#Paula price

[magazinewankersworld]

Stacked with Honors (1993)

[fuzzychildchopshop]

Funko Pop Paula by RockyRock76

[galleryblue]

[universepines7102]

And here's the Part 3 of the Six Characters Challenge, with a few characters are suggested by @christian.atkins.94617 and a few that are even suggested on Twitter from the Part 2.

Yeah, on this time, I drew a lot of minor characters again.

[pristina-nomine]

Like Amelia in Lovers' Vows, Fanny is unmoved by the temptations of wealth, status and sexual conquest. When she is given the rare opportunity to express her feelings, she does not hold back, as is shown in her gentle, but spirited, defence of her right to her 'negative’:

I should have thought …. that every woman must have felt the possibility of a man's not being approved, not being loved by some one of her sex, at least, let him be ever so generally agreeable. Let him have all the perfections in the world, I think it ought not to be set down as certain, that a man must be acceptable to every woman he may happen to like himself…. In my situation, it would have been the extreme of vanity to be forming expectation on Mr Crawford… How then was I to be - to be in love with him the moment he said he was with me? How was I to have an attachment at his service, as soon as it was asked for?"' (MP, p. 353)

This speech is remarkable for its encapsulation of the paradoxes of courship conduct for women, particularly those of a low status. Fanny's ‘settled dislike' of Crawford is not enough for Sir Thomas, or indeed Edmund, because Crawford is perceived as a socially acceptable ‘catch'; yet, paradoxically, it is precisely Fanny's lowly social status which precludes her from forming any expectations of Henry in the first place. Furthermore, when she is condescended to be noticed by a man of means, a man whom she has no right to consider in the first place, she is immediately expected to switch on her feelings, 'as soon as it was asked for’. […] Fanny, of course, is not in Amelia’s position of choosing her own husband, but she nevertheless exercises her right to refusal, as do most of Jane Austen's heroines. […] Austen has Henry Tilney advocating ‘women's power of refusal' in Northanger Abbey, but in Pride and Prejudice she conveys the limitations of a woman's 'no' in Mr Collins's and Darcy's refusal to accept Elizabeth's refusal. […] In Mansfield Park, Henry's reluctance to accept Fanny's refusal is proof of his gross selfishness. Even when she is softened by his conduct at Portsmouth, she still hopes to be released from his attentions: 'might not it be fairly supposed, that he would not much longer persevere in a suit so distressing to her?' (MP, p. 414).

- Paula Byrne, The Genius of Jane Austen. Her Love of Theatre and Why She Is a Hit in Hollywood

[cinemaquiles]

Pior do ano? O fiasco de "Borderlands: o destino do universo está em jogo" (2024)

[camyfilms]

DIRTY DANCING 1987

Me? I'm scared of everything. I'm scared of what I saw, I'm scared of what I did, of who I am, and most of all I'm scared of walking out of this room and never feeling the rest of my whole life the way I feel when I'm with you.

[masterofargent]

Jr Bourne as Tom Price in Somewhere Between. S01E01 Scene Finder part. 8

[faeriefully]

Most of the Christians I know think Kenneth Copeland is a fraud and that his lavish lifestyle is unbiblical but atheists just wanna be presumptuous I guess 🤷‍♀️

The angry atheists in my askbox who use anon don’t care about what Christianity is or what orthodox doctrine is. They will reach for the low hanging fruit of false teachers without ever checking if we even acknowledge that they are false teachers.

[land-amidst-the-stars]

Excellent book which I finally finished after purchasing from last year; super interesting to hear about these issues from a professional who's been involved since the early days of the climate movement, particularly a woman.

[magazinewankersworld]

City Girls (1991)

[badmovieihave]

Bad movie I have Dirty Dancing 1987

[ytpforyouandme]

you can hear me. sizzling.

[hpkaur01]

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[pristina-nomine]

In both Mansfield Park and Lovers' Vows the young heroine falls in love with the man she holds responsible for her education. Paradoxically, then, it is Fanny, not Mary Crawford, who correlates with Amelia Wildenhaim in refusing a brilliant match with a rich but unworthy lover because her heart is pre-engaged to the man who has nurtured and educated her. […] The idea of love as a 'taught science' appears in all of the eighteenth-century resurrected versions of Eloise and Abelard. In Lovers' Vows the pious young clergyman, Anhalt, like Rousseau's St Preux in La nouvelle Héloïse, has been responsible for the tutoring of the Baron's family. Amelia unequivocally states, 'My father has more than once told me that he who forms my mind I should always consider as my greatest benefactor. And my heart tells me the same' (act 3, scene 2). Amelia inverts social convention when she candidly offers to teach Anhalt 'the science of herself' to repay him for the 'education' he has given her. […] More radically, Amelia makes, in Fanny's words, 'very little short of a declaration of love' to her tutor: a shocking concept to Fanny, who is embarrassed by the similarity of her own situation to Amelia's. However, the idea of declaring that love, let alone making a proposal of marriage, is inconceivable to Fanny. Behind Fanny's discomfort of witnessing the ‘dreaded scene' from Lovers' Vows is the cruel irony of her own similarity to Amelia. Edmund's searching out of Fanny to read Amelia’s part against his Anhalt is potentially even more distressing than her being forced to watch Edmund and Mary rehearse the scene.

- Paula Byrne, The Genius of Jane Austen. Her Love of Theatre and Why She Is a Hit in Hollywood

[tanishqavishwakerma]

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