#Place de la Bastille

[lascitasdelashoras]

Marcel Bovis - Place de la Bastille Paris 1947

[fidjiefidjie]

Bonjour, bonne journée ☕️ 🪧

Grande manifestation place de la Bastille🗼Paris 1986

Photo de Jean-Claude Gautrand

[merpmonde]

July 1830: the Revolution I forgot

This is Bastille square in Paris. As anyone who's had history classes in France will know, this is Bastille as in Bastille day, 14 July 1789, when Parisians raided the Bastille prison to get weapons for their revolt against the king - the flashpoint of the French Revolution.

It's also rather well known in France that the Bastille prison was demolished shortly after, as Paris rid itself of symbols of the Old Regime. So it would make sense that this monument commemorates that, right? It's super famous, after all.

Wrong. This column commemorates the events of July 1830, some forty years later, the significance of which, I'll admit, I had forgotten.

So here's how it goes. Since 1789, France had oscillated between fragile compromises of constitutional monarchy, revolutionary fanaticism and the iron fist of Napoleon. Following the defeat of 1815, Paris entered a period of calm acceptance under King Louis XVIII, but his successor, Charles X, wanted to go back to the old ways.

So, in July 1830, Paris revolted again. Disposing of the king was a surprisingly quick affair, as in just three days, Charles X was gone. He was replaced by his cousin, Louis Philippe, who seemed more willing to placate the bourgeoisie. A new constitution was drawn up, known as the Monarchie de Juillet, or July Monarchy.

In this context, a monument to the victory of 1830 was commissioned, and this is it: the Colonne de Juillet (July Column), a 47 metre-tall column adorned with the names of the fallen revolutionaries, a mausoleum at the base and the Spirit of Freedom on the top - and is that camera surveilling the street below?

Louis Philippe had ascended to the throne after a revolution, but he would also descend from the throne after the next. In February 1848, Paris revolted for a third time, swiftly ending the July Monarchy and establishing the Second Republic... which, within just 4 years, would become the second Bonaparte dictatorship.

[frenchcurious]

Bernard Buffet (1928-1999) L'Avaleur de Sabres, extrait du recueil Mon Cirque, 1968. - source Heritage Auctions.

[parisies]

Vous ne le remarquez plus,

Vous ne l’entendez pas.

Mais le gracieux génie de la Bastille,

Entre deux « Ça ira » malicieux,

Vous le répète, inlassable :

Ne jamais baisser les bras,

Et toujours viser la lune.

Car, comme disait Oscar,

On est sûr au moins

De toucher les étoiles.

[jossarisfoto]

Parijs | Notre-Dame en omgeving

Parijs | Notre-Dame en omgeving

Donderdag 25 mei 2017 |  Hemelvaartsdag, de komende paar dagen brengen wij een kort bezoek aan Parijs. In deze publicatie zie foto’s van onze wandeling op de eerste dag van ons bezoek aan Parijs en kom je foto’s tegen van o.a.: Saint-Germaine-Des-Pres Église Saint-Germaine-Des-Pres Seine met de Notre-Dame Place de la Bastille Place des Vosges Le Marais Centre Georges Pompidou Hotel de…

[postcard-from-the-past]

Subway station on the Place de la Bastille Square in Paris

French vintage postcard

[cliozaur]

Oh, tomorrow we’ll read the elephant chapter! Many years ago, it served as my introduction to Les Misérables. When I was barely older than the elder of the two young Thénardiers (around eight or nine years old), we had to read it in school. I recall being quite traumatized by it: poor children, and poor cat eaten by rats. The only thing that immensely impressed me was the idea of the elephant in which one could live! And when I revisited the book in a more appropriate age, I was impressed once again – this time, I was moved to tears by this passage: “It seemed as though the miserable old mastodon, invaded by vermin and oblivion, covered with warts, with mould, and ulcers, tottering, worm-eaten, abandoned, condemned, a sort of mendicant colossus, asking alms in vain with a benevolent look in the midst of the crossroads, had taken pity on that other mendicant, the poor pygmy, who roamed without shoes to his feet, without a roof over his head, blowing on his fingers, clad in rags, fed on rejected scraps. That was what the elephant of the Bastille was good for.” I like every description of the elephant in this chapter, but this one is my favourite! And then, while pursuing my PhD, I read "Citizens" by Simon Schama, where the elephant served as the opening symbol in the extensive narrative about the French Revolution. I just feel that this elephant is an important part of my life!

[hedgehog-moss]

On the eve of planned nationwide demonstrations, I want to offer an overview of the ways the protests in France are being handled by the government so far (and if what you’ve heard is that this is over a 2 year increase in retirement age, please do take a minute to read this post to get a better idea of the context)

1. In Paris on March 21, a CRS (cop) threw a tear gas grenade in the air towards protesters (they’re supposed to throw them near the ground); the grenade landed and exploded on a protester’s head. (x)

2. Massive use of tear gas at every protest, on this vid from March 17 you can see the Place de la Concorde (largest public square in Paris) drowned in tear gas. (x)

3. In Paris on March 20, video of a CRS with a baton hitting protesters who are cowering against a wall (x)

4. CRS grabbing demonstrators in (illegal) chokeholds and dragging them by the neck (x)

5. In Strasbourg on March 21, police trapped about a hundred protesters in a narrow alleyway and tear gassed them from both ends of the alley so they couldn’t escape; an asthmatic person lost consciousness; people who lived there opened their doors and let the protesters enter their houses to get to safety. (x)

