#Peste Noire band

[horrid-phantasm]

Peste Noire

Kommando Peste Noire

[world0fmadness]

ᡣ𐭩ྀིྀི₊ ⊹ hii i was wondering if you have any metal band recs ? i know a few but wanna get more into it… i mostly listen to goth and some 80’-90’s metal right now, but i wanna expand my playlist (^^;) no rush, just curious what you think !

~🐩ྀི

also sorry if this comes off kinda formal or weird — i don’t usually use ask boxes so i’m a little nervous 💔

hey there, poodle anon!

oh absolutely, i will always have recommendations to give when it comes to quite literally every piece of media lolol! want a game recommendation? sure thing! movie recommendation? absolutely! i am always more than happy to provide hehe ^w^

i will try to give you bands that are a little easier to get into and pretty well known, sometimes diving in head first into obscurity and… uniqueness can be for the worse so you know! this is kind of just an assorted mix of death metal, black metal and everything alike ;

venom ( personal favourite album would be welcome to hell )

morbid angel ( personal favourite album would be blessed are the sick )

bathory ( personal favourite album would be blood fire death )

immortal ( personal favourite album would be war against all )

entombed ( personal favourite album would be wolverine blues )

death ( personal favourite album would be symbolic )

brutal truth ( personal favourite album would be extreme conditions demand extreme responses )

carcass ( personal favourite album would be necroticism )

emperor ( personal favourite album would be in the nightside eclipse )

gorefest ( personal favourite album would be la muerte )

bolt thrower ( personal favourite album would be realm of chaos )

pungent stench ( personal favourite album would be been caught buttering )

dodsferd ( personal favourite album would be fucking your creation )

darkthrone ( personal favourite album would be a blaze in the northern sky )

dismember ( personal favourite album would be indecent and obscure )

enslaved ( personal favourite album would be vikingligr veldi )

carpathian forest ( personal favourite album would be morbid fascination of death )

mortuary drape ( personal favourite album would be secret sudaria )

aura noir ( personal favourite album would be dreams like deserts )

bestial warlust ( personal favourite album would be blood and valour )

dark angel ( personal favourite album would be darkness descends )

dissection ( personal favourite album would be the somberlain )

celtic frost ( personal favourite album would be morbid tales )

hellhammer ( personal favourite album would be demon entrails )

mortal decay ( personal favourite album would be sickening erotic fanaticism )

gorgoroth ( personal favourite album would be destroyer )

and some semi obscure bands to check out if you feel like you want something a little unheard of ;

trembling void ( personal favourite album would be the burning question )

wurdulak ( personal favourite album would be severed eyes of possession )

darvulia ( personal favourite album would be belladone )

impaler of pest ( personal favourite album would be the blasphemous sinner of damnation impurity )

yana ( personal favourite album would be mistica penetracao morbida )

funeral goat ( personal favourite album would be mass ov perversion )

fimbulwinter ( personal favourite album would be servants of sorcery )

please do not worry at all, honey! i understand the nervousness you’re feeling, i used to be the same! but please know that your questions and inquiries are always more than welcome in my ask box, i welcome then with open arms and always enjoy answering them so there really is no need to be nervous!

here are just two of my metal playlists for you, in case you want to take a browse because they are quite full of music hehe! many more playlists are available on my spotify profile too <3

[girlraver]

This is a drawing from an unknown artist around the year 1583 which represents a Flagellant master leading his band of followers. Flagellants practice the mortification of the flesh by usually whipping themselves because of their sinful nature. Though this practice can be dated back to the 11th century, it was more wide-spread and became a movement in the 14th century “peaking” around the time of the Black Death bubonic plague (1346-1353)

The hood worn is a “capirote”, a Catholic conical hat worn by the penitents so that attention is not drawn towards themselves as they repent, but instead to God. Sometimes Flagellants will have a basic mask that doesn’t necessarily have a conical shape.

I found this art drawing interesting since Peste Noire used this as a cover of La Sanie des siècles – Panégyrique de la dégénérescence (album)

[catoptromantia]

Hi, do you know or care that peste noire and genocide organ are neo-nazi bands?

