#Patty Villiers | Explore Tumblr Posts and Blogs

elcinelateleymickyandonie · 4 years

Text

Jean-Pierre Aumont.

Filmografía

Cine

1931 : Jean de la Lune, de Jean Choux, con Michel Simon y Madeleine Renaud

1931 : Échec et mat, de Roger Goupillières

1932 : Faut-il les marier ?, de Pierre Billon y Karel Lamač

1933 : Dans les rues, de Victor Trivas

1933 : Un jour viendra, de Gerhard Lamprecht y Serge Véber

1933 : La Merveilleuse Tragédie de Lourdes, de Henri Fabert

1933 : Ève cherche un père, de Mario Bonnard

1934 : Lac aux dames, de Marc Allégret, con Simone Simon y Michel Simon

1934 : Le Voleur, de Maurice Tourneur, con Victor Francen

1934 : Maria Chapdelaine, de Julien Duvivier, con Madeleine Renaud y Jean Gabin

1935 : Les Yeux noirs, de Victor Tourjansky, con Harry Baur, Viviane Romance y Simone Simon

1935 : L'Équipage, de Anatole Litvak, con Annabella y Charles Vanel

1935 : Les Beaux Jours, de Marc Allégret, con Simone Simon y Raymond Rouleau

1936 : Tarass Boulba, de Alexis Granowsky, con Harry Baur y Danielle Darrieux

1936 : La Porte du large, de Marcel L'Herbier, con Victor Francen

1937 : Le Chemin de Rio, de Robert Siodmak, con Jules Berry y Suzy Prim

1937 : Drôle de drame ou L'étrange aventure de Docteur Molyneux, de Marcel Carné, con Louis Jouvet y Michel Simon

1937 : Le Messager, de Raymond Rouleau, con Jean Gabin y Gaby Morlay

1937 : Maman Colibri, de Jean Dréville

1937 : La Femme du bout du monde, de Jean Epstein, con Charles Vanel

1938 : Chéri-Bibi, de Léon Mathot, con Pierre Fresnay

1938 : Hôtel du Nord, de Marcel Carné, con Annabella, Louis Jouvet y Arletty

1938 : Le Paradis de Satan, de Félix Gandéra, con Pierre Renoir

1938 : Belle Étoile, de Jacques de Baroncelli, con Michel Simon

1939 : Le Déserteur, de Léonide Moguy

1939 : S.O.S. Sahara, de Jacques de Baroncelli, con Charles Vanel

1943 : Assignment in Brittany, de Jack Conway

1943 : The Cross of Lorraine, de Tay Garnett, con Gene Kelly

1944 : Croix de Lorraine en Italie, corto de François Villiers

1946 : Heartbeat, de Sam Wood, con Ginger Rogers

1947 : Song of Scheherazade, de Walter Reisch

1948 : The first gentleman, de Alberto Cavalcanti

1948 : Siren of Atlantis, de Arthur Ripley y Gregg G. Tallas, con Maria Montez

1949 : Hans le marin, de François Villiers, con Maria Montez y Lilli Palmer.

1949 : Golden Arrow, de Gordon Parry

1950 : La vie commence demain, documental de Nicole Vedrès

1950 : L'Homme de joie, de Gilles Grangier

1951 : L'Amant de paille, de Gilles Grangier

1951 : La vendetta del corsaro, de Primo Zeglio, con Maria Montez

1951 : Ultimo incontro, de Gianni Franciolini, con Alida Valli y Amedeo Nazzari

1951 : Hollywood sur Seine, corto de François Villiers

1952 : Les loups chassent la nuit, de Bernard Borderie

1953 : Moineaux de Paris, de Maurice Cloche

1953 : Lili, de Charles Walters, con Leslie Caron y Mel Ferrer

1953 : Kœnigsmark, de Solange Térac

1953 : Vedettes en pantoufles, corto de Jacques Guillon

1954 : Charge of the lancers, de William Castle, con Paulette Goddard

1954 : Si Versailles m'était conté..., de Sacha Guitry

1955 : Dix-huit heures d'escale, de René Jolivet, con Maria Mauban y Georges Marchal

1955 : Napoléon, de Sacha Guitry

1955 : Mademoiselle de Paris, de Walter Kapps

1956 : Hilda Crane, de Philip Dunne, con Jean Simmons

1957 : The seventh sin, de Ronald Neame

1959 : La Verte Moisson, de François Villiers

1959 : John Paul Jones, de John Farrow, con Robert Stack y Bette Davis

1960 : The Enemy general, de George Sherman, con Van Johnson yt Dany Carrel

1961 : Una americana en Buenos Aires, de George Cahan

1961 : El diablo a las cuatro, de Mervyn LeRoy, con Spencer Tracy y Frank Sinatra