6. In Paris on March 20, a CRS shot a protester with an LBD riot gun (rubber bullets) and shouted at him “Pick up your balls now, fucker” (x) (an allusion to the several instances in recent years of protesters having testicle injuries from LBD guns - and non-protesters too, in 2015 a Muslim teenage boy lost a testicle after being shot by a cop with rubber bullets when he was shooting firecrackers in a park on July 14th / Bastille day). A few seconds later in the video another CRS tells the one who said that “careful there’s a camera”

7. In Paris on March 21, a group of 4 or 5 CRS who were dispersing demonstrators, threw a homeless man to the ground who had been shouting at them (hard to hear what he said, the first sentence is “How can you do this job?”), kicking him in the head while he was down and mocking him when he couldn’t get up, calling him a ‘fatso’ and ‘sack of shit’ (the woman you can hear at the end of the video is yelling at the CRS to help the guy get up and telling them “do you lack humanity to this point?”) (x)

8. That same day Macron gave a speech on TV in which he said “the crowd [= the protesters] has no legitimacy against the people, who express themselves through their elected representatives” even though he passed his reform without a vote from the elected representatives—and considering polls show the vast majority (>70%) of the country is against the reform, the “people” and the “crowd” are one and the same. Today (March 22) he gave another TV speech in which he compared what’s happening in France right now to the January 6 US capitol attack.

9. During today’s speech Macron also said “minimum-wage workers have never seen such an increase in purchasing power” which is a mad thing to say in the middle of a cost of living crisis, and he used the term ‘smicard’ in this sentence— the minimum wage in France is called the SMIC and smicard is a derogatory word for minimum-wage workers. He decried the “extreme, unregulated violence” of protesters but had nothing to say about the unregulated violence of his police forces, and instead stoked the fire with contemptuous language that angers people the day before a planned mass protest.

10. Hundreds of protesters (and even people who weren’t protesting but just nearby) have been arrested and taken into custody in “preventative arrests”; the vast majority were then released due to “absence of an offence.” Here’s a thread by a woman who was arrested in Paris along with 11 other women (one was a 17 year-old girl) for taking part in a peaceful protest. They spent 20 hours all in one cell, were only allowed to go to the toilet if they left the door open, were frisked and had their fingerprints and DNA samples taken. Also, in Nantes on March 14, four young women age 18-20 reported having been sexually assaulted by police during body searches while participating in a student protest.

And a thread by a 19-year-old Black student who spent 48 hours in custody last week along with 4 other people who were arrested in Paris as they were walking down the street. Lots of racist shit in this thread. He had already spent 14 hours in custody after a protest a couple of days before, and ended up being charged for refusing to have his DNA samples taken.

This article in Le Monde from yesterday (it’s in French and unfortunately paywalled) talks about people who took part in last week’s protests having been handcuffed and searched in their underwear then released free of charges the next day; a lawyer comments how this is clearly meant to discourage people from demonstrating. The article also mentions two 15 year old Austrian boys who were on a class trip to Paris and were rounded up with a group of demonstrators, so the Austrian embassy had to intervene. (Journalist mentions sarcastically “We don’t know if these high schoolers’ DNA samples were taken.”)

11. There are videos from various protests of journalists wearing the press armband being threatened, hit, or shoved to the ground by police. In Montpellier yesterday, a journalist took this photo as a CRS was pointing his rubber bullet gun at his head and another was running at him with his baton telling him “I don’t give a fuck about your press card” —the photographer managed to run away. (x)

This is all from the past ten days (and mostly from the past two days) and far from an exhaustive list, there's so much outrageous stuff happening (like the Minister of the Interior lying and saying participating in an undeclared demonstration is illegal, when it’s not) but it gives a good idea of what French democracy looks like under Macron. The above photo says it all really. And thank you to all the people who continue taking part in the protests and strikes.

[rod1832]

A la Bastille!!【2/6】

I put Camille Desmoulins in the centre because I seriously love this guy

The others are: Lafayette ( I know he doesn’t actually belong but he deserves a place), Danton, Marat, Robespierre, Olympe de Gouges, Francis, Brissot and Saint Just

[famousinuniverse]

Canal Saint-Martin, Paris, France: The Canal Saint-Martin is a 4.6 km long canal in Paris, connecting the Canal de l'Ourcq to the river Seine. Nearly half its length, between the Rue du Faubourg du Temple and the Place de la Bastille, was covered in the mid-19th century to create wide boulevards and public spaces on the surface. Wikipedia

[psalm22-6]

Complaints coming to you from 1862

Many of the first reviewers of Les Misérables complained that the title was uncouth, overdramatic, and misleading but in his Étude sur les Misérables de M. V. Hugo, Félix Courtat took it a step further, complaining that the chapter titles themselves offended his sensibilities. He wrote that he reproached Victor Hugo for his choice in chapter titles because:  

They seem calculated to sell books by searching to stimulate the curiosity of buyers rather than coming from an austere writer who only thinks of instructing them. I will only cite two examples among many others. 

1. “Little Gavroche Takes Advantage of Napoleon le Grand.” This means that a gamin of Paris choses to live in the elephant of the place de la Bastille. 

2. “In Which an Agent of the Police Gives Two Punches to a Lawyer.” This means that he gives him two pocket pistol. 

The reason that the second example upsets him is because of the pun on “coups de poing,” the thing that the agent of police is said to give the lawyer. That word can either mean a punch but also a type of gun. Several reviewers I have found disliked Hugo’s use of puns.  You can read Courtat’s meticulous account of everything he disliked in Les Misérables here, or you can read my English translation here.  

