#Paul Dempsey

[harbingrs]

Thrown out of a moving limousine Tied up in corners with no hope of escape Followed at high speed Roughed up and handcuffed and led away

Dangled upside-down from a great height Tied to the rails as the train rounds the bend Hijacked and hotwired Snarled at by dogs against the chain-link fence

Then she tells you Then she tells you Then she tells you you're not home

[cowtron2000]

Paul Dempsey - Daniel (Triple J Like A Version)

[trammellesstangent]

Fanning Dempsey National Park are amazing. I was at the concert tonight and good god. 10/10. If they come back to Perth I will see them again.

[intriguingpeoplebyangelafloyd]

PAUL DEMPSEY

PAUL DEMPSEY

25 May 1976

SOMETHING FOR KATE

            Paul Dempsey is an Australian music artist who is best known for being in the band Something for Kate as well as having a solo career. Dempsey was born in Melbourne, Victoria, Australia; both his parents were Irish immigrants. His father died in a car accident when Dempsey was aged 1 and he was raised by his mother and grandmother. His grandmother taught him how to play the piano and he started playing the guitar when he was 8 and then taught himself the drums. Dempsey appeared on RockWiz numerous times as a panelist as well as performing. Dempsey is married to Something For Kate’s musician, Stephanie Ashworth in Las Vegas, Nevada in 2005 and they have one child. Dempsey has openly spoken about depression, ‘I think a lot of people who suffer from depression feel guilty. They feel like being selfish, they feel like they shouldn't talk about it because they sound like they are whining. I think it is important to not be like that and talk about it so that people think that it is OK to talk about it.’

#pauldempsey #somethingforkate

[duranduratulsa]

Now showing on DuranDuranTulsa's Horror Show...The Stuff (1985) on glorious vintage VHS 📼! #movie #movies #horror #thestuff #MichaelMoriarty #scottbloom #brianbloom #PaulSorvino #RIPPaulSorvino #garrettmorris #andreamarcovicci #BrookeAdams #AbeVigoda #patrickoneal #tammygrimes #rutanyaalda #patrickdempsey #MiraSorvino #DannyAiello #clarapeller #ripclarapeller #vintage #vhs #80s #durandurantulsa #durandurantulsashorrorshow

[breckstonevailskier]

Wanda Maximoff vs. Giselle

[cuteguywhump]

Westworld - 03x05 - Genre

[literalite]

url song game

L -> leave her - d4vd I -> i ain't feeling it - little simz T -> to my heart - mother mother E -> edge of town - middle kids R -> rabid dog - palace A -> alley rose - conan gray L -> lauren - yot club, spill tab I -> i have more than enough - searows T -> the rev3nge - joey bada$$ E -> elsewhere - eden

i was tagged by @kazuaru n @imageingrunge tysm guys!!! tagging @itsmariejanel @lucidicer @sashima @mxfrodo @tricoufamily @goldenwaves @mmonetsims 😁😁 no pressure

[twittercomfrnklin2001-blog]

The Stuff

Killer ice cream? You’d think that would be one of the worst ideas in horror film history, but in the hands of Larry Cohen, THE STUFF (1985, YouTube, Plex) comes off as an almost inspired satire of consumerism and the drive to convince people that “Enough is never enough.” It’s sheer pulp, but with such a loopy energy it’s easy to forgive its few weak scenes (Cohen was a great idea man who often couldn’t film a simple scene of two people talking) and the continuity lapses created when New World removed 30 minutes from the director’s cut. Cohen’s satirical aim can get a little broad at times. It may be hard to stomach the thought that humanity’s hope lies in the hands of a paranoid militia leader (Paul Sorvino) in Georgia, a state that here earns my nickname for it, “Stupidvania.”

In their second of five projects together (four features and one TV episode), Cohen’s muse, Michael Moriarty, is an industrial spy hired by a conglomerate of ice cream manufacturers to investigate The Stuff, an addictive, low-calorie desert that’s pushing them out of the market. At the same time, suburban kid Jason Bloom notices the product can move on its own and realizes his parents and brother (Bloom’s real-life brother Brian) are so addicted to it they can no longer think for themselves. He and Moriarty join forces with the ad exec (Andrea Marcovicci) who sold it to America and set out to uncover the secrets behind The Stuff and warn the world before what everybody’s been eating eats them.

Cohen’s film is delightfully off-the-wall, starting with Moriarty’s largely improvised performance as a man who plays dumb (and Southern) to get info that might be withheld from a smarter man. As in their first film together, Q: THE WINGED SERPENT (1982), Moriarty makes something charming out of a potentially irritating character. It’s a treat watching him con the foolish and connect with the wise. Marcovicci doesn’t get as many opportunities to shine (a scene developing their relationship was among the cuts), but she has moments of wit in dealing with the crazies they encounter and makes running from The Stuff in heels a comic comment on horror-film improbabilities. There’s also a nice turn by Garrett Morris as “Chocolate Chip” Charlie, a cookie magnate whose business has been taken over by The Stuff’s distributors. Eric Bogosian cameos as a supermarket employee, and Patrick Dempsey figures in the final scene. Even Cohen couldn’t tell you where a very young Mira Sorvino turns up (she did a bit while visiting her father on set). A big highlight are the commercials for the product, featuring the likes of Tammy Grimes, Brooke Adams, Abe Vigoda and, best of all, Clara Peller, demanding “Where’s the Stuff?”

[harbingrs]

Just get me off of this ocean I want to move on the true sea Where there's no above or no below, just you Just you beside me Just take me over that last horizon Where this light's never been Into a roaring black silence no ship Would even attempt to repeat My starry-eyed compass keeps a secret No starry-eyed theory could contain And a promise she'll keep until the true sea gathers us up In a tidal wave I'll follow you overboard In the collapsing waves I'll find you in the dark Like a stowaway Just leave ourselves unfinished Just leave an empty page And let those sweeping arms just carry us away Carry us away It makes the ocean seem like a drop in the ocean It makes the ocean seem like a drop in the ocean She makes the ocean seem like a drop in the ocean She makes the ocean seem like a drop in the ocean

[schlock-luster-video]

On December 9, 1989, Lust in the Dust and Meatballs III were screened as a double-feature on USA Up All Night.

[creativedifferencespodcast]

Congratulations to SAG-AFTRA for staying strong and getting their deal! And we look forward to returning to our regularly scheduled reviews and news updates! In the meantime, though, we’re casting actors we love for something that Demi loves: The Chronicles of Prydain! For those who don’t know (probably most of us), that’s the book series that gave us The Black Cauldron. Did we add melanin to this like we do all of our fancasts? What are Welsh people trying to prove with those names? And will we ever record our episode about our favorite books? Find out in our last episode recorded during the strike! You can also find us on Spotify and Apple Podcasts!

[haveyouseenthisromcom]

[mouthoftheocean]

Idiot Oracle, Paul Dempsey