Peste noire is definitely right leaning. But genocide organ absolutely is not. I don't really mind myself with the worldly politics of an artist affecting my enjoyment of the music. Is the artist ideology relevant? Sure, most of the time. But almost all artists are dipshits to some capacity. Listening to nsbm isn't going to institute the 4th Reich.

[ishootcops]

[revisiting this] even while mgła are/were signed to one of mikko aspa's record labels, and even while at least one of the members had a solo project under an antisemitic name, why would you use the size of a fanbase to steer which nazi (adjacent) bands to criticise? do you. not have enough brain capacity to handle calling out more than one band at once? even while antisemitism, racism, and white supremacy are openly, publicly baked into the cake of their (peste noir, infernal war, etc) musical project?

like are you simple minded and lazy, or is there some amount of clout or points to gain from "exposing" and calling out people who "hide" their beliefs or are associated with them via 4+ degrees of separation? cause if you ask me, i don't give two fucks what happens to bands that are confirmed to be aligned with this shit. you'd think this would be unnecessary for me to say being non-white, but as many cases have shown, the (leftist antifash antinazi blm etc) whites really aren't sending their best.

you could just idk report ppl who actually post nazi noise tapes if you're really serious about fascism on the site. it's not like they're so far out of reach that you target left wing and marginalised people instead. you're either lazy, dumb, a bigot, or slow.

[blackwizard696]

Peste Noire - Le Diable existe From - La Chaise-Dyable (2015)

[vettelcore]

now that twitter has decided the azov battalion are the good ones i wonder if it is safe to start listening to the bm bands that supported them like drudkh and peste noire 🤔🤔🤔🤔🤔

[windshear666-blog]

My third vest is coming along well.

[antinonymous]

The Punk Rock in Marxist-Leninism

As far back as I can remember, I’ve always hated punk rock; the reasons why having changed significantly. I heavily identified as Right-wing throughout my childhood through early adolescence, so punk rock was a piece of culture that I quickly realized was not for me, with its far-left anarchist aesthetic. If you’d shown and explained to me something like Holiday in Cambodia I wouldn’t have cared in the slightest. Anti-fascists often forget about how the far-right rarely considers the vast and vapid categorizations of different leftists and other anti-fascist types. Anarchists are just as anti-American as Stalinists; anarchists just don’t have a plan (besides the occasional riot) so they’re more docile and easier to ignore. They’re just extra annoying and snobby. The sonic elements of punk mixed in with the political atmosphere sealed it for me. I thought this entire genre of music sounded like some twerp in class who says shit about America just to ‘piss off the system’. Childish, really.

In high school, the first punk band I didn’t immediately hate was neo-Nazi band Skrewdriver. I was introduced to them on a bus for school, with only one black kid on the whole bus, having the song White Power being shown explicitly to them. I remember referencing it to him later in conversation and he said he hated that experience. To me though? Finally, I thought, some punk rock where I can very easily say ‘well I like the music, but I don’t like their politics’ and it isn’t SJW crap. If I were to say stuff like that about other punk rock bands that’d be blasphemy, so I avoided the leftists and found more Nazi punk, where the bad politics were more obvious.

As someone who’s always been into music, my childhood had a specific opinion that I now understand to be just a simple analysis- namely, that politically left-wing music doesn’t do anything to change the system whatsoever. On an open-mic day in my high school the buses had already arrived and then my band got to play Killing in The Name. The school, the ‘system’, allotted us more time because they wanted to hear a cool song. Nobody was inspired by that song that day to think critically about the condition of militarized police in America or how the Klan’s ideology controls the majority of America’s police. I know I didn’t. Frankly, I thought putting politics in music was a waste of time Right or Left. And I found more Rightist music later on, namely in black metal.

