marred by sleep and your face stained with tears and snot. Still, Zayne thinks of you to be ethereal—divine, otherworldly. Truly, no matter how many times his eyes have beheld you in their irises, Zayne is left dazed. Silenced. Incapable of uttering anything anymore, so all that’s left within him—the enormous desire, the overwhelming grief—is left uncommunicable, irrevocable. Forever.

(You will never realize how he would do it again. How he continues to do it again. How he would—if you did so much as asked him to—build those wax wings again, and don them again, and jump and soar and fall again. He would throw himself into the sea, even without those wings. He would—he would!)

Zayne doesn’t respond. He doesn’t know how to. His hand tightens around yours, grief swelling in his throat.

“I thought,” you begin, but are interrupted by a fit of coughs. Zayne brings a cup of water up to your lips, tilting it ever-so slightly. You swallow, then continue again, “I thought you were busy.”

“Not at all,” Zayne replies, thumbing his hand over your cheekbone, barely applying any pressure. He wants to say more—like how he’ll always be there for you, like how he’ll always make time for you—but then, Zayne realizes the inevitable, the laws of this world, the fate which he has tried for so, so long to defy.

His words never manage to escape his throat. They come to a stuttering stop, then silence, then acceptance.

(He will not always be there for you. He cannot always make time for you.)

“I wish,” you say, voice muffled by your sobs. Zayne feels his chest pulsate, his heart hammering against its confines, threatening to escape his body and crawl into yours. “I wish it didn’t hurt so much, Zayne.”

“I know,” he whispers, trying to contain his expression, trying to console you with the patterns he draws into your hand, the handkerchief he uses to wipe your face. “I know. I’m sorry, [Name].”

(When will this cycle end? When will he finally be able to love you, without fear, without fail? When will you finally be able to realize, in full, the magnitude of his colossal desire, the ghostly heart he hosts, the flowers which bloom all across his chest, wilting before they can be bestowed upon you?)

Sometimes, Zayne wishes he could cease to exist. So you wouldn’t have to suffer anymore. So he wouldn’t have to witness it anymore.

(But if he never existed, he would have never been able to perceive you, to realize the extent of all that is beautiful, to recognize the fragility of life, its fleeting loveliness. If he never existed, Zayne would have never heard the wildness of your voice, its divine tune, its incomparable sound. If he never existed, Zayne would have never beheld you within his eyes, the enchanted sight, the ethereal image.)

(And that, to him, is a fate worse than death itself. Worse than the endless cycles. Worse than the inevitable end.)

You’re alive, Zayne realizes, watching your breathing steady itself, watching your heart stroke up and down, in the form of a green line, beating, on and on, ceaselessly.

You’re alive. Zayne chokes up at the thought. You’re alive!

His gaze tears from the heart monitor to your face. Incomparable.

(This life will be different.)

Inevitably, Zayne’s hand finds yours, the warmth from your skin sinking into his. He stares at your figure, outlining your features despite the darkness, his mind not once needing light to conjure up your image.

Although he has decided this long ago, Zayne’s resolve is strengthened by your bedridden form, your once-valiant eyes, now reduced to a lidded, teary defeat—he will find a cure, he will defy fate, he will love you.

(This life is different.)

No matter what.

Xavier finds himself in front of your room.

He finds himself here often, really. Ever since he found out that the two of you were floor-neighbors, Xavier has been taking full advantage of your proximity, often coming up with various excuses and reasons to see you.

Sometimes, he knocks on your door, talking about your packages that were delivered to his door by accident (which he hopes will continue to happen), or various new cafes that have opened up nearby, which he thought you’d like (and he would like too, if you went with him).

Other times, Xavier just decides to, in a very nonchalant fashion, loiter around before work in the morning, coincidentally running into you while making his way down to the ground floor.

This time, however, Xavier is here with more than just himself. A bag filled with medicine dangles from his hand, the other coming up to knock once, twice, then thrice on your door. Earlier, you had called in sick, and although you hadn’t personally asked for any help from him, Xavier decided to make a quick stop at the convenience store before coming home.

Xavier doesn’t often get sick from the common cold or the flu, so he wasn’t really sure what to buy—frankly, he just wiped everything off the shelf labeled “fever” and went on with his day. He doesn’t even know if you have a fever; still, when you open the door, he steps inside. Confidently.

“Are you okay, [Name]?” he asks, observing your wobbly gait and your shallow breaths. Before you can reply and continue walking, however, Xavier’s hand snakes around your waist, supporting you against his own figure.

“Yeah!” you manage to heave out, exhausted. Your voice sounds congested, sweat racing down the side of your face while you try to reassure Xavier of your health.

He is, unsurprisingly, not convinced.

“You should rest, [Name]. Don’t worry, I’ve got this handled,” he says, setting down his bag of medicine on your countertop. “I can make you some warm soup.”

You shiver. Xavier takes it as a sign of your sickness worsening, not realizing your fear stems from his cooking skills (or lack thereof) and not the illness that, although temporary, feels like it’s eating you away one trait at a time.

“Thank you, Xavier,” you manage to muster out, defeated. Xavier, on the other hand, is completely oblivious.

“It’s no problem at all,”—he ushers you in the direction of your room, guiding you into your bed and pressing a kiss against your forehead—“rest up. I’ll be back.”

“Xavier!” you scold, batting him away. “Don’t kiss me! I’m sick.”

He blinks at you innocently. “So?”

“You’ll get sick, too!”

Xavier shrugs. “So, we’d be sick together.” His smile reveals his satisfaction with the idea. You groan, sinking into the sheets, not wanting to argue any further. Victorious, Xavier leaves your room, practically beaming, whilst cooking up a toxic recipe which only the likes of him are able to make.

The domesticity of it all makes Xavier’s heart shiver. Him; your kitchen; your apartment; your room. To coexist with you, to occupy the same time and space as you, to—to be with you! Oh, how Xavier has yearned for this moment, how he has longed to stand by your side once more, even if it’s only for a fraction of time, even if a wisp is all he deserves!

Briefly, Xavier glances over his shoulder, looking back at your door, your bedroom, your form. He looks out the window. The world. This world: unfamiliar; unforgiving; unlike what he left. Philos. Xavier had thought of ways to return, to fulfill his duty, to stake his claim as the crown prince—but, but then…

You erupt into a cacophony of coughs, and Xavier drops his wizardly concoction to comfort you, his hand patting gently against your back.

(But then he found you.)

“Sorry, Xavier,” you barely manage to say.

(Forget his duty. Forget his position. Forget his mission—he, he found you!)

“Don’t worry about it,” he reassures, his touch featherlight. If only this moment could last forever. If only!

If only Xavier could preserve this: the tinge, the blush, the limitless expansion of the enormity within him! If only he could preserve the way you look at him, the way you make him feel—like a wondrous, fantastical being—his words unutterable, his gaze forever wedded to your own.

You—you make him feel, like, like he’s capable of anything. Of everything. You, back in Philos and here, have always brought Xavier to his knees, his mind to a halt, his vision to a standstill. You have always changed the world! With this love of his, wielding it wildly, and—and he lets you, because Xavier is your sword. Because Xavier lives to serve you.

(He found his duty. He found his mission. He found his position: yours. It has always been that way. Back in Philos and here, now, on Earth. With you. For you.)

“The soup must be ready,” Xavier suddenly says, still, his hand remains on the small of your back, not wanting to part. “Would you like to eat it now or later?”

You shiver. Xavier, once more, takes it as a sign of your developing sickness.

“Actually, I believe you should rest,” he says, tucking you into your bed, “the soup will always be there for you. And me.”

You laugh a little, and Xavier mimics your expression, radiant joy beginning to bloom across his face, his azure eyes trained onto your face. Xavier is but a mere mirror of you, a reflection of all of your emotions, your habits.

When you fully sink into your bed, Xavier is unsatisfied with his position at your side. So, he crawls in beside you, his weight sinking in towards you as he envelopes you in his arms, not caring for your coughs or sneezes.

“Xavier!” you exclaim, trying to wretch yourself out of his grasp. Xavier doesn’t let you. He feigns ignorance to your thrashing and holds you even tighter.

