#Pieter Bruegel

[wewillbewormandwife]

The Hunters in the Snow also known as The Return of the Hunters, 1565. Pieter Bruegel the Elder

[balkanparamo]

Bruegel: The Tower of Babel

[theaskew]

Pieter Bruegel the Elder (Dutch-Flemish c. 1525–1530-1569), Hunters in the Snow (Winter), 1565. Oak wood, Overall: 116,5 cm × 162 cm × 2,4 cm Framed: 134 cm × 180 cm × 11 cm. (Source: Kunst Historisches Museum Wein, Vienna)

[mythical-art]

The Fall of the Rebel Angels by Pieter Bruegel the Elder

(1562, Gemälde)

[a-swift-and-terrible-sword]

[tilbageidanmark]

Albrecht Dürer, Peasant Couple Dancing, 1514

[collectionarchive]

by Pieter Bruegel

Christus und die Ehebrecherin

1597/1598

23,8 x 36,5 cm

source: collectionarchive.tumblr.com

[allthedesiredusernamesaretaken]

The Hunters in the Snow

- Pieter Bruegel

[carloskaplan]

O Misántropo, de Pieter Bruegel (1568)

[stuartbaileyinfo]

Pieter Bruegel, The Massacre of the Innocents

[muhammadgiovanni]

Pieter Bruegel the Elder "Hunters in the Snow" 1565.

[dandelionjack]

prado today. managed to capture a few sneaky snapshots before the attendants told me off (three separate times in three separate halls. if at first you don’t succeed etc)

look at these fuckin beastes lmao

[useewhatimean]

[pclysemia]

This well-known painting [The Hunters in the Snow (1565) by Pieter Bruegel (1525?–69)] depicts a group of three hunters returning home to their village on a winter day, combining a number of detailed states and activities: the grey state of the sky overhead, snow covering the ground, the hunters and their dogs walking on a hill in the foreground, ice-skating on a frozen pond. In an approximate way, these scenes are like predications in language: they represent states and events of the world and of individuals in the world. As in language, events occur in places, under certain conditions, and one can identify some participants as agents (the villagers standing by the boiling cauldron) and some as patients (the pig whom the villagers are singeing in that cauldron). The whole painting is a combination of smaller scenes, just as in language individual predications are combined into larger texts. Up to a point, there is some similarity in what a painting like Bruegel’s and language can do in terms of presenting an image of reality. There are, at the same time, significant differences, and these have to do in large measure with aspect and tense and mood.

Aspect, tense, mood by Alan Timberlake (ch. 5 in "Language typology and syntactic description, Vol. 3.")

[jessdyet]

Pieter Bruegel - “The Triumph of Death” 1562

[tilbageidanmark]

Pieter Huys (1519-1584) - The bagpiper and the old woman