1961 : Le Puits aux trois vérités, de François Villiers

1961 : L'Art de vivre, corto de Edouard Berne

1962 : Les Sept Péchés capitaux, episodio "L'Orgueil", con Marina Vlady y Samy Frey

1962 : Five miles to midnight, de Anatole Litvak, con Sophia Loren y Anthony Perkins

1962 : Una domenica d'estate, de Giulio Petroni

1962 : The horse without a head, de Don Chaffey

1962 : Socia de alcoba, de George Cahan

1963 : Vacances portugaises, de Pierre Kast

1965 : Il était une fois un tracteur, de Leopoldo Torre Nilsson

1967 : Blind man's bluff, de Edward Mann, con Boris Karloff

1969 : Castle keep, de Sydney Pollack, con Burt Lancaster

1970 : El coleccionista de cadáveres, de Santos Alcocer

1971 : L'Homme au cerveau greffé, de Jacques Doniol-Valcroze

1971 : Biribi, de Daniel Moosmann

1973 : La noche americana de Franço.

Televisión

1951 : Robert Montgomery Presents, episodio A christmas gift

1951 : Celanese Theatre, episodio No Time for Comedy

1952 : Goodyear Television Playhouse, episodio A Softness in the Wind

1952 : Studio One, episodio Letter from an Unknown Woman

1953 : The Philco Television Playhouse, episodio The Way of the Eagle

1953 : Lux Video Theatre

1954 : Lady Warner a disparu, de François Chatel

1954 : Studio 57, de Paul Landres

1955 : The Martha Raye Show

1956 : Climax!

1957 : Errol Flynn Theater, de Lawrence Huntington

1957 : Kraft Television Theatre

1958 : Playhouse 90

1960 : Letter to Loretta

1960 : So Help Me, Aphrodite

1960 : The United States Steel Hour

1963 : The Patty Duke Show

1963 : L'Affaire du cheval sans tête

1965 : The Nurses

1967 : Le comte Yoster a bien l'honneur, episodio "La troisième prophétie de l'ange de la mort"

1968 : Les Chevaliers du ciel, de François Villiers

1968 : The Name of the Game, episodio "The White Birch"

1969 : Au théâtre ce soir: Carlos et Marguerite de Jean Bernard-Luc, escenografía de Christian-Gérard, dirección de Pierre Sabbagh, Teatro Marigny

1970 : La Pomme de son œil, de François Villers

1972 : Comme il vous plaira, de Agnès Delarive

1972 : Joyeux Chagrins, de François Gir

1975 : Au théâtre ce soir: On croit rêver, de Jacques François, escenografía del auteur, dirección de Pierre Sabbagh, Teatro Edouard VII

1975 : N'oubliez pas que nous nous aimons, de Luc Godevais

1976 : Starsky y Hutch, de William Blinn, episodio "Murder at Sea"

1977 : Rendez-vous en noir, de Claude Grinberg

1978 : La Corde au cou, de Marcel Moussy

1979 : Paris-Vichy, de Anne Revel

1979 : Le Petit Théâtre d'Antenne 2: "La Belette", de Charles Vildrac

1979 : The Love Boat", 1 episodio

1979 : The French Atlantic Affair, de Douglas Heyes

1979 : Beggarman, voleur, de Lawrence Doheny

1980 : La Mémoire d'Eva Ryker, de Walter Grauman

1980 : Un temps pour les miracles, de Michael O'Herlihy

1981 : Carte Vermeil, de Alain Levent

1981 : Arcole ou la terre promise, de Marcel Moussy

1981 : Emmenez-moi au théâtre, "Le fleuve étincellant", de Charles Morgan

1982 : Hart to Hart, de Earl Bellamy

1983 : Quelques hommes de bonne volonté.