“Xavier, you’ll get sick, too!”

He pretends to snore. His limbs are limp on top of yours, his expression unbothered as he pretends to be asleep, despite the way he peers through his half-lidded eyes, so obviously staring at you.

“Xavier!”

“Hm?”

“You—”

“I’m sleeping.”

“What?”

“I’m asleep.”

“You’re responding to me.”

He doesn’t say a word. Still, you feel him smile into your shoulder.

“Let’s get sick together,” he mumbles. “And then, let’s sleep.”

#sylus x reader #love and deepspace sylus #sylus love and deepspace #l&ds sylus #lnds sylus #xavier x reader #zayne love and deepspace #zayne x reader #l&ds zayne #love and deepspace zayne #lads sylus #xavier love and deepspace #love and deepspace x reader

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yaseraphine · 3 months ago

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astro observations 5 - appearance and vibes / Cancer rising men

Men used as examples in this post : Booba / Troye Sivan / Nekfeu / Bill Gates / The Weeknd / Salvador Dali / George Michael/ Pharrell Williams / John Cena / Cyril Hanouna

Physical appearance

Weirdly enough, a lot of them have chad faces / the type to be labeled as a "professional moggers" or whatever it is called / probably the most objectively handsome men in my opinion / square jaws / soft watery eyes / smooth skin / irresistible and sweet smirk

When they get older, some of them end up having the Dilf/ Daddy type of looks with this softness still remaining that usually makes women melt (yes i used John Cena as a dilf example..sorry guys)

"There must have been an angel by my side"

The eyes and the jaw is huge here, they also are generally muscular -> the chest area is prominent in a way

They tend to look like cherubs. They have an angel-like appearance.

Really angelic and cute appearance. A little shy the first time you meet, get flustered easily, pink ears and cheeks

The eyes are really expressive and sparkly. It's like you can see stars being reflected in their eyes when you look at them. A really soft, poetic and deep gaze that can make you blush a bit. Their eyes from what I have seen are full of emotions. Really captivating but not in a intense scopionic sense, it's more magical kind of like bishonen, the standard face of male protagonists in shojos or just generally a lot of animes (think of Howl in the Ghibli movie Howl's moving castle)

Body : usually smaller than average. Twinks or buff dudes with a heart of gold. There is no in-between in my experiences.

If you know about Kibbe or Kitchener's body type and face type essences systems :

Kibbe body type : Flamboyant gamine, or gamine , some could be soft classic even

Face type / essence : Gamine, Ingenue or more rarely Angelic (ethereal)

First impressions, vibes, general way of presenting themselves

Right off the bat, there is something significant about the way they speak and interact with people. They usually have really soft, deep and soothing voices. Talk in a really calm and composed manner. They take their time to speak. They take their time to pronounce each word.

Have a way with words that is usually really captivating. Really calming presence. Natural talent for poetry, play on words. They can be really good at voice acting. They usually have a really good diction too. Really good storytellers.

Appears really shy though. Can’t really hide their emotions, we can easily read right through them.

A lot of them are artistically inclined, really sensitive men. Women feel safe around them and they are often surrounded by women.

Really appreciated by women. The type of men little girls want to marry when they grow up.

They usually know how to keep people at ease by using humor too. They tend to be quite funny and have a really relatable humor. Usually really good at imitations too. Good at picking up on people’s emotions.

Really caring and attentive to their loved ones.

Likes to call people by pet names/ cute nicknames like "darling", "angel" "sweatheart", etc ..from my experience. The type to say "let's go kids!" to their group of friends. Even if they are men, they are just usually really maternal.

Usually is quite expressive in their "face body language" and likes to make goofy facial expressions. Their emotions are just visible on their face.

Makes deep eye contact, nods at everything you say. The type to tell you " no no it's ok keep going 😆😅" when you're losing your train of thoughts.

If you accidentally overshare, and they obviously see you’re embarrassed, they will reassure you.

Killers on the Dancefloor ? : Something also quite random about them is that they all have these silly little dances and signature moves that they do. If you invite them to a party, be prepared to be impressed. It’s a bit silly and kind of cute but at same time they’re killing it.

You feel like you can cry in their arms vibes. They have this friendly energy.

A lot of them tend to create a community since they need it. Always in search of their soul family.

A lot of them tend to have groupies from what I have seen. Like they can become the main pillar that holds their friend group together.

Generally really paternal/maternal, kind of like a reassuring parental figure. Just like Capricorn risings, they have this parental figure vibes to them. It's like you can count on them. However , Capricorn risings represent more the archetype of the Father, representing tough love and practicality. Cancer risings on the other hand represent the archetype of the Mother, focusing on emotional security and vulnerability.

When Capricorn risings look like they would give you great life advice and be a good mentor, Cancer risings look like you can be vulnerable and open up to them, like they can provide you emotional healing. Kind of like a therapist in a way.

The Devil hidden behind those angelic eyes :

Smooth Operator - Sade : “his eyes are like angels but his heart is cold”

“No place for beginners or sensitive hearts

When sentiment is left to chance

“No place to be ending but somewhere to start”

“A license to love, insurance to hold

Melts all your memories and change into gold

His eyes are like angels but his heart is cold”

Despite all this potential to be an amazing, emotionally mature, sensitive and creative person a lot of them will fall in the shadows. Deception, emotional manipulation, victimization, gaslighting will be their driving force and fuel through life. Because of unresolved negative and destructive emotional patterns, they will become the most vile and manipulative creatures you’ll ever meet, all of this disguised behind a mask of sympathy and openness. They will trick you into thinking you can open up yourself to them, that they’ll understand you. You will not realize until it’s too late that you’ve been tricked by their sweet words and their skills to read right through people. They will project and consistently play victim. They will become professional actors. They will be the type of men Raye describes in her song named : “Oscar Winning Tears.” She says that about the song : “This is about a man who put me through hell, and then proceeded to cry about it. I wanted to create a big dramatic classic feeling record with live strings to capture the audacity of his silly tears, to feel powerful whilst telling this story”

=> “Truly, I'm vulnerable, I love a sentiment

Quickly I opened up, I learned my lesson then

Thought I was safe again, thought he was innocent

I was so wrong”

“I can't deny

I thought you were the man, but you had a plan

The fuck you lying for? Fuck you crying for?

You did it again (yeah, ah-ah-ah)”

“So I'll take this front row seat

And baby, baby, you can go ahead

Cry those Oscar-winning tears

Popcorn and I scream

Baby, baby, you can go ahead

Cry those Oscar winning (tears) tears, baby”

The white lies will begin to be stained by red dots of blood. Their heightened intuition and sensitivity will not be used for good and will become a deadly weapon. A weapon that traps its victims in a sugar coated hell. Let’s not forget that their shadow (their 7th house sign) is Capricorn, represented by The Devil in Tarot. The light of their angel-like charm will pull you in only to realize too late that you’ve fallen deep in the shadows, embraced by the hands of the devil. But it’s too late. You’ve already fallen too deep in the umbra to even see just a gleam.

Cancer risings sadly tend to be stuck in really toxic emotional cycles from what I have seen.

A lot of them tend to be master manipulators. The type to guilt-trip and gaslight you.

Real-life examples of this shadow side:

Shane Dawson was extremely well-liked on the internet. He was infamous for his funny skits, was good at imitations and kind of created this relatable persona that people got attached to. Cancerian energy gave him this familiar and “sweet” guy vibes that made people admire his apparent transparency. Turns out he was extremely manipulative and problematic.

Nekfeu , In his songs, there is a scary amount of self-awareness regarding his toxic behaviors and the patterns he tends to repeat. This to me is the peak example of how thin the layer is between each signs’ light and shadow side. This hyper self-awareness towards their shadow side while simultaneously consciously repeating it describes really well those men. They don’t use their intuition for good.

Laughable loves / Ridiculous loves (risibles amours)

“And each time I care, I can't be myself

Why this need to hide everything ?

