#Parkside Lounge

[geminicollisionworks]

Half of the company members of Gemini Collisionworks/Life With Althaar met up on Saturday night at a great performance of Adam Szymkowicz's play Clown Bar 2 at the Parkside Lounge on the Lower East Side, NYC.

Company member Chris Lee was in the show, which was also co-produced by member Philip Cruise -- both of them writer/actors in Althaar. Chris is also co-owner of the Parkside, a great bar that has had no small influence on the Electric Egg and on Chris's performance as Chip Frinkel.

(photo by Jen Ferguson of 12 Collisionworkers and 2 spouses -- includes the performers of Radio Free Fairgrounds, Cmdr. Torianna, Hardyfox Fornes, Chip Frinkel, Stalin-Bot, Mrs. Frondrinax, Ens. Dormer, Amber? on the Bridge, Frall, Althaar, the Narrator, and the Weasel)

We had gathered, apart from wanting to see each other, to take a moment to remember and raise our glasses to our beloved company member Rolls Andre, who died on April 4 at the age of 52.

Rolls was a great person and a great actor. I had expected to have a few more decades of getting to know and work with him. He acted in three plays with Gemini CollisionWorks -- Cant and ReFuse by myself and Harakiri Kane by Dean Haspiel -- and played 5 roles across 10 episodes of Althaar, most notably as George Foreman-Bot.

He also played the title role in King Lear in a live Zoom reading during COVID lockdown that GCW co-produced, which also features many Althaar actors, and can be seen HERE. This was a dream role for Rolls, and it continues to make me happy that we supported him in getting to do it, and so terrifically.

A few more pictures of Rolls in our shows, and one with me (who he always called "Skipper" or "Skip," I called him "Straw"):

I, and all of us at GCW, will miss this great man. I have to rewrite bits of episodes 34 and 36 of Althaar to deal with losing him, and it is a sad, depressing job. George Foreman-Bot had some important things to say that we were building to, and it was because I had Rolls's voice that I thought they could be said properly.

There was much discussion about, and demanding from the company towards, starting Althaar production up again ASAP, and indeed, this sad, tragic event may be a necessary kick in the ass to that happening.

We will definitely be back. Now for Rolls as much as for anything else.

Thank you for your attention; it is a pleasure working for you.

IWH

[slovenlyrecordings]

The MONSTERS - on tour 2024

THE PURE 1 RIFF GARAGE TRASH MASSACRE CONTINUES!! DIRECT FROM BERN SWITZERLAND PURE SUPER PUNK PRIMITIVE ROCK’N’ROLL

March 2. Geneva, La Graviere CH (w/ Powerplant)

March 8. Basel , Kaschemme CH

March 9 . Stuttgart, Goldmarks DE (w/ Urban Junior)

March 28 Zürich, Zukunft CH

April 25 - Mexico City, Gato calavera MEX

April 26 - Izcalli, El Taller MEX

April 27 - Mexico City, la Mezcali MEX

April 28 - Tijuana, Black Box MEX

April 30 - Los Angeles, Zebulon CA USA

May 1 - Las vegas, The Usual Place NV USA

May 2 - Palmdale, Transplants Brewing Co CA USA

May 3 - Santa Cruz, The Crepe Place CA USA

May 4 - San Francisco, Thee Parkside CA USA

May 5 - Reno, The Cellar NV USA

May 7 - Eugene, The Big Dirty OR USA

May 8 - Portland, Mano Oculta OR USA

May 9 - Olympia, The Crypt WA USA

May 10 - Yakima, Bearded Monkey WA USA

May 11 - Seattle, Clock-Out Lounge WA USA

[voodoorhythmrecords]

THE MONSTERS - LIVE 2024:

March 2. Geneva, La Graviere CH (with Powerplant)

March 8. Basel , Kaschemme CH

March 9 . Stuttgart, Goldmarks DE (with Urban Junior)

