#Preferably one I can find at the library but Indie Authors are always great too!

[very-lost-hobbit]

What media THINKS women want: Big strong man reduced to VERY ill/injured for a woman to tenderly nurse back to health and they fall in love

What women REALLY want: Woman is VERY ill/injured and tenderly nursed back to health (with absolute care and no creepy dubcon nonsense) by a big strong man and they fall in love

[thebibliosphere]

This is more of a problem on Facebook and Twitter, but there are some fellow authors who get a tad... upset when you talk about money and royalty earnings.

Needless to say, my frankness about how royalties work and just how little many of us are earning from our labor has drawn the ire of a few people, even here on Tumblr.hell.

I'm not particularly bothered by this. In my view, they're the same people who won't discuss wages in the workplace because they don't want anyone else to earn what they do. They know the system is unfairly rigged, but they like it that way because they're scared if more people are educated about how things work, they'll lose whatever competitive edge they think they have, thus enforcing the status quo.

Needless to say, I don't care for this view.

I'm very much a "holy shit, two cakes" kind of creator. I also very firmly believe in pulling people up behind me and spreading the wealth of information that was shared freely with me by other like-minded individuals who also believe that the mysteries around publishing are gatekeeping bullshit and everyone deserves the chance to earn money from their creative endeavors, not just the people who can afford to.

Anyway, David Gaughran's 'Let's Get Digital: How To Self-Publish And Why You Should' is an invaluable resource for indie authors and provides great insight into how publishing and distribution work. It is available for free through the retailers listed on his website.

If you don't want to publish exclusively through Amazon, draft2digital.com does global ebook and also paperback distribution. (I've only used it for ebooks, but I'll be trying out their paperback options for my next book.) You can pair it up with a books2read account to create easy-to-post buy links. Draft2Digital also allows for distribution through library lending services like Overdrive. So that's neat. (NB: if you use d2d, you can't use Kindle Unlimited, so be aware of what links you have active and where if you decide to enroll in KU. You can always opt for wide distribution again once your KU time expires.)

D2D also recently partnered with FindawayVoices.com for audiobook distribution. You can find voice actors there, or you can upload your own files if you already have them. You can submit to Audible through them, too, but you'll earn a pittance more if you upload directly through Audible. Findaway also allows for library lending distribution through Libby and several other global equivalents.

If you need ISBNs, you can buy them cheaper in bulk from Bowker at myidentifiers.com

Individual storefront options like Payhip.com and Gumroad.com are also great ways to allow people to buy directly from you, though I soured on Gumroad after the whole NFT thing and their CEO harassing people on Twitter over it. Payhip is now my preferred storefront, and as an added bonus, they calculate VAT in European countries as well, so that's one less thing for me as an indie author to work out. As an added bonus, Payhip can be directly integrated into your author website if you have one. It's a feature I'll be implementing soon.

itch.io also allows for the sale and distribution of ebook files, though I haven't used it yet.

If you don't have the means to hire a cover designer or the means to do it yourself in photoshop, Canva.com has some decent-ish ebook templates. Just make sure the images and fonts you're using have the right licenses for commercial use.

Editing and formatting are also extremely important, though I know not everyone can afford them. If you can, I highly suggest doing so and shelling out extra to have them format your work across mediums. Ebook formatting is different from paperback formatting, and it can look very strange if you just try to format an ebook into a pdf. It is a skill you can teach yourself (plenty of youtube videos) if you really want to, but I prefer to throw money at my editors, who provide formatting as an additional service. Whatever you can afford to do to streamline the process is money well spent.

Also, do not be shy about using affiliate links to sell your work. Authors lose a solid chunk of money to places like Amazon, Barnes & Noble, Apple, etc., in distribution fees. Whatever pennies you can scrape back through affiliate links for directing traffic to those sites is hard-earned--and it is literal pennies sometimes. You can also integrate any affiliate links you do have into draft2digital, so they auto-generate, which is handy.

When it comes to paperbacks, BookShop.org offers the best affiliate earnings, and a percentage of the sale goes toward supporting indie bookstores. They do not take that percentage from your earnings, they pay it themselves. Libro.FM is the audiobook equivalent of BookShop.org, and they also give a percentage of sales to supporting indie book stores.

Anyway, I hope that helps someone. Good luck out there.

Also, if you're the person who sent me the irate email about "giving away trade secrets," feel free to die mad about it. 😘

[arecomicsevengood]

Self-Released Comics from 2020

A bunch of zines came out this year that I liked but haven’t written anything about because I’ve been working under the assumption that my liking the artists involved is unsurprising. But I might as well, I like them more than much of what’s offered by larger publishers and they’re probably doomed to some degree of obscurity. I should excerpt images but don’t feel like doing that. All of these would be in consideration for a theoretical “best of the year” list, but I generally get conservative with those and limit it to five books that are widely available as a concession to an imagined general audience.

Gonzales, by Matthew Thurber and Ric Royer, available through Matthew’s online shop

The parties involved in this comic’s creation would probably prefer I not mention that Ric, the writer, was “cancelled” and made a pariah in Baltimore (and I believe Providence too) due to his behavior in relationships, which had a marked pattern of manipulation and psychological abuse. I don’t know how many people outside these places, in the broader comics community, are aware of such things, but certainly some people are probably buying this comic not knowing anything about it who would be uncomfortable with the concept if they knew. I support Matthew’s willingness to support his friend as an artist by collaborating with him in a context where it’s unlikely women would come into his orbit (this isn’t to imply there aren’t women in comics, only that there aren’t festivals happening right now) but not so much so I can look the other way entirely. If I had to have hand-wringing conversations with Baltimore friends, you have to have them in your head: Heads up for those who don’t like it when authors are creeps.

The comic itself is pretty good! It’s a satire about the Satanic Panic of the 1980s that basically works as a kid’s comic, where a superhero named Gonzales teaches kids to overcome their parents’ fears. Thurber’s a great cartoonist, and I don’t think he loses too much working from a script here. There’s less improvisatory surrealism and more general storytelling economy.

Everglide by Carlos Gonzalez, available through Wasp Video Roadhouse

This kinda feels like Carlos’ eXistenZ, by which I mean it’s about humans “jacking in” to video game worlds where they can run around. Also I think eXistenZ is the best Cronenberg movie, and who knows how good this comic will turn out? I like the serialized minicomic format. I do feel like the ideal format for this would be typical comic proportions, sold in retail stores monthly, and Carlos’ thin line that delineates the shape of a figure but none of its weight or texture could confront readers with its seeming amateurism. But alas! No one can afford to put out black and white genre comics in stores regularly these days. As a minicomic with so many pages in each issue, the focus on the narrative, and each issue feels satisfying on those grounds, building out its world.

Detective Double Digest by Drew Lerman and Pete Faecke, available at The Stink Hole

Drew Lerman takes his Snake Creek characters out for a detective caper with gags about pissing and a plot about cryogenic freezing. Pete Faecke, who I’m unfamiliar with, but is in the new Bubbles writing about the horse sequence in Jimbo Adventures In Paradise, does a comic where multiple people huff gasoline. It’s great. There’s plenty of jokes, an interesting tone, but also a good deal of narrative space being covered in a short amount of pages. The contrast between art styles works to the advantage of each, with Faecke sort of approximating a stiff “golden age” style while Lerman works in a scribblier cartoonier form, closer to a comic strip like Barney Google. Faecke also did a similar format split with A.T. Pratt of western comics that looks pretty good too.

Whisnant by Max Huffman, available at Motion Goods

I loved reading this comic as pages would pop up on Max’s social media feed. Honestly considered buying a page of the original art to finance the printing of the minicomic version. Improvised goofball comedy, tells a story, interrupts that story, then comes back to it, the way the gags and callbacks work is insane in this. I kinda hope he continues with it but maybe it won’t work if it attempted to function like an ongoing comic and not just a stream of consciousness thing that’s disinterested in resolution. On any given page, it feels either like Huffman is going for some weird gag or he’s exploring the form and abstracted geometry of page layout and shape. The amount of panels per page is generally pretty low, so it makes for a breezy minicomic, but reading it online a page at a time I always imagined it at classic comic book size, feeling like part of the point was the subversion of expectations of a classic “teen” comic like Archie.

Hubert by Elijah Brubaker, available at his Patreon

Elijah put up a few issues of this for free as PDFs somewhere but that might’ve been a limited time thing, and it’s worth tossing him some small amount of money to get these. They’re comedies about being an obnoxious dumbass who’s dumb and horny, sorta sitcom-y, sorta weird indie movie vibe, but with a cartoon’s sense of freedom from consequences. Strange and likable, uncontrived, honest to its world of slackers. Would be a good alt-comic in the tradition of Hate or any number of forgotten Slave Labor comics. Hubert the character’s abstracted cartoon shape is kinda like Ben Jones’ Alfe but he ends up in a house full of women and there’s a flirtatious chemistry in his interactions as opposed to Jones’ sexless goofball shenanigans. Since Brubaker’s I think most known for his Wilhelm Reich bio-comic and is currently working on a Charles Manson thing, this feels more “accessible” to a certain alienated pandemic brain looking to live vicariously through fiction while maybe the other stuff is more saleable to libraries. That may sound more cynical than I intend, I mean this comic is fun and it would be nice to encounter it on someone’s coffee table when you’re at the house getting drunk and stoned in a different era. The artist is unemployed and currently only making money from his Patreon, he deserves people kicking in donations for this thing.

