#Painters and decorators Surrey

[bournedecoratorspainters]

Painting Services in Surrey

Transform your space with a splash of color! Painting revitalizes, conceals flaws, and adds personality, creating an inviting atmosphere. Trust Bourne Decorators for top-notch interior, exterior, and commercial painting services in Surrey! Contact Now!

[newstyledecoration]

As a reputable Building Contractor in Slough, We offer a list of exclusively reliable services including not only Painting and Decorating but also Plumbing and Electrical along with Extensions, Property Refurbishment , and Tiling. 

[restylepaintinganddecorating]

Painting contractors in Fairview Park-House painters in Surrey Downs

[martinspaintinganddecorating]

Establishing my business, Martins Painting & Decorating Services, over 25 years ago, I am an experienced painter and decorator operating across Farnborough, Surrey, North Hampshire, Guildford, Farnham, Basingstoke, Camberley, and surrounding areas.

[platinum-paints]

Painting and decorating London using Budget-friendly Decorative Techniques

Platinum paints has a well-qualified team of experts that specialiZes in interior and exterior decoration services. Our team of professionals can recreate your house and give it an appealing look. If you want to know more about painting and decorating London with Platinum Paints, read our website.

[onlineantiques]

eBay item number 234889246599 William Mainwaring Palin, was born at Hanley, Stoke-on-Trent, Staffordshire on 6 June and baptised at Stoke Holy Trinity on 25 December 1862, son of William Palin (1818-1888), an engraver, and his wife Hannah née Mainwaring (c1823-1908), who married at Newcastle-under-Lyme, Staffordshire in 1850. Palin was educated at Cobridge Collegiate, Stoke-on-Trent, before undertaking a 5 year apprenticeship with Josiah Wedgwood and Sons, Etruria, Staffordshire and, aged 18, obtained a National Art Training Scholarship at the Royal College of Art. In 1881, an 18 year old figure painter on pottery, living at 54 Lyndhurst Street, Burslem with parents, 62 year old William, potter engraver on copper, and 58 year old Hannah. In the early 1880s he was in Italy and in Paris where he worked under Jules Joseph Lefebvre (1836-1911) and Gustave Boulanger (1824-1888). Between 1893 and 1897, Palin was involved in the decoration of the M’Ewan Hall, Edinburgh, and had been recommended to the Building Committee for the project by the Science and Art Department, South Kensington. William became a member of the Royal Society of British Artists in 1905, acting as Hon. Sec. 1911-1913 and elected vice-president in 1914. He married firstly in 1901, Amy Frances Mansergh (1862-1905), daughter of James Mansergh, F.R.S., Amy died on 9 December 1905, who left the then considerable estate of over £25,000. William married secondly at Fulham, London in 1911, Sarah Jane [Jennie] Dale (6 July 1871-14 April 1948) and in 1939, a retired artist, living at 88 Edge Hill, Wimbledon, Surrey with his wife Sarah, they had a son and a daughter. A painter and decorative artist, exhibiting infrequently at the Royal Academy Summer exhibitions 1892-1915, also at Liverpool Walker Art Gallery, Royal Society of Portrait Painters and elsewhere including Paris Salon and in Chicago, USA. He painted at Walberswick in Suffolk over a ten year period from 1931, every year except one. He died at 88 Edge Hill, Wimbledon, Surrey on 23 July 1947, aged 85. https://www.instagram.com/p/CoYSVmzI8R3/?igshid=NGJjMDIxMWI=

[caulfieldpaintings]

Commercial Painting Services: For A Cost-Effective and Hassle-Free Paint in Melbourne

If you are going for a major remodel in the home, then you need to hire commercial painting services in Melbourne because it will cost much less than hiring them from your garage. If you have ever tried painting over a weekend, then you know that it is impossible and very hard. Your benefits include professional work at affordable prices and peace of mind knowing that your house is being painted by trained professionals who will make sure that there's no paint left behind on walls or any other decorations around the house.

There's no way you're getting this done fast enough so prepare to shell out some money for what the best commercial painters in Surrey Hills have to offer. Through a process of elimination, you will find the best commercial painting contractors and they will help you get your money's worth.

Price:

Most residential painting companies are known to charge exorbitant prices because they will try to convince you that they are a huge company and have a lot of experience at the same time. The truth is that there is only one specific company that you can trust fully when it comes to residential painting. Commercial painters are always happy if their customers pay them on time and without any further haggling.