Teatro

Adaptación

1958 : Lucy Crown, de Irwin Shaw, escenografía de Pierre Dux, Théâtre de Paris

Autor

1959 : Ange le Bienheureux, escenografía de Jacques Charon, Théâtre des Célestins

Actor

1926 : Au grand large, de Sutton Vane, escenografía de Louis Jouvet, Théâtre des Champs-Élysées

1926 : Le Carrosse du Saint Sacrement, de Prosper Mérimée, escenografía de Louis Jouvet, Théâtre des Champs-Élysées

1930 : Le Prof d'anglais ou le système Puck, de Régis Gignoux, escenografía de Louis Jouvet, Théâtre des Champs-Élysées

1932 : La Pâtissière du village ou Madeleine, de Alfred Savoir, escenografía de Louis Jouvet, Théâtre Pigalle

1934 : Au grand large, de Sutton Vane, escenografía de Louis Jouvet, Théâtre des Champs-Élysées

1934 : La Machine infernale, de Jean Cocteau, escenografía de Louis Jouvet, Théâtre des Champs-Élysées

1936 : Le Cœur, de Henry Bernstein, Théâtre du Gymnase Marie-Bell

1937 : Famille, de Denys Amiel y Monique Amiel-Pétry, escenografía de Marcel André, Théâtre Saint-Georges

1939 : L'Amant de paille, de Marc-Gilbert Sauvajon y André Bost, escenografía de Jean Wall, Théâtre Michel

1944 : Une grande fille toute simple, de André Roussin, escenografía de Louis Ducreux, Théâtre des Ambassadeurs

1947 : L'Empereur de Chine, de Jean-Pierre Aumont, escenografía de Marcel Herrand, Théâtre des Mathurins

1949 : My Name Is Aquilon, a partir de L'Empereur de Chine, de Jean-Pierre Aumont, adaptación de Philip Barry, escenografía de Robert B. Sinclair, Lyceum Theatre (Nueva York)

1950 : Le Voyage, de Henry Bataille, escenografía de Henri Bernstein, Théâtre des Ambassadeurs

1953 : Les Pavés du ciel, de Albert Husson, escenografía de Christian-Gérard, Théâtre des Célestins

1954 : Carlos et Marguerite, de Jean Bernard-Luc, escenografía de Christian-Gérard, Théâtre de la Madeleine

1954 : Les Pavés du ciel, de Albert Husson, escenografía de Christian-Gérard, Comédie Caumartin

1955 : Il y a longtemps que je t'aime, de Jacques Deval, escenografía de Jean Le Poulain, Teatro Edouard VII

1955 : The Heavenly Twins, a partir de Les Pavés du ciel, de Albert Husson, escenografía de Cyril Ritchard, Booth Theatre

1956 : Amphitryon 38, de Jean.

1958 : L'Impromptu de Barentin, de André Maurois, Festival de Barentin

1959 : Ange le Bienheureux, de Jean-Pierre Aumont, escenografía de Jacques Charon, Théâtre des Célestins

1959 : Mon père avait raison, de Sacha Guitry, escenografía de André Roussin, Théâtre de la Madeleine

1960 : A Second Sting, de Lucienne Hill a partir de Colette, escenografía de Raymond Gérôme, Eugene O'Neill Theatre (Nueva York)

1962 : Flora, de Fabio Mauri y Franco Brusati, escenografía de Jules Dassin, Théâtre des Variétés

1963 : Tovarich, de Anne Croswell y Lee Pockriss, escenografía de Peter Glenville, Broadway Theatre, Winter Garden Theatre

1970 : Camino Real, de Tennessee Williams, escenografía de Milton Katselas, Vivian Beaumont Theatre (Nueva York)

1971 : Les Anges meurtriers, de Conor Cruise O'Brien, escenografía de Joan Littlewood, Théâtre de Chaillot

1971 : Murderous Angels, de Conor Cruise O'Brien, escenografía de Gordon Davidson, Playhouse Theatre (Nueva York)

1972 : Nous irons à Valparaiso, de Marcel Achard, escenografía de Jacques-Henri Duval, Théâtre des Célestins, Giras Herbert-Karsenty

1975 : Des journées entières dans les arbres, de Marguerite Duras, escenografía de Jean-Louis Barrault, Théâtre d'Orsay

1976 : Des journées entières dans les arbres, de Marguerite Duras, escenografía de Jean-Louis Barrault, Ambassadors Theatre (Nueva York)

1981 : A Talent for Murder, de Jerome Chodorov y Norman Panama, escenografía de Paul Aaron, Teatro Biltmore (Nueva York)

1982 : Coup de soleil, de Marcel Mithois, escenografía de Jacques Rosny, Théâtre Antoine

1984 : Pense à l’Afrique, a partir de Think of Africa, de Gordon Dryland, escenografía de Jean-Pierre Granval, Théâtre Renaud-Barrault.

