#Patty Villiers
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tina-aumont · 2 years ago
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Tina Aumont's Family Tree
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Sources:
Jean-Pierre Aumont family tree (you can go up to 1787)
Árbol Genealógico de Isidoro Gracia García (you can go up to 1465!)
Regla María Teresa Vidal at Geni, at Familysearch and at Ancestry.
Dos Actrices Internacionales descendientes de un Luño (Plenas Zaragoza 14.12.2016)
"De María África a María Montez, un mito en Technicolor" documentary directed by Jesús Reyes Mota, 2014.
La Exposición de María Montez viaja a Gran Canaria (El Apurón, 21.11.2013)
Personalidades Garafianas (12.2012)
Los orígenes turolenses y canarios de la actriz de Hollywood María Montez by María Victoria Hernández Pérez. Cabildo de la Palma, 2012.
"María: Montez Su Vida", edición especial del Centenario, book written by Margarita Vicens de Morales, Dirección General de Cine de la República Dominicana, 2012.
"Enrique Meneses, un flash" article in Spanish from Orsay magazine wriiten by José Luís Perdomo, 2011.
Los Orígenes palmeros de la actriz María Montez (October/November 2009)
Las raíces Turolenses de una diva (Heraldo, 26.10.2008)
"María Montez La Reina del Tecnicolor", book written by António Pérez Arnay and Terenci Moix, Filmoteca Canaria 1995.
*Very special thanks to Dominic Fuentes, @74paris and @shannendoherty-fans for their help.
Any contribution is welcomed and credited, this family tree is growing as more info comes to light.
Thank you very much!
Eleni xxx
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stoookes · 6 months ago
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Okay but that Starc Pollard fight video is so unhinged lmao 🤣
1) first of all, the fact that Starc was at RCB when this happened hahahaha I don't ever remember him doing anything of the sort while playing for Australia or any other IPL team, these are very clearly the effects of VK's company 🤣
2) Pollard almost throwing the bat at Starcy 😆😆😆😆that was so dramatic and unnecessary. And then obviously following it up with shit talk, because it's not like either of them are adults 🙄
3) The between overs drama!!! The way VK immediately rushed to Starcy's defence and confronted Pollard! Feisty little kitten, it's so in-character of him to square up with an alpha twice his size 😜
4) Pollard's hand curling around VK's neck like that unf 🥵🥵🥵 and VK throwing it off. Feisty omega ftw!!! Also, Yuvraj glaring at Pollard when he touches VK... looks like someone is possessive 😏
5) It's eternally funny to me that Rohit was the non-striker for this whole episode 😆😆
6) This was 2014... which means Yuvraj Singh, Chris Gayle, and AB de Villiers were all at RCB too. Add those three to Rohit, and that means that's four boyfriends of VK on the same pitch!
7) VK beefing with the umpires as usual 😂
8) The on-field DJ playing Deva Shree Ganesha, which is a devotional song, throughout the fight ahahahahah🤣🤣🤣🤣
It’s a bloody whirlwind! 😂
Also, you think Yuvraj is mad about that grab you wait until Patty sees another alpha trying to manhandle his omega 😡
Love Rohit just staying WAAAAY out of it 😂
But it’s definetly the match that bonds Starcy and VK 🥰🫶 We Stan omegas defending omegas
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stokesy55 · 2 months ago
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OMG did you see AB de Villiers' birthday story for Virat? He called him, "my biscuit" 🥹🥹🥹🥹🥹 They're so cute 🥰🥺
Although I can totally see Patty getting annoyed like, "Why are you "his" biscuit?" What right does he have to call you his?" 😤
VK smirking because Patty deserves to be jealous after getting touchy with Rizwan yesterday 🤣
Ahahahaha
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imagineforyourminds · 5 years ago
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Masterlist
The Riot Club
What your Riot Club house looks like
How you and your Riot Club Boyfriend Hug
All the boys being captivated by you
Harry Villiers
Harry Talking about you to the boys
Rejecting Harry due to rumors 
Meeting Harry at a club
Harry Surprising you
Finding out Harry cheated on you
Alistair Ryle
Being Harry’s sister and Alistair finds himself interested in you 
Alistair Stands up for you
Dimitri Mitropoulos
Fighting with Dimitri
The boys invite you to their dinner but Dimitri doesn’t want you to go
Miles Richards
Miles walks you back to your dorm
Game of Thrones
Theon greyjoy
Theon seeing you for the first time
Meeting Theon for the first time
Grease
Kenickie
Catching Kenickie’s attention on your first day at Rydell
Standing up for Patty after Kenickie embarrasses her
Joining Kenickie and Patty on an awkward double date
Pirates of the Caribbean
Growing up as Elizabeth and Wills daughter
Luke Evans
Coming Home To This
Having an affair with your boss
Luke being asked about you during an interview
Tom Hardy
Tom Being protective of you during his premier
Leonardo DiCaprio
Jack falls in love with you 
Leonardo mentions you during his Oscars speech
Dave Franco
Waking up next to Dave
Aaron Taylor-Johnson
Aaron being asked about you during interview
Christian Cooke
Telling Christian you’re pregnant
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elcinelateleymickyandonie · 4 years ago
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Jean-Pierre Aumont.