[fidjiefidjie]

Belle soirée 💙🎸🎤 💙

Renaud 🎶 Triviale poursuite

(Live Bastille)

[thephantomessoftheopera]

Roméo et Juliette

The Opéra de la Bastille in Paris (the Garnier's sister venue) is currently putting on a production of Gounod's opera "Roméo et Juliette" that has some serious Phantom vibes going on!

"Roméo et Juliette" is one of the major operas that are referenced in Gaston Leroux's novel. It is cited in two scenes: In Chapter 2 "The New Marguerite", Christine sings some pieces from the opera, including the final death scene ("Seigneur! Seigneur! Pardonnez-nous!", which are the last words of the opera). But the most memorable scene is probably when in Chapter 10, Erik comes for Christine singing the wedding-night song, "Nuit d'hyménée", from which the line "La destinée t'enchaîne a moi sans retour" (originally "m'enchaîne a toi") is quoted three times as Christine follows Erik through the mirror and leaves a baffled Raoul behind in her dressing-room.

For the staging in this new production, the grand staircase of the Palais Garnier has been recreated and serves as the central setpiece for the entire action. The opera also opens with a masked-ball scene, and even the costumes are reminiscent of the "white, black, red" colour scheme of the masked ball scene in Leroux.

Other design elements of the Palais Garnier - even the balcony scene takes place on a balcony that looks just like the ones in the Garnier's entrance hall!

I am super happy to see one of the "Leroux operas" being staged in such a Phantom-y fashion! Too bad I will not be able to see it :((...

[georges-dufrenoy]

Georges Dufrenoy (1870 - 1943), artiste peintre postimpressionniste français

Vue de Paris, representant la rue de Charenton et le faubourg Saint Antoine peint de la place de la Bastille

Oeuvre : « Paris, la rue de Charenton sous la neige» 1908 - huile sur toile 71 x 92 cm

1930 - Tableau reproduit dans "Les artistes nouveaux" de Gabriel Mourey

[pebblysand]

hello! you may find the entire playlist on spotify here. below is some more information on my song choices.

Castle by Eminem: if you have finished the fic, you will understand. if you haven't, i don't want to spoil you :).

Things We Lost In The Fire by Bastille: it's funny, i'm a massive bastille fan but it didn't really hit me how castles that song is until i went to see them live last summer. i remember being in the crowd and thinking to myself: god this is so on point. i think the lyric that gets me most is: the future's in our hands and we will never be the same again. there's such a dichotomy to that and it's so representative of what is happening in this chapter, which is harry and the trio sort of reconning with the concept of time and the post-war state of things and: now what? the excitement of: we survived and the future's in our hands, but also we'll never be the same again because we lost all these things (people) in the fire (war). i just find it very apt.

O Children by Nick Cave & The Bad Seeds: firstly, i love that song, i thing it's beautiful and it just nails that post-war tone of the early chapters. the cleaners are coming one by one, they measure the room, they know the score, etc. secondly, this is obviously the harry& hermione song, which is a massive vibe and plot point of this chapter. i will defend the dance to my dying day, i think it's one of the most beautiful scenes in the whole film and those who don't like it because of the harmony vibes are wrong. that's it 😅.

UNHEALTHY by Anne-Marie: this is a more recent addition, but doesn't this song kind of have early harry/ginny vibes? i'll let you listen and be the judge.

Wonderwall by Oasis: harry mentions oasis in this chapter, so of course i had to add this. i have listened to this song so much in the past 20 years, i can't even tell if i like it or not. anyway, here's wonderwall 😅.

Pompeii by Bastille: ah. the infamous break down of everything. as i've already said, absolutely love bastille, and this one is a classic.

Shadow Preachers by Zella Day: i added this one more recently but i feel like it also had very strong early harry/ginny vibes. i also like that it sounds a bit similar-ish to pompeii in that sort of break down of everything vibe. there's a sort of desperation to that song that i feel really fits well.

Place de la République by Coeur de Pirate: firstly, if you think of coeur de pirate as comme des enfants and don't know anything else from her, i am begging you to open to your heart to her other songs/albums, she's incredible. secondly, i've always loved this song. it so well captures this sort of regretful break up situation where she is breaking up with someone because of distance and giving them one last chance to show up and they don't. i feel like it's very much a ginny song in chapter 3, this way she doesn't really want to break up with harry but has to. it's just 😫.

Someone You Loved by Lewis Capaldi: i've gone back and forth a lot on this song, whether to include it or not. it's almost Too Much. but, also, harry is a bit Too Much in this, so it just fits.

Achilles Come Down by Gang of Youths: this is... very literal, i don't think i need to explain. i will say, for a very long time, i didn't know where the french bits were from. it sounded like some sort of documentary about suicide, which i thought was odd, but it's actually a reading of the myth of sisyphus by albert camus. i've never read it because i've only ever read camus's fiction, but he is one of my favourite french authors, so i was happy to find that out. it works with the song incredibly well, obviously.

Hell or Highwater by Passenger: we're back with the break up songs. i love this one because it very much is about the confusion and the not knowing what caused the break up, which i think is very fitting for harry, here. i also just love the writing in this song, the way he uses the "hell or highwater" saying in a different way - it's a song i very much love, even outside of castles.

Six Degrees of Separation by The Script: idk, this song has such strong 2000s vibes, and it's so break-up-y dramatic - it just fits, you know? 😅.