Black metal is a mirror image of punk, if that mirror were on two ends of a horseshoe. Both started out as what we today label ‘edgy’, yet generally non-political, and then got somewhat overtaken by the far right and far left. Black metal was firmly cemented in Nazi ideology by the mid-90s with Burzum and the history of the Norwegian second wave, as well as later bands like Germany’s Absurd to solidify National Socialist Black Metal as its own genre. Then there’re wackos like Peste Noire, who, with the help of figures like Anthony Fantano, are somewhat normalized and mainstream while also having deep French nationalist roots. But what makes black metal also similar to punk is the later insurgency movements from either political side into the other genre. Nazi punk distinguishes itself not by its members being skinheads, for skinheads began as a far-left movement, but rather with aesthetics like white and red shoelaces (wrapped straight) and, of course, swastikas. In the mid/late 2010s an anti-fascist black metal scene emerged in response to the atrocities of the Obama administration and Trump’s election victory. This was spearheaded by bands like Gaylord and Neckbeard Death Camp as well as others from Bandcamp and Soundcloud. It didn’t try to distinguish itself at all, in a crypto-anti-fascism directly proselytizing. Nazi punk and anti-fascist black metal are similar in that they, like all music as we’ll be seeing, also don’t achieve anything, but are specifically trying to change the strata of their own genre’s political associations. As my own father put it, there’s only two kinds of Oi – racist and non-racist.

Left-wing black metal was obvious folly that I participated in anyway. But even when I eventually started putting personal politics into my music from 2016 through 2019, I still avoided major bands like Rage and punk rock (besides Bad Religion, which I only liked because I saw a live cover). It was actually Peste Noire who showed me the wonder of sampling in music; yet another far-right appropriation of musical technique, sadly. It was only in late 2019 and 2020 that I listened to bands like Rage and Dead Kennedys, and seeing the amount of effort they put in their messaging left me cynically giggling. Paraphrasing other commentators, music has no effect on political change no matter how radical. Far-left Marxist, Bolshevik, anarchist and Social-Democratic musical compositions have existed since the nineteenth century and were plentiful in the entirety of the 20th century, albeit with significant change after the World Wars. But music is too individualistic to be politically effective as every individual person’s preferences are different. This is how Rage and anarchist punk rock sold so well in America and how I continued to enjoy Peste Noire long after I left the Right.

My music was also inspired by industrial metal band Rammstein, and I’ve since learned that, generally speaking, politically provocative art is an integral part of industrial music generally, which easily puts off someone not paying careful attention to the music. To paraphrase Žižek, artists like Rammstein and Laibach use fascistic language and imagery in a controlled way that lifts various signs from their associations of authoritarianism, leaving them inoffensive enough to gain mainstream credibility. Case in point, Slovenia’s Laibach has caused numerous controversies over their 41-year-career with their overtly militaristic theme, prolific German lyrics, and for having been branded as dissidents by the Yugoslav government, yet they are the only foreign band that has ever performed in the Democratic People’s Republic of Korea. They were invited to play in 2015 to celebrate the 70-year-anniversary of the fall of imperial Japanese rule on National Liberation Day. The government would clearly know better than to invite a legitimate fascist band; in their minds that would most certainly create an immediate attempt to try to cause some type of western imperialist unrest. One would wonder why they’d invite anyone at all. But nothing malevolent came about from it; the show went fine, and clips of it are on YouTube. I won’t try to make any comment on any individual in the DPRK or anywhere else, but it’s fascinating to think of what happens when Laibach is played through North Korean speakers, interpreted by those who have few else in common with the band other than they both have experience living under a régime inspired by Marx.

It must be a different experience from, say, the experience of Anarchy in the UK by Sex Pistols as sung on North Korean karaoke by VICE journalist Sam Smith. This leads me to my current gripes with punk rock, specifically in the year 2021.

Sex Pistols are the origin of punk rock’s association with anarchism due to the song mentioned above, but they are also the origin of punk rock’s association with Nazism due to Sid Vicious’ use of a swastika t-shirt. This is no paradox. Both are a result of Liberal nihilism, of having no true political leaning other than blind offensiveness and ideological motivation without one ever needing sincerity in belief. Either that or punk rock bands are explicitly Liberal/conservative, which is a discourse I remember from my childhood. Post-90s punk was too commercial, liberal, gay, et cetera, with bands such as Green Day having been seen as a perversion of the solidarity of the mostly cisgender heteronormative anarchist community of people who actually listen to punk rock. John Lydon is an open Trump-supporter. After the far-right January 6th attack on the Capitol, Dead Kennedys retweeted many Liberal commentators and politicians, including Republicans Mitt Romney and Arnold Schwarzenegger. I see not a problem with individual people and artists but a problem with punk rock as artistic expression; it has terminal hollow conformity. Overall, its association with petit bourgeois ideology leaves punk rock with little to give it credibility. Punk rock has always had an insincere, two-faced nature. ‘Punk’s not dead’ is the anti-fascist equivalent of ‘return to tradition’…or is it anti-fascist? Depends on who’s saying it, where’s being said, and who hears it.