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Jean-Pierre_Aumont

#HONDURASQUEDATEENCASA

#ELCINELATELEYMICKYANDONIE

5 notes · View notes

earldevon · 4 years

Text

◤ ––––– ( fawad khan, cismale, he/him ) — a member of the [ VILLIERS ] family seeks entry to the society ! [ SARMAD ] is a [ 37 ] year old [ NEWSPAPER EDITOR &&. MEMBER OF THE HOUSE OF LORDS ] who hails from [ LONDON ] , who call them [ THE DILIGENT ] . although their peers know them for being [ CHARMING ] and [ AMBITIOUS ] , their reputation for being [ IMPATIENT ] and [ SARCASTIC ] might hinder their relations with current society members. while the [ VILLIERS ] family is known for [ BEING BRITISH NOBILITY ] , the society’s hopeful [ MARCUS AURELIUS ] is better remembered by [ EYE CONTACT AND A LIP BITE ; BLOOD TYPE: GOLD ; A SIGNET RING GLINTING IN THE EARLY MORNING LIGHT ; SNOWFLAKES DISSOLVING INTO DARK HAIR ] . initial reports say their goal of [ EXPANDING THEIR SOCIAL NETWORK ] would be their first priority after being inducted, although who’s to say that won’t change ? ◢

––– RECAP.

tldr earl of devon is also a newspaper editor, enjoys sitting on balconies and reading his own newspaper, isn’t the best but also he is definitely not trying at all. goes out a lot. has many dogs. has many opinions. thinks hes hot shit. once got lost in his own house. 10000% uses his looks to get what he wants. basically a femme fatale i guess idk

tw sex mention ; tw partying mention ; tw language

the eldest of four, sarmad was always a little shit. it’s okay, because he wasn’t born with a silver spoon in his mouth –– he was born with several gold plated cutlery sets. literally grew up in a castle. still stays there most nights. but as the heir to the earldom of devon, he grew up with tourists walking around his house and lavish dinners every other night, and he grew up absolutely, completely spoiled. did their mother abandon them when sarmad’s youngest sister was only a year old? yes. does he have mummy issues? yes. did they manifest in bad choices and severe commitment issues? you bet. ( but he also had a great step-mother. 10/10 love her. )

so after all the things he was supposed to do –– attend harrow ( yawn ), attend oxford ( double yawn ), make all the social connections he could ( not that bad, actually ) –– he finally graduated and did what he wasn’t supposed to do. sarmad became a journalist, much to his father’s great annoyance. he started off at the bbc, before becoming a full time contributor at the telegraph. he also wrote for vanity fair, the independent on sunday, and the guardian. then he became the full time editor of the telegraph and gave it the modern revamp it so desperately needed. he also has an assistant he would legitimately be dead without.

now, sarmad is an arsehole. he never pretended otherwise. he goes out, he parties a lot, he’s been a staple in the daily mail since he was all of about nineteen. he doesn’t date, he doesn’t call people back, he doesn’t lead anyone on. he likes a good time. and maybe, maybe he’s completely unapologetic. is he sleeping with a rival newspaper boss? yes. is it hate sex? yes. is he sleeping with one of the other members of the house of lords? yes. he’s not a saint. but then again, anyone getting involved with him knows exactly what they’re in for. so, really? what’s the harm?

he followed his dad and eventually joined the house of lords after he passed away. and he takes that pretty damn easy. sure, he still has his day job as editor, but he also enjoys using his charm in parliament, and he likes seeing how far he can get his way. tbh he’s doing mostly for the influence and the clout.

joining the society had never interested him. he’d known about it, obviously ; his family were legacy members and there had been enough dinners at their estate for him to be fully aware of its existence, but. sarmad had just never cared. it was a little too much cloak and dagger, skull and bones nonsense for him.

however, since joining the house of lords –– since entering politics at all –– he’s realised he needs to branch out more and more. he can’t just rely on his own media connections or the elite he brushes shoulders with just because of his name and title. sarmad needs more to survive politics, and for that? the society’s good for something after all. it’s why he’s an initiate at his age ( his dad would yell )

MOST IMPORTANTLY : he has eight dogs –– three corgis named cider, peppermint, and cardamom ; two cocker-spaniels named spencer and emmanuel ; two foxhounds named winston and manto ; one labrador named simla. also owns horses and birds.