None of these girls matter, and I met you

You were different, it scared me, and I screwed up

We were part of a whole thing, we were high perched

If I lost her, I would have looked for it”

“My boy's envies/desires turn into a boring game

Relationships which lead me nowhere

Even if I'm trying to find the solution in this illusion of seduction

I've got the feeling that I only knew one woman

I know the risks of love but I'm still having a taste for the risk

the boy’s envies/ desires is to be understood in “my boyish desires”. He is rapping about the desires he has that are one of a boy, not a man. He knows it, knows it is self-destructive. Throughout the entire song, he shows really obvious self-awareness.

=> It is really hard to find good/ perfect translations to his play on words since sometimes he uses french idioms that aren't easily translatable in english without losing the meaning. (i found the lyrics' translation here => https:/lyricstranslate.com/fr/risibles-amours-laughable-loves.html)

/!\ disclaimer - mention of domestic abuse /!\

When I made that post, it wasn’t known yet that one of the main examples used here (Nekfeu / the guy in the two pictures in between The Weeknd holding his grammys and next to troye sivan in the "there must have been an angel by my side" part) recently got exposed for having “allegedly” physically, psychologically and sexually abused his ex-partner. (i put allegedly in quotations marks because girl there are much higher chances he did it then not. I will always stand with the victims. If you went through something similar know that : Victims we always believe you and we stand by you ! ). While preparing for the post, the news wasn't out yet so I had to change the way I portrayed him accordingly. I think a reminder is always needed because putting him here will unfortunatly make him have some "visibility". I don't want to present him in a positive light or to make him gain potential new fans. If I can use this post to raise awareness, I will do it gladly. Especially with the current state of the world, and how more and more women's rights are getting taken away.

The Weeknd , being a cancer rising with a capricorn stellium shows this duality really well. His lyrics are raw and confessional. He shows a lot of self-awareness regarding his terrible and toxic behaviors. He is absolutely aware that he is stuck in karmic cycles yet this awareness isn’t enough to get him out of those self-destructive cycles.

Cyril Hanouna, is a very controversial french radio host and TV host and producer. He is known for being extremely narcissistic and for always playing victim, saying people are trying to attack him unfairly. He is extremely manipulative and sly, and pretends it’s always other people’s fault.

+BONUS / Additional visual examples :

#astro notes #astro observations #astrology #astro community #cancer #cancer rising #cancer rising men #astro obs #astro posts

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smokestarrules · 2 years ago

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actually you should watch g-witch if purely for the constant straightbaiting, featuring such examples as “misogynist goes through a Redemption Arc™ and spend the entire show getting his ass kicked both before and after” and “cold, quiet guy with a heart of gold literally dies before he can get to go on a date with sapphic protagonist” and “the I’m Not Like Other Guys I’m Your Childhood Friend dude is revealed to be indeed not like those other guys except he’s worse”

#mobile suit gundam the witch from mercury #guel jeturk #elan ceres #shaddiq zenelli #suletta mercury #miorine rembran #sulemio #g witch #gundam #smokey speaks #500 #1k

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starcleere · 10 months ago

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in love with the idea of the db's followers being as remembered in history as the db themself. imagine:

engineers, for generations, mumbling the formula called 'Remiel's Constant' under their breaths as they develop machinery, because it's such a foundational discovery on Remiel's part for a new age of engineering

in contrast, future alchemists agonizing over Xelzaz' thousands of alchemical discoveries a night before their finals, bemoaning why he was so diligent in cranking out formula after formula because now they have so much to memorize

historians and casual history buffs alike locked in discourse on whether or not the last prince of the Thalmor actually colluded with the Dragonborn in the Second Great War to help bring down the Dominion, with vaguely-worded correspondence for evidence

adaptations of the tale where every single follower is at least someone's 'blorbo'

the ballad of Inigo the Brave being a cultural touchstone for Khajiit rep and spawning Tamriel's version of the rogue, underdog hero archetype. even when it's a totally fictional work, if the protagonist (or charming side character) is weirdly charismatic, roguishly handsome, and with a heart of gold, chances are the creator was inspired by Inigo's legacy.

the massive misunderstandings of the dragonborn's original history. Thanks to anti-Thalmor sentiments long after the Second Great War, Nebarra was deemed as a traitor figure to the Dragonborn, but this sentiment was overturned centuries after uncovering contemporaries' journal entries on their friendship

when you ask someone who they think Sir Kaidan was to the dragonborn, there's an equal chance of them firmly believing he was their lover, platonic best friend, or loyal but professional lieutenant. they will have reams of evidence to back it up, no matter which stance they take.

many who have felt that they never perfectly fit into the demands of their faith or community, not just bosmer, resonating with Auri's story. realizing that while they may be an outlier in their own eyes, they can still do a lot of good in the world, and that has to count for something.

common sayings based on (real or not) stories of the followers. if a place is crowded, it's common to joke, "guess the dragonborn's in town."

just. yeah.

#skyrim custom followers #remiel #xelzaz #caryalind thallery #inigo the brave #skyrim nebarra #kaidan 2 #auri song of the green

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threepandas · 7 months ago

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Bad End: Hidden Heir

Next ->

The Duke's family had very distinct eyes. It was genetic. An aggressively dominant trait at that, though it tended to die off, after a few generations out of the family. Supposedly a "blessing of the Gods". Spring to be exact. Bounty and luck. And the family certainly WAS bountiful.

In all the best and worst ways.

Wealth, corruption, children and bastards. It was a family so aggressively ALIVE, it could only be Spring's blessing that made them so. Pouring mania and madness into their veins like sweet sunlight. Whispering glory and riches, into power addled ears. They burst with life. Even as they endlessly destroyed themselves.

They were fictional.

Fascinating set dressings, for the stage play of someone else's story. Unimportant beyond their role in world building. As the origin story and power base of a character lead.

The Story ITSELF didn't even occur here. But rather, in the capital. Where the players of significance had gathered.

And I? Oh I was some minor antagonist, so insignificant to the plot, I genuinely could not remember which of seven different women I actually WAS. It had been an ongoing series. Otome Isekai. Reverse harem.

And I was either in the ORIGINAL original novel, the isekai'd plot novel, the anime adaption, OR a horrifying fever dream. My memory was largely useless. But? I did remember the characters. The archetypes.

And the fact, that the author had clearly been going though a Yandere phase.

My region of the Reverse Harem collect-o-thon? Horrifying! Red flags everywhere! No one here should date, leave room for fantasy Jesus, have we considered the joys of being a NUN? Yes. Yes I HAVE thought about it.

I was pretty sure I'd never make it. End up dead or captured by some sort of Nun Yandere. Or God Yandere. Possibly both. Assuming the bandit yanderes don't get me first. It... it was very stressful, living here.

Luckily? I knew when I could leave.

Or so I thought.

Because my house? The Dukedom? Had the "yandere butler who is secretly an heir." Who starts out with loyal dog behavior. A little highly possesive master and servant play. Then rises to become a Duke. Presumably? That is when I die. Or am disowned.

Death is most likely. Since my role was "minor antagonist" and I was to be mean to the sweet, earnest, Harem possessing Protagonist. Don't see WHY I would. Live and let live. Good for her etc etc. But regardless? Best to avoid, just in case.

The problem? Who do you think Mr Illegitimate Heir serves before she gets here? The OTHER possible heirs? Of course not! They'd "oops! Hunting accident~☆" him in a heart beat. Father isn't stupid. And my sisters? Issues. Violent, violent, issues.

He ends up with ME.

Father, WHY.

Obviously, I ignore him. I see nothing. I hear nothing. There is no war in Ba Sing Se. Mmmmm, tea. Good book. Ignore his creepy staring. His creepy, creepy staring.

Thankfully? I never really ran out of Totally Legitimate reasons to send him away to learn or do something. Proper tea making. Door maintenance. Eastern embroidery. Something, anything, and off you go! Bye bye~☆!

Unfortunately. He got faster. Better and better at learning. Mastering skills. Coming BACK. Showing up to stand in the corner, silent and looming, like an omen of death. Those damn eyes. The fucking family eyes!

I don't have them. And NOT as, my Father would have me believe, because I "take after my Mother". But because I am not genetically related to the Duke. I have GOLD eyes. When I wear the right shade of green? I pass. So I am condemned to forever wear green. Don't even really like it much. But?