Dog Biscuits by Alex Graham, viewable at Instagram for the time being

For a fictionalized document of the pandemic times we’re living in, currently being serialized on Instagram, running in sequences of panels you click through, I like this better than Crisis Zone. It seems close to wrapping up, at which point Alex will collect it into a self-published book I think will make a worthwhile purchase. As time has gone on, and the strip’s moved away from discussing protests and the Capitol Hill Autonomous Zone overtly, settling in with the romantic drama of its small cast as they try to find their way in a world where it feels like every stupid asshole might have exposed themselves to COVID already and now thinks nothing of exposing you as well feels fraught as any editorial cartooning, a sense of desperation to find joy underlies a multipage XXX sequence of characters boning. The Instagram comments are lit up with people seemingly familiar with only reading YA getting really emotionally invested and being extremely judgmental of the characters, with maybe the weirdest moment from my vantage point was someone asking the author what a character’s astrological breakdown was. These reactions do bring home how thought out, alive, and well-observed these characters feel.

[atelier-dayz]

20-ish Questions: Book Edition

Tagged by the lovely @crispyjenkins <3

I’ve only just started getting back into the groove of reading again because med school sucked. ANYWAYS.

1. hardcover or paperback

I prefer paperback, mostly because they’re easier for me to hold when reading, lighter for transport, and they’re (usually) cheaper LOL 

I’ll buy hardcover if I know I’ll love the book a lot since they’re more durable or I’m too impatient to wait for the paperback to release.

2. rent or buy

Always buy. I...didn’t realize you could rent books other than textbooks? LOL

3. reads in silence or reads with music

I’m like 80% of the time listening to music so that includes when reading!

4. standalone or series

Either! It’s been a while since I’ve read books outside of medschool though. Most of the ones I’ve read recently are standalones.

5. annotations or pristine pages

I’m like incapable of writing inside books. LOL I’ll add transparent sticky notes and tabs if I do want to make notes. Or I’ll make notes on my Kindle for e-books.

6. ebook or physical copy

I prefer physical copy. 

However, considering I’ve been moving across the world and the US every 1-2 years for the past like...6-10? years and traveling a bunch, e-books are so much easier to transport, so I’ve been reading them more. And they’re often times cheaper and I had zero income with max debt.  (Also this way, I can store my favorite fics onto my Kindle along with my favorite books ehehe) 

All my physical copy books are currently at my parents’ house. :’(

7. dog ears or bookmarks

Bookmarks! Or whatever scrap of paper I have on hand LOL I don’t like folding my book pages... 

8. mismatched series or complete set

A mismatched set would bother the HECK out of me....

9. cover matters or you don’t judge

Oh I totally judge a book by its cover LOL Presentation is important! But it’s not like a deal-breaker or anything. The summary/blurb and author’s writing style is always important too. But I have totally bought another copy of a book I already had just for a nicer cover.

10. lend books or keep them to yourself

I used to lend/exchange books with a friend in high school. Now most of my friends are docs/med students so no one has time to read ;~; 

11. enjoys lit classes or despises them

Major mixed feelings. I loved reading (most) of the books we were assigned. I loved the creative assignments we got. What I didn’t like were writing essays. I got good grades and all and didn’t do poorly on them, but there was always something missing in my essays keeping them from like great vs good, according to my teachers. Turns out it was a cultural difference in presenting arguments, and so the Western structure of essay writing never jived with me even though all my formative schooling was in the US???? (NTS: I need to find that article explaining the difference between presenting arguments in the West vs the East. It had to do with like inductive vs deductive reasoning.) 

So yeah, mixed feelings on lit class. I did avoid taking one of the AP English classes specifically because of the damn essays.

12. browses shops or orders online

I love browsing stores, but haven’t had any time for that in years, so mostly ordering online. Also COVID is rampant here so no exploring the nice-looking indie bookstores for a while. ;D;

13. reads reviews or goes in blind

Usually go in blind. Exceptions for recommendations from friends or what people might be saying about the books in my spheres of social media. 

14. unreturned books or clean library record

Well, since I moved here, I’ve gotten a new library card! So far, a clean record. But considering COVID is rampant here, I’m sticking with ebook borrows right now so no unreturned books!

15. rereads or once was enough

Definitely rereads!!! Rereading JA now. I re-read Pride & Prejudice every 2-3 years btw. LOL

16. fanfic enthusiast or a stickler for canon

Considering I write fanfic? Fanfic enthusiast for sure! XD Sticking only to canon would be boring and so limiting!! And sometimes you just need that fix-it to glue your heart back together LOL  Canon informs my writing, but I don’t 100% adhere to it!

17. deep reader or easily distracted

If I’m enjoying the book, I’m a deep reader and will literally sit there and finish the book. No breaks. No sleep. Which is also why I haven’t read much in the past few years LOL

18. must read the book before seeing the movie or order doesn’t matter

Order doesn’t particularly matter to me. I’m not a big stickler on movies staying 100% faithful to the book. But yeah also not a fan of movies changing details that didn’t need to be changed. What I don’t like is when movies change or don’t include what I find an important scene in the book. (Like the execution of [insert scene here] means so much to me and you just -- LEAVE IT OUT???)

19. neat bookshelves or messy bookshelves

My books are all over the place, but uuuh usually starts out neat and then gets messy as I accumulate more books LOL

20. skips ahead or resists temptation

I usually just read straight through. I have been burned by the endings of several fics and books though, so depending on how the story is going, I might peek at the last paragraph. Just to be safe.

21. reads aloud or in your head

I can’t even listen to audiobooks or podcasts most of the time unless I’m like building furniture or something alkdfjas so definitely only reading in my head.

22. guesses plot twists or never sees them coming

I don’t go out of my way to guess the twists? Like if the clues are there and I pick up on them, great. I just sit back and enjoy the story? 

Tagging @kitsunekage88 @rinrinp42 @amillionstarsandyouchoosethisone and @turtletotem <3

No obligation to answer these of course! This one is also kind of long LOL

Originally posted by thesunshineatsunset

[apocalyvse]

11/11/11

I was tagged by @water-writings <3

1. Do you write fanfictions or original stories and did you ever write fanfiction?

I write (and always have written) both; I actually started writing fanfiction when I was like 10 years old, before I even knew what fanfiction was, and then later discovered that it was a whole thing. For quite a few years now fanfic has been my main thing, but I’ve got a few original things that I’m knuckling down on this year and really enjoying, so we’ll see.

2. Did you ever write your stories in the middle of class instead of paying attention?

Not in the middle of class really, but I did write like half a harry potter au fic sort of thing based off of some rp characters at the end of my year 11/12 exams. The exams were like 3 hours long each, and like, I’m not smart but I am pretty quick at theory stuff so I’d have 1.5-2 hours per exam to fill, and I would never use the note paper for notes. So I’d fold my note paper into 8ths and write reeeeeally really small and fill it all up during my extra exam time. (I still have the sheets of paper if anyone wants to see xD)

3. How many notebooks do you have filled with your writing?

Since somewhere in 2015, I have filled 25 notebooks; not including anything I wrote straight out on a computer, on my phone, on random pieces of paper, or in other notebooks that aren’t included in my numbering system, which I have lmao.

4. What’s your favorite way to write? Notebook, Word Doc, Google Docs?

By hand in notebooks. I used to write in a word doc, and I still use word to type up into and edit it, but I find writing by hand really pushes my word counts up, and forces me to do an initial edit when I type it up, especially with fanfic because I don’t draft fanfic.

5. Do you write by yourself or do you need people writing with you?

I’ve always written alone - most of my friends don’t even know that I write, or don’t write anymore themselves, so it’s just me and myself over here. I was in a writing club at school for a while, and we tried to do a couple projects together, but the group got off course way too easily and nothing really got done, so I prefer to be alone with something I’m really passionate about finishing.

6. Have you ever cowritten with someone?

When I was liiiiiike 12, my friend and I co-wrote a lot of Avatar: The Last Airbender fanfic lmao, which to this day is one of my favourite writing memories. And I co-wrote an entire 50k ‘novel’ with my friend during middle school, which was actually pretty good fun - we traded off chapters and worked together on plot and worldbuilding and actually finished the whole thing. It was horrible (I can’t look at it anymore it’s so cringey), but a good experience to have. I’ve co-written with a few friends online too, with mixed results - nothing that’s ever really gone anywhere though.

7. Who do you bounce ideas off of?

No one lmao. I just throw them into the story and see if they work.

8. Have you ever taken an experience from your life and written it into a story?

Definitely! The most obvious example would probably be the series of short stories I’ve written and posted on this horse racing game I play, Flying For Home, which are sometimes drawn directly from stuff that happens around my workplace in real life, seeing as I work with racehorses in a big stable (the premise of the short stories lmao). 

Another example I can think of is, funnily enough, my other horse-related project; a novel called Vertigo, for which I have drawn on a lot of my own personal history and people that I’ve met in my life and thrown it into the mixing pot. It’s a bit of a personal daydream tbh xD Other than those, there’s a little bit of myself in everything I write, I think, though it’s hard to pick out sometimes.

9. Favorite type of music to listen to while you write.

I usually don’t let myself listen to music when I write, but if I do, it’ll be the playlist I inevitably have for the story, turned down very quiet so that it fades into the background - usually just pop and alternative/indie sort of stuff.

10. Have you ever had anyone give you “advice” that hurt you and prevented you from writing for a while?

I don’t think I’ve ever had anything that stopped me from writing, and I’ve certainly never had criticism from outsiders/strangers or whatever (generally people just ignore me). But I do keep my mum at a distance from my writing, as she tends to just push and push me to ‘publish something already’ and gives off the mentality of ‘it’s not worth wasting your time on if it won’t make you money’. She uh...doesn’t know that I have published over 100k of fanfic this year. Lol. She’s only trying to be supportive, in her own way, and I appreciate it, but I just don’t mention it to her very often, because she’s never really ready to listen to my point of view on it.

11. Have you ever had fans of your writing pester to write a certain way?

I don’t have fans xD

And from @starsandstormyseas because you asked good questions and I Want To...

1. Have you ever had an idea that sounded really great in your head, but when you started writing it, came out terrible for whatever reason?

