#Pirate Moon Knight is living in my head rent free now...

[purple--queen]

[silhouettesetawayfromtimeforever]

Common Audition Roles [List 1 (3/28/19)] Part I

Phantom of the Opera

Christine Daae:

(High Soprano, G#3-E6 (only goes up to C#6 live in most productions, including broadway)

A singer must be free (Nightingale)*, Children of the wind (Rags), yes my heart (Carnival), Seeing is believing [female solo cut] (Aspects of Love), The Finer Things (Jane Eyre), Inside Out (GGLAM)

Raoul:

(Legit baritone, G2-Ab4)

Asking for you (Do re mi), Her face (Carnival)*, I like you (Fanny), If I loved you* (Carousel), I do not know a day I did not love you (Two by two), People will say we’re in love (Oklahoma), Love to me (Light in the Piazza)

Phantom (Erik):

If I can’t love her (BATB), Lilly’s Eyes [or just about anything Neville or Archie sing] (Secret Garden)*, If I loved you (Carousel), look at Frank Wildhorn’s shows (Jekyll & Hyde, Dracula, Scarlet Pimpernel), Martin Guerre

Firmin/André/Buquet/Male Ensemble:

It must be so (Candide), C’est Moi (Camelot)*, War is a Science (Pippin)*, Any Gilbert & Sullivan patter Song (a la Modern Major General from Pirates of Penzance)*

Carlotta:

Art is calling me (The Enchantress)*, They Won’t let you in the Opera, The Finer Things (Jane Eyre), Glitter and be Gay (Candide), By Strauss (Gershwins), The Glamourous Life [As a solo for Desiree, look at version on Renée Fleming’s Broadway album] (A little night music), Any big comic high soprano aria like Quando m’en Vo (La Boheme) or The Doll Song (Les Contes de Hoffman)*

Piangi/Male Ensemble:

It must be so (Candide), C’est Moi (Camelot), any big high comic tenor aria like ale Donna e Mobile (Rigoletto), La Fille du Regiment,

Meg Giry/Female Ensemble:

The beauty is (Light in the Piazza), Dear Friend (She loves me), Why not me (Carrie), hold on, the girl I mean to be or Come to my garden* (Secret Garden), some things are meant to be (Little Women), yes my heart (Carnival), The glamorous life [Frederika solo-movie] (a little night music)

Mme Giry/Female Ensemble:

When there’s no one (Carrie), I read* or Loving you (Passion), will you* (Grey Gardens), Dividing day or Let’s walk (Light in the Piazza)

Les Miserables:

Jean Val Jean:

At the fountain*-SSOS, Soliloquy* (Carousel), Something was missing-Annie, if I can't love her-BATB, close every door-Joseph, now there is no choice-Jekyll & Hyde, I’m Martin Guerre*– Martin Guerre, no other way (Tarzan), the impossible dream, where in the world (Secret Garden), This Is The Moment (Jekyll&Hyde) , Being Alive (Company) , Finishing the Hat (Sunday in the Park)

Javert:

Falcon in the dive (Scarlet Pimpernel), soliloquy* (carousel) molasses to rum (1776) Kim’s nightmare (miss Saigon), nowhere left to run (amazing grace), anthem* (chess), look at Jekyll&Hyde

Bishop:

Pilate’s dream (JCS), Sweeney Todd/Turpin’s stuff, molasses to rum* (1776), Rains of Castamere* (Game of Thrones), Ol’ Man River (Show boat)

Marius:

il Mundo era vuoto, On the Street Where You Live” from My Fair Lady, Into the Fire *– Scarlet Pimpernel, Lily’s Eyes- Secret Garden, This is the Moment – Jekyll and Hyde, Why God* from Miss Saigon

Enjolras & students:

Private Conversation*, You Should Be Loved, The Devil You Know from Side Show, Why God” ** from Miss Saigon, I’ve Heard It All Before from Shenandoah, Guido’s Song* from Nine, I, Don Quixote from Man of La Mancha

Thenardier:

Guido’s Song (Nine), Reviewing the Situation* or pick a pocket or two– Oliver!, The American Dream (miss Saigon), molasses to rum* (1776)