he also has a younger brother and two younger sisters. they’re annoying but he loves them, and he can also now joke about how they’re under his roof when they stay at the estate. ( hes not joking ) sarmad is also a mouthy lil shit

also if you are not making your tea on the stove by boiling tea leaves in milk and water, and then serving it piping hot, you can get tf out of his house !!! dont ask him about his chai discourse bec he only stans doodh patti

#gilded:intro #( * ! blood type : gold | about sarmad )

3 notes · View notes

cepingcipse1988-blog · 6 years

Text

The same day on which Robert d'Estouteville took the place of Jacques de Villiers in the provostship of Paris, Master Jehan Dauvet replaced Messire Helye de Thorrettes in the first presidency of the Court of Parliament, Jehan Jouvenel des Ursins supplanted Pierre de Morvilliers in the office of chancellor of France, Regnault des Dormans ousted Pierre Puy from the charge of master of requests in ordinary of the king's household. Now, upon how many heads had the presidency, the chancellorship, the mastership passed since Robert d'Estouteville had held the provostship of Paris. It had been "granted to him for safekeeping," as the letters patent said; and certainly he kept it well. Another nice thing that I seen done in my area is people post laminated cards unobtrusively at gym locations. It has the name of the discord, a link to the shortcode invite, and invites you to join. They look nice (lamination helps with the weather), are easily noticed if you at the gym, but they small enough that if you didn play pokemon go you not give it a second thought.. In my experience, guys that say this will almost always just keep you limbo then eventually drop you for someone they can see themselves with in a relationship. Don settle. If you want a commitment, go after a guy that will give you one.. Mai este si chestia ca geografic multe din tarile vestice nu prea au avut cotropitori. Noi am fost la intersectia a 3 imperii cam in timpul intregii noastre existenta. De fiecare data cand tara progresa si cultura evolua, parte din progres era distrus de catre ultima cucerire si asta a dat nastere unei culturi si societati destul de tinere in care supravietuirea individului este pe primul loc din cauza neajunsurilor aduse de fiecare pas in spate. But I convinced he wasn doing it for some cause, which I sure he claim was his goal. He was doing it for attention, a book deal, a movie, whatever. He a narcissistic ass.. Ugh yes. And she likes to act like she is being held to a different standard on YouTube. Always referring to herself in third person (come on Jessica), trying to give thorough reviews that add nothing new. Tom watched the little lady a great deal, before he ventured on any overtures towards acquaintanceship. He knew an abundance of simple acts to propitiate and invite the approaches of the little people, 강진출장마사지 and he resolved to play his part right skilfully. He could cut cunning little baskets out of cherry stones, could make grotesque faces on hickory nuts, or odd jumping figures out of elder pith, and he was a very Pan in the manufacture of whistles of all sizes and sorts. Red Bull example is invalid because the Red Bull closes its DRS, which increases rear downforce and decreases the effect of weight transfer under braking. Even if this only happened in Ferrari, it is dependent on many factors including suspension and weight of the car. Also, there are people at Mercedes and Red Bull who specifically work to find these little things and report to FIA, so we, as armchair experts, can just speculate.. In June 2008, Patti Labelle, Nona Hendryx, and Sarah Dash, otherwise known as Labelle, reunited for an album of all new songs. It was produced by Lenny Kravitz and Gamble Huff. What fashion, shoe, and hair styles will they be wearing on tour in the 2000s as we approach the Space Tourist Age?. The end of Wanna One's group contract is nearing, which means members Park Woo Jin and Lee Dae Hwi may soon join the MXM duo to complete "Brand New Boys." Lim Young Min commented, "That's something we're looking forward to a lot as well. Since we were trainees who practiced together at first, I imagined a 강진출장마사지 lot what it would be like to work together. Although we're apart now, I think fans are already anticipating our activities together.".

1 note · View note

ischia999-blog · 4 years

Video

youtube

Clip "Misery VI" Bis - Cifacom 2016

Auteur, Réalisatrice, Journaliste, Conceptrice de Projets Documentaires de Création avec séquences fictionnées, Télé-films, Programmes Courts, Multimédia & International,,, En cours de Ré-écriture de mon 1er Long Métrage de Cinéma "DERRIÈRE LA PORTE" ou "BEHIND THE DOOR..." Fantastico-Real Tragi-Comedy-Music & Dance d'Anticipation" Tous Arts Mêlés!!! Effets spéciaux & Motion Capture - Internationale Coproduction.... Tout d'abord, BRAVO pour ce Court-métrage, très bien réalisé (cadres, Lumière Clair-Obscur bien rendue, Trucages fins...), Scénario Intéressant, fondé sur les séances "déjà extrêmement visualisées et réalisées par KUBRICK dans "EYES WIDE SHUT"!!!"... Un Maître comme l'a été Orson WELLES, FELLINI, Tim BURTON - dans un autre genre - ... Seul "regret": "il aurait été intéressant que les YEUX de l’héroïne soient "TRUQUÉES de telle façon qu'ils soient BLANCS, JAUNES ou plutôt ROUGES;... LUMINEUX !!! ....