Yesssss, Flicker has gone through 9 versions in 2 years because every time I start it, it just goes very quickly in directions that I don’t want it to and it never feels right. This version I’m working on now is the first time I’ve really liked all the ways I could go with it so hopefully we’re past book 2 blues and back on track.

2. What’s your favorite part in writing a story? The relationships (or shipping), the plot, the worldbuilding, something else?

The like, ‘main’ scenes, the big hitters. The culmination of all the middle bits into that one main plot point. And relationships too, though not romantic persay - I just really enjoy the scenes where two characters will bounce off of each other for like 7 pages of dialogue, whether its enemies, or friends, or romantic.

3. And weird habits you do when writing, or to keep yourself writing?

I write by hand mostly, and I have my own system to mark as I’m going sentences I don’t like, or words that don’t really fit but I couldn’t think of the right one, or facts I’ve made up on the fly that need to be googled. If I just mark down stuff that I want to change later as I go, I find that I set myself free in a way, and I can just move on without getting stuck on a google spiral (also I don’t forget to fix my plot holes later).

4. Do you keep the internet on or off when you write?

On, though it’s very distracting when I’m trying to write straight on my laptop lmao

5. What books, authors, fics, or any media, have heavily influenced your writing style?

I spent a lot of my childhood reading Enid Blyton and authors like her; older books, mostly my mum’s books from when she was a child, and things from my hometown’s very, very outdated library. So they had a huge impact on the way I learnt to write (they also had an impact on the way I talk too, but that’s another story). More recently, the whole tone and way that fanfic in general is written has really influenced me, and I’d like to think I’ve adopted it and made it my own in a good way.

6. What time is the best time to write? Day, night? Morning, evening?

Evening/night; some days, I cannot focus until like 8pm when I go to bed. And then I lose sleep because I’m writing but y’know. For editing/typing up, that’s a late afternoon kind of job.

7. Is there anyone IRL that you let read your work? 

I have a group of friends that I’ve known for 8 years now that are allowed to read my work. We used to rp together and all used to write and so we all know how bad we were back in the day xD. One girl from that group has been my friend since kindergarten, so she has always had me shoving handfuls of words in her face. There’s been a few other friends that have read some of my stuff, but not all of it, and the older I get, the less I share.

8. How do you handle negative or unhelpful reviews or critique? Does it impact the way you write?

I’ve never had any negative response, so I don’t know. The silence when you’re 4 chapters deep and no one has reviewed is deafening though.

9. Do you respond to every comment/reply you get? If not, which ones get your attention and why?

I only respond to the long/sincere ones, because I feel like they deserve some encouragement in return for taking the time to really let me know what they thought.

10. Ever gotten weird, unsolicited messages asking to join an RP group or some such because this person apparently read your writing (but probably didn’t)?

Hah. Once or twice.

11. What is your favorite platform to post your writing, talk about writing, or anything like that? 

My favourite place to post and to read by far is AO3 - but I find the best platform to get feedback on is FF.net. My favourite place to talk about writing is over here on tumblr.

MY QUESTIONS

How do you get yourself to focus on writing?

What’s your favourite thing you’ve ever written?

Tell me about your current WIP.

Do you write for yourself or for an audience?

Do you share your writing with anyone you know in real life?

What’s the nicest comment/review you’ve ever gotten?

What platform do you prefer to post your work on?

Do you plot or pants?

What have you learnt while writing your stories?

Do you remember the first story you ever wrote?

Can you give a spoiler for your WIP?

Tagging (from writer peeps) @converginglives, @pen-in-hand (if you want another one I think mel got you xD), @aethryos, @paper-shield-and-wooden-sword, @siriusguided, @insertpenname-here, @indecentpause, @writing-at-dusk @sillyliterature @anoddconstellationofthoughts @writingtomorrow

[swordsandrayguns]

Science Fiction And Fantasy Fans Should Write Reviews

Writers, especially indie authors like yours truly, always ask for reviews. Why? Is it just to be annoying? Truth is, on ebook retailers, reviews = increased visibility. Even Google has indicated reviews affect search engine returns. So that is honestly a big part of why authors ask. Some of us also ask because we really want the feedback. I know I do, but I can’t pretend like that is why all authors ask. Because of that, I always feel kind of sleazy asking for them. It is like a waiter not so subtly reminding you to tip as they present the bill. However, I think there is a good reason we (all of us) should write reviews for books we read. I believe it helps the overall science fiction and fantasy community.

Hear me out; I know this sounds like me trying to justify asking for reviews but I really mean it is for the good of us all. See, I am old enough to remember the fan organized science fiction newsletters and fanzines, although I was too young to actually participate in that culture. I do, though, distinctly remember when conventions and other fan gatherings were the only time you could see obscure science fiction and fantasy shows/movies and find certain books, magazines, etc. Back when “anime” was “Japanimation,” for example, the 24 hour viewing room at the local convention was your best, maybe only, chance to see stuff like Vampire Hunter D, Fist of the North Star, Macross or Dirty Pair. If you were lucky, there was a club in your area that gathered monthly and crowded around a TV to watch untranslated VHS tapes traded with other clubs or laserdiscs purchased through friends in Tokyo. I was in one that met monthly at the Pantera’s in Webster Groves. Pizza and Captain Harlock in Japanese makes for a great Saturday afternoon!

Today, there are thousands of anime options out there… you don’t even have to buy them. They are on YouTube, Hulu, Netflix, etc… How do you decide? How do you cut through the madness? Same thing with books. Actually, it is even worse with books because you have all the independent authors and small presses available, too. Back in the day, if you were a science fiction and fantasy fan, you were a “science fiction and fantasy fan;” there were no distinctions and Lloyd Alexander’s Chronicles of Prydain books sat to Isaac Asimov’s Foundation titles and nobody even thought about putting them in separate sections! You read what was at the library or on the paperback rack at the bookseller of your choice because that was all there was! Hardback science fiction was pretty much just from the Science Fiction Book Club (if you had that kind of money/were old enough to enter a mail order contract). I don’t even remember if there was a dedicated fantasy book of the month club; you probably just had to hope the Science Fiction Book Club would throw you the odd bone. If you were lucky, you had maybe a dozen titles in that spinning paperback rack (because science fiction and fantasy probably shared the real estate with Louis L’Amour westerns, spy and detective thrillers and romance novels) and whatever you hadn’t already read at the library. That was it! That was all you could get unless you had spare cash for expensive mail order or could swap books with friends. If you were really lucky some selfless fan would donate a paper grocery sack of their paperback cast-offs to your library and keep you going for weeks! 

But in 2021 Amazon alone dumps about 18 bajillion-million books in your lap (bajillion-million is really a word; they had to invent just to describe Amazon’s book catalog). There are physical books, ebooks, web only stuff and audiobooks. At the same time, the science fiction and fantasy meta-community is now fragmented into at least a thousand distinct fandoms. You do not have to be a science fiction and fantasy fan anymore; you can get very, very specific about your tastes. You only like martial arts stories framed with video game conventions? It’s a thing. Prefer historical novels told from an extraterrestrial point of view? It’s a thing. Female driven tales of magic set in the modern day as a metaphor for larger social problems? It’s a thing. Robots versus dinosaurs? Stories of Elvish warriors with a well defined and unique culture? Belgian post-apocalyptic comic books set in America? They already made that into a TV show. 

How do you cut through the noise and find what you really want? How do you figure it all out? You only have so much time you can read and you have to budget it as carefully as your money… maybe even more carefully. After all, even if you are not buying, most libraries participate in e-book lending systems that still dump thousands of titles in your lap for free. How do you choose between the 400 books with spaceships, lasers and/or dragons on the cover published since you started reading this article? Reviews are your answer. Scratch that; good reviews, written by other fans, are your answer! 

I used to shy away from writing reviews for two reasons: one, I always felt like I should write a dissertation on a book and two, I kind of didn’t want to admit to how many Star Trek books I end up reading because Simon and Schuster sells a new group of Star Trek ebooks every month for 99¢*! And even as I started to adjust my attitude and realize why book reviews are good for the science fiction and fantasy reader communities, it isn’t like anyone needs a review to discover Star Trek, right?

Let’s be real, that is probably fair. It is really, really hard to imagine someone stumbling across Star Trek, Star Wars or Game of Thrones in book form without any previous knowledge of the franchise… and I imagine things for a living! If you are pressed for time or nervous about writing reviews, it seems reasonable to not worry about the big franchises so much. On the flip side, if you are a serious Star Trek or Star Wars reader, for example, you could post reviews mentioning if a story felt true to the series, where the book would fall in the chronology of the overall series, which characters from the shows/movies appeared and the like. Some readers want to know these things and that is really what I think reader reviews should address!

Some of you are nervous about posting a review because you are nervous about sharing your thoughts and writing. I get that (for me it is that I feel obligated to write a dissertation as a matter of respect to the author and the work they put in). I suggest you just write a review as if you were telling a friend about the book. That is essentially what you are doing anyway; true, you probably haven’t met a single person who will read that review but just the fact they are considering reading that book with spaceships and lasers and dragons on the cover makes them part of the big science fiction and fantasy community, so they certainly could be a friend!

When it comes to writing a review, the only rule is no spoilers! You are not trying to re-tell the story, just help potential readers figure out if it is what they want in a story. I honestly suggest answering any questions you wanted answered when you were choosing the book. I think it is fair to mention other, possibly better known, properties the story brought to mind. Not necessarily compare, but more in terms of categorization. “The title suggests this book would be something like Doctor Who, but it made me think more of Blake’s 7 with a dash of Space: 1999,” or “This story reminded me of Fritz Leiber’s Lankhmar stories and Greek mythology.” Would you read either of those books? Would you not? That is what I am suggesting we try to do with reviews. 