Filmografía
Cine
1931 : Jean de la Lune, de Jean Choux, con Michel Simon y Madeleine Renaud
1931 : Échec et mat, de Roger Goupillières
1932 : Faut-il les marier ?, de Pierre Billon y Karel Lamač
1933 : Dans les rues, de Victor Trivas
1933 : Un jour viendra, de Gerhard Lamprecht y Serge Véber
1933 : La Merveilleuse Tragédie de Lourdes, de Henri Fabert
1933 : Ève cherche un père, de Mario Bonnard
1934 : Lac aux dames, de Marc Allégret, con Simone Simon y Michel Simon
1934 : Le Voleur, de Maurice Tourneur, con Victor Francen
1934 : Maria Chapdelaine, de Julien Duvivier, con Madeleine Renaud y Jean Gabin
1935 : Les Yeux noirs, de Victor Tourjansky, con Harry Baur, Viviane Romance y Simone Simon
1935 : L'Équipage, de Anatole Litvak, con Annabella y Charles Vanel
1935 : Les Beaux Jours, de Marc Allégret, con Simone Simon y Raymond Rouleau
1936 : Tarass Boulba, de Alexis Granowsky, con Harry Baur y Danielle Darrieux
1936 : La Porte du large, de Marcel L'Herbier, con Victor Francen
1937 : Le Chemin de Rio, de Robert Siodmak, con Jules Berry y Suzy Prim
1937 : Drôle de drame ou L'étrange aventure de Docteur Molyneux, de Marcel Carné, con Louis Jouvet y Michel Simon
1937 : Le Messager, de Raymond Rouleau, con Jean Gabin y Gaby Morlay
1937 : Maman Colibri, de Jean Dréville
1937 : La Femme du bout du monde, de Jean Epstein, con Charles Vanel
1938 : Chéri-Bibi, de Léon Mathot, con Pierre Fresnay
1938 : Hôtel du Nord, de Marcel Carné, con Annabella, Louis Jouvet y Arletty
1938 : Le Paradis de Satan, de Félix Gandéra, con Pierre Renoir
1938 : Belle Étoile, de Jacques de Baroncelli, con Michel Simon
1939 : Le Déserteur, de Léonide Moguy
1939 : S.O.S. Sahara, de Jacques de Baroncelli, con Charles Vanel
1943 : Assignment in Brittany, de Jack Conway
1943 : The Cross of Lorraine, de Tay Garnett, con Gene Kelly
1944 : Croix de Lorraine en Italie, corto de François Villiers
1946 : Heartbeat, de Sam Wood, con Ginger Rogers
1947 : Song of Scheherazade, de Walter Reisch
1948 : The first gentleman, de Alberto Cavalcanti
1948 : Siren of Atlantis, de Arthur Ripley y Gregg G. Tallas, con Maria Montez
1949 : Hans le marin, de François Villiers, con Maria Montez y Lilli Palmer.
1949 : Golden Arrow, de Gordon Parry
1950 : La vie commence demain, documental de Nicole Vedrès
1950 : L'Homme de joie, de Gilles Grangier
1951 : L'Amant de paille, de Gilles Grangier
1951 : La vendetta del corsaro, de Primo Zeglio, con Maria Montez
1951 : Ultimo incontro, de Gianni Franciolini, con Alida Valli y Amedeo Nazzari
1951 : Hollywood sur Seine, corto de François Villiers
1952 : Les loups chassent la nuit, de Bernard Borderie
1953 : Moineaux de Paris, de Maurice Cloche
1953 : Lili, de Charles Walters, con Leslie Caron y Mel Ferrer
1953 : Kœnigsmark, de Solange Térac
1953 : Vedettes en pantoufles, corto de Jacques Guillon
1954 : Charge of the lancers, de William Castle, con Paulette Goddard
1954 : Si Versailles m'était conté..., de Sacha Guitry
1955 : Dix-huit heures d'escale, de René Jolivet, con Maria Mauban y Georges Marchal
1955 : Napoléon, de Sacha Guitry
1955 : Mademoiselle de Paris, de Walter Kapps
1956 : Hilda Crane, de Philip Dunne, con Jean Simmons
1957 : The seventh sin, de Ronald Neame
1959 : La Verte Moisson, de François Villiers
1959 : John Paul Jones, de John Farrow, con Robert Stack y Bette Davis
1960 : The Enemy general, de George Sherman, con Van Johnson yt Dany Carrel
1961 : Una americana en Buenos Aires, de George Cahan
1961 : El diablo a las cuatro, de Mervyn LeRoy, con Spencer Tracy y Frank Sinatra
1961 : Le Puits aux trois vérités, de François Villiers
1961 : L'Art de vivre, corto de Edouard Berne
1962 : Les Sept Péchés capitaux, episodio "L'Orgueil", con Marina Vlady y Samy Frey
1962 : Five miles to midnight, de Anatole Litvak, con Sophia Loren y Anthony Perkins
1962 : Una domenica d'estate, de Giulio Petroni
1962 : The horse without a head, de Don Chaffey
1962 : Socia de alcoba, de George Cahan
1963 : Vacances portugaises, de Pierre Kast
1965 : Il était une fois un tracteur, de Leopoldo Torre Nilsson
1967 : Blind man's bluff, de Edward Mann, con Boris Karloff
1969 : Castle keep, de Sydney Pollack, con Burt Lancaster
1970 : El coleccionista de cadáveres, de Santos Alcocer
1971 : L'Homme au cerveau greffé, de Jacques Doniol-Valcroze
1971 : Biribi, de Daniel Moosmann
1973 : La noche americana de Franço.