March 28 Zürich, Zukunft CH

April 25 - Mexico City, Gato calavera MEX

April 26 - Izcalli, El Taller MEX

April 27 - Mexico City, la Mezcali MEX

April 28 - Tijuana, Black Box MEX

April 30 - Los Angeles, Zebulon CA USA

May 1 - Las vegas, The Usual Place NV USA

May 2 - Palmdale, Transplants Brewing Co CA USA

May 3 - Santa Cruz, The Crepe Place CA USA

May 4 - San Francisco, Thee Parkside CA USA

May 5 - Reno, The Cellar NV USA

May 7 - Eugene, The Big Dirty OR USA

May 8 - Portland, Mano Oculta OR USA

May 9 - Olympia, The Crypt WA USA

May 10 - Yakima, Bearded Monkey WA USA

May 11 - Seattle, Clock-Out Lounge WA USA

LINE UP

Beat-Man -Guitars/Vocals

Janosh -Bass

Swan Lee -Drum

Pumi - the knobs

[blackcatsnyc]

Let’s do it for Johnny! We’ll do it for Johnny!!

🚨Tonight’s the night🚨

ElbaumTanner RocknRollScene & Strike A Chord Artists will be rockin' the Parkside Lounge for a very special Tribute to the Lower East Side on the Anniversary of the loss of NYC's own Mr. Johnny Thunders!

The Vigilantes kicks things off, followed by Kelly Ann & Luigi, Myrna and The Bulldog, and our pals Charm School…We hit the stage at 10:30 PM with a full Heartbreakers set!

Doors open 6:30PM with the return of Door Guy Joe, Twig the Wonderkid spinning the tunes, and drink specials all night!

"Come Along for the Ride" & Rock Your Ass Off - NYC: Live Music like it's supposed to be!

#doitforjohnny #ElbaumTannerRocknRollScene #strikeachordartists #BLACKCATSNYC #GATTINERINYC #BLACKCATSofNYC #comealongfortheride #rockyourassoff #JohnnyThunders #Heartbreakers #LowerEastSide #parksidelounge #NYC #livemusic #sundayfunday #theVigilantes #KellyAnnandLuigi #MyrnaandTheBulldog #CharmSchool #FrancescoDAmbrosio #JasonReddish #StanEspositoII #AndrewGiordano #nyclivemusic

[allrealtestate]

Top 5 Reasons To Choose Lodha Parkside For Your Next Home

When looking for the perfect home in a city like Mumbai, it’s essential to find a place that matches your lifestyle and aspirations.

Lodha Parkside, located in the upscale area of Worli, is one of the finest residential developments that offer an ideal combination of luxury, convenience, and well-being. In this article, we explore the top 5 reasons to choose Lodha Parkside for your next home.

1. Prime Location In South Mumbai

Lodha Parkside is strategically located in Worli, one of the most coveted neighbourhoods in South Mumbai. 

Living in this area provides easy access to key business districts like Lower Parel, Bandra-Kurla Complex (BKC), and Nariman Point, making it perfect for professionals. Worli also offers proximity to upscale retail hubs, fine-dining restaurants, and world-class entertainment options.

Connectivity is a major advantage at Lodha Parkside. The development is situated close to the Eastern Express Highway, Western Express Highway, and the Bandra-Worli Sea Link, ensuring easy access to various parts of Mumbai. 

Whether you're commuting for work or leisure, living at Lodha Parkside ensures you’re always well-connected.

Beyond convenience, the cultural and social aspects of Worli contribute to the location's prestige. With stunning views of the Arabian Sea and the city skyline, it offers a balanced mix of urban excitement and serene natural beauty.

2. Thoughtfully Designed Living Spaces

One of the standout features of Lodha Parkside is its meticulous design and architecture. Each residence has been crafted to provide ample space, light, and ventilation. 

The apartments are designed to cater to the needs of modern families, offering a blend of luxury and comfort.

Lodha Parkside offers 2, 3, and 4 BHK apartments, catering to families of different sizes. These homes are equipped with premium fittings and fixtures, ensuring that your living experience is nothing short of luxurious. 

The large windows in each apartment offer panoramic views of the surrounding cityscape and green spaces, enhancing your living experience.

The interiors are designed with attention to detail, ensuring that each apartment is not only functional but also aesthetically pleasing. High ceilings, open spaces, and an abundance of natural light make the homes at Lodha Parkside feel even more spacious and inviting. 

