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#Phinys
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I was experimenting with rendering and drew Phinys but extra textured lol
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In both dark and light background for your viewing pleasure!
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my secret Santa piece for @eleayres! happy holidays from the College - don't forget to keep up with your studies 😎
thanks to @scorchedcandy for hosting this event!!
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jiubilant · 4 months
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4.E. 170
They unload the young Ervine at the Vetring docks along with twelve tuns of wine—which she counts as they bob down the wharf on the dockers’ backs, two by two—and four thin, shivering pigs. She’s not sure where to go. She’s standing dazed with sunlight on the loading-plank, flanked by squealing livestock and the rank, seasick steam of their breath, when two youths hurrying down the boardwalk smile and wave: a lanky young mage, his cloak dyed adept’s blue, and a boy her age with a skeletal face.
“For the Kynesdag feast in town,” says the mage in breathless introduction, divesting her of books and bundles both. He means the pigs, she realizes. He darts a look over his shoulder, another at the ship, then gives her a gentle shake: half-friendly, half-impatient. “We were told to meet you. What’s your name?”
She frowns at him, suspecting a joke at her expense, then recalls how far she is from Betony and her father’s rotting lands. He’s never cursed an Ervine, this mage with busy eyes.
“Mirabelle,” she says, her voice salt-hoarse. She’s eaten nothing but hardtack for two months.
He doesn’t even ask for the rest of it—just glances behind him again and marches her down the frost-chewed wharf. Wizards, of course, always have somewhere else to be.
“Falion of Conjuration,” he replies with a hasty grin, pulling her out of the way of some rickety gibbet for fish. The cod dangling from it like gallows-fruit watch her pass with baleful eyes, as does the woman stringing them up. “That’s Phinis, also of Conjuration. Phin,” he says to the boy, who’s casting nervous looks about him like wards, “you’ll have to get used to it.”
Phinis pulls a death’s-head face. “I don’t want to get used to it—”
One of the pigs blunders with a shriek into their path. The biggest of the men dragging it down the docks stumbles, swearing in some Nordic tongue—then, with a snarling glance at Mirabelle and her companions, spits at them.
“Happy Kynesdag,” croaks Phinis, cringing sideways. Falion, with an inscrutable look, lays a steadying hand on his shoulder.
“You’ll have to get used to it, too,” he says to Mirabelle, who stares at him. He clears his throat and, with a playful flourish of his cloak, raises his voice like a mummer on the stage. “Pay the ignorant masses no mind. You are now a student of Mystery”—he grips her shoulder with jovial force, steering her away—“a novitiate of the Secret Fire!”
“A witch,” says Mirabelle, her voice steady and soft.
Falion’s grin, swift as a warning, bounds again across his face. “A scholar!”
Mirabelle glances behind her. The man with the pig, staring after them, shivers and looks away.
* * *
“They hate us in the village,” Phinis confides in her over supper: a bowl of pale and wobbly fish, glistening like glue in the sheen of the wandering lights. “Falion says they’re afraid of what they don’t understand, and that we should be”—he makes a grim little face at his bowl—“understanding.”
“Oh,” says Mirabelle through a mouthful of fishpaste. It tastes like jellied steam. She’s discovered, in her ravenous journey to the bottom of the bowl, that she can swallow it without chewing. “Why?”
Phinis scowls. “That’s what I want to know—”
“No.” Mirabelle, in the spirit of scholarly inquiry, wipes her mouth with the back of her hand. No one snaps at her for it. She dares a quick, gleeful lick at the back of her spoon. “Why are they afraid?”
“Falion says—” A pallid light kindles in Phinis’s eyes. “No. I’ll show you.”
They slip out of the refectory, accompanied by a bobbing light and a few incurious looks from the adepts’ table. Their footsteps echo in the corridor like cracking ice. Mirabelle, in her scratchy new College robes that smell of mothballs and musty spells, resists an unthinkable urge to dance up and down the hall until it resounds with noise. It would be unscholarly, she thinks. She hugs herself hard instead.
“If you think this is cold,” says Phinis sagely, misunderstanding her, “wait until end-of-term. Falion says we’ll have to crack the ice in our basins every morning.”