Mme Thenardier:

Naughty Baby – Crazy For You, Deep Down Inside from Little Me, Loud from Matilda, Leave You *– Follies, Little Girls from Annie, Wherever He Ain’t from Mack and Mabel, Whatever Happened to My Part from Spamalot, Fine Life* from Oliver

Fantine:

Where is it written from Yentl, Heaven Help My Heart– Chess, Someone Like You– Jekyll and Hyde, Could We Start Again Please - J.C. Superstar, Aldonza* – Man La Mancha, Unusual Way - Nine, The Movie in the Mind- Miss Saigon, Your Daddy’s Son or Back to Before* - Ragtime, Forgiveness- Jane Eyre, Loving you (Passion)

Eponine:

A New Life* from J&H,What Kind of Fool Am I from Stop The World I Want to Get Off, Why Can’t I Speak? from Zorba, I Don’t Know How to Love Him - J.C Superstar, They Say It’s Wonderful - Annie Get Your Gun, As Long as He Needs Me - Oliver!, Hold On - The Secret Garden, With One Look— Sunset Boulevard, Back to Before - Ragtime, Stranger to the rain (Children of Eden), Loving you (Passion), unexpected Song or tell me on a Sunday (Song & dance)*

Cosette:

Happiness (Passion), Light in the Piazza — The Light in the Piazza, Come to My Garden – The Secret Garden, Embraceable You – Crazy for You, Falling In Love with Love – The Boys from Syracuse, Finer Things – Jane Eyre, Unusual Way* - Nine, My White Knight – The Music Man, Children of the wind (Rags), yes my heart* (Carnival), unexpected song* (Song & dance), tell me why (amazing grace), A TON of stuff from My Life with Albertine

Lil Cosette:

There’s more to life from Ruthless, The girl I mean to be* from Secret Garden, my lord and master (the king and I)

Gavroche:

Consider yourself or where is love from Oliver, Wick* from Secret Garden, Edgar’s stuff in Ragtime, Not while I'm around (Sweeney)

Urinetown:

Bobby:

Sit Down You’re Rockin’ The Boat*, Married” from Cabaret, Any of the prince’s songs from Once Upon A Mattress., Something From a Dream from Bridges of Madison County “My Unfortunate Erection” from The 25th Annual Putnam County Spelling Bee and If You Were Gay from Avenue Q, My Bobby when I did it sang Out there from Hunchback & What do I need with Love* (TMM)

Cladwell:

The Legacy** from On The Twentieth Century}, Married from Cabaret, molasses to rum* (1776), dance with me, darling-Bat Boy,

Lockstock:

The Legacy and I've got it all from On The Twentieth Century, all I care about is love (Chicago), molasses to rum* (1776), me (BATB), You deserve a better life or private conversation from Side Show, The Way it ought to be (Tale of 2 cities), as good as you (Jane Eyre), dance with me darling* (Bat boy)

Hope:

Make Believe-Show Boat*, A home for you-Bat boy, Daddy's Girl (Grey Gardens), Goodbye little dream goodbye (Cole Porter), Goodnight My Someone – Music Man, Ribbons Down My Back – Hello Dolly, When I Marry Mr. Snow – Carousel, A Change In Me – Beauty and the Beast , A New Life – Jekyll & Hyde, It Might As Well Be Spring – State Fair, They Say It’s Wonderful – Annie Get Your Gun, Delishious - Nice Work If You Can Get It**

Pennywise:

What Ever Happened to my Part*- Spamalot(my Penny sang this), Anything that Ms. Strict* from Zombie Prom sings, Little Girls from Annie but that’s kinda overdone, A New Argentina - Evita , Morning Person- Shrek, Mr. Right from Triumph of Love, Down in the Depths on the 90th Floor-Cole Porter,

Little Sally:

My Party Dress from Henry and Mudge, “Disneyland*” from Smile, What It Means to be A Friend from 13 the Musical, “My Friend The Dictionary” or “The I Love You Song” from Spelling Bee, “It’s a Perfect Relationship*” from Bells Are Ringing, A Home for You from Bat Boy, “Where In The World Is My Prince” from Miss Spectacular, “Change” from A New Brain, Calm (Ordinary Days), Little known facts (You're a good man, Charlie Brown)