Giants by Dermot Kennedy: this playlist supports irish artists! ✊🏻 jokes aside, i kind of see this song as having a bit of a double-meaning here. like, of course, it's hinny break up song and plays - again - to that lack of understanding (we used to be giants, when did we stop?) but i also see it as reflective of harry's broader state of mind. it's this post-war confusion of: we used to do these great, important things, and what is our purpose, now? obviously, this first arc is very much about finding a reason to live after the war, so i feel like this song works for both plotlines.

As It Was by Harry Styles: i'm not a massive harry styles fan so the first time i ever heard this song was when he was on tour and the 'LEAVE AMERICA' trend was all over tiktok. and, i don't know, the moment i heard the song as a whole i was like, 'fuck, this is such a castles song!' especially of that early, post-war, confused era of: 'harry what are you doing sitting at home on the floor, what kind of pills are you on?' it just had to be in this playlist.

Fear of Fear by Passenger: this song is just a mood. i feel like it could play over a montage of the weeks passing in chapter four, and harry just going to work, trying to sleep, and going running in the night.

Le vent nous portera by Noir Désir: there's two reasons why this song is here. firstly, i feel like it signifies healing and the passage of time, which works very well with this chapter. it's a gorgeous song and has this idea of the wind just blowing the hardships away, an "it'll be alright" motto that i love. but also, what my international audience might not know is that this song is highly controversial - bertrand cantat, the lead singer of the band, beat his girlfriend - french actress marie trintignant - to death in 2003. he was arrested, went to jail - if you are french, just know that i'm not going to get into the Debate of whether he should still played/be listened to, etc. we all have our opinions and whichever way you're leaning i'm not going to change yours but i just wanted to note that i wouldn't have put this song in the playlist for any other chapter. but with the added theme of DV in the case giulia and harry work on here, i felt it was fitting.

Brave by Sara Bareilles: this is obviously giulia's pep-talk song haha! harry, get out of your rut, and be brave. i love it.

You're Not Special, Babe by Orla Gartland: i love this song. and, again, it's very giulia. i feel like both of these last songs for this chapter have this vibe of her telling harry to just get off his arse and do something, which is what he needed at that point. quit moping around, quit blaming yourself, you're not that special. it's really the kick off, onto chapter five.

Insomnia by Ren: ah, ren. if you've been following the playlist for a while, you will have noticed that i had a major ren moment between the end of 2023 and the start of 2024 and added, like, fifteen millions of his songs to the playlist. i feel like castles generally has such a ren "vibe" to it, which is wild because i didn't find him until well into writing the story. this song has this incredible line: i used to use drinking as a way to stop thinking and my problems with drinking made me feel like i was sinking, so i dried up my drinking and then i couldn't sleep a wink, and now i'm thinking, now i'm thinking, now i'm thinking, now i'm thinking about nothing. fucking nothing. and everything and nothing - i hate not sleeping. this is so on point for this chapter, which has harry's insomnia stalking those post-war months, and i absolutely love it.

The Last Unicorn by Passenger: ah, the first mia song 😫. my child. this is so scarily on point.

J'écoute du Miles Davis by Navii: this is really one of the core, OG castles songs as far as i'm concerned. i remember listening to it on loop very early on, writing the early chapters. i love the chorus of 'Et le temps passe' (and time passes) - it's this factual statement that i feel is very castles. "Time just - passes."

The Way I Am by Eminem: i was so mad to find out i couldn't use this song in text because it came out in 2001. obviously, very related to the press, fame, etc. which are topical for this chapter.

Dominoes by Ren: i added this one fairly recently. it's one of those songs that isn't precisely topical to the chapter itself, but i really liked the riff of "we fall like dominoes, dominoes, falling". it echoes that thing harry says about how he's afraid to fold because if the "leader" falls, then everyone comes cascading down. i felt like there's an interconnection in that song that resonates, here. and also, i think the thing about public perception and body shaming is also somewhat related to the treatment of girls in harry's life in the press.

Read All About It, Part III by Emili Sandé: i thought most people would already know this song because it was featured so prominently in the 2012 London Olympics, but i suppose it still didn't make it to america, 'cause i've had quite a few comments from people saying the playlist was the first time they'd heard it. anyway, it's obviously about harry using his voice and finally talking to the press, and it's amazing :).

Babylon by Barns Courtney: the vibes of this song feel like the fall of a civilisation and "the walls are caving in, you're paying for your sins" and... yeah. idk, i see this as the theme song to the whole battle scene at the lace mill.

What He Wrote by Laura Marling: this was always Giulia's "song" in my head, i'm not even sure why. it's got nothing to do with her but just based on vibes. i listened to this on loop writing her death. and, also, the connection with Peaky Blinders, which heavily inspired the first act of castles.

Fourth of July by Sufjan Stevens: this is just... a beautiful song about death lol. how cheerful 😅.

All My Tears by Ane Brun: and... another one, lol. also, another connection to PB.

Jimmy by Moriarty: i only have two songs for this chapter, probably because it used to be paired with chapter six so i initially didn't think of it as an independent item. anyway, this is one of my favourite songs in the world, and it's recently come to my attention that it fit quite well in here, with this idea of "coming home" (to the burrow, in harry's case. i feel like it works well with the general mood of the chapter.

CORALINE by Måneskin: ah. coraline, coraline, di me la tua verita... this is the beginning of harry, and ginny, and the letters, really.

Zombie by The Cranberries: canonically, Mia is a fan and while two cranberries songs are mentioned in this chapter, i always felt like this one fit better. first, because it's about a civil war that, in many ways, resembled the wizarding war. second, because i've always sort of thought as amycus as a bit of a zombie. like, he's dead but he still plagues ginny (and later harry) with the things he's done and their ramifications.