Je cherche UN MONTEUR TRUQUISTE capable d'utiliser * SMOKE SD/HD : Ce logiciel multi fonctions permet à la fois le Compositing, le Trucage et l’étalonnage des Images. Je suis en LIEN + qu’Amical & Professionnel avec PLANI-MONTEURS (8 Bvd Exelmans 75016 PARIS;

SI VOUS êtes CAPABLE d’utiliser CE LOGICIEL, Pour les Finitions du FILM EXODIUM (de Frédéric LHOMOND Auteur, Compositeur & créateur du COLLECTIF DES ÂMES, avec ABAD le Prince des Poètes , entre autres par exemple, grâce à mes contacts et amis du STUDIO O'BAHAMAS qui, vu l'ampleur et le Message du FILM (22', a OFFERT le MIXAGE PROFESSIONNEL!!! :-***

Contactez-moi au 09.80.91.57.53 (Home & Work) ou/et au 06.80.98.45.42 (Texto ou Message Audio) & Mail: [email protected] MERCI!!!! C URGENT & le FILM, en tant qu'ex-productrice de TOUCHWOOD.Prod (2000-2009), je me charge de par mes contacts dans les Chaînes Nationales & Internationales (Belgique, Suisse, Canada) voir + si sous-titrées DE LE FAIRE ACHETER & DIFFUSER!!!!

"Ma phrase fétiche: Quand La Porte est Fermée, je rentre par la Fenêtre avec un Grand Sourire!!! Croyez-moi, en général ça MARCHE!!!! ;) Patty VILLIERS (pour celles & ceux qui "doutent" taper mon nom sur GOOGLE et vous me trouverez!!! :-***

0 notes

thatsnotcanonpodcasts · 5 years

Text

Season 3 Episode 1 - A Rude Awakening

We are back with our third and FINAL Season!

Our Heroes have fled their home city and, in fact, their whole planet! They are on their way to the moon in a hijacked machine of mass destruction. James is comatose after Pan ripped itself from his brain, Gwen has been making the most of this relatively peaceful time with her children, Dashbold has been reconnecting with Gretta, Melina with Cornell Oathusk and Black patty has been catching up on his drinking.

But now the moon approaches and their rag-tag team must reconcile with what awaits them there.

Please consider supporting us on Patreon, Like us on Facebook, Follow us on Twitter

Or visit our Website: www.thatsnotcanonproductions.com

Players: Isaac Joekong, Jack Cliff, Miranda Selwood, Nick De Villiers, Sebastian Briguglio

Dungeon Master: Zane C Weber

Recorded and Produced by Zane C Weber

#actual play #game #law&disorder #fantasy #podcast #5e #Comedy

0 notes

zeroviraluniverse-blog · 7 years

Text

'Patchy' Josh Hazlewood seeks new-ball strikes

Visit Now - https://zeroviral.com/patchy-josh-hazlewood-seeks-new-ball-strikes/

'Patchy' Josh Hazlewood seeks new-ball strikes

A “patchy” Josh Hazlewood has admitted he needs to improve with the new ball against South Africa, ahead of Test matches in Cape Town and Johannesburg likely to offer more conventional assistance for fast bowlers after the reverse-swing-oriented conditions of Durban and Port Elizabeth.

The Australians reconvene on Monday to train at Newlands after four days off, knowing they need to produce more runs from the top order while also finding a way past the irrepressible AB de Villiers. By Hazlewood’s estimate, Steven Smith’s team had played at “less than 50%” of its capacity in the second Test, meaning there is plenty of room for the necessary upside in the third.

Hazlewood identified new-ball spells as an area in which the tourists must lift. His best display early in an innings was arguably on day four at St George’s Park, where the Australians had only 100 runs to defend but Hazlewood homed in on Aiden Markram, having him dropped by Mitchell Marsh at first slip then held by Smith at second either side of lunch.

