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wikiuntamed · 7 months ago

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On this day in Wikipedia: Monday, 22nd April

Welcome, witamy, mirë se vjen, velkommen 🤗 What does @Wikipedia say about 22nd April through the years 🏛️📜🗓️?

22nd April 2023 🗓️ : Death - Len Goodman Len Goodman, English ballroom dancer and television personality (b. 1944) "Leonard Gordon Goodman (25 April 1944 – 22 April 2023) was an English professional ballroom dancer, dance teacher, and dance competition adjudicator. He appeared as head judge on the UK television programme Strictly Come Dancing, where various celebrities compete for the glitter ball trophy, from..."

Image licensed under CC BY-SA 3.0? by alotofmillion

22nd April 2017 🗓️ : Death - Donna Williams Donna Leanne Williams, Australian writer, artist, and activist (b. 1963) "Donna Leanne Williams, also known by her married name Donna Leanne Samuel and as Polly Samuel (born Donna Keene; 12 October 1963 – 22 April 2017), was an Australian writer, artist, singer-songwriter, screenwriter, and sculptor. In 1965, aged two, Williams was assessed as "psychotic". During the..."

Image licensed under CC BY 2.0? by Chris Samuel

22nd April 2014 🗓️ : Death - Oswaldo Vigas Oswaldo Vigas, Venezuelan painter (b. 1926) "Oswaldo Vigas (August 4, 1923 – April 22, 2014) was a Venezuelan artist, best known as a self-taught painter and muralist. His work includes paintings, sculptures, prints, drawings, ceramics and tapestries. He worked in France and Venezuela. He had over one hundred solo exhibitions, and is..."

Image licensed under CC BY-SA 4.0? by Dilia1510

22nd April 1974 🗓️ : Event - Pan Am Flight 812 Pan Am Flight 812 crashes on approach to Ngurah Rai International Airport in Denpasar, Bali, Indonesia, killing all 107 people on board. "Pan Am Flight 812 (PA812), operated by a Pan American World Airways Boeing 707-321B registered N446PA and named Clipper Climax, was a scheduled international flight from Hong Kong to Los Angeles, California, with intermediate stops at Denpasar, Sydney, Nadi, and Honolulu. The airplane briefly..."

Image licensed under CC BY 2.0? by Bob Harrington

22nd April 1924 🗓️ : Birth - Nam Duck-woo Nam Duck-woo, South Korean politician, 12th Prime Minister of South Korea (d. 2013) "Nam Duck-woo (22 April 1924 – 18 May 2013) was the 12th prime minister of South Korea from 1980 to 1982. Nam received his PhD in economics from Oklahoma State University. He served as finance minister from 1969 to 1974 under the presidency of Park Chung-hee. He was appointed as Deputy Prime Minister..."

22nd April 1821 🗓️ : Death - Gregory V of Constantinople Gregory V of Constantinople, Greek patriarch and saint (b. 1746) "Gregory V (Greek: Γρηγόριος; 1746 – 22 April 1821), born Georgios Angelopoulos (Γεώργιος Αγγελόπουλος), was Ecumenical Patriarch of Constantinople from 1797 to 1798, from 1806 to 1808, and from 1818 to 1821. He was responsible for much restoration work to the Patriarchal Cathedral of St George,..."

Image by Nikiforos Lytras

22nd April 🗓️ : Holiday - Christian feast day: Arwald "Arwald (died 686 AD) was the last King of the Isle of Wight and last pagan king in Anglo-Saxon England. ..."

Image licensed under CC BY 4.0? by Paul A.T. Wilson

#OnThisDayInWikiHistory #WikiUntamed #WikiWonderland #GemsOfWikipedia

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pocketsrestorations · 2 years ago

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Check out this listing I just added to my Poshmark closet: Douglas Badcock "Across Lake Hayes to Lake Wakatipu" Lithograph Framed.

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apwmagazine · 2 years ago

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Married To His Wife Lisa And Has Two Kids

Jason Momoa is a headline adopted by many media outlets as they have begun to make bold assumptions about the sexuality of the famous Actor. Do the rumors about “Jason Momoa Gay” exist? The genesis and reality of those rumors will be examined in further detail in this essay. Coni (Lemke), a photographer, and Joseph Momoa, a painter, created Momoa, an only child, on August 1st, 1979, in Honolulu,…

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100yearoldcomics · 3 years ago

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February 5, 1922 The Katzenjammer Kids by Harold Knerr

TOP PANEL: [ID: The Kids lead Rosie the bulldog out to the woods to track a pair of footprints leading down a trail. /end] Fritz: Attaboy, Rosie! Der trail iss getting varmer! Rosie: Sniff! Sniff!

MAIN COMIC: [ID: A painter carries his easel into the Katzenjammer house, followed by a vicious-looking bulldog puppy with a spiked collar. The Kids welcome them in. /end] Mr. Smearer: Der pitcher uf your mamma iss ge-finished! No monkey doodles to-day! I brought liddle Rosie mit! Bevare! Fritz: Hello, Mister Smearer! Come in! Hans: Chiminy! Vot a fierce vun!