Televisión
1951 : Robert Montgomery Presents, episodio A christmas gift
1951 : Celanese Theatre, episodio No Time for Comedy
1952 : Goodyear Television Playhouse, episodio A Softness in the Wind
1952 : Studio One, episodio Letter from an Unknown Woman
1953 : The Philco Television Playhouse, episodio The Way of the Eagle
1953 : Lux Video Theatre
1954 : Lady Warner a disparu, de François Chatel
1954 : Studio 57, de Paul Landres
1955 : The Martha Raye Show
1956 : Climax!
1957 : Errol Flynn Theater, de Lawrence Huntington
1957 : Kraft Television Theatre
1958 : Playhouse 90
1960 : Letter to Loretta
1960 : So Help Me, Aphrodite
1960 : The United States Steel Hour
1963 : The Patty Duke Show
1963 : L'Affaire du cheval sans tête
1965 : The Nurses
1967 : Le comte Yoster a bien l'honneur, episodio "La troisième prophétie de l'ange de la mort"
1968 : Les Chevaliers du ciel, de François Villiers
1968 : The Name of the Game, episodio "The White Birch"
1969 : Au théâtre ce soir: Carlos et Marguerite de Jean Bernard-Luc, escenografía de Christian-Gérard, dirección de Pierre Sabbagh, Teatro Marigny
1970 : La Pomme de son œil, de François Villers
1972 : Comme il vous plaira, de Agnès Delarive
1972 : Joyeux Chagrins, de François Gir
1975 : Au théâtre ce soir: On croit rêver, de Jacques François, escenografía del auteur, dirección de Pierre Sabbagh, Teatro Edouard VII
1975 : N'oubliez pas que nous nous aimons, de Luc Godevais
1976 : Starsky y Hutch, de William Blinn, episodio "Murder at Sea"
1977 : Rendez-vous en noir, de Claude Grinberg
1978 : La Corde au cou, de Marcel Moussy
1979 : Paris-Vichy, de Anne Revel
1979 : Le Petit Théâtre d'Antenne 2: "La Belette", de Charles Vildrac
1979 : The Love Boat", 1 episodio
1979 : The French Atlantic Affair, de Douglas Heyes
1979 : Beggarman, voleur, de Lawrence Doheny
1980 : La Mémoire d'Eva Ryker, de Walter Grauman
1980 : Un temps pour les miracles, de Michael O'Herlihy
1981 : Carte Vermeil, de Alain Levent
1981 : Arcole ou la terre promise, de Marcel Moussy
1981 : Emmenez-moi au théâtre, "Le fleuve étincellant", de Charles Morgan
1982 : Hart to Hart, de Earl Bellamy
1983 : Quelques hommes de bonne volonté.