I am pretty damn sure? I was just... pretty.

A lovely, orphaned, golden eyed child that COULD pass as his. So why not? It was a whim that payed off. Unlike in the original stories, I imagine. Since I am by FAR the best behaved child in this entire house. Ha! Suck it, bio-kids, the adopted one's the favorite! Maybe should have been less lil bitchs.

....I carefully do not say.

Those are INSIDE thoughts.

Fuck. He's still LOOMING. Isn't he? Go awaaaaaay. Where is Protag-chan? Come be doe eyed and busty! Trip adorably! Go "kyaaa~" or something! I feel body heat and freeze. He's leaning over my shoulder to pick up the teapot, pour me another cup. I can FEEL the barest graze of his knuckles against my back, from where he's gripped my chair. The smell of his aftershave almost hauntingly pleasant.

Like he KNEW exactly what smells I liked most. Went out of his way to find one that best suited my preference. Coincidence. Please, PLEASE be a coincidence! I do not turn my head. Keep my eyes locked straight ahead. Barely breathing.

He steps back.

The new pot is sharp and herbal. Almost bitter. I force myself to drink. Can't see a sugar dish, and REFUSE to turn around and ask for one. Ignore. IGNORE. My pounding heart calms. My muscles slowly start to relax.

It... it IS weird, though, now that I think about it? That Protag-chan hasn't reached the Dukedom yet. She should have. God only knows I sent Creepy to the capital enough times, with enough highly specific instructions, that he should've had his meet cute's and dates by the dozen. Been half way in love. So... why...?

Huh.

Dizzy.

The taste of tea sits wrong on my tounge. I stop drinking as the world sways. Letting the cup fall from my hand. Splatter, roll, and shatter. I try desperately to stand. A gentle gloved hand catches my elbow, supporting me. I turn. Giddy eyes. Triumphant, wide, spring green eyes. Too green to be gold, too gold to be green.

An almost cruel, mocking, yet loving grin.

Another hand slides around my waist, braces me against his side. Gleeful little murmurs, too pleased to be reassuring. You. You did this! You DRUGGED ME!

I can barely move, body relaxing against my command, going limp, as he draws me close. Presses his face against the side of my head, against my temple. A deep, shuddering breathe, that he savors like wine. I try to pull free but can not. Feel his lips pull into a vicious grin against my skin. Hands begin to run in gentle, claiming, exploration.

And at last the drugs kick in... the wo..rld..

G..oes..

Dar..k........

#threepandas #yandere #yandere x reader #yandere x darling #yandere otome isekai #yandere x you #yandere duke #adopted reader #they are not half siblings #yandere oc #yandere otome #just wanted to clarify cause it be like that sometimes in otome #bad end au #bad end hidden heir au #hidden heir au

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sirenedeslily · 1 month ago

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VIDEO OBSESSION 〻ᯇ # matthew sturniolo

✦ SEARCHING FOR PROFILES… two results found !

result ONE out of TWO — @ChromeHearts

MATTHEW STURNIOLO, marlboro-stained recluse. winter fog. chrome hearts. eyebags? permanent. little big planet. streamer incapable of not raging. body littered in tattoos. opium* meets forgotten ps2 game protagonist. yohji yamamoto. blade runner (1982). 2002. scared of the hoes. relies heavily on sarcasm, dry quips, and saying “bruh” at the most inappropriate times. permanently tired. takes games way too seriously but always clutches the win. vamp anthem by playboi carti. boston › nyc.

KAILANI HENDRIX, the quintessential “soft girl” youtuber from nyc. tinted lip gloss. born in pink tulle & lace. doe eyed. small, delicate tattoos peeking from under lace-trimmed sleeves. miu miu. short n sweet. freshly painted nails holding a cup of matcha. directed by sofia coppola. prada candy. deer-themed knickknacks. soft spoken. rhode. leg warmers. dainty gold rings. ‘03 princess. her most cherished possession? her custom made blythe doll that her boyfriend gifted her. bambi by clairo. sandy liang. ballet flats.

CHRIS STURNIOLO, static by lucki. vivienne westwood. 2002. disheveled and clueless. stussy. mario kart aficionado but only chooses donkey kong. pepsi. hot wheels hoarder. timberlands. chronically inebriated but somehow always lucid enough to pull off a quick-witted comeback. dior sauvage. collects old bootleg mixtapes of obscure 90’s memphis rap. french toast crunch. album reaction streamer who plays ssx tricky and gta v when high. custom lighter with his beautiful girlfriend on it. godly at fortnite.

NAO CHUNG, kill bill: vol. 1 (2003). deeply nostalgic for jet set radio future, and can recite every dj professor k line from memory. born in ‘00. yumin ha. soju. aphex twin. sonic adventure 2. co-parents a tamagotchi with his boyfriend nick. korea › nyc. spike spiegel. incapable of thinking before he speaks. ralph lauren polo. self thought producer. ysl l’homme. singer who effortlessly blends the edge of k-rnb with dreamy electronic textures, capturing a raw, nostalgic energy rooted in korean street culture. omen main but exclusively runs knife kills in unranked just to troll his friends.

NICK STURNIOLO, self titled idgaf warrior. vintage olympus om-10. obsessed with collecting bootleg runway tapes and niche comme des garçons accessories—his holy grail is an unreleased cdg tote from their 1998 guerilla pop-up in paris.. gentle monster eyewear. homotron 3000. poison by brent faiyaz. carries a polaroid of nao tucked into the coin slot of his vivienne westwood wallet. ‘02 star. mocha macarons. always in second-hand luxury stores. comme des garçons odeur 53. youtuber known for his meticulous fashion reviews. leather jackets and marlboro reds.

back to profile one @FallenAngels - back to masterlist!

🖥️𓈒ིུ✧꫶᳜᳝͟ᰭ✿⃨ TRENDING NOW ! matt sturniolo was known for many things: his striking looks, his dominance in the gaming world, and his complete inability to keep his cool around beautiful women. so it’s almost poetic—almost—that his fiery temper explodes during an intense fortnite match, broadcasted live to thousands, only to discover later that the player who completely shattered his pride was y/n greenblatt, one of the most beloved streamers in the community—and undeniably beautiful.

𝒢𝜚 💭 ࣪ ✸ 𝐧𝐨𝐭𝐞 ∿ PLS SEND ASK I WANNA KNOW WHAT CHARACTER YOURE MORE DRAWN TO

TAGLIST ( open ) ; @carvedtits @et6rnalsun @wovenribbons @flouvela @waitforyrlove @elizabebabe @ncm9696 @marrykisskilled @maggot3647 @l34n @sturniolossss @lovingregulusblack @cl1tlover3000 @mattslolita @mattssgf @le4hsblog @brvtall @mattscoquette @chratts-left-ball @jetaimevous @angelesqve @starlace111 @secretlocket @starkeyszn @etherealval @slut4chriss @star-yawnznn @nickmillersn1gf @sturnsmia @tastesousweet @strnilolover @xoxo4chrisss @ifwdominicfike @emely9274 @fratbrochrisgf @2augustsago @sturn777 @st4rsturns

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goofy-clan · 6 months ago

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Heyo! Narrator peep and creator of goofy clan! I wanted to share this fanart I made as a gift to the clan series that inspired this entire series! Enjoy!!

And now it’s time to pair cat with creator! Click more to see notes I left for the creators too!

————————————————

Goldsight belongs to @gray-thistleclan , I loved the way the cats were drawn in this series, and especially how the story progressed! Gold was always my favroite -w-! Even though she has the crazy disease now ;-;.

Eukltna belongs to @loudclan-clangen ! I loved the silly cats in this series, the artstyle actually helped me draw mouths easier! I love our doomed religious kitty, even if she was a bit odd. That crude oil does get everywhere huh…

Longstrike belongs to @juniper-clan ! The fact that the entire series was set in olden times is really neat! I also love the theme of seashells/ cowrie shells being bad, those are spooky! Long was my favroite, I was sad to see him go. So he’s drawn in the cozy sunshine!