[ID: Hans begins to play with Rosie while Fritz takes a mirror off the wall. Between them sits a portrait of Mama on the artist's easel. /end] Fritz: Iss you vamping Rosie all right? Hans: Say, I got a suspicion dot Rosie's face iss a fake! She likes to be tickled!

[ID: Hans puts pants on the bulldog while Fritz replaces Mama's portrait in the artist's frame with the mirror. /end] Fritz: Hurry, boy! I hear footsteps caming! Hans: Say, dressing a dog iss no hurry bizness!

[ID: The artist brings Mama and der Captain in to gaze upon his handiwork. Mama stares happily into the mirror. /end] Mama: My! Vot a resembler, it speaks but I couldn't hear it! Artist: Gif a look und you see vot iss art! Captain: Vell, it couldn't bite me, anyvay!

[ID: Der Captain looks into the mirror, confused. The artist sees through the Kids' prank and discovers his canvas lying to the side of the easel. /end] Mama: Could you notice der resemblance uf der likeness? Artist: Look! Somevun has sviped der pitcher from der frame ouid!

[ID: The artist lifts up the painting and discovers that the Katzenjammers have drawn a mustache and goatee on his portrait of Mama. Der Captain leaves the room while Mama puzzles it over. /end] Artist: Ach! My art! Mama: But v'y did you put der vitskers on? Captain: Chust vun guess, und I bet I got a suspicion!

[ID: Der Captain finds one of the Kids bent over, attempting to hide under the tablecloth of a table in the living room. He sneaks up behind them with a two-by-four, rolling up his sleeve. /end] Captain: Sh-h-h-h! Ooh, vot a chance!

[ID: He spanks the exposed posterior with the plank of wood as hard as he can. /end] Captain: SO, Mister Pitcher Sviper! How iss dot for high?

[ID: Rosie the bulldog turns around, revealing herself as the wearer of the pants. Der Captain drops his board in shock. Rosie is angry. /end] Captain: Excuse!

[ID: Rosie begins chasing der Captain onto the tabletop. Der Captain rushes up, knocking over the books, lamp and vase that sat atop it. The Kids peek out from their hiding place under the same table. /end] Captain: Hey! Vait! How could I know it?

[ID: The Kids both stand up and lift the table off of themselves, knocking der Captain back off of it and onto Rosie. /end] Hans: Oh, look! Der sun iss shining in der vest! Fritz: Whose vest?

[ID: The kids walk across a barren desert wasteland with hobo bundles. Between them strides a happy Rosie, still clutching a scrap of fabric from Der Captain's wardrobe in her mouth. /end] Fritz: Iss you villing to come all der vay to Honolulu mit us? It's der only safe place! Rosie: WUFF! Hans: She says chass!

#newspaper comics #vintage #history #1922 #the katzenjammer kids #harold knerr #transcript available #1920s

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oberlincollegelibraries · 4 years ago

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Weekend Edition: Books By Indigenous Authors

This week we are highlighting books by indigenous authors from all over the world. Below are some samples from OCL’s collection by people of Maori, Sioux, Lakota, Inuit, Sami, and Kanaka Maoli descent. For more ideas, browse the hashtag #NativeReads, started by the First Nations Development Institute, on your favorite social media platform.

Custer Died for Your Sins: An Indian Manifesto by Vine Deloria, Jr.

In Custer Died for your Sins, the author observes, "The Indian world has changed so substantially since the first publication of this book that some things contained in it seem new again." Indeed, it seems that each generation of whites and Indians will have to read and reread Vine Deloria's Manifesto for some time to come, before we absorb his special, ironic Indian point of view and what he tells us, with a great deal of humor, about U.S. race relations, federal bureaucracies, Christian churches, and social scientists. This book continues to be required reading for all Americans, whatever their special interest. -- Provided by publisher.

The Bone People: A Novel by Keri Hulme

Integrating both Maori myth and New Zealand reality, The Bone People became the most successful novel in New Zealand publishing history when it appeared in 1984. Set on the South Island beaches of New Zealand, a harsh environment, the novel chronicles the complicated relationships between three emotional outcasts of mixed European and Maori heritage. Kerewin Holmes is a painter and a loner, convinced that "to care for anything is to invite disaster." Her isolation is disrupted one day when a six-year-old mute boy, Simon, breaks into her house. The sole survivor of a mysterious shipwreck, Simon has been adopted by a widower Maori factory worker, Joe Gillayley, who is both tender and horribly brutal toward the boy. Through shifting points of view, the novel reveals each character's thoughts and feelings as they struggle with the desire to connect and the fear of attachment. Compared to the works of James Joyce in its use of indigenous language and portrayal of consciousness, The Bone People captures the soul of New Zealand. After twenty years, it continues to astonish and enrich readers around the world.