Teatro
Adaptación
1958 : Lucy Crown, de Irwin Shaw, escenografía de Pierre Dux, Théâtre de Paris
Autor
1959 : Ange le Bienheureux, escenografía de Jacques Charon, Théâtre des Célestins
Actor
1926 : Au grand large, de Sutton Vane, escenografía de Louis Jouvet, Théâtre des Champs-Élysées
1926 : Le Carrosse du Saint Sacrement, de Prosper Mérimée, escenografía de Louis Jouvet, Théâtre des Champs-Élysées
1930 : Le Prof d'anglais ou le système Puck, de Régis Gignoux, escenografía de Louis Jouvet, Théâtre des Champs-Élysées
1932 : La Pâtissière du village ou Madeleine, de Alfred Savoir, escenografía de Louis Jouvet, Théâtre Pigalle
1934 : Au grand large, de Sutton Vane, escenografía de Louis Jouvet, Théâtre des Champs-Élysées
1934 : La Machine infernale, de Jean Cocteau, escenografía de Louis Jouvet, Théâtre des Champs-Élysées
1936 : Le Cœur, de Henry Bernstein, Théâtre du Gymnase Marie-Bell
1937 : Famille, de Denys Amiel y Monique Amiel-Pétry, escenografía de Marcel André, Théâtre Saint-Georges
1939 : L'Amant de paille, de Marc-Gilbert Sauvajon y André Bost, escenografía de Jean Wall, Théâtre Michel
1944 : Une grande fille toute simple, de André Roussin, escenografía de Louis Ducreux, Théâtre des Ambassadeurs
1947 : L'Empereur de Chine, de Jean-Pierre Aumont, escenografía de Marcel Herrand, Théâtre des Mathurins
1949 : My Name Is Aquilon, a partir de L'Empereur de Chine, de Jean-Pierre Aumont, adaptación de Philip Barry, escenografía de Robert B. Sinclair, Lyceum Theatre (Nueva York)
1950 : Le Voyage, de Henry Bataille, escenografía de Henri Bernstein, Théâtre des Ambassadeurs
1953 : Les Pavés du ciel, de Albert Husson, escenografía de Christian-Gérard, Théâtre des Célestins
1954 : Carlos et Marguerite, de Jean Bernard-Luc, escenografía de Christian-Gérard, Théâtre de la Madeleine
1954 : Les Pavés du ciel, de Albert Husson, escenografía de Christian-Gérard, Comédie Caumartin
1955 : Il y a longtemps que je t'aime, de Jacques Deval, escenografía de Jean Le Poulain, Teatro Edouard VII
1955 : The Heavenly Twins, a partir de Les Pavés du ciel, de Albert Husson, escenografía de Cyril Ritchard, Booth Theatre
1956 : Amphitryon 38, de Jean.
1958 : L'Impromptu de Barentin, de André Maurois, Festival de Barentin
1959 : Ange le Bienheureux, de Jean-Pierre Aumont, escenografía de Jacques Charon, Théâtre des Célestins
1959 : Mon père avait raison, de Sacha Guitry, escenografía de André Roussin, Théâtre de la Madeleine
1960 : A Second Sting, de Lucienne Hill a partir de Colette, escenografía de Raymond Gérôme, Eugene O'Neill Theatre (Nueva York)
1962 : Flora, de Fabio Mauri y Franco Brusati, escenografía de Jules Dassin, Théâtre des Variétés
1963 : Tovarich, de Anne Croswell y Lee Pockriss, escenografía de Peter Glenville, Broadway Theatre, Winter Garden Theatre
1970 : Camino Real, de Tennessee Williams, escenografía de Milton Katselas, Vivian Beaumont Theatre (Nueva York)
1971 : Les Anges meurtriers, de Conor Cruise O'Brien, escenografía de Joan Littlewood, Théâtre de Chaillot
1971 : Murderous Angels, de Conor Cruise O'Brien, escenografía de Gordon Davidson, Playhouse Theatre (Nueva York)
1972 : Nous irons à Valparaiso, de Marcel Achard, escenografía de Jacques-Henri Duval, Théâtre des Célestins, Giras Herbert-Karsenty
1975 : Des journées entières dans les arbres, de Marguerite Duras, escenografía de Jean-Louis Barrault, Théâtre d'Orsay
1976 : Des journées entières dans les arbres, de Marguerite Duras, escenografía de Jean-Louis Barrault, Ambassadors Theatre (Nueva York)
1981 : A Talent for Murder, de Jerome Chodorov y Norman Panama, escenografía de Paul Aaron, Teatro Biltmore (Nueva York)
1982 : Coup de soleil, de Marcel Mithois, escenografía de Jacques Rosny, Théâtre Antoine
1984 : Pense à l’Afrique, a partir de Think of Africa, de Gordon Dryland, escenografía de Jean-Pierre Granval, Théâtre Renaud-Barrault.
Créditos: Tomado de Wikipedia
https://es.wikipedia.org/wiki/Jean-Pierre_Aumont
#HONDURASQUEDATEENCASA
#ELCINELATELEYMICKYANDONIE
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earldevon · 5 years ago
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◤ ––––– (  fawad khan, cismale, he/him  ) — a member of the  [  VILLIERS  ]  family seeks entry to the society !  [  SARMAD  ]  is a  [ 37 ]  year old   [  NEWSPAPER EDITOR &&. MEMBER OF THE HOUSE OF LORDS  ]  who hails from  [  LONDON  ]  ,  who call them  [  THE DILIGENT  ]  .  although their peers know them for being  [  CHARMING  ]  and  [  AMBITIOUS  ]  ,  their reputation for being  [  IMPATIENT  ]  and  [  SARCASTIC  ]  might hinder their relations with current society members. while the  [  VILLIERS  ]  family is known for  [  BEING BRITISH NOBILITY  ]  ,  the society’s hopeful  [  MARCUS AURELIUS  ]  is better remembered by  [  EYE CONTACT AND A LIP BITE ;  BLOOD TYPE: GOLD ; A SIGNET RING GLINTING IN THE EARLY MORNING LIGHT ; SNOWFLAKES DISSOLVING INTO DARK HAIR ]  .  initial reports say their goal of  [  EXPANDING THEIR SOCIAL NETWORK  ]  would be their first priority after being inducted, although who’s to say that won’t change ? ◢ 
––– RECAP. 