I think it also might be a good idea to mention any content concerns. “This seemed kind of R-rated for the Star Wars universe,” “The author does not shy away from violence,” and a simple “Contains adult language” could all be tremendously helpful to other readers. This is the only time you might bend (not break) the no spoilers rule... If there is something in the story you believe could truly upset a reader (a racist character, sexual assault, the bad guy kills dogs), mention it if you must. Just try to respect the no spoilers rule to the best of your ability. 

Some people might not want to speak negatively of a book. Maybe you realize just because it was not your cup of tea this does not keep it from being the story that will change someone else’s life or maybe you just believe if you don’t have anything nice to say, be quiet. That is 100% okay. You could only review books you truly like. That is still going to help the community of readers. Or, you can stick to reviews that do not pass judgement. I am advocating reviewing books as a kind of crowd sourced categorization method for the overall and heavily segmented science fiction and fantasy community. With that in mind, I do not believe a “review” has to offer an opinion or judgement about a book, only information to help other readers decide if it is something that may be of interest to them. 

This leaves one big question: where do you post a review? That is a good question and I believe the answer is wherever you would look for information about what to read next. The logical place to start is wherever you got the book. Pretty much every book retailer, be they online or brick and mortar, has a web presence that will let readers post reviews. Some will even automatically ask you for one. That seems a perfectly logical place to post a review, but if you are reading library books there may not be an opportunity to review titles (although my library system does post reader reviews, yours might not). There are social media options, Goodreads springs to mind, but there is no reason you could not post your thoughts on books to Facebook, Twitter, whatever. There are also websites and blogs which take reader reviews. You can post on as many or as few as you want (but please post a review somewhere!)… Personally, I guess I would think about the level of privacy and anonymity I want. As a reader, I did not really think that way but as a writer I do. I will admit I am afraid some Goodreads members, for example, may permanently discount my own writing because I read comic books or assume because I posted reviews of the 1950s Tom Corbett, Space Cadet novels my books are going to be of that shiny silver rocket ship brand of science fiction. I have actually kind of abandoned Goodreads for review platforms were I am anonymous. I do not use my name on Amazon, for example, so I post reviews there. In setting up profiles in other platforms I am careful now to stay generic. Goodreads requires a name, so if that bothers you find another place to post reviews. 

I mentioned the fanzines and conventions earlier in this article. Sometimes I hear people kind of mourning those days, when the science fiction and fantasy community felt like more of a community because it was so much harder to get access to materials and merchandise. Maybe this is the complaining that all generations start as they decide the next generation has it so much easier, but I can say as someone in on the tail end of things, back in the day the science fiction and fantasy community did kind of feel more like a community. Whether you went all in and organized a club, convention or fanzine or just participated by attending or subscribing, fans had to go out of their way to participate and find the things they loved. Nobody was accidentally a science fiction and fantasy fan. Writing reviews, making that little commitment, means you are participating and contributing.

I hope I have convinced you to start reviewing books (or podcasts or movies or whatever part of science fiction and fantasy you love) because it is going to help us all find the next things we love. And also, despite our thousand fandoms today, I personally would love to see the science fiction and fantasy meta-community become a little more of a community again. 

Thanks for reading. It really does mean a great deal to me just to get some other people thinking about this… if you have enjoyed this little article, if you find yourself agreeing with me please take a couple minutes out of your day and review the next book you read. Let me thank you in advance for the person you are going to end up helping to find their next read!

* If you are unaware of Simon and Schuster’s monthly selection of 99¢ Star Trek ebooks, you can find them here, I don’t get a piece of this or anything, just sharing: https://www.simonandschuster.com/startrekbooks

[jeki2011-blog]

8 Ways to Read the Books You Wish You Had Time For

Neil Pasricha

When I tell people this, most say, “Oh, yes, for sure, yes.” But then two seconds later, they say “I just wish I had the time.”

Well, you know what? I’m calling shenanigans on that excuse. Because the truth is we do have the time.  A University of California report shows we’re consuming more information now than we ever have before — more than 100,000 words per day. Think about how many texts and alerts and notifications and work emails and personal emails and news headlines and fly-by tickers and blog feeds and Twitter spews and Instagram comments you’re reading each day.

With all that garbage reading, who has time for books anymore?

In an earlier HBR piece called “8 Ways to Read (a Lot) More Books This Year,” I shared how for most of my adult life I read five books a year, tops. I had a few slow burners on my nightstand, and read a couple of books on vacation if I was lucky. But then three years ago, I read fifty. Fifty books! In one year. I couldn’t believe it. I could suddenly feel books becoming this lead domino towards being a better husband, a better father, and a better writer.

Since then, I’ve tried doubling down on reading. I’m now reading somewhere above 100 books a year. Sure, I sometimes hit slow patches, and bare patches, and slip into social media black holes. But here are eight more things I do to get back on track:

1. Live inside a world of books. Most people have a bookshelf “over there,” where the books live. But one day last year, my wife just dumped a pile of about ten picture books in the middle of our coffee table. What happened? Our kids started flipping through them all the time. So now we just rotate them and leave them there. It’s a path-of-least-resistance principle, much like how Google leaves healthy snacks on the counter for employees, while chocolates are hidden away in cookie jars. We’ve put the TV in the basement, installed a bookshelf near our front door, and slipped books into car seat pouches and various nooks around the house. Argentinian writer Jorge Luis Borges said: “I cannot sleep unless I am surrounded by books.” This is how we now choose to live. (Even if you’re trying to declutter, or don’t have a lot of space to store books, you can always visit your local library for books and return them when you’re done.)

2. Go “red” in bed. My wife generally falls asleep before I do, and that’s when I strap my red reading light on my forehead. Why red? Michael Breus, author of The Power of When says the theory is that red light aids melatonin production. And bright lights have the opposite effect, according to The Sleep Health Foundation of Australia. Too-bright lights, or a bright screen, can make you feel more alert. Bedtime reading should help you wind down, not wind you up.

3. Make your phone less addictive. Cell phones are a distraction machine. Our cell phones are designed to be smooth, sexy, and irresistible. Don’t believe me? The book Irresistible by Stern School of Business associate professor Adam Alter will quickly raise your awareness of the addictive designs going into smartphones. They’re like pocket slot machines. So how do you resist the urge to reach for it? Make it less appealing. Move all of the apps off the main screen so it’s blank when you open it. Leave your cracked screen cracked. Move your charger to the basement so it’s an extra step in your low-resilience nighttime and morning moments. If you must have your phone in the room while you sleep, enable “Do Not Disturb” mode to automatically block calls and texts after 7 p.m. Slowly, slowly, slowly, you can prevent your phone from becoming so seductive.

4. Use the Dewey Decimal System. How do you organize your books? By color? By when you bought them? By big random piles everywhere? There’s a reason every library uses the Dewey Decimal System. It makes sense. Books fall neatly into ever-more-thinly-sliced categories around psychology and religion and science and art and…everything. What’s the benefit? You make connections. You see where your big gaps are. I spent one Saturday organizing my books according to the Dewey Decimal System and, in addition to scratching an incredibly deep organizational itch, I now find books faster, feel like my reading is more purposeful, and am more engaged in what I read, because I can sort of feel how it snaps into my brain. What tools do you need to do this? Just two: I bookmarked classify.oclc.org to look up Dewey Decimal Numbers for any books which don’t have a DDC code on the inside jacket, and I use the Decimator app to look up what that number means. Oh, and I use a pencil to write the Dewey Decimal code and the category on the inside jacket of each book before putting it on the shelf.

5. Use podcasts and BookTube to solve the “next book” dilemma. As you start ramping up your reading rate, the biggest problem soon becomes “Well, what should I read next?” Going beyond piles in airport bookstores and what’s trending on bestseller lists means plunging into backlists and bookstore side-shelves to get intentional about finding the books that really change your life. In an era of infinite choice, the value of curation skyrockets. Podcasts and BookTubers (a subset of YouTubers focused on books) are now a reader’s curation dream machine. Where to start? In podcasts, “What Should I Read Next?” by Modern Mrs. Darcy tackles the problem head on and “Get Booked” by Amanda Nelson at BookRiot offers custom book recommendations. I also have my own show “3 Books,” during which we ask guests like Chris Anderson of TED, Judy Blume, or Chip Wilson to share three books that most shaped their lives. And: BookTube? Yes, BookTube. There’s a great overview of it here, and some starter channels to get you hooked are Ariel Bissett and polandbananasBOOKS.

6. Unfollow all news. Sure, sure, I preached before about how I cancelled my five magazine and two newspaper subscriptions to focus solely on books. But you know where the news followed me? Online. That’s where you need to go hardcore: Unfollow every news site on social media, and remove all bookmarks to news sites (remove all passwords, too). Remember what political scientist Herbert Simon said: “What information consumes is rather obvious: it consumes the attention of its recipients. Hence a wealth of information creates a poverty of attention, and a need to allocate that attention efficiently among the overabundance of information sources that might consume it.” (Want to go deeper here? I recommend reading “Why You Should Stop Reading News” on Farnam Street and “Five Things You Notice When You Quit The News” on Raptitude.)

7. Read on something that doesn’t do anything else. As author Seth Godin told me in an interview, “People rarely read a book in iBooks because you’re one click away from checking your email.” If we can be interrupted, alerted, or notified, we will. That’s not good for diving deep into new worlds. So what do I suggest? Real books. Real pages. On real paper. Yes, I’m OK with killing trees if it means gaining the ability to disappear into your own mind. Only real books let you be the full director of the show, after all. No voice replaces your mental voice, no formatting or display screen affects the artistic intentions of the writer. Sure, I get it if you need bigger fonts, or if you drive all day and prefer audiobooks, but I’m just saying that if you want to be a real book snob for the rest of your life just like me, actual books are where it’s at. And, if you must use a device, just make sure that e-reader can’t receive texts.