The Right to Be Cold: One Women’s Story of Protecting Her Culture, the Artic and the Whole Planet by Sheila Watt-Cloutier

The Right to Be Cold is a human story of resilience, commitment, and survival told from the unique vantage point of an Inuk woman who, in spite of many obstacles, rose from humble beginnings in the Arctic community of Kuujjuaq, Quebec--where she was raised by a single parent and grandmother and travelled by dog team in a traditional, ice-based Inuit hunting culture--to become one of the most influential and decorated environmental, cultural, and human rights advocates in the world. The Right to Be Cold explores the parallels between safeguarding the Arctic and the survival of Inuit culture--and ultimately the world--in the face of past, present, and future environmental degradation. Sheila Watt-Cloutier passionately argues that climate change is a human rights issue and one to which all of us on the planet are inextricably linked. The Right to Be Cold is the culmination of Watt-Cloutier's regional, national, and international work over the last twenty-five years, weaving historical traumas and current issues such as climate change, leadership, and sustainability in the Arctic into her personal story to give a coherent and holistic voice to an important subject.

This Is Paradise: Stories by Kristina Kahakauwila

"A visceral, poignant, and elegantly gritty work of debut fiction set in Hawaii, in the vein of Junot Diaz's Drown and Danielle Evans's Before You Suffocate Your Own Fool Self This is the real Hawai'i: life is not the paradisical adventure that honeymooners or movie-goers see. Danger lurks on beautiful beaches, violence bubbles under the smooth surf, and characters come face to face with the inevitability of change and the need to define who they are against the forces of tradition and expectation. In these stories, a young woman decides to take revenge on the man who had her father murdered - only to find that her father wasn't who she thought he was. Three different groups of Hawaiian women observe and comment on the progress of an American tourist through one day and one night in Honolulu. And a young couple have an encounter with a stray dog that shakes their relationship to the core. Intimately tied to the Hawaiian Islands, This is Paradise explores the relationships among native Hawaiians, local citizens, and emigrants from (and to) the contiguous forty-eight states. There is tension between locals and tourists, between locals and the military men that populate their communities, between local Hawaiian girls who never leave, and those who do so for higher education and then return. Kahakauwila is a careful observer of her protagonists' actions - and, sometimes, their inaction. Her portrayal of people whose lives have lost their centre of gravity is acute, often heartbreaking, and suffused with a deeply felt empathy. With a contemporary edginess, a mature style, and a sense of history reverberating into the present, This is Paradise is an incredible debut"-- Provided by publisher

The Sun, My Father by Nils-Aslak Valkeapää; [translators, Ralph Salisbury, Lars Nordström, Harald Gaski]

Nils-Aslak Valkeapaa was born in 1943 to a reindeer-breeding family in Sapmi, homeland of the Sami, whom outsiders have called "Laps" or "Laplanders". A Finnish citizen, he lives in both Norway and Finland. Much of traditional Sami life was nomadic, involving herding reindeer and living in harmony with the landscapes, weather, and animals of the far north. The poems in The Sun, My Father serve as a link between past and present. According to one myth, the Sami are the children of the sun, and the poet honors that myth, reaching back into the Sami past from the point of view of a modern Sami. The Sami edition was originally published in 1988 and won the Nordic Council's Literature Award. The translation team includes Ralph Salisbury, a Native American poet, Lars Nordstrom, a Swedish translator, and Harald Gaski, a Sami scholar.

#oberlin college libraries #ocl reading challenge #ocl bingo #reading challenge #weekend edition #nativereads #indigenous authors #OCLReads

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dearevanhansenofficial · 3 years ago

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“YOU WILL BE FOUND” NATIONAL COLLEGE ESSAY WRITING CHALLENGE 2021 | DEAR EVAN HANSEN

DEAR EVAN HANSEN “You Will Be Found” National College Essay Writing Challenge 2021

In partnership with Gotham Writers Workshop and the Broadway Education Alliance, DEAR EVAN HANSEN invited 11th-grade and 12th-grade students across the country to write a college-application style essay that describes how they channeled “You Will Be Found” to ensure those around them were a little less alone over the last year, or, alternatively, a moment where they found comfort in connection.

WINNER: Nearly 4,000 high school students across America wrote about impactful ways they stayed connected with others over the last year and we're delighted to announce Maxwell Silverman of Chicago, IL as the winner of the 2021 "You Will Be Found" National College Essay Writing Challenge and the $10,000 scholarship.

In June 2021, Maxwell graduated from Lane Tech High School in Chicago with plans to attend Boston Conservatory at Berklee, focusing on a degree in Musical Theatre.