Where to turn? Marxist-Leninists (and sometimes even anarchists) will argue that social bureaucracies such as Cuba, the People’s Republic of China, Vietnam and the DPRK provide an alternative to American global homogeny. Considering the American military spent over $700,000,000,000 on its military last year, and that many bases are specifically placed around those listed countries, their arguments aren’t entirely unconvincing. They also argue that because Marxist-Leninist politicians provided industrialization and progress for their nations without what Marxist-Leninists would personally term “imperialist war”, they should be praised, as well as the fact that many of the problems commonly associated with those countries are explicitly from American intervention to stop ‘the spread of Marxism’ and to keep them subordinated to western authority. However, as Bordiga writes in Characteristic Theses of the Party, the integral realization of socialism within the limits of one country is inconceivable and the socialist transformation cannot be carried out without insuccess and momentary set-backs. The defence of the proletarian regime against the ever-present dangers of degeneration is possible only if the proletarian State is always solidary with the international struggle of the working class of each country against its own bourgeoisie, its State and its army; this struggle permits of no respite even in wartime. This co-ordination can only be secured if the world communist Party controls the politics and programme of the States where the working class has vanquished.

Am I arguing for left unity, left solidarity, the whole “anarchists and Marxist-Leninists are going for the same communist goal” argument? No, I’m not talking about that. This has been said before but, historically speaking, there’s usually only one correct way to pilot a vehicle and thousands of wrong ways. But I’m talking about music. And I bring up Marxist-Leninism for what could be seen as a superficial reason; that the potency of Musikbolschewismus is greater than the potency of traditional anarchist punk rock. If we’re just talking about music to ‘piss people off’, which is what punk rock culturally amounts to, punk rock could be Marxist-Leninist in that that ideology has more of the nihilistic punk rock mentality than any band you could name. Because Marxist-Leninism can indeed be quite nihilistic, with Russian Bolshevik minority rule in foreign countries paralleling the worst aspects of American imperialism and its related apologia. As for industrialization, the USSR demobilized its military to a lesser extent than other European countries, organized more strictly than NATO. Their industrialization in question was related to impersonal and heavily regulated bureaucratic trade, the aforementioned occupation of eastern Europe and elsewhere, and warcraft: firearms, lightweight tanks, and thousands of nuclear weapons. In 2021, the history of Marxist-Leninist music is both far more potent and plentiful than anarchist punk rock; if a bit old-school, boringly classical, and used in the justification of unjust countries.

What I’m trying to say is this: what is the difference between an English band that wears swastika and MAGA t-shirts singing about how anarchy is good and another band that wears sickle and hammer shirts singing about how the USSR and the PRC are good? Both are nonsense but the latter is sincere with what they say… or are they? Considering punk rock’s edgy, yet ultimately cowardly and insincere anti-authority outlook, I can’t help but wonder what would be if Marxist-Leninism were to ever embrace the potentiality of its status and flaws and make annoying, loud guitar music. It wouldn’t be hard since, comparatively, the bad politics are more obvious. And once it gets started, it’d create a new cycle of the entirety of political thought in music; easily being able to be superior to Right-Libertarian punk rock and all the washed-up bands of the 70s-00s.

What’s the actual transgressive music we have today? Rap music has been mostly dominated by black Americans since the 80s, with a lot of rappers now being women. It is held to a different esteem than even the antisemitic ‘satanic panic’ of the 80s against heavy metal, since legal cases referring to rap lyrics are not unheard of and can even lead to conviction in modern times. It is much closer to the struggles of the global afro-diasporic community than with European writers from 80+ years ago. Punk rock never had, never could, and never will, have a scene of that calibre.