Other female featured/Ensemble (Ma Strong, Becky, etc):

Disneyland” from Smile, A Home for You or Inside your heart from Bat Boy, A Change In Me – Beauty and the Beast, It’s a perfect relationship (Bells are ringing), Change* (A new brain), Life upon the wicked stage (show boat), Feelings (The Apple Tree), unexpected song (song and dance), They won’t let you in the Opera, A lot of jazz songs (Cole Porter in particular), a TON of Judy’s stuff* and Penthouse apartment from Ruthless!

Other male featured/Ensemble (Harry, McQueen, etc):

Any of the prince’s songs from Once Upon A Mattress., Dance with me darling** or let me walk among you (Bat boy), Rooster’s song* (Annie), look at comedy songs from Kurt Weill*, Cole Porter, Gershwins

Rent:

Mark:

I’m Not That Guy*, Public Life, or The Saddest Song from Bloody Bloody Andrew Jackson, Amazing Journey, Sensation, or I’m Free from The Who’s Tommy, I’m One or Is It In My Head from Quadrophenia, I’m Alive from Next to Normal, I who have nothing (Lieber & Stoller), Freedom 90 (George Michael), Can't get enough of your love Babe or my first my last my everything (Barry White), 6th Ave heartache (The Wallflowers), Know your enemy* or favorite son (Green Day)

Roger:

Don’t do Sadness* from Spring Awakening, Louder than words” or “See Her Smile" from Tick, Tick…Boom}, Iris (Goo goo dolls)

Collins:

Can't get enough of your love Babe* (Barry White), Can't make you live me (Bonnie Rait), real life** (Tick tick boom), old man river, bui doi (miss Saigon), Empty chairs

Angel:

Wig in a box* (Hedwig), stuff from Jersey Boys, Don't let me go (Shrek), Great balls of fire, a bunch of Bowie & Queen* songs, look at Kinky boots

Benny:

Favorite son* (Green day), I'll be here (Wild Party), let it sing** (Violet)

Mimi:

Saturday Night in the City from The Wedding Singer, Bring the Future Faster** from Rooms, Safe in the City from Taboo, It Won’t Be Long Now from In The Heights, Come To Your Senses* from Tick Tick …. Boom (May be overdone at Rent, but great for her)

Joanne:

Easy to be hard (Hair), Come to your senses, safe in the City, when you're good to mama (Chicago), My Strongest Suit (Aida)},,you had me (Joss Stone), something bad or i'm breaking down** [the end reminds me of we’re ok!](Falsettos), random black girl* (homemade fusion)

Maureen:

Easy To Be Hard from Hair, The Life of the Party** from The Wild Party, My Strongest Suit from Aida, Special from Avenue Q, My friend got the role with Ireland* from Legally Blonde (and play it up like Over the Moon), Acid Queen from Tommy, Touch-A-Touch-A-Touch Me from Rocky Horror, need a lover (Pat Benatar), let me come home* (Wedding Singer)

Male Ensemble:

I who have nothing (Lieber & Stoller), Freedom 90* (George Michael), Can't get enough of your love Babe or my first my last my everything (Barry White), 6th Ave heartache (The Wallflowers), Know your enemy or favorite son* (Green Day)

Female Ensemble:

Call from the Vatican (Nine), Saturday Night in the City from The Wedding Singer, “Come to Your Senses” from Tick tick boom (probably will be suuuppper overdone at a rent audition, Safe In the City” from Taboo, Look at The Who’s Tommy, I Will Prevail from Wonderland, Forever from Shrek the Musical, Anything Natalie sings in Next to Normal… or just any female song in that show, My Strongest Suit from Aida (only really good for Maureen), The Dark I know Well is overdone but good

Grease:

Sandy:

How Lovely to be a woman (Bye bye birdie), Anything Toffee sings in Zombie Prom**, happy to keep his dinner warm, love me tender or there's always me (all shook up)}, Lonely pew (Reefer Madness) Someday (Wedding Singer), you don't have to say you love me (Dusty Springfield), Inside you heart* from Bat Boy