FINALISTS: Seth Gorelik, Bellmore, NY Mira Kwon, Los Angeles, CA Anna Cappella, Pittsburgh, PA Semira Abdus-Salam, Rosedale, NY Filgey Borgard, Brooklyn, NY Lauren Escarcha, Orlando, FL Kacey Feth, Union, MO Paige Foltz, Stephens City, VA Sarah George, Chesterfield, MO Vincent Gerardi, Hauppauge, NY Ariane Lee, Syosset, NY Allison Lierz, Omaha, NE Megan Luong, New York, NY Kimberly Manyanga, Billerica, MA Orla Grace McCoy, Raleigh, NC Lucy Meola, New York, NY Sunaya DasGupta Mueller, Palisades, NY Liv Ollestad, Issaquah, WA Liana O'Rourke, Downers Grove, IL Isaiah Register, New York, NY Sydney Schneider, Los Angeles CA Ysanne Sterling, Centreville, VA Madeline Wiest, Peoria, AZ Samantha Williams, Providence, RI Laura Yee, New York, NY

FINAL ROUND JUDGES: Kelly Caldwell, Dean of Faculty, Gotham Writers' Workshop Logan Culwell-Block, Director of PLAYBILLder Operations and Community Engagement, Playbill Will Roland, Actor, Dear Evan Hansen Original Broadway Cast Member Crystal Su, Program Manager, The Jed Foundation Ekele Ukegbu, 2019 Jimmy Award Winner

READ MAXWELL’S FULL ESSAY:

Gram·pun·cle [geram-puhn-cuul] n. A gay man who formerly dated your grandmother only to later come to terms with his sexuality but still stay in the family to take care of your mother and aunt growing up.

Alan Palmer was my Grampuncle. When my cousins and I were younger, we couldn’t figure out what to call him. He was our grandpa in terms of age and raising our mothers, but he functioned more as the classic “fun gay uncle”, so we settled on a combination, Grampuncle. While we all had amazing relationships with Alan, mine was special. I have known Alan and his husband, Bill, since birth (making them the first ever gay couple I knew in my life).

Growing up and struggling with my sexuality, I was always able to look up to them to show me that true love really does have no boundaries. I will never forget, in 2015, standing inside the Michigan courthouse beside Alan as he and Bill exchanged vows and got married. They showed me, a young, insecure gay boy, that there was a place for me in the world and that I had a future to look forward to filled with love and joy.

Along with that joy, there eventually came some pain. Alan was diagnosed with stage 4 lung cancer in the early spring of 2020. A week or so after the diagnosis, the world fell into a global pandemic. Those first few months were intense. I heard the horror stories from Alan of how scary it was going into the hospital for rounds of chemotherapy with people who had the Coronavirus sitting in the next wing over. Being constantly in and out of the hospital he was a risk to others, and the lung cancer made almost everyone else a risk to him. With the exception of his husband, he was fully alone.

Alan did not admit to his loneliness and pain. He did not want to feel like a burden, but after talking with Bill and hearing how Alan was truly feeling, my family began to make the hour and a half drive from Chicago to Michigan almost every other week to visit. We brought Alan a pop-up gazebo and some fancy sun hats to protect him (with the radiation he could not be in the sun for more than a few minutes at a time), and we would sit in the backyard just talking and laughing for hours until Alan’s body would give in to the exhaustion and he had to go inside.

As his birthday approached, I racked my brain thinking of something special to do for him. I thought back to a video I saw online toward the beginning of the pandemic and decided to make a “hug shield”. What better gift to give than a loved one’s embrace during the pandemic? Using a clear painter’s tarp, I cut arm holes and taped together closed arm sleeves. It took a good few hours, but I finally figured out a design that allowed for full protection on either side of the hug. On the day of his birthday, we packed up the car and headed to Michigan.

After talking and eating cake, it was time for the surprise. As we pulled the shield out and hung it from the gazebo, Alan did something I had only seen at the courthouse; he cried. I had the honor of the first hug, and as I slipped my arms into the sleeves Alan and I held each other and cried together. He pressed his forehead against mine through the plastic and in between sobs he said to me, “I am so proud of you.” I knew this was our final goodbye. When Alan died the next week, I knew he went in peace. He had felt my embrace through the shield of love.