The giddiness, despite her best efforts to restrain it, wriggles up from her toes to her face. “What else does Falion say?”
Phinis gives her a wounded look. “You’re making fun.”
The rush of warmth she feels for the little cadaver—and for the supper-sludge, the itchy clothes, Falion who knows so much—threatens to knock her over. “I’m not.”
“It’s all right,” he says, his face funereal. She has to bite down on a laugh. “I’m used to it. We’ll go up those stairs to the ramparts.”
They wrestle with the door at the stairtop, which is frozen or rusted shut; it bangs open at last, and they tumble out into a blast of wind that nearly blows them over the parapet. Mirabelle, with a delighted shriek, grabs Phinis—poor bag of bones, he all but rattles—and staggers with him away from the crenellated wall.
The wind whips his scandalized yell past her ears. “Are you laughing?”
She is. Something in her has come unstuck. “Have you ever been up here before, or did Falion tell you about it?”
“You’re making fun!” He stomps ineffectually on her foot. “The wind comes and goes, you’ll see—”
“I’m not making fun!”
By the time they struggle arm-in-arm to the far parapet, the wind’s died down. They sag against the wall. Phinis, breathing hard, glowers so peevishly at Mirabelle that she bursts into laughter again—which makes his lips twitch, and his eyes gleam, and something almost like life flush in his face.
“What are you so happy about?” he demands, fighting a smile. Mirabelle can tell by the way he’s twisting his mouth. “Here we are at the frozen edge of the world—”
“I didn’t think they’d let me come,” Mirabelle gasps, rubbing her eyes. The tears in them sting like grains of salt. “What—what’d you want to show me?”
“Oh.” Phinis tugs her up, then points over the parapet. “Out there.”
What he had wanted to show her, Mirabelle realizes after a long, staring moment, is the sea. Gulls circle and cry over the gray mirror of the water. Glaciers—smaller, now, than they’ll be in midwinter—slouch in the shallows. The sun on the horizon breaks the surface like a drowned face.
It’s nothing that she hadn’t seen from the deck of the ship. She looks sidelong at Phinis.
“It wasn’t always a village,” he says.
A gull dips in the sky. The water shimmers, changeless and cold, over the roofs of the city of the dead.
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wip wnew year's!
tagged by @jiubilant to share a wip snippet - thank you!! ;u;
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tagging (no obligation as per usual!) @bwayfan25, @flugames, @almostpleasantrebel, @meluisart, and you reading this right now yes you
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viovio · 1 year
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I need to stop getting into youtube comments arguments
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milomeri · 1 year
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Foini Village
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amirisqueer · 2 years
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OLD 2017 ART
Ur a Wizard, Phini
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the-capricious-one · 3 months
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fic asks; 😈🧐🦅
😈- Has there been a point in a story where you did something just to be playfully mean to your readers?
lmao all the time, To Live a Memory has several cliffhanger chapter endings (it's a weekly posting schedule so not TOO mean). And as an angstfic, any time people cry I'm winning 😇
🧐 - Do you spend much time researching for your stories?
I'm pretty lax with oneshots, but I definitely do research for everything else. Honestly it's one of my favorite parts of writing because it lets me go down interesting rabbit holes. That said, I'm someone who keeps a close eye on how long I'm spending on it-- if I'm doing research for a single sentence, it's just not worth spending two hours on!!! Research for me is primarily to make a story feel grounded and generate some genuine details I can weave in later. It's to assist with writing, not be used to procrastinate on it or be a perfectionist about it. It's better just to rewrite the paragraph to leave those hyperspecific details out and keep going.
🦅 Do you outline fics or fly by the seat of your pants?
I've done both! For oneshots it's not worth it to me to outline, I just mentally come up with a few tentpoles of where I'm planning to go and end up and then get started. To Live a Memory was outlined for sure-- it's a 200k monster with complicated themes and arcs and I am NOT gonna pants that lol. I actually spent a year and a half on it behind the scenes before I started publishing, and it had gone through almost two super rough drafts at that point. That said, there were significant portions of the outline that were underdeveloped and got significantly revised, developed, and fleshed out when I got to them. The entire final arc has been pantsed tbh-- it was super underdeveloped and I needed to really understand what the previous arcs had said thematically before I could start wrapping it all up in a pretty bow.