8. Talk to your local booksellers. My favorite bookseller of all-time is Sarah Ramsey of Another Story Books in Toronto. I walk in, I start blabbering, I start confessing, I share what I’m struggling with, and she hmms and hahs and sizes me up as we wander around the store talking for half an hour. She finds: a good book after my divorce, a good book before my trip to Australia, a good book as I struggle with my kids. And then I walk out with an armload of books that completely fit my emotional state, where I want or need to grow, and those that resonate with me on a deeper level. If you believe humans are the best algorithm (as I do), then walking into your local independent bookstore, sizing up the Staff Picks wall to see who’s interests align with yours, and then asking them for personal picks is a great way to find books you’ll love faster. (Here’s a list of indie bookstores in the U.S. if you want a place to start.)

So are you ready to read? Raring to go? Or are you one of those people who first needs to hear some rock-solid science to help change your behavior? If you need another couple of reasons: In 2011, The Annual Review of Psychology said that reading triggers our mirror neurons and opens up the parts of our brains responsible for developing empathy, compassion, and understanding. Reading makes you a better leader, teacher, parent, and sibling. Another study published in Science Magazine found that reading literary fiction helps us improve our empathy and social functioning. And, finally, an incredible 2013 study at Emory University found that MRIs taken the morning after test subjects were asked to read sections of a novel showed an increase in connectivity in the left temporal cortex — the area of the brain associated with receptivity for language. Just imagine the long-term benefits of cracking open a book every day.

https://hbr.org/2019/04/8-ways-to-read-the-books-you-wish-you-had-time-for?utm_campaign=hbr&utm_source=twitter&utm_medium=social

[tanmath3-blog]

Craig Wallwork lives in West Yorkshire, England. His short stories have appeared in many journals, magazines and anthologies in the UK and US. He is the author of the novels, The Sound of Loneliness, and the story collections, Quintessence of Dust, and Gory Hole.

    1. How old were you when you first wrote your first story?

Too old. Probably about 30. The story was about my grandfather who died of dementia. It was picked up by Laura Hird, a Scottish writer moving in the same circle as Irvine Welsh. She gave me my first publishing break. No payment, and it was online only, but damn was I happy. I felt like I’d arrived and was soon to be a bestselling author. I’m 45 years old now. Fifteen years of having more rejections than acceptances. And I’m still waiting to write that bestseller. I don’t get disheartened much now if a story isn’t accepted. I just remind myself that William Saroyan received 7,000 rejection slips before landing his first short story. So I did better than him.

  2. How many books have you written?

Eight and counting. Half have been published by indie presses. The other half are like children staring out of the window of some orphanage every time headlamps flash by. I’m sure they’ll land a home soon, but until then I’ll keep each fed and watered. But never after midnight. Oh, man. I never feed any after midnight.

  3. Anything you won’t write about?

If you would have asked me that five years ago I would have said no. But time, and perhaps being a parent, has mellowed me. I’ve written some really terrible stories, not bad writing, just the subject matter was terrible. I’m sure they’ll come back to haunt me one day. Their my skeletons in the closet. My dirty family secret. The affair and misdemeanours. But I was a different writer back then. I’ve changed. Honestly, judge.

  4. Tell me about you. Age (if you don’t mind answering), married, kids, do you have another job etc…

  In five years I’ll be fifty. When I was at school, my grandparents were fifty. They had grey hair, no teeth, and had lived through a world war. I have all my own teeth. Don’t even have any fillings. Any grey I may have is limited to my face when the stubble grows. As for war; Syrian, Iraq, Afghanistan – maybe not as close to home to what happened in Europe, but nonetheless. I will say I’ve aged more since having kids. My oldest is ten this year. My youngest is five. Being a parent accelerates the ageing process. It’s like that scene in Interstellar when Mathew McConaughey and Anne Hathaway go to that planet for about twenty minutes but when they return back to the spaceship, twenty-three years has gone by. Being a parent is like that, and you’re the one on the spaceship where time moves slower compared to everyone else around you. I’ve had friends drop off presents when my first child was born, returned a month later, and tell me I looked like I’ve aged five years. It’s scary. But hey, I love them now they’re sleeping in.

  5. What’s your favorite book you have written?

  That’s like asking, which of your ex-partners did you like the most? I liked them all at one point, but you always love the one you’re with right now. So I would say it’s the novel I’m currently editing. I won’t mention the title, only because I’ve said it before in interviews that go back about three years. Yeah, that’s how long it’s taken me to polish that baby. Once it’s done, I’ll start something new, which I’m sure I’ll love more than any of my others. Basically, I have commitment issues.

  6. Who or what inspired you to write?

I wanted to be a cartoonist but failed. Then I wanted to be a filmmaker and failed. I then attempted to be in a band, and I failed. Failure inspired me to write. And continues to do so.

  7. What do you like to do for fun?

  I enjoy grave robbing. Something about leaving the house late at night, sneaking into a cemetery with shovel in hand looking for a fresh grave. It keeps me fit too. Excavating six-feet of earth is a great workout. I’m thinking of releasing a fitness video: Tone and Bones, maybe. The bind is selling the bodies on the black market. People are so fussy. Does the body still have all its limbs? Is the skin attached? How many teeth does it have? Sheesh. And returns is just a nightmare. So I do that for fun. And I enjoy lying too.

  8. Any traditions you do when you finish a book?

Berate myself for not writing a better book.

  9. Where do you write? Quiet or music?

  I write at home. Mostly in the bedroom, sometimes in the living room, but it depends if the kids have had sugar. Writing is a bit like going to the toilet; you really need your privacy, but sometimes that’s impossible when you’ve got kids. But I do prefer quiet when I can get it. I used to buy those ear protectors, you know, those little orange foam things that look like thimbles. I’d push them into my ears so all I could hear was my heartbeat and blood in my skull. Now I have attained the ability to write anywhere in the house, even downstairs while the kids are watching Colin’s Key make slime or eat ultra sour candy. I can write to Victorious, Sam and Cat, Mr Bean, Hotel Transylvania 2, Sister Vs Bro and Funnel Vision. But I still struggle when they watch Ed Sheeran videos.I walk out then.

10. Anything you would change about your writing?

I’m trying to make it more accessible. By that I mean, a lot of my old stuff had a literary edge. There was plot, but the language and structure was more important to me because that’s what I love reading. To this day, I get very giddy when an author performs alchemy and creates these perfectly formed similes or descriptions out of very little. That was my goal back then, to seduce the reader with words. Now I’m trying to find a balance by retaining some of that magic, while at the same time offsetting it with decent good old fashion storytelling. Yes, it’s taken me fifteen years to reach this epiphany, and I’m hoping the time I’m putting in will be appreciated. If not, I’m going to begin writing trashy erotica.

11. What is your dream? Famous writer?

  If I’m being honest, I’d like to earn some money (any money) from writing so I can drop my hours at work. If I could go part-time and write for maybe, two days during the week, I’d be more than happy. That’s the dream. If that doesn’t come off, and please, no one hold your breath, I’d settle to see just one of my books in hardback, cloth bound, and in a library.

  12. Where do you live?

A small village in West Yorkshire called, Ripponden. It has three pubs, a couple of restaurants, a tea room and convenience shop. It’s semi rural, lots of agriculture and livestock grazing the fields that back onto moorland. I used to live in a large town growing up. People shot each other, whereas here they shoot grouse and pheasant. Before moving here the only deer I saw was in Stand By Me, but the other day I was picking my daughter up from school, and as I was backing into the parking spot, I saw something brown flash past my rear window. I then heard a large clattering noise and saw a fawn hurtle itself at the school fence. It must have got lost and the car spooked it. The car park backs onto a few residential bungalows for retired folk. There were steps leading down to a house close to the fence the fawn had struck. When I looked toward the bungalow the fawn sprang out of a hedge, kicking and flailing around on its back. I wanted to try to stop it, to tell it I wouldn’t hurt it and to calm down, but it was manic, frenzied. Then it just stopped and went quiet. I ran to the school to speak with one of the staff to get the number of a local vet or rescue service. A few of us went back to make sure it was still there. It was. But it wasn’t breathing, and flies were resting in its open eye. The speed and power of hitting that fence could have broken its neck, but I honestly think its heart gave out. It was such a beautiful creature. It’s fur was the colour of autumn leaves and its legs were long and graceful. My daughter cried all the way home when she heard. She’s got heart that girl. I guess this place is quite wonderful, but even in paradise you can’t help but have your heart-broken once in a while.

  13. Pets?

  A goldfish only. We used to have a rabbit but it went suicidal on us. It began chewing wires and trying to crawl up the flue over the open fireplace. I just don’t think it liked us. We treated good. Fed it, gave it a nice hutch, but It would stare at us all with this one black eye like we’d murdered its family. My daughter began to think she’d awake in the night and see it there at the end of the bed, staring at her with that one black eye. It was called Fluffy, but after about three months it also went by, Psycho Rabbit, Weirdo Rabbit, Stupid Rabbit, What the Hell, Rabbit?! We eventually took it to a sanctuary to be re-homed. We felt a little like that family at the end of Poltergeist once it was all over, but instead of wheeling out a TV, we wheeled out a hutch.

  14. What’s your favorite thing about writing?

  I enjoy the process. I mean, I actually love creating worlds, people and all the problem solving and outlining, adding depth and shade and listening to how the characters talk and where they take the story. To me, writing is a kind of medicine, it’s the cure to something broken inside me. Without it I’d be sick.