tldr earl of devon is also a newspaper editor, enjoys sitting on balconies and reading his own newspaper, isn’t the best but also he is definitely not trying at all. goes out a lot. has many dogs. has many opinions. thinks hes hot shit. once got lost in his own house. 10000% uses his looks to get what he wants. basically a femme fatale i guess idk 
tw sex mention ; tw partying mention ; tw language
the eldest of four, sarmad was always a little shit. it’s okay, because he wasn’t born with a silver spoon in his mouth –– he was born with several gold plated cutlery sets. literally grew up in a castle. still stays there most nights. but as the heir to the earldom of devon, he grew up with tourists walking around his house and lavish dinners every other night, and he grew up absolutely, completely spoiled. did their mother abandon them when sarmad’s youngest sister was only a year old? yes. does he have mummy issues? yes. did they manifest in bad choices and severe commitment issues? you bet. ( but he also had a great step-mother. 10/10 love her. )
so after all the things he was supposed to do –– attend harrow ( yawn ), attend oxford ( double yawn ), make all the social connections he could ( not that bad, actually ) –– he finally graduated and did what he wasn’t supposed to do. sarmad became a journalist, much to his father’s great annoyance. he started off at the bbc, before becoming a full time contributor at the telegraph. he also wrote for vanity fair, the independent on sunday, and the guardian. then he became the full time editor of the telegraph and gave it the modern revamp it so desperately needed. he also has an assistant he would legitimately be dead without. 
now, sarmad is an arsehole. he never pretended otherwise. he goes out, he parties a lot, he’s been a staple in the daily mail since he was all of about nineteen. he doesn’t date, he doesn’t call people back, he doesn’t lead anyone on. he likes a good time. and maybe, maybe he’s completely unapologetic. is he sleeping with a rival newspaper boss? yes. is it hate sex? yes. is he sleeping with one of the other members of the house of lords? yes. he’s not a saint. but then again, anyone getting involved with him knows exactly what they’re in for. so, really? what’s the harm? 
he followed his dad and eventually joined the house of lords after he passed away. and he takes that pretty damn easy. sure, he still has his day job as editor, but he also enjoys using his charm in parliament, and he likes seeing how far he can get his way. tbh he’s doing mostly for the influence and the clout.  
joining the society had never interested him. he’d known about it, obviously ; his family were legacy members and there had been enough dinners at their estate for him to be fully aware of its existence, but. sarmad had just never cared. it was a little too much cloak and dagger, skull and bones nonsense for him. 
however, since joining the house of lords –– since entering politics at all –– he’s realised he needs to branch out more and more. he can’t just rely on his own media connections or the elite he brushes shoulders with just because of his name and title. sarmad needs more to survive politics, and for that? the society’s good for something after all. it’s why he’s an initiate at his age ( his dad would yell )
MOST IMPORTANTLY : he has eight dogs –– three corgis named cider, peppermint, and cardamom ; two cocker-spaniels named spencer and emmanuel ; two foxhounds named winston and manto ; one labrador named simla. also owns horses and birds. 
he also has a younger brother and two younger sisters. they’re annoying but he loves them, and he can also now joke about how they’re under his roof when they stay at the estate. ( hes not joking ) sarmad is also a mouthy lil shit 
also if you are not making your tea on the stove by boiling tea leaves in milk and water, and then serving it piping hot, you can get tf out of his house !!! dont ask him about his chai discourse bec he only stans doodh patti 
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cepingcipse1988-blog · 6 years ago
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The same day on which Robert d'Estouteville took the place of Jacques de Villiers in the provostship of Paris, Master Jehan Dauvet replaced Messire Helye de Thorrettes in the first presidency of the Court of Parliament, Jehan Jouvenel des Ursins supplanted Pierre de Morvilliers in the office of chancellor of France, Regnault des Dormans ousted Pierre Puy from the charge of master of requests in ordinary of the king's household. Now, upon how many heads had the presidency, the chancellorship, the mastership passed since Robert d'Estouteville had held the provostship of Paris. It had been "granted to him for safekeeping," as the letters patent said; and certainly he kept it well. Another nice thing that I seen done in my area is people post laminated cards unobtrusively at gym locations. It has the name of the discord, a link to the shortcode invite, and invites you to join. They look nice (lamination helps with the weather), are easily noticed if you at the gym, but they small enough that if you didn play pokemon go you not give it a second thought.. In my experience, guys that say this will almost always just keep you limbo then eventually drop you for someone they can see themselves with in a relationship. Don settle. If you want a commitment, go after a guy that will give you