Rather Die by Barns Courtney: obviously, i'm a massive fan of barns courtney and i've always felt this song is very ginny during the war. basically, 'i'd rather die than give in.'

Repeat After Me by KONGOS: this song is obviously about the absolutist christian faith and someone trying to escape it, but i think there's something so rhythmic about it. in my head, i could see it playing over a montage of the DA pulling off stunts, getting attacked, getting back up again, fighting again, losing again, etc. there's also the 'repeat after me' of indoctrination that could very much apply to the ministry's propaganda. i remember listening to this song so much as i was writing this chapter, just to remind myself of the relentless sort of pacing i wanted to achieve.

Dopamine by Barns Courtney: okay so. this is the song of this chapter. i know it feels like it's not really about this chapter (it's clearly about drug addiction) but you cannot possibly imagine the number of times i listened to it as i was writing. i don't know. i love everything about it. the loud rock and instrumentals, the production, the lyrics. if we end it all, at least you're by my side. we could never die. and this: it's always the same. see the drink couldn't wash out the taste of your name. i literally think it's one of my favourite songs ever, and one of my favourite sentences ever written. i think in my head it's a bit about ginny sinking, about amycus, about harry. about everything. i would say dopamine is probably one of the most important songs in this playlist. i am so attached to it.

Thirteen Thirtyfive by Dillon: and... the last song. i will say this: i have since learnt that this song is about a woman who has lost a child (either through miscarriage, abortion or death after birth, it's not clear) and is reminiscing about what her life could have been. that is... not how i initially interpreted it. you may listen and come to your own conclusions. if you interpret it like the above, maybe it fits with pansy's story. if you don't... well. you'd be thirteen, i'd be thirty-five, gone to find a place for us to hide. be together but alone, as the need for it has grown. make of that what you will.

Formidable by La Bronze (Stromae cover): god, do i love this song. and god do i love this cover almost more than the original. i love how she made it less sad and more angry with the more rock-like music, as well as the sound of arabic. it works So Fucking Well. the chorus of this song sort of says it: we were incredible.

The Kid I Used to Know by Arrested Youth: just one of those songs i used to listen to on loop while writing/planning that arc of castles. i do think of this time in this fic as the formal end of harry's childhood, when he finds out about ginny and realises that all their innocence has gone. so long to the kid i used to know.

Hold On by Ren: i feel like there's such a restlessness in this chapter that you also find in this song. this sort of endless torrent of stuff coming harry's way, and him trying to... get through it and hold on.

Blind Leading The Blind by Mumford & Sons: i had originally put this one in for chapter nine, but i actually think it's more of a chapter ten song. welcome to the trials, aka the epitome of the blind leading the blind.

Why'd You Only Call Me When You're High? by Arctic Monkeys: ah. were you also a teen in the early 2010s? welcome to the song. obviously - very harry & ginny in this chapter.

Falling Is Like This by Ani DiFranco: i've always adored this song ever since i discovered it referenced in another fic. it's where i got the idea of the car running off a cliff in last chapter - it's also very heavily referenced in this chapter. think of it like a transition song lol. just such a Mia mood. falling is like this.

Je suis un homme by Zazie: i was looking for a song this morning to operate the transition between falling is like this and the kids are all rebels, and i settled on this one. judge me all you want but i love zazie, and i think this works quite well with the beginning section of this chapter that is a little bit like the song: humans and their institutions going round in circles.

The Kids Are All Rebels by Lenii: i loooove lenii. she's irish (🇮🇪🥳) and this song is such a DA song. there's this dimension of youthful idealism hitting the brick wall of adulthood, and the things they see the government do which they're not happy with. the song itself was written about trump's covid policies, but it fits so well here too!

Anthem by YOKANA & Barns Courtney: i think this is self-explanatory. harry is starting to doubt his "no comment" strategy...

Statues by Alexandre Desplat: we're... starting a new war in courtrooms, aren't we? jokes aside, it's probably my favourite music from the films, very war-coded, it makes me want to rise up to battle, so.

Remember the Name by Fort Minor & Styles of Beyond: there's something about the relentless rhythm of this song that i just love for the end of this chapter. like: LET'S GOOO!

Legendary by Welshly Arms: i see this as the DA's song, too, you know? not just harry. they're all doing something legendary.

Till I Collapse by Eminem: this is one of my favourite eminem songs, and i think it fits really well with the beginning of this chapter. the onslaught of press coverage regarding harry's and the DA's actions, and their common desire to push through no matter what.

Instant Crush (feat. Julian Casablancas) by Daft Punk: i actually wanted to put da funk in this playlist (which is the song mentioned in the fic) but i chose not to subject you all to five minutes of lyric-less late-naughties techno music 🤣. i also feel like putting this right after Till I Collapse is a bit of an insult to eminem ("you don't know me, you're too old, let go - it's over, nobody listens to techno" 😅), which is a bit funny lol.

Teenage Culture by SKYLAR: it's funny, i listened to this song on loop the summer of 2023 but didn't really find an excuse to add the song to the castles playlist until it finally hit me now that it was per-fect for this chapter. i love skylar and i love this song, it's so tongue-in-cheek and yet lyrically incredibly clever. i think this is such a teenage anthem and fits so well for this chapter, both in the "partying" side of it, but also in a the-kids-are-all-rebels sort of way. i just absolutely love it.