For those who value privacy, the thoughtful layout ensures that there are no shared walls between apartments, giving you the peace and solitude you deserve.

3. Exclusive Amenities For A Luxurious Lifestyle

When it comes to amenities, Lodha Parkside truly excels. The development is equipped with a wide range of world-class facilities that cater to all age groups, ensuring that every family member has access to leisure and recreational activities.

For fitness enthusiasts, Lodha Parkside offers a state-of-the-art gym, swimming pools, yoga decks, and sports facilities, including tennis and squash courts. 

The focus on wellness extends to spa facilities and meditation zones, providing residents with ample options for relaxation and rejuvenation. These amenities are designed to promote an active and healthy lifestyle, right at your doorstep.

Families with children will appreciate the dedicated kids’ play areas, where children can engage in outdoor activities safely. 

The development also features beautifully landscaped gardens, jogging tracks, and open green spaces, allowing residents to stay connected with nature amidst the urban landscape.

For social gatherings, there are exclusive lounges and party halls where you can host events and entertain guests in style. The on-site café and restaurant offer the perfect setting for a casual outing with family or friends without leaving the comfort of your community.

4. A Secure & Safe Environment

Safety and security are of utmost importance at Lodha Parkside. The development is equipped with advanced security systems to ensure the well-being of all residents. 

From 24/7 CCTV surveillance to round-the-clock security personnel, every measure is taken to guarantee a secure living environment.

The gated community ensures controlled access, with professional security teams managing the entrance and exit points. This means that only residents and authorized personnel can enter the premises, providing peace of mind to everyone living at Lodha Parkside. Additionally, the fire safety systems and emergency services are top-notch, meeting the highest safety standards.

Lodha Parkside also prioritizes health and hygiene. The development offers regular sanitization of common areas, well-maintained cleaning protocols, and healthcare facilities nearby, ensuring a safe and healthy environment for all residents.

5. Sustainable Living & Green Initiatives

In today’s world, sustainable living has become more important than ever, and Lodha Parkside is committed to creating an eco-friendly living environment. The development integrates several green initiatives that not only benefit the environment but also enhance the quality of life for its residents.

The project is designed to be energy-efficient, with features like rainwater harvesting systems, solar panels, and energy-saving lighting in common areas. 

Water conservation is also prioritized, with advanced systems in place to reduce wastage and recycle water wherever possible. These initiatives not only help reduce the community's carbon footprint but also result in lower utility costs for residents.

Lodha Parkside’s landscaped gardens and green spaces contribute to the overall well-being of its residents, offering a tranquil oasis amidst the bustling city. 

The development's commitment to sustainability extends to waste management and recycling efforts, ensuring that you’re living in a community that cares about the environment.

Conclusion

Lodha Parkside is more than just a residential development; it’s a lifestyle destination that offers a harmonious blend of luxury, comfort, and sustainability. Its prime location in Worli ensures you’re at the heart of the city while enjoying the serene surroundings and spectacular views. 

With thoughtfully designed living spaces, world-class amenities, a safe and secure environment, and a focus on sustainable living, Lodha Parkside stands out as one of the top choices for your next home.

Choosing Lodha Parkside means embracing a lifestyle that prioritizes wellness, convenience, and luxury. Whether you’re a young professional, a growing family, or someone looking for a peaceful retreat in the heart of the city, Lodha Parkside offers something for everyone. Make it your next home, and experience the finest living that Mumbai has to offer.

[dankusner]

Christeene: Fabulous Filth and Fury

Nothing compares 2 the NYC performer’s unbridled celebration of Sinéad O’Connor.

Christeene takes the mic – no holds barred, no hands needed.

Brett Lindell Transcendent, transgressive, triumphant, Christeene strides across the stage until she’s head-to-head with vocal powerhouse Peaches, the pair luminescent with love, fury, and fishnets as they duet on Sinéad O’Connor’s “Troy.”

The location might be the genteel-ish City Winery, but the scene onstage and in the audience is pure Lower East Side, an Andy Warhol’s Factory meets NYC’s ’80s/’90s club kids mashup: fabulous, decadent, and genderqueer.