one.. Mai este si chestia ca geografic multe din tarile vestice nu prea au avut cotropitori. Noi am fost la intersectia a 3 imperii cam in timpul intregii noastre existenta. De fiecare data cand tara progresa si cultura evolua, parte din progres era distrus de catre ultima cucerire si asta a dat nastere unei culturi si societati destul de tinere in care supravietuirea individului este pe primul loc din cauza neajunsurilor aduse de fiecare pas in spate. But I convinced he wasn doing it for some cause, which I sure he claim was his goal. He was doing it for attention, a book deal, a movie, whatever. He a narcissistic ass.. Ugh yes. And she likes to act like she is being held to a different standard on YouTube. Always referring to herself in third person (come on Jessica), trying to give thorough reviews that add nothing new. Tom watched the little lady a great deal, before he ventured on any overtures towards acquaintanceship. He knew an abundance of simple acts to propitiate and invite the approaches of the little people, 강진출장마사지 and he resolved to play his part right skilfully. He could cut cunning little baskets out of cherry stones, could make grotesque faces on hickory nuts, or odd jumping figures out of elder pith, and he was a very Pan in the manufacture of whistles of all sizes and sorts. Red Bull example is invalid because the Red Bull closes its DRS, which increases rear downforce and decreases the effect of weight transfer under braking. Even if this only happened in Ferrari, it is dependent on many factors including suspension and weight of the car. Also, there are people at Mercedes and Red Bull who specifically work to find these little things and report to FIA, so we, as armchair experts, can just speculate.. In June 2008, Patti Labelle, Nona Hendryx, and Sarah Dash, otherwise known as Labelle, reunited for an album of all new songs. It was produced by Lenny Kravitz and Gamble Huff. What fashion, shoe, and hair styles will they be wearing on tour in the 2000s as we approach the Space Tourist Age?. The end of Wanna One's group contract is nearing, which means members Park Woo Jin and Lee Dae Hwi may soon join the MXM duo to complete "Brand New Boys." Lim Young Min commented, "That's something we're looking forward to a lot as well. Since we were trainees who practiced together at first, I imagined a 강진출장마사지 lot what it would be like to work together. Although we're apart now, I think fans are already anticipating our activities together.".
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ischia999-blog · 5 years ago
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Contactez-moi au 09.80.91.57.53 (Home & Work) ou/et au 06.80.98.45.42 (Texto ou Message Audio) & Mail: [email protected] MERCI!!!! C URGENT & le FILM, en tant qu'ex-productrice de TOUCHWOOD.Prod (2000-2009), je me charge de par mes contacts dans les Chaînes Nationales & Internationales (Belgique, Suisse, Canada) voir + si sous-titrées DE LE FAIRE ACHETER & DIFFUSER!!!!
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thatsnotcanonpodcasts · 6 years ago
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Season 3 Episode 1 - A Rude Awakening
We are back with our third and FINAL Season!
Our Heroes have fled their home city and, in fact, their whole planet! They are on their way to the moon in a hijacked machine of mass destruction. James is comatose after Pan ripped itself from his brain, Gwen has been making the most of this relatively peaceful time with her children, Dashbold has been reconnecting with Gretta, Melina with Cornell Oathusk and Black patty has been catching up on his drinking.
But now the moon approaches and their rag-tag team must reconcile with what awaits them there.
Follow us on iTunes OR Stitcher OR Google play OR your podcatcher of choice!
Please consider supporting us on Patreon, Like us on Facebook, Follow us on Twitter
Or visit our Website: www.thatsnotcanonproductions.com
Players: Isaac Joekong, Jack Cliff, Miranda Selwood, Nick De Villiers, Sebastian Briguglio 
Dungeon Master: Zane C Weber
Recorded and Produced by Zane C Weber
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zeroviraluniverse-blog · 7 years ago
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'Patchy' Josh Hazlewood seeks new-ball strikes
Visit Now - https://zeroviral.com/patchy-josh-hazlewood-seeks-new-ball-strikes/
'Patchy' Josh Hazlewood seeks new-ball strikes
A “patchy” Josh Hazlewood has admitted he needs to improve with the new ball against South Africa, ahead of Test matches in Cape Town and Johannesburg likely to offer more conventional assistance for fast bowlers after the reverse-swing-oriented conditions of Durban and Port Elizabeth.
The Australians reconvene on Monday to train at Newlands after four days off, knowing they need to produce more runs from the top order while also finding a way past the irrepressible AB de Villiers. By Hazlewood’s estimate, Steven Smith’s team had played at “less than 50%” of its capacity in the second Test, meaning there is plenty of room for the necessary upside in the third.
Hazlewood identified new-ball spells as an area in which the tourists must lift. His best display early in an innings was arguably on day four at St George’s Park, where the Australians had only 100 runs to defend but Hazlewood homed in on Aiden Markram, having him dropped by Mitchell Marsh at first slip then held by Smith at second either side of lunch.