Everyone's at It by Lily Allen: i've just realised this is the first lily allen song in this entire playlist which, if you know me and how much of a lily allen stan i am, is wild. i stole some of the lyrics of this song for the chapter; it's about the double-standards that exist in dealing with drug addiction, which ginny talks about a bit. it's a song that was very important in opening my young eyes on this topic, when i was a teenager. i feel like it also goes so well with the SKYLAR song, it's like the millenial-advocate-y song to SKYLAR's gen z, more apathetic/don't-care take.

all the good girls go to hell by Billie Eilish: i have a very strange relationship with Billie Eilish's music where i listen to her only for very specific occasions and moods, but i do love that song. and, idk, i kind of see it as a symptom of ginny's slight "descent" in this chapter, where under the surface, partying and sleeping around begins to be less "fun" than it used to be. there's something weirdly haunting about Billie Eilish's music (esp the first album, that i feel fits here).

Any Other World by Mika: i added this song to the playlist rather recently but if you are a the good wife fan, it will of course sound familiar. i think i was looking for a song to finish off this chapter and recently was lucky enough to see Mika play live in dublin, and thought it just fit. it's neither really a love song nor a political song, it's a third thing, and i think it's really symbolic of the conclusion you reach at the end of this chapter of "say goodbye to the world you live in". i think this chapter is really the point of no return, this sort of deep realisation that nothing will be the same anymore. it's also the halfway point of the fic (in terms of chapters), so i reckon it works.

Un peu d'espoir by Joyce Jonathan: i relistened to this song recently and i think it really suits the beginning of the chapter. there's a growing up vibe to it and, nostalgia, sadness and hope at the same time. i really see it playing in that time where harry reflects on the upcoming anniversary of the war and where he and ginny talk about the aftermath.

Dance Monkey by Tones and I (Stripped Back): okay. i know this is a bold choice but let me explain. basically: i was working on completing the playlist and was looking for a song for the end of the trials, draco's hearing and all the politics in this chapter. i looked up my top songs of 2022 (which is when this chapter was written) and found out i actually listened to this song quite a lot that year (the original version of it). and yes, this is a dance song, but when you look at the lyrics, there's a vibe of, like, the establishment and the wider world forcing you to do something you don't really want to do? like, sure, here, this is a woman who's being told, basically "why don't you dance/smile more" but i think this is also applicable to harry and his relationship with the press and the wizarding world in general. there is a dimension in it of "dance monkey! dance!" where he's just like - not feeling it. this is the chapter where he rebels, too, and actually doesn't stick to the script, and pushes the wizarding world to change, and we love that for him. i chose the stripped back version for the playlist, because i feel it just fits the mood more than the dance version of this song.

bad guy by Billie Eilish: ugh. do i need to explain? i mean, harry, come on. stop toying with two girls at the same time.

Bad Habits by Ed Sheeran: a bit the same as the above. my bad habits lead to you - you can't quite let ginny go, can't you?

Arcade by Duncan Laurence: if you were on tiktok in the golden age of dracotok, this song will need no introduction. i don't even think the lyrics fit but i now have such a strong association between draco malfoy and this song, it needed to be there in this chapter.

This Is What Makes Us Girls by Lana Del Rey: i feel like this is a lesser-known Lana song, but it's haunted me for years. i think there's a vibe of "for us girls, it's just the way wars are fought" in that song. and, with this chapter being the one where we find out about pansy, i couldn't not include it.

Broken Crown by Mumford & Sons: i've always felt like this was such a castles song overall, but struggled to find a good spot for it in the playlist. and then, i don't know. i feel like this moment after malfoy tells harry the truth and when he's having his tirade about systems just... works. this is a song that to me, represent the both of them, actually. i'll never wear your broken crown, i'll never be your chosen one. for malfoy, it's realising just that - he's not the chosen one. for harry, it foreshadows what's to come with alecto.

Mr. Sandman by SYML: okay, i cannot possibly explain this but i very strongly associate this song with the vibe of draco in prison, and that last scene. it's bizarrely haunting, and i think fits the mood perfectly.

Wrecked by Imagine Dragons: this song is one of those songs about grief that are maybe a bit one the nose but idk, i like it. i listened to it loads the summer it came out, and it inspired me to bring giulia back in this chapter. so there you go haha.

In Your Heart by The Franklin Electric: this is a song i love and i've listened a lot, but again, one that i couldn't really find a good place for in the playlist. but i was looking for a song to cover sort of the alecto/kingsley era of this chapter and i think it's perfect. it's vague enough that it could be about anything, and generally it's very much about guilt and substance abuse, and feeling lost, and very "in your head" which fits the bill. the beginning in particular really speaks to me: it's your fault, when your pride grows thicker than your skin, it's burning up like oxygen. and also this: the teachers never told you about reasonable doubt. i think it very much resonates with harry making that awful decision in that moment, and the guilt/unease that flows from it.

Foundations by Kate Nash: ah, do i even need to explain this one? this article was making the rounds a while back and it's So On Point. this song is an anthem to the breakdown of that first adult relationship you have with a boy that's a dickhead and this is mia's anthem. she deserves it. my fingertips are holding onto the cracks in our foundations and i know that i should let go, but i can't. i feel like this is so representative of that moment where everything points towards mia leaving him, but instead she asks him to come with her. darling, you deserve so much better!

People Help The People by Birdy: i was looking for a song to cover the memorial and i think this one (this version in particular) is just so beautiful. there's something very breathy and airy and the lyrics really resonate. the ups and downs of the verses v. the chorus of people helping people. give me your hand and i'll hold it is also building towards the hinny moment later. i really love this here.