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helgiafterdark · 5 months
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omgkalyppso · 1 year
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Decided to do more experimental art :D
It's nice revisiting old ocs, especially when I can redesign them!
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Backgrounds are going to be the end of me </3
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could have been the most useful he ever was... 😔
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jiubilant · 2 years
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“And no one’s combusted today?” asks the Archmage.
“Not yet.” Mirabelle Ervine, Master Wizard of the College of Winterhold, reshuffles the papers in her hands. “But it’s not yet lunchtime.”
Outside, in the parsimonious light of morning, a piece of the parapet crumbles into the courtyard. Mirabelle starts. Savos Aren, staring with wizardly preoccupation into the air, doesn’t bat an eye.
It’s one of those mornings, Mirabelle thinks, and resolves not to press him until the afternoon. To do otherwise would be unproductive. Of all that she’s set before him already—correspondences with wealthy patrons, dispatches from Mzulft, a stack of books tall enough to totter—he’s only examined the cup of chamomile with any real scrutiny.
“Very good,” he says, stroking his beard with a quivery hand. Yes, Mirabelle thinks, she’s lost him. He’s seen something interesting in the steam. “And you’re reviewing the adepts’ research proposals?”
“Yes, Archmage.”
“Supervising the”—the Archmage pauses for a moment, thinking—“Saarthal matter?”
“Yes, Archmage.” Mirabelle’s face does not move. “Shall we go over the accounts?”
“I’m a bit busy, now.” As if to demonstrate, Savos lifts the topmost volume from the stack and opens it to a random page. The steam obscures his face like fog. “Perhaps you could show them to that Company creature.”
* * *
“Eight gams of God,” says the Company creature, looking shaken.
Mirabelle, brisk and businesslike, reclaims her ledger. “We’ll sort it.”
“There’s a spell for that, I suppose.” The factor’s clerk from far Haafingar—the mage from Shad Astula, she corrects herself with a flash of irritation, repeating in her mind the story they’ve rehearsed—waves his hand with a mystical flourish. “Abraca-double-bookkeeping.”
They’re hurrying to the stairs, elbow-to-elbow, which is how they have most of their conversations—harried and hushed, suspecting company. But the stairwell has no railings, an oversight of far-sighted Shalidor that Mirabelle had never thought dangerous until now. She proffers her hand in wordless apology. The clerk takes it with a smile and picks down the stairs at a more patient pace, all goatish grace, the foot of his cane skipping from step to step.
Mirabelle looks over her shoulder. Then she looks sidelong at him. “Are you settling in?”
She’d asked in Bretic, to be discreet. Her fellow conspirator raises his eyebrows, taking the meaning of her precaution, and answers in a quaint Dellese dialect that would flummox any Thalmor tail. “Settling in?”
“As much as one can.”
“Master Tolfdir took me for a turn about the ramparts.” The clerk’s grin is unscholarly. He has the creased, canny face of a factotum, through no fault of his own. “Quite a view. Now I know how Veloth felt when he first looked on the wastes.”
Mirabelle almost smiles. “Quoth the prophet, bit of a fixer-upper?”
This wins her a rare laugh, swift and uplifting as a williwaw. “When you are Archmage, Mistress—”
“You’ve been speaking to Faralda.”
“—I hope,” says the clerk, “you’ll do something about that bridge—”
“It looks worse than it is.”
“—and the, ah, the walls—”
“Ravila.”
They reach the bottom of the stairs. The clerk, with the mock solemnity of a beau in a ballroom, lifts Mirabelle’s hand over their heads; Mirabelle, straight-faced, twirls like a debutante under his upraised arm.
The strain, she thinks, is making them both absurd. She’s started laughing at sudden silences. Leaping at sudden sounds. The next time Ancano swoops at one or the other of them like some great gallows-bird, dripping pleasantries like gore, she might set his robe alight—
“Mistress Ervine?”
Mirabelle blinks. The clerk, his brow furrowed, is looking down at her with kind concern.
“The accounts will wait,” she says, holding her face carefully still. “And the walls. If you can spare a fortnight, I have more pressing business for you to stick your beak in.”