Tigertoe Belongs to @circus-clangen ! Circus clan was actually a big inspiration for the puzzles/cipher aspects of my blog! I was always a sucker for finding stuff out, plus clowns are cool! I love tiger with all my heart, she was so fun to draw! Best entertainer :)!

Ravenstar belongs to @fallenclan ! Oh boy where do I start. I think it’s super impressive how far the series is now, even if I picked up halfway through! I love how the cats look, fun fur colors! Raven is such a good villain, evil stinky cat. So here he is with a totally real (and not painted) star!

Kestrelstar belongs to @echoes-in-echoclan ! I love this series, even though I don’t get what’s going on sometimes, it’s still a wonderful read! I also loved the connected universe with circus clan, what a twist! Kestrel is my favorite, he’s such a cool old dude!

Sweetkit belongs to @mourningsbane ! It isn’t every day I see a eldritch horror/spooky clangen series! As an avid horror fan, I love how body horror is drawn and shown in this series! Honey is the best cat :)! But, I drew sweet today! They’re a good protagonist, because who better to explore the spooky uknown than kittens?

NettleIris belongs to @moons-of-dewclan ! I adored the art style of this series, and the fact all the backgrounds are drawn so beautifully! Even though this series tugs at my heart strings, it’s lovely! Makes me wanna go wander in the woods! Nettle is my favorite lil’ peep, best medicine cat. Plus, puffy cats are fun to draw!

ConiferSun belongs to @castaway-clan ! I love the trope of “rebuild and build anew” in clangen runs! Seeing the clan in this series slowly grow in size and for the leader to not be alone anymore was very comforting. Conifer is my favorite simply because they’re blue and just a wonderful cat in the series! They also get to look at the lady bug :)!

And that’s all! Y’all are cool Peeps, keep on rocking!

#clangen #clangen blog #cat game #clangen oc #comicpage #silly clan!#artists on tumblr #clangen clan #clangen comic #digital art #clangen fanart #long ramble #wc oc #wc art #warrior cats #clangen reference

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seriousfic · 1 month ago

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It feels a bit weird that there's a spate of heroic female characters, meant to be protagonists, and their canon, intended personality is... they're pretty much a jerk? Like, other heroic characters will interact with them and openly state she's an unpleasant person to spend time with.

And not an entertaining jerk, like House, or a love-to-hate jerk, but just... wholly a douche. And meant to be taken as a sympathetic heroine.

It's not like they get character development to be more empathic or reveal a heart of gold. At most, there's one character they treat nicely, which means they're capable of doing it elsewhere, they just don't want to.

They act in a consistently assholish way, are somewhat acknowledged as assholes, and... that's it. Mission accomplished.

It feels like, I don't know, seeing the slow kid trying to solve a math problem without knowing how exponents work: "No, see, she's the heroine, you have to like her, she's fighting the bad guys."

"But she acts like a twatwaffle all the time and is mean to other characters I like much more."

"Yes, but, she's the heroine, you see, you're supposed to like her."

"But I don't."

"You're supposed to, though."

"I don't."

"YOU'RE WATCHING THE SHOW WRONG!"

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astaroth1357 · 2 years ago

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Demons in the Dark

What if they have glow-in-the-dark eyes?

Contents: No warnings aside vague mentions of imminent danger. And bugs and snakes.

~♡♡♡~

Lucifer

Seeing Lucifer in a dark room is incredibly unsettling. You know those horror movies where the protagonist sees a pair of demonic eyes from shadows? You've found the inspiration.

His eyes burn with the color and intensity of molten glass and they that just loom ominously in the darkness, usually well above people's heads!

Lucifer knows exactly how haunting his eyes can look, which is why he prefers to sneak up on Mammon when it's dark and he's up to no good…

The mental image of Lucifer's crimson eyes have long since burned their way into the secondborn's nightmares...

He tries his best not to scare MC with them, but it's undeniably unnerving to see disks of pure hellfire roaming around the kitchen looking for a glass of water…

Mammon

His eyes glow just the prettiest shade of gold you'll ever see. Think of a mound of ancient coins glinting away under a treasure hunter's torchlight.

Mammon knows full well how attention grabbing his eyes are, which is part of why he always wears sunglasses when out stealing. People can't see'em glow if they're all tinted up behind his frames!!

He's also pretty proud that his eyes don't give people nightmares like Lucifer's, but since they glow like little sundrops when he's out, moths fly into his face… a lot…

He is far too embarrassed to admit to MC that he also wears his sunglasses outside for bug protection, so he makes up some shit about it being part of "Devildom-style" they just wouldn't understand.

Sometimes, the MC swears that if they look close, his pupils look like Grimm signs. But has to be a trick of the light… Right?

Leviathan

Levi's eyes glow a citrine orange but weirdly, his pupils actually slit instead of dilate in the dark.

Though he will never admit it, but he actually has pretty bad night vision in his normal form. (Which isn't that surprising given all of screens he stares at.)

It's a little comical watching Levi stumble around in the dark if he needs to go grab something. The MC can just follow his eyes as he smacks into a lot of walls…

His demon form can kind of make up for it, but only so much. If things get too dark, Levi can change into it so he can see his surroundings with the help of UV light.

"Snake Vision" makes the dark more manageable, but it's not very good for gaming at all so he rarely thinks to use it. Everybody knows that past a certain brightness in the room, don't expect Levi to be of much help.

Satan

Magically enchanted his eyes to look exactly like a green-eyed cat's in the dark. I'm dead serious.

Imagine just going about your business then two grown man-sized feline eyes pop out from behind a corner. They even have nocturnal eyeshine so feels like you're being hunted!

Sometimes he can't help himself and he'll sneak up on people with his eyes closed so he can open them over their shoulders or peeking around corners.

He has given the whole House about as many heart attacks as Lucifer has pulling those shenanigans, I swear…

Belphie is the only one generally unaffected and he always gets a big laugh from when Satan scares the others. The youngest boys just be like that, unfortunately...

Asmodeus

His eyes look like a kaleidoscope in low light. Every slight tilt of his head makes them reflect a whole new wave of fractals and colors.

Asmo is just as aware as Mammon that his eyes are gorgeous, but unlike Mammon he wouldn't DARE cover them up!! Sunglasses are for sunny days, which they don't ever get down in Hell.

Asmo's eyes are integral to his charm spells, so he takes extra care to be sure that they are as healthy and bright as they can be! He won't even accept eyebags.

Seeing Asmo's eyes in the dark kind of like seeing a trippy optical illusion just... staring at you. It's less unnerving than the others but it's equally hard to ignore.

To this day, he brags that it was his eyes that caught Solomon's attention when they first met. (Solomon actually wanted to pluck them out to use as potion ingredients, but he'll let that stay a secret.)

Beelzebub

Beel's eyes are probably the most normal of all of the family unless you look at them suuuper closely.

In his normal form, his eyes will just glow a nice shade of purple with nothing fancy happening. But in his demon form, they get that glassy, compounded film akin to insects with his iris still trapped and moving around under the surface.

Thankfully, they do not bulge out of his skull. They even give him the ability to see and track objects in fast motion, which does wonders for his reaction time.

... Somewhat unfortunately, though, his line of sight is more narrow than an inscets so it can look like he's trying to look everywhere all at once to compensate. His eyes will constantly dart around the room as if he is trying to follow the flight pattern of a coked out fly.

At least he mostly only uses this during fights or sporting events where they really come in handy. Honestly, if there's anything more jarring than red eyes, it's stumbling across bug-eyes that they can practically see right through you.

Belphegor

Belphie's eyes glow purple, but they don't shine nearly as brightly as his brothers'. In fact, they have a steady, calming pulse when stared at which is very unnerving.

Total darkness is really when Belphie gives off his best "sleep paralysis demon" vibes. His eyes are really relaxing to look at, but only in the same way that the little light on an angler fish would be enticing to its prey. It's a trap, don't fall for it.

Belphie CAN put people to sleep this way, but he hates doing it because it means he has to somehow not blink for ages. He really has to be motivated to want to see someone zonked out.

For a couple centuries, Mammon would send Belphie to talk to Lucifer if he was working too late in order to (compassionately) knock their brother out so he could get some rest.