Tobacco In My Sheets by Lauren Aquilina: god, i've loved and listened to this song so much. to me, it's the ginny&molly song. i've also hesitated on placement, it could have been earlier when molly and ginny were fighting, or later in 22, but ultimately, that scene with the hug is what i'm choosing. this song breaks my heart into a million pieces every time i hear it.

Higher by Lily Allen: ugh. this is probably one of my old time favourite lily songs. it took me a long time to understand it, listen to an interview when she was explaining this was written from the POV of her ex-husband. there's something so tragic about it, but i also really like the conflictual-ness of it, the one-upping each other which is a little bit what harry and ginny are doing for part of their conversation. there's also harry's unrelenting, unyielding attitude towards ginny's fuck ups, both tolerating them, but also making it clear that it needs to stop. it's your life, i said i'd never let you waste my time, i said you'd never hear me say that twice. you crossed that line. i just fucking adore this song.

Delilah by Florence + The Machine: there's a complexity in that song of i'm gonna be free, i'm gonna be fine, but also holding on for your call, i can never let go that i feel is very much the dichotomy of ginny in this chapter. the certainty and confidence but also the vulnerability of her conversation with harry at times.

Supernatural by Barns Courtney: i kind of see this song also as a transition into next chapter. one last time, let you back into my head - to me, it's harry and ginny sort of dancing around each other like they do in the of that conversation. want-me-want-me-not. they both do it at times, and especially harry in the next chapter, and i think it's a good song to launch the next part.

I'm Not A Saint by Billy Raffoul: this song has strong castles!harry vibes - at least for that era of his life lol. i kind of both see it as the opening song for the whole alecto mess, but also as an anthem for the whole chapter. i've one too many cigarettes, burning off my tongue, and the chorus of i'm not a saint but i could be if i tried is very harry/mia.

Lap Dance by Ycare: i fucking love this song. literally, i see it as the harry&hermione dancing scene song. more figuratively, it's harry dancing around with mia and ginny hot-and-cold-ing harry.

Trigger Bang (feat. Giggs) by Lily Allen: another of my favourite lily songs ever - i remember it came out as one of the early releases on no shame and i fucking gasped when i first heard it, i think it's my favourite song on the album. i actually listened to that album a lot while writing act 2 of castles; it's an album that deals a lot with addiction and messing up, which obviously is very much ginny's arc at that point. particularly, this song inspired the party thing where ginny says she'll avoid the party because (in other words), it's triggering to her. i was trying to find an excuse for the "one time they didn't meet" to fit with the theme of the chapter, and that song is what inspired me to write the whole party subplot, actually. that's why i can't hang with the cool gang, everyone's a trigger bang, bang, bang, bang, bang.

The List by Maisie Peters: i love the successions of these two songs because they kind of build off on each other. it's new resolutions and turning a page, which is very much what ginny does here.

July by Noah Cyrus: ugh. self-explanatory. this is the most mia song ever. leave him. just leave him (spoiler alert, she can't).

Double Denim - the one to cry to at 3am by SKYLAR: another massive ugh. mia, stop falling for the bad boys. and harry, you are this song in this chapter. this song also have some of my favourite lyrics by SKYLAR ever, which apply so well in this context: mister, mister, if she's like a sister, why did you kiss her? what? to be polite? but aphrodite don't go kiss athena so why d'you kiss her? just, out of spite?

Back To Black by Amy Winehouse: ah, amy, my love. another victim of the tabloid press. i've always seen this song as mia's break-up song, and the title of the paris fic is taken from back to black. he left no time to regret, kept his dick wet, with his same old safe bet. baby, mia, my dear, i'm so sorry.

BLIZZARD by Fauve: there's this meme on french tiktok right now that's like: "the kids who used to passionately listen to Fauve in the summer on 2015, how are you all doing??" 😅 not well is the answer to that question lmao. jokes aside, for anyone not familiar, Fauve were a bit of a musical concept back in the day, and they have a lot of slam/rap songs about love and mental health and stuff that were very #deep but sure look, i still fucking love them. and, this song is so castles!hinny, it's very much about taking a leap and believing in the future, which is the sort of trajectory they're choosing for each other at the end of this chapter. tu nous entends l'amour, tu nous entends? Si tu nous entends, il faut qu'tu reviennes parce qu'on est prêts maintenant, ca y est. on a déconné c'est vrai mais depuis on a compris, et là, on a les paumes ouvertes avec notre coeur dedans, il faut qu'tu l'prennes et qu'tu l'emmènes 🥹

Que tout s'danse by Noé Preszow: this song is another of those songs that are incredibly important to castles and have really shaped the narrative of the fic. it basically says "you tell me anyone can dance through everything". it's a song about love and resilience and fucking up, and really was essential to the whole hinny arc in part 2. it has these lyrics about "i know it doesn't seem like it but i need to be laughed at, i need anonymous letters accusing me of all crimes" - to me it speaks to the very thesis of why harry chooses ginny: because she challenges him and makes him a better person. but, in my head, this song is also a war song, and a castles song. it's very linked to the trials arc of part 2, which also concludes in this chapter. in the song, the lyrics state: tu me dis que tout s'danse, même la gêne, même la haine, même l'errance. Que tout s'danse, la solitude, l'état de siège, l'état d'urgence. that last part, basically translating to "you can dance through anything, a siege or a state of emergency" is a direct reference to the state of emergency that was declared after the bataclan attacks in paris in 2016. as i've said before, i drew a lot of inspiration from the bataclan trials for castles, which were ongoing as i was writing, and from the bataclan attacks in general, which had a massive impact on my life and in part, motivated me to write castles. it's a gorgeous song, and one that has been in the playlist from the very start of this journey.