Customer Support

Customer support is what matters the most when you are buying a new home for your kids or grandkids. If you are highly satisfied with the services of a specific company, then it is always advised to stick with them. However, if you are constantly getting frustrated, then it is best to seek other companies that will give you support and help you in any way possible.

Paintings are never done in a day, if you're looking to get this done fast, then you should save your time and hire the best professionals.

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[idealpainting-blog]

South Surrey Painters and Painters in Surrey

Ideal Painting and Decorating offer painting services for both residential and commercial by South Surrey Painters specialize in interior and exterior area. Book painters in south surrey by contacting here - 7782405056

[vitapictor]

                         “Beauty is truth; truth, beauty.”

“AN EVENING ROMANCE” (2017)

ARTWORK TYPE: One of a kind

DIMENSIONS101.6x66 cm

TECHNIQUES:Acrylic  

Presentation & Biography

“WILLIAM OXER IS NOT MERELY A PAINTER; HE IS A DISTINCTIVE SENSIBILITY, WITH A POETIC VISION HE EXPLORES IN MANY MEDIA. HIS ART IS AFFIRMATIVE, EVOCATIVE AND FORGIVING AND OFFERS US, IN SHORT, A RETURN TO THE TRUE AND SERIOUS TRADITION.” SIR ROGER SCRUTON

ABOUT WILLIAM

A passionate artist driven by traditional ideas of how beauty should be represented, William formed the intellectual basis to his work under the tutelage of Professor Regius Peter Davidson of Oxford University.

After graduating, William was offered a place at the Prince of Wales' Institute of Architecture but was advised by them to take the position of assistant to Alec Cobbe, artist, restorer and collector. Living in at Hatchlands Park, Surrey where The Cobbe Collection is based, William was to assist in various projects including an exhibition for the Queens Gallery, Buckingham Palace and large-scale designs for interiors in historic houses such as Goodwood House, Petworth House and Hatchlands Park. He lived at the latter back in 1996, working with restorer and interiors expert, Alec Cobbe. Over the past 25 years, William has undertaken regular portrait commissions for private clients and produced artworks for exhibitions and collectors across the world. His work also includes period decoration and exhibition design in places such as Christie’s and the Building of Bath Museum, also known as The Museum of Bath Architecture.

Source: https://www.artmajeur.com/en/william-oxer-frsa/artworks/12360386/an-evening-romance

[bournedecoratorspainters]

House Painters In Surrey

House painting not only preserves and beautifies but also adds value to your property while safeguarding it from wear, weather, and decay. Connect with our professional house painters in Surrey at Bourne Decorators today!

[newstyledecoration]

Painting Contractors Slough - New Style Decoration

New Style Decoration has experienced Painting Contractors Slough to offer you top Plastering Services Surrey along with Exterior Painting and Decorating.

[restylepaintinganddecorating]

House painters in Surrey Downs-Painters Kensington Gardens

https://restylepaintinganddecorating.com.au/services/house-painting/ House painters in Surrey Downs-Painters Kensington Gardens Restyle Painting and Decorating is your one-stop-shop for all your house painting needs. We offer a wide range of services, including interior and exterior painting, wallpaper removal, and more. Our team of skilled professionals will work with you to create a customized plan that fits your needs and budget. We use only the best materials and techniques to ensure that your home looks great and provides reliable protection from the elements. Contact us today to get a free estimate for your house painting project. For more visit our website:https://restylepaintinganddecorating.com.au/

[jdpainterssurrey]

Painters in Surrey

Painters in Surrey

With impactful design and painting solutions, JD Major Decorating Services is the top choice in Kingston for your decorating needs. We offer an excellent selection including wallpaper hanging, tiling, exterior painting, and more to beautify our customers' homes and businesses. Have a custom project you’d like finished? We can help!

