#Paint me like one of ur renaissance French girls.

[satans-knitwear]

i SHOULD be a painting

Treat me ~ Tip Me ~ More of me

[sepptember]

𝐬𝐧𝐚𝐢𝐥 — your turn! tell me about the characters you headcanon as queer. <3 I'm all ears.

okay this is a lil headcanon of mine!! all of draculas brides are queer in their own way and are really just draculas girl friends (key word: friends) who live with him cause it’s easier !!

now there’s three of them and two canonically have dark hair and the others blonde but i gave them names :3

the first: judith! i hc her to be from medieval times so a bit before dracula and she was born a vampire instead of being turned, and while being like an either french or german medieval countess or duchess or some shit she had this fiancée who she was gonna marry in secret and was very good at making it look like she was just friends w her or some shit idk but then she died and judith was like absolutely pissed and before meeting dracula juat terrorized thr shit out of that town for centuries on end before she n dracula found the other two wives and they all just moved into a castle tohetger

the second: sybil! the brides canonically don’t have races (i think) so i just decided that sybil is black because i can 🎀 anyway she was born human in the italian renaissance towards the beginning of where it started and she was a painter but not really a famous one but was popular in tht town she lived and because she was a girl kisser she liked the paint women mlre and was wirh definitely a few (not a lot but a few) of the women she painted and therefore she has a lot of paintings of a few of them instead of just one and one day a man wanted hee to paint him and she was like “no sorry i’d rather not i only paint women” and cause she didn’t have a business and was painting on her own accord and whoever she wanted so basically she painted whoever she wanted and the guy she refused was a newly turned vampire so he (attempted) to kill her and it turned her into a girl kisser vampire instead and eventually she met judith and dracula and they all became besties

the third: cleda! i was gonna have hee american at first but dracula takes place in europe so i didn’t ! but anyway my hc is she’s the youngest bride and was alive and an opera singer in the mid 1700s :3 and she was very popular and very famous and judith (the first bride) rlly liked her and went to a shit ton of her operas cause like i said she loved her voice and just her in general (fag. I CAN SAY IT) but cleda was unhappy with herself and how she sounded and had a terrible “i need to be the best” complex and out of straught up anger was like “yk what i hate u all” and also rlly rlly liked this ballet dancer but hated that she felt like that and didn’t think t was normal and after she got rlly pissed amd just (tw!!) tried to commit and judith was coming to be like “hi ur literally amazing” and saw her like unconscious and abt to die on the floor smd bit her and turned her before anything could happen

anyway now they’re all gay and live in a castle together (until they die at the end of the book) and just hrlp dracula out with certain things and vice versa and are only rlly called his brides cause of homophobic pieces of shit and him being like “erm they’ll burn u guys alive” and it’s just a cover for them all being gay and are actually poly and eachothers brides

the way I ate every word of this up?? hello?????

I'm gonna read this book now. and I'm going to envision all of them in this way. idk anything about the book, but this genuinely sounds more interesting than the actual book itself does.

all of them are girl kissers and they kiss each other now! it's canon. you should make a rewrite of the book like this... yk like a retelling? you'd eat it up!! and I'd buy it!! and so would a lot of other people honestly.

[maggotmouth]

         hello, its nora again ( she/her, gmt ) n this is the ethereal but spoiled alma olive putnam (she goes by all 3 names cos she’s pretentious as fuck).  ive never used anya taylor joy as her fc before but anya has a smile that looks like she knows something u dont and thats completely alma’s vibe so we’re gonna try it out. she was raised in a farmhouse in vermont, big horse girl energy. very hungry for everything life has to offer. wakes up and smells the success in her blood. luvs the smell of libraries and listening to french music from a tinny record player in knee socks. here is pinterest. bio is below the cut, like this post to be bombarded with plotting messages but i might forget or get shy tho so pls message me x

application template.