The crowd coalesced for the first of two shows of “The Lion the Witch and the Cobra,” NYC-based Christeene’s production of O’Connor’s potent 1987 debut album, The Lion and the Cobra. Tonight, explains Christeene, it’s the season of the witch.

A dirty-mouthed angel, Christeene’s southern drawl, prominent in both her singing and speaking voice, occasionally has a tinge of amoral South Park cartoon kid Cartman.

Yet in conversation and onstage, the multi-dimensional performer embodies intelligence, compassion, and charisma.

She’s a lovable Oprah-of-the-sewers meets Greta Thunberg, for those who like their icons X-rated, bare-assed, droll, dry-witted, and earnest.

Weeks before this, I met with Christeene at the Parkside Lounge.

Lips painted in garish slashes of red, she is sipping a Manhattan in its namesake borough while applying fake nails out of a plastic tackle box of choices.

“Eight-balls and ear-cleaning at your service” she drawls, supergluing a pinky nail to her interlocutor’s left hand.

Perched at the end of the bar, Christeene is prepping for hosting duties at that evening’s Oscar party, setting out snack mix in paper bowls and fluffing the “red carpet,” a diminutive bathroom rug.

Show of hands on the red carpet: Christeene hosts the Oscars at Parkside Lounge.

Later she emailed about her constant companion, honorary Oscar recipient Angela Lansbury: “Jessica Fletcher is my flashlight in tha dark, and she takes care of fukkn business when shit gets real.”

Offstage, sans not-so-finery, the artist is known to friends as Paul Soileau, and the garrulous, hospitable Louisiana mannerisms of his Lake Charles birthplace are prevalent in Christeene.

She doesn’t necessarily identify as a musician; Soileau didn’t grow up worshiping Alice Cooper, David Bowie, or any other darkly changeable theatrical musical character.

“I’m actually more cinematic,” she says.

To wit, she met the Dead Kennedys’ Jello Biafra and didn’t know who he was.

And became pals with Roddy Bottum before knowing he was in Faith No More.

Christeene prefers Barbara Stanwyck and “old Hollywood shit. I’m a little late bloomer when it comes to music,” she explains. “And I really appreciate that, because it leaves my playing field open to imagine and create without too much influence.”

It’s that background that allows the spewing of a track like “Fix My Dick,” a throbbing, The Prodigy–style buzzing industrial sex song.

To date, Christeene’s albums include 2012’s Waste Up, Kneez Down, 2018’s Basura, and the most recent, 2022’s Midnite Fukk Train.

Her role as a performer is as visual as it is vocal, her timbre and stage presence more subversive singer than stellar songstress.

There was crotch-grabbing, bois in G-strings, and a story about an event where her butt plug was accidentally born aloft by a rogue drone.

This might make her an unlikely candidate to honor O’Connor’s often personal and poetic songs.

But the two share a deep well of compassion, a sense of justice, tenderness, and outsiderness.

Still, a quick look at Christeene won’t show that full picture.

So when she mounted a one-night show of “The Lion the Witch and the Cobra,” in 2019, at London’s tony Barbican Centre, Christeene reached out to the icon.

“I didn’t want Sinéad O’Connor to read about Christeene and this show and not have a solid explanation of who the fuck I was and what I was doing. I’d have been like, ‘What the fuck is this booger troll doing with my music?’”

So she wrote a letter and gave it to John Reynolds, O’Connor’s first husband and career-long collaborator and producer.

He passed it along, and word came back that O’Connor was cool with the production.

Reynolds actually came to the London show, telling Christeene, “I haven’t listened to this album in 30-something years.”

“I was like, ‘I’m so sorry to deliver it like this,’” she recalls. “And, all in jest, but it was really fucking important and incredible to have John in the room, to have that conversation with Sinéad through John.”

March 25, 2024, was the third time Christeene and her band created that musical “conversation” with O’Connor’s work, the second time since the Irish singer’s death, in 2023, and the first time in New York City.

Emerging onto City Winery’s stage in beautifully blasphemous, pope-like red robes, the artist was flanked by a pair of acolytes who performed different roles throughout the show.