“With the new ball [I have been] a little bit patchy I think,” Hazlewood said. “Durban probably wasn’t a great new-ball wicket. Obviously a lot of wickets were taken once it started reversing and the ball was a bit older and probably [Port Elizabeth] as well to a degree. It’s definitely something we can work on, we haven’t seen a heap of conventional swing. Might have been different if we’d bowled first in the Test just gone. But there might be a little bit more in Cape Town or Jo’burg, so working on that.

“The Ashes I felt like I bowled really well the whole way through and sometimes you’re just lucky if you get the nicks or you don’t. I think we had a lot of plays and misses in the first innings and on any other day they might have nicked them and it’s a different story. You’ve got to take the results out of it sometimes and focus on what you’re doing.”

The suspension of Kagiso Rabada for two Tests – with an appeal pending – robs South Africa of their best reverse-swing exponent, opening the possibility of a Newlands surface similar to that prepared for January’s Test match against India, where Vernon Philander’s medium-paced seamers proved exceptionally challenging. On that sort of pitch, Hazlewood’s accuracy and bounce will come further into play, with the new ball in particular.

“I haven’t played a Test match in Cape Town so I’m a bit unsure. It’s been different I think for a few different games,” he said. “They might leave some grass on it for Vernon who is pretty good down there most of the time. Depends on what we find. Anything with a bit of grass is always good. You don’t come across it very often in Test cricket so would be good.

“We’re pretty used to it [flat pitches] being from Australia. All summer was pretty tough work. I think we do it pretty well and we work as a group on those sort of wickets. Big Mitch [Mitchell Starc] is actually a very good flat-wicket bowler. He seems to take big wickets on those sort of tracks and Patty [Pat Cummins] has got a great bouncer and then good pace so I think we’re a pretty well-rounded group so we can tailor our skillsets to different wickets.

“I pretty much try and build pressure from my end and dot it up and force the mistake that way. I think Gaz [Nathan Lyon] is probably a bit the same. If it’s not spinning a great deal, he did a great job at the WACA I remember during the summer, and just built that pressure and create the wickets that way.”

Against de Villiers, Hazlewood reasoned that the touring bowlers had offered too much latitude early in his innings, allowing for a fast start, and once the former Proteas captain became set he was exceedingly difficult to pin down. “We’ll have another meeting on their whole team, but yeah, him in particular,” Hazlewood said. “We’ve obviously struggled a bit so far.

“He’s just gotten off the mark and got to that 20 or 30 runs quite easily and we’ve probably gifted that to him a little bit. Probably just starting better against him and treating him like any other player really and bowl good balls more often than not. We’ve come up against good players in other series and guys who have got mountains of runs. Virat [Kohli] in Australia was one early on in my career and they’re only human so hopefully he’s scored all of his runs so far.

“I guess you’ve got to put his shot selection out of your head and just concentrate on what you’re doing and where you’re bowling. If he plays a good shot off a good ball then fair enough, but you don’t want him hitting your bad balls. You want to be putting it in the right areas, more often than not. You try and get it out of your head as quickly as you can and you realise where he actually played the shot from and it’s not a terrible ball. So just keep putting it there and hopefully something is going to happen.”

One area in which Hazlewood is now better placed to make something happen is in terms of his pace, which rose appreciably during the Ashes summer, off the back of some extra gym work, which was made possible by a side strain suffered in Bangladesh. Duly prevented from bowling, Hazlewood instead added strength, and has at times been able to push up to as fast as 148kph.

“I think through this winter just gone I didn’t play a lot of cricket. It was probably a blessing in disguise,” he said. “I did my side in Bangladesh and got that extra 8-10 weeks of time in the gym in conditioning and strength and a bit more power. And I think that’s just translated onto the field through the summer first of all and hopefully continue it here which I think I have.

“I think the winters before I played a lot of cricket and we’d had some big Test tours in winter and some one-day tours and I hadn’t had that period of time where you could get in the gym and get that weight back on and get stronger and fitter. There’s pros and cons for both I think.”

As for Smith’s mediocre batting run so far in the series, Hazlewood said bowling in the nets to the captain had not become any less testing for the Australian bowlers. “He’s hard to get out as usual, so I think it’s only around the corner. When you average 63 it’s a matter of time until the runs start to come,” Hazlewood said. “He probably just needs to relax and go back to what works for him and I’m sure he’ll be fine.

“He knows it’s early on in the series, it’s 1-1 and we got close to them we thought in the last Test and played below 50% of what we can play. He knows there’s room for improvement if we play at our best then hopefully we come away with the wins.”