ANYA TAYLOR - JOY   ,   CIS-FEMALE   ,   SHE/HER         →         according   to   the   school   records   ,   ALMA OLIVE PUTNAM   has   been   attending   sacred   heart   for   the   past   three   years   .   i   last   saw   them   hanging   around  the  sacred   heart   cathedral   ;   i   think   they   were   studying   the   stations   of   the   cross   with   a   smile   like   a   well - kept   secret.   at   twenty   -   one   years   old   ,   alma   has   been   studying   classics   and   get   this   ,   i   heard   that   she   has   made   a   fortune   on   the   black   market   by   forging   renaissance   art   to   sell   to   collectors   —   figure   it’s   true   ?   everyone   around   here   always   associates   them   with    neck   scarves   tied   around   your   throat   the   way   they   do   in   french   new   wave   films , running   barefoot   through   the   woods   drunk   on  red  wine   and  untapped   power , a  smile  like  a   locked   door   that   speaks   only  in   riddles  .   in   the   time   since   these   strange   happenings   ,   they   have   have   encountered   any   unexplained   occurrences   .         (   written   by   nora   ,   24   ,   she/her   ,   gmt   )

aesthetics.

a red beret nestled on top of bright platimum locks, neck scarves tied around your throat the way they do it in french new wave films, running barefoot through the woods in feckless hedonism, china dolls with porcelain faces lined against the walls of your room, the mona lisa smile, knee-socks tugged over the hockey grazes on your knees, a forged botticelli drying on your easel, ophelia floating in the middle of a lake.

proceed w caution, tw for death, drugs, alcohol, violence

the short form. (still long af tbh)

— studying classics cos she thinks it makes her sound smart, but actually hates fuckin latin and just loves learning about feckless hedonism and the festivals of bacchus and writing about how all women in myth are literally forgotten. was expelled from princeton in her first year so her parents basically paid her way into sacred heart and the board really liked her in her interview. i think the governors kind of expect to see her in the supreme court one day or st

—  born in vermont in a big old farmhouse. her great-great-grandfather moved to america as an immigrant and worked on a plantation, made his way up cos he could speak a lot of languages and therefore win more people over. for the last two generations, putnam men have owned the farm and do little of the dirty work. big in the meat industry.

— both her parents had large personalities, so alma’s never really been shy around adults, even as a kid she’d speak to them in a forthright, confident manner, and because she was always surrounded by adults, she’s always seemed a bit wise beyond her years.

— very much a consolidation of every character in the secret history. has a morbid longing for the picturesque at all costs. obsessed with w.h. auden and the beat poets. — ”aestheticism is the only thing worth pursuing and even that is pointless” — is majoring in classical civilisation. can read ancient greek and latin. also speaks french.

— studies hard and plays hard. she gets top marks but it’s because academia is literally her life, she loves the smell of libraries, the ancient smoke of learning, of feeling like old wine in a new bottle reincarnated from the bones of some old, dead witchy woman who invented a cure for cowpox or somethin.

— isn’t a foward-planner, however. alma prefers to leave her options open, play the field, live in a spontaneous manner so her study style is mostly cramming a few days before a test, or staying up all night writing an essay on a massive adrenaline boost powered by red bull or probably adderall, scribbling (or typing) furiously into the night.

— pretentious motherfucker. loves poetry, especially the romantics, loves morbid ones too, edgar allen poe, sylvia plath, allen ginsberg, she just loves them all. can’t get enough. her favourite films are like…. wanky artfilm independent european cinema. especially french new wave. “what do you think of goddard’s work??” while snorting a line off someone’s sink at 5am on a school night, but you can bet she’ll make it to that 9am class. — very intelligent and beautiful and knows both of those facts. plays devil’s advocate. humanitarian, vegan. — judgemental but takes great care not to appear so. petty and vindictive

— obsessively devours mystery and thriller novels. she herself is a gillian flynn book waiting to happen. — tries to be an enigma. wants to be mysterious and unreadable because that’s what books have taught her makes women desirable and interesting and cool. very amy dunne in the way she expertly reinvents herself to suit her audience, when she wants to impress

—  an incredibly talented dancer. she was accepted to juliard to study ballet, but after an injury to her foot she had to refuse her place, something that she’s incredibly bitter about. she went to princeton instead to study classics for a semester, before being expelled. 

— alma comes from a family of high-end art dealers. while her parents paid her way into the school, that was mostly due to previous expulsions, not low intelligence. she’s incredibly intelligent but will only put in effort when she deems the cause worthy. she’s frustrating to teach, because she requires evidence, truth, in order to accept something as worthwhile. she plays devil’s advocate, but academically she’s brilliant. 