Danny:

how can I say goodbye* (Zombie Prom), Mary Jane/Mary Lane (Reefer Madness), I don’t want to (all shook up), it takes two (hairspray), One last kiss (bye bye birdie), serve yourself (pump boys and dinettes), Edgar’s part *of Comfort and Joy [i have kind of a weird solo cut that could do the trick] (Bat Boy), look at Crybaby

Rizzo:

Spanish rose, I don't know how to love him, big spender (sweet charity), one night with you *(All shook up), nobody's side (Chess), you don't have to say you love me** (Dusty Springfield)

Marty/Female Ensemble:

A teenager in love* (Return from the forbidden planet), fools fall in love (all shook up), change (a new brain), an English teacher (Bye bye birdie)}, whatever Lola wants (damn Yankees), stuff from Bonnie&Clyde, you don't have to say you love me, wishing and hoping*, or Son of a Preacher Man (or anything she's done, really (Dusty Springfield), a tonnn of female stuff from Bat Boy, look at Shout! A Mod Musical, a lot of pop songs of the 50s and 60s.

Kenickie/Male Ensemble:

Stuff from catch me of you can, All shook up, me (BATB), a tonnn of Male stuff from Bat Boy, Jersey Boys, Footloose, a lot of pop songs of the 50s and 60s. Earth angels (crew cuts)

Legally blonde:

Elle:

Fly, Fly, Away” - Catch Me If You Can , “Fly Into the Future**” - Vanities, “On My Way” - Violet, “How to Return Home” - Tales from the Bad Years}*

Emmet:

Freeze Your Brain” - Heathers, Wouldn't it be nice or I'll be here (Wild Party), Purpose (Ave Q), Marry me a little * Company), my next story (Glory days), They say it's wonderful (Annie Get Your Gun)}, let me walk among you (Bat boy), it took me awhile (John & Jen)

Warren:

Freeze Your Brain” - Heathers}

Wouldn't it be nice (Wild Party), The Green (Wedding Singer), Bye Room (John & Jen)

Vivienne/Brooke:

Candy Store” or “Beautiful” - Heathers, Pop!”- The Wedding Singer, Miss Byrd” -Closer Than Ever}

Margot, Pilar & Serena:

You’ve Got Possibilities”, “Getting Ready” - 13}

Pr. Callahan:

The pinstripes are all they see (Catch Me if you can), all I care about is love (Chicago), Sweet Charity,

Paulette:

Shy” - Once Upon a Mattress, “What Ever Happened to My Part” - Spamalot, “A Little Brains A Little Talent” - Damn Yankees , “As We Stumble Along” - The Drowsy Chaperone, The same old music** (Vanities), I ain't got time (Zanna don't), plain Jane fast ass (bare), Get out and stay out, change* (a new brain)

Kate & Female Ensemble:

Someday*- The Wedding Singer, Let’s Hear it for the Boy- Footloose, Mixtape- Avenue Q, Once Upon a Time- Brooklyn: The Musical, Cute Boys With Short Haircuts* or The Same Old Music or Fly Into the Future from Vanities

Grandmaster & Male Ensemble:

it takes two (hairspray), look at bring it on, Charlie’s stuff* kinky boots

[inquisitorhotpants]

The Knight and the Prince

This remains one of my favorite things I’ve ever written. Takes place after Aberration but before chapter 47 of Chaos & Opportunity. Kryn has a massive romantic streak and makes her sister cry. (the kinda-sequel, where scourge finds it, is here. the collection of kryn’s fam!fic is here)

-

Once upon a time…

in a land torn by war and strife and suspicion, there lived a brave knight named Semiri, with shining ebony hair and piercing sky blue eyes. She was bold of spirit and noble of heart, a wandering adventurer who valued freedom and justice above all other things, a welcome sight both to the weary and downtrodden, and on the field of battle.