  15. What is coming next for you?

I’ve got a few stories coming out in anthologies this year and next. Right now I can only announce one called, Farewell Valencia, that’ll be in, Takes From the Lake vol 5, edited by Kenneth Cain and published by Crystal Lake Publishing in early November. The story was partly inspired by a real place in Sweden where euthanasia is legal. Around the same time I found out Terry Pratchett had been diagnosed with dementia there were a lot of documentaries the U.K. about people who wanted to end their life because they had no quality of life. These were people who were paraplegic, terminal, or were awaiting a slow and agonising death. One documentary featured this place in Sweden. I never saw the documentary but a friend told me about it the next day. In my mind I’m seeing this place as a plush hotel with Egyptian cotton sheets, Tempur pillows, turndown service, free porn, concierge, fine dining, the lot. I was never so wrong. It was described more as an industrial unit on a Business Park. Okay, low overheads, I get it. But surely it’s nice inside and the end is peaceful, right? Wrong again. You get a bed and a cup of poison. It sounded horrific. There was no dignity. No afternoon massage and favourite meal. No quick game of tennis followed by a gin and tonic on the veranda. You got poisoned and you died in agony. This felt wrong to me. It’s bad enough these people had reached a point in their lives where dying was the preferred option. So I set about writing a story where a hotel similar to the one I envisaged existed. Someplace nice. At least on the surface. Farewell Valencia is essentially about an euthanasia clinic, and because the subject is so heavy, I wanted to make it quirky, like the Shining seen through the eyes of Wes Anderson. But there’s a twist, which I won’t go into. You’ll have to read it to find out. I think people will like it. It’s dark, sad, with a little Gallows humour thrown in. It should fit well in the anthology. It’s already got some great voices in there; Tim Waggoner, Gemma Files, Lucy A. Snyder, Gene O’Neill, Stephanie M. Wytovich, Allison Pang, Paul Michael Anderson, Bruce Boston, Andi Rawson, Samuel Marzioli, Joanna Parypinski, Lane Waldman, Peter Mark May, Meghan Arcuri, Jason Sizemore, Robert Stahl, Marge Simon, Laura Blackwell, Lucy Taylor, Jonah Buck, Cory Cone, and Michelle Ann King.

  16. Where do you get your ideas?

Keep with me on this. There’s a magic trick where a street magician fans out a deck of cards and asks someone to choose one. They do, and they show it the camera. Queen of hearts, say. Then the magician asks the card be put back in the deck, and then in a display of madness they throw all the cards at the side of a building. One card sticks to the window. Just one. And yep, when he peels it off, it’s the queen of hearts. I don’t know how it’s done and I don’t ever want to know. It’s a great trick and to understand the trick would dilute the magic. That’s the same with ideas; I don’t know how they work, or where they come from, and I don’t ever want to know, because I fear once I discover the secret it won’t be as magical. Magic is great writing.

      You can connect with Craig Wallwork here: 

  My Amazon pages for the UK and US:

UK: https://www.amazon.co.uk/Craig-Wallwork/e/B003VDNVCC

US: https://www.amazon.com/gp/aw/s/ref=is_s?n=133140011&k=craig+wallwork+

A free ebook copy of Quintessence of Dust, a short story collection by me:

https://www.smashwords.com/books/view/147029

And finally, Crystal Lake Publishing:

http://www.crystallakepub.com

  Some of Craig Wallwork’s books: 

      Getting personal with Craig Wallwork Craig Wallwork lives in West Yorkshire, England. His short stories have appeared in many journals, magazines and anthologies in the UK and US.

[thecosydragon]

My latest blog post from the cosy dragon: Interview with Jaime Questell

An Interview with Jaime Questell, author of By a Charm and a Curse

Jaime Questell is a writer and graphic designer from Houston, Texas. She has also been a bookseller, a professional knitter, a semi-professional baker, and an administrative assistant. None of these jobs involved wrangling corgis, which is quite sad. She lives in the ‘burbs with her husband, children, and pets.

I’m not going to be reviewing your newest novel, but from your other published novels, is there one that is your own personal favourite?

By a Charm and a Curse is my first published novel, but of my other manuscripts, the one I’m currently working on might be my favorite. It has witches and a good dose of the Mexican culture I grew up with. It’s set in a fictional Texas town that’s buried in secrets, and it’s been so much fun coming up with all the components.

Everyone has a ‘first novel’, even if many of them are a rough draft relegated to the bottom and back of your desk drawer (or your external harddrive!). Have you been able to reshape yours, or have you abandoned it for good?

OMG, that first novel! It is so, so rough. It’s definitely been gathering some cobwebs, but I don’t want to write it off forever. I’m thinking it could be reshaped one day, or potentially be harvested for dialogue (because there’s some funny stuff in there, if I’m remembering correctly).

  Some authors are able to pump out a novel a year and still be filled with inspiration. Is this the case for you, or do you like to let an idea percolate for a couple of years in order to get a beautiful novel?

I am so awed by the people who have an unending supply of ideas, but I definitely like to let things percolate. I like to make hidden Pinterest boards where I can post images that relate to the idea I have, so I can remember them later, but for the most part I just let the idea simmer in the back of my mind while I work on other things.

I have heard of writers that could only write in one place – then that cafe closed down and they could no longer write! Where do you find yourself writing most often, and on what medium (pen/paper or digital)?

Writing time is limited and precious, so I’ll write anywhere: at home, at Starbucks, while on my lunch hour, waiting for an oil change. And I prefer my laptop to write, but again, because I need to write whenever and wherever I can, I’ll write on my phone or in one of the bazillion notebooks I usually have on me. That said though, I do find that if I’m stuck, writing by hand usually works to get me unstuck.

Before going on to hire an editor, most authors use beta-readers. How do you recruit your beta-readers, and choose an editor? Are you lucky enough to have loving family members who can read and comment on your novel?

I am incredibly lucky to have four critique partners who go over my work before I send it to my agent. I’ve worked with them for years, and their commentary is always on point and insightful. And I don’t work with an editor until my work is sold, but my agent is very editorial, which is fantastic. She really knows her stuff, and makes my writing better.

I walk past bookshops and am drawn in by the smell of the books – ebooks simply don’t have the same attraction for me. Does this happen to you, and do you have a favourite bookshop? Or perhaps you are an e-reader fan… where do you source most of your material from?

Everywhere! My favorite indie bookshop is Murder by the Book in Houston. They have a great selection and a knowledgeable staff, and I love shopping there. But I also like to utilize the library. I recently discovered Overdrive, and it’s made my audiobook habit much easier to feed.

I used to find myself buying books in only one genre (fantasy) before I started writing this blog. What is your favourite genre, and do you have a favourite author who sticks in your mind from: 1. childhood? When I was a kid, I could not get enough of The Baby-Sitter’s Club. Every birthday, every bit of money I was able to save went toward those books. And then, when I was a little older, it turned into a Sweet Valley High obsession. Those felt so taboo after the BSC, I mean, there was kissing. 2. adolescence? The movie version of Jurassic Park (and let’s be honest, Jeff Goldblum in Jurassic Park) got me hooked on Michael Chrichton, which led to me reading everything I could get my hands on. Around this same time I became obsessed with the classics, but, of course, never the classics assigned to me in class. I loved Alexandre Dumas, and read The Count of Monte Cristo and The Three Musketeers over and over. 3. young adult? I was working in a bookstore at this time, and that was pure temptation. I read everything and anything, but Sophie Kinsella and Louise Rennison were favorites at the time. 4. adult? I love to read across genres now. Some of my current favorites are Leigh Bardugo, Holly Black, Kelley Armstrong, Heidi Heilig, and Victoria Schwab. Basically, I’ll read anything that sounds good.

Social media is a big thing, much to my disgust! I never have enough time myself to do what I feel is a good job. You manage your own profile, please tell me as much as you are comfortable with in regards to your preferred platform and an estimate of time you spend doing it [and whether you like doing it!].

I’m too much of a control freak to relegate to anyone else. But I agree that social media is so overwhelming! It can be hard, feeling like you have to do everything. I think it’s better to choose one or two platforms and do them well. So I choose to focus on Twitter and Instagram. Every now and then I start to think that I should have a Facebook author page, but then I remember how much it would stress me out and that the page would suffer. I’m going to quote Ron Swanson from Parks and Rec here and say, “Never half-ass two things. Whole ass one thing.”

About By a Charm and a Curse:

Le Grand’s Carnival Fantastic isn’t like other traveling circuses. It’s bound by a charm, held together by a centuries-old curse, that protects its members from ever growing older or getting hurt. Emmaline King is drawn to the circus like a moth to a flame…and unwittingly recruited into its folds by a mysterious teen boy whose kiss is as cold as ice.

Forced to travel through Texas as the new Girl in the Box, Emmaline is completely trapped. Breaking the curse seems like her only chance at freedom, but with no curse, there’s no charm, either—dooming everyone who calls the Carnival Fantastic home. Including the boy she’s afraid she’s falling for.

Everything—including his life—could end with just one kiss.

  Buylinks: http://ift.tt/2FhyacI

Author Links: Author Website: jaimequestell.com Author Twitter: http://www.twitter.com/jaimequestell Author Instagram: http://ift.tt/2vWsUJn Author Goodreads: http://ift.tt/2vDi5td Author Pinterest: http://ift.tt/2GwnRkw Newsletter: http://ift.tt/2FimiHs

from http://ift.tt/2ELtWwU

[valeriebielbooks]

August Writers’ Forum

In my journey through the steps of independent publishing, refining my writing skills, and most recently completing a successful agent search, I’ve come across some excellent information, tips, tools, and shortcuts that I think would be beneficial to any writer. Once a month, I’ll share the “best of” information and news from the publishing industry as well as feature other authors and writing instructors with tips to share. I am incredibly thankful for the assistance and advice given to me from writing and publishing professionals and am happy pay that forward. On a professional level, I also use my publicity and editorial skills to aid other authors through my company Lost Lake Press. Some purchase links for books I'm recommending are affiliate links which pay me a small fee.  