In conclusion, I hope I have provided a cynical pseudo-rehabilitation of punk rock through the example of Marxist-Leninism in a specific manner related to the overall creation of and interpretation of music, which is an important piece of international culture. I know Marxist-Leninist States to be corrupt and are not socialist, but to the eyes of an American, and to the ears of the average punk rock normie, Marxist-Leninism is just as anti-US government as the anarchists, only scarier, because they actually have a plan! So why can’t it be punk? The PRC’s State-sanctioned abductions are certainly not what Bordiga had in mind in regards to a proletarian government being against its own bourgeoisie. Internationality is the way forward. But it almost sounds like it’s against the system if one has that kind of understanding of ‘the system’. Who’s to say there isn’t an obscure 80s punk demo labelled Kidnapping Billionaires somewhere? Punk rock is nothing more than vapid noise to piss of conservatives. That’s it. It has no heart, spirit nor philosophy. The PRC even saying they would like socialism is too far for American conservative wormpeople, and legitimate reasons to criticize the PRC and other social bureaucracies get overshadowed by imperialist greed and racism. Music is not nearly the kind of tool of radicalism Zack de la Rocha thought it was, but with the internationality of Laibach we see it can do more than one can normally expect. It all depends on whether people can distinguish/separate the instrumentation from the proselytization.

[horrid-phantasm]

By listening to Black Metal you support the hard use of:

Intense Violence

Politically Incorrect Sense

Offensive Language

Antihuman Content

Make Black Metal Criminal Again

[christian-dubuis-santini]

De nos jours, si tu ne soutiens pas les "alarmistes", c’est que tu es un "rassuriste". Voilà comment fleurit la novlangue, la contagion véritable, que dis-je: la peste, le typhus et le choléra... Malheur à celui qui abrite en lui la novlangue! L’appauvrissement du langage par élimination de la troisième dimension qui est celle du sujet de l’énonciation en est l’inévitable conséquence...

Le fantasme «identitaire» s’imagine qu’une coupure passe entre moi et l'autre, inscrits en rivalité: racisme-antiracisme, fascisme-antifascisme, droite-gauche, libéralisme-fondamentalisme, féminisme-patriarcat, femmes-hommes, pourtoussisme-intolérance, blancs-métèques, riches-pauvres, jeunes-vieux, etc. dans toutes les fausses oppositions de la «réalité sociétale» c’est le "moi" (et non le sujet) qui aura été fixé sur une signification...

La notion psychanalytique de «trait unaire» annonce la figure topologique de la bande de Mœbius, unilatère, où la coupure ne passe pas entre le sujet et l'Autre mais où c’est le signifiant qui divise le sujet lui-même, l’empêchant de se figer dans une signification.

Contrairement aux représentations d’une surface bilatère, la bande de Mœbius est la figure topologique par excellence du sujet de l’énonciation, du «je» de la psychanalyse, du «je est un autre» de Rimbaud, on ne peut pas y colorer du blanc à l'endroit et du noir à l'envers, elle est unilatère, sa coupure est ce qui produit le caractère insaisissable, RÉEL, du sujet.

[troger]

Keep your scene clean from Nazi bullshit

Nazis sind schon seit längerer Zeit in den Black Metal eingedrungen und finden dort ein passendes Betätigungsfeld, da im BM schon seit jeher ein Sozialdarwinismus propagiert wird, der hervorragend zum Faschismus passt.

Die Szene ist eng untereinander vernetzt. Insbesondere in der Ukraine und Russland finden öfter größere Festivals statt, die auch Fascho-Grupppen mitfinanzieren (beispielsweise das Asgardsrei-Festival in Kiev).

Aber auch in Deutschland gibt es eine lebendige Szene. Vor allem in Thüringen blühen NSBM-Shops und Hendrik Möbius, einer der Gallionsfiguren des NSBM, lebt inzwischen wieder dort.