“Ah.” The clerk’s mouth twitches, amused. “The books?”
* * *
“Three volumes of Colto,” growls Urag, slamming a catalogue the size of a catamaran onto his desk. The resulting thunk shivers the shelves of the Arcaneum’s reference section. “Two of Cinna. The Karthald calfskins. One of gra-Kogg’s original manuscripts, scribed in her own hand—”
“I assume,” says Mirabelle, her voice dry as blotting-sand, “you have a written list.”
“Yes, yes.” Her Master Archivist flips to a creased page in the catalogue, then taps it with a huge finger. “Here. Alabore, copy this out for the Master Wizard.”
As a prentice who’d been sharpening pens hurries over to help, Mirabelle permits her attention to wander. She’s been too busy, in past weeks, to visit the Arcaneum. The air itches with the dry, dusty smell of pounce and parchment. Magelights bob like stars between the shelves. At the trestle-tables, an adept in Alteration blue folds a scrap of foolscap into the shape of a swallow, then murmurs something to it; the paper shivers, shakes out its wings, and flits across the room to peck the cheek of a second-year hunched over her slate.
“Here.” Urag’s voice, like the grumble of a distant rockslide. “All the texts that Orthorn stole.”
He slides a creased sheet across the desk. Mirabelle blinks down at it. The list, even recopied in the prentice’s cramped, economic hand, is longer than she’d expected.
“Thank you.” Ravi will need a pushcart, she doesn’t say. Orthorn had not, per his masters’ progress reports, been a resourceful student—that he’d smuggled this many manuscripts from under Urag’s nose, she thinks with quiet frustration, suggests that his masters had been remiss. She’ll have to speak strongly to Phinis. “They’ll be back in their proper places soon enough.”
“If he hasn’t been using them as doorstops.” Urag drags a weary hand down his face. “Or placemats. Mirabelle.”
Something in his voice makes Mirabelle look up. Urag has been a fixture of the Arcaneum since she was a prentice; his belligerent old face, soft as book-leather when he smiles, is more familiar to her than her father’s. But the careworn lines in it are new.
“I have spent decades”—he puts on his spectacles, then takes them off again, wiping them furiously with the hem of his cloak—“curating this collection.”
Mirabelle knows what’s coming. She nods anyway, quelling an old, tired pang. “We couldn’t boast of a finer library.”
“Yes, we could.” Urag’s voice is flat and heavy as his catalogue. “Half these shelves are empty. I’ve got a shoestring budget, and I can’t transcribe one page of a valuable acquisition”—the spectacles flash, trembling, in the magelight—“before we’ve got to sell it.”
They stare wearily at each other. Behind them, paper rustles as the foolscap bird takes flight.
“I’ll speak to the Archmage,” says Mirabelle, not for the first time.
“I know you will.” Urag, gruffly gentle, covers her hands with his own. “It’s not your fault.”
* * *
“But,” says Phinis, wringing his pallid hands, “it may sometimes come to pass, through no fault of your own, that the spell of fastening fails to take—”
He’s lecturing, for once. This is extraordinary enough that Mirabelle, who’s spoken to the man several times about spending his lecture hours in his office—and his office hours, she thinks drily, in the Midden—stops in the doorway to stare. He and a few first-years, cross-legged on the floor, are sitting around a summoning-circle scribed in chalk. Magelights flicker about their heads. Stretched in the circle is a dead cat, as patchy with age as an old rug, staring sightlessly at Phinis’s knee.
He’d reared that cat from a kitten, Mirabelle thinks. She remembers him in the refectory—younger, slighter, but still with the same nervous stoop—dribbling milk into its mouth with a damp rag. They had been able to afford milk, then. Heavy-bellied ships had bobbed into the harbor with apples, cheeses, tea.
Phinis passes his hand over the cat. Nothing happens.
“There,” he says softly, then glances about the circle. “Now, did I—did I miscast, Ence?”
The prentice he’s called on sits up straighter. “No, Master Gestor.”
“Did I break the circle,” asks Phinis, “or draw it incorrectly?”