Climbing atop three stacked milk crates serving as a riser — her very DIY stage set a source of pride even while doing her own roadie duties during the show — Christeene towered over the upturned faces of the standing-room-only audience to deliver the opening salvo.

The crowd, by turns uber-emotional, joyous, and appreciative of Christeene’s hilarity, sang along to “Never Gets Old” (the set opener, but actually the fifth song on The Lion and the Cobra), “Mandinka,” and “Just Like U Said It Would B.”

Christeene was then joined by another downtown icon, Justin Vivian Bond, for “Drink Before the War.”

The power-suited, well-coiffed Bond stood in marked visual contrast to Christeene’s ice-blue contact lenses, long blond wig with bangs, gold tooth, and yellow fishnet one-piece homemade bathing suit.

Christeene’s wrists were adorned with the plastic circles from Hellman’s mayonnaise lids she uses as bracelets, the armfuls of bangles recalling “Lucky Star”–era Madonna.

There was crotch-grabbing, bois in G-strings (Christeene’s own handmade undergarments are G-strings fashioned from pantyhose), and a story about an event where her butt plug was accidentally born aloft by a rogue drone.

Between songs, Christeene drawled eloquently about O’Connor and the miserable state of the world, and then she wished the gathered audience the “black teeth” caused by City Winery’s signature beverage, borrowing, then finishing, an audience member’s long-stemmed glass of red wine with a theatrical grimace.

Towering passion: Arising on milk crates. Brett Lindell

Onstage, Christeene marveled at the depth of the songs O’Connor wrote and recorded while she was still a teen, pregnant with her first child and fighting mental issues and the patriarchy.

In our Parkside interview, she observed, “I thought of Sinéad as the Greek lady Cassandra, who ran around and told the truth all the time, and no one believed it. Something about that, on that level, years before the Barbican show — maybe five or six — I got a creative kick sometimes. You get a feeling. And that one stuck.”

While initially she wanted to mount the New York show in a small, divey venue, Christeene’s community of collaborators boosted the idea of something bigger.

“And I said yes, as you always should … Liza Minelli says ‘Yes!’” Her friends are family. Hugs and kisses are fervent and frequent. Collaborators and bandmates are family. Christeene easily engenders loyalty and gives as good as she gets.

During our interview at the Parkside, as she went about her Oscar-hosting duties, friends and fans filed by as she mused on the creative process, power dynamics, and the road that led to the upcoming City Winery show.

“I think the term drag now is just too dangerous, because it’s a homogenized carton of milk on a shelf.”

“I have rearranged, changed the order of a few things, because I’m a theater faggot,” she explains, of the full-album playthrough of O’Connor’s album. “I really believe in taking the people on a journey that will emotionally carry you. We’re not changing songs so much as injecting them or putting them through the filter of my sound and the sounds of the musicians I work with, and the energy that I deliver on stage. I’m very aggressive onstage, but I can also be as sweet as pie.”

She’s not unlike Bella Baxter, the genuine and chaotic character that would earn Emma Stone an Oscar a few hours hence, for her role in Poor Things.

“I don’t like that Mark Ruffalo person,” Christeene remarks of the actor who portrays Duncan Wedderburn in the film, her Cajun inflections a slow burn. “But he’s charming the pants off me on this one, because he’s an idiot. And I love idiots. I thought it was super fucking creative. It could have gone down so many shitty highways of a woman surrounded by men.

“Many of the people in these fucking films are actively a little more alive than a lot of other people,” she adds. “So maybe they’ll kind of speak up about some world shit and not be too afraid to do so on the stage tonight, because they seem to have a bit more joie de vivre than, like, some of the old crusties. But who knows? Because, like, we need some more Vanessa Redgraves up in there to talk the talk of the Oscars, and Sinéad O’Connor too, because she always had something to say about an awards ceremony.”

If a Frankensteined female character can capture the public’s imagination and praise onscreen, maybe the equally quixotic, earthy character of Christeene isn’t far behind.

Drag queen and reality show superstar Ru Paul has soared to worldwide fame and acceptance.

But Christeene has more in common with Hedwig, of Angry Inch fame — colorful but fringe-y, and dirtily sexual.