SEMI-FINALISTS: Bailey Andera, Thousand Oaks, CA Arianna Arroyo, Brooklyn, NY Alexis (Lexi) Berganio, Honolulu, HI Avery Bielski, Los Angeles, CA Henry Boemer, Villa Rica, GA Isabelle Bulmahn, Imperial, MO Jane Butera, Phoenixville, PA Mia Cashin, Norwell, MA Sean Choo, Rancho Palos Verdes, CA Zuri Clarno, Columbus, OH Lydia Corcoran, Apalachin, NY Cody Coyle, Winter Park, FL Anna Dai-Liu, San Diego, CA Alexander Guerrero Diaz, Richmond, VA Isabella Dufault, Irvine, CA Edwin Ellis, Atlanta, GA Laurel Emanuel, Raleigh, NC Aubrey Fisher, Cobden, IL Sunny Fong, Brooklyn, NY Sarah Galatoire, Houston, TX Zhao Gu Gammage, Wyncote, PA Sarah Gomez, Anaheim, CA Rachel Gray, Cleveland, OH Jameson Huge, Chicago, IL Sarah Grace Hutchinson, Alpharetta, GA Catheryn Ibegbu, Dearborn, MI Nicole Jo, Andover, MA Kelsey Johnston, Prince George, VA Gabrielle Kashorek, Avon, NY Samantha Kern, Akron, NY Nicole Kowalewski, Sykesville, MD Anne Lee, Edison, NJ Amelia Lin, Mukilteo, WA Judianne Meredith, River Vale, NJ Rabi Michael-Crushshon, Minneapolis, MN Geneva Millikan, Maumelle, AR Samantha Moy, Long Island, NY Shaakirah Nazim-Harris, Amityville, NY Eleanor Neal, Springfield, VA Sofia Ochoa, Camarillo, CA Basilia Oferbia, Brooklyn, NY Annika Olson, Rathdrum, ID Kaden Polt, Osmond, NE Shreeyamsa Poudel, Federal Way, WA Noah Robie, South Berwick, ME Zainely A. Sandoval Martinez, Dorado, PR Devyn Schoen, Eldred, PA Yusra Shaikh, Edison, NJ Gabrielle Shockley, Egg Harbor Township, NJ Ava Sklar, Brooklyn, NY Mia Sunday, Sammamish, WA Christina Unkenholz, Smithtown, NY Emilia Valencia, Portland, OR Brianna Wallace, Fredericksburg, VA Charles Wang, West Hartford, CT Daniel Joseph Weispfenning, Ridgewood, NJ Jennifer Wheeler, Reading, MA Virginia Zanella, Collierville, TN Alessandra Zepeda Ortiz, Los Angeles, CA Anna Zhang, New York, NY Daniel Zhang, Cortland, NY

#dearevanhansen #milestonemoments #youwillbefoundessaycontest2021

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slimkhezri · 3 years ago

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#ArtAppreciation ♥️🖼🎨 "Nude on Green Blanket" (circa 1930s) By Moses Soyer (American, 1899–1974) Oil on linen 25 × 20 in / 63.5 × 50.8 cm Soyer was born in Borisoglebsk, Russian Empire, in 1899. His father was a Hebrew scholar, writer and teacher. His family emigrated to the United States in 1912. Two of Soyer's brothers, Raphael (his identical twin) and Isaac were also painters. Soyer's wife, Ida, was a dancer, and dancers are a recurring subject in his paintings. Soyer studied art in New York, first at Cooper Union and later at the Ferrer Art School, where he studied under the Ashcan painters Robert Henri and George Bellows. He had his first solo exhibition in 1926 and began teaching art the following year at the Contemporary Art School and The New School. He died in the Chelsea Hotel in New York while painting dancer and choreographer Phoebe Neville. The Brooklyn Museum, the Detroit Institute of Arts, the Hirshhorn Museum and Sculpture Garden (Washington, DC), the Honolulu Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art (New York City), the Philadelphia Museum of Art, The Phillips Collection (Washington, DC), the Walker Art Center (Minneapolis, Minnesota), and the Whitney Museum of American Art (New York City) are among the institutions holding works by Moses Soyer. The untitled painting in the collection of the Honolulu Museum of Art is an example of his intimate and psychologically penetrating portraits of ordinary people, for which he is best known. #ArtAwarness #CelebrateTheArts #Kunstliebhaber #Art https://www.instagram.com/p/CRaOBOoJoq7/?utm_medium=tumblr

#artappreciation #artawarness #celebratethearts #kunstliebhaber #art

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x-heesy · 5 years ago

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𝔅𝔞𝔟𝔶 𝔗𝔯𝔢𝔢 𝔟𝔶 𝔍𝔬𝔰𝔢𝔭𝔥 𝔖𝔢𝔦𝔤𝔢𝔫𝔱𝔥𝔞𝔩𝔢𝔯

Joseph Seigenthaler (born 1959) is an American sculptor and video artist who was born in Nashville, Tennessee. He earned a BFA in painting from the Memphis College of Art in 1981. Shortly after graduating, he freelanced sculpting life-sized wax figures for wax museums, primarily the Music Valley Wax Museum in Nashville and the Country Music Wax Museum in Tamworth, Australia. He studied ceramic art at the Appalachian Center for Craft in Smithville, Tennessee between 1984 and 1986. In 1990, he received an MFA from Northern Illinois University.

Seigenthaler has taught ceramic art at the University of Montana – Missoula, Harold Washington College in Chicago, and the School of the Art Institute of Chicago. He is married to the painter Anne Gilbert and currently lives and works in Chicago.

He is best known for his bizarre and/or imbecilic figurative clay sculptures, although he has more recently been creating computer animation loops of his creatures. The Honolulu Museum of Art, Museo de Escultura Figurativa Internacional Contemporánea (Murcia, Spain), the Museum of Contemporary Art, Chicago, and the Racine Art Museum (Racine, Wisconsin) are among the public institutions holding work by Joseph Seigenthaler.credits

https://song.link/s/53T0V3jTJDs3kIqwvlgspI

Credits above

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l2fmpnathan · 4 years ago

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Ruth Roots

ANDREW KREPS GALLERY22 CORTLANDT ALLEYNEW YORK, NY 10013TEL (212) 741-8849FAX (212)741-8863WWW.