[mishinashen]

Juliet and the Nurse by John Roddam Spencer Stanhope, 1863

Stanhope's 1863 painting Juliet and the Nurse takes its subject from Act III, Scene II of Shakespeare's Romeo and Juliet. We see Juliet standing at the open casement, its glass decorated with shields showing cardinal's hats in sets of three, while lying on the carpeted floor at her feet are the coils of rope. Juliet's nurse is seated on the right, and watches her mistress with an expression of concern. In the chamber beyond is the bed where that night Romeo and Juliet will lie together. A triptych of the Mother and Child with Saints (loosely based on Duccio's altarpiece of c.1315 in the National Gallery), is displayed on the wall, as if to bless their union. The tragic sequence of events which will lead to the deaths of the 'star-cross'd lovers' are thus unfolding. Other interesting props shown in Stanhope's painting are the chair of ebony and inlaid ivory upon which the nurse is sitting, and which was loaned to Stanhope by Holman Hunt (and which Hunt himself had included in his own painting Il Dolce far Niente (ex Forbes Magazine Collection, New York)), and the arrangement of seven small mirrors set together into a circular wooden frame, of the type that Burne-Jones had used in paintings of the early 1860s showing medieval interiors, such as Rosamund and Queen Eleanor (private collection). From a young age Stanhope had read the plays of Shakespeare, as he had jokingly told his mother in a letter of about a decade earlier when he was a pupil of George Frederic Watts and was spending much of his time at the home of Mrs Thoby Prinsep, Little Holland House: 'I have seen nothing of the Prinseps lately. I have none the less got on very happily with the assistance of gentle Will Shakespeare, whom I read regularly at breakfast and dinner, when I find it acts as a first-rate digestive pill' (A.M.W. Stirling, A Painter of Dreams, 1916, pp.309-10). The care which the artist had taken to construct the composition owes much to Stanhope's knowlege of the works of Rossetti and Burne-Jones, as well as the formative training he had received from Watts. Furthermore, Stanhope was interested in the works of the old masters, visiting museums and collections in the course of his foreign travels and always looking for ways to include into his own art the lessons learnt from these examples. He had written on one occasion from Venice: 'I have been studying Tintoret a great deal lately. He is a most extraordinary genius and I think deserves the comparison that a Frenchman made to me the other day at the Table d'Hôte which was that he thought the genius of Tintoret very much resembled that of Shakespeare both in power and quality' (A.M.W. Stirling, A Painter of Dreams, London, 1916, p.322). More particularly, Juliet and the nurse shows the interior space of the room and its contents with a meticulousness that suggests the study of north European Renaissance art, familiar to British painters through the examples on display in the National Gallery and from visits to the Low Countries. In addition, the influence of contemporary Flemish art on Stanhope's art was suggested in a review of the 1863 Royal Academy exhibition. The critic of the Art Journal observed that the painting betrayed 'mediaeval influences, probably reflected from the work of [Hendrik] Leys', and suggested that Stanhope may have had the opportunity to study such works when they had appeared at the 1862 International exhibition. The painting has a wonderful depth and richness of colour, carefully modulated but also striking in contrasts. Stanhope's friend Edward Burne-Jones is reported to have said once when they were young men, perhaps at the time of their collaboration with Rossetti on the murals from Malory's Le Morte d'Arthur for the Debating Chamber of the Oxford University Union building, that '[Stanhope's] colour is beyond anything the finest in Europe'. Many years later, shortly before his death, Burne-Jones weighed up the particular attributes that made Stanhope's art so admirable: he reckoned him still 'the greatest colourist of the century', but thought that in his later career he had lost something of the close attention to detail of which he had once been capable: 'But accuracy of technique never goes together with great colourists and great draughtsmen' (both references, A.M.W. Stirling, A Painter of Dreams, London, 1916, p.334). Juliet and the nurse was perhaps the type of painting by Stanhope that Burne-Jones was remembering, done in the earlier years of the artist's career and at a time when his lyrical feeling for colour was still allied to the careful representation of surfaces and textures. Juliet and the nurse was presumably painted at Sandroyd House at Cobham in Surrey, built by Philip Webb for Stanhope in 1860. Burne-Jones may in fact have seen it in the studio there, because he is known to have visited Stanhope at about the time it was in hand. Apparently it was placed at the Royal Academy in 1863 where it was difficult to see. Nonetheless, the painting was applauded by the critic of the Athenaeum, who believed that, 'notwithstanding slight evidences of inexperience in painting, and something of the like in composition, this work tells its tale with great spirit and success'. The writer concurred with Burne-Jones that Stanhope's strength was as a colourist: 'Mr Stanhope has an excellent perception of colour and a love of rich tone'.  CSN