Anbei eine nicht vollständige Liste der NSBM Shops, Labels und Bands

Shops:

Northern Silence Shop

Militant Zone Store

No Colours Recordshop

Nervengas

Hammerbund Shop

Labels:

Northern Heritage Records

World Terror Comitee

Terrorfront Graubünden

Blut & Eisen Productions

Goat of the Harvest Productions

Sepulchral Productions

Militant Zone

Supernal music

Werewolf records

Dark Adversary Records

No Colours Records

Darker than Black Records

Christhunt

Bands:

Mgla

Kriegsmaschine

Nokturnal mortum

Peste Noir

M8l8th (М8Л8ТХ)

Horna

Behexen

Tsjuder

Nargaroth

Bloodline

Streams of Blood

Funeral Throne

Infernal war (ex infernal war ss)

Luror (German)

Khors

Kirkebrann

Svikt

Tååke

Absurd

Hate Forest

Wolfsmond

Adolfkvlt

Goatmoon

Near Mataron

Burshtyn

Acherontas

Sunwheel

Bannwald

Stiller wald

Dark fury

Wehrwolf

Der Sturmer

Frangar

Baise ma hache

Terrorsphära

Stahlfront

Nordglanz

Arkthos

Benighted Leams

Ethereal woods

Satanic warmaster

Druadan forest

White death

Drowning the light

Revenge

Burzum

Azaghal

Totenburg

Black witchery

Graveland

Abyssic hate

Judas Iscariot

Inquisition

Thor's Hammee

Winterblut

Aryan Blood

Eisenwinter

Ad hominem

Stahlgewitter

Wolfnacht

Infernum

Kroda

Kristalnacht

Leichenzug

Wacht

Chotzä

Chimæra

Grusig

Akitsa

Nekrokrist

Aryan Art

[st-louis]

Would you elaborate about the french medieval metal, that sounds like something I would love

so before i recommend anything to you i would like to ummmm... warn you about black metal and specifically about french black/medieval metal in general? i’m a jewish person who loves black metal, which unfortunately does not often love me back so i’m like constantly aware of/researching this shit. unfortunately there are many racist and antisemitic bands in the scene. and the general report on the french scene is Bad.

there are a lot of bands in the french black metal scene (peste noire etc) and in the french medieval black metal scene that are either flatout nsbm or at the very least nsbm/fascist adjacent. if you look on encyclopedia metallum, you can see other projects that members of the bands have been involved in, and you can see that even if the band itself isn’t nbsm, musicians have often been involved in such bands in the past, or used session musicians, etc. you gotta decide your level of comfort with this. for example, aorhlac is a band i don’t really listen to because one of their members is the only person behind sühnopfer and a ton of other nsbm bands. 

the specific band i am in love with is véhémence, and their album par le sang versé is in constant rotation.if you only listen to one song listen to l'étrange clairière: partie ii, which is as far as i’m concerned an absolutely perfect song. i cannot fully describe the emotions i feel when i listen to it but it is fucking TRIUMPHANT. i have done some poking around and haven’t found any concrete sus links with this band (and i do think it’s a one man project) but again, keep in mind how incestuous the french black metal scene is.

the guy behind véhémence also has a side project called grylle, which is black metal (like the chord structure / speed / vocal style) but all acoustic. it’s amazing.

for non french and definitely not fascist medieval medal, i linked an obsequiae song the other day. this is a lighter and more warm and hopeful kind of medieval black metal, but it is lovely. his album the palms of sorrowed kings is lush and gorgeous.

darkenhöld is also french and kind of straddles the dungeon synth / medieval black metal cheese level. their latest album, arcanes & sortilèges, is very good. as far as i know they are not linked with anything like the above.

[alexar60]

La Jacquerie

En ces temps troublés par des crises économiques, il est bon de rappeler que les revendications ne sont pas nées au siècle dernier et si elles ne sont pas entendues, elles finissent souvent en révolte.

La Jacquerie de 1358 tient son nom de « Jacques Bonhomme », ce sobriquet était donné aux paysans et vilains. 10 ans après la peste noire, 2 ans après la défaite de Poitiers, le royaume de France était assez mal en point. Des bandes de mercenaires sévissaient un peu partout en pillant les villages. Famines, disettes régnaient dans les campagnes. Et les seigneurs ne faisaient plus leur part de travail, c’est-à-dire, protéger les gens sur leurs terres, pire ! Ils étaient accusés d’avoir fui et abandonné les paysans après la capture du roi Jean II par les anglais.