ANDREWKREPS.COMRUTH ROOT Born 1967, Chicago, IL. Currently lives and works in New York City.

Education2003Yaddo1994 Skowhegan School of Painting and Sculpture1993 MFA, The School of the Art Institute of Chicago 1990Brown UniversityAwards1996 National Endowment for the Arts, Mid-Atlantic Grant in Painting1996 New York Foundation for the Arts Fellowship in Painting Solo Exhibitions2019Forum, Carnegie Museum of Art, Pittsburgh, PA2017356 Mission, Los Angeles, CA2016Marta Carvery Gallery, Madrid2015Old, Odd & Oval, The Aldrich Contemporary Art Museum, Ridgefield, CT Andrew Kreps Gallery, Nailery Nikolaus Ruziicka, Salzburg, Austria2014The Dartmouth Experiment, Dartmouth College, Hanover, NH2011The Suburban, Oak Park, IL2009Galerie Nikolaus Ruziicka, Salzburg, Austria Maureen Paley Gallery, London2008Gallery Minmi, Tokyo2007Andrew Kreps Gallery, New Yorkdale Marta Carvery, Madrid2005Galerie Nikolaus Ruzicska, Salzburg, Austria2004Maureen Paley Interim Art, LondonGaleria Marta Carvery, Madrid2003 Andrew Kreps Gallery, New York2001 Andrew Kreps Gallery, New York2000Galleria Franco Nero, Turin, Italy1999Andrew Kreps Gallery, New YorkMuseumExhibitions2018Inherent Structure, Wexner Centerport the Arts, Columbus, OH Surface/Depth, Museum of Arts and Design, New York, NY2015New York Painting, Kunst museum Bonn, Bonn, Germany2008Unique Act, Dublin City Gallery, The Hugh Lane,Dublin2007Don’t Look.

Contemporary Drawings from an Alumna’s Collection Martina Yamen, class of 1958, Davis Museum at Wellesley College, Wellesley, MA2005Extreme Abstraction, curated by Claire Schneider and Louis Gracchus, Albright Knox Art Gallery, Buffalo, NY2004City Maps, ArtPlace, San Antonio and TX.

ANDREW KREPS GALLERY22 CORTLANDT ALLEYNEW YORK, NY 10013TEL (212) 741-8849FAX (212)741-8863WWW.ANDREWKREPS.COM2003Permanent Collection On View, Los Angeles County Museum of Art, Los Angeles The ContemporaryArtProject Collection, Seattle Art Museum, Seattle, WA2002Emotional Rescue: The ContemporaryArtProject Collection, Curated by Linda Farris, Seattle Art Museum, Seattle, WAS am collect –contemporary art project, Seattle Art Museum, Seattle, WA2000Greater New York, Duplex solo installation, Curated by Klaus Eisenach and Laura Hauptman, PS1 Contemporary Art Centre, New York Group Exhibitions2019Painters Reply: Experimental Painting in the 1970s and now, curated by Alex Glauber and Alex Logsdail,Lisson Gallery, New York, NY2018Twist,fused/Jessica Silverman Gallery, San Francisco, CA2018 Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2017Man Alive, Mariana Mercier, Brussels2016Looking Back, The 10thWhite Columns Annual –Selected by Matthew Higgs, White Columns, New York Life Eraser, Brand New Gallery, Milan Shapeshifters, Luring Augustine, New York The Congregation, Jack Hanley Gallery, New York 2014Les Plaisirs Démodé (The Old-Fashioned Way), Galerie Nikolaus Ruziicka, Salzburg, Austria2013Wit, The Painting Centre, New York2012To the Venetians II: Chris Martin, Matt Rich and Ruth Root, curated by Carrie Moyer and Dennis Congdon, RISD Painting Department Providence, RI2011-12The Indiscipline of Painting, Tate St. Ives, Cornwall, UK, touring to the Mead Gallery, University of Warwick, UK2009Trail Blazers in the 21st Century, The David and Ruth Robinson Eisenberg Gallery, New Brunswick, NJ Print, Mushroom Works, Newark upon Tyne, United Kingdom2008Take Me There Show Me The Way, Haunch of Venison, New York David Reed Studio, New York Gallery Minmi, Japan2007 NE integrity, Derek Eller Gallery, New York Bushels, Bundles & Barrels, Superfund Investment Centre, New York The Painting Show-Slipping Abstraction, Mead Gallery, Coventry, United Kingdom2006Untitled (for H.C. Westermann), The Contemporary Museum, Honolulu, HI Ruth Root, Alex Brown, Cameron Martin, Sally Ross, Gallery Minmi, Tokyoite is, “what is it”, Andrew Kreps Gallery, New York2005The Early Show, White Columns, New York Trade, White Columns, New York2004Painting & Sculpture, Mark Moore Gallery, Santa Monica, CA2003Greetings from New York: A Painting Showalterian Thaddaeus Ropak, Salzburg, Austria20thAnniversary, Welcome Home, Gavin Brown’s Enterprise, New York2002Jump, Curated by Ross Nether, The Painting Centre, New York-Beam, Cynthia Brogan Gallery, New York Inheriting Matisse: The Decorative Contour in Contemporary Art, Curated by MichelleGrabner, Rocket Gallery, London Acme Gallery, Los Angeles Abstract Redux, Danes Gallery and New York.