She also has a powerful undercurrent of gravitas to her person: a humanitarian in five-inch heels who shoves the microphone in her mouth à la the Cramps’ Lux Interior.

That said, “I don’t see myself as a drag performer. I think the term drag now is just too dangerous, because it’s a homogenized carton of milk on a shelf,” explains the disarming artist. “I find myself to be a family member of drag. Like when y’all get together for the holidays, I’m the cousin that shows up and you’re like, ‘Yeah, this is your cousin Christeene.’ And everyone’s like, ‘We’re related to that shit?!’ Then I walk in and eat all the food, and I leave. And maybe break the toilet. Or get to know your mom real good, and we both leave.”

She clarifies further: “I’m not disowning drag. Drag is a historical language. It is the world of magic and surrealism and imaginative gender exploration and comedy and ways to deal with this fucked-up world as best we can. I think it has layers of importance.”

But if drag is often dressed to the nth degree, Christeene is the antithesis of fancy, more dressed to kill (scare? confound?) than impress.

A descriptor sometimes used is “drag terrorist,” which comes from multidisciplinary artist Vaginal Davis, a friend and inspiration.

“Vag always called herself a ‘drag terrorist.’ And whenever I was a baby — I was working, and still work, with my dear friend PJ Raval, he’s a filmmaker — we were always getting hit with ‘What are you?’ which I fucking hate. I hate telling people what they need. Everybody wanted an explanation and a sticker on the car. I remember just seeing how Vag did that. I was like, ‘That makes perfect sense.’”

Christeene feels like an old soul, “who has ghosts in me of past times and places and people, I think the way dirt can get in the corner and crevices. I think I find a way to get blown into places maybe where I don’t belong — like City Winery. Or where I do belong, here at the Parkside.”

A dirty-mouthed angel honors Sinéad. Brett Lindell

Judging by the long, diverse, and creatively attired line to get into City Winery — and the subsequent major coverage in The New York Times and elsewhere — Christeene belongs there too.

If the Gray Lady can get behind what Christeene describes as the “What the fuck atmosphere” she intentionally creates, maybe there’s hope. Says Christeene, “If you go see the strange mix of a City Winery kind of establishment with the filth and the fury of what we’re doing, your brain’s trying to understand the luxury of the wine and food along with the booger onstage screaming at ya. I think we need more of that in our lives, because the comfort levels of where we go and what we know needs to get scrambled.”

Ripping up a picture of the pope on Saturday Night Live scrambled many people’s comfort levels a bit too much.

And ultimately, O’Connor’s own life felt too jumbled for her to carry on.

But she’s got Christeene to help remind and further that legacy of truth, bravery, kindness, and beauty.

Christeene does not see the Sinéad show as a tribute.

In her words, “It’s absolutely honoring a woman who I found the world had not honored for what she said, what she proved, what she has always stood for. Not even fought for. Her actions, her language, and the calmness upon which she delivered that … I don’t see that as someone fighting for something, [I see it] as just speaking truth and delivering their gifts to the fucking world.”

After closing the witchy Winery evening with “Just Call Me Joe,” the multilayered and mystical final track on The Lion and the Cobra, it was clear the audience wanted more.

O’Connor’s album was done, but the show was not.

Kicking out the jams on “Fix My Dick,” Christeene spat lyrics that included “I’ll let you chew on my crabcake, to hell with the first date / Just slide me the beef steak” to a rabid crowd undulating with appreciation.

The room — and performers — were sweaty and sated.

While no further performances of “The Lion the Witch and the Cobra” have yet been set, in a post–City Winery email to the Voice, Christeene reflected on the triumph of the two NYC shows, which saw celebrities including Todd Oldham, Debbie Harry, Graham Norton, Chloë Sevigny, and Michèle Lamy in attendance.

“I’ve seen the love from the folks who came into these rooms for these shows, and I’m smacked with shock and awe at the things folks are saying from their experiences,” she wrote. “My heart really is so fukkn full. It’s been a long time comin to make these shows happen, and crossing that threshold with crowds like the ones we had in LA and NYC was life changin’. Press can say what it wants, but ya really had to be there to know what happened in those rooms. It was surreal and mysterious and it was all in orbit with the star that is Sinéad.”