Lucifer's since gotten wise to this trick, but sometimes if he's really been going too long he will forget until he wakes up on the nearest couch post Belphie "convincing" him to take a nap.

#obey me #obey me shall we date #shall-we-date-obey-me #obey me lucifer #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me beelzebub #obey me belphegor #obey me headcanons #tw: bugs #tw: snakes

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legallypunkin · 11 months ago

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Here’s my rendition of the Homestuck kids as trolls. I used preexisting canon (or postcanon) trollsona sprites as a jumping off point, though for some I couldn’t.

(Here’s the trolls as kids!!)

Design explanations will be under the cut.

Jake English: I chose to make Jake burgundy due to the Hiveswap description. I personally am not too much of a fan of these descriptions, as they really only apply to the main twelve trolls, if even that, but I was otherwise lost on Jake. His socks are indigo to reference the Alternian idea of wearing the blood color of someone you share a quadrant with, especially as a lowblood, to signify that you shouldn't be messed with. His horns are taken from Calliope's trollsona, as Jake is the closest relative to Lord English, and there's probably some symbolism there. As for the name "Jaking Enlish", I simply scrambled his original name a bit to make it fit the 6x6 naming conventions.

Dave Strider: I chose to make Dave gold due to his early shown proficiencies with tech. The horns are taken from his canon trollsona, and them having two starting points before merging into a single horn at the tip is similar to that of a few background Hiveswap trolls. His name is a reference to Davesprite, being a crow.

Roxy Lalonde: She is very connected to cats, even down to her human symbol, so who am I to get rid of that connection? Her horns are meant to look both like cat ears as well as hearts, and her hair was reshaped a bit for a spikier appearance. Her dress is her party dress, and, as seen in Jake's trollsona, Roxy too wears the blood color of someone she is in quadrants with. Her name isn't too much of a change.

Jade Harley: I made Jade jade because I thought it was funny, that is literally it. Her original trollsona was pretty good, and I replaced her god tier fit with a sort of horrid amalgamation of some other fits. Now that we've seen Fiamet with a tail, I figured I could give Jade one as well as ears, and I figure her working in the brooding caverns gives her a much lower likelihood of early culling. She also does breed the frogs, so that's got to be worth something. Her shoes are red because red seems to be one color which numerous trolls of all castes accessorize with, and her name is a combination of - you guessed it - the words "Jade" and "pup", with her last name remaining the same.

John Egbert: John gets to be a tealblood almost entirely due to his father. He's an unassuming guy from the suburbs who does menial officework. This also seems to be the fate of many tealbloods, so boom. Teal John. His horns are similar to those of Xefros, as, again, unassuming protagonist guy. I did give him sharper teeth, though, as burgundy bloods are the only caste with dull teeth, and I also fixed up his hair a bit. His name comes from a combination of "John" and "June" because I am a fan of both, and again, his last name remains the same.

Dirk Strider: The ties between Dirk and Equius are unavoidable, of course Dirk is going to be indigo. His horn is taken from his trollsona. His name is just "Dirk" but fancier and longer.

Rose Lalonde: Violet because of the horrorterrors. Took her original trollsona and gave it piercings because she's simply too goth not to. I also changed up her original dress a bit, made it more vibrant and closer to violet. Her name follows Roxy's pattern, but now with a closed consonant to end it off.

Jane Crocker: If you didn't think I was going to make her fuschia, you don't understand the depths of my autism. Her entire family line is fuschia, what other color COULD I make her?? Her trollsona is so baked into her appearance here, alongside her crockertier form. Still, Jane is butch in my heart of hearts, so she got to wear a suit instead of a dress (taken from Dave's sprites) and her pair of shorts and slippers(?). Her name is taken from her friend's nickname for her, "Janey".

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brucebocchi · 28 days ago

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Ranking 2024 anime, Pt. 4: #20-11

hey, this post is also available on my ko-fi, so please check it out and consider tipping/donating as i do this for free and am currently between jobs. you can find part 1 of the list here, part 2 here, and part 3 here. thanks!

You know, I'd really planned to keep my re-reviews much shorter but I'm finding it harder to do so when I get into the anime I actually liked. Maybe that's a good thing.

And away we go.

20. Solo Leveling

Portal isekai, sad loser secretly gains crazy powers and instantly becomes a stoic gigachad, menu screens everywhere, entry-level power fantasy. You’ve seen it before. Honestly, Solo Leveling is total slop. I wouldn’t have it any other way.

If you’ve watched a couple isekai, like, ever, you’re not going to find much new here. There’s some interesting enough worldbuilding outside of the dungeon stuff; I did find myself intrigued by the level consideration given to how much this preponderance of portals would influence Korean economics and politics, and even moreso that much of the story so far revolves around how those corrupting powers can lead to hunters using dungeons as their own playgrounds for personal gain at others’ expense. There also seems to be a larger malefactor behind all of the menu screens driving protagonist Sung Jinwoo’s growth and titular leveling, so there’s the hook.

Even putting aside the few interesting parts of the otherwise boilerplate story, Solo Leveling both looks and sounds pretty darn good. The soundtrack is laden with Hiroyuki Sawano’s trademark build-ups and drops, and though the character art and dungeon designs aren’t always the most eye-catching (early on it did look like A-1 Pictures was going to default to “fuck it, we’re making money anyway” mode), the action animation goes absolutely bonkers in its best moments.

The second season is already up and running, and although I can barely remember anyone’s name outside of the protagonist (maybe that’s on me, I consume very little Korean media and am not great at retaining Korean names), I’m in this for the long haul. Great turn-your-brain-off action schlock.

19. Wind Breaker

At this point you could put a sign that says “DELINQUENT WITH A HEART OF GOLD” underneath a box-and-stick trap and I’d walk right in. I am not immune to your Josukes Higashikata, your Ryujis Sakamoto, what have you. The angry and violent type who will nevertheless stick up for what’s right and remain fiercely loyal to those they care about. Wind Breaker is rife with characters who fit that archetype, but it’s not exactly a delinquent anime so much as it’s a Dudes anime. More specifically, a Dudes Rock anime.

Yes, Wind Breaker’s ensemble cast is almost entirely Dudes, and they do indeed Rock. Protagonist Haruka is a self-inflicted outcast, and his tsundere ass does not appreciate all the positive attention he’s receiving after proving himself in street combat prior to his transfer to an all-delinquents high school. Nevertheless, he wants to fight his way to the top of his new environment, and if that means sticking up for the little guy along the way, all the better.

I love that Wind Breaker’s overarching messages of self-improvement and helping the weak without expecting a reward are basically anathema for the base power fantasies that largely come from light novels over the past decade and change, but even moreso that Haruka, loner that he is, keeps having to learn that he’s not going to get anywhere without surrounding himself with the right people and relying on their support. Battle shonen are usually pretty blatant with this stuff, but to see it spelled out so clearly in a series like this just hits right.

Wind Breaker looks terrific at just about every step, too. Every single thing I’ve seen from CloverWorks from the past few years has been a bop, which makes it that much more maddening that this is the studio that bungled the Persona 5 anime and supposedly botched The Promised Neverland in its second season. I get that not everything works out as planned sometimes but I find myself waiting for the other shoe to drop sometimes. I’m glad it’s been smooth so far, at least. Some pacing issues and a weird place to end the show, but I know for a fact I'll be there when this comes back in spring.

18. Laid-Back Camp, season 3

I am not immune to the Cute Girls Doing Cute Things genre, and when all is said and done I think Yuru Camp could very well stand alone at the top. A show this directly responsible for the uptick in camping culture and countryside tourism in Japan clearly holds some sway over pop culture, and it’s clearly deserved.

Returning to the present day after the 2022 film gave us a look at the Outdoor Club in adulthood, Yuru Camp’s third season gives us exactly what we wanted: More of the same. We largely focus on the solo expeditions of Rin, Nadeshiko, and the latter’s hometown friend Ayano as they trek to their collective meetup spot, and as the seasons change we get the entire gang together for some springtime hanami. It’s cute, it’s funny, it’s whimsical, it’s Yuru Camp. You know what you’re getting into at this point.