“With the new ball [I have been] a little bit patchy I think,” Hazlewood said. “Durban probably wasn’t a great new-ball wicket. Obviously a lot of wickets were taken once it started reversing and the ball was a bit older and probably [Port Elizabeth] as well to a degree. It’s definitely something we can work on, we haven’t seen a heap of conventional swing. Might have been different if we’d bowled first in the Test just gone. But there might be a little bit more in Cape Town or Jo’burg, so working on that.
“The Ashes I felt like I bowled really well the whole way through and sometimes you’re just lucky if you get the nicks or you don’t. I think we had a lot of plays and misses in the first innings and on any other day they might have nicked them and it’s a different story. You’ve got to take the results out of it sometimes and focus on what you’re doing.”
The suspension of Kagiso Rabada for two Tests – with an appeal pending – robs South Africa of their best reverse-swing exponent, opening the possibility of a Newlands surface similar to that prepared for January’s Test match against India, where Vernon Philander’s medium-paced seamers proved exceptionally challenging. On that sort of pitch, Hazlewood’s accuracy and bounce will come further into play, with the new ball in particular.
“I haven’t played a Test match in Cape Town so I’m a bit unsure. It’s been different I think for a few different games,” he said. “They might leave some grass on it for Vernon who is pretty good down there most of the time. Depends on what we find. Anything with a bit of grass is always good. You don’t come across it very often in Test cricket so would be good.
“We’re pretty used to it [flat pitches] being from Australia. All summer was pretty tough work. I think we do it pretty well and we work as a group on those sort of wickets. Big Mitch [Mitchell Starc] is actually a very good flat-wicket bowler. He seems to take big wickets on those sort of tracks and Patty [Pat Cummins] has got a great bouncer and then good pace so I think we’re a pretty well-rounded group so we can tailor our skillsets to different wickets.
“I pretty much try and build pressure from my end and dot it up and force the mistake that way. I think Gaz [Nathan Lyon] is probably a bit the same. If it’s not spinning a great deal, he did a great job at the WACA I remember during the summer, and just built that pressure and create the wickets that way.”
Against de Villiers, Hazlewood reasoned that the touring bowlers had offered too much latitude early in his innings, allowing for a fast start, and once the former Proteas captain became set he was exceedingly difficult to pin down. “We’ll have another meeting on their whole team, but yeah, him in particular,” Hazlewood said. “We’ve obviously struggled a bit so far.
“He’s just gotten off the mark and got to that 20 or 30 runs quite easily and we’ve probably gifted that to him a little bit. Probably just starting better against him and treating him like any other player really and bowl good balls more often than not. We’ve come up against good players in other series and guys who have got mountains of runs. Virat [Kohli] in Australia was one early on in my career and they’re only human so hopefully he’s scored all of his runs so far.
“I guess you’ve got to put his shot selection out of your head and just concentrate on what you’re doing and where you’re bowling. If he plays a good shot off a good ball then fair enough, but you don’t want him hitting your bad balls. You want to be putting it in the right areas, more often than not. You try and get it out of your head as quickly as you can and you realise where he actually played the shot from and it’s not a terrible ball. So just keep putting it there and hopefully something is going to happen.”
One area in which Hazlewood is now better placed to make something happen is in terms of his pace, which rose appreciably during the Ashes summer, off the back of some extra gym work, which was made possible by a side strain suffered in Bangladesh. Duly prevented from bowling, Hazlewood instead added strength, and has at times been able to push up to as fast as 148kph.
“I think through this winter just gone I didn’t play a lot of cricket. It was probably a blessing in disguise,” he said. “I did my side in Bangladesh and got that extra 8-10 weeks of time in the gym in conditioning and strength and a bit more power. And I think that’s just translated onto the field through the summer first of all and hopefully continue it here which I think I have.
“I think the winters before I played a lot of cricket and we’d had some big Test tours in winter and some one-day tours and I hadn’t had that period of time where you could get in the gym and get that weight back on and get stronger and fitter. There’s pros and cons for both I think.”
As for Smith’s mediocre batting run so far in the series, Hazlewood said bowling in the nets to the captain had not become any less testing for the Australian bowlers. “He’s hard to get out as usual, so I think it’s only around the corner. When you average 63 it’s a matter of time until the runs start to come,” Hazlewood said. “He probably just needs to relax and go back to what works for him and I’m sure he’ll be fine.
“He knows it’s early on in the series, it’s 1-1 and we got close to them we thought in the last Test and played below 50% of what we can play. He knows there’s room for improvement if we play at our best then hopefully we come away with the wins.”
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tina-aumont · 7 months ago
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Santa Barbara, March 27th 1956. Marisa Pavan and Jean-Pierre Aumont’s wedding.
Screencaps from French documentary “Jean Pierre Aumont, charme et fou-rires” (Patty Villiers, 1999).