[hotindiemedia]

The Record Players @ Parkside Lounge (30 March 2024) from James Lane on Vimeo.

[enidellen]

Album release show at The Parkside Lounge 2024

[weepingmusicartisan]

PERFORMANCE TOMORROW JAN. 29TH!

THRILLED TO BE PERFORMING! Amazing Amy: Them's Good Stretchin' Little Old Limber Lady Contortionist Flexibly Freestyles with the Them's Good Eatin' band! The NYC Talent Show, Mon. Jan. 29th, 2024, show 7:30 PM, band 9:30 PM, The Parkside Lounge, 317 East Houston Street, NYC 10002. https://www.facebook.com/photo/?fbid=884358593693683&set=a.511283571001189 ,https://www.facebook.com/photo.php?fbid=10160673832088645&set=p.10160673832088645&type=3

[poetryofjacobmoses]

Palace Amusements performed at Parkside Lounge

[tvpapua-blog]

Celebrate your New Year’s with Magical Night at Suni Hotel Abepura

tvpapua.com, Jayapura, 21/12 Jayapura – Hotel Suni Abepura Managed by Parkside merupakan Hotel Bintang 4 berstandar internasional yang terletak di Jalan baru pasar lama Youtefa, Kecamatan Abepura – Jayapura. Hotel Suni Abepura memiliki fasilitas yang lengkap mulai dari kamar, restaurant 38, ruang meeting, ballroom dan juga Braza Sky Lounge. Berada di pusat kota Abepura menjadikan Hotel Suni…

[geminicollisionworks]

There were 10 Collisionworkers at Eli's lovely birthday party at the Parkside Lounge on the Lower East Side this past week, but unfortunately only 8 made it into the (cheap phone camera) picture, dammit. In any case, much catching up and great excitement for upcoming Life With Althaar return plans... So good to feel the band getting back together!

(left to right) Eli Ganias (H.F.), Linus Gelber (writer; Stalin-bot), Holly Pocket McCaffrey (Ashlee!; Miss Sophie), Ian W. Hill (co-creator; writer; sound designer), Berit Johnson (co-creator; writer; showrunner; Althaar), Ivanna Cullinan (Cmdr. Torianna), Philip Cruise (writer; Cprl. Dormer), David Arthur Bachrach (Radio Free Fairgrounds).

Alyssa Simon (Lt. Frall) and Chris Lee (writer; Chip Frinkel) were busy out-of-frame.

More soon....

[slovenlyrecordings]

THE MONSTERS – Mexico and the USA – 2024

THE PURE 1 RIFF GARAGE TRASH MASSACRE CONTINUES!! DIRECT FROM BERN SWITZERLAND WILD SUPER RAW PUNK PRIMITIVE ROCK’N’ROLL

April 25 - Mexico City, Gato calavera MEX

April 26 - Izcalli, Sham Rock MEX

April 27 - Mexico City, la Mezcali MEX

April 28 - Tijuana, Black Box MEX

April 30 - Los Angeles, Zebulon CA USA

May 1 - Las vegas, The Usual Place NV USA

May 2 - Palmdale, Transplants Brewing Co CA USA

May 3 - Santa Cruz, The Crepe Place CA USA

May 4 - San Francisco, Thee Parkside CA USA

May 5 - Reno, The Cellar NV USA

May 7 - Eugene, The Big Dirty OR USA

May 8 - Portland, Mano Oculta OR USA

May 9 - Olympia, The Crypt WA USA

May 10 - Yakima, Bearded Monkey WA USA

May 11 - Seattle, Clock-Out Lounge WA USA

[voodoorhythmrecords]