The students pause, uncertain. Mirabelle, so as not to spy on a colleague, clears her throat. “Not, I think, a summoner of Master Gestor’s skill.”
The students jump. Phinis twitches, then acknowledges her with a wry smile.
“No,” he agrees. He draws back his hand, and the energy bending the air around it disperses with a sigh. “No. But the spell did not take. And if it does not take,” he adds gravely, gazing at each of his students in turn, “you must find another subject.”
The boy named Ence blinks. “We can’t try again?”
“It is cruel and unusual, unless you are in the direst peril, to try again.” Phinis’s face is calm and set. “We know now that no essence within hearing of our call, be it that of this cat or of any other nearby spirit, will willingly animate these remains.”
He looks tired, Mirabelle thinks. Thin. The bones of his face jut.
“In some ways,” he continues, the light flickering like corpsefire in his eyes, “our art is not unlike the healer’s. The healer labors to prevent the departure of the spirit—the soul, the animus, whatever you prefer—from a failed or failing body.” He sits up straighter. “Mistress Marence will tell you, if she hasn’t already, just what I’m telling you now: that we must learn when to bind the spirit fast, and when—”
Outside, a loose stone skitters down the wall. The students jump again. Mirabelle tenses, too, despite herself.
“Er.” Phinis clears his throat. He reaches, with absent tenderness, to stroke the dead cat’s fur. “When to let it go.”
* * *
Mirabelle takes lunch with her Master Conjurer—and, despite his weak protests, gives him much of her portion.
* * *
A strange feeling compels her to stop, afterwards, in the Hall of the Elements. She has little interest in the thing that the prentices have been calling, in significant whispers, the Eye of Magnus—even a few of her fellow masters, enthused by the find, have taken up that foolishness. She’d spoken sharply to Sergius about it the day before.
But she can’t pass through its glow without feeling a prickle on the back of her neck, as if the thing is watching her. Superstition, she chides herself. A mingling of the artifact’s harmonic energy, humming from it like heat from a convector, with that of the focal wells—any mage, she thinks, would feel that. Like a guilty conscience. She stands in the high archway of the hall and watches the thing turn, slow and peaceful as a passing floe, bathing the chamber in pale, ponderous light.
“You, too?” asks a hushed voice.
Mirabelle starts, striking a spark with her fingertips—but it’s only Faralda, the poker of her face poised to strike, peering over Mirabelle’s shoulder. She raises her eyebrows at the flame, startled and bright, dancing in Mirabelle’s hand.
Mirabelle shakes it out. Her voice cuts sharper than she would have liked. “What?”
Her Master of Destruction nods at the far side of the hall. One of her curls, straggling from its tie, licks Mirabelle’s cheek like a flame. “Look.”
Mirabelle looks.
Then she stills. The chill crawls again down her neck. She had thought, before Faralda came, that she was alone in the hall.
But Ancano, his face bright in the alien light, is standing in the corner.
“Thalmor in our lecture-halls.” A shadow flickers across Faralda’s sharp face. “Place of wisdom and arcane knowledge, my foot—”
“Faralda.”
“He hasn’t moved, you know.” Faralda is obdurate. “Not since I came by this morning.”
Fires will burn cold before Faralda lies. Mirabelle stares at Ancano.
He turns to look at them. The hall shudders as, somewhere outside, a chunk of the crenellated wall crashes into the sea.
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anyway consoling myself thinking about magical arthritis + pushing oneself before widespread knowledge of what would become standard precautions became prevalent + the consequences thereof. frustration of your magical ability and understanding continuing to grow even as your physical ability deteriorates in proportion. overcharged magicka versus phalanges. Ulfie Your Bones Are A Nightmare,
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uesp · 3 months
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"I beg your pardon? Necromancy? I am a member of the College of Winterhold, in good standing! They haven't allowed necromancy for hundreds of years!"
--Wuunferth the Unliving
"By Sheor, no. Those archaic policies died out with the Mages Guild, and were never enforced here."
--Phinis Gestor
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wrecked-fuse · 2 years
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Lil thief but not really, it's just someone should stop leaving his (pwetty phiny) stuff everywhere
Bonus gif below
🔪🔪🔪 в вк не репостить🔪🔪🔪  
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