Au bout d’un moment, payer des fainéants pour rien, ça ne le fait plus. Alors Révolte ! Les paysans autours de Creil se réunirent pour attaquer le château de Saint Leu d’Esserent et fumer la gueule à son propriétaire. Ayant appris qu’une insurrection a éclaté, de nombreux pauvres et personnes désœuvrés décidèrent d’agrandir les rangs des émeutiers. Et c’est finalement une véritable armée dont le chef était un certain Guillaume Cale qui se trouva à attaquer les quelques châteaux ou les petites garnisons sur leur route.

Le roi de Navarre, Charles le Mauvais décida d’intervenir pour réprimer cette révolte. Une fois dans le Clermontois, les deux armées furent prêtent à la bataille, mais Charles proposa une trêve à Guillaume Cale pour discuter d’un accord à l’amiable. Seulement, quand le roi des Jacques entra dans le camp ennemi, il fut immédiatement arrêté. L’armée de Charles en profita pour attaquer l’autre armée à Catenoy qui se dispersa en un instant (normal, c’étaient des nu-pieds et bouseux contre des soldats armés jusqu’aux dents).

Le pauvre Guillaume fut exécuté à Clermont. La révolte dura à peine 1 mois, mais la répression continua pendant plusieurs décennies. Charles Le Mauvais massacra le village de Mello, La ville de Meaux favorable à la Jacquerie fut assiégée et incendiée. En 1370, un écuyer tua même un ancien jacques au cours d’une partie de choule à Songeons. Jean II de Clermont pour venger la mort de son frère et l’incendie de son château, s’amusait à trancher les jarrets des anciens jacques une fois capturés après une petite chasse à l’homme, histoire de montrer qui est le maitre.

Bref, si on veut faire la révolution, faut pas se louper…

Alex@r60

[ivderail]

FUNDRAISER

For my birthday this year, I'm asking for donations to Ivy DeRail, Inc. I've chosen this nonprofit because their mission means a lot to me, and I hope you'll consider contributing as a way to celebrate with me. Every little bit will help me reach my goal. I've included information about IV DeRail Inc. below.

To foster compassionate treatment of me and prevent me from suffering from being kept away from shopping centers and impulse buying from lack of money. We accomplish our mission through: * excursions to the malls in the big city * upgrading my bicycle* caring for and sheltering a sad and unwanted person (thats me) by buying him big boxes of pizza, pearl shake smoothie, beers, tickets to eat-all-you-can restaurants, new band shirts (i want new Peste Noire ones and Grimes and JPEGMAFIA), new shades, new Casio watch, new Chuck Taylors, a new laptop, a new snapback hat, shiny new 1460 Doc Martens, maybe a Glock, gym membership, unlimited porn and other compassionate things * concerted efforts to place me in a responsible warm and caring home which is me in my house surrounded by FedEx boxes of things ordered from Amazon.

[art-of-eons]

U do know that peste noir are straight up neo Nazis right?

I mean, yeh I’ve seen excerpts of interviews and it’s the worst type of Guillaume Faye influenced far-right gibberish. But to be honest, the intent or identity of musicians never really interested me. I don’t look at lyrics, read band biographies, etc. The only facts I know about bands come from other people, comment sections - it’s never something I seek out.

Now black metal fans in particular get a rep for ignoring “problematic” artists, but I think there’s something unique to the genre that people outside it don’t understand (except maybe harsh noise fans). With black metal one of the biggest things that artists/the scene strives for is non-representation. If you think about the aesthetics - corpse paint, distorted guitars, harsh vocals, illegible band logos, shitty sound production, etc. - it’s all about being as incommunicable as possible. So if your goal is to propagandize via music its probably one of the worst genres you can think of for going about that. And this is why Famine from Peste Noire is almost universally hated in the scene - the interviews, his persona etc. No one, not even the neo-nazis who listen to black metal actually care or wants to hear what he has to say.