THE MONSTERS - Mexico and the USA - 2024

THE PURE 1 RIFF GARAGE TRASH MASSACRE CONTINUES!! DIRECT FROM BERN SWITZERLAND WILD SUPER RAW PUNK PRIMITIVE ROCK’N’ROLL

April 25 - Mexico City, Gato calavera MEX

April 26 - Izcalli, Sham Rock MEX

April 27 - Mexico City, la Mezcali MEX

April 28 - Tijuana, Black Box MEX

April 30 - Los Angeles, Zebulon CA USA

May 1 - Las vegas, The Usual Place NV USA

May 2 - Palmdale, Transplants Brewing Co CA USA

May 3 - Santa Cruz, The Crepe Place CA USA

May 4 - San Francisco, Thee Parkside CA USA

May 5 - Reno, The Cellar NV USA

May 7 - Eugene, The Big Dirty OR USA

May 8 - Portland, Mano Oculta OR USA

May 9 - Olympia, The Crypt WA USA

May 10 - Yakima, Bearded Monkey WA USA

May 11 - Seattle, Clock-Out Lounge WA USA

LINE UP

Beat-Man -Guitars/Vocals

Janosh -Bass

Swan Lee -Drum

Pumi - the knobs

the Monsters: www.themonsters.ch

voodoo rhythm records: www.voodoorhythm.com

slovenly: www.slovenly.com

slovenly Mexico: https://www.facebook.com/SlovenlyMexico/

Ivy Agency: www.ivyagencyworldwide.com

Discos De Muerte: https://www.instagram.com/discosdemuerte

Born to be Cheap: https://www.instagram.com/borntobecheapmx/

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[kic-backmusic]

1 HOUR of SEXY,SOULFUL, CHILL-HOP & LO-FI INST.Winter Chill Session #3

1 HOUR of SEXY,SOULFUL, CHILL-HOP & LO-FI INST.Winter Chill Session #3 by producer/composer MICHAEL T DOWNING of THE KIC-BACK LOUNGE! Copyright 2023. song titles: 1. Nights in Japan 2. Parkside chill 3. Be 4. Feeling Good 5. Let me in your heart 6. One Day 7. Black ice 2023 8.  Sweet things (2023 version) 9. Take your time 10. Morning coffee 11.  It's that time 12. Noonday Shade 13.  Resurrection The good life LIKE,SHARE AND SUBSCRIBE! Visit http://www.kic-backmusic.com

[abductionradiation]

NYC/Philly-based quartet Strange Ranger will be releasing their new album Pure Music this Friday, July 21 via Fire Talk. Ahead of the album release, the band released new single "Wide Awake" along with an accompanying music video. Along with the previous 3 singles, "Wide Awake" is yet another track that shows Strange Ranger's breadth of range. With the dreamy dual vocals and the lush instrumentals, Strange Ranger evokes a dreamy vintage sheen that gives a similar vibe to UK's The Wake. "Wide Awake" has a summery warmth that'll have you feeling a type of aching nostalgia.

Tour Dates:

Fri. Aug. 4 - New York, NY @ DROM  ✧ Sat. Aug. 5 - Philadelphia, PA @ Johnny Brenda’s ♡ Thu. Aug. 31 - Richmond, VA @ The Camel Fri. Sep. 1 - Durham, NC @ The Pinhook Sat. Sep. 2 - Atlanta, GA @ 529 Sun. Sep. 3 - Pensacola, FL @ The Handlebar Tue. Sep. 5 - Denton, TX @ Andy’s Wed. Sep. 6 - Austin, TX @ Mohawk Fri. Sep. 8 - Phoenix, AZ @ Linger Longer Lounge Sun. Sep. 10 - Los Angeles, CA @ The Resident Mon. Sep. 11 - San Francisco, CA @ Thee Parkside Tue. Sep. 12 - Reno, NV @ The Holland Project Thu. Sep. 14 - Portland, OR @ Polaris Hall Fri. Sep. 15 - Seattle, WA @ Vera Project Sun. Sep. 17 - Missoula, MT @ The Showroom Mon. Sep. 18 - Salt Lake City, UT @ Kilby Court Tue. Sep. 19 - Denver, CO @ Hi-Dive Fri. Sep. 22 - Chicago, IL @ The Hideout Sat. Sep. 23 - St. Louis, MO @ The Sinkhole Mon. Sep. 25 - Indianapolis, IN @ Healer    ​✧ w/ Nourished By Time & special guests ♡ w/ Snoozer, Full Body 2

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