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stoookes · 6 months ago
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A cute thing I just found out: AB de Villiers and Virat call each other "biscuit" which is a term of endearment in South Africa. 🥹🥹🥹
(what does Pat think of this? espo if ab is an alpha? 🫣)
That is adorable 🥰
I think Patty is OK with it eventually - depends when it started/where he and VK are in their relationship
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tina-aumont · 10 months ago
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Hola, me encantó tu blog. Me gustaría saber qué hermanas vivieron con María, Jean-Pierre y Tina en el momento que María falleció. ¿Fueron siempre las mismas hermanas las que vivieron juntas en Francia? ¿Qué pasó después de morir María, dónde vivieron? ¿Y cuándo Jean-Pierre se casó, dónde vivieron? ¿Qué pasó? Muchas gracias por este excelente blog, espero que la família lo descubra un día y la felicite. Gracias.
Hola Anon!!
Muchas gracias por tu interesante pregunta!!
Adita y Teresita fueron las hermanas que vivían con María en el momento en que ella falleció. La primera porque no estaba casada ni tenía pareja, la segunda porque era muy joven todavía. Fueron ellas dos las que encontraron a María en su baño ya sin vida y llamaron a los bomberos, quienes trataron de reanimarla por más de una hora pero no pudieron...
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[María - sentada- con sus hermanas Adita, Teresita y Lucita - de izquierda a derecha - celebrando la estrena teatral de "L'Île Heureuse" donde María hacía un papel principal, 24 de enero de 1951 - María falleció en septiembre de ese mismo año-]
Al fallecer María, Jean-Pierre Aumont con su hija Tina se fueron a vivir a una casa llamada Rueil Mailmaison, y con ellos vivieron Lucita, con su esposo, el fotoperiodista Jean Roy y sus tres hijos, y también vivieron allí François Villiers (hermano de Jean-Pierre), su mujer Jeannine Rikh y sus hijas Mara, Aruna y Patty Villers. De todos estos primitos, Tina Aumont era la mayor, y aunque echaba de menos a su madre, ella recordaba con felicidad esos años.
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[Tina Aumont con su padre, fotografiados en 1953 en Rueil Mailmaison, en el fondo se pueden ver a Lucita y a Jeannine]
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[Tina Aumont - en el primer plano - jugando con sus primos y primas en los años 50]
En el año 1956, cuando Jean-Pierre Aumont se casó con Marisa Pavan, esta decidió que la casa era para su nueva família, así que Lucita (enviudó poco después), con sus niños se fueron a vivir a otra casa, y François Villiers, con su mujer y tres hijas también. Desconozco si se fueron a vivir juntas las dos famílias, pero Lucita, al perder el marido en Noviembre de 1956 hizo que la família se uniera más para poderla arropar y ayudarla con los niños. Y Tina fue enviada a diferentes internados de Francia y Suiza, volvía a ver a su padre y a la família cuando tenía vacaciones.
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[27 de marzo de 1956 - Boda de Jean-Pierre Aumont con Marisa Pavan]
Marisa Pavan era una mujer celosa de María Montez, prohibió que se hablara de ella en casa y sus hermanas se fueron a vivir a otros lugares, Consuelo vivía con su hermana Adita en Estados Unidos, Teresita vivió en Francia, igual que Lucita, aunque años más tarde vivieron juntas en Mexico. Todas las hermanas mantuvieron el contacto, al igual que los hijos, y los hijos de Jean-Pierre y Marisa, siempre han sido queridos y bienvenidos por los Aumont, los Villiers, los Gracia, los Leleu y toda la família. Ahora mismo viven entre Francia, Estados Unidos y Latinoamérica, y estan muy unidos, el legado de María perdura...
Muchas gracias por tu pregunta, espero haber resuelto tus dudas, aunque no te lo haya podido responder todo, quien sabe si algún día encontraremos más respuestas!!!
Y ojalá tus palabras sean escuchadas y alguien de la família Gracia sepa de mi blog, me haría mucha ilusión!!
Gracias!!
Eleni xoxoxo
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tina-aumont · 6 years ago
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Circa 1958. Tina Aumont with her grandad (Jean-Pierre Aumont dad,  Alexandre Salomons), and his wife Anni Solomons and her cousins.
Home movies by Jean-Pierre Aumont and François Villiers (his brother).
Screencaps from French documentary “Jean-Pierre Aumont, charme et fou-rires” (Patty Villiers, 1999).
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tina-aumont · 6 years ago
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Beautiful baby Tina with her dad. Footage filmed circa 1946. From French documentary: “Jean Pierre Aumont, charme et fou-rires” (Patty Villiers, 1999)
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tina-aumont · 6 years ago
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Circa 1961-62 Tina Aumont pictured with Alexandre Salomons, her paternal grandfather, Jean-Pierre Aumont’s dad.
Screencap from French documentary “Jean Pierre Aumont, charme et fou-rires” (Patty Villiers, 1999).
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