  New(ish) Books

Historical Fiction writer, Terri Karsten, is newly retired from teaching and has tackled a new project with a historical blog entitled Bric-A-Brac “Thoughts on writing, reading, and exploring the past. At the beginning of the summer she released a new historical fiction title for middle-grade readers. When Luck Runs Out purchase link

ABOUT THE BOOK: New York City is full of homeless orphans following the Civil War. Two of them, Meg Kelly and her little brother, Mole, take a chance on a better life. They travel Weston on an orphan train. Will they ever find a place to call home?

Midwest authors with lovely romantic and funny new releases included Angie Stanton with If Ever and Ellie Cahill with I Temporarily Do.  I recommend them both! Look for an upcoming interview with Liz and a review of this latest title.

Bookish Events

September has a full slate of wonderful events to attend from Madison to Milwaukee. Here’s a few at the top of my list:

Mystery to Me Bookstore, 1863 Monroe Street, Madison (Full Event Details Here)

September 10 at  2 pm – Kevin Henkes and Laura Dronzek will celebrate their newest picture book collaboration In the Middle of Fall.

September 12 at 7 pm – Robert Madrygan will discuss his novel The Solace of Trees.

September 23 at 2 pm – Jim Thompson will give a talk about Peanut of Blind Faith Farm.

September 28 at 6 pm – Kathleen Ernst will launch her newest Chloe Ellefson mystery title Mining for Justice.

A Room of One’s Own, 315 W. Gorham Street, Madison (Full Event Details Here)

September 19 at 6:00 pm – Denise Dubois will discuss Self-Made Woman.

September 22 at 6:00 pm – Paul Buhl will launch his book Johnny Appleseed.

Books & Company of Oconomowoc is co-hosting an event with Michael Perry at the Pewaukee Public Library on September 22 at 5:30 pm. (Full Event Details Here)

Boswell Books of Milwaukee has a number of excellent ticketed events coming up in October. I’m posting these a month in advance as they tend to sell out. (Please note these are often in bigger event venues in the Milwaukee area.) (Full Event Details Here)

October 23 at 7 pm  - Scott Kelly, author of Endurance: A Year in Space, A Lifetime of Discovery

October 8  at 4 pm – Rick Riordan, author of Magnus Chase and the Gods of Asgard #3: The Ship of the Dead (and so much more.)

October 29 at 2 pm – Kate DiCamillo, author of La La La: A Story of Hope (and Tales of Despereaux and Because of Winn Dixie.) This event is co-hosted with Books & Company of Oconomowoc.

And . . . BANNED BOOKS WEEK begins September 24

I challenge everyone to read at least one book that has made this list through the years during the month of September. Report back here with what you read and what you thought of it. Inquiring minds want to know. This is a serious assignment!!  (If September is too busy for you, see if any of the books you’ve previously read have made this list. You might be surprised.) Here’s list of the 100 most frequently challenged and banned books by decade.

I feel like if someone tells me something is banned, it makes me want to read it even more. Right!!??

Please let me know of any upcoming book releases or events that you’d like featured in the Writers’ Forum!

Featured Subject

Several Ideas to Face the Daily Challenge

I read Terry Whalin’s article about making time for it all at just the right time. I have a number of projects in progress, a few speaking events to prepare for, regular work, and family obligations to fit into each day and week. I’m sure I sound a lot like you.

I appreciated his acknowledgement that somehow made me feel like I’m not the only one who feels like they run from thing to thing all day long. His questions are pertinent and made me reassess how I truly use my time. He talks about balance, using technology, and admitting that not everything gets done.

His approach made me feel a lot better about my to-do list. See if you agree when you read the whole article here.

Pre-Publication Information

He Said/She Said – The Dos and Don’ts of Dialogue Tags

I loved this article by Katie McCoach on the KM Editorial blog. She gets beyond the said and asked and shows us good and bad examples. “I compare adverbs and alternate dialogue tags to a strong spice. Some is nice, but too much will spoil the batch.” This is a great tutorial that is helpful even if you are ‘seasoned’ author.

Preferences vs. Rules

On another grammar topic, Louise Harnby of the Proofreader’s Parlor discusses grammar rules versus preferences. You might be surprised that things you were taught in school as rules can be bent a bit. I think this will be a fun article to share with my critique group as we often have discussions just like this.

What You Need to Know Before You Judge the Self-Published Author

As a self-published or indie author, I have felt the sting of judgement from those in the traditional publishing world. I know that any other indie authors reading this have felt this disdain as well. What I find most interesting is how many authors now toggle between the two worlds, indie publishing some titles while traditionally publishing others. While some people may lament the indie publishing boom, I think the technology and systems that have made it possible for the indie author to reach larger audiences are a godsend. The Liminal Pages article on indie publishing is a must read for anyone in this industry no matter HOW you publish.

After all, “Diversity in the arts is strength.”

The next three articles toggle between pre- and post-publication. Decisions about formatting and distribution take place (technically) before publication, but after the book is essentially complete.

The Hard Facts on Hardcovers

Kathy Rowe on Indies Unlimited writes a thorough article about creating a hardcover book as an indie published author. Previously, most print-on-demand technologies only allowed for soft cover books, but for children’s book authors—particularly picture book authors—the hardcover has always been seen as a necessity but unavailable. But things change!! This article gives a thorough review of where you can get your beloved hardcovers and compares pricing from platform to platform.

Getting Your Self-Published Book into Libraries

You must have a thorough understanding of how to get your book into libraries before you make decisions that might impact your ability to do this. So well before you hit the ‘publish’ button read this excellent article by Jane Friedman – How to Get Your Book Distributed: What Self-Published Authors Need to Know.  Further your education with a more detailed look at e-book distribution to libraries with the Digital Publishing 101 article on library distribution.

Post-Publication

The Coveted Book Table: How Those Books Get There

How does a book get plucked from the shelves of obscurity to lay flat in all its loveliness for the casual browser at a bookstore? Amy Collins on the Bookworks blog tell us all about this slightly insane process here.

Amazon Ads How To

Have you tried an Amazon ad yet? I haven’t, but I’m stockpiling information because I definitely need to give this a try to boost my sales. Luckily, many authors have come before us and written very nice tutorials about how this is done. Frances Caballo gives us the basics, including Amazon specifics like rules and word counts. And Deanna Cabinian gives a very thorough breakdown of her Amazon ad experience in promoting her young adult novel as a guest author on Jane Friedman’s blog. It’s very helpful to walk through Cabinian’s trial ads and the statistics for sales each generated. Now we have no excuses not to try this ourselves.

Just when you think you understand social media they change things around . . .

One of my favorite bloggers (can’t you tell), Frances Caballo, has written a two-part series on changes that have been made to the most popular social media platforms. You probably have noticed some of these already and adapted to them without much thought. You can find these on the Social Media Just for Authors Blog under these headlines: Have You Seen These Changes on Facebook and Twitter? Part 1 and Have You Seen These Social Media Changes? Part 2

I hope that these articles helped you on your writing and publishing journey!

Happy Reading & Writing, Valerie  

[libraryoferana]

I’d like to welcome back author Robert Eggleton. Hi Alex. Thanks for inviting me back to your great book blog to update you about my debut novel.

Please recap briefly about your book: Rarity from the Hollow is adult literary fiction with a science fiction backdrop. In a nutshell, it is the story of victimization to empowerment taking readers from tragedy to comedy and satire, including political allegory that predicted the rise of Donald Trump to political power long before he became a household name. Lacy Dawn is a most unlikely saviour of the universe, genetically manipulated for millennia, who builds a team of zany characters to resolve an imminent threat to economic structures, one that could destroy all life – a longstanding feud between the political ideologies of extreme capitalism and democratic socialism.

What has changed since you last visited? Tell us your news! The biggest news item is that the final edition of Rarity from the Hollow was released to Amazon on December 5, 2016. When I last visited with you, my novel was being circulated as an Advance Review Copy (ARC), gathering praise and criticism by independent book reviewers and critics. One book critic had already compared the writing style to Kurt Vonnegut. https://electricrev.net/2014/08/12/a-universe-on-the-edge/ Another, a Retired Editor of Reader’s Digest, found that it was the most enjoyable science fiction novel that he had read in several years. http://warriorpatient.com/blog/2015/05/18/58/ After you interviewed me, Rarity from the Hollow was awarded Gold Medals by Awesome Indies http://awesomeindies.net/ai-approved-review-of-rarity-from-the-holly-by-robert-eggleton/ and Readers’ Favorite https://readersfavorite.com/book-review/rarity-from-the-hollow. A Bulgaria critic named Rarity from the Hollow as one of the best five books of 2015, along with Revival by Stephen King and The Martian by Andy Weir. http://codices.info/2015/12/top-5-for-2015-ventsi/. The ARC received twenty-six five star and forty-three four star reviews by independent book blogger on Amazon. Since release of the final edition, after its political allegory became much more obvious with the election of Donald Trump, a few reviewers took a second look at the novel and have upgraded their findings and ratings.

On January 6, 2017, the first of the final edition was published, five stars. The closing lines were: “…Brilliant satires such as this are genius works of literature in the same class as Orwell’s ‘Animal Farm.’ I can picture American Lit professors sometime in the distant future placing this masterpiece on their reading list.” https://marcha2014.wordpress.com/2017/01/06/5-stars-for-rarity-from-the-hollowby-robert-eggleton/ On February17, 2017, Dan’l Danehy-Oakes, a critic whose book reviews often appear in the New York Review of Science Fiction, published his review, five stars: “…I know this all sounds pretty whack, and it is, but it’s also quite moving. Lacy Dawn and her supporting cast – even Brownie, the dog – are some of the most engaging characters I’ve run across in a novel in some time….” http://sturgeonslawyer.livejournal.com/ On March 8, 2017, the 93rd book review was published by a book blogger, five stars: https://www.amazon.com/gp/review/RCL7S5MDYE791?ref_=glimp_1rv_cl

I’m continuing to promote Rarity from the Hollow by submitting articles and guest posts, participating in interviews, just about anything that I can think of to get the word out about the novel. As you are aware, author proceeds support the prevention of child maltreatment, so especially since the Trump administration has proposed budget cuts in domestic programs, I believe that any money that I can raise is important and will help a great nonprofit agency. http://www.childhswv.org/

Since the final edition of my debut novel was finally released, I’ve also gone back to work on the next Lacy Dawn Adventure, Ivy. One of my poems won first place in an international competition last year and I’ve submitted another to an online poetry magazine. I’m putting finishing touches on a short story that I plan to submit to a magazine before the deadline on April 15, 2017. Things have been “hopping,: Thanks for the great question.