—  she can recognise any renaissance artist just by their brush strokes. her aunt and uncle deal antiques and art, and from an internship with them after her expulsion from princeton, she learned how to market and sell art, how to recognise originals in contrast to fakes. from this, alma began to produce counterfeit art and sell it off as the original work to the contacts she had made in her internship. it’s disloyal, but it’s powerful.

— act like the flower but be the serpent under it. is a user. manipulative. leads people on. will throw another student under the bus to demonstrate her own intelligence and integrity — heavily involved in the theatre society. loves attention. — has an addictive personality. seems unable to do anything in a small dose, she has to let it utterly consume her. with sports, she’s fiercely competitive, runs track, played lacrosse at school, now is a cheerleader probably. with alcohol, it’s never a shot, it’s a whole bottle – wine or whiskey – she’ll be table dancing before the night’s up and making out with someone she’ll regret in the morning.

— her clothing style is like…. vintage thrift store but make it preppy. berets and cute hats, neck scarves, large fluffy cardigans or like those leathery jackets with big suede fringes on them, mini skirts (very 70s), and knee-high socks or boots. quite often she’ll be in sports kit, maybe a cute tennis skirt, n when she’s feeling casual she’ll wear like, a talking heads tshirt with a pair of mom jeans and converse, but otherwise, the library is her catwalk. — relates to ophelia from hamlet and sibyl vane in dorian gray. weirdly obsessed with women who commit suicide. loves jackson pollock paintings and abstract art. – likes old things. old books, old music, old houses, it reminds her of happier times like when she wasn’t alive. buys all her music on vinyl and has a gramophone because “the sound quality is better” kfdsjj.

plots.

here are some generic wanted plots but by all means message me so we can flesh them out more if any strike ur interest:

study buddies !! someone who is equally unprepared and so spends all night in the library with alma before a big deadline, maybe they even met in the library

if they’re from new england or vermont, then cousins . second cousins / extended family / family friends –  probably spat volavons on your character once as children, omg childhood friends !

honestly someone who is fully in love with her or crushing on her that she can just break would be sweet :/ or on the other hand someone she unexpectedly gets feelings for and actually wants to guage her own  eyeballs out bc of it

frinds !! unlikely friends !! toxic friends !! former best friends separated by sporting or academic rivalries !

hockey / cheer friends who are on other teams but who she absolutely loves playin against!!!

fellow academics who like meeting up to discuss latin and greek ! gimme a secret society bonding by their love of ancient learning

i reckon she’s in a lot of societies, definitely the film club, maybe works as a projectionist at the uni cinema if they have one so give me ppl affiliated with that, give me fellow wanky pretentious art-lovers and poets and historians who will go to museums and galleries with her and listen to the velvet underground on vinyl

people she gets mortally fucked off her tits with at parties

people who think she is throwing her academic potential away by caving to hedonistic impulse

a secret society !!! honestly i would die for a slug club esque thing in which the children of notable families are invited to dinners or alma’s also an art forger, so maybe like a club of students set up to basically forge paintings and documents from the university special collections

people she has drunkenly made out with, hooked up with, or regularly sleeps with casually, maybe even a friend w benefits she is repressing feelings for, i love angst,

people she used to date or unrequitedly likes, but to them it’s just a physical thing, give me all the thirsty angst plots, and maybe some softness too, i need some religion in this girls life, she is a roman catholic after all

full biography.

alma olive putnam.

intro.

        the girl is a knife. razor-sharp, double-edged, the bright shine of a two-faced, lovely thing. silver like the secrets you magpie thief from other heads. you’re a scavenger of knowledge, of tidbits, of gossip to lock away for later use and late-night re-inspection. a mind is like a clock if you get to learn the pieces. bit by bit, you dismantle the inner workings of the brains that tick around you – how easy it is to change it’s path, how words and their meanings can make a person laugh or cry in an instant. to have the power to control that is to be a god. it’s the power trip you crave wielding pom-poms in your hands; a possessive need for control that a younger you, small and weak, never had as a child. small lips, smaller smile, a doll clutched in your too-hungry fingers, hard enough to shatter the bones of a real infant. you cut your hair with your mother’s kitchen scissors before the autumn falls, rendering you out of season, unfit for the cold weather that beats against the nape of your neck, where a stick-and-poke marks the star you were born under ; the bull. “mama, when will i be a queen?” as soon as they find a crown small enough not to slip from your head.