ANDREW KREPS GALLERY22 CORTLANDT ALLEYNEW YORK, NY 10013TEL (212) 741-8849FAX (212)741-8863WWW.

ANDREWKREPS.COMState of the Gallery, Andrew Kreps Gallery, New York2001The Approximative, Galerie Ghislaine Huss not, Paris Painting show, Curated by Laura Owens, Chicago Project Room, Los Angeles2000 Fuel Serve, Curated by Kenny Schachter, Kenny Schachter/Rove, New York Salty Salute, Westing Art Space, Toronto Perfidy -Exhausted Embrace, Curated by Martyn Simpson and Daniel Sturgis, Convent Sainte Marie de La Tourette, Evreux, FranceKosmobiologie, Curated by Nancy Chaykin, Bellwether Gallery, Brooklyn, NY1999Fifteen, Deutsche Bank, Curated by Walter Robinson, New York Free Coke, Greene Naftali Gallery, New York1998Home and Away, Curated by Kirsty Bell, Gavin Brown’s Enterprise, New York Son-of-a-Gusto, Curated by Nina Bovisa, Clementine Gallery, New York Cambio, Part 2, Curated by Kenny Schachter, Museo Universitario Del Choop, Mexico City Sassy Nuggets, Andrew Kreps Gallery, New York New Museum Benefit Auction, Pierogi 2000 Portfolios, New York Superfreaks: Part II, Odyssey, Greene Naftali Gallery, New York1997Cambio, Curated by Kenny Schachter, 526 West 26th St., New York Wrong Place, Right Time, Curated by Giovanni Garcia-Fenech, Temporary Space, New York Vague Pop, Curated by Giovanni Garcia-Fenech, View room, New York1996The Experimenters, Curated by Kenny Schachter, Lombard-Fried Fine Arts, New York Taking Stock, Curated by Kenny Schachter, 25 Broad Street, New York Texas Meets New York, Curated by Kenny Schachter, Arlington Museum of Art, Arlington, Texas Bump, The Greene County Council on the Arts, Catskill, NY The Death of the Death of Painting, Curated by Kenny Schachter, New York1995Lookin’ Good, Feeling’ Good, 450 Gallery, New York Eat or Be Eaten/ Painting, Not Painting, Anderson Gallery, Buffalo, NYX-Sightings, Anderson Gallery, Buffalo, NY1994Crash, Thread Waxing Space, New YorkBibliography2017Gerwin, Daniel.

“Ruth Root” Artform, September2016 Hodari, Susan. “

Painting Overtakes Pixels in Aldrich Museum Exhibition.”

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Ruth Root: ‘I love to see how artists create such a joy from colour’ “Studio International, December 17. Campbell, Andriana.

“Ruth Root.” Artforum.com, 13 July Pfeiffer, Produce. “Ruth Root.” Artform, October Vogel, Wendy. “The Lookout: Ruth Root” Art in America Online, 2 July Vogel, Wendy. “Ruth Root” Art in America, September Hawley, Anthony. “Ruth Root” The Brooklyn Rail, 8 September Yau, John. “Two Ways of Making Painting in the 21stCentury” Hyperallergic, 19 July The New Yorker, 27 JulySchwendener, Martha.

“Review: Ruth Root, Minimal and Opulent, at Andrew Kreps Gallery, The New York Times, 2July2009James, Nicholas, “Between Painting and Sculpture,” artslant.com, 25 January 2009.

ANDREW KREPS GALLERY22 CORTLANDT ALLEYNEW YORK, NY 10013TEL (212) 741-8849FAX (212)741-8863WWW.ANDREWKREPS.COMNickas, Bob.

“Colour and Structure.” Painting Abstraction: New Elements in Abstract Painting. London, UK. Phaedo Press. 2009Carrier, David. "Ruth Root.” aruspices 24/24 Fall -Winter2008McKeon, Belinda.

“Taking Root on Gallery Walls.” The Irish Times, March 11Maine, Stephen.

"Brand Boosters.” The New York Sun, March 6Ruth Root. The New Yorker, March 3Rosenberg, Karen.

"Ruth Root. “The New York Times, February 222007 “The Painting Show -Abstracts at Warwick University Mead Gallery.”24 Hour Museum.org. Kmart 15 Jannuzzi, Waldemar.”

The pleasures of undescriptive colour. “Times Online, February 182005Huntington, Richard. "A sampling of all things abstract—old and new.