One day, she chanced upon a glade surrounded by tall, sinister trees, untouched by the sunlight. In the center of the glade was a tower, its stones black as a moonless midnight, and it loomed over the too-calm clearing with a palpable air of malevolence. Semiri took a deep breath, drew her sword, and approached it, determined to face whatever evil surely lay within before it could wreak havoc on the peaceful village nearby.

The ornately carved wooden door swung open with a tortured groan from its rusty hinges, and a chill breeze rushed over Semiri, making her skin prickle. She crept through the deep gloom, tensed and waiting for a confrontation.

“Why have you come?”

She spun around, sword extended. In the central room, lit by candlelight, stood a beautiful man, strong and strapping. “Who are you?”

He offered her a courtly bow, but made no move to come closer. “I am Prince Scourge.”

“I … don’t think so," Semiri scoffed. "That's impossible."

The man blinked, nonplussed at her reply. “What?”

“Prince Scourge is nothing more than a story. The legend says he was sealed away from the world by the mad king Vitiate, who wanted to keep him all for himself. The cursed prince was made immortal, but doomed to an immortality of solitude, never knowing the small joys of the world or the love of another.”

The corner of his mouth twitched. “That’s an excellent summation of my current situation, yes.”

Semiri stared at him for a long moment, dismayed to find that she was more smitten by the minute. “And no one’s rescued you?” Her brows knit together as her outrage grew at this blatant miscarriage of justice. "You've stood here for centuries alone?" She drew herself to her full height, her voice cutting through the surrounding darkness. “Well, I, Semiri, vow that I will find a way to release you! Await my return, for it will herald your freedom from this horrific curse!”

She traveled the length and breadth of the land in her search. In each village she visited, she heard tales of the mad sorceress Kryn’la, said to be extraordinarily gifted, even in the obscure and forbidden arts. An aged hermit with a shock of snow-white hair, living on the edge of the Plain of Sorrow, told her of another like himself residing in the Seething Swamps, there to direct the true-seeking supplicant toward the sorceress. The second hermit, a veritable copy of the first, sent her to traverse the Lightning Lands, insistent that she would find the sorceress there, if her intent was pure enough and her need great enough.

At long last, after Semiri felled a great nightmare beast of horns and teeth and thunder and knelt gasping for breath upon the loamy ground, the sorceress’ home revealed itself, tucked into a nearby cliffside. The sorceress herself was seated on her porch, preternaturally youthful and ravishing, with vibrant scarlet hair and a sardonic smile. She looked up from her tome as the warrior approached.

“Ah, so you have come, Semiri of the Sentinel Blade."

Semiri stopped a short distance away, hands on her hips. "Sorceress Kryn'la, it is whispered far and wide that you are a master of arcane arts both common and inscrutable. Following the directions of your acolytes, I have sought you out to petition for your assistance in rescuing a man sorely cursed."

"Will you not bend your knee?" The sorceress rose from her chair, ebon robes flowing behind her as she closed the space between them. "Will you not prostrate yourself before me? Are you not frightened that I will also curse you?"

Semiri, being of stout heart, did not move, did not even flinch. "No, my lady. You will help me, or you won't, and I do not believe any amount of bowing will change what course you have likely already decided upon."

The silence spun out as the sorceress regarded the knight, the slightest of smiles curling her lips. "It is as I foresaw. If you can pass the trials, I will give you what you request, Semiri of the Sentinel Blade." She pointed toward an opening in the cave. "Your first trial awaits. Do not keep the Apprentices waiting." Without waiting for Semiri to move, she strode back to her seat, resuming her reading.

Semiri battled the fierce Apprentices to conquer the Trial of Strength, defeated the cunning Pirate at dice to win the Trial of Luck, impressed the learned Scholar with her careful reasoning to succeed at the Trial of Knowledge, and withstood the punishments of the stalwart Guardian to persevere through the Trial of Endurance, returning to the sorceress in high spirits. “My lady, I have passed your trials." She proffered her hand, revealing the tokens she had received. "I offer you the proof of my success.”

The sorceress turned from her workbench, pleased. “I knew you would.” She held out a vial, full of violet clouds and brilliant white lightning, a violent, twisting storm in a bottle. "Take this. He must consume every drop. The pain will be fearsome, nigh unbearable, for the curses of the Mad King are not so easily broken. But if he can endure it, and you can endure standing by as he bears this writhing agony, he will be free."