biography.

        if you get hungry enough, they say, you start eating your own heart. hands red, stained by pomegranate seeds, the empty pulp of its shell splattered on your thighs you find yourself wondering – what would it be like to want? in the beginning, you never knew hunger. twins, born under the same star, you first, him second – a nuclear family. never a sister to compete with, you were always the cherry pie of your parents’ hearts. white-haired, blue-eyed, beautiful baby of mine. the townhouse in vermont and the summer house in lyon, you wanted for nought, showered with attention, saddled with gifts - hardly a wonder you came to rely on such affection as a confirmation of your own worth.

        at eight years old you first met death, blood on a gingham-print dress, a smear of it over your cheekbone and the pulp of a mangled animal at your feet murdered by the hands of a stable boy. “alma, my precious baby, you get away from that filth,” your mama would cry from the upstairs balcony – cigar in one hand and a bloody mary in the other – though whether the filth she referred to was the dead pig or the boy with a kernel of corn in his mouth, you never did find out.

        your family earned their keeps in farming, great-grandfather wolfgang hildegarde a german immigrant, great-grandmother maura lisbon a prairie girl. they fell hopelessly in love between troughs and pig-shit, working for three dollars a day at a farm their descendants would later own, trade deals with the indians, vacations to calcutta, your father todd putnam in the kind of sheepskin coat his father’s father could only dream of owning. he worked hard so that you’d never have to. your mama once asked – you heard it through the window, rounding cartwheels across the picket-fenced lawn – could he not find a respectable career rather than selling shrink-wrapped pork for a dime a dozen? that blood money had no business raising a child. you look far back enough, edie, your father had said in his low, strong voice that could bring a civil war to silence, and i think you’ll find that all money is blood money.

        language was never fickle on your tongue, french dinner time talk by the time you were out of your hush puppy shoes, your mama fixing the au pair a smile as she fixed herself another martini. you learned the clarinet at four and how to dance with the grace of a swansong at six, ethereal under a spotlight, an audience captive in the palm of your hand. by eight you knew that you’d always been destined to be loved. loved so hard they would want to taste you, bite into the soft plump of your cheek and eat you alive. that was how magnetic you wanted to feel. but mother hamsters eat their own young when penned in together too long, and soon you became too wild, too restless, another package on your father’s delivery invoice, box-shipped out to english boarding school.

        fitting in had never been something you had to concern yourself with. you were always the shiny new toy the other girls wanted to play with, bright like a dropped coin from a magpie’s beak. wherever you went, you seemed to leave a trail of awe, pig-tailed harriet’s adoring you, imitating you, teachers forgiving your class-time chatter for the sake of your wild heart and the restless spirit you possessed. tell us what it’s like in the states, alma. they’d coo, enamoured by your hollywood drawl. does your father own a gun? you hardly knew. barely even knew the colour of his hair, for the scarce amount of times he’d stoop to kiss your cheek, though you’d tell silver-tongued tales if it’d guaranteed you an audience. when you learned how to smile at the right times, and that flattery would get you everywhere, it soon became apparent that charm would pave the yellow brick road to success even when your lack of drive couldn’t.

        the road you followed – gum-snapping, roller-blading, friendship bands all up your arm – eventually led you to sacred heart. bright-eyed and gingham skirted, you’d always known you were more. there was a hunger in you to be something extraordinary, a want so adamant to be imagined and desired that it was almost savage. in leather-bound volumes and a circle of stones, you were helen of troy, the girl for whom they’d launch a thousand ships. but there’s so much rage within you, collecting like sawdust in cavernous parts. hockey helped. there was something grounding about the feeling of a stick clasped in your hands. sweat. stiff knuckles. feet pounding the earth. the smash of wood against flesh in the scram of a game, passed off as mere enthusiasm. “slipped, sorry.” hockey is the one thing you had that was yours alone – a feral instinct that motivates you to play; something primitive within you that sparks an energy like no other. on the pitch, you feel alive. you feel like a god.

[satans-knitwear]

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i SHOULD be a painting

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