Do you self-edit? If so why is that the case? Do you believe a book suffers without being professionally edited? Maybe some writers can self-edit, but I’m terrible at it. I tend to read what I intended to write rather than what was actually written. One of my pet peeves is finding typos in emails and posts, such as on Facebook, that I’ve sent. My wife will sometimes look over stuff that I’ve written, but I’ve been so prolific that she’s often not available. For something like a novel, I would never submit it for publication without a “professional” edit. That doesn’t mean I have the money to pay for one, so I’m not sure what I’ll do if Dog Horn Publishing, my traditional small press, doesn’t survive in the marketplace. Rarity from the Hollow was first edited by a friend, an English teacher, and then professionally edited by the editor of one press, the Acquisitions Editor for the University of Michigan’s Library system, and then by two affiliates of Dog Horn Publishing. So far, nobody has commented on any editing issues or typos with the final edition of Rarity from the Hollow. I got lucky. I’ve never paid for anything to do with publication of my novel, including its free editing.   

Do you think indie/self-published authors are viewed differently to traditionally published authors? Why do you think this might be? Prejudice against indie/self published authors used to be a lot worse. A book blogger recently published my take on the history of this controversy: “I Found God in Cyberspace.” https://gottawritenetwork.wordpress.com/2016/10/25/i-found-god-in-cyberspace-by-robert-eggleton/comment-page-1/#comment-755

Some well-known authors, including Stephen King, have more recently turned to self-publishing. https://www.bookworks.com/2015/06/why-stephen-king-j-k-rowling-joe-konrath-and-others-are-switching-to-indie-publishing-at-least-on-some-of-their-books/ However, for authors with little name recognition, this emergence of the traditionally published authors into self-publishing is not particularly encouraging. There have been a few self-published books that have sold well. Perhaps because he’s also a children’s psychotherapist, my personal hero is James Redfield, author of The Celestine Prophesy. He sold the first 100,000 copies of his book out of the trunk of his car before it was picked up by a traditional publisher.

I believe that there are good and bad books self and traditionally published. I can’t think of any right off the top, but it used to be common to find typos in books long before self-publishing was available. I feel that the biggest advantage that traditionally published book have over self-published books is the advertising. While not true about small presses which seem to be going down faster than seals in an oil slick, some traditional book are marketed by high salaried publicists who buy reviews printed in popular magazines.

What are your opinions about authors commenting on reviews? How important are reviews? In general, I think that it’s bad form for an author to publicly comment on a book review. As long as it’s done politely as part of a thank you note, I don’t see anything wrong with a private comment by an author about a book review. Of course, book bloggers moderate comments if submitted to their sites rather than by private email, so making an author’s comment would entirely be at the discretion of the book blogger. Competency as a book blogger or as an author, of course, varies. So does ethics. In my opinion, the skill is in the pitch for a book review, as written and as read. In my opinion, some book reviewers are so busy, perhaps overwhelmed by requests, that they may not fully read pitches and may prefer cookie-cutter type novels with which they are already familiar. Others look for those books which fall outside of mainstream releases. Online, I’ve met several wonderful people who have contributed to the promotion of Rarity from the Hollow. I’ve also met a couple who I now wish that I’d never pitched for a book review. In any case, reviews are critical to the potential success of the author and the book blogger, neither of whom are likely to make much money by their contributions to the World of Books.  

When buying a book do you read the reviews? Yes, I always read every review that is available before I buy a book.

What are your reviews on authors reviewing other authors? Perhaps more traditional than full reviews, authors writing blurbs about books have been a standard. Again, this question addresses ethics. I suspect that there are some authors and editors who primarily review books as a strategy to sell their own books or services. Of course, authors trading glowing reviews with other authors would be unethical. So are friend reviews, or, in my opinion, sharing posts on social media simply because of friendships instead of the merits of the posts. While it’s a World Wide Web, our participation on it always involves ethics. But, it’s so hard to compete simply by writing a good book. Many, if not most, traditional publishers definitely have the upper hand, so I’m a little lenient in this consideration. You know the old saying: “What’s fair for the goose is fair for the gander.”

Looking back what do you wish you’d known when you started writing? Looking back, I’m glad that I didn’t know then what I’ve learned since. I was a total novice, and to some extent, that remains true today. If I would have realized that the odds of having a good book ever appear in a book store, much less than 1%, I may have been too disheartened to have written Rarity from the Hollow. I’m very proud of my accomplishment. Especially so by two book review findings that it may outlive me: “…I would even say it could be read in a college setting both for the craft itself and its unique brand of storytelling….” http://tabbyafae.com/rarity-hollow-robert-eggleton/

Do you have any unpublished novels under the bed/in a folder anywhere which you thought were awesome at the time, but now will never see the light of day? No, I don’t have any unpublished novels that fit that description, but I have several short stories that are so dated now that they seem silly. Rarity from the Hollow was my first attempt to write a novel.

How have you progressed as a writer since you started? Technically, I’m somewhat more highly skilled in word processing, and that’s very important to writing. Most of the short stories that I just mentioned were written on a manual typewriter. I’m struggling with the craft of writing and not fully sure if my motivations to change style would be a progression or a regression of my craft. Part of me wants to remain semi avant garde and hope for a niche, while part of me wants to meet more mainstream expectations. It kind of feels like back in junior high when one struggles with wanting to both be unique but to also fit in with the crowd.

What are your views on authors offering free books? It’s a modern marketing strategy that supposedly can be used to build rank on Amazon if done through that company, but I suspect that most recipients of free books never read them or remain loyal to their authors. That’s a guess. I’ve thought about trying it on Goodreads, but since my writing doesn’t fit mainstream expectations I’ve been hesitant. Plus, many of the authors there seem to be much younger – kind of a social club – and, I may not have similar youthful interests or knowledge.

What are your plans for the future? When will we see your next book?  Tell us about it. The next full-length Lacy Dawn Adventure is Ivy. It’s been ready for editing for quite a while but I’ve delayed for a couple of reasons: (1) I’m still promoting Rarity from the Hollow to build improved name recognition; (2) I’m now retired on a low fixed-income, unsure about whether my traditional small press will survive to publish Ivy without me incurring expenses, but even more unsure about the actual costs of self-publishing given my poor skills in technology. Ivy is the story about a unique alien invasion of Earth and asks the question: How far will a child go to save a parent from drug addiction?

Give us a bit of information about your primary character(s). Lacy Dawn is an empowered victim predestined for millennia to save the universe. A good way to get to know her would be to check out a character interview by Lisa the Robot Girl. It’s very funny, and deadly serious: https://coldhandboyack.wordpress.com/2017/03/02/rarity-from-the-hollow-on-lisa-burton-radio/

Blurb

Lacy Dawn’s father relives the Gulf War, her mother’s teeth are rotting out, and her best friend is murdered by the meanest daddy on Earth. Life in the hollow is hard. She has one advantage — an android was inserted into her life and is working with her to cure her parents. But, he wants something in exchange. It’s up to her to save the Universe. Lacy Dawn doesn’t mind saving the universe, but her family and friends come first.

Rarity from the Hollow is adult literary science fiction filled with tragedy, comedy and satire. A Children’s Story. For Adults.

“The most enjoyable science fiction novel I have read in years.”

—Temple Emmet Williams, Author, former editor for Reader’s Digest

“Quirky, profane, disturbing… In the space between a few lines we go from hardscrabble realism to pure sci-fi/fantasy. It’s quite a trip.”

Evelyn Somers, The Missouri Review

“…a hillbilly version of Hitchhiker’s Guide to the Galaxy…what I would have thought impossible; taken serious subjects like poverty, ignorance, abuse…tongue-in-cheek humor without trivializing them…profound…a funny book that most sci-fi fans will thoroughly enjoy.” — Awesome Indies (Gold Medal)

“…sneaks up you and, before you know it, you are either laughing like crazy or crying in despair, but the one thing you won’t be is unmoved…a brilliant writer.” —Readers’ Favorite (Gold Medal)

“Rarity from the Hollow is an original and interesting story of a backwoods girl who saves the Universe in her fashion. Not for the prudish.” —Piers Anthony, New York Times bestselling author

“…Good satire is hard to find and science fiction satire is even harder to find.” — The Baryon Review

Supporting Information

Purchase links:

http://www.lulu.com/shop/robert-eggleton/rarity-from-the-hollow/paperback/product-22910478.html

http://www.amazon.com/Rarity-Hollow-Robert-Eggleton-ebook/dp/B017REIA44

http://www.doghornpublishing.com/wordpress/books/rarity-from-the-hollow 

Public Author Contacts:

http://www.lacydawnadventures.com

https://www.goodreads.com/book/show/32993259-rarity-from-the-hollow

https://www.facebook.com/Lacy-Dawn-Adventures-573354432693864/

https://twitter.com/roberteggleton1

https://plus.google.com/b/108662084126982201049/108662084126982201049/posts

https://www.linkedin.com/in/robert-eggleton-909b154b?trk=nav_responsive_tab_profile_pic

                    Returning Author – Robert Eggleton – science fiction I’d like to welcome back author Robert Eggleton. Hi Alex. Thanks for inviting me back to your great book blog to update you about my debut novel.