“The Buffalo News, August 13 Flynn, Barbara. “Exhibition round-up: New York. “Artform. 546Rimanelli, David. "Greater New York 2005.” Artforum,MayColes, Alex. "Ruth Root.

“Modern Painters, May, p.112.De Chasse, Eric. "Painting (Cont'd).” art press, n310, March 2004Campagnola, Sonia.

"Ruth Root. “Flash Art, Summer Pozuelo, Abel H., "Ruth Rote Cultural, May Carpio, Francisco. "Ruth Root. “

ABC Cultural, June Pardo, Taneal. "Ruth Root. “Exit Express, June Boyce, Roger. “Ruth Root at Andrew Kreps Gallery.”

Art in America, February 2003Richard, Frances “Ruth Root: Andrew Kreps Gallery.”

Artforum,September Kerr, Merrily. “New York New York: Art Fragments from the Big Apple. “Flash Art, July-September Burton, Johanna. “Ruth Root. “Time Out New York, May 15-22“Ruth Root.”

www.flavorpill.com,May 10Smith, Roberta. “Ruth Root. “The New York Times, May 92002Pagel, David. “

Some Things Old, Some Things Mewls Angeles Times, May 102001Isé, Claudine. “Coughlan, Reeder, Root, Weatherford.” Team Celeste, September/October Schmirler, Sarah. “Gallery Beat. “

Art on Paper,July-AugustJohnson, Ken. “Ruth Root. “The New York Times, April 27Mahoney, Robert. “Ruth Root. “Time Out New York, May 10-17Naves, Mario. “These Paintings Are Watching You. “

The New York Observer, May 7Wehr, Anne. “Cigarette break. “Time Out New York, April 19-262000Cibulski, Dana Mouton. “New York. “Art Papers Magazine, November / December Conti, Tatiana. “Ruth Root. “Team Celeste, November Adult, Gary Michael. “Salty Salute at the West Wing Art Space.” The Globe and Mail, September 30Orange, Mark. “Greater New York.” Untitled,AutumnKino, Carol. “The Emergent Factor. “Art in America, July Hunt, David. “Symbiology. “Time Out New York, July 27Shave, Stuart. “Man Made.” idrapril Sumpter, Helen. “Ruth Root.” Hot Tickets, March Cook, Mark. “Ruth Root. “The Big Issue, March Cotter, Holland.

“New York Contemporary, Defined 150 Ways. “The New York Times, March 6Turner, Grady. “Beautiful Dreamers. “Flash Art, January-February 1999Cotter, Holland. “Ruth Root.”

Art in Review, The New York Times, March Pinchbeck, Daniel. “Ruth Root. “The Newspaper of New York and March.

ANDREW KREPS GALLERY22 CORTLANDT ALLEYNEW YORK, NY 10013TEL (212) 741-8849FAX (212)741-8863WWW.ANDREWKREPS.COMSchmerler, Sarah. “Ruth Root.” Time Out New York, March Sapid, Sue. “Met Life.” The Village Voice, March Turner, Grady.

“Son of a Gusto.” Flash Art, January1995“Eclectic Exhibition Opens at the Anderson Gallery. “Metro Weekend, November Huntington, Richard. “The Expected and Unexpected -A Fun Mix from Near and Far.”

The Buffalo News, July Huntington, Richard. “Nasty at Times. “The Buffalo News, December Victor, Mathieu. “Eat or Be Eaten.” Artvoice, NovemberCatalogues2015Smith-Stewart, Amy. Ruth Root: Old, Odd, and Oval.

The Aldrich Contemporary Art Museum. Ridgefield, CT2014Artist-in-Residence Spring 2014: Ruth Root Paintings. Jaffe-Frieda Gallery, Hopkins Centre for the Arts, Dartmouth College.

Hanover, NH2005Schneider, Claire and Gracchus, Louis. Extreme Abstraction. Albright Knox Gallery. Buffalo, NY. The Buffalo Fine Arts Academy Reddy Young, Tara.2002Sam Collects Contemporary Art Projects.

Seattle Art Museum. Seattle, WA2001Dailey, Meghan and Gingers, Alison M. The Approximative. Mink Ranch Productions. Paris, France2000Groom, Simon. Perfidy: Surviving Modernism.

Kettle’s Yard. Cambridge, UK1999European Galleries. Art Forum Berlin. Berlin, Germany Swenson, Susan (ed.). Pierogi Press. vol. 3, New York, NY1997Schachter, Kenny. Cambio. Mexican Cultural Institute of New York.

New York, NYLectures2001Conversations with Contemporary Artists, MoMA, New York, NY Public Collections Austin Museum of Art, Austin, TX Bard College, Annandale-on-Hudson, NY Carnegie Museum of Art, Pittsburgh, Hirschhorn Museum and Sculpture Garden, Washington D.C.Institute of Contemporary Art, Boston, MA Los Angeles County Museum of Art, Los Angeles, CA Whitney Museum of American Art, New York and NY.

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