Friends (The Way I Wrote It) by Ian McConnell: i don't think i need to explain this one. it's the very last of the harry/mia song. it's cute and sad and weirdly perfect.

Paris by The Chainsmokers: i listened to this song a lot whilst writing chapter 15/16 and i couldn't help but feel like i had to include it somewhere. at first i was like "this has got to be mia related because it's paris," but ultimately, i think it's a very hinny-in-chapter-16 song. you'll see anyway that this whole chapter is pretty much one travel-related song after the other (lol), so here's the first one of many haha. i love the "let's show them we are better" and "if we go down, let's go down together" - it's very them and is also a good transition between 15 and 16.

Iris by The Goo Goo Dolls: i really struggled with this chapter regarding whether or not to include the muggle songs that are referenced in the text into the playlist. in the end, i decided not to, apart from this one and the Manu Chao one (see below). i don't think stuff like the real slim shady or wannabe or Dido are particularly relevant to this story, but this one is just so perfectly cliché and great for Ron & Hermione - i just had to include it.

Caravane by Raphaël: i know, i know. if you're french, you can't stand this song anymore cause it's been so overplayed, think: james blunt's you're beautiful. BUT it is a beautiful song. and, it's: harry and ginny leaving. being free. just the two of them. 🥹

Young as the Morning Old as the Sea by Passenger: i just love this song, it's gorge. but yeah, just another travel song in fairness ^^.

Fast Car by Tracy Chapman: so, funnily enough, this song was supposed to be a song harry and ginny danced to at the wedding. i took it out because all things considered, it's not a super hopeful song. but just now, i was looking for song to cover their first fight in misty village and like, idk. i love the metaphor in this, the way the first few pages of the trip (and the first few songs) are very happy-go-lucky and "yaay! we're going on an adventure" but then this one is like: is the adventure really a happy ending? it follows the hopeful beginning of this song and the more tragic end, almost. also this one and the previous one are very guitar-based, so they go well together.

Renegades by X Ambassadors: aaaaaand, they're back on the road lol.

The Seer's Tower by Jamie Cullum: this is a cover of a Sufjan Stevens song but Jamie Cullum's version fucking haunts me. i think it fits so well the low-key tension that exists between harry and ginny in that part of the chapter, around chicago and the midwest, where they're actually talking and making progress but also, everything's a bit complicated. i just adore this. and, obviously, the title of the song is a reference to Sear's Tower in chicago, which harry and ginny visit.

Bongo Bong by Manu Chao: aaaaaand, we're back on the road lol. with this quintessential european 90s song lol.

Sword from the Stone by Passenger: this is probably one of my top three passenger songs and the only "covid" song i can tolerate lol. i was sort of looking for a place for it in castles and then it hit me while making the playlist for this chapter. it's got that sort of desperation to it and that "i can't do it alone" and the ups and downs that are. very symptomatic of harry and ginny in this chapter. to me, this is really representative of the lead up to their final fight and of the fight itself.

It's Called: Freefall by Paris Paloma: this is a cover version which you probably already heard if you're on tiktok - it really inspired this chapter, and particularly the grand canyon moment.

What Is Love? by The Red Pill & Alan Watts: a bit the same as the above, i just love the text and it really symbolises that idea of taking a leap and believing in love for the two of them.

LETTRE A ZOÉ by Fauve: this is probably my favourite Fauve song and to me it so symbolises the vibe of the grand canyon aftermath, the very early, exciting stages of a reconciliation. it's such a beautiful song and i think it transitions wonderfully into the new "stage" of castles.

Mona Lisa, Mona Lisa by FINNEAS: this is the era/chapter of love songs, lol. i love this one, it's so happy and symbolic of the first half of this chapter - harry and ginny enjoying the honeymoon phase haha.

Room Service by Holly Humberstone: i can't recall how i first heard this song but i always thought it had such hinny undertones of that era in castles, covering both this chapter but also the one before - this quietness of a refuge found in bedrooms and hotel rooms just the two of them. the love that transpires. i am burying the things that hurt you. i'm digging holes in the garden, babe, i made a tomb to put them in - everything. i also love the part that goes 'cause you've lost too much sleep for one lifetime - that really speaks to the two of them and their nightmares.

Rosie by Passenger: another cosy song for this cosy chapter. funny story but passenger said he wrote that song as a lullaby for his cat who was scared of the storm. it's a beautiful ballad about not worrying and being protected. i adore this song, it always gives me hope and feels whenever i hear it.

Party Tattoos by dodie: continuing with the cosy feeling, but this song is also about social anxiety and taking leaps of faith to actually do things, which i think speaks to harry and ginny finally enjoying themselves in this chapter. that being said, i mostly picked this song for this iconic line: they're not bruises, they're just party tattoos. that really spoke to me in this chapter, not in the context of the song specifically, but more in the context of the "bruises" and "wounds" that harry and ginny are working to heal together, and this concept that they're not bruises, they're just party (or maybe life) tattoos. i love that idea and the metaphor, which is why i included the song here.

Petite Marie by Francis Cabrel: and, again, we finish with a love song. probably one of the most beautiful of all. sorry for those who don't speak french, you're missing something. je viens du ciel et les étoiles entre elles ne parlent que de toi. (i come from the sky and amongst themselves, the stars only speak of you.)