With studio Eightbit taking over the series in its third season, Yuru Camp still largely looks the same, and wonderfully so, but it can be a bit off at times: CGI vehicles look far more distractingly out-of-place, and for as gorgeous as the background art was in the first two seasons and movie, it can come across as a bit more uncanny this time out. I don’t know whether some of the shots of sakura branches were traced or run through some kind of AI post-processing from archival photos, and I hate to speculate on that, but given that this is the same studio that bafflingly under-animates the money printer that is Blue Lock, I can’t exactly put it past them.

Production quibbles aside, I can’t really complain about more Yuru Camp. It’s a bit lighter on plot than previous seasons, but this is a series that was light on plot to begin with. We get to spend time with these goofs, learn about camping and the Japanese countryside, and then maybe go touch grass ourselves. That’s a good message for a Cute Girls Doing Cute Things series to have: Go do your own cute things.

17. NieR: Automata Ver. 1.1a, part 2

The second half of this adaptation was going to be the metric by which fans of the 2017 action-RPG judged the whole work. The first half in 2023, covering the game’s A and B routes, was a solid if troubled production that did a good job of covering the narrative and action, even implementing surprising easter eggs from NieR Replicant along the way. Sloppy CGI integration in early episodes and a COVID-induced delay hampered things, though, so there were some nerves about the show’s return.

Any fears were quickly allayed once the second half of the series began, covering the real meat of the story in routes C-E. Ver. 1.1a immediately looked exceptional, with expressive character animation and fluid action sequences. Real pathos was instilled into the route’s early tragedies. Most welcome of all was the serious work put into expanding A2’s character and role in the story (as well as her backside). It felt like she’d gotten the short end of the stick narratively in the game, so it felt right to spend more time with her, tie her story in the present back to the past that was hinted at in the Resistance flashbacks, and just get to see her be a tsundere a couple times. I’m gonna have to go back and rewatch the whole series dubbed because I just know Cherami Leigh crushed it.

I’m of two minds about Ver. 1.1a as a whole: On one hand, this is just about as good an adaptation of the game as we probably could have gotten. On the other, a big part of what makes the NieR games’ narratives work so well comes from the fact that they could pretty much only be told through the framework of a video game. While Ver. 1.1a does a perfectly fine job of delivering the game’s narrative and providing its own take on the game’s extremely video-game-y ending, much of what makes NieR’s tragedies so impactful is the player’s agency (and occasional lack thereof) in these matters.

Nothing can replace actually playing NieR: Automata as a means of experiencing its story, but Ver. 1.1a is a darn good companion piece, and one that may even hint at the future of the Drakengard/NieR franchise. Now if only Yoko Taro would focus on something other than gacha games and death game anime for two seconds…

16. Train to the End of the World

The writer/director duo behind Squid Girl came back to give us one of the best and most bizarre original anime this year. Train to the End of the World is overtly and unapologetically weird, and that’s the way I like ‘em.

This weird and wonderful trek across a warped and wildly varied landscape dazzles the eyes and rots the brain in unexpected ways, but it’s a stellar character comedy through and through. Shuumatsu Train’s oddball protagonists are goofy, galaxy-brained, and sometimes flat-out mean in ways that only teenage girls can be. The dialogue is expertly written and some of the punchiest I’ve ever seen in anime. The girls bicker, mess with strangers, and engage in the kinds of inane conversations you only have when you’re the most bored you’ve ever been in your life.

While rarely laugh-out-loud funny, Train to the End of the World is intrinsically hilarious. The sheer absurdity on display is the kind that leaves you just shaking your head in disbelief. One episode they’re playing House of the Dead to get out of a real-life zombie situation, and in another they’re acting out their favorite fictional anime that you, the viewer, are just expected to know about already. It’s a stupid show in the smartest ways; a classical Homerian epic with ruminations on the future, but also one where the girls threaten to wipe out a Lilliputian colony by peeing on it. It’s both eschatological and scatological. With the recent discourse over modern adaptations and interpretations of The Odyssey, this anime might as well be the nuclear option.

Train to the End of the World was a standout in a strong spring season, but it didn’t shake out super high in a long and darn good year of anime. That’s fine and all, but I really hope it ends up attaining the cult hit status it seemed destined for.

15. Mayonaka Punch

This one had been distant on my radar for a couple of weeks after it premiered, but as soon as I found out it was a P.A. Works original, I picked it up immediately. Any original series by the studio that gave us Akiba Maid War’s glorious gut-wrenching insanity (as well as last year’s exceptional Skip and Loafer adaptation) is going to get my attention, and although Mayonaka Punch doesn’t quite reach the same highs as Akiba Maid War, it does try to match the latter’s most madcap moments.

I don’t have a better pitch than “Canceled YouTuber starts up a new channel with a house full of lesbian vampires,” nor do I really need one. Mayonaka Punch’s comedy largely revolves around the personality clash between the disaffected, avoidant Masaki and the pushy, hyperactive Live (who definitely wants Masaki for more than just her blood), but the whole cast is a riot. Throwing in a baby day trader, a taciturn fujoshi, and a big-titty pachinko fiend are just the right spices to make this a particularly tasty stew.

Chaos naturally ensues, and watching these women try to channel it into a successful YouTube channel is an easy recipe for comedy. Everyone has terrific chemistry and I was rapt with attention every time we got to learn more about each of these vampire girls’ history. What came as a huge surprise, though, was how potent some of the emotional hits ended up, even when it involved characters outside of the main pairing. The fact that the biggest one came in just the fourth episode was a masterstroke; I was already on board for the comedy but just like that I was fully invested in a character other than the one who wants to suck the protagonist dry. I’m not rephrasing that.

This one absolutely deserves to be a cult classic, and the door is left open just maddeningly enough at the end that I can only pray for more. Mayonaka Punch is a boatload of fun and deserves way more attention than it’s gotten. You can change that. Right now. Watch this show.

Prior to writing this, Fairouz Ai (Live’s voice actress and a huge presence in a handful of the shows I’ve already discussed) announced that she would be taking a hiatus from VA work following a PTSD diagnosis. I wish her all of the time, recovery, and support she needs.

14. Urusei Yatsura (2022), season 2

The opening salvo in the ongoing Rumiko Takahashi revival (weird thing to say about a mangaka who’s still alive and working, I know) returned this year for the second half of its “all-stars” run, marathoning us through retellings of the classic manga’s greatest hits, the oddest of its many oddballs, and its spectacular, heartfelt conclusion. More Lum is always a good thing.

I’ve written plenty about Urusei Yatsura’s remake following each cour except the first, and I don’t have much more to add at this point. It’s a classic for a reason and it laid the foundations for dozens of jokes, tropes, and standards that are fundamental to comedy in anime to this day. Even when some of the jokes may come off as trite or tropey, it’s easy to see just how and why it made Takahashi so successful. The exaggerated slice-of-life hijinks, outsized slapstick, and time-and-space surrealness are just as much of a treat as the deep, eclectic cast. And to top it all off, here’s Ataru and Lum being a couple of freaks who deserve each other.

Even though the 46-episode run certainly feels truncated compared to the 191 episodes, six films, and ten OVAs that came before it, David Production did a fine job of putting a modern touch on such a classic work and highlighting its strengths. And even though most of the run was an abridged run through the greatest hits, I’m really glad the studio made sure to dedicate the last few episodes to the manga’s final arc, bringing Lum and Ataru together in a beautiful and (briefly) satisfying climax.

And even for as satisfying as that ending was, it was nearly overshadowed by…

13. Ranma ½ (2024)

…the revival of Takahashi’s biggest hit.

Yes, right on the heels of the ending of the remake of her landmark romcom classic, came the announcement that her even BIGGER landmark romcom classic was also getting a remake. Ranma ½ is one of the hallmarks of 90s anime writ large, working late-80s Japan’s fascination with Chinese martial arts (partially due to Dragon Ball’s success) into a romantic-comedy framework that also accidentally served as the genesis of the harem genre. I’d somehow never actually engaged with Ranma prior to the remake, so I was happy to get in on a new ground floor and I was immediately sold.