Semiri reached for the bottle, then drew back her hand. "And the catch?"

A wide, genuine smile graced the sorceress' face. "Clever girl! Such a simple and obvious thing, yet so many do not think to ask. There is a possibility the the curse will not be broken, but rather transferred to the nearest person."

"Me," Semiri whispered.

"Are you willing to pay even this price for your prince's freedom, Semiri of the Sentinel Blade?" Kryn'la asked solemnly. "Will you take his place, eons passing you by as you languish in the candle-filled room, the world's pleasures lost to you for eternity?"

There was not even a moment's hesitation. "Yes, Sorceress. I vowed to free him, and I will, even if it comes at the cost of my life and freedom."

"I expected as much," Kryn'la said, studying Semiri's face. "Perhaps what you are feeling is True Love, and it will aid in your endeavors." Her expression softened for the briefest moment before resuming its usual sternness. "Now begone, I must resume my studies and you have a prince to save."

Semiri thundered across the countryside, the vial strung on a length of leather and cradled against her chest, and last she arrived at the tower, unchanged from how she left it many moons ago. She leapt off her horse, heaved open the door, and strode into the oppressive gloom. "My prince!"

Scourge appeared in the same room he'd been in last time. "Semiri?"

She extracted the vial, cradling it gingerly in one palm. "I have acquired a potion that can break your curse. But the sorceress informed me it will be excruciatingly painful. Do you still wish to be free?"

"No pain can be greater than an eternal solitary lifetime. I will bear it, if it means being able to leave this room again."

She crossed the vestibule and handed him the bottle, then stepped back. He stared at it for a long moment. "Something so simple to destroy this curse," he marveled. "I would never have dared dream such a thing even existed." His hand paused on the stopper. "Will you keep watch, Semiri? If something should go wrong, for you never know with magic of this nature, will you end it?"

She took a deep breath, then unsheathed her sword and assumed her ready stance. "I will."

He uncorked the vial, the unmistakable smell of lightning filled the air, and he tilted it up, the last of the storm disappearing from the bottle.

Silence fell, briefly, over the tower.

Scourge's hands began to shake, and the vial fell to the blackened stones, shattering into a million pieces all winking in the candlelight. His hands tightened into fists, and he fell to his knees, arms wrapped around his chest as though to hold himself together. A stomach-turning wail rent the unnatural quiet of the tower, bursting forth from his mouth like a loosed monster.

Semiri gulped, but stood her ground, when she saw the dark tendrils snaking out of his body, writhing, curling around each other, pausing to scent the air. She steeled her nerves, head held high, and silently reaffirmed her vow to take his place if that was what was required of her.

A keening, so high-pitched as to be on the very edge of hearing, filled her ears, and acrid smoke billowed out of the candlelit room as the tendrils withered away into nothingness. As it cleared, she saw the prince prone on the cold stones, and rushed to his side, relieved when she could tell he was still breathing.

"I think 'excruciatingly painful' was something of an understatement," he muttered weakly, opening his eyes. "But I'm glad you were here."

She smiled and extended her hand. "Shall we leave this awful tower?"

Outside, the door to the tower firmly shut behind them, she turned to look at him, grinning when she saw him standing with face upturned toward the azure sky, smile on his face as the breeze caressed his skin. "What will you do with your newfound freedom, Prince Scourge?"

He held out his hand to Semiri, pulling her close when she took it. "I will cross the land with a brave and beautiful warrior, and see what adventures await us." Their lips met as the sunlight broke through the trees for the first time in centuries.

--

"Hey, boss." Kira drops down on the couch and nudges Semiri. "What was in that package you got?"

"Oh!" Semiri starts, hurriedly swipes at the tears on her cheeks. "Just a fairy tale, that's all."

Kira's eyebrow shoots toward her hairline. "Someone sent you a fairy tale?"

Semiri nods. "It's a silly thing, really. My sister always has had a flair for the dramatic and ridiculous." She cradles the datapad to her chest. "I'm going to go put this away."