#Cricket

0 notes

tina-aumont · 4 months

Text

Santa Barbara, March 27th 1956. Marisa Pavan and Jean-Pierre Aumont’s wedding.

Screencaps from French documentary “Jean Pierre Aumont, charme et fou-rires” (Patty Villiers, 1999).

#Tina Aumont #Jean Pierre Aumont #Marisa Pavan #Anna Maria Pierangeli #Patrizia Pierangeli #Enrica Pierangeli #Annie Salomons #Alexandre Salomons #1956 #1956 Tina #Aumont Family #Pierangeli Family #Patty Villiers #Villiers Family #Jean Pierre Aumont Charme et Fou Rires #1999 Jean Pierre Aumont Charme et Fou Rires #documentary

6 notes · View notes

tina-aumont · 7 months

Note

Hola, me encantó tu blog. Me gustaría saber qué hermanas vivieron con María, Jean-Pierre y Tina en el momento que María falleció. ¿Fueron siempre las mismas hermanas las que vivieron juntas en Francia? ¿Qué pasó después de morir María, dónde vivieron? ¿Y cuándo Jean-Pierre se casó, dónde vivieron? ¿Qué pasó? Muchas gracias por este excelente blog, espero que la família lo descubra un día y la felicite. Gracias.

Hola Anon!!

Muchas gracias por tu interesante pregunta!!

Adita y Teresita fueron las hermanas que vivían con María en el momento en que ella falleció. La primera porque no estaba casada ni tenía pareja, la segunda porque era muy joven todavía. Fueron ellas dos las que encontraron a María en su baño ya sin vida y llamaron a los bomberos, quienes trataron de reanimarla por más de una hora pero no pudieron...

[María - sentada- con sus hermanas Adita, Teresita y Lucita - de izquierda a derecha - celebrando la estrena teatral de "L'Île Heureuse" donde María hacía un papel principal, 24 de enero de 1951 - María falleció en septiembre de ese mismo año-]

Al fallecer María, Jean-Pierre Aumont con su hija Tina se fueron a vivir a una casa llamada Rueil Mailmaison, y con ellos vivieron Lucita, con su esposo, el fotoperiodista Jean Roy y sus tres hijos, y también vivieron allí François Villiers (hermano de Jean-Pierre), su mujer Jeannine Rikh y sus hijas Mara, Aruna y Patty Villers. De todos estos primitos, Tina Aumont era la mayor, y aunque echaba de menos a su madre, ella recordaba con felicidad esos años.

[Tina Aumont con su padre, fotografiados en 1953 en Rueil Mailmaison, en el fondo se pueden ver a Lucita y a Jeannine]

[Tina Aumont - en el primer plano - jugando con sus primos y primas en los años 50]

En el año 1956, cuando Jean-Pierre Aumont se casó con Marisa Pavan, esta decidió que la casa era para su nueva família, así que Lucita (enviudó poco después), con sus niños se fueron a vivir a otra casa, y François Villiers, con su mujer y tres hijas también. Desconozco si se fueron a vivir juntas las dos famílias, pero Lucita, al perder el marido en Noviembre de 1956 hizo que la família se uniera más para poderla arropar y ayudarla con los niños. Y Tina fue enviada a diferentes internados de Francia y Suiza, volvía a ver a su padre y a la família cuando tenía vacaciones.

[27 de marzo de 1956 - Boda de Jean-Pierre Aumont con Marisa Pavan]

Marisa Pavan era una mujer celosa de María Montez, prohibió que se hablara de ella en casa y sus hermanas se fueron a vivir a otros lugares, Consuelo vivía con su hermana Adita en Estados Unidos, Teresita vivió en Francia, igual que Lucita, aunque años más tarde vivieron juntas en Mexico. Todas las hermanas mantuvieron el contacto, al igual que los hijos, y los hijos de Jean-Pierre y Marisa, siempre han sido queridos y bienvenidos por los Aumont, los Villiers, los Gracia, los Leleu y toda la família. Ahora mismo viven entre Francia, Estados Unidos y Latinoamérica, y estan muy unidos, el legado de María perdura...

Muchas gracias por tu pregunta, espero haber resuelto tus dudas, aunque no te lo haya podido responder todo, quien sabe si algún día encontraremos más respuestas!!!

Y ojalá tus palabras sean escuchadas y alguien de la família Gracia sepa de mi blog, me haría mucha ilusión!!

Gracias!!

Eleni xoxoxo