As the youngest daughter of the Tendo Dojo, Akane Tendo is put in a predicament when her father betrothes her (at her sisters’ urging) to his friend’s son, Ranma Saotome. Though both are skilled fighters and a good match in that regard, Akane is a bit of a hothead and doesn’t much care for boys, so she’s not a fan of this arrangement, but it’s made all the more bizarre by the fact that Ranma is also a girl sometimes. Thanks to a bizarre accident in China, Ranma turns into a girl when soaked with cold water and back into a boy when hit with hot water. Shenanigans ensue as Ranma and Akane’s contentious relationship hits innumerable peaks and valleys, all the while fighting off an ever-growing menagerie of powerful, fight-happy suitors gunning for the hands and lips of Akane and both versions of Ranma.

MAPPA of all studios being the one to re-adapt Ranma came as a surprise, and you probably could’ve convinced me David Production took over this Takahashi adaptation as well. Ranma’s remake adopts several of the same visual flairs you’d see in Urusei Yatsura, including the Ben Day dots, color inversions, and manga-style onscreen onomatopoeias. On the other hand, while most of the moment-to-moment character animation is pretty much what you’d expect from any given anime, several of the action sequences are very well-animated to MAPPA’s typically high standard. I just hope the animators weren’t getting the Chainsaw Man or Jujutsu Kaisen treatment.

Ranma ½ is as hilarious as ever, but it can get a little wonky thematically when it comes to gender politics, boundaries, and expectations, as I’d been made aware before ever engaging with the work. I also knew from the Urusei Yatsura remake that this was basically Takahashi’s wheelhouse, as there are a couple of pretty genderbendy characters in there as well. Several of the male antagonists in Ranma are more than a little pushy when it comes to women who catch their eye, and a lot of the humor around Ranma’s gender swaps revolves around how their male socialization affects the lack of modesty with which they present their female form (more on that later). People who are much better versed in gender matters than myself, both academically and personally, can speak on the positives and negatives of these things much better than I can, and it’s too early in the series for me to really make a judgment call. I do think it’s odd, though, that even with the central romance, Akane doesn’t seem to remotely entertain the thought of getting involved with Ranma’s female side, and unfortunately I don’t really see that ever happening. So far, all of these things just come across as flat-out silly and more of a product of its time than anything nefarious.

The original Ranma ½ adaptation remains a seminal work for a solid generation and a half of anime fans, so of course a remake was going to be met with some criticism. Some didn’t appreciate the more muted color palette compared to the late 80s/early 90s Studio Deen version, and while it’s certainly missing some of the flair of the hand-painted backgrounds and saturated lighting effects the medium has missed since that era, I personally like the softer hues; I find them a lot more reminiscent of Rumiko Takahashi’s own colorations for her art outside of the manga. It’s not as technicolor as the Urusei Yatsura remake, but I think that actually helps set the new Ranma apart rather than riding the former’s coattails.

The main difference people seem to be complaining about, however, has more to do with boobs. Takahashi has never been shy about including nudity in her manga, and in an era where uncensored bazongas were perfectly fine to publish in boys’ manga magazines, she was typically more matter-of-fact about the female form instead of pursuing titillation. As such, a story like Ranma’s, in which its title character is typically blase about presenting their female incarnation modestly, had a lot to work with on that front, and the original anime played along.

Not so with the MAPPA version. Nipples are conspicuously missing in scenes that legitimately do call for nudity, and an ass crack appears to be missing from an early scene as well. Personally, I don’t mind the Barbie doll treatment, and as I’d been reading the manga as the anime’s story progressed, I didn't find all that much missing in the transition from page to screen. Weebs tend to convince themselves they’re the most oppressed people on earth, so of course there were cries of censorship, which is a claim I don’t really care to entertain. These are different times, broadcast regulations in Japan are almost certainly different from what they were 35 years ago, and Netflix and/or MAPPA likely didn’t see the need for it. Could be any of those things. I’m not losing sleep over it.

And with that, I’m done talking about Rumiko Takahashi (for now). I’m grateful for everything related to her work, even tangentially, that came out this year, and my life is richer for it. I’m glad to have gotten into her work in earnest this year, and I can say with all conviction (hot take incoming) that she’s one of the greatest mangaka ever. I look forward to diving further into even more of her work.

12. The Elusive Samurai

I’d have been perfectly happy if Wind Breaker had been CloverWorks’ only beautifully-animated oddball shonen hit this year, and then they went and outdid themselves the very next season with this one.

The Elusive Samurai is a gorgeous, timeless-looking piece of historical fiction beginning at the very end of the Kamakura period, following the last survivor of the Hojo clan, the young Tokiyuki, as he’s urged by an eccentric priest to lead a pack of freedom fighters and take revenge. Despite coming from a prominent family within the shogunate, Tokiyuki was an impertinent kid and preferred to play hide-and-seek instead of attending any combat training. The priest, Yorishige, receives a vision of the future that predicts that Tokiyuki will fell his family’s usurper not by becoming a powerful warrior, but by doing what he’s already best at: Being a squirrelly little shit.

I just gushed about how good this show looks three months ago, and even now I’m thinking back fondly on how well it blends whimsy with brutality. You can have Yorishige and the kids goofing off and cracking jokes one minute and vibrant crimson beheadings the next. Even little Tokiyuki makes a joyful game out of slicing a bandit’s veins to ribbons later in the season. It feels like a callback to anime films and OVAs of the 80s, with the film grain effect to match. Almost every single thing about this show looks and sounds incredible.

Of course, there’s the CGI. I really don’t like complaining about that sort of thing, but it was such a blatant and unnecessary cost-cutting move that it almost cheapens the rest of the show. Look, I get that horses can be a pain to hand-animate after a while, but having characters’s CGI models speaking while riding on horseback is just enough to take me out of the show, especially when they already look as bizarre as, say, Sadamune. How that passed muster with the rest of the show’s standard is beyond me.

So, maybe I did dock it a spot or two for that, but I see that as a wrinkle that can be ironed out. The Elusive Samurai is absurdly promising, and its debut season is a tremendous statement. Can’t wait for more.

11. Makeine: Too Many Losing Heroines!

As I made clear last year by putting 100 Girlfriends’ debut season in my top ten for 2023, for as much as I love a good straight-up romance story, I have ample room in my heart for trashy dipshit romcoms as well. Makeine shares that affection and forges its own identity from it, establishing its own throne atop a hill of garbage.

This is not a “yeah it’s good if you can look past the tropes” show. Makeine is firmly on its bullshit, and it is firmly about its bullshit. It’s not nearly as off-the-wall as 100 Girlfriends, few shows are, but it’s well aware of your expectations and leaves you guessing whether you’ll have them expertly subverted or just thrown right back in your face. Even the protagonist, the light novel fanatic Nukumizu, is calling out the tropes as they happen, but it’s been a fun time watching him learn that he’s more than just a wet-blanket LN protagonist. He thinks he’s just along for the ride like any other blank-faced self-insert in these stories, as gets roped into the personal lives of these poor girls and learns that, yes, they are real people and that, yes, he is too.

I could go on and on about Too Many Losing Heroines’ idiosyncrasies and offbeat characters and punchy dialogue, but I did that plenty just a few months ago. Instead, I want to call attention once more to just how freakishly well-made this show is. A-1 Pictures had zero reason to go this hard on a goofy, trashy light novel romcom adaptation, and yet here they were, throwing their A-team at the whole project. Character animations are intricate, background art is sumptuous, lighting effects immaculate, and music on point at all times. The OP is an earworm (and one of a surprising number of ska intros and outros I’ve taken in this year), and having each of the main titular heroines perform her own story-appropriate ED was a masterstroke. Even the visual gags are perfect and allowed to land on their own.

I already cannot wait for more of this. If A-1 has given us all we’re going to get of the Kaguya-sama anime, then I’m as all-in on Makeine as they are. Not the best romcom out there, but easily one of the best-made out there.

#anime reviews #solo leveling #wind breaker #yuru camp #train to the end of the world #mayonaka punch #urusei yatsura #ranma 1/2 